samanvay kasarala selected works
DESCRIPTION
B.A. Architecture Iowa State University 2011-2016TRANSCRIPT
E X P E R I E N C E
Summer 2011
InternWorked on parametric design and concept visualization with Grasshopper and Rhino 3D. Provided research and analysis for an upcoming residential development project in Hyderabad, India.
InternWorked on architectural detail creation and learned AutoCAD.
InternWorked on understanding the development and contracting side of architecture. Developed excel
FreelanceCreated the corporate logo and identity, while also creating intermittent advertising designs over the year.
FHD GroupSummer 2015
NA ArchitectsSummer 2012
Indu Group
Beautiful People Salons & Spas2010-2011
SAMANVAY KASARALAB.ARCH STUDENT RESUME
2519 Chamberlain Street, Ames, Iowa, 50014t: 860-672-5170 | e: [email protected] | w: www.samanvayk.com
C O N T A C TP O R T F O L I O
samanvayk.comlinkedin.com/in/samanvayk
Bachelor of ArchitectureProfessional Degree
International Semester in Rome, Italy
R E F E R E N C E S
E D U C A T I O N
Iowa State University2011-2016
Iowa State University Study Abroad2015
James SpillerArchitecture ProfessorT: 515-29403543E: [email protected]
Rebecca GrecoPrincipal at HGA ArchitectsT: 612-240-6720E: [email protected]
E X P E R T I S E
Adobe SuiteAutoCADRevitRhino 3D
GrasshopperMS Office SuiteSketchUpMaxwell Render
CONTENTSMACHINE
ST. CHARLES, IOWA
THE CLEF, NEW YORK CITY
ATOLL, PANAMA CITY
MUSEO DI CASTEL SANT’ANGELO, ROME
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01MACHINESPRING 2013IN COLLABORATION WITH NATHAN PETERS
The Machine is an adaptation of a 19th century harmonograph, which channeled the harmonic motion of three pendulums into a visual representation. We integrated the harmonograph with Darwin’s Theory of Evolution by creating a user-based system that requires users to align their rhythyms harmoniously. The users’ motions produce a visual that conjures Darwin’s evolutionary theory—two inputs combining to create a unique output.
This critical apparatus contains two lateral pendulums and one rotational pendulum. Users move these pieces in tandem. When sucessfully aligned, the movements output a harmonious visual.
The bench is the piece designed to be both ergonomic and collaborative between users. It was designed to facilitate two users to interact with the apparatus with comfort.
APPARATUS
BENCH
01MACHINE
This is where the output is visualized, and where the aparatus’ moving parts render a visual onto rotational pad via a bi-directional pen.
DRAWING SURFACE
This series of drawings shows the process of two users learning to work together. With trial and error, the quality of their cooperative drawings improves and the game of evolution succeeds.
COOPERATIVE HARMONY
Yoga
Massage/Spa
Residential
Residential
Dining/Community
Lobby/Service Entrance
Settler’s Trail
Residential Walking path
Apiary
TO DES MOINES
SECTION A
SITEPLAN SECTION B
02ST. CHARLES, IOWAFALL 2013IN COLLABORATION WITH MUHAMMED SHEHATA
We designed the wellness center to create a wholistic experience of healing. Our client, Mercy Medical Clinics, sought a place for overworked employees to enjoy a rejuvenating weekend retreat. Our research incorporated workplace stress relief with five different core concepts, below, all centered around refreshing the mind, body and soul. Our project welcomed mental rejuvenation in a natural physical space.
CORE CONCEPTS
1 Ecotherapy2 Community3 Massage
therapy4 Yoga5 Multiscalar
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2
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5
Healing
Ecotherapy
Multiscalar
RESEARCH
CONCEPT
Site plan
CONCEPT DIAGRAMWe integrated flora based on the premise of interconnectivity, ecology and presence.
We focused on mental and physical human pain points: fear of failure, work-related responsibility, sparse time spent on self, lack of sleep and exercise, and poor eating habits.
HEALING
FLORA
Exposure: Sun
Height: 20-30 ftExposure: N/ACreates wind and vision barrier
Height: 30-40 ftExposure: Partial/full
Attracts bees and sustains pollination Exposure: Sun
SUNFLOWER
EVERGREEN
MAPLE TREE
MARIGOLD
CLIENT10 Facilities180 Employees=10 Per Facility
02ST. CHARLES, IOWA
SECTION A
THRESHOLD
PathPath
Residential
ResidentialCommunity Center
PLANS YOGARESIDENTIAL
COMMUNITY/DINING MASSAGE/SPA
SECTION B
Path
PathLakeCommunity Center
Residential
03THE CLEF, NEW YORKSPRING 2014IN COLLABORATION WITH SULTAN ALSAMHAN
EXTERIOR RENDER
The Clef was created as a residential building to display the musical history and culture of SoHo. As an exploratorium, this space enables visitors to witness and experience the pervasive music culture of the neighborhood and to learn about innovative music recording technology. A community performance space facilitates demonstrations about the future of music.
BUILDING DATA
CROSBY STREET
BROOMESTREET
SITE PLAN
Total Gross Square feet = 56,364 sftNo. of Residential Units = Studio: 12, One bedroom: 2, Two bedroom: 9Total bedroom height: 86 ftFloor-to-floor height: 12 ft Public spaces square footage: 16,188
ground �oor, and 1st �oor. These are the commercial �oors adn are di�erent from the others, should be highlighted. The red dotted lines are the section cut lines for the two sections. They indicate the viewing direction and cut location. the turquoise line layered on top of the �rst �oor plan is a footprint of the �oors that are above.
2nd to 5th �oors, these are all the same, and I think you’d really only need toshow the one plana dn say 2nd to 5th below it.
6th and 7th �oors. again same drill
ground �oor, and 1st �oor. These are the commercial �oors adn are di�erent from the others, should be highlighted. The red dotted lines are the section cut lines for the two sections. They indicate the viewing direction and cut location. the turquoise line layered on top of the �rst �oor plan is a footprint of the �oors that are above.
2nd to 5th �oors, these are all the same, and I think you’d really only need toshow the one plana dn say 2nd to 5th below it.
6th and 7th �oors. again same drill
ground �oor, and 1st �oor. These are the commercial �oors adn are di�erent from the others, should be highlighted. The red dotted lines are the section cut lines for the two sections. They indicate the viewing direction and cut location. the turquoise line layered on top of the �rst �oor plan is a footprint of the �oors that are above.
2nd to 5th �oors, these are all the same, and I think you’d really only need toshow the one plana dn say 2nd to 5th below it.
6th and 7th �oors. again same drill
ground �oor, and 1st �oor. These are the commercial �oors adn are di�erent from the others, should be highlighted. The red dotted lines are the section cut lines for the two sections. They indicate the viewing direction and cut location. the turquoise line layered on top of the �rst �oor plan is a footprint of the �oors that are above.
2nd to 5th �oors, these are all the same, and I think you’d really only need toshow the one plana dn say 2nd to 5th below it.
6th and 7th �oors. again same drill
03THE CLEF, NEW YORK
SITE AREA AND PEDESTRIAN TRAFFIC
BASEMENT GROUND FLOOR APARTMENT FLOORS 2-5 APARTMENT FLOORS 6-7
MASSING CONCEPT
Vehicular pedestrian traffic
Site area:8,165 ft
SECTION A
SECTION B
04ATOLL, PANAMA CITYFALL 2015IN COLLABORATION WITH NATE PETERS & JOSIAH RUHLAND
How to do you revitalized an ignored neighborhood without resorting to civic level infrastructural improvements? That was the driving question behind the design of the large scale-housing block, which we entitled The Atoll. It is a theoretical building meant to call attention the exclusionary master planning occurring in Panama City. Our project began as a response to SOM’s master plan that sought to utilize ocean infill rather than deal with the issues present in the El Chorrillo neighborhood. By reaching out to the sea The Atoll seeks to stake a claim for El Chorrillo in the Pacific coastline. The Atoll establishes over 2000 dignified housing units for the people of El Chorrillos to enjoy. Each unit is self-contained and can be quickly placed into the concrete superstructure. Passive ventilation and simple material pallets help keep cost down and make the final units affordable for all.
LOCATION OF EL CHORILLO STREET PERSPECTIVE
SOM MASTER PLAN
MASTER PLAN
04ATOLL, PANAMA CITY
LONG SECTION
ELEVATION DETAIL
OVERALL VIEW RENDER UNIT AXON DETAIL
MILITARY FORTIFICATIONS
Ordered by Pope Paul IV and designed by military architect Francesco Lapa-relli
1565 AD
TIBER EMBANKMENT WALLS
The construction of the flood control walls along the banks of the tiber required the pentagonal military ramparts to be cut back to their current form.
1876 AD
PARCO ADRIANO
Today, Castel Sant’Angelo is wrapped by Parco Adriano, which is a public park that surrounds the original structure on three sides.
2015 AD
MILITARY FORTIFICATIONS
Ordered by Pope Paul IV and designed by military architect Francesco Lapa-relli
1565 AD
TIBER EMBANKMENT WALLS
The construction of the flood control walls along the banks of the tiber required the pentagonal military ramparts to be cut back to their current form.
1876 AD
PARCO ADRIANO
Today, Castel Sant’Angelo is wrapped by Parco Adriano, which is a public park that surrounds the original structure on three sides.
2015 AD
MAUSOLEUM OF HADRIAN
The original cylindrical form of the tomb is the only remaining feature of the ancient structure. The contents of the mausoleum were lost during the sack of Rome by the Goths in the 5th century
139 AD
CONVERSION TO PAPAL STRONGHOLD
After the return of the papacy from Avignon, multiple defensive additions were designed to make the structure safe enough to protect the Pope in times of conflict
1277 AD
PASSETTO DI BORGO
Constrcuted by Pope Nicolas III to create a safe passageway to the Vatican in times of conflict
1377 AD
MAUSOLEUM OF HADRIAN
The original cylindrical form of the tomb is the only remaining feature of the ancient structure. The contents of the mausoleum were lost during the sack of Rome by the Goths in the 5th century
139 AD
CONVERSION TO PAPAL STRONGHOLD
After the return of the papacy from Avignon, multiple defensive additions were designed to make the structure safe enough to protect the Pope in times of conflict
1277 AD
PASSETTO DI BORGO
Constrcuted by Pope Nicolas III to create a safe passageway to the Vatican in times of conflict
1377 AD
The original cylindrical form of the tomb is the only remaining feature of the ancient structure. The contents of the mausoleum were lost during the sack of Rome by the Goths in the 5th century.
The construction of the flood control walls along the banks of the Tiber required the pentagonal military ramparts to be cut back to their current form.
139 AD MAUSOLEUM OF HADRIAN
1876 AD TIBER EMBARKMENT WALLS
After the return of the papacy from Avignon, multiple defensive additions were designed to make the structure safe enough to protect the Pope in times of conflict.
Today, Castel Sant’Angelo is wrapped by Parco Adriano, which is a public park that surrounds the original structure on three sides.
1277 AD CONVERSION TO PAPAL STRONGHOLD
2015 AD PARCO ADRIANO
The site history is important to note: It indicates that the site is always evolving. In keeping with this notion, our design further evolves the space into the 21st century. It becomes increasingly accessible to the public while also incorporating elements of the Vatican Archive.
05MUSEO DI CASTEL SANT’ANGELO, ROMESPRING 2015IN COLLABORATION WITH NATHAN PETERS & BRYAN JOHNSON
We found the Castel interesting in that it broke the shape and hierarchy of Rome’s city design. The Castel was surrounded by a park previously inaccessible because of heavy vehicular traffic and a moat. We saw opportunity in the unused historic moat, and transformed it into a dual-level structure that promoted foot traffic to the park while showcasing the expansive Vatican Archive, previously hidden from public view for a lack of museum space.
MILITARY FORTIFICATIONS
Ordered by Pope Paul IV and designed by military architect Francesco Lapa-relli
1565 AD
TIBER EMBANKMENT WALLS
The construction of the flood control walls along the banks of the tiber required the pentagonal military ramparts to be cut back to their current form.
1876 AD
PARCO ADRIANO
Today, Castel Sant’Angelo is wrapped by Parco Adriano, which is a public park that surrounds the original structure on three sides.
2015 AD
MAUSOLEUM OF HADRIAN
The original cylindrical form of the tomb is the only remaining feature of the ancient structure. The contents of the mausoleum were lost during the sack of Rome by the Goths in the 5th century
139 AD
CONVERSION TO PAPAL STRONGHOLD
After the return of the papacy from Avignon, multiple defensive additions were designed to make the structure safe enough to protect the Pope in times of conflict
1277 AD
PASSETTO DI BORGO
Constrcuted by Pope Nicolas III to create a safe passageway to the Vatican in times of conflict
1377 AD
Constructed by Pope Nicolas III to create a safe passageway to the Vatican in times of conflict.
Ordered by Pope Paul IV and designed by military architect Francesco Laparelli.
1377 AD PASETTO DI BORGO 1565 AD MILITARY FORTIFICATIONS
The lower level is the transformation of a historic moat into a main museum exhibit. It takes paid visitors below the public cir-culation path to see pieces from the Vatican Archives.
The upper level offers pedestrians multiple points of access to the adjacent park, which was previously restricted to two linear access points. It offers a renovated plaza space that flows traffic from the Vatican through the Castel.
LOWER LEVEL UPPER LEVEL
05MUSEO DI CASTEL SANT’ANGELO, ROME
UPPER LEVEL
LOWER LEVEL
