Schneider FiltersFor Professional HD, DSLR,

Digital Video & CinematographyWest Coast: 7701 Haskell Avenue, Van Nuys, CA 91406Tel: 818-766-3715 • Fax: 818-505-9865East Coast: 285 Oser Avenue, Hauppauge, NY 11788Tel: 631-761-5000 • Fax: 631-761-5090mptv@schneideroptics.com • www.schneideroptics.com

Specification subject to change without notice.

Introduction 3Filter Kits 4Filter Kits with Holder 5Classic Soft® Filters 6HD Classic Soft® Filters 7Hollywood Black Magic™ Filters 8Classic Black Soft™ Filters 9Black Frost® Filters 10White Frost™ Filters 10LowCon 2000™ Filters 10Digicon® Filters 11True-Pol® Polarizing Filters 12Circular True-Pol® 13Platinum Series IR Reduction Filters 14True Cut IR Filters 15Neutral Density Filters 16Dual Grad Filters 16Neutral Density Attenuator Filters 17True-Match 10-stop Variable ND Filter Kit 17Landscape Control Kit 1877mm Landscape Vari-ND Upgrade Kit 1877mm True-Match Vari-ND® Thread-In 18Diopters 19Split Field Diopters 19Color Correction Filters 20Combination Filters 21Enhancing Filters 21UV-410 Filters 21Solid & Grad Color Effects Filters 22Graduated Color Filters 23Coral Filters 24Day for Night Filter 24Magenta Filters 24Sunset Filter 24CTB Color Correction Filters 25Storm Blue Soft Edge Graduated Filter 25Sapphire Blue Solid Filter 25Rhino Glass 26Optical Flats 263-D Windows 26Circular True-Pol® for Video Assist & 3D Projection 27Quarter Wave Retarders 27MPTV Photo Round Filters 28B+W Screw-on Filters 29True-Streak® and Clairmont Alexa System 30Popular DSLR Products 31

Contents

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www.schneideroptics.com3

It Starts With The Glass®

Schneider Optics, a U.S. subsidiary of acclaimed German lens maker SchneiderKreuznach, represents a long history of extraordinary lenses and filters for manyindustries including still photography, High Definition, television broadcasting,cinematography, and digital projection. It’s no wonder Schneider filters formotion pictures and digital cinematography are the finest in the industry.

Consistent PrecisionDiamond cut from crystal-clear, water-white optical glass, Schneider filtersare ground and polished to a precise flatness and plane-parallelism (exactparallel relationship between front and back filter surfaces). Then, to ensureperfection, this is verified by a laser interferometer. Schneider filters arethen checked with a densitometer for consistent density and tested with a spectrophotometer for proper light transmission. This ultra-high consistencyallows cinematographers to swap like filters mid-shoot with no discerniblevariation in color or effect. What’s more, the unprecedented purity, colorsaturation and repeatability of Schneider filters virtually eliminates the needfor lab color timing correction.

Ultra DurabilitySchneider filters stand up to the most rigorous demands on set or location.Many feature Schneider’s specially formulated hard anti-reflective coating toresist flaking, peeling and scratching. This proprietary coating also reduceslight loss and flare to less than 1% per surface, compared to untreatedglass that has a light loss of 4% per surface.

Schneider screw-on filters feature virtually jam-proof precision mountingrings, while unmounted Schneider laminated filters are protected againstdelamination and edge-chipping by Schneider’s unique Edge Seal, which alsoreduces edge reflection and edge flare.

Professional Sizes for Film and Digital ImagingSchneider filters are available in popular sizes including 4˝x4˝, 4˝x5.65˝(Panavision size), 5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝ and 138mm rounds. Screw-onfilters are available in 58, 62, 72, 77, 82, 86, 95, 102, 105, and 127mmsizes. For more information or additional sizes, visit us online.

®

LandscapeControl Kit4x5.65 — 68-885603Includes:• ND .6 Soft Edge Graduated• 4˝ Filter Holder• 77mm Wide-Angle Adapter Ring• Filter Pouch

The Landscape Control Filter Kitincludes an easy-to-use filter holderthat makes it a snap to add the Kit’sSchneider 4˝x5.65˝ ND .6 (2 stop)vertical soft edge grad filter–or any4˝x4˝ or 4˝x5.65˝ square glass filteryou need. Equipped with a handyspring-loaded quick release mechanism,the holder fits up to 2 filters andsimply attaches to the camera lensfront via an interchangeable screw-inadapter ring.

Schneider offers a full assortmentof top quality 4˝x 4˝ and 4˝x5.65̋glass filters that fit neatly in theLandscape Control filter holder.

Schneider’s ND .6 vertical softedge grad filter is made of water-white Schott glass for unsurpassedimage quality and is an excellentchoice for controlling bright skieswithout losing shadow detail.

4̋ Filter Holder94-250000

The 4̋ Filter Holder is made to holdSchneider MPTV 4mm thick water-whiteSchott glass filters that are available in4̋ x 4̋ and 4̋ x5.65̋ sizes. The holderrotates a full 360º enabling the useof polarizers or graduated filters. Itcan accommodate up to 2 glass filters.The holder includes a 77mm WideAngle adapter ring which can beremoved from the holder with asimple pull of the brass tab (locatedon the top) to exchange for otheravailable sizes. The adapter ring canalso be used with conventional steprings to quickly accommodate smallerfilter diameter lenses.

Century 4x4Essential 5-FilterKit with Holder70-C48802 Includes:• ND .6 Solid • ND .6 Soft Edge Graduated• Circular Polarizer• Black Frost® 1/2 Diffusion • Warming Skin Tone EnhancerAlso includes 77mm Adapter Ring, Multi-compartment Pouch & DVD

4̋ x 4̋ 5-Filter Kit includes an easy-to-use4̋ filter holder that eliminates theneed for bulky mattebox systems—teamed with 5 superior qualityprecision glass filters selected tohelp balance exposure, control depthof field & compensate for limiteddynamic range. Equipped with ahandy spring-loaded quick-releasemechanism, the filter holder fits up to 2 filters & simply attaches to the camera lens front via aninterchangeable screw-in adapter ring.

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Digital Starter Kit*4x4 — 68-884401 Includes: Circular Polarizer,Black Frost® 1/2, ND .9

Light Control*4x4 — 68-884402 Includes: One-Stop Pol,Lowcon 1/4, Digicon® 1/2

HD Pro Filter Kit*5x5 — 68-8855015.65x5.65 — 68-885701Includes: Clear, ND.6 GradSoft Edge, ND.9 Grad SoftEdge, ND.9 Full Attenuator,True Pol Linear

Exposure Kit*4x5.65 — 68-885601Includes: ND.3, ND.6 Solid,ND.6, ND.9, Soft EdgeGraduated

Essential Kit for RED*4x5.65 — 68-8856025.65x5.65 — 68-885702 6.6x6.6 — 68-886601Includes: True Cut IR 750,ND.9, ND1.2, ND1.5

Skin Tone Filter Kit*4x4 — 68-884403 Includes: Maui Brown 1,Gold 1, Coral 1/8

Landscape*4x4 — 68-884404 Includes: Storm Blue 2 SEGrad, Maui Brown 2,Classic Sunset

Essential HD Kit*4x4 — 68-884410 Includes: Circular TruePol®, Platinum IRND .9®,Platinum IRND 1.2®,Platinum IRND1.5®, BlackFrost® 1/2

Landscape Kit with Shade4x5.65 — 68-885604 Includes: ND .6 Soft EdgeGraduated Vertical, 4˝ FilterHolder, 77mm Wide-AngleAdapter Ring, RoundRubber Sunshade

True-Cut IR Tuner Kit4x5.65 — 68-8856056.6x6.6 — 68-886602 Includes: True-Cut 750 IR,True-Cut 715 IR, True-Cut680 IR

Compact ND Kit for114MM/CP.24.5˝ Round — 68-884501 Includes: ND.6, ND.9, ND1.2,114mm SSLR-4.5˝Adapter Ring

4X4 • 5 .65X5.65 FILTER KITS WITH HOLDER

*All kits are packaged in a soft filter pouch which includes a hook & loop strap to belt mount with padded slots to protect your filters.

4X4 • 5X5 • 5 .65X5.65 FILTER KITS

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SchneiderClassic Soft®

filters are manufacturedusing opticalglass that isdiamond cut,precision groundand polished toensure uniformityand consistency.Sandwichedbetween two

pieces of this optical glass (A) are hundredsof precision Micro-Lenslets (B). During use,image light (C) that passes through eachMicro-Lenslet is only slightly refracted (D),while light (E) passing between Micro-Lensletsis unaffected.

Classic Soft filters are tested with a laserinterferometer to ensure exact flatness andthe parallel relationship between both sides.

Application: Blend small wrinklesand blemishes, while maintainingoverall sharp focus to conceal theuse of a softening filter. Greaterstrengths (I, 2) can add a mood to the scene by causing highlightsto glow softly. Use with cine or HDcameras with 2/3˝ chip or larger.

Schneider has developed a subtleand effective softening filter thatcan be used freely without fear of compromising the high quality ofcontemporary lenses. Schneider ClassicSoft® filters are made possible bystate-of-the-art optical technology anda proprietary Schneider manufacturingtechnique. In the normal range of exposure, this filter imparts onlya closely confined, very subtleglow to highlights. If large amountsof over-exposure exist in a scene,like a blown window, Classic Softfilters add a stylish glow that keepsthe scene’s contrast under control,while adding a romantic look.

As with all Schneider opticalglass filters, Classic Soft filters aredesigned for use in front of longlenses, singly or in combination, foreven greater creative control.

Extreme ConsistencyClassic Soft filters are manufac-tured to Schneider’s renownedstandards so same strengthfilters can be switched betweenA & B cameras, or lost filterscan be replaced, with nodiscernable difference.

Sizes: 4˝x4˝, 4˝x5.65˝(Panavisionsize), 5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝plus 138mm, 4.5˝ & 48mm Rounds.Strengths: 1/8, 1/4, 1/2, 1, 2

The Secret ofIn-focus Diffusion™

Hundreds of Micro-Lenslets™ arrayedwithin each Schneider Classic Soft filterprovide a precisely controlled softimage that is overlaid on a sharp,in-focus image. The number of Micro-Lenslets per square inch determinesthe image-bending effectiveness of each Classic Soft filter. Thiscombination diffuses the imagewhile maintaining overall sharp focus.

Classic Soft®

A

B

C

D

E

Classic Soft®

CLASS IC SOFT ® FAMILY

HD Classic Soft®

“When shooting a multi-camera series youare consistently cuttingback and forth betweencameras. I never worryabout matching because I always have Schneider filters on each lens.”Don A. Morgan, ASC

“I’m a long-time fan of the Classic Soft®. It is the best wrinkleremover ever—and it is light enough to use on digital and film.”Nancy Schreiber, ASC

HD ClassicSoft®

Application: For subtle softeningwhen using new 1/2̋ , 1/3̋ , and 1/4̋chip cameras. Blends small wrinklesand blemishes while maintainingsharp overall focus.

When professionals asked for away to bring subtle, softeningeffects to High Definition, Schneiderlistened and met the challenge.

HD Classic Softs impart aclosely confined, very subtle glowto highlights. If large amounts ofoverexposure exist in a scene—like a “blown” window – theyproduce a stylish glow that keepsthe scene’s contrast under control,while adding a romantic look. Thiseffect also blends small wrinklesand blemishes, while maintainingan overall sharp focus that concealsthe fact that a softening filterhas been used.

These new filters are designedto allow shooting in all HD formats,including 1/2˝, 1/3˝ and 1/4˝ chipcameras without fear of artifacts.Like all Schneider Optics profes-sional filters, the HD Classic Soft®line is manufactured from crystalclear, water-white optical glass thatis diamond cut, precision groundand polished to the most exactingtolerances, to ensure absolute uni-formity and consistency.

Schneider HD Classic Softs producethe same rich In-Focus Diffusion™

as the standard Classic Soft series.Each one contains a carefully calcu-lated amount of precisely positionedMicro-Lenslets™. These provide acontrolled soft image that is over-laid on a sharp, in-focus image,creating In-focus Diffusion™.

Sizes: 4˝x4˝, 4˝x5.65˝, 5˝x5˝,5.65˝x5.65˝, 6.6˝x6.6˝ plus 43mm to 138mm Rounds.Strengths: 1/16, 1/8, 1/4, 1/2 and 1

Hollywood Black Magic

TM

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ClassicBlack SoftTM

Application:Combines the benefits of ClassicSoft® with the subtle effects of theBlack Frost® 1/8. Ideal for close-ups, and can be used to facilitate aseamless transition in the look andcontinuity from scene to scene,adding pleasing diffusion for HighDefinition cameras.

Sizes: 4˝x4˝, 4˝x5.65˝ (Panavisionsize), 6.6˝x6.6˝ plus 138mm, 4.5˝and 48mm Rounds.Strengths: 1/8, 1/4, 1/2, 1, 2

Double ClassicBlack SoftTM

Application:For in-focus diffusion plus aheavier Black Frost® effect, withoutfilter stacking. Combines thefeatures of the Schneider ClassicSoft® with a Black Frost 1/4.

Sizes: 4˝x4˝, 4˝x5.65˝ (Panavisionsize), 5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝plus 138mm, 4.5˝ and 48mmRounds.Strengths: 1/8, 1/4, 1/2, 1, 2

Double Classic Black SoftTM

HollywoodBlack MagicTM

Application: To remove unsightlyblemishes & wrinkles while providingthe look of an airbrushed textureto the image. Can subtly diminishthe video edge while maintainingrich blacks and colors.

Building on the success of HDClassic Soft® filters with theMicro-Lenslet design and BlackFrost® filters’ Black Microporetechnology, Hollywood BlackMagic™ filters combine the bestattributes of both. The shooter canselect from a wide range of diffu-sion choices from subtly diminishingthe "video edge" to removing yearsoff the age of a person. Pleasantsoftening of bright highlights helpscontrol exposure while maintainingrich blacks and colors.

Sizes: 4˝x4˝, 4˝x5.65˝, 5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝plus 43mm to 138mm Rounds.Strengths: 1/8, 1/4, 1/2, 1 and 2

HOLLYWOOD BLACK MAGIC ™

Diffusion FiltersGenerally, diffusion falls into oneof three main categories:

1. Image softening filters.Primarily affect resolution. Actcosmetically to hide wrinkles &blend blemishes on actors.

2. Black fogging filters.Low cons and other filtersthat raise the exposure ofblack levels.

3. White or highlight-flaring filters. Put a haloaround blown windows, lightsources, or areas of highexposure. Can also be usedto reduce picture contrastby lowering white exposure,and to create romantic orperiod looks.

Classic Black SoftTM

CLASS IC SOFT ® FAMILY

“What the Classic BlackSoft™ does in maintainingthe look in HD is priceless!The subtle pop reminds meof what film does. Schneideris the Rolls Royce of glass.”

William Webb, DP

“Hollywood Black Magic™ Filters are nothing short of amazing.When shooting HD, you suddenly see everything. All the imper-

fections not meant for theaudience to see. Make-up freaks out. Same with setdesigners and even actors. The Hollywood Black Magicon HD can do away with all of that.It makes the imageseem more like film”Brian J. Reynolds, DP

DigiCon®

Application: For a “filmic look” when shooting with digital cameras. When infront of the lens, opticallyraises black levels whilelowering highlights, capturing a higher dynamic range.

By compensating with in-cameragamma settings, a higher dynamicrange can be recorded than thecamera alone can achieve. Theresult is more detail in highlightsand shadows with no effect onresolution and no color shift.Highlight areas remain clean andhalo-free. Use it on a 35mm cinecamera to approximate the look ofa lower contrast film stock.

Sizes: 4˝x4˝, 4˝x5.65˝,(Panavision size) 5˝x5˝,5.65˝x5.65˝, 6.6˝x6.6˝ plus138mm, 4.5˝ and 48mm RoundsStrengths: 1/8, 1/4, 1/2, 1, 2

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Black Frost®

Application: A fine black mist flairs highlights, tones downcontrast, while retaining rich blacks.Black Frost® filters give a “filmiclook” to High Definition images.Depending on the strength, theysubtly enhance a scene withoutfear of image degradation orreduction of black saturation.

Black Frost filters enable cine-matographers to capture blackerblacks than possible with similartype filters. Shooters achieve aunique image styling that can beapplied freely, without fear of havingscenes appear heavy handed.

Thanks to proprietary Schneiderdesign & manufacturing techniques,Black Frost filters contain thousandsof MicroPore™ particles, whichintroduce precise amounts of lightdiffraction while controlling straylight and flare—like never before.

MicroPore particles control thedegree of diffusion in a predictableand repeatable manner. By eliminatingexcessive light scatter and veilingglare associated with other makes,Black Frost filters enable extraor-dinary control and convenience.

Black Frost filters can be usedin front of long lenses, alone, orcombined with other Schneider filters.

Sizes:4˝x4˝, 4˝x5.65˝, (Panavision size)5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝ plus138mm, 4.5˝ and 48mm RoundsStrengths:1/8, 1/4, 1/2, 1, 2

White FrostTM

Application:A fine white mist lowers contrast and flairs highlights, while creating adreamlike effect. Doesn’t affect imageresolution or color reproduction.Used for picture styling &mood modifying.

White Frost filtersare useful foradding a halo aroundlight sources, blownwindows, or other areasof high exposure. Theycan also reduce picture contrast by lowering white exposure, and can help create a romantic or periodlook. Depending on the strength,they enhance a scene, subtly orstrongly. For a soft, romantic look,combine White Frost filter with aSchneider Classic Soft®.

Sizes: 4˝x4˝, 4˝x5.65˝, (Panavisionsize) 5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝plus 138mm, 4.5˝ and 48mm RoundsStrengths: 1/8, 1/4, 1/2, 1, 2

LowCon 2000TM

Application: To mute theexcessive contrast and spread lightinto shadow areas. Can desaturate ascene for artistic mood. Lower strengthscan be used to take the high contrastedge off today’s lenses.

Unlike similar filters, LowCon 2000filters reduce black contrast withoutreducing resolution or muddyingthe image.

Sizes: 4˝x4˝, 4˝x5.65˝,(Panavision size) 5˝x5˝, 5.65˝x5.65˝,6.6˝x6.6˝ plus 138mm, 4.5˝ and48mm RoundsStrengths: 1/8, 1/4, 1/2, 1, 2

Black Frost®

White FrostT

M

DigiCon®

BLACK FROST® •WHITE FROST™ •LOWCON •D IG ICON®

“Thanks to the Digicon®,when we do exteriors, thepavement can be hotter andthe foliage plays nicely. Itallows me to create a muchmore filmic look. I no longerhave to reign in the highlights& I can open up the blacks.”George Mooradian, ASC

Without Digicon® With Digicon®

With Schneider Optics’ Digicon®, waveform monitor shows 20% uniformcompression of original dynamic range.

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TRUE-POL ®

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True-Pol®

PolarizingFiltersApplications: The most effectivepolarizer made for cine and electroniccameras, Schneider True-Pol® filtershave an extinction ratio of ER 374,twelve times more effective than othersuch filters! Unmatched in ability to:• Reduce glare & unwanted reflections• Saturate colors & improve contrast• Deepen blue skies• Penetrate haze

True-Pol® Linear Polarizer True-Pol filters utilize polarizing filmwhich is laminated between two piecesof Schneider’s crystal-clear, water-whiteoptical glass. The filter is protectedagainst edge-chipping and delaminationby a unique Edge Seal process, whichalso reduces edge reflections & flare.

The absolute clarity of the glasscombined with advanced polarizingmaterial make True-Pol filters particu-larly useful on demanding scenes, likeshooting through windshields in riggedvehicles. Cinematographers report thatTrue-Pol filters capture more colorsaturation, wider tonal range andgreater contrast inside the car.

Sizes: 4˝x4˝, 4˝x5.65˝ (Panavisionsize), 5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝and rounds in Series 9, 4.5˝, 138mm,6˝ 9.5˝, 40.5 and 48mm.

One-Stop Linear Polarizer Applications: Low light such asindoors or night requiring eliminationof glare and reflections off surfaceslike car and storefront windows.

While the standard True-Pol is 1 3/5stops, the One-Stop Linear Polarizersignificantly reduces reflections whilereducing available light by just one stop.

Sizes: 4˝x4˝, 4˝x5.65˝ (Panavisionsize), 5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝Special orders for rounds as wellas 40.5mm and 48mm threadedbehind-the-lens filters (with anti-reflection multi-coating)

Screw-on Polarizers forVideo Lenses The Top-Pol and Kaesemann Pol employSchneider’s brass mounting ringsto virtually eliminate jamming on thelens barrel. ENG camera operators,concerned with vignetting during wide-angles, may be interested in Schneider’sSlim-Line B+W circular polarizers.

Without True-Pol® With True-Pol®

“I love Schneider One-StopLinear Polarizers for interiors.They allow me to handle the occasional cross-lightshine on complexions without having to deal with lighting.”Francis Kenny, ASC

When one polarizing filter is turned & theother is held stationary, the density of thetwo should go from slightly gray to almostblack. The more light passing through thefilters at maximum density, the weakerthe polarizing effect.

CircularTrue-Pol®

Application: To preventviewfinder black-out on cameraswhich employ polarizing elements in the beam-splitters of the viewingsystem, like Arriflex 435 andMovieCam Compact.

Camera beam splitters send light in two directions: to an eyepieceand to a video tap. Light in acamera’s viewing system can becomepolarized, and when a standard (linear) polarizing filter is attachedto the lens, the light becomes crosspolarized. This hinders visibility andcan create total blackout of theviewing image and/or the videotap.

Circular Polarizers employ a twolayer design to prevent blackout.The first layer is made of thepolarizing substance used in allTrue-Pol® filters. Layer two is madeof a 1/4-wave retarder plate toprevent cross-polarization.

To ensure correct lens barrel placement,Schneider clearly marks the CircularTrue-Pol® filters’ outer surface.

Sizes: 4˝x4˝, 4˝x5.65˝ (Panavisionsize), 5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝and 138mm Round

TRUE-POL ®

Polarizers are Versatile ToolsPolarizers are commonly used tocontrol glare on water and to allowthe camera to see below the surface.They are also used to reduce glareon car bumpers and control reflectionson plate-glass windows. Polarizersare so versatile they can also performthe opposite functions. Some usepolarizers to increase or enhancereflections, simply by changing thefilter’s setting. Ideal for :• Darkening skies for dramatic impact.

While graduated neutral density filters can also be used to achieve this effect, the need to position their transition line accurately precludes their use in many applications. Polarizers do not suffer from this limitation.

• Suppressing reflections & capturingtruer color when filming actors through a windshield and from other rigged-car camera positions.

• Greatly adding to the drama and appeal of the shot when shooting food (particularly meat or liquids).

• Increasing the color saturation of any object with a glossy surface.

Without polarizing filter

With polarizing filter

With True-Pol®

Without True-Pol®

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Applications: Eliminate the undesirable effects of IR contamination or pollution thatcan occur when photographingbright scenes with digital cinemaCMOS sensor cameras. Can be usedas an IR Reduction filters or incombination with ND, controllingexposure or depth of field undervarious lighting conditions withoutaffecting color or contrast.

IRND: True Blacks fromHD Cameras

Cinematographers have found thatmany of today’s high definitioncameras have a high sensitivityto light just beyond the visiblerange. This can be beneficial inextending the color gamut ofdigital cameras to closelyapproach that of traditional film.However, light in the IR spectrumcan also cause unwanted falsecolor shifts and prevent thecamera’s imagers from capturingtrue black tones.

To solve this problem, Schneider’snew Platinum Series IRND filterslimit the light striking thecamera’s CCD or CMOS imager tothe visible spectrum. By carefullycalculating the cutoff frequencyin nanometers, Schneider has beenable to produce a near infraredcut filter that lets users of HighDefinition cameras get the mostout of their camera gear. Thismeans the benefit of an extendedcolor gamut without the worry ofunwanted false colors. Eliminatingthe near infrared light leakagelets the camera maintain truecolor rendition in the blackswhile maintaining high MTF of its lenses and camera system.

Schneider came through for us with some of thefirst sets of their greatnew Platinum IRNDs,and all our color matchingproblems disappeared.

Lowell Peterson, ASC

“Despite improved filtrationbuilt into RED’s new MX sensor, Schneider IR filters arestill essential to consistentlyensure true blacks whenshooting in bright sunlightwith heavy ND.”

James Mathers, DP

2-in-1 Function

The Platinum IRND combines thebest attributes of Schneider’sPlatinum series IR filter and NeutralDensity (ND) filters in a singleconvenient package. Blending twoeffects into one filter makes itpossible to have less glass in frontof the lens – lowering the risk ofa dirty surface, flairs, reflectionsbetween the layers, or even theminiscule loss of clarity that mayoccur when using multiple filterssimultaneously.

Great as a standard ND

Schneider Platinum Series IRNDfilters are free of off-axis colorshift regardless of the focal length and can be stacked withoutintroducing reflections. In addition,they can be used with all currentdigital and film cameras as IRND or standard N.D.

Sizes: All standard video and cinesizes, including: 4˝x4˝, 4˝x5.65˝,5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝ rectangular sizes plus rounds,138mm, 4.5˝ and Series 9, pluscommon video sizes 72mm, 77mm,82mm, and 95mm.

Strengths: IRND .3, IRND .6,IRND .9, IRND 1.2, IRND 1.5, IRND1.8, IRND 2.1

True Cut IR Application: IR contaminationwhen photographing scenes withdigital cinema CMOS sensor cameras.

Schneider has developed a familyof IR filters to complement thedemanding requirements of today’sHigh Definition cameras.

High Definition camera arrayshave a high sensitivity to lightbeyond the visible range. This canbe beneficial in applications such asmachine vision or surveillance butfor most production this tends to bea problem due to unwanted colorshifts in dark or black materials.Schneider’s True-Cut IR filter solutionseliminate this problem by limitingthe light striking the CCD or CMOSimager to the visible spectrum.

Sizes: 4˝x4˝, 4˝x5.65˝ (Panavisionsize), 5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝plus 77mm Rounds.

Emmy®

Award-WinningPlatinum IRNDFilters forDigital Cameras

I R REDUCT ION F I LTER

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Neutral DensityFilters

Application: Controlexposure or depth of field

under various lighting conditionswithout affecting color or contrast. •Permit use of high-speed film inbright lighting conditions.

•Diminish distracting backgrounds byallowing the use of wider aperturesto reduce depth of field as requiredto throw the background out offocus while maintaining subject focus.

•Helps control the amount of lightreaching the film without relyingsolely on the lens aperture.

• Enable even exposure in anunbalanced lighting situation.

Absorptive NeutralDensity FiltersSchneider offers a full range of densities which provide exposurereductions of one to six stops,respectively. Maintaining a low F-stopfor depth of field these filters areused for control of bright day exteriors

Only Schneider Absorptive NDfilters are a laboratory-precise neutralgray. Each filter is made of two piecesof crystal-clear optical glass, whichallows for the transmission of thetruest possible attenuated light. To prevent edge-chipping anddelamination, they feature Schneider’sproprietary Edge Seal.

Sizes: Series 9, 4.5˝, 138mmRounds, 4˝x4˝, 4˝x5.65˝ (Panavisionsize), 5̋ x 5̋ , 5.65̋ x5.65̋ . Also in roundscrew-on rear mount 40.5 and 48mm Strengths: ND.3, ND.6, ND.9,ND1.2, ND1.5, ND1.8

ND Combo GradsApplication: Help balance exposureand/or compensate for the limiteddynamic range of digital cameras.Add two stops of ND to controloverexposure of the sky or exposureof a scene from side to side. Forexample, a scene looking down acity street with buildings on oneside in direct sunlight and shadedbuildings on the other. The sametechnique can be applied indoorswhen a window or doorway blowsout. For more of a film look, thecinematographer can decrease depthof field by shooting wide open.

The ND combo combines a solidneutral density filter (0.3, 0.6, 0.9, 1.2)with a soft edge 0.6 ND. In alldensities, the additional soft edge is two stops more than the lowerhalf of the filter.

Size: 6.6˝x6.6˝Strength Combinations:ND 0.3/0.9, ND 0.6/1.2, ND 0.9/1.5,ND 1.2/1.8

Dual GradApplication: To control exposureand/or depth of field for 2 differentareas of the frame. Ideal for carshoots to neutralize the sky abovethe vehicle & the foreground below.

This unique filter offers a clear areaseparating 2 graduated ND attenuatorsections. One section covering 2/3 ofthe glass graduates from 4 stops tothe central clear, while the smaller1/3 goes from 2 stops at the edgeto the clear section.

Size: 6.6˝x6.6˝Strengths: ND 1.2 up/.6 Down

Dual Grad

Neutral Density Filter Exposure & Light Transmission

0.1 80% 1/3

0.2 63% 2/3

0.3 50% 10.4 40% 1 1/3

0.5 32% 1 2/3

0.6 25% 20.7 20% 2 1/3

0.8 16% 2 2/3

0.9 13% 31.0 10% 3 1/3

1.2 6% 42.0 1% 6 2/3

3.0 0.1% 104.0 0.01% 13 1/3

ND Transmission Exposure Stops

NEUTRAL DENSITY FILTERS

Neutral Density AttenuatorsApplication: To control overallexposure and depth of field undervarious lighting conditions, withoutaffecting color or contrast. NeutralDensity (ND) Attenuators are used tocontrol difficult lighting conditions suchas bright sun, shadow shots of citystreets or excessive bright windows inan interior shot without having to hidea grad line within the scene.

These filters diminish distractingbackgrounds by enabling theuse of wider lens apertures,thereby reducing depth of field.Conversely, they can be used toproperly expose varying lightlevels within a given frameand allow the amount of lightreaching the film to be controlledwithout relying solely on cameraaperture. Made of the finestcrystal-clear, water-white opticalglass, ND Attenuators are precisionengineered with unparalleledsmoothness, uniformity and consis-tency and can be used alone or incombination with other filters withno image degradation.

Sizes: 4˝x4˝, 4˝x5.65˝ Horizontal(Panavision size), 5˝x5˝, 5.65˝x5.65˝,6.6˝x6.6˝Strengths: ND.3, ND.6, ND.9,ND1.2, ND1.5, ND1.8

True-Match10-stop variableND Filter Kit Application: The perfect choicefor DSLR cameras with high ISO settings, the True-Match Vari-ND® allowsthe user to select the lens f/stop &camera speed independent of ambientlight conditions. Works in conjunction

with Schneider’s DSLR 4˝Filter Support system.

This carefullymatched set offilters work incombination, to

produce a densityrange from 1-1/3 stoploss in full transmis-

sion to 10 stops fullattenuation. By selecting the

best quality materials, Schneider’svariable ND offers 10 stops (ND 3.3)attenuation with no blue color shiftat maximum density (common problemwith inferior or unmatched materials.)

The kit is comprised of a screw-onTrue-Match filter in 67mm to 95mmsizes that mount on the camera lens,a Schneider 4˝x4˝ rotating 2-slot fil-ter holder, and a True-Match 4˝x4˝filter. The filters can be purchased sep-arately, without the filter holder forthose who already have a 4˝x4˝rotating matte box with 4mm slots.Size: 4˝x4˝, 77mm, 82mm.Step Rings available for smaller sizes

True-Match Linear Polarizerslides into the 4˝ Filter Holder

Filter Holder is positionedonto the 77mm Adapter Ring

Filter Holder with Linear Polarizer ismounted onto the Circular Polarizer

Filter Holder with Linear Polarizeris rotated to achieve desiredND setting

True-Match Circular threadsto the front of the camera lens

77mm adapter ring is screwedonto True-Match Circular.

4x5.65LandscapeControl KitApplication: Landscape ControlFilter Kit is designed with thedemanding needs of nature andlandscape photographers in mind.The graduated neutral density canbe moved up or down in the scene& used to balance uneven exposurevalues from background to foregroundthat is difficult if not near impossibleto achieve with post image processing.

The Landscape Control Filter Kitincludes an easy-to-use filter holderthat makes it a snap to add theKit’s Schneider 4̋ x5.65̋ ND 0.6(2 stop) vertical soft edge gradfilter –or any 4̋ x 4̋ or 4˝x5.65̋glass filter. Equipped with a handyspringloaded quick release mecha-nism, the holder fits up to (2) 4mmthick glass filters. Simply attaches tothe camera lens front via aninterchangeable screw-in adapterring. Schneider’s ND 0.6 verticalsoft edge grad filter is made ofwater-white Schott glass for unsur-passed image quality and is anexcellent choice for controllingbright skies without losing shadowdetail.

True-MatchVari-ND®

Thread-inApplication: The True-MatchVari-ND® Upgrade Kit for theSchneider Landscape Control Kitallows the photographer to create avariable ND filter, utilizing theLandscape Control Kit.

The carefully matched set of filterswork in combination to produce adensity range from 1-1/3 stop lightloss to 10 stops of light loss. Byselecting the best quality materials,the Schneider variable ND offer 10stops (ND 3.3) attenuation with no bluecolor shift at max. density, a commonproblem with inferior brands.

The kit is comprised of a screw-on77mm True-Match Circular Polarizer(non-rotating) that threads to thefront of the camera lens, and the77mm adapter ring from the LandscapeControl Kit that is then screwedonto it. The 4x4 True-Match LinearPolarizer slides into the 4˝ FilterHolder 4mm slot in front, which isthen clipped onto the adapter ring.The filter holder can then be rotatedto produce varying levels of density,from 1-1/3 to 10 stops of light loss.The perfect choice for DSLR cameraswith high ISO settings. Step ringsare available in common sizes toadapt the 77mm and 82mm sizesto smaller lens thread diameters.

True-MatchVari-ND® Thread-InThe 77mm and 82mm True-Match Vari-ND Thread-In is a single, low profilefilter with both True-Match Polarizingfilters in the correct orientation formaximum ease of use & efficiency.The low profile ring prevents vignettingon most DSLR camera lenses. By simplyturning the built-in rotating ring, thephotographer dials in the perfectamount of ND for the scene, from1-1/3 to 10 stops of light loss. Steprings are available in common sizesto adapt the 77mm & 82mm size tosmaller lens thread diameters.

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VAR I -ND F ILTERS

18

DioptersApplication: Shorten theclose-focusing distance ofnormal fixed focallength or zoom lenses.This allows the camerato focus closer to the subject andachieve a larger image size, whilebringing out the sharpest details ineven the tiniest subjects.

These high-quality close-up lensesrequire absolutely no exposure compensation. Schneider Diopters aremade from the finest optical glass.They feature Schneider’s hard, anti-reflective coating on both front andrear surfaces. This measurablyreduces light loss and flare whilehelping to ensure proper color,contrast, and overall image quality. Screw-on Schneider Diopters aresupplied with brass mounting rings,while drop-in models feature ruggedblack anodized aluminum rings.

Schneider Diopters are protectedby a unique mounting techniquewhich ensures superb structuralintegrity and consistent long-termperformance, even in the harshestproduction environments.

Sizes: Series 9, 4.5˝, 138mmand 6˝ Rounds

Strengths: For drop-in matteboxes: +1/2, +1, +2, +3For greater magnification, twoSchneider Diopters can be combined

Split-Field DioptersApplication: To enhance depthof field. Permit more of the scene tobe in total focus simultaneously. Oftenused to increase depth of field inpictures shot with anamorphic lenses.

Schneider Split-Field Diopters are semi-circular, single-element close-up lensesmounted in precision-crafted metal rings.To prevent the optical element fromrattling or coming loose, Schneider firstfits the glass to the mount with greatprecision and then locks it firmly inplace with a state-of-the-art sealant.

Selecting the proper Split-FieldDiopter for your scene depends on: • Diopter power• Distance from the lens to the far subject

• Distance from the lens to the close-up subject

Sizes: Series 9, 4.5˝, 138mmand 6˝ Rounds

Strengths: +1/2, +1, +2, +3

No Diopter

+2 Diopter+1 Diopter +3 Diopter

Schneider Diopters areavailable in a full rangeof popular strengths.

DIOPTERS

+1/2 Diopter

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ColorCorrectionFiltersColor Correction filterschange the color contentof the light to match thecolor response of the filmand permit the user tocreatively modify color in subtle ways.

Encompassing a wide range ofcolors and densities, color correctionfilters are categorized into threemain groups: Color Conversion, LightBalancing and Color Compensating.Each can create a wealth of practicalcolor-temperature corrections andcreative color effects.

85 & 81EF Color ConversionApplication: The 85 is primarilyused to correct the color of tungstenbalanced film when shooting in day-light. The 81EF helps penetrate lightfog and eliminates the strong bluetone & haziness produced by UV light.The 81EF reduces blue tones in shadowareas without causing the look of anovercast sky. An 81EF can becombined with an 85, to achieve over-correction resulting in a warm look.

The 85 remains the industry’s mostcommonly used color conversion filter.Schneider strictly adheres to KodakWratten color standards.

Sizes: Series 9, 4.5˝, 138mm, 4˝x4˝, 4˝x5.65˝ (Panavision size),5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝,138mm Round

Schneider’s 81 Series For Skin TonesApplication: The 81-Two isused to accentuate skin tones for awarmer appearance. For a subjectwith darker skin tones, the 81-One ismore appropriate. Ideal for romanticclose-ups, the 81 Series can be combined with softening filters.

Schneider’s 81-One and 81-Two warming filters were born from the 81-A. Both filters are designedto add warmth toskin tones andreduce excessiveblue in outdooropen shade.

Sizes: Series 9,4.5˝, 138mm, 4˝x4˝, 4˝x5.65˝(Panavision size),6.6˝x6.6˝ and 138mm Round

Tungsten balanced film without a Schneider 85 filter.

Tungsten balanced film with a Schneider 85 filter.

CombinationFiltersApplication: When more filtereffects are desired than can be fitin a two or three slot matte box,combination filters make it possible.

Blending two or more filter effectsinto one filter makes it possible tohave less glass in front of the lens—an advantage when using severalfilters simultaneously. Schneider’s 85Neutral Density combination filtersare precision ground and polishedto a perfect flatness and parallelthickness, and feature Schneider’sunique Edge Seal, which preventsedge-chipping and delamination, andalso reduces edge-reflections & flare.

Schneider offers several othercombination filters including the85/True-Pol® and 81EF/True-Pol.

Sizes: Series 9, 4.5̋ , 138mm, 4̋ x 4̋ , 4̋ x5.65̋ (Panavision size),5˝x5̋ , 5.65̋ x5.65˝, 6.6̋ x6.6̋ and138mm Round

EnhancingFiltersApplication: Improves the colorsaturation of reds, oranges & earth-tones such as rust, brown & amber.

The range of colors improved bythe Schneider Enhancing filter (madefrom didymium glass) makes itpopular for use on autumn foliageand brownish-red scenic compositions,such as those found at the GrandCanyon. It is also the filter of choicefor intensifying the red in objectssuch as tomatoes, cherries, strawberriesand fire engines.

For more dramatic and excitingeffects, a Schneider Enhancing filter can be combined with apolarizing filter.

Sizes: Series 9, 4.5̋ , 138mm, 4̋ x4˝, 4˝x5.65˝ (Panavision size)5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝ and138mm Round

UV-410 PenetratesHazeApplication: Ultraviolet-blockingfilter effectively reduces or eliminatesphotographic haze in locationswhere the atmospheric conditionscontain a heavy concentration of dustparticles, water droplets & pollution.

Photographic haze – often found inmountainous or coastal regions andindustrial areas – scatters light andproduces a bluish cast causing filmto render a lack of color, contrastand overall image quality. By filteringout ultraviolet light below 410nanometers, the Schneider UV-410blocks the blue cast, penetrates hazeand permits the film to capture vividcolors and sharper detail.

Sizes: Series 9, 4.5̋ , 138mm, 4̋ x4˝, 4˝x5.65˝ (Panavision size),5̋ x 5̋ , 5.65̋ x5.65̋ , 6.6̋ x6.6̋ ,138mm Round

With enhancing filterWithout enhancing filter

Schneider consistency ensures that an 85ND.6 Combination filter will produce aneffect that precisely matches the results of stacking separate 85 & ND.6 filters.

+ =

Schneider 85 Schneider ND.6 Schneider 85ND.6

Schneider 85 & 81EF filters canbe used alone or combined.

COLOR CORRECT ION • ENHANCERS

GraduatedColor FiltersApplication: Add color to partof a scene where color may beweak or absent. Can also be usedfor color effects which contribute to the cinematic drama of a scene.

All Schneider Graduated Color filtersare part clear and part color. Theyare designed to be used in professionalmatte boxes, so that they are readilypositioned at the exact angle requiredto create desired effects.

Graduated Color filters, designedto provide a wide range of photo-graphic effects, work well with sky,foliage and skin tones. They can becombined with each other, or withother filters, to provide a virtuallylimitless range of breathtaking effects.

Schneider Neutral Density (ND)Grads can be used to balance exposure in uneven lighting situationsor to increase color saturation in skyscenes, by lowering sky exposure.

Soft or Hard EdgeSchneider makes both soft-edge andhard-edge Graduated Color filters.Typically soft-edge filters are usedwith wide to medium-angle lensesbecause these lenses have greaterdepth of field. Hard-edge filters arepreferred for use with telephotolenses or for bold transitions.

All Schneider Graduated Color filtersperform beautifully, providing exactlythe desired degree of color effectwithout calling undue attention to thetransition of the filter itself. In fact,soft-edge Schneider Graduated filtershave such a smooth transition fromcolor to clear, that the point oftransition is not readily visible evenwhen using short focal-length lenses. It’salso the filter of choice when shootingirregular horizons or city skylines.

Graduated Color filters featurecrystal-clear, water-white optical glass,and are protected against edge-chipping and delamination bySchneider’s unique Edge Seal,which also significantly reducesedge reflections and flare.

Sizes: 4˝x4˝, 4˝x5.65˝ (Panavisionsize) 5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝Graduated Color filters in Panavisionsize are available in horizontal(landscape) and vertical (portrait)

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Solid & GradColor Effects

Sahara Gold*Application: Especially useful in creating a rich, warm scene foran old Technicolor look. This filterapproximates 3/4 the color correctionvalue of an 85 filter. Can alsoreplace an 81EF for a cool look.Holds skintones better than 81EF.

Maui BrownApplication: Enhances browns &golds, gives depth to foliage & archi-tecture. Lightest density #1 excellentfor enhancing dark skin tones.

Amber (solid 3)Application: Can simulate theeffect of candlelight or a firelit scene.

Antique Suede (solid 1)Application: Reduces greenishtint in complexion shadows.Outdoors it helps accentuate foliage.

Gold (solid 3)Application: For an overallwarming effect. Portrays healthyskintones and accentuates foliage.

Golden Sepia (solid 1)Application: For a period looklike in old photographs.

Chocolate (solid 2)Application: Natural warmingeffect. Helps smooth transitionbetween light and dark complexions.

Tobacco (solid 2)Application: For an old westperiod look.

Paradise Blue (solid 3)Application: Adds vibrant colorto washed-out sky.

Sapphire Blue (solid 3)Application: Adds indigo blue color.

Storm Blue (solid 2)Application: Adds gray greencolor to ocean and sky for astormy effect.

No filter Soft-edge blend Hard-edge blend

Soft-edge blendHard-edge blendVertical4˝x5.65˝

Horizontal4˝x5.65˝

SOLIDSSizes: 4˝x4˝, 4˝x5.65˝ (Panavisionsize), 5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝Densities: 1, 2, 3

22*Sahara Gold—Single Density only.

SOLID & GRAD COLOR EFFECTS FILTERS

T ION F I LTERSCOLOR CORRECT ION F I LTERS

2524

CoralsApplication: To warm coollighting situations such as overcastdays and scenes in open shade.

Varying strength Coral filters can beused to achieve the same degree ofapparent warmth under differentlight conditions. This makes themparticularly useful for maintainingconsistent color balance throughoutan entire day of shooting, or to createa sunset or dawn effect during theday. Can be used as warming filters

for dramaticeffects or to

under-correcta scene for

an excessively bluelook, adding drama.

Sizes: Sizes: 4˝x4˝, 4˝x5.65˝(Panavision size), 5˝x5˝, 5.65˝x5.65˝,6.6˝x6.6˝ and 138mm RoundDensities: 1/8, 1/4, 1/2, 1 & 2

Day for NightApplication: For a believablenighttime look.

The Day for Night combines NeutralDensity & a slight aquamarine blueto simulate moonlight conditions.Total stop loss for the filter is 4 stops.

Sizes: 4˝x4˝ and 4˝x5.65˝(Panavision size), 5˝x5˝, 5.65˝x5.65˝,6.6˝x6.6˝

MagentasApplication: Correcting fluorescent lighting, music videos.

Schneider graduated Color Correctionfilters are rated 1, 2, 3. All Magentafilters are matched exactly to KodakWratten standards.

Sizes: 4˝x4 ,̋ 4˝x5.65˝ (Panavisionsize), 5˝x5 ,̋ 5.65˝x5.65 ,̋ 6.6˝x6.6˝Densities: 10cc, 20cc, 30cc

SunsetClassic SunsetApplication:Works with a widerange of focal lengths toenhance an existing sunset or createthe illusion of a flame orange sunsetwhere none exists.

Schneider’s Classic Sunset filter offersintense flame orange color that tran-sitions to a soft gold gradient bandacross the center. The density at thedarkest edge is 2 stops. The other halfof the filter is clear.

Sizes: 4˝x4 ,̋4˝x5.65˝(Panavisionsize), 5˝x5 ,̋5.65˝x5.65 ,̋6.6˝x6.6˝

Solid Magentas

Same shot through a Schneider Classic Sunset filter.A graduated Coral filter can enhance a sunset.

A Schneider Coral filter enhances orange foliage. Without a filter.

Day for Night filter

Without a filter.

Without a filter.

With Schneider Storm Blue filter.

With Schneider Sapphire Blue filter.

CTB ColorCorrection Application: When working inHD, balances temperature fromtungsten toward daylight.

Many of today’s HD sensors aredesigned to work best in a daylightbalanced lighting spectrum. Withpresets that compensate for tungstenlight, this often raises significant noisein color channels under difficult lowlight conditions. Schneider’s CTB filterline balances color temperature fromtungsten toward daylight in incrementalsteps. Users then have control tocorrect as much or as little of theexposure as desired. So they cancolor correct while maintaining lownoise levels at minimal light level.

The new CTB filter line has beendesigned to correspond to existinglighting color correction standards,offering a range of correction formost situations. Stop loss is 0.17for the eighth, 0.24 for the quarterand 0.34 for the half. These filtersmaintain a high MTF (modulationtransfer function).

Sizes: 4˝x4˝, 4˝x5.65˝ (Panavisionsize), 5˝x5˝, 5.65˝x5.65˝,6.6˝x6.6˝plus 77mm Rounds

Corrections: 1/8, 1/4, 1/2

Storm BlueSoft EdgeGraduated FilterApplication: Schneider OpticsStorm Blue Soft Edge Graduatedfilter adds gray green color toocean and sky for a greaterdramatic, stormy effect.

Sapphire BlueSolid FilterApplication: Schneider OpticsSapphire Blue Solid filter addsan indigo blue color to thescene. It is most useful when a more dramatic blue effect isrequired. This filter is availablein strengths of 1, 2, & 3 and asgraduated filter. These strengthsachieve a subtle, moderate, orbold effect.

Strengths: 1, 2, and 3 and ashard edge or soft edge graduatedfilters. These strengths achieve asubtle, moderate, or bold effect

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CircularTrue-Pol® forVideo Assist& 3-DProjectionApplication: To prevent viewfinderblack-out on cameras which employpolarizing elements in the beam-splitters of the viewing system, likeArriflex 435 and MovieCam Compact.

Camera beam splitters send light intwo directions: to an eyepiece & to avideo tap. Light in a camera’s viewingsystem can become polarized, andwhen a standard (linear) polarizingfilter is attached to the lens, the lightbecomes cross polarized. This hindersvisibility & can create total blackout ofthe viewing image and/or the videotap.

Circular Polarizers employ a two-layer design to prevent blackout. Thefirst layer is made of the polarizingsubstance used in all True-Pol filters.Layer two is made of a 1/4-waveretarder plate to prevent cross-polar-ization. To ensure correct lens barrelplacement, Schneider clearly marks theCircular True-Pol filters’ outer surface.

Available in Left and Right handpolarization for projection in standardand custom sizes.

Sizes: 4˝x4˝, 4˝x5.65˝ (Panavisionsize), 5˝x5˝, 5.65˝x5.65˝, 6.6˝x6.6˝and 138mm Round

Quarter WaveRetardersApplication: To prevent left/rightdisparity in images that contain glare.

3-D camera rigs that employ abeamsplitter can be susceptible to partial polarization because of the silvered surface used bythe reflected image. This generallyproduces a left/right disparity in images that contain glare.

Schneider Quarter WaveRetarders ensure that both opticalpaths have identical properties, thuscorrecting the linear polarization.

These filters have virtuallyno light loss and can be used indifferent configurations to correctpolarization mismatches. The filtersare made of water white opticalquality glass with a thin filmlaminated within. Each filter ispolished to produce a high qualityoptical flat that can be usedwithout any reduction in resolution.

Sizes: Available in custom andstock sizes.

2726

Rhino Glass™

Application:Anti-reflective water-white glass toprotect onboard monitors, vectorscopes, and waveform monitors.

Made from water-white precision opti-cal glass and treated with a durableanti-reflective coating, Rhino Glasscost-effectively protects the screensof expensive on-board monitors andthe front of 3D Rigs. Attaching withVelcro® or RTV provides easyremoval for cleaning or replacement.Rhino Glass can be cleaned withcommon glass cleaners. Available inpopular sizes. Custom sizes availableon request.

Optical Flats

Application: During stuntswhich can damage a lens, SchneiderOptical Flats protect expensivefront elements and other filters,while providing the truest image,free of unwanted color shifts.

Made from Schneider’s clear opticalglass, these filters minimize oreliminate the need for laboratorycolor correction caused by filtervariation. Both the front and rearsurfaces of these solid-glass (non-laminated) filters receiveSchneider’s hard anti-reflectivecoating, which measurablyimproves light transmission.

Sizes: Series 9, 4.5˝, 138mm,4˝x4˝, 4˝x5.65˝ (Panavisionsize), 5˝x5˝, 5.65˝x5.65˝,6.6˝x6.6˝, 138mm Round

3-D WindowsApplication:Anti-reflective water-white glass toprotect 3D beam splitters.

Beamsplitters used in today’s 3-Dcamera rigs are an expensivecomponent of the systems. Howeverthey are susceptible to damage fromflying debris and are difficult to cleanwithout damaging. Because of theexposed front surface silver coating onthe splitters, even small deposits ofsaliva from talking too close to the rigcan contaminate and damage thecoating permanently by etching into it.

Schneider Optics offers a full lineof optical glass anti-reflection coatedwindows in stock and custom sizes toprovide low-cost protection. Theseprotective windows can be usedwith long focal length lenseswithout reducing resolution andare easily cleaned.

Schneider also produces OpticalGrade Plexiglas windows that can beused as protection. While theseeconomical windows do not offer ashigh a quality of optical performanceas glass they can be used in situations where durability and protection is needed.

Schneider opticalflats are made of crystal-clear,water-white optical glass.

PROTECT IVE GLASS 3D APPL ICAT IONS

3D Window

Schneider QuarterWave Retarders areideal for popular 3DRigs like ElementTechnica Quasar.

Every Schneider B+W filter ismanufactured with precisionto the exact thickness requiredfor sharp focus.

29

SCREW-ON F I LTERS

Application: Professional stillformats and DV cameras requiringa filter that screws onto the frontof the lens without a mattebox.

Schneider’s industry-standard diffusion filters used in feature filmcinematography and television arenow available for film, digital SLRand HD video cameras.

Classic Soft®

Finally Hollywood’s favorite diffusionsoftening filter is available for digitalSLR and DV cameras with 2/3˝chips and bigger. They provide theoptimum way to blend small wrinklesand blemishes while maintainingan overall sharp focus to concealthe use of a softening filter. Formore information on Classic Soft,see page 6.

Black Frost®

Black Frost® filters subtly enhance a scene providing an airbrushedlook to the image. In fact, theyenable photographers to captureblacker blacks than are possiblewith similar types of filters.For more information on BlackFrost, see page 10.

HD Classic Soft®

Schneider HD Classic Soft filters weredesigned in response to requests fora high-quality softening filter tocomplement the new high-resolution1/2˝, 1/3˝ and 1/4˝ chip cameras.They deliver the same subtle, effectivesoftening performance of the standardClassic Soft filters. This effect blendssmall wrinkles and blemishes, whilemaintaining overall sharp focus. For more information on HD ClassicSoft, see page 7.

Hollywood Black Magic™

Hollywood Black Magic filtersremoves unsightly blemishes andwrinkles while providing a smoothtransition in the highlights. Pleasantsoftening of bright highlights helpscontrol exposure while maintainingrich blacks and colors. For moreinformation on Hollywood BlackMagic, see page 8.

Sizes: Screw-on filters are availablein 43, 58, 62, 72, 77, 82 rounds.For more information or additionalsizes, visit us online

28

Application: Professional CineStyle, HD Video and Still Formatcameras requiring a filter thatscrews onto the front of the lens.

The Schneider line of B+W filters hasbeen an essential optical tool ofusers of medium and large formatcameras for over 60 years. Outfittedwith precision-engineered screw-onmounts, constructed of the highestquality materials, B+W filters arerenowned for their unmatchedability to safeguard the lens whileenhancing performance and deliveringunsurpassed image quality. Now thefull line of B+W filters is available inscrew-on versions designed specificallyfor work with HDTV & DV cameras.

B+W uses the very best glass& filter mounts and machines themwith CNC-controlled fabricationmachines to make sure that filters,supplementary lenses, and specialeffects attachments perform theirfunctions optimally and withoutjeopardizing the image quality.This provides the tightest possibletolerances with stringent qualitycontrol at every stage of production.

B+W filters are availableuncoated, single layer or withmulti-resistant coating (MRC) technology. B+W’s unique, proprietaryMRC virtually eliminates surfacereflections on both sides of the filter,which results in maximum lighttransmission. What’s more, theextraordinary hardness of the coatingminimizes scratching and its waterand dirt repelling surfaces facilitatethe filter’s care and preservation.

Sizes: 58, 62, 72, 77, 82, 86, 95,102, 105 and 127mm. For moreinformation or additional sizes, visitus online

B+W Screw-on Filters

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True-Streak®

True Streak FiltersClearly the most effective andexciting way to simulate theanamorphic blue streak effectwith virtually any lens, anamorphicor not. Long, brilliantly coloredstreaks emanate from bright lightsand highlights.

Colors: Blue, Red, Yellow, Orange,Green, Violet, Pink, Clear and theConfetti familyStrengths: 1mm (strongest),2mm, 3mm, 4mmSizes: 4˝x4˝, 4˝x5.65˝,6.6˝x6.6˝

04.01.15 GCA 2K Printed in the USA 31

TRUE STREAK® • IN-CAMERA FILTERS FOR ALEXA

Products for HD DSLR camerasTrue-Match Vari-ND Thread-In

Application: True-Match Vari-ND Thread-In is a single, lowprofile filter with both True-Match Polarizing filters in the correctorientation for maximum ease of use and efficiency. The lowprofile ring prevents vignetting on most DSLR camera lenses.By simply turning the built-in rotating ring, the photographerdials in the perfect amount of ND for the scene, from 1-1/3to 10 stops of light loss. Available in 77mm and 82mm thread.

4x5.65 Landscape Control KitKit Includes:• ND .6 (2 Stop) Vertical Soft Edge Grad • 4˝ Filter Holder• 77mm Wide-Angle Adapter Ring• Filter Pouch

True-Match Vari-ND® 10-Stop Filter Kit Application: The perfect choice for DSLR cameras with high ISO

settings, it allows the user to select the lens f/stop andcamera speed independent of ambient light conditions. Workswith Schneider’s DSLR 4˝ Filter Support system.

4̋ Filter HolderThe 4˝ Filter Holder is made to hold Schneider MPTV4mm thick water-white Schott glass filters that areavailable in 4˝x4˝ and 4˝x5.65˝ sizes.

Century 4x4 Essential 5-Filter Kit with HolderKit Includes:• ND .6 Solid • ND .6 Soft Edge Graduated• Circular Polarizer• Black Frost® 1/2 Diffusion • Warming Skin Tone EnhancerAlso includes Multi-Compartment Pouch & DVD

Schneider MPTV Photo Round FiltersApplication: Schneider’s industry-standard diffusion filters used infeature film cinematography and television are now available for film,digital SLR and HD video cameras.

68-03117768-031182

68-885603

94-250000

70-C48802

DSLR PRODUCTS

Behind-the-Lens ND FilterSolutionWorking closely with Schneider Optics,the famed Clairmont Camera teamhas designed a custom assemblythat holds interchangeable SchneiderOptics filters in front of the Alexa’sCMOS sensor assembly. This innovativekit includes a specially designedmagnetic filter holder that replacesthe light baffle in the Alexa camera.Once in place, the new assemblyallows secure mounting and precisepositioning of the specially manufactured, ultra-precisionSchneider filters.

Magnetic Filterholderreplaces Alexa Light BaffleThe Standard In-Camera Filter Kitconsists of an in-camera filter holder,shims (to compensate for focuschange resulting from the behind thelens filter), a filter installation tooland seven mounted Schneider UltraPrecision Multi-Coated In-CameraFilters: Clear, IRND .3, .6, .9, 1.2, 1.5& 1.8. Net holders and streak filterswill be available. With the newsystem, a Camera Assistant canchange filters quickly and easily. Thegenuine Schneider Optics filters are allhigh efficiency multi-layer coated tominimize flare and ghosting.

Available withSchneider Optics' IRND

filters which earned a2012 Technical Emmy®

for IRND Technology

68-884405

Clairmont In-Camera FilterSystem for ARRI Alexa

Choose from a variety of colors