scholarship music (93305) 2016 - nzqa · scholarship 2016 music ... “st thomas” arr. sonny...

933053

SSUPERVISORS USE ONLY

New Zealand Qualifications Authority, 2016. All rights reserved.No part of this publication may be reproduced by any means without the prior permission of the New Zealand Qualifications Authority.

Scholarship 2016Music

2.00 p.m. Friday 18 November 2016 Time allowed: Three hours

Total marks: 32

RESOURCE BOOKLET

Check that the National Student Number (NSN) on your admission slip is the same as the number at the top of this page.

Refer to the score extracts in this booklet to answer your TWO selected questions from Question Booklet 93305Q.

You are encouraged to include annotations and markings on the score extracts for any of your answers if this will help to make the answer clearer. Refer to any score annotations clearly in your written answer.

Check that this booklet has pages 242 in the correct order and that none of these pages is blank.

YOU MUST HAND THIS BOOKLET TO THE SUPERVISOR AT THE END OF THE EXAMINATION.

9 3 3 0 5 R

Flauto traverso I

Flauto traverso II

Violino I

Violino II

Viola

Soprano II

Alto

Tenore

Basso

Continuo

Cru ci- -

6

fi- xus,- cru ci- fi- xus,-

Cru ci- [fi- xus,]-

Cru ci- fi- xus,- cru ci- fi- xus,-

Cru ci- fi- xus,- cru ci- -

3

2

3

2

3

2

3

2

3

2

3

2

3

2

3

2

3

2

3

2

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Index of Score Extracts

Extract APage 3

Mass in B minor, BWV 232Crucifixus

J. S. Bach(16851750)

Extract BPage 8

Cello Concerto No. 2 in D major, Op. 101Second movement: Adagio

Joseph Haydn(17321809)

Extract CPage 13

Cello Concerto No. 2 in D major, Op. 101 (piano reduction)Second movement: Adagio

Joseph Haydn

Extract DPage 16

Piano Trio No. 1 in D majorfrom Zwei leichte Trios (Two Little Trios), Op. 330Third movement: Finale

Carl Bohm(18441920)

Extract EPage 21

The Planets, Op. 32No. 1 Mars, the Bringer of War, bars 142

Gustav Holst(18721934)

Extract FPage 27

St Thomas arr. Sonny Rollins(b. 1930)

Extract GPage 28

The Armed Man: A Mass for PeaceNo. 7 Charge!, bar 102end

Karl Jenkins(b. 1944)

Extract HPage 33

Les MisrablesAct I, No. 14 Master of the House

Claude-Michel Schnberg(b. 1944)

Extract IPage 37

Jesus Christ SuperstarAct II, No. 6 King Herods Song

Andrew Lloyd Webber(b. 1948)

2

Music 93305, 2016

SCORE EXTRACT AMass in B minor (1749)

CrucifixusJohann Sebastian Bach, BWV 232

(16851750)

Crucifixus etiam pro nobis sub Pontio Pilato, passus et sepultus est.

He was also crucified for us under Pontius Pilate; He suffered and was buried.

3

Music 93305, 2016

ASSESSORS USE ONLY

24

no [bis- - ] sub Pon ti- o- Pi la- -

Pon ti- o- Pi la- to,- sub Pon ti- o- Pi la- -

ti- am- pro no bis- - sub Pon ti- o- Pi la- - -

sub Pon ti- o- Pi la- - -

29

to,- pas sus- - et se pul- tus- - est, pas -

to,- pas sus- - et se pul- tus- est, pas -

to,- pas sus,- pas sus- et se pul- tus est, pas -

to,- pas sus- - - - et se pul- tus- est, pas -

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4

Music 93305, 2016

ASSESSORS USE ONLY

12

cru ci- fi- xus- e ti- am- pro no bis,-

cru ci- fi- xus,- cru ci- fi- xus- e ti- am- pro

cru ci- fi- - -

fi- xus,- cru ci- fi- xus,-

6

5

#

4

18

cru ci- fi- xus- e ti- - am- [pro ]

no bis,- e ti- - am- pro no bis- - sub

xus- e ti- am- pro no bis,- e -

cru ci- fi- xus- e ti- am- pro no bis- - - -

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5

Music 93305, 2016

ASSESSORS USE ONLY

6

Music 93305, 2016

ASSESSORS USE ONLY

34

sus- et se- pul tus- est, cru - - ci -

sus- et se pul- tus- est, cru -

sus- et se pul- tus- est,

sus- et se pul- tus- est,

39

fi- xus- e ti- am- pro no bis- sub Pon ti- o- Pi la- - -

ci- - fi- xus- - - e ti- am- pro no bis- sub Pon ti- o- Pi -

cru ci- - - fi- xus-

cru ci- - - fi- xus- e ti- am- pro

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7

Music 93305, 2016

ASSESSORS USE ONLY

SCORE EXTRACT BCello Concerto No.2 in D major (1783)

Second movementEdited by H.C.Robbins Landon Joseph Haydn, H.7b/2

(17321809)

Ob.

Vc.S.

Vln. I

Vln. II

Vle.

Fg.

Vc.

& Cb.

13

fz fz(p)

(p)

(p)

(p)

Ob.

Vc.S.

Vln. I

Vln. II

Vle.

Fg.

Vc.

& Cb.

19

Ob.

Vc.S.

Vln. I

Vln. II

Vle.

Fg.

Vc.

& Cb.

23

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(senza fagoo)

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8

Music 93305, 2016

ASSESSORS USE ONLY

Oboi

Corni

in D

Violoncello

Solo

Violini I

Violini II

Viole

Fagoo

Violoncello

& Contrabasso

Adagio

(p)

(p)

Ob.

Vc.S.

Vln. I

Vln. II

Vle.

Fg.

Vc.

& Cb.

( f )

7

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9

Music 93305, 2016

ASSESSORS USE ONLY

Ob.

Vc.S.

Vln. I

Vln. II

Vle.

Fg.

Vc.

& Cb.

42

p

(p)

p

Ob.

Vc.S.

Vln. I

Vln. II

Vle.

Fg.

Vc.

& Cb.

46

Ob.

Vc.S.

Vln. I

Vln. II

Vle.

Fg.

Vc.

& Cb.

50

fp

f p

f(p)

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10

Music 93305, 2016

ASSESSORS USE ONLY

Ob.

Vc.S.

Vln. I

Vln. II

Vle.

Fg.

Vc.

& Cb.

27

Ob.

Vc.S.

Vln. I

Vln. II

Vle.

Fg.

Vc.

& Cb.

32

Ob.

Vc.S.

Vln. I

Vln. II

Vle.

Fg.

Vc.

& Cb.

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37

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11

Music 93305, 2016

ASSESSORS USE ONLY

{

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Music 93305, 2016

ASSESSORS USE ONLY

Ob.

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Fg.

Vc.

& Cb.

55

Ob.

Vc.S.

Vln. I

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Fg.

Vc.

& Cb.

( f )

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Vc.

& Cb.

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=

SCORE EXTRACT CCello Concerto No.2 in D major (1783)

Second movementEdited by Julius Klengel Joseph Haydn, H.7b/2

(17321809)

{

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13

Music 93305, 2016

ASSESSORS USE ONLY

{

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14

Music 93305, 2016

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{

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Music 93305, 2016

ASSESSORS USE ONLY

SCORE EXTRACT DPiano Trio No.1 in Dmajor from Zwei leichte Trios (c.1897)

Third movement: FinaleCarl Bohm

(18441920)

{

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Violin

Violoncello

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fz fz fz ff p

fz fz fzff

p


fz p fz fz ff fz

1.

a tempo

8

p

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1.

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2.

17

ff f

ff f

2.

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16

Music 93305, 2016

ASSESSORS USE ONLY

{

{

{

Violin

Violoncello

Piano

fz fz fz ff p


fz fz fz ff p

fz fz fzff

p


fz p fz fz ff fz

1.

a tempo

8

p

p fz ff

1.

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ff f fz

2.

17

ff f

ff f

2.

2

4

2

4

2

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17

Music 93305, 2016

ASSESSORS USE ONLY

{

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59

sempre pp

cresc.

69

cresc.

f dim. fz

79

f dim.

fdim.

p fz fz ff fz fz ff

1. 2.

89

p fz fz ff ff

p fz fz fzff

ff

1. 2.

&

#

#

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pp sempre pp

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cresc.

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18

Music 93305, 2016

ASSESSORS USE ONLY

{

{

{

{

59

sempre pp

cresc.

69

cresc.

f dim. fz

79

f dim.

fdim.

p fz fz ff fz fz ff

1. 2.

89

p fz fz ff ff

p fz fz fzff

ff

1. 2.

&

#

#

sempre pp

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pp sempre pp

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19

Music 93305, 2016

ASSESSORS USE ONLY

{{{

2 Piccolos

2 Flutes

2 Oboes

English Horn

Bass Oboe

3 Clarinets in Bb

Bass Clarinet

3 Bassoons

Doublebassoon

Horn 13 in F

Horn 46 in F

Trumpet 12 in C

Trumpet 34 in C

2 Tenor Trombones

Bass Trombone

Tenor Tuba in Bb

Bass Tuba

6 Timpani

(two players)

Side Drum

Cymbals

Bass Drum

Gong

Harp I

Harp II

Organ

1st Violins

2nd Violins

Violas

Violoncellos

Doublebasses

Allegro

mp

p

mp

p

p

pp

p

p

p

p

p

p

p

5

4

5

4

5

4

5

4

5

4

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4

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4

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4

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4

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4

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4

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4

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4

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3 3 3 3 3 3 3

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20

Music 93305, 2016

ASSESSORS USE ONLY

{{{

2 Piccolos

2 Flutes

2 Oboes

English Horn

Bass Oboe

3 Clarinets in Bb

Bass Clarinet

3 Bassoons

Doublebassoon

Horn 13 in F

Horn 46 in F

Trumpet 12 in C

Trumpet 34 in C

2 Tenor Trombones

Bass Trombone

Tenor Tuba in Bb

Bass Tuba

6 Timpani

(two players)

Side Drum

Cymbals

Bass Drum

Gong

Harp I

Harp II

Organ

1st Violins

2nd Violins

Violas

Violoncellos

Doublebasses

Allegro

mp

p

mp

p

p

pp

p

p

p

p

p

p

p

5

4

5

4

5

4

5

4

5

4

5

4

5

4

5

4

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4

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4

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4

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4

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&

&

&

&

&

&

?

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p

III

?

&

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?

V VI a2

&

&

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?

&

?

?

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?

/

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/

/

&

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3 3 3 3 3 3 3

&

?

3 3 3 3 3 3 3

&

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&

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&

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3 3 3 3 3 3 3

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col legno

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ffz

SCORE EXTRACT EThe Planets (1914)

No.1 Mars, the Bringer of War (bars 142)Gustav Holst

(18721934)

21

Music 93305, 2016

ASSESSORS USE ONLY

{{

Picc.

Fl.

Ob.

E. H.

Bass. Ob.

Cl.

Bcl.

Bn.

Dbn.

Hn. 13

Hn. 46

Trp. 12

Trp. 34

Ten. Trb.

Bass. Trb.

Ten. Tub.

Bass Tub.

Timp.

Gong

Hp.I

Hp.II

1st Vns.

2nd Vns.

Vas.

Vc.

Db.

8

cresc.

mf dim.

p cresc. mf dim.

p cresc. mf dim.

p cresc. mf dim.

p cresc. mf dim.

p cresc. mf dim.

cresc.

mf dim.

mf dim.

mf dim.

cresc. mf dim.

cresc.

mf dim.

cresc. mf dim.

cresc. mf dim.

cresc. mf dim.

cresc. mf dim.

cresc. mf dim.

cresc. mf dim.

cresc. mf dim.

&

&

&

a2

&

&

&

&

?

I II a2

?

&

?

&

&

I con sordino

&

B

?

&

?

?

3 3 3 3 3 3 3

?

/

&

?

3 3 3 3 3 3 3

&

?

3 3 3 3 3 3 3

&

3 3 3 3 3 3 3

&

3 3 3 3 3 3 3

B

3 3 3 3 3 3 3

?

3 3 3 3 3 3 3

?

3 3 3 3 3 3 3

b b

>

b

b

b b

>

b b b

>

b

>

b

b

b

b b n

>

b

b

b

b

n

b

b

b

b

n

>

b

b

b

b b b n

+

b

b

b

b

b

+

b

b

22

Music 93305, 2016

ASSESSORS USE ONLY

{{

Picc.

Fl.

Ob.

E. H.

Bass. Ob.

Cl.

Bcl.

Bn.

Dbn.

Hn. 13

Hn. 46

Trp. 12

Trp. 34

Ten. Trb.

Bass. Trb.

Ten. Tub.

Bass Tub.

Timp.

Gong

Hp.I

Hp.II

1st Vns.

2nd Vns.

Vas.

Vc.

Db.

8

cresc.

mf dim.

p cresc. mf dim.

p cresc. mf dim.

p cresc. mf dim.

p cresc. mf dim.

p cresc. mf dim.

cresc.

mf dim.

mf dim.

mf dim.

cresc. mf dim.

cresc.

mf dim.

cresc. mf dim.

cresc. mf dim.

cresc. mf dim.

cresc. mf dim.

cresc. mf dim.

cresc. mf dim.

cresc. mf dim.

&

&

&

a2

&

&

&

&

?

I II a2

?

&

?

&

&

I con sordino

&

B

?

&

?

?

3 3 3 3 3 3 3

?

/

&

?

3 3 3 3 3 3 3

&

?

3 3 3 3 3 3 3

&

3 3 3 3 3 3 3

&

3 3 3 3 3 3 3

B

3 3 3 3 3 3 3

?

3 3 3 3 3 3 3

?

3 3 3 3 3 3 3

b b

>

b

b

b b

>

b b b

>

b

>

b

b

b

b b n

>

b

b

b

b

n

b

b

b

b

n

>

b

b

b

b b b n

+

b

b

b

b

b

+

b

b

{{

Picc.

Fl.

Ob.

E. H.

Bass. Ob.

Cl.

Bcl.

Bn.

Dbn.

Hn. 13

Hn. 46

Trp. 12

Trp. 34

Ten. Trb.

Bass. Trb.

Ten. Tub.

Bass Tub.

Timp.

Gong

Hp.I

Hp.II

1st Vns.

2nd Vns.

Vas.

Vc.

Db.

15

p

mp p

p p

p

p

p

p

p mp

pmp

pmp

&

I

&

&

&

&

&

&

?

?

&

&

&

&

B

#

?

&

?

?

3 3 3 3 3 3 3 3

?

/

&

?

3 3 3 3 3 3 3 3

&

?

3 3 3 3 3 3 3 3

&

3 3 3 3 3 3 3 3

&

3 3

B

3 3

?

only half

3 3 3 3 3 3 3 3

?

only half

3 3 3 3 3 3 3 3

b

b

b

b b

b b

b #

23

Music 93305, 2016

ASSESSORS USE ONLY

{{

Picc.

Fl.

Ob.

E. H.

Bass. Ob.

Cl.

Bcl.

Bn.

Dbn.

Hn. 13

Hn. 46

Trp. 12

Trp. 34

Ten. Trb.

Bass. Trb.

Ten. Tub.

Bass Tub.

Timp.

Gong

Hp.I

Hp.II

1st Vns.

2nd Vns.

Vas.

Vc.

Db.

23

mf f

mf f

mf f

mf f

f

f

mf cresc. mf f

mf cresc. mf fp cresc.

p cresc. mf mf f

p mfmf f

cresc. mf mf f

cresc. mf mf f

mf cresc. f

mf cresc.

cresc. mf cresc. f

cresc. mf cresc. f

cresc. mf cresc.

cresc. mf cresc.

mfmf f

mf cresc. f

mf cresc. f

mf

mf cresc.

f

mf

mf cresc.

f

&

&

a2

&

&

&

&

&

?

?

&

a3

&

a3

&

senza sord.

b#

&

III

B

?

&

?

?

3 3 3 3 3 3 3

?

/

&

?

3 3 3 3 3 3

&

?

3 3 3 3 3 3

&

naturale

3 3

&

naturale

3 3 3 3 3

B

naturale

3 3 3 3 3

?

the other half naturale

tui, naturale

3 3

3 3 3 3

3

?


tui, naturale

3 3

3 3 3 3

3

b

n

b

#

b

b

b

b

b

b

b b

b

b

b

b

b

b

b

b

b

b

b

b b

b

b

b

b

b

b

b

b

b

b

b

b

bn

#

#

#

j

b

#

#

j

b

b b # bn

b

b

n

J

b b

b

J

b

J

b b

b b

b

n

24

Music 93305, 2016

ASSESSORS USE ONLY

{{

Picc.

Fl.

Ob.

E. H.

Bass. Ob.

Cl.

Bcl.

Bn.

Dbn.

Hn. 13

Hn. 46

Trp. 12

Trp. 34

Ten. Trb.

Bass. Trb.

Ten. Tub.

Bass Tub.

Timp.

Gong

Hp.I

Hp.II

1st Vns.

2nd Vns.

Vas.

Vc.

Db.

23

mf f

mf f

mf f

mf f

f

f

mf cresc. mf f

mf cresc. mf fp cresc.

p cresc. mf mf f

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25

Music 93305, 2016

ASSESSORS USE ONLY

Picc.

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Ob.

E. H.

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37






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Solos may swing

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26

Music 93305, 2016

ASSESSORS USE ONLY

Picc.

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Ob.

E. H.

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37






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SCORE EXTRACT FSt Thomas

Virgin Islands Traditional arr. Sonny Rollins(b.1930)

27

Music 93305, 2016

ASSESSORS USE ONLY

SCORE EXTRACT GThe Armed Man: A Mass for Peace (1999)

No.7 Charge! (bar 102end)Text from works by John Dryden and Jonathan Swift

Karl Jenkins(b.1944)

{

{

{

coun try- dies, for his

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thun der- ing- drum, the thun der- ing- drum, the thun der- ing- drum. The dou ble- dou ble- beat of the

117




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28

Music 93305, 2016

ASSESSORS USE ONLY

{

{

Keyboard

(rehearsal

only)

How

mp

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F

102

How

mp

blest is he who for his coun try- dies, who for his coun try-

sub. mp

dies. How blest is he who for his coun try- dies, coun try- dies,

105

dies. How blest is he who for his coun try- dies, coun try- dies,

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29

Music 93305, 2016

ASSESSORS USE ONLY

{

{

{

charge, charge, charge,

133





136





139




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30

Music 93305, 2016

ASSESSORS USE ONLY

{

{

{

thun der- ing- drum, the thun der- ing- drum, the thun der- ing- drum cries Hark! the foes come,

121




Hark! the foes come, cries Hark! the foes come. Charge, tis too late, too

125




late to re treat,- Charge, tis too late to re treat.- Charge,

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scholarship music (93305) 2016 - nzqa · scholarship 2016 music ... “st thomas” arr. sonny...

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