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SCIENCE FICTION. SCIENCE FICTION. - PowerPoint PPT Presentation

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Page 1: SCIENCE FICTION
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SCIENCESCIENCE FICTIONFICTION

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SCIENCE FICTIONSCIENCE FICTIONare usually scientific, visionary, comic-are usually scientific, visionary, comic-

strip-like, and imaginative, and usually strip-like, and imaginative, and usually visualized through fanciful, imaginative visualized through fanciful, imaginative settings, expert film production design, settings, expert film production design, advanced technology gadgets (i.e., robots advanced technology gadgets (i.e., robots and spaceships), scientific developments, and spaceships), scientific developments, or by fantastic special effects or by fantastic special effects

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SCIENCESCIENCE FICTION

Sci-fi films are complete with heroes, Sci-fi films are complete with heroes, distant planets, impossible quests, distant planets, impossible quests, improbable settings, fantastic places, great improbable settings, fantastic places, great dark and shadowy villains, futuristic dark and shadowy villains, futuristic technology and gizmos, and unknown and technology and gizmos, and unknown and inexplicable forces inexplicable forces

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SCIENCE FICTIONSCIENCE FICTION

Many other SF films feature time travels or Many other SF films feature time travels or fantastic journeys, and are set either on fantastic journeys, and are set either on Earth, into outer space, or (most often) Earth, into outer space, or (most often) into the future time. Quite a few examples into the future time. Quite a few examples of science-fiction cinema owe their origins of science-fiction cinema owe their origins to writers Jules Verne and H.G. Wells to writers Jules Verne and H.G. Wells

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SCIENCE FICTIONSCIENCE FICTIONThey often portray the dangerous and They often portray the dangerous and

sinister nature of knowledge ('there are sinister nature of knowledge ('there are some things Man is not meant to know') some things Man is not meant to know') The The Fly (1986)Fly (1986)

Vital issues about the nature of mankind Vital issues about the nature of mankind and our place in the whole scheme of and our place in the whole scheme of things, including the threatening, existential things, including the threatening, existential loss of personal individuality loss of personal individuality Invasion of the Body Snatchers (1956)

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SCIENCE FICTION SCIENCE FICTION PLOTSPLOTS

Space-related conspiraciesSpace-related conspiracies Supercomputers threatening impregnation Supercomputers threatening impregnation The results of germ-warfare and laboratory-bred The results of germ-warfare and laboratory-bred

viruses or plaguesviruses or plagues Black-hole explorationBlack-hole exploration Futuristic genetic engineering and cloningFuturistic genetic engineering and cloning Strange and extraordinary microscopic organisms Strange and extraordinary microscopic organisms

or giant, mutant monsters may be unleashed, or giant, mutant monsters may be unleashed, either created by misguided mad scientists or by either created by misguided mad scientists or by nuclear havoc nuclear havoc

These examples show the tremendous range that These examples show the tremendous range that science fiction can delve into science fiction can delve into

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SCIENCE FICTIONSCIENCE FICTION Sci-fi tales have a prophetic nature (they often Sci-fi tales have a prophetic nature (they often

attempt to figure out or depict the future) and are attempt to figure out or depict the future) and are often set in a speculative future timeoften set in a speculative future time

They may provide a grim outlook, portraying a They may provide a grim outlook, portraying a dystopic view of the world that appears grim, dystopic view of the world that appears grim, decayed and un-nerving decayed and un-nerving Metropolis (1927) Metropolis (1927) with its with its underground slave population and view of the underground slave population and view of the effects of industrializationeffects of industrialization

the portrayal of 'Big Brother' society in the portrayal of 'Big Brother' society in 19841984 (1956 (1956 andand 1984) 1984)

Commonly, sci-fi films express society's anxiety Commonly, sci-fi films express society's anxiety about technology and how to forecast and control about technology and how to forecast and control the impact of technological and environmental the impact of technological and environmental change on contemporary society change on contemporary society

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SCIENCE FICTIONSCIENCE FICTIONScience fiction often expresses the Science fiction often expresses the

potential of technology to destroy potential of technology to destroy humankind through Armaggedon-like humankind through Armaggedon-like events, wars between worlds, Earth-events, wars between worlds, Earth-imperiling encounters or imperiling encounters or disasters (i.e., (i.e., The Day The Earth Stood Still The Day The Earth Stood Still (1951)(1951), , When Worlds Collide (1951)When Worlds Collide (1951), , The War of the Worlds (1953)The War of the Worlds (1953)

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SCIENCE FICTIONSCIENCE FICTION In many science-fiction tales, aliens, creatures, or In many science-fiction tales, aliens, creatures, or

beings (sometimes from our deep subconscious, beings (sometimes from our deep subconscious, sometimes in space or in other dimensions) are sometimes in space or in other dimensions) are unearthed and take the mythical fight to new unearthed and take the mythical fight to new metaphoric dimensions or planes, depicting an eternal metaphoric dimensions or planes, depicting an eternal struggle or battle (good vs. evil) that is played out by struggle or battle (good vs. evil) that is played out by recognizable archetypes and warriors (i.e., recognizable archetypes and warriors (i.e., Forbidden Planet (1956), Forbidden Planet (1956), the space opera the space opera Star Wars (1977) with knights and a princess with her with knights and a princess with her galaxy's kingdom to savegalaxy's kingdom to save

Beginning in the 80s, science fiction began to be Beginning in the 80s, science fiction began to be feverishly populated by noirish, cyberpunk films, with feverishly populated by noirish, cyberpunk films, with characters including cyber-warriors, hackers, virtual characters including cyber-warriors, hackers, virtual reality dreamers and druggies, and underworld low-reality dreamers and druggies, and underworld low-lifers in nightmarish, un-real worlds i.e., lifers in nightmarish, un-real worlds i.e., Blade Runner (1982), , Strange Days (1995)Strange Days (1995), , Johnny Johnny Mnemonic (1995)Mnemonic (1995), and , and The Matrix (1999)The Matrix (1999). .

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Hybrid Genre Hybrid Genre Blending and BorrowingBlending and Borrowing

The genre is predominantly a version The genre is predominantly a version of of fantasy films Star Wars (1977), but , but can easily overlap with can easily overlap with horror films, , particularly when technology or alien particularly when technology or alien life forms become malevolent life forms become malevolent Alien (1979) in a confined spaceship in a confined spaceship (much like a haunted-house story).(much like a haunted-house story).

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Hybrid Genre Hybrid Genre Blending and BorrowingBlending and Borrowing There are many examples of blurred or hybrid There are many examples of blurred or hybrid

science fiction films that share characteristics with science fiction films that share characteristics with lots of other genres including:lots of other genres including:

• westerns Outland (1980)Outland (1980)• romances Somewhere in Time (1980)Somewhere in Time (1980)• adventure films The Thing From Another World The Thing From Another World

(1951)(1951)• action films Terminator 2 - Judgment Day (1991)• comedies Sleeper (1973)• serials Star Wars (1977)• cop-buddy films cop-buddy films Alien Nation (1988)Alien Nation (1988)

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The Earliest The Earliest Science Fiction FilmsScience Fiction Films

The The pioneeringpioneering science fiction film, a 14-minute ground- science fiction film, a 14-minute ground-breaking masterpiece with 30 separate tableaus (scenes), breaking masterpiece with 30 separate tableaus (scenes), Le Voyage Dans La Lune (A Trip to the Moon) (1902), was was made by imaginative, turn-of-the-century French made by imaginative, turn-of-the-century French filmmaker/magician Georges Melies, approximating the filmmaker/magician Georges Melies, approximating the contents of the novels by Jules Verne (contents of the novels by Jules Verne (From the Earth to the From the Earth to the MoonMoon) and H.G. Wells () and H.G. Wells (First Men in the MoonFirst Men in the Moon). With ). With innovative, illusionary cinematic techniques (trick photography innovative, illusionary cinematic techniques (trick photography with superimposed images, dissolves and cuts), he depicted with superimposed images, dissolves and cuts), he depicted many memorable, whimsical old-fashioned images many memorable, whimsical old-fashioned images

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The Earliest The Earliest Science Fiction FilmsScience Fiction Films

The first science fiction The first science fiction featurefeature films films appeared in the 1920s after the Great War, appeared in the 1920s after the Great War, showing increasing doubts about the showing increasing doubts about the destructive effects of technology gone mad. destructive effects of technology gone mad. One of the greatest and most innovative One of the greatest and most innovative films ever made was a silent film set in the films ever made was a silent film set in the year 2000, German director Fritz Lang's year 2000, German director Fritz Lang's classic, expressionistic, techno-fantasy classic, expressionistic, techno-fantasy masterpiece masterpiece Metropolis (1927)Metropolis (1927) - sometimes - sometimes considered the considered the Blade Runner of its time of its time

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The Earliest The Earliest Science Fiction FilmsScience Fiction Films

It featured an evil scientist/magician It featured an evil scientist/magician named Rotwang, a socially-named Rotwang, a socially-controlled futuristic city, a beautiful controlled futuristic city, a beautiful but sinister female robot named but sinister female robot named Maria (probably the first robot in a Maria (probably the first robot in a feature film, and later providing the feature film, and later providing the inspiration for George Lucas' C3-inspiration for George Lucas' C3-PO in PO in Star Wars, a stratified , a stratified society, and an oppressed society, and an oppressed enslaved race of underground enslaved race of underground industrial workers.industrial workers.

Even today, the film is acclaimed Even today, the film is acclaimed for its original, futuristic sets, for its original, futuristic sets, mechanized society themes and a mechanized society themes and a gigantic subterranean flood - it gigantic subterranean flood - it appeared to accurately project the appeared to accurately project the nature of society in the year 2000. nature of society in the year 2000. [It was re-released in 1984 with a [It was re-released in 1984 with a stirring, hard-rock score featuring stirring, hard-rock score featuring songs by Pat Benatar and Queen.] songs by Pat Benatar and Queen.]

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The Earliest The Earliest Science Fiction FilmsScience Fiction Films

Metropolis TrailerMetropolis Trailer

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Early Science-Fiction - Early Science-Fiction - Horror Film Blends: The 30s Horror Film Blends: The 30s

The most memorable blending of science fiction and horror The most memorable blending of science fiction and horror was in Universal Studios' mad scientist-doctor/monster was in Universal Studios' mad scientist-doctor/monster masterpiece from director James Whale, masterpiece from director James Whale, Frankenstein (1931), , an adaptation of Mary Shelley's novel. Her original 1818 book an adaptation of Mary Shelley's novel. Her original 1818 book was subtitled was subtitled Frankenstein - The Modern PrometheusFrankenstein - The Modern Prometheus

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Early Science-Fiction - Early Science-Fiction - Horror Film Blends: The 30s Horror Film Blends: The 30s

This was soon followed by Whale's superior sequel This was soon followed by Whale's superior sequel Bride of Frankenstein (1935), one of the best , one of the best examples of the horror-SF crossover, and one of examples of the horror-SF crossover, and one of the first films with a mad scientist's creation of the first films with a mad scientist's creation of miniaturized human beings. The famed director also miniaturized human beings. The famed director also made the film version of an H. G. Wells novel made the film version of an H. G. Wells novel The The Invisible Man (1933)Invisible Man (1933) with Claude Rains (in his film with Claude Rains (in his film debut in the starring title role) - it was the classic debut in the starring title role) - it was the classic tale of a scientist with a formula for invisibility tale of a scientist with a formula for invisibility accompanied by spectacular special effects and accompanied by spectacular special effects and photographic tricks.photographic tricks.

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Escapist Serials of the 30s: Escapist Serials of the 30s: Flash Gordon & Buck Rogers Flash Gordon & Buck Rogers

In the 1930s, the most popular films were the low-budget, In the 1930s, the most popular films were the low-budget, less-serious, space exploration tales portrayed in the popular, less-serious, space exploration tales portrayed in the popular, cliff-hanger Saturday matinee cliff-hanger Saturday matinee serials with the first two with the first two science-fiction heroes - Flash Gordon and Buck Rogersscience-fiction heroes - Flash Gordon and Buck Rogers

Space-explorer hero Space-explorer hero Flash Gordon was a fanciful adventure was a fanciful adventure character derived from the Alex Raymond comic strip first character derived from the Alex Raymond comic strip first published in 1934 (from King Features). The serials 'invented' published in 1934 (from King Features). The serials 'invented' many familiar technological marvels: anti-gravity belts, many familiar technological marvels: anti-gravity belts, laser/ray guns, and spaceships.laser/ray guns, and spaceships.

Popular elements in the swashbuckling films were the Popular elements in the swashbuckling films were the perfectly-cast, epic hero athlete/actor Larry "Buster" Crabbe, perfectly-cast, epic hero athlete/actor Larry "Buster" Crabbe, the lovely heroine and Flash's blonde sweetheart Dale Arden the lovely heroine and Flash's blonde sweetheart Dale Arden (Jean Rogers), Dr. Hans Zarkov (Frank Shannon), and the (Jean Rogers), Dr. Hans Zarkov (Frank Shannon), and the malevolent, tyrant Emperor Ming the Merciless (Charles malevolent, tyrant Emperor Ming the Merciless (Charles Middleton) on far-off planet MongoMiddleton) on far-off planet Mongo

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The Golden Age ofThe Golden Age ofScience Fiction Films Science Fiction Films

In response to a growing interest in rocketry In response to a growing interest in rocketry and space exploration, feature-length space and space exploration, feature-length space travel films gained popularity in the early travel films gained popularity in the early 1950s, pioneered by two 1950 films:1950s, pioneered by two 1950 films:Rocketship X-M (1950)Rocketship X-M (1950) Destination Moon (1950)Destination Moon (1950). The technicolor . The technicolor

science fiction film was historically important - it science fiction film was historically important - it 'invented' the realistic look of spacesuits, 'invented' the realistic look of spacesuits, rocketships (skillfully-produced models), and the rocketships (skillfully-produced models), and the lunar surface. It was an Academy Award winnerlunar surface. It was an Academy Award winner

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Alien Invader Films in the Alien Invader Films in the Cold War Era Cold War Era

Many other sci-fi films of the 1950s portrayed the Many other sci-fi films of the 1950s portrayed the human race as victimized and at the mercy of human race as victimized and at the mercy of mysterious, hostile, and unfriendly forcesmysterious, hostile, and unfriendly forces

Cold War politics undoubtedly contributed to Cold War politics undoubtedly contributed to suspicion, anxiety, and paranoia of anything "other" suspicion, anxiety, and paranoia of anything "other" - or "un-American." Allegorical science fiction films - or "un-American." Allegorical science fiction films reflected the collective unconscious and often reflected the collective unconscious and often cynically commented upon political powers, threats cynically commented upon political powers, threats and evils that surrounded us (alien forces were and evils that surrounded us (alien forces were often a metaphor for Communism), and the dangers often a metaphor for Communism), and the dangers of aliens taking over our minds and territory. of aliens taking over our minds and territory.

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US films about space invaders US films about space invaders in the 50s included: in the 50s included:

The Day The Earth Stood Still (1951), was a counter-was a counter-revolutionary film about the revolutionary film about the madness of Cold War madness of Cold War politics; it had an anti-politics; it had an anti-nuclear war message and nuclear war message and ultimatum ("Klaatu barada ultimatum ("Klaatu barada nikto") brought to nikto") brought to Washington D.C. by a Washington D.C. by a gentle, benevolent, and gentle, benevolent, and philanthropic Christ-like philanthropic Christ-like alien/emissary named alien/emissary named KlaatuKlaatu

The entire film was a The entire film was a precursor to Spielberg's precursor to Spielberg's Close Encounters of the Third Kind (1977) and and E.T.: The Extra-Terrestrial (1982)

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US films about space invaders US films about space invaders in the 50s included: in the 50s included:

The film noirish The film noirish science fiction classic, science fiction classic, Universal's 3-D Universal's 3-D widescreen widescreen It Came It Came From Outer Space From Outer Space (1953)(1953) with stereo with stereo soundsound

It was an anti-It was an anti-conformist, anti-conformist, anti-McCarthy message in McCarthy message in its unique tale of its unique tale of benign aliens that benign aliens that crash-landed on Earth crash-landed on Earth in the Arizona desert in the Arizona desert near a small town near a small town

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US films about space invaders US films about space invaders in the 50s included: in the 50s included:

The definitive Martian alien-The definitive Martian alien-invasion film, copied repeatedly invasion film, copied repeatedly afterwards, was producer George afterwards, was producer George Pal's and director Byron Haskin's Pal's and director Byron Haskin's film version of H. G. Wells' 1898 film version of H. G. Wells' 1898 story story The War of the Worlds The War of the Worlds (1953)(1953)

Aliens invaded in manta ray-like Aliens invaded in manta ray-like space ships with cobra-like probes space ships with cobra-like probes and zapped objects with green and zapped objects with green disintegration rays to destroy disintegration rays to destroy 1950s Los Angeles1950s Los Angeles

Remade as a spectacular Steven Remade as a spectacular Steven Spielberg-directed Spielberg-directed War of the War of the Worlds (2005)Worlds (2005), an updated version , an updated version with disaster film elements, about with disaster film elements, about sinister attacking aliens from the sinister attacking aliens from the perspective of divorced father Ray perspective of divorced father Ray Ferrier (Tom Cruise) with two Ferrier (Tom Cruise) with two children in the New York area -- children in the New York area -- with haunting recollections of the with haunting recollections of the 9/11 nightmare 9/11 nightmare

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Other AlienOther AlienInvader Classics Invader Classics

In more creature features, In more creature features, parasitic alien seed pods parasitic alien seed pods threatened to duplicate and threatened to duplicate and transplant themselves as transplant themselves as emotion-less human clones emotion-less human clones in a hostile takeover of the in a hostile takeover of the small California town of small California town of Santa Mira, in Don Siegel's Santa Mira, in Don Siegel's suspenseful and brilliant suspenseful and brilliant film film Invasion of the Body Snatchers (1956)

It was a perfect post-It was a perfect post-McCarthy era film from a McCarthy era film from a story by sci-fi writer Jack story by sci-fi writer Jack Finney about the threat of Finney about the threat of Communist infiltration and Communist infiltration and dehumanizing brainwashing dehumanizing brainwashing

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Disaster-TingedDisaster-TingedScience-Fiction Science-Fiction

Stanley Kubrick's Stanley Kubrick's Dr. Strangelove: Or How I Learned to Stop Worrying and Love the Bomb (1964) black comedy black comedy irreverently juxtaposed irreverently juxtaposed comedy and the prospect comedy and the prospect of atomic warof atomic war

It featured Peter Sellers It featured Peter Sellers in three prominent roles, in three prominent roles, including one of the title including one of the title character of Dr. character of Dr. Strangelove -- a bomb-Strangelove -- a bomb-loving, mad scientist type loving, mad scientist type with a Nazi accent and with a Nazi accent and an artificial arm an artificial arm

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The Mutant The Mutant Creatures/Monsters Cycle Creatures/Monsters Cycle

With the threat of destructive rockets and the With the threat of destructive rockets and the Atom Bomb looming in people's minds after Atom Bomb looming in people's minds after World War II, mutant creature/monster films World War II, mutant creature/monster films featured beasts that were released or atomically featured beasts that were released or atomically created from nuclear experiments or A-bomb created from nuclear experiments or A-bomb accidentsaccidents

Monsters were the direct result of man's Monsters were the direct result of man's interference with nature interference with nature

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Low-budget 50s films about Low-budget 50s films about horrors of the Atomic Age: horrors of the Atomic Age:

The Beast From The Beast From 20,000 Fathoms 20,000 Fathoms (1953),(1953), with with spectacular effects spectacular effects and stop-motion and stop-motion animation by FX animation by FX expert Ray expert Ray HarryhausenHarryhausen

It was a precursor It was a precursor to the 1954 to the 1954 GojiraGojira or or GodzillaGodzilla monster monster

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Low-budget 50s films about Low-budget 50s films about horrors of the Atomic Age: horrors of the Atomic Age:

Tarantula (1955)Tarantula (1955), a film that imitated , a film that imitated Them!Them!

The Incredible Shrinking Man (1957)The Incredible Shrinking Man (1957)The Fly (1958)The Fly (1958)

And director David Cronenberg's great And director David Cronenberg's great remake remake The Fly (1986)The Fly (1986) years later, with years later, with Jeff Goldblum and Geena Davis Jeff Goldblum and Geena Davis

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Low-budget 50s films about Low-budget 50s films about horrors of the Atomic Age: horrors of the Atomic Age:

One intelligent, lavishly-One intelligent, lavishly-expensive science fiction expensive science fiction film was MGM's film was MGM's Forbidden Forbidden Planet (1956)Planet (1956)

It told the story of a journey It told the story of a journey by astronauts of United by astronauts of United Planets Cruiser C57D (led Planets Cruiser C57D (led by commanding officer by commanding officer Leslie Nielsen in one of his Leslie Nielsen in one of his earliest roles) to a distant earliest roles) to a distant planet named Altair-IVplanet named Altair-IV

The studio-bound film The studio-bound film inspired the look of many inspired the look of many future films and works, future films and works, notably TV's notably TV's Star TrekStar Trek

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Ray Harryhausen– Ray Harryhausen– One of the Fathers of Modern-One of the Fathers of Modern-

Day Special EffectsDay Special Effects After admiring and being inspired by the ground-After admiring and being inspired by the ground-

breaking work of Willis H. O'Brien in breaking work of Willis H. O'Brien in King Kong King Kong (1933)(1933) and the work of special-effects animator and the work of special-effects animator George Pal in the 1940s, Ray Harryhausen was George Pal in the 1940s, Ray Harryhausen was able to work on able to work on Mighty Joe Young (1949)Mighty Joe Young (1949), one of , one of O'Brien's final projects (for which O'Brien won a O'Brien's final projects (for which O'Brien won a Best Visual Effects Oscar)Best Visual Effects Oscar)

Master of stop-motion animation Ray Harryhausen Master of stop-motion animation Ray Harryhausen turned to mythologically-tainted science-fiction films turned to mythologically-tainted science-fiction films (including three Sinbad films) to display his (including three Sinbad films) to display his painstaking, classic craft of special effects - painstaking, classic craft of special effects - animated frame-by-frame, until the special effects animated frame-by-frame, until the special effects revolution ushered in by revolution ushered in by Star Wars (1977) swept swept through the industry through the industry

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Ray Harryhausen– Ray Harryhausen– One of the Fathers of Modern-One of the Fathers of Modern-

Day Special EffectsDay Special Effects Harryhausen, who Harryhausen, who nevernever received an Oscar received an Oscar

nomination, created the fantastic images in nomination, created the fantastic images in 15 films between 1953 and 1981, including:15 films between 1953 and 1981, including:The Beast From 20,000 Fathoms (1953)The Beast From 20,000 Fathoms (1953) It Came From Beneath The Sea (1955)It Came From Beneath The Sea (1955)Jason and the Argonauts (1963)Jason and the Argonauts (1963)One Million Years, BC (1967)One Million Years, BC (1967) Sinbad Trilogy (1958), (1973), (1977)Sinbad Trilogy (1958), (1973), (1977)Clash of the Titans (1981)Clash of the Titans (1981)

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Ray Harryhausen– Ray Harryhausen– One of the Fathers of Modern-One of the Fathers of Modern-

Day Special EffectsDay Special Effects Pixar's Pixar's Monsters, Inc. Monsters, Inc.

(2001)(2001) paid tribute to paid tribute to Harryhausen by having Harryhausen by having Monstropolis' chic night Monstropolis' chic night spot restaurant named spot restaurant named after him. Also, the after him. Also, the octopus behind the bar in octopus behind the bar in Harryhausen's Sushi Harryhausen's Sushi restaurant has only six restaurant has only six legs, another clever in-legs, another clever in-referencereference

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Sci-Fi Flops and Turkeys Sci-Fi Flops and Turkeys There were also any number of dreadfully There were also any number of dreadfully

grotesque, cheesy low-budget science-fiction grotesque, cheesy low-budget science-fiction flops or turkeys - now often regarded as kitsch or flops or turkeys - now often regarded as kitsch or cult classics, drive-in specials, or as "the most cult classics, drive-in specials, or as "the most enjoyable bad films of all time.”enjoyable bad films of all time.”

Many of these films would eventually end up on Many of these films would eventually end up on the satirical TV show the satirical TV show Mystery Science Theatre Mystery Science Theatre 30003000

They included some of the following: They included some of the following:

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Sci-Fi Flops and Turkeys Sci-Fi Flops and Turkeys Arthur Hilton's 3-D Arthur Hilton's 3-D Cat-Women of the Moon (1953)Cat-Women of the Moon (1953) about about

scantily-clad Amazons on the lunar surfacescantily-clad Amazons on the lunar surface Bride of the Monster (1956)Bride of the Monster (1956), with an aged Bela Lugosi playing a , with an aged Bela Lugosi playing a

mad scientist; one of writer/producer/director Ed Wood's awful mad scientist; one of writer/producer/director Ed Wood's awful classicsclassics

The preposterous schlock film The preposterous schlock film Attack of the 50-Ft. Woman (1958, Attack of the 50-Ft. Woman (1958, 1993)1993) about a gigantic woman (Allison Hayes) in a bikini about a gigantic woman (Allison Hayes) in a bikini

Roger Corman's disturbing and grotesque sci-fi/horror film, Roger Corman's disturbing and grotesque sci-fi/horror film, "X" - "X" - The Man with the X-Ray Eyes (1963)The Man with the X-Ray Eyes (1963)

El Paso fertilizer salesman Hal Warren's El Paso fertilizer salesman Hal Warren's Manos: The Hands of Manos: The Hands of Fate (1966)Fate (1966), his sole directorial effort (he also wrote and , his sole directorial effort (he also wrote and produced), and mocked as one of the worst films ever made by the produced), and mocked as one of the worst films ever made by the Mystery Science Theater 3000Mystery Science Theater 3000 TV show (their most popular TV show (their most popular episode ever) with its out-of-focus scenes, ultra-repetitive dialogue, episode ever) with its out-of-focus scenes, ultra-repetitive dialogue, a badly-dubbed soundtrack, long and drawn-out scenes, and a badly-dubbed soundtrack, long and drawn-out scenes, and amateur actors; its characters included a half-man, half-goat amateur actors; its characters included a half-man, half-goat individual named Torgo and a mysterious cult leader character individual named Torgo and a mysterious cult leader character named the Master named the Master

The sci-fi parody The sci-fi parody Attack of the Killer Tomatoes (1980)Attack of the Killer Tomatoes (1980) Ed Wood Jr.'s legendary Ed Wood Jr.'s legendary Plan 9 From Outer Space (1956)Plan 9 From Outer Space (1956), about , about

space aliens conquering Earth by resurrecting the dead; often space aliens conquering Earth by resurrecting the dead; often considered the worst sci-fi film ever madeconsidered the worst sci-fi film ever made

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Time Travel Films Time Travel Films • Adaptation of H. G. Wells' 1895 novel with Oscar-winning Special Effects, Adaptation of H. G. Wells' 1895 novel with Oscar-winning Special Effects, The Time The Time

Machine (1960)Machine (1960) in which a turn-of-the-century English time traveler and inventor H.G. in which a turn-of-the-century English time traveler and inventor H.G. "George" Wells (Rod Taylor) went to the year 802,701 (past three world wars) to find a "George" Wells (Rod Taylor) went to the year 802,701 (past three world wars) to find a most-unusual world populated with peaceful Eloi and monstrous green Morlocks most-unusual world populated with peaceful Eloi and monstrous green Morlocks

• La Jetee (1962)La Jetee (1962), the landmark, eloquent short French film from director Chris Marker , the landmark, eloquent short French film from director Chris Marker composed entirely of B/W still frames; set after WWIII, about a group of scientists who composed entirely of B/W still frames; set after WWIII, about a group of scientists who attempted to send a man back in time to his life before the war; remade as attempted to send a man back in time to his life before the war; remade as 12 Monkeys 12 Monkeys (1995)(1995) - see below - see below

• The Final Countdown (1980)The Final Countdown (1980), in which the , in which the USS NimitzUSS Nimitz, a modern-day aircraft carrier, , a modern-day aircraft carrier, was sent back to the Pacific Ocean by time warp to December 6, 1941 (pre Pearl was sent back to the Pacific Ocean by time warp to December 6, 1941 (pre Pearl Harbor) Harbor)

• Time Bandits (1981)Time Bandits (1981), Terry Gilliam's sci-fi fantasy in which six renegade dwarves and a , Terry Gilliam's sci-fi fantasy in which six renegade dwarves and a British schoolboy traveled through history after entering a time portal British schoolboy traveled through history after entering a time portal

• The Terminator (1984) and and Terminator 2: Judgment Day (1991), see further below , see further below • The Planet of the ApesThe Planet of the Apes series, see further below series, see further below • Back to the Future (1985)Back to the Future (1985), , Back to the Future II (1989)Back to the Future II (1989), and , and Back to the Future III Back to the Future III

(1990)(1990), three entertaining and popular films in which Marty McFly traveled backwards , three entertaining and popular films in which Marty McFly traveled backwards and forwards in time with the help of mad scientist Doc Brown (Christopher Lloyd) and a and forwards in time with the help of mad scientist Doc Brown (Christopher Lloyd) and a super-adapted Delorean vehicle super-adapted Delorean vehicle

• Star Trek IV: The Voyage Home (1986)Star Trek IV: The Voyage Home (1986), in which the , in which the EnterpriseEnterprise crew of the 23rd crew of the 23rd century journeyed back to 1986 San Francisco in a captured Klingon spaceship to save century journeyed back to 1986 San Francisco in a captured Klingon spaceship to save the Earth's humpbacked whales the Earth's humpbacked whales

• Total Recall (1990)Total Recall (1990), from director Paul Verhoeven; starred Arnold Schwarzenegger as a , from director Paul Verhoeven; starred Arnold Schwarzenegger as a 21st century construction worker who visited an implant travel service to transport him to 21st century construction worker who visited an implant travel service to transport him to Mars - but was the trip only in the memory chip implanted in his brain? Mars - but was the trip only in the memory chip implanted in his brain?

• Timecop (1994)Timecop (1994), a futuristic action film in which Jean Claude Van Damme had the role , a futuristic action film in which Jean Claude Van Damme had the role of a special unit cop in the Time Enforcement Division, an agency to protect against the of a special unit cop in the Time Enforcement Division, an agency to protect against the misuse of time travel misuse of time travel

• 12 Monkeys (1995)12 Monkeys (1995), director Terry Gilliam's mind-bending story, was set in a disease , director Terry Gilliam's mind-bending story, was set in a disease and plague-ravaged world due to biological terrorism, forcing the human race to live in and plague-ravaged world due to biological terrorism, forcing the human race to live in miserable conditions below the surface of the Earth; in the year 2035, prisoner Bruce miserable conditions below the surface of the Earth; in the year 2035, prisoner Bruce Willis was sent back twice to the 1990s to prevent the 'Army of the 12 Monkeys' from Willis was sent back twice to the 1990s to prevent the 'Army of the 12 Monkeys' from instigating their plot to spread a devastating plague instigating their plot to spread a devastating plague

• Star Trek: First Contact (1996)Star Trek: First Contact (1996), the 8th film in the series (that began in 1979), with , the 8th film in the series (that began in 1979), with interplanetary time travel from the 24th century to the mid-21st centuryinterplanetary time travel from the 24th century to the mid-21st century

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The The AlienAlien Films Films • Ridley Scott's effective horror/sci-fi film Ridley Scott's effective horror/sci-fi film Alien (1979) - the last - the last

major sci-fi film of the 70s, was a combination of Spielberg's major sci-fi film of the 70s, was a combination of Spielberg's Jaws (1975) and Carpenter's horror film and Carpenter's horror film Halloween (1978). . AlienAlien featured H. R. Giger's unique alien design - a dilapidated mining featured H. R. Giger's unique alien design - a dilapidated mining space vehicle space vehicle NostromoNostromo, a deadly extra-terrestrial life form , a deadly extra-terrestrial life form stowaway, and a shocking and repulsive chest-bursting stowaway, and a shocking and repulsive chest-bursting sequence involving John Hurt. It appeared that the alien monster sequence involving John Hurt. It appeared that the alien monster may have arisen from the unconscious of its victims. Scott's film may have arisen from the unconscious of its victims. Scott's film spawned other renditions in the four-part series: spawned other renditions in the four-part series: – Writer/director James Cameron's suspenseful, tense and non-stop Writer/director James Cameron's suspenseful, tense and non-stop

action sequel action sequel Aliens (1986)Aliens (1986) – Alien 3 (1992)Alien 3 (1992) – Alien Resurrection (1997)Alien Resurrection (1997)

• Paul W.S. Anderson's Paul W.S. Anderson's Alien Vs. Predator (2004)Alien Vs. Predator (2004), set in 2004, , set in 2004, crossed the crossed the AlienAlien franchise with the franchise with the PredatorPredator's; it was the only 's; it was the only film not to feature Lt. Ellen Ripley (Sigourney Weaver).film not to feature Lt. Ellen Ripley (Sigourney Weaver).

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Kubrick’s Science Fiction Kubrick’s Science Fiction EpicEpic

The most celebrated, religious, and The most celebrated, religious, and transcendent of all space films up to that time, transcendent of all space films up to that time, visualized space travel with incredible visualized space travel with incredible magnificence and seriousness. Kubrick's magnificence and seriousness. Kubrick's respectable, influential film respectable, influential film 2001: A Space Odyssey (1968) (with only 40 (with only 40 minutes of dialogue), restored legitimacy to the minutes of dialogue), restored legitimacy to the science-fiction genre. science-fiction genre.

The impressive film featured an incredible The impressive film featured an incredible opening enhanced by Richard Strauss' opening enhanced by Richard Strauss' Thus Thus Spoke ZarathustraSpoke Zarathustra, a 'Dawn of Man' sequence, , a 'Dawn of Man' sequence, majestic views of outer space and drifting space majestic views of outer space and drifting space stations, enigmatic monoliths, the breakdown of stations, enigmatic monoliths, the breakdown of a malevolent HAL super-computer (with a malevolent HAL super-computer (with Douglas Rains' voice), an astronaut's journey to Douglas Rains' voice), an astronaut's journey to Jupiter (paralleling man's own growth of Jupiter (paralleling man's own growth of intelligence), a hallucinatory light show trip intelligence), a hallucinatory light show trip through space, and a cryptic ending featuring a through space, and a cryptic ending featuring a super-being space fetussuper-being space fetus

Kubrick's film won the Oscar for Best Special Kubrick's film won the Oscar for Best Special Effects in 1968 Effects in 1968

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Kubrick’s Science Fiction Kubrick’s Science Fiction EpicEpic

After After 20012001's success, Hollywood 's success, Hollywood produced many more space produced many more space adventure films, including John adventure films, including John Carpenter's directorial debut film and Carpenter's directorial debut film and parody - the unusual sci-fi satire parody - the unusual sci-fi satire Dark Dark Star (1974)Star (1974), about the crew of , about the crew of spaceship spaceship Dark StarDark Star on a ten-year on a ten-year mission to destroy planets in deep mission to destroy planets in deep spacespace

More serious science-fiction films, More serious science-fiction films, Robert Wise's Robert Wise's Star Trek: The Motion Star Trek: The Motion Picture (1979)Picture (1979) and Robert Zemeckis' and Robert Zemeckis' Contact (1997)Contact (1997) with Jodie Foster with Jodie Foster examined further space journeys, examined further space journeys, contacts with alien life, and contacts with alien life, and metaphysical questions about man's metaphysical questions about man's place in the universeplace in the universe

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The The Planet of the ApesPlanet of the Apes Series (1968-1973)Series (1968-1973)

A popular, clever, mostly successful and A popular, clever, mostly successful and serious five-film series of classic simian films serious five-film series of classic simian films about apes that have evolved into an about apes that have evolved into an intelligent society, derived from Pierre Boule's intelligent society, derived from Pierre Boule's novel novel Monkey PlanetMonkey Planet, originated with , originated with Planet Planet of the Apes (1968)of the Apes (1968)

The first film in the series depicted a post-The first film in the series depicted a post-apocalyptic, post-nuclear futuristic planet apocalyptic, post-nuclear futuristic planet (Earth) - revealed in the film's startling (Earth) - revealed in the film's startling conclusion by a half-submerged Statue of conclusion by a half-submerged Statue of LibertyLiberty

Its advanced make-up techniques reversed Its advanced make-up techniques reversed the social positions of intelligent humans and the social positions of intelligent humans and brutal apes to slyly criticize racial stereotypes. brutal apes to slyly criticize racial stereotypes. It also examined the effects of technology It also examined the effects of technology upon humankind. Four sequels appeared over upon humankind. Four sequels appeared over the years, plus a live-action and animated TV the years, plus a live-action and animated TV series, and a recent feature film remake series, and a recent feature film remake directed by Tim Burton directed by Tim Burton

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Other 70’s & 80’s Science Other 70’s & 80’s Science Fiction FilmsFiction Films

Other futuristic films were produced in the Other futuristic films were produced in the 1970s and 1980s, many with the effects of 1970s and 1980s, many with the effects of technology run amok - whether it was faults technology run amok - whether it was faults in human-tinkering technology or social in human-tinkering technology or social engineering, or robot theme parks with engineering, or robot theme parks with aberrant androidsaberrant androids

The dystopic films included The dystopic films included Silent Running Silent Running (1971)(1971), from Douglas Trumbull (special , from Douglas Trumbull (special effects creator for effects creator for 2001) in his directorial ) in his directorial debut, a sci-fi environmental story about the debut, a sci-fi environmental story about the aftermath of a nuclear holocaust.aftermath of a nuclear holocaust.

Soylent Green (1973)Soylent Green (1973) provided a view of provided a view of deprivation in 21st century life in the year deprivation in 21st century life in the year 2022 where dying people on the over-2022 where dying people on the over-populated, ecologically-unbalanced planet populated, ecologically-unbalanced planet were made into human food ("Soylent Green were made into human food ("Soylent Green is peopleis people").").

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Other 70’s & 80’s Science Other 70’s & 80’s Science Fiction FilmsFiction Films

Terminal Man (1974)Terminal Man (1974), a Michael Crichton-, a Michael Crichton-based thriller with George Segal, featured a based thriller with George Segal, featured a violence-prone scientist implanted with a violence-prone scientist implanted with a malfunctioning computer chipmalfunctioning computer chip

Disney's sci-fi adventure Disney's sci-fi adventure Tron (1982)Tron (1982) was was set inside a computerized videogame, set inside a computerized videogame, where the designer/creator battled his own where the designer/creator battled his own computer games. It was one of the first films computer games. It was one of the first films to use extensive computer-generated to use extensive computer-generated graphicsgraphics

In director John Badham's sci-fi fantasy In director John Badham's sci-fi fantasy WarGames (1983)WarGames (1983), young computer-game , young computer-game player/hacker Matthew Broderick player/hacker Matthew Broderick accidentally broke into one of the accidentally broke into one of the Pentagon's military computers (WOPR - Pentagon's military computers (WOPR - War Operations Plan Response) and played War Operations Plan Response) and played a 'simulated' Global Thermonuclear War a 'simulated' Global Thermonuclear War

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Other 70’s & 80’s Science Other 70’s & 80’s Science Fiction FilmsFiction Films

John Carpenter's sci-fi action film John Carpenter's sci-fi action film Escape from Escape from New York (1981)New York (1981), produced in the days before , produced in the days before CGI special effects, told of a ravaged 1997 CGI special effects, told of a ravaged 1997 Manhattan Island with the US President held Manhattan Island with the US President held hostage and Kurt Russell (as one-eyed, anti-hero hostage and Kurt Russell (as one-eyed, anti-hero mercenary Snake Plissken) to the rescue - it was mercenary Snake Plissken) to the rescue - it was followed by the inferior sequel followed by the inferior sequel Escape from L.A. Escape from L.A. (1996)(1996)

Cops and cyborgs (robots with human bodies) Cops and cyborgs (robots with human bodies) battled in the cult, film noirish, thought-provoking battled in the cult, film noirish, thought-provoking SF classic from Philip K. Dick's classic novel SF classic from Philip K. Dick's classic novel Do Do Androids Dream of Electric SheepAndroids Dream of Electric Sheep; Ridley Scott's ; Ridley Scott's Blade Runner (1982)Blade Runner (1982) starred Harrison Ford as starred Harrison Ford as Rick Deckard, an ex-LA detective (a futuristic Rick Deckard, an ex-LA detective (a futuristic Philip Marlowe) tracking down and retiring rebel Philip Marlowe) tracking down and retiring rebel android 'replicants' (semi-human) in the Los android 'replicants' (semi-human) in the Los Angeles of 2019, over-populated by Asians. The Angeles of 2019, over-populated by Asians. The film's superior production design depicted a film's superior production design depicted a perverse, bleak, post-apocalyptic futureperverse, bleak, post-apocalyptic future

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'Sci-Fi' Films with Revolutionary 'Sci-Fi' Films with Revolutionary Visual Effects and Set Design: in Visual Effects and Set Design: in

19821982 • TRON (1982) - a pioneering film in computer graphics TRON (1982) - a pioneering film in computer graphics • Blade Runner (1982) - the model for all futuristic tech-noir dystopias

with bleak, night-time LA cityscapes (influencing films such as Batman (1989), Strange Days (1995), and Dark City (1998))

• The Dark Crystal (1982) - an influential fantasy adventure The Dark Crystal (1982) - an influential fantasy adventure masterpiece featuring Jim Henson's masterpiece featuring Jim Henson's MuppetsMuppets

• E.T.: The Extra-Terrestrial (1982) - Spielberg's classic alien visitation film

• Pink Floyd the Wall (1982) - an expressionistic musical, the first Pink Floyd the Wall (1982) - an expressionistic musical, the first feature-length music video (or "MTV" film before MTV's feature-length music video (or "MTV" film before MTV's popularity surged) popularity surged)

• The Road Warrior (1982, US release) - the prototypical post-The Road Warrior (1982, US release) - the prototypical post-apocalyptic action film and sci-fi western apocalyptic action film and sci-fi western

• Poltergeist (1982) - a seminal supernatural thriller with a possessed young child

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Various British/Foreign/ Non-Various British/Foreign/ Non-American Sci-Fi FilmsAmerican Sci-Fi Films

• Fahrenheit 451 (1967)Fahrenheit 451 (1967), foretold a futuristic world where , foretold a futuristic world where books and reading materials were banned and books and reading materials were banned and destroyed by groups of Firemen with flamethrowers destroyed by groups of Firemen with flamethrowers

• Stanley Kubrick's followup to his 1968 space opera was Stanley Kubrick's followup to his 1968 space opera was A Clockwork Orange (1971)A Clockwork Orange (1971) - a violent, political - a violent, political allegory about mind control and freedom of choice allegory about mind control and freedom of choice adapted from a novel. It told the story of chief droog adapted from a novel. It told the story of chief droog Alex - a rampaging anti-hero character (Malcolm Alex - a rampaging anti-hero character (Malcolm McDowell) who was rehabilitated by institutional, McDowell) who was rehabilitated by institutional, aversive shock-treatment tortureaversive shock-treatment torture

• Nicolas Roeg's Nicolas Roeg's The Man Who Fell to Earth (1976)The Man Who Fell to Earth (1976), , starred rock star David Bowie as an alien who became starred rock star David Bowie as an alien who became trapped on Earth while on a missiontrapped on Earth while on a mission

• Enemy Mine (1985)Enemy Mine (1985) featured two mortal enemies featured two mortal enemies marooned on an alien planet - as symbols for political marooned on an alien planet - as symbols for political combatants (USSR and the US): a reptilian-like combatants (USSR and the US): a reptilian-like Draconian (Louis Gossett, Jr.) and an earthling pilot Draconian (Louis Gossett, Jr.) and an earthling pilot (Dennis Quaid), who are forced to overcome their (Dennis Quaid), who are forced to overcome their prejudices in order to surviveprejudices in order to survive

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Various British/Foreign/ Non-Various British/Foreign/ Non-American Sci-Fi FilmsAmerican Sci-Fi Films

• The low-budget, independent original film The low-budget, independent original film Mad Max (1979) Mad Max (1979) introduced Max (Mel introduced Max (Mel Gibson) as a vigilante after the killing of Gibson) as a vigilante after the killing of his wife and child by a gang of marauding his wife and child by a gang of marauding motorcycle punks motorcycle punks

• Its action-packed, thrilling sequel Its action-packed, thrilling sequel The The Road Warrior (1981) (aka Mad Max 2)Road Warrior (1981) (aka Mad Max 2), a , a survival story, again with star Mel Gibson survival story, again with star Mel Gibson as a vengeful vigilante defending himself as a vengeful vigilante defending himself and a colony of pioneers beset by roving and a colony of pioneers beset by roving gangs of Mohawked outlawsgangs of Mohawked outlaws

• Mad Max Beyond Thunderdome (1985)Mad Max Beyond Thunderdome (1985), , a third a third Mad MaxMad Max film that ended the series; film that ended the series; set 15 years after the previous installment, set 15 years after the previous installment, in a post-nuclear apocalyptic wasteland in a post-nuclear apocalyptic wasteland with Tina Turner as the villainous queen with Tina Turner as the villainous queen overlord of Bartertownoverlord of Bartertown

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George LucasGeorge Lucas • George Lucas' first feature film was the dystopic George Lucas' first feature film was the dystopic

thriller thriller THX 1138 (1971)THX 1138 (1971), an atmospheric film about a , an atmospheric film about a repressive Orwellian futuristic, dehumanized, repressive Orwellian futuristic, dehumanized, subterranean society that forbade love and sexual subterranean society that forbade love and sexual intercourseintercourse

• By the late 1970s and early 1980s, films by Lucas By the late 1970s and early 1980s, films by Lucas consciously paid tribute to serials of the 1930s, with consciously paid tribute to serials of the 1930s, with hero Luke Skywalker, swooping space battles, hero Luke Skywalker, swooping space battles, imaginative bar creatures in Mos Eisley's Cantina, imaginative bar creatures in Mos Eisley's Cantina, revolutionary special effects, Harrison Ford at the revolutionary special effects, Harrison Ford at the controls of the controls of the Millenium FalconMillenium Falcon spacecraft, and a spacecraft, and a vast universe. Aliens could be more friendly and vast universe. Aliens could be more friendly and benevolent, evidenced by loveable robots (R2D2 and benevolent, evidenced by loveable robots (R2D2 and CP-30) and Chewbacca in the popular CP-30) and Chewbacca in the popular Star WarsStar Wars fantasy space epic "trilogy" - all modern blockbusters. fantasy space epic "trilogy" - all modern blockbusters. The first in this space opera trilogy set another The first in this space opera trilogy set another standard for action-propelled, special-effects science-standard for action-propelled, special-effects science-fiction: fiction:

– Star Wars, Episode IV: A New Hope (1977), the , the definitive space-opera definitive space-opera

– Star Wars, Episode V: The Empire Strikes Back Star Wars, Episode V: The Empire Strikes Back (1980)(1980)

– Star Wars, Episode VI: Return of the Jedi (1983)Star Wars, Episode VI: Return of the Jedi (1983)

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George LucasGeorge Lucas

• In 1999, Lucas backpedaled and created In 1999, Lucas backpedaled and created the first film in the epic saga, quickly the first film in the epic saga, quickly followed by other prequels:followed by other prequels:– Star Wars, Episode I: The Phantom Star Wars, Episode I: The Phantom

Menace (1999)Menace (1999) – Star Wars, Episode II: Attack of the Clones Star Wars, Episode II: Attack of the Clones

(2002)(2002) – Star Wars, Episode III: Revenge of the Sith Star Wars, Episode III: Revenge of the Sith

(2005)(2005)

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Steven SpielbergSteven Spielberg • The preceding years of fearful dystopias The preceding years of fearful dystopias

and menacing aliens were dismissed by and menacing aliens were dismissed by Steven Spielberg's pre-E.T. Steven Spielberg's pre-E.T. Close Encounters of the Third Kind (1977). It was an enchanting sci-fi film filled with . It was an enchanting sci-fi film filled with awe and wonder at numerous awe and wonder at numerous appearances of UFO spaceships, a appearances of UFO spaceships, a mother ship, and the first communication mother ship, and the first communication between earthlings and friendly extra-between earthlings and friendly extra-terrestrial aliens - conveyed with bursts of terrestrial aliens - conveyed with bursts of sound and lightsound and light

Close Encounters VideoClose Encounters Video• Spielberg followed Spielberg followed Close EncountersClose Encounters in in

the early 1980s with one of the most the early 1980s with one of the most endearing and charming films about endearing and charming films about benign extraterrestrials ever made - benign extraterrestrials ever made - E.T.: The Extra-Terrestrial (1982)

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‘‘Virtual Reality’Virtual Reality’Sci-Fi FilmsSci-Fi Films

The blurring of reality with 'virtual', look-alike, or The blurring of reality with 'virtual', look-alike, or fake universes or worlds created by 'virtual reality', fake universes or worlds created by 'virtual reality', computer simulations, or imagination itself computer simulations, or imagination itself fascinated various film-makers in the late 90sfascinated various film-makers in the late 90s

In In Alien Intruder (1993)Alien Intruder (1993), set in the futuristic year of , set in the futuristic year of 2022, an evil, extra-terrestrial computer virus (in the 2022, an evil, extra-terrestrial computer virus (in the form of beautiful Tracy Scoggins) intruded itself into form of beautiful Tracy Scoggins) intruded itself into the thoughts of the crew of the spaceship the thoughts of the crew of the spaceship USS USS PresleyPresley

Johnny Mnemonic (1995)Johnny Mnemonic (1995) was a derivative was a derivative adaptation of scriptwriter William Gibson's own adaptation of scriptwriter William Gibson's own cyberpunk short story, and a Keanu Reeves-cyberpunk short story, and a Keanu Reeves-precursor to precursor to The Matrix (1999)The Matrix (1999), about a courier , about a courier with downloaded information in his data-packed with downloaded information in his data-packed head who must transport the top-secret data from head who must transport the top-secret data from China to New Jersey. China to New Jersey.

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‘‘Virtual Reality’Virtual Reality’Sci-Fi FilmsSci-Fi Films

The Matrix (1999)The Matrix (1999) (Tagline: Be afraid of the future) (Tagline: Be afraid of the future) illustrated how to superbly combine amazing action illustrated how to superbly combine amazing action scenes with an intelligent story-line (a modern-day scenes with an intelligent story-line (a modern-day updating of the man vs. machine tale). It examined updating of the man vs. machine tale). It examined the nature of reality in the external world - the nature of reality in the external world - seemingly uncertain, in which reality was a seemingly uncertain, in which reality was a computer simulation, and the actual Earth was computer simulation, and the actual Earth was scorched. The explosive and successful trilogy scorched. The explosive and successful trilogy featured sensational special/visual effects, with the featured sensational special/visual effects, with the same cast in each offering (Keanu Reeves as Neo, same cast in each offering (Keanu Reeves as Neo, Carrie-Anne Moss as Trinity, Laurence Fishburne Carrie-Anne Moss as Trinity, Laurence Fishburne as Morpheus, and Hugo Weaving as Agent Smith): as Morpheus, and Hugo Weaving as Agent Smith): – The Matrix (1999)The Matrix (1999) – The Matrix Reloaded (2003)The Matrix Reloaded (2003) – The Matrix Revolutions (2003)The Matrix Revolutions (2003)