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933053 S SUPERVISOR’S USE ONLY © New Zealand Qualifications Authority, 2016. All rights reserved. No part of this publication may be reproduced by any means without the prior permission of the New Zealand Qualifications Authority. Scholarship 2016 Music 2.00 p.m. Friday 18 November 2016 Time allowed: Three hours Total marks: 32 RESOURCE BOOKLET Check that the National Student Number (NSN) on your admission slip is the same as the number at the top of this page. Refer to the score extracts in this booklet to answer your TWO selected questions from Question Booklet 93305Q. You are encouraged to include annotations and markings on the score extracts for any of your answers if this will help to make the answer clearer. Refer to any score annotations clearly in your written answer. Check that this booklet has pages 2–42 in the correct order and that none of these pages is blank. YOU MUST HAND THIS BOOKLET TO THE SUPERVISOR AT THE END OF THE EXAMINATION. 93305R

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  • 933053

    SSUPERVISORS USE ONLY

    New Zealand Qualifications Authority, 2016. All rights reserved.No part of this publication may be reproduced by any means without the prior permission of the New Zealand Qualifications Authority.

    Scholarship 2016Music

    2.00 p.m. Friday 18 November 2016 Time allowed: Three hours

    Total marks: 32

    RESOURCE BOOKLET

    Check that the National Student Number (NSN) on your admission slip is the same as the number at the top of this page.

    Refer to the score extracts in this booklet to answer your TWO selected questions from Question Booklet 93305Q.

    You are encouraged to include annotations and markings on the score extracts for any of your answers if this will help to make the answer clearer. Refer to any score annotations clearly in your written answer.

    Check that this booklet has pages 242 in the correct order and that none of these pages is blank.

    YOU MUST HAND THIS BOOKLET TO THE SUPERVISOR AT THE END OF THE EXAMINATION.

    9 3 3 0 5 R

  • Flauto traverso I

    Flauto traverso II

    Violino I

    Violino II

    Viola

    Soprano II

    Alto

    Tenore

    Basso

    Continuo

    Cru ci- -

    6

    fi- xus,- cru ci- fi- xus,-

    Cru ci- [fi- xus,]-

    Cru ci- fi- xus,- cru ci- fi- xus,-

    Cru ci- fi- xus,- cru ci- -

    3

    2

    3

    2

    3

    2

    3

    2

    3

    2

    3

    2

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    &

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    n n

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    =

    Index of Score Extracts

    Extract APage 3

    Mass in B minor, BWV 232Crucifixus

    J. S. Bach(16851750)

    Extract BPage 8

    Cello Concerto No. 2 in D major, Op. 101Second movement: Adagio

    Joseph Haydn(17321809)

    Extract CPage 13

    Cello Concerto No. 2 in D major, Op. 101 (piano reduction)Second movement: Adagio

    Joseph Haydn

    Extract DPage 16

    Piano Trio No. 1 in D majorfrom Zwei leichte Trios (Two Little Trios), Op. 330Third movement: Finale

    Carl Bohm(18441920)

    Extract EPage 21

    The Planets, Op. 32No. 1 Mars, the Bringer of War, bars 142

    Gustav Holst(18721934)

    Extract FPage 27

    St Thomas arr. Sonny Rollins(b. 1930)

    Extract GPage 28

    The Armed Man: A Mass for PeaceNo. 7 Charge!, bar 102end

    Karl Jenkins(b. 1944)

    Extract HPage 33

    Les MisrablesAct I, No. 14 Master of the House

    Claude-Michel Schnberg(b. 1944)

    Extract IPage 37

    Jesus Christ SuperstarAct II, No. 6 King Herods Song

    Andrew Lloyd Webber(b. 1948)

    2

    Music 93305, 2016

  • SCORE EXTRACT AMass in B minor (1749)

    CrucifixusJohann Sebastian Bach, BWV 232

    (16851750)

    Crucifixus etiam pro nobis sub Pontio Pilato, passus et sepultus est.

    He was also crucified for us under Pontius Pilate; He suffered and was buried.

    3

    Music 93305, 2016

    ASSESSORS USE ONLY

  • 24

    no [bis- - ] sub Pon ti- o- Pi la- -

    Pon ti- o- Pi la- to,- sub Pon ti- o- Pi la- -

    ti- am- pro no bis- - sub Pon ti- o- Pi la- - -

    sub Pon ti- o- Pi la- - -

    29

    to,- pas sus- - et se pul- tus- - est, pas -

    to,- pas sus- - et se pul- tus- est, pas -

    to,- pas sus,- pas sus- et se pul- tus est, pas -

    to,- pas sus- - - - et se pul- tus- est, pas -

    &

    #

    &

    #

    &

    #

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    B

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    4

    Music 93305, 2016

    ASSESSORS USE ONLY

  • 12

    cru ci- fi- xus- e ti- am- pro no bis,-

    cru ci- fi- xus,- cru ci- fi- xus- e ti- am- pro

    cru ci- fi- - -

    fi- xus,- cru ci- fi- xus,-

    6

    5

    #

    4

    18

    cru ci- fi- xus- e ti- - am- [pro ]

    no bis,- e ti- - am- pro no bis- - sub

    xus- e ti- am- pro no bis,- e -

    cru ci- fi- xus- e ti- am- pro no bis- - - -

    &

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    5

    Music 93305, 2016

    ASSESSORS USE ONLY

  • 6

    Music 93305, 2016

    ASSESSORS USE ONLY

  • 34

    sus- et se- pul tus- est, cru - - ci -

    sus- et se pul- tus- est, cru -

    sus- et se pul- tus- est,

    sus- et se pul- tus- est,

    39

    fi- xus- e ti- am- pro no bis- sub Pon ti- o- Pi la- - -

    ci- - fi- xus- - - e ti- am- pro no bis- sub Pon ti- o- Pi -

    cru ci- - - fi- xus-

    cru ci- - - fi- xus- e ti- am- pro

    &

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    7

    Music 93305, 2016

    ASSESSORS USE ONLY

  • SCORE EXTRACT BCello Concerto No.2 in D major (1783)

    Second movementEdited by H.C.Robbins Landon Joseph Haydn, H.7b/2

    (17321809)

    Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    13

    fz fz(p)

    (p)

    (p)

    (p)

    Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    19

    Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    23

    &

    #

    #

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    < > < >

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    (senza fagoo)

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    =

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    8

    Music 93305, 2016

    ASSESSORS USE ONLY

  • Oboi

    Corni

    in D

    Violoncello

    Solo

    Violini I

    Violini II

    Viole

    Fagoo

    Violoncello

    & Contrabasso

    Adagio

    (p)

    (p)

    Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    ( f )

    7

    f

    f

    f

    f

    f

    2

    4

    2

    4

    2

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    2

    4

    2

    4

    2

    4

    2

    4

    &

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    &

    tacent

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    [Solo]

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    p< >

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    (Tui)

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    j

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    9

    Music 93305, 2016

    ASSESSORS USE ONLY

  • Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    42

    p

    (p)

    p

    Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    46

    Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    50

    fp

    f p

    f(p)

    f p

    &

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    j

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    =

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    10

    Music 93305, 2016

    ASSESSORS USE ONLY

  • Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    27

    Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    32

    Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    f

    37

    f

    f

    f

    &

    #

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    U( )

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    #

    &

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    B

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    6

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    (con fagoo)

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    =

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    11

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {

    {

    {

    {

    Violoncello

    Piano

    p dolce

    Adagio

    p

    6

    espressivo

    mf

    12

    sf sf

    mf

    cantabile

    p

    A17

    p

    2

    4

    2

    4

    2

    4

    ? #

    #

    #

    3

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    #

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    12

    Music 93305, 2016

    ASSESSORS USE ONLY

  • Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    55

    Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    ( f )

    60

    f

    f

    f

    f

    Vc.S.

    ppf

    Ob.

    Vc.S.

    Vln. I

    Vln. II

    Vle.

    Fg.

    Vc.

    & Cb.

    63

    p

    &

    #

    #

    #

    ?#

    #

    #

    < >

    < >

    3 6

    &

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    #

    #

    < >

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    &

    #

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    #

    G

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    #

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    < >

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    &

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    #

    #

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    #

    (Cadenza)

    p

    &

    #

    #

    #

    < > < >

    &

    #

    #

    #

    B

    #

    #

    #

    ?#

    #

    #

    (con fagoo)

    ?#

    #

    #

    &

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    &

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    (senza fagoo)

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    n

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    =

    =

    =

    SCORE EXTRACT CCello Concerto No.2 in D major (1783)

    Second movementEdited by Julius Klengel Joseph Haydn, H.7b/2

    (17321809)

    {

    {

    {

    {

    Violoncello

    Piano

    p dolce

    Adagio

    p

    6

    espressivo

    mf

    12

    sf sf

    mf

    cantabile

    p

    A17

    p

    2

    4

    2

    4

    2

    4

    ? #

    #

    #

    3

    ?#

    #

    #

    ?#

    #

    #

    ? #

    #

    #

    6

    ?#

    #

    #

    &

    3

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    #

    ? #

    #

    #

    B

    &

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    #

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    B

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    &

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    #

    #

    J

    J

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    .

    .

    .

    .

    .

    .

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    J

    #

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    -

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    n

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    j

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    j

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    13

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {

    {

    {

    {

    {

    mf

    22

    p

    cresc. f p dolce

    B27

    cresc. p pp

    33

    38

    f

    mf

    43

    B

    #

    #

    #

    # #

    &

    #

    #

    #

    ?#

    #

    #

    B

    #

    #

    #&

    &

    #

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    14

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {

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    15

    Music 93305, 2016

    ASSESSORS USE ONLY

  • SCORE EXTRACT DPiano Trio No.1 in Dmajor from Zwei leichte Trios (c.1897)

    Third movement: FinaleCarl Bohm

    (18441920)

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    16

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {

    {

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    Music 93305, 2016

    ASSESSORS USE ONLY

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    18

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {

    {

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    {

    59

    sempre pp

    cresc.

    69

    cresc.

    f dim. fz

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    19

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {{{

    2 Piccolos

    2 Flutes

    2 Oboes

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    Bass Trombone

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    20

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {{{

    2 Piccolos

    2 Flutes

    2 Oboes

    English Horn

    Bass Oboe

    3 Clarinets in Bb

    Bass Clarinet

    3 Bassoons

    Doublebassoon

    Horn 13 in F

    Horn 46 in F

    Trumpet 12 in C

    Trumpet 34 in C

    2 Tenor Trombones

    Bass Trombone

    Tenor Tuba in Bb

    Bass Tuba

    6 Timpani

    (two players)

    Side Drum

    Cymbals

    Bass Drum

    Gong

    Harp I

    Harp II

    Organ

    1st Violins

    2nd Violins

    Violas

    Violoncellos

    Doublebasses

    Allegro

    mp

    p

    mp

    p

    p

    pp

    p

    p

    p

    p

    p

    p

    p

    5

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    SCORE EXTRACT EThe Planets (1914)

    No.1 Mars, the Bringer of War (bars 142)Gustav Holst

    (18721934)

    21

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {{

    Picc.

    Fl.

    Ob.

    E. H.

    Bass. Ob.

    Cl.

    Bcl.

    Bn.

    Dbn.

    Hn. 13

    Hn. 46

    Trp. 12

    Trp. 34

    Ten. Trb.

    Bass. Trb.

    Ten. Tub.

    Bass Tub.

    Timp.

    Gong

    Hp.I

    Hp.II

    1st Vns.

    2nd Vns.

    Vas.

    Vc.

    Db.

    8

    cresc.

    mf dim.

    p cresc. mf dim.

    p cresc. mf dim.

    p cresc. mf dim.

    p cresc. mf dim.

    p cresc. mf dim.

    cresc.

    mf dim.

    mf dim.

    mf dim.

    cresc. mf dim.

    cresc.

    mf dim.

    cresc. mf dim.

    cresc. mf dim.

    cresc. mf dim.

    cresc. mf dim.

    cresc. mf dim.

    cresc. mf dim.

    cresc. mf dim.

    &

    &

    &

    a2

    &

    &

    &

    &

    ?

    I II a2

    ?

    &

    ?

    &

    &

    I con sordino

    &

    B

    ?

    &

    ?

    ?

    3 3 3 3 3 3 3

    ?

    /

    &

    ?

    3 3 3 3 3 3 3

    &

    ?

    3 3 3 3 3 3 3

    &

    3 3 3 3 3 3 3

    &

    3 3 3 3 3 3 3

    B

    3 3 3 3 3 3 3

    ?

    3 3 3 3 3 3 3

    ?

    3 3 3 3 3 3 3

    b b

    >

    b

    b

    b b

    >

    b b b

    >

    b

    >

    b

    b

    b

    b b n

    >

    b

    b

    b

    b

    n

    b

    b

    b

    b

    n

    >

    b

    b

    b

    b b b n

    +

    b

    b

    b

    b

    b

    +

    b

    b

    22

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {{

    Picc.

    Fl.

    Ob.

    E. H.

    Bass. Ob.

    Cl.

    Bcl.

    Bn.

    Dbn.

    Hn. 13

    Hn. 46

    Trp. 12

    Trp. 34

    Ten. Trb.

    Bass. Trb.

    Ten. Tub.

    Bass Tub.

    Timp.

    Gong

    Hp.I

    Hp.II

    1st Vns.

    2nd Vns.

    Vas.

    Vc.

    Db.

    8

    cresc.

    mf dim.

    p cresc. mf dim.

    p cresc. mf dim.

    p cresc. mf dim.

    p cresc. mf dim.

    p cresc. mf dim.

    cresc.

    mf dim.

    mf dim.

    mf dim.

    cresc. mf dim.

    cresc.

    mf dim.

    cresc. mf dim.

    cresc. mf dim.

    cresc. mf dim.

    cresc. mf dim.

    cresc. mf dim.

    cresc. mf dim.

    cresc. mf dim.

    &

    &

    &

    a2

    &

    &

    &

    &

    ?

    I II a2

    ?

    &

    ?

    &

    &

    I con sordino

    &

    B

    ?

    &

    ?

    ?

    3 3 3 3 3 3 3

    ?

    /

    &

    ?

    3 3 3 3 3 3 3

    &

    ?

    3 3 3 3 3 3 3

    &

    3 3 3 3 3 3 3

    &

    3 3 3 3 3 3 3

    B

    3 3 3 3 3 3 3

    ?

    3 3 3 3 3 3 3

    ?

    3 3 3 3 3 3 3

    b b

    >

    b

    b

    b b

    >

    b b b

    >

    b

    >

    b

    b

    b

    b b n

    >

    b

    b

    b

    b

    n

    b

    b

    b

    b

    n

    >

    b

    b

    b

    b b b n

    +

    b

    b

    b

    b

    b

    +

    b

    b

    {{

    Picc.

    Fl.

    Ob.

    E. H.

    Bass. Ob.

    Cl.

    Bcl.

    Bn.

    Dbn.

    Hn. 13

    Hn. 46

    Trp. 12

    Trp. 34

    Ten. Trb.

    Bass. Trb.

    Ten. Tub.

    Bass Tub.

    Timp.

    Gong

    Hp.I

    Hp.II

    1st Vns.

    2nd Vns.

    Vas.

    Vc.

    Db.

    15

    p

    mp p

    p p

    p

    p

    p

    p

    p mp

    pmp

    pmp

    &

    I

    &

    &

    &

    &

    &

    &

    ?

    ?

    &

    &

    &

    &

    B

    #

    ?

    &

    ?

    ?

    3 3 3 3 3 3 3 3

    ?

    /

    &

    ?

    3 3 3 3 3 3 3 3

    &

    ?

    3 3 3 3 3 3 3 3

    &

    3 3 3 3 3 3 3 3

    &

    3 3

    B

    3 3

    ?

    only half

    3 3 3 3 3 3 3 3

    ?

    only half

    3 3 3 3 3 3 3 3

    b

    b

    b

    b b

    b b

    b #

    23

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {{

    Picc.

    Fl.

    Ob.

    E. H.

    Bass. Ob.

    Cl.

    Bcl.

    Bn.

    Dbn.

    Hn. 13

    Hn. 46

    Trp. 12

    Trp. 34

    Ten. Trb.

    Bass. Trb.

    Ten. Tub.

    Bass Tub.

    Timp.

    Gong

    Hp.I

    Hp.II

    1st Vns.

    2nd Vns.

    Vas.

    Vc.

    Db.

    23

    mf f

    mf f

    mf f

    mf f

    f

    f

    mf cresc. mf f

    mf cresc. mf fp cresc.

    p cresc. mf mf f

    p mfmf f

    cresc. mf mf f

    cresc. mf mf f

    mf cresc. f

    mf cresc.

    cresc. mf cresc. f

    cresc. mf cresc. f

    cresc. mf cresc.

    cresc. mf cresc.

    mfmf f

    mf cresc. f

    mf cresc. f

    mf

    mf cresc.

    f

    mf

    mf cresc.

    f

    &

    &

    a2

    &

    &

    &

    &

    &

    ?

    ?

    &

    a3

    &

    a3

    &

    senza sord.

    b#

    &

    III

    B

    ?

    &

    ?

    ?

    3 3 3 3 3 3 3

    ?

    /

    &

    ?

    3 3 3 3 3 3

    &

    ?

    3 3 3 3 3 3

    &

    naturale

    3 3

    &

    naturale

    3 3 3 3 3

    B

    naturale

    3 3 3 3 3

    ?

    the other half naturale

    tui, naturale

    3 3

    3 3 3 3

    3

    ?

    the other half naturale

    tui, naturale

    3 3

    3 3 3 3

    3

    b

    n

    b

    #

    b

    b

    b

    b

    b

    b

    b b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    b b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    bn

    #

    #

    #

    j

    b

    #

    #

    j

    b

    b b # bn

    b

    b

    n

    J

    b b

    b

    J

    b

    J

    b b

    b b

    b

    n

    24

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {{

    Picc.

    Fl.

    Ob.

    E. H.

    Bass. Ob.

    Cl.

    Bcl.

    Bn.

    Dbn.

    Hn. 13

    Hn. 46

    Trp. 12

    Trp. 34

    Ten. Trb.

    Bass. Trb.

    Ten. Tub.

    Bass Tub.

    Timp.

    Gong

    Hp.I

    Hp.II

    1st Vns.

    2nd Vns.

    Vas.

    Vc.

    Db.

    23

    mf f

    mf f

    mf f

    mf f

    f

    f

    mf cresc. mf f

    mf cresc. mf fp cresc.

    p cresc. mf mf f

    p mfmf f

    cresc. mf mf f

    cresc. mf mf f

    mf cresc. f

    mf cresc.

    cresc. mf cresc. f

    cresc. mf cresc. f

    cresc. mf cresc.

    cresc. mf cresc.

    mfmf f

    mf cresc. f

    mf cresc. f

    mf

    mf cresc.

    f

    mf

    mf cresc.

    f

    &

    &

    a2

    &

    &

    &

    &

    &

    ?

    ?

    &

    a3

    &

    a3

    &

    senza sord.

    b#

    &

    III

    B

    ?

    &

    ?

    ?

    3 3 3 3 3 3 3

    ?

    /

    &

    ?

    3 3 3 3 3 3

    &

    ?

    3 3 3 3 3 3

    &

    naturale

    3 3

    &

    naturale

    3 3 3 3 3

    B

    naturale

    3 3 3 3 3

    ?

    the other half naturale

    tui, naturale

    3 3

    3 3 3 3

    3

    ?

    the other half naturale

    tui, naturale

    3 3

    3 3 3 3

    3

    b

    n

    b

    #

    b

    b

    b

    b

    b

    b

    b b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    b b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    b

    bn

    #

    #

    #

    j

    b

    #

    #

    j

    b

    b b # bn

    b

    b

    n

    J

    b b

    b

    J

    b

    J

    b b

    b b

    b

    n

    {{

    Picc.

    Fl.

    Ob.

    E. H.

    Bass. Ob.

    Cl.

    Bcl.

    Bn.

    Dbn.

    Hn. 13

    Hn. 46

    Trp. 12

    Trp. 34

    Ten. Trb.

    Bass. Trb.

    Ten. Tub.

    Bass Tub.

    Timp.

    Gong

    Hp.I

    Hp.II

    1st Vns.

    2nd Vns.

    Vas.

    Vc.

    Db.

    30

    f f f cresc.

    f f f cresc.

    f f f cresc.

    f f f cresc.

    f f f cresc.

    f cresc.

    f f f cresc.

    f f f cresc.

    f f f cresc.

    mf f mf f mf f cresc.

    mf f mf f mf f

    cresc.

    mf f mf f mf f

    f cresc.

    f f f cresc.

    f f f cresc.

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    25

    Music 93305, 2016

    ASSESSORS USE ONLY

  • Picc.

    Fl.

    Ob.

    E. H.

    Bass. Ob.

    Cl.

    Bcl.

    Bn.

    Dbn.

    Hn. 13

    Hn. 46

    Trp. 12

    Trp. 34

    Ten. Trb.

    Bass. Trb.

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    Bass Tub.

    Timp.

    Gong

    1st Vns.

    2nd Vns.

    Vas.

    Vc.

    Db.

    ff sempre cresc. fff

    37

    ff sempre cresc. fff

    ff sempre cresc. fff

    ff sempre cresc. fff

    ff sempre cresc. fff

    ff sempre cresc. fff

    ff sempre cresc.fff

    ff sempre cresc. fff

    ff sempre cresc.fff

    ff sempre cresc. fff

    ff sempre cresc. fff

    ff sempre cresc. fff

    f

    ff sempre cresc.

    ff fff

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    &

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    C6 E7 A7 D7 G7 C65

    E7(b5) B7 A7 D7 A7(#5) G79

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    C6 A7 D7 G7 C617

    C6 A7 D7 G7 C621

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    C7 C7/E F6 F7 C6/G G7 C629

    C

    &

    (tenor, 8

    va

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    &

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    BBSolosSolos

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    Solos may swing

    After solos, D.C. al fine.After solos, D.C. al fine.

    Head is played twice before & after solos.Head is played twice before & after solos.

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    26

    Music 93305, 2016

    ASSESSORS USE ONLY

  • Picc.

    Fl.

    Ob.

    E. H.

    Bass. Ob.

    Cl.

    Bcl.

    Bn.

    Dbn.

    Hn. 13

    Hn. 46

    Trp. 12

    Trp. 34

    Ten. Trb.

    Bass. Trb.

    Ten. Tub.

    Bass Tub.

    Timp.

    Gong

    1st Vns.

    2nd Vns.

    Vas.

    Vc.

    Db.

    ff sempre cresc. fff

    37

    ff sempre cresc. fff

    ff sempre cresc. fff

    ff sempre cresc. fff

    ff sempre cresc. fff

    ff sempre cresc. fff

    ff sempre cresc.fff

    ff sempre cresc. fff

    ff sempre cresc.fff

    ff sempre cresc. fff

    ff sempre cresc. fff

    ff sempre cresc. fff

    f

    ff sempre cresc.

    ff fff

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    ff sempre cresc.fff

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    sempre cresc.

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    &

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    felt sticks 3 3 3

    /

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    SCORE EXTRACT FSt Thomas

    Virgin Islands Traditional arr. Sonny Rollins(b.1930)

    27

    Music 93305, 2016

    ASSESSORS USE ONLY

  • SCORE EXTRACT GThe Armed Man: A Mass for Peace (1999)

    No.7 Charge! (bar 102end)Text from works by John Dryden and Jonathan Swift

    Karl Jenkins(b.1944)

    {

    {

    {

    coun try- dies, for his

    cresc.

    coun try- dies.

    f109

    coun try- dies, for his

    cresc.

    coun try- dies.

    f

    cresc. f

    The

    mf

    dou ble- dou ble- beat of the

    G

    113

    The

    mf

    dou ble- dou ble- beat of the

    The

    mf

    dou ble- dou ble- beat of the

    The

    mf

    dou ble- dou ble- beat of the

    mf

    thun der- ing- drum, the thun der- ing- drum, the thun der- ing- drum. The dou ble- dou ble- beat of the

    117

    thun der- ing- drum, the thun der- ing- drum, the thun der- ing- drum. The dou ble- dou ble- beat of the

    thun der- ing- drum, the thun der- ing- drum, the thun der- ing- drum. The dou ble- dou ble- beat of the

    thun der- ing- drum, the thun der- ing- drum, the thun der- ing- drum. The dou ble- dou ble- beat of the

    &

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    TENOR

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    28

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {

    {

    Keyboard

    (rehearsal

    only)

    How

    mp

    blest is he who for his coun try- dies, who for his coun try-

    F

    102

    How

    mp

    blest is he who for his coun try- dies, who for his coun try-

    sub. mp

    dies. How blest is he who for his coun try- dies, coun try- dies,

    105

    dies. How blest is he who for his coun try- dies, coun try- dies,

    12

    8

    12

    8

    12

    8

    12

    8

    12

    8

    12

    8

    &

    SOPRANO

    #

    #

    b

    n

    n

    4

    (Bravura )q. = 130135

    &

    ALTO

    4

    &

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    29

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {

    {

    {

    charge, charge, charge,

    133

    charge, charge, charge,

    charge, charge, charge,

    charge, charge, charge,

    charge, charge, charge,

    136

    charge, charge, charge,

    charge, charge, charge,

    charge, charge, charge,

    charge, charge, charge,

    139

    charge, charge, charge,

    charge, charge, charge,

    charge, charge, charge,

    &

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    30

    Music 93305, 2016

    ASSESSORS USE ONLY

  • {

    {

    {

    thun der- ing- drum, the thun der- ing- drum, the thun der- ing- drum cries Hark! the foes come,

    121

    thun der- ing- drum, the thun der- ing- drum, the thun der- ing- drum cries Hark! the foes come,

    thun der- ing- drum, the thun der- ing- drum, the thun der- ing- drum cries Hark! the foes come,

    thun der- ing- drum, the thun der- ing- drum, the thun der- ing- drum cries Hark! the foes come,

    Hark! the foes come, cries Hark! the foes come. Charge, tis too late, too

    125

    Hark! the foes come, cries Hark! the foes come. Charge, tis too late, too

    Hark! the foes come, cries Hark! the foes come. Charge, tis too late, too

    Hark! the foes come, cries Hark! the foes come. Charge, tis too late, too

    late to re treat,- Charge, tis too late to re treat.- Charge,

    cresc.

    H

    129

    late to re treat,- Charge, tis too late to re treat.- Charge,

    cresc.

    late to re treat,- Charge, tis too late to re treat.- Charge,

    cresc.

    late to re treat,- Charge, tis too late to re treat.- Charge,

    cresc.

    mf cresc.

    &

    &

    &

    ?

    &

    ?

    &

    &

    &

    ?

    &

    (Tpt.)

    ?

    &

    &

    &

    ?