rock of ages national tour role: drew for ...sorry about your purse. sherrie it’s okay. i didn’t...

Thankyouforauditioningfor

ROCKOFAGES

NATIONALTOUR

ROLE:DREW

Presentintheroomwillbedirector,producingteam&casting.

FORAPPOINTMENTON4/19PLEASEPREPARE:��-ASongfromyourbookinthestyleoforfromtheshow–1980sROCKONLY–Pleaseno

Popsongs.��-ThisFULLpacketofMaterial.

-Youmaybeaskedtoreturnlaterintheday(around2/3pm)foradance/movementcall.

Pleasehavecomfortableclotheswithyou–jazzshoes/sneakers,characterheelsarefine.

INSTRUCTIONS:�Besuretobringyourpictureandresume,otherwisewewillnothaveoneintheroom!

Thankssomuch!W|SCasting

W|SCasting

10/27/2011 9

DREW

HEY!!! (to Sherrie) You okay?

SHERRIE

I was just mugged.

DREW

Come on, let’s get you some ice. (DREW takes her suitcase.) Sorry about your purse.

SHERRIE

It’s okay. I didn’t really have anything in there. My travel book says to always hide your

valuables someplace safe, so I tucked all my money inside my lacy, pink, yet slightly see-

through and somewhat inappropriate for my age panties. (innocently)

DREW

(tongue-tied) That’s really smart.

SHERRIE

(extends hand) I’m Sherrie.

DREW

(shakes) Wolfgang Von Colt.

SHERRIE

I’m sorry?

DREW

(embarrassed) Or Drew... You just visiting?

DREW leads her toward “The Bourbon Room”

SHERRIE

Actually, I think I’m here for good.

DREW

Yeah?

SHERRIE

IT’S TRUE! YEAH!

DREW

Well, welcome to LA!

Wojcik Seay

START

Wojcik Seay

DREWSIDE 1

Holly

Initial Appointment

10/27/2011 10

DREW/ ENSEMBLE

YOU’RE MOTORIN’

WHAT’S YOUR PRICE FOR FLIGHT.

YOU’VE GOT HER IN YOUR SIGHTS

AND DRIVING THROUGH THE NIGHT.

They enter the “The Bourbon Room.”

SHERRIE

Shut up! You work at “The Bourbon Room?” (checks book) This place is like famous!

DREW

Let’s get that ice.

DENNIS and LONNY are inside - sharing a joint.

DREW (cont’d)

Dennis, this is Sherrie.

SHERRIE

I love your club. So awesome. (breath in) Even smells like rock... and urine.

DENNIS

So what brings you out here, Sherrie?

SHERRIE

I’m an actress!

LONNY

What a shocker.

DREW

Hey, maybe we could hook Sherrie up with a job?

DENNIS

(holding inhale of SMOKE) We are not hiring right now. Sorry, sweetie.

SHERRIE suddenly notices on the floor...

SHERRIE

Ooo! Look at that!! A lucky penny!!

As she picks it up, the boys can’t help but note her

flawless behind.

Wojcik Seay

Wojcik Seay

10/27/2011 11

DENNIS

But... I suppose we could always use some extra help.

SHERRIE

Ohmygod! Are you kidding? I’d love a job!

DREW

Just until you make it big, of course.

SHERRIE smiles at DREW.

FATHER (OFFSTAGE)

SISTER CHRISTIAN, OH THE TIME HAS COME...

DENNIS

I’ll let my boy Drew show you around.

MOTHER (OFFSTAGE)

AND YOU KNOW THAT YOU’RE THE ONLY ONE TO SAY...

DREW

Hey, you want a drink or something?

SHERRIE

OKAY.

DREW

I was gonna go get a Slurpee. You want one?

MALE ENSEMBLE

DON’T NEED NOTHIN’ BUT A GOOD TIME

SHERRIE

I love Slurpees!

DREW

So do I!

FATHER

BUT YOU’RE MOTORIN’ YEAH MOTORIN’

SHERRIE

No shit?!

DREW

(amazed) I say “no shit!”

Wojcik Seay

Wojcik Seay

Wojcik Seay

Wojcik Seay

10/27/2011 12

FEMALE ENSEMBLE

HOW CAN I RESIST?

DREW

Be right back. Cherry okay?

MALE ENSEMBLE

AIN’T LOOKIN’ FOR NOTHIN’

SHERRIE

I love Cherry!

DREW

AND IT DON’T GET BETTER THAN...

FULL ENSEMBLE

WHAT’S YOUR PRICE FOR...

SHERRIE

(excited) This.

DREW and SHERRIE exit in opposite directions.

Suddenly, LONNY appears from SL

LONNY

Yeah, good stuff. Course what these guys don’t know is while everyone’s out motorin’

and havin’ nothing but a good time, (dramatic) a dark cloud has moved in over our

beloved Strip.

A couple of STREET PEOPLE pass.

MALE ROCKER (JOEY PRIMO)

He’s talking about the new Arby’s.

LONNY

No, I’m not talking about the delicious Arby’s! I’m talking about... this!

LONNY conjures the set to open, revealing...

Scene 3a INT. Mayor’s office. Day.

The MAYOR appears with his right-hand woman,

REGINA.

REGINA

Mayor, your three o’clock is here. A Hertz Klineman?

Wojcik Seay

Wojcik Seay

Wojcik Seay

END

Wojcik Seay

Wojcik Seay

10/27/2011 74

SHERRIE and DREW bump passing each other.

SHERRIE

Jesus! Why don’t you --

Looking up, SHERRIE sees who it is. DREW is

equally surprised.

SHERRIE (cont’d)

Drew? Oh my God, I... How are you?

DREW

Sherrie. I’m fine. And you?

SHERRIE

Good... Great, actually.

DREW

Oh yeah? So the acting? That going well?

SHERRIE

Yeah. I was actually just meeting with a pretty big producer at, ah, Orion Pictures. Think

it could really lead to... something.

DREW

That’s great. Well, you take care, Sherrie.

DREW begins to walk away.

SHERRIE

Wait. What about you? Your music?

DREW

Um... I got a new band. Street Boyz... with a Z. Gonna be huge. Got a Tiger Beat shoot

and everything.

SHERRIE

Tiger Beat? That’s... a departure from rock, isn’t it?

DREW

(snarky) Yeah well, I guess sometimes people change their minds about things, people

they like, wine coolers...

SHERRIE

Hold on, you’re mad at me?!

Wojcik Seay

START

Wojcik Seay

DREWSIDE 2

Holly

Callback Only

10/27/2011 75

DREW

I think I’m entitled.

SHERRIE

If you remember you’re the one who turned your back on me the minute I was fired!

Buddy, it look me a long time to get over--

DREW

Turned my back on you?! Time out! What about when you... (can’t say it) with Stacee

Jaxx!

SHERRIE

You said we were just “friends!” Y’know, “just drinkin’ wine coolers?!”

DREW

I never said that!

Suddenly, LONNY appears.

LONNY

Yeah, actually you did. (Realizing this is a private moment, LONNY slips back off.)

Sorry.

SHERRIE

Dammit, I was crazy about you.

DREW

You were?

SHERRIE

Goodbye, Drew.

SHERRIE begins to walk away.

DREW

Sherrie...?

DREW reaches into his pocket and hands SHERRIE

a cassette.

DREW (cont’d)

Maybe give it a listen. It’s about you.

SHERRIE

I’m scared...

10/27/2011 76

DREW

No, it’s good stuff.

DREW begins to exit.

SHERRIE

(feeling honest) I’m a stripper. (embarrassed) Exotic dancer. (then) Stripper. Venus

club.

DREW

My manager dressed me like this and that’s the first demo tape anyone’s taken off my

hands.

SHERRIE wants to say more.

DREW (cont’d)

I better go.

SHERRIE

Drew. For whatever it’s worth. Street Boyz or whatever. I thought you made a really

hot rocker.

The two separate. Once alone...

SHERRIE (cont’d)

(to herself) God, you are so stupid.

DREW

(to himself) Why did you say “friends!?”

SHERRIE

(re: tape) He wrote me a song?

DREW

(to himself) She was crazy about me?

#14 “HIGH ENOUGH”

SHERRIE

I DON’T WANNA HEAR ABOUT IT ANYMORE

IT’S A SHAME I’VE GOT TO LIVE WITHOUT YOU ANYMORE

DREW

THERE’S A FIRE IN MY HEART

A POUNDING IN MY BRAIN

IT’S DRIVING ME CRAZY

Wojcik Seay

END

Wojcik Seay

Wojcik Seay

&

&

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#

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44

44

44

44

Hard rock [q = 108]

‰ JœDREW: œ œn œI wan na rock!

Œ Œ

Œ Œ

Œ Œ

-

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#

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1

Jœ ‰ Œ Ó

Œ ‹‹ENSEMBLE:Ó

Rock!

Œ œœœ>œœœnn œœœ œœœ œœœ ...œœœ

Œ œœ>œœnn œœ œœ œœ

G5 F5

2 Ó ‰ Jœ œ œn œI wan na rock!

∑

œœœ œœœ œœœ œœœ ...œœœ œœœœœœnn

œœ œœ œœ œœ œœœœnn

C5 D5 F5

3 Jœ ‰ Œ Ó

Œ ‹‹ ÓRock!

œœ œœœ œœœnn œœœ œœœ œœœ ...œœœœœ œœ œœnn œœ œœ œœG5 F5

4 Œ ‰ Jœ jœ œb jœ œI want to

∑

œœœ œœœ œœœ œœœ ...œœœ œœœ œœœbbn

œœ œœ œœ œœ œœ œœbbC5 D5 Bb5

-

FireFly Music Service (917) 523-1495331 W57th Street #541 NYC 10019

DrewEnsemble

PIANO / VOCAL

I Wanna Rock

[c. 3/10]

#4

Cue: SHERRIE: "Come on! Don't think. First thing that comes out of your mouth!" DREW: "Well..."SHERRIE: "Say it, Wolfgang!!"

Music and Lyrics byDaniel Dee Snider

Arrangement by Ethan Popp

H-5988/802

STAFF

DREWSONG 1

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5 œ Œ Órock!

Œ ‹‹ ÓRock!



∑



C5 D5 F5

7 Jœ ‰ Œ Ó

Œ ‹‹ ÓRock!


8 ∑

∑



-

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9

‰ Jœ œ œn œ œ .œ œTurn it down you say, Well,

www>œœ œœ œœ œœ œœ œœ œœ œœG5

10 œ œ œ œ œ œ œ œ œn œ œ œ œ œ œall I got ta say to you is time and time a gain I say

wwwœœ œœ œœ œœ œœnn œœ œœ œœG/C G/F

- -

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11 jœn œ Œ œn .œ œ .œno! No, no, no, no,

Œ ‹‹ ÓNo!

œœœ œœœ œœœnn ...œœœ>œœœ ...œœœ>

œœ œœ œœnn ..œœ>œœ ..œœ>

G5 F5 C5

12 ˙ Óno!

∑

...˙̇̇ œœœ œœœ œœœœœ œœ œœ œœ œœ œœ œœ œœnn œœ##G5

FireFly Music Service (917) 523-1495

-2-P/V #4. “I Wanna Rock” [c. 3/10]

331 W57th Street #541 NYC 10019

&

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13 ‰ Jœ œ œn œ œ .œ œThere's a feel ing that I

www>œœ œœ œœ œœ œœ œœ œœ œœG5

14 œ œ œ œ œ œ œ œ œn œ œ œ œ œ œ œget from noth in' else and there ain't noth in' in the world that makes me

wwwœœ œœ œœ œœ œœnn œœ œœ œœG/C G/F

- - -

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15 jœn œ Œ œn .œ œ .œgo! Go, go, go, go,

Œ ‹‹ ÓGo!

œœœ œœœ œœœnn ...œœœ>œœœ ...œœœ>

œœ œœ œœnn ..œœ>œœ ..œœ>

G5 F5 C5

16 ˙ Ógo!

∑

˙̇̇ ‰ jœœœnn>" ...

jœœœ>œœ œœ œœ œœ

‰ jœœnn>" ..

jœœ>G5 F5 C5

&

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17

‰ Jœn œ œ œ œ œ œSo, if you ask me Why I

jœœœnn‰ jœœœ

‰ jœœœ‰ jœœœ

‰

jœœnn‰ jœœ

‰ jœœ‰ œœ

œœbbF5

18 œ œ œ œ œ œ œ .œ Œlike the way I playjœœœ ‰ jœœœ ‰ jœœœ ‰ jœœœ ‰jœœ ‰ jœœ ‰ jœœ ‰ œœ œœ

C5


-3-P/V #4. “I Wanna Rock” [c. 3/10]

331 W57th Street #541 NYC 10019

&

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19 ‰ Jœn œ œ œ œ œ œThere's on ly one thing I can

jœœœnn‰ jœœœ

‰ jœœœ‰ jœœœ

‰

jœœnn‰ jœœ

‰ jœœ‰ jœœ

‰F5

20jœ œb jœ œ œ œ œ œn œ

say to you I wan na rock!

¿n...œœœbbn > ¿ ...œœœ>

jœœœ>‰ Œ

" ..jœœbb>

" ..jœœnn>

jœœ>‰ ŒBb5 F5

C5

- -

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21

Jœ ‰ Œ Ó

Œ ‹‹ ÓRock!

Œ œœœ>œœœnn œœœ œœœ œœœ ...œœœ

Œ œœ>œœnn œœ œœ œœ

G5 F5


∑



C5 D5 F5

23 Jœ ‰ Œ Ó

Œ ‹‹ ÓRock!

œœ œœœ>œœœnn œœœ œœœ œœœ ...œœœ

œœ œœ>œœnn œœ œœ œœ

G5 F5

24 Œ ‰ Jœ jœ œb jœ œI want to

∑



-

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25 Jœ ‰ Œ Jœ ‰ Œrock! Rock!

Œ ‹‹ Œ ‹‹Rock! Rock!

œœ œœœ>œœœnn œœœ œœœ œœœ ...œœœ

œœ œœ>œœnn œœ œœ œœ

G5 F5

SHERRIE: "OKAY, I GET IT!!"

26 Jœ ‰ Œ ‰ Jœ œ .œnRock! I wan na...

Œ J‹‹ ‰ Ó

Rock!

œœœ œœœ œœœ œœœ ...œœœ œœœ> œœœbbn >œœ œœ œœ œœ œœ> œœbb>C5 D5 Bb5

-


-4-P/V #4. “I Wanna Rock” [c. 3/10]

331 W57th Street #541 NYC 10019

&?44

44....

..

..

Moderate 80's Pop Ballad [q = 102]Safety (Out on any 2-bar phrase)

1

˙̇̇Dark Wurli(both hands)

Fœœœ œ œœœ œœœœ

w.˙ œ œAmG/A

2

wwwwww

3

˙̇̇ œœœ œ œœœ œœœœw.˙ œ œ

Am G/A

4

wwwwww

V

&?

5

˙DREW: .œ JœSo long,

˙̇̇(Gtr1 - cont. sim :)

œœœ œ œœœ œœœœw.˙ œ œ

Am G/A

6 œ œ œ Œ ‰ jœ œI've been

wwwwww

7 œ œ œ œ œ œ œ œlook ing too hard, I've been wait


Am G/A

8 œ œ œ .œ œ œ ¿ ¿ ¿ing too long... (Turn sig nal!!)

wwwwww

- - -

V

&?

9 ‰ Jœ œ œ œ œ œ œSome times I don't know what


Am G/A

10 œ œ œ œ œ ŒI will find.

wwwwww

11 œ œ œ œ œ œ œ œI on ly know it's a mat


Am G/A

12 œ œ œ œ œ ‰ œ œter of time, when you

wwwwww

- - -

Anixter Rice Music Service 212-265-3101630 Ninth Ave, NYC 10036

PIANO/CONDUCTOR

Waiting For A Girl Like You

[c. 3/10]

#6A

Orchestration: Ethan Popp

DrewSherrieStaceeEnsemble

A3797/802

Cue: LONNY: "So let's set a nice mood, shall we?..."

STAFF

START

Wojcik Seay

DREWSONG 2

Holly

Callback appointment

V

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13 œ .œ œ œ œ Œlove some one,

‰ jœ(Gtr 2)

œ œ Jœ œ Jœ

˙˙̇̇(Bs - cont. sim :)

œœœœ œ œœœœ œœœœ#

˙ œ œ œ œEm7

D2

14 Ó Œ œ .œwhen you

Jœ œ Jœ ˙

wwwww

15 œ œ œ œ ‰ Œlove some one.

‰ jœ œ œ Jœ œ Jœ

˙˙̇̇ œœœœ œ œœœœ œœœœ#

˙ œ œ œ œEm7

D2

16 Ó Œ ‰ jœSHERRIE:

It

&

Jœ œ Jœ ˙

wwwww

- -

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17 œ œ œ jœ ‰ œ œ œfeels so right, so warm

‰ jœ œ œ Jœœ Jœ


˙ œ œ œ œEm7 D2

18 œ œ œ œ œ Œand true,

Jœ œ Jœ ˙

wwwww

19 œ œ œ œ œ œ œ œI need to know if you feel

‰ jœ œ œ Jœœ Jœ


˙ œ œ œ œEm7 D2

20 œ œ œ œ œ Œit too.

V

.œ Jœ ˙

....œœœœjœœœœœ# ˙˙̇̇̇

œ œ œ ˙E7

Anixter Rice Music Service 212-265-3101

-2-PC #6A. “Waiting For A Girl Like You” [c. 3/10]

630 Ninth Ave, NYC 10036

STAFF

V

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21

Ó .œDREW: œ œ œMay be I'm wrong.

wWOMEN (O/S):P (Breathy w/ no vib.)

Ahh

wMEN (O/S):P (Breathy w/ no vib.)

Ahh.œ œ œ œ ˙

wwwww(+Gtr1)

wFmaj9

.œ(Bs) Jœ .œ Jœ

22 œ Œ ‰ jœ œ œWon't you tell

w

w.œ œ œ œ ˙

wwwwG

.œ Jœ .œ Jœ

23 œ œ œ œ œ œ œ œme if I'm com ing on

w

w.œ œ œ œ ˙

wwwwww

Fmaj9

.œ Jœ .œ Jœ

24 œ œ œ œ œ ‰ jœSHERRIE:

too strong? This

&

.˙ Œ

.˙ Œ.œ œ œ œ ˙

wwwwG

.œ Jœ .œ Jœ

- -

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b

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25

œ œ œ œ œ œ œ œheart of mine has been hurt

wPAhh

wPAhh.œ œ œ œ ˙

wwwwww

Fmaj9

.œ(Bs) Jœ .œ Jœ

26

œ œ œ œ œ Œbe fore,

w

w.œ œ œ œ ˙

wwwwG

.œ Jœ .œ Jœ

27 3œ œ œ œ œ œ œthis time I wan na be sure.

w

w.œ œ œ œ ˙

.....˙̇̇˙˙ œœœœœw

Fmaj9

.œ Jœ .œ Jœ

28

œ Œ ‰ JœDREW: œ œ

I've been wait

V

.˙ Œ

.˙ Œ.œ œ œ œ ˙

˙̇̇ œœœ œ œœœœ

wG

.œ Jœ œ œ œ œ

- - -




STAFF

STAFF

STAFF

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b

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29 œ Œ Œ œ œing for a

Œ ‰ jœWOMEN (O/S):(Breathy w/ no vib.) œ œ

Ooh,

Œ ‰ JœMEN (O/S):

(Breathy w/ no vib.) œ œOoh,

œ œœ œ Jœ œ Jœ

˙̇̇(+Gtr1 - whole notes)

œœœ œ œœœ œœœ˙ œ œ œ œ

DmCD

Dm

œ(Bs)œ œ œ œ œ œ œ

30 œ œ œ œ ‰ Jœgirl like you to

˙ .œ jœah.

˙ .œ Jœah.

Jœ œ Jœ Jœ œ jœ

œœœ œœœ œœœ œœœ œœ œ œ œ œ

CD Dm Dm

C

œ œ œ œ œ œ œ œ

31 Jœ œ œ œ œ œ œcome in to my life.

.œ jœ ˙

.œ Jœ ˙


˙̇̇ œœœ œ œœœ œœœwBb

œ œ œ œ œ œ œ œ

32 œ Œ ‰ Jœ œ œI've been wait

�

�

Jœ œ jœ jœ œ jœ

œœœ œœœ œœœ œœœ œ œœ˙ ˙œ œ œœ œ œ œ œ

Dm C/D

- -

V

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b

b

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33 œ Œ Œ œ œing for a

�

�


...˙̇̇ œœœ œœœ˙

(Bs - cont. sim :)

œ œ œ œDm

CD Dm

34 œ œ œ œ ‰ Jœgirl like you, your

Ó œ(breathy...)

œ œ œWait ing for a

Ó œ(breathy...)œ œ œWait ing for a


œœœ œœœ œœœ œœœ œœœœ œ œ œ œ

CD Dm Dm/C

35 Jœ œ Jœ œ œ œlov ing will sur vive.

wgirl.

wgirl.


....˙̇̇̇ œœœœw

Bb Bb/A

36 .œ ‰ ‰ jœSHERRIE: œ œI've been wait

&

�

�


˙̇̇̇ œ œ œ œ

˙ ˙Gm

-

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STAFF

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37 ˙ Œ ‰ jœing for

‰ jœ(breathy...)

œ œ ˙I've been wait ing,

‰ Jœ(breathy...)œ œ ˙I've been wait ing,


˙̇̇ œœœ œ œœœ œœœ˙

(+Bs)

œ œ œ œDm

CD Dm

38 jœ œ jœ œ ‰ jœsome one new to

.œ jœ œ œooh,

.œ Jœ œ œooh,


œœœ œœœ œœœ œœœ œœœœ œ œ œ œ

CD Dm C

39 jœ œ jœ œ œ œmake me feel a live.

˙ .œ jœah.

˙ .œ Jœah.

œ œ œ œ Jœ œ Jœ

....œœœœjœœœœ ˙̇̇̇

wBb Bbmaj7

40

.œ ‰ ‰ œDREW: JœYeah, wait

V

.œ jœ ˙

.œ Jœ ˙


œœœ œœœ œœœ œœœ œœœ œœœ˙ ˙œ

(Bs)

œ œ œ œ œ œ œ œ œ œ œDm

CD Dm

CD Dm

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41 œb .œ œ œn Óing

Œ œSHERRIE: œ œ œ œ œI've been wai ting for a

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˙̇̇ œœœ œ œœœ œœœ˙

(+Bs)

œ œ œ œDm

CD

Dm

42 ‰ œ œ œ œb œ œ œ œ ‰ Jœfor a girl like you to

œ œ œ œ œ ‰ jœboy like you to

Ó œ(breathy...)

œ œ œWait ing for a...

Ó œ(breathy...)œ œ œWait ing for a...


...˙̇̇ œœœœ œ œ œ œ

C

43 Jœ œ Jœ Jœ œ Jœcome in to my life.

jœ œ jœ jœ œ jœcome in to my life.

�

�

œ œœ œ Jœ .œ

wwwwwBb Bb/A

44 œ Œ Ó

œ Œ Ó

�

�

wwwggggg˙̇̇̇ jœœœœ ‰ Œ

˙ œ œ œ#Gm

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&?n

n

⇥45 œRhoades-y Sparkle Thingy

(+Gtr2) œ œn œ œ œ œ œ˙̇̇Still Wurli, but addphasing vocal pad

œœœ œ œœœ œœœœAm G/A

46 œ œ œ œ œ œ œ œwwww

47œ œ œ œ œ œ œ œ˙̇̇ œœœ œ œœœ œœœœ

Am G/A

48 œ œ œ œ œ œ œ œwwww

&?

49

˙̇̇Dark Wurli(both hands)

(+Gtr1 - comp)

œœœ œ œœœ œœœœw

(+Bs)

.˙ œ œAm G/A

50

wwww

SHERRIE: "I still can't believe you're opening for Arsenal. That is so cool!"

ww

51


Am G/A

52

wwww

DREW: "And I owe it all to you." (cont...)

wwœ

(Bs)œ œ œ œ œ

œ œ œ œAnixter Rice Music Service 212-265-3101



STAFF

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44

44

SHERRIE: (to herself) "God, you are so stupid."DREW: (to himself) "Why did you say 'friends!?' "

[q = 82]1 !U

3œ(Gtr 2 - Acoustic)

Pœ œ .˙

UwwwU (Gtr 1 - Clean elec. w/trem)

SHERRIE: (re: tape) "He wrote me a song?"DREW: (to himself) "She was crazy about me?"(go on)

2 ÓU Ó3œ œ œ œ

Uœœ œ œœ œ

wwwU

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jœ œSHERRIE:

œ œ œ œ œ œ œ œ œ œI don't wan na hear a bout it

œœœ(Gtr 2 - Rhythm)

œ œœœ œ œœœ œœœ œœ œ œœœ œwA

w

4 Œ œ œ jœ œ jœ ‰ ‰ œ œan y more. It's a

œœœ œ œœœ œ œœœ œœœ œœ œ œœœ œ˙ œ œ œ œ

E/G#˙ œ œ œ œ

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jœ œ œ œ œ œ œ œ œ œ œ œshame I've got to live with out you

œœœœ œ œœœœ œ œœœ œœœ œœ œ œœ œ˙ .œ œ œ

F#m7(add4)w

6 Œ œ œ œ œ jœ ‰ ‰ œDREW:

œan y more. There's a

V

œœœœ œ œœœœ œ œœœ œœœ œœ œ œœœ œww

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FireFly Music Service (917) 523-1495331 W57th Street #541 NYC 10019

SherrieDrewEnsemble

PIANO / VOCAL

High Enough

[c. 3/10]

#14

Cue: SHERRIE: "Drew. For whatever it's worth. Street Boyz or whatever. I thought you made a really hot rocker."(SHERRIE and DREW part...)

Music & Lyrics by Jack Blades, Ted Nugent,

and Tommy R. ShawArrangement by Ethan Popp

H-5988/802

Arrangement by Ethan Popp

STAFF

START

Wojcik Seay

DREWSONG 3

Holly

Callback Only

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7 jœ œ œ œ œ œ jœ œ œ jœ ‰ ‰ . rœfi re in my heart, a

œœœ œ œœœ œ œœœ œœœ œœ œ œœœœ œ.˙ .œ œ

Esus

w

8 jœ œ œ œ œ œ jœ œ .œ œ jœ œ œ œ œpound ing in my brain, it's driv ing me

œœœ œ œœœ œ œœœ œœœ œœ œ œœœœ œ˙ .œ œ .œ œE

.˙ .œ œ

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9 œ œ œ œ œ Œcra zy.

œœœœ œ œœœœ œ œœœœ œœœœ œœœ œ œœœœ œ.œ jœ œ œ œ œww

D2

10 !

œœ(Keys - Syn Strs)

œœ œœœœ œœ

ww

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11

œSHERRIE:

œ œ œ œ œ œ œ œ œ œ œWe don't need to talk a bout it

œDREW: œ œ œ œ œ œ œ œ œ œ œWe don't need to talk a bout it

wwœœœ œ œœœ œ œœœ œœœ œœ œ œœœ œwAw

12 Œ œ œ jœ œ jœ ‰ Œan y more.

Œ œ œ jœ œ Jœ ‰ Œan y more.

œœœ œ œœœ œ œœœ œœœ œœ œ œœœ œ˙ .œ œ œ

E/G#˙ .œ œ œ

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13jœ œ œ œ œ œ œ œ œ œ œ ‰Yes ter day's just a mem o ry.

jœ œ œ œ œ œ œ œ œ œ œ ‰Yes ter day's just a mem o ry.

œœœœ œ œœœœ œ œœœ œœœ œœ œ œœ œww

F#m7(add4)

14 ‰ œ œ .œ œ œ .œ ‰ jœCan we close the door? I

‰ œ œ .œ œ œ .œ ŒCan we close the door?

œœœœ œ œœœœ œ œœœ œœœ œœ œ œœœ œ..˙̇ œ œ

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15

œ œ œ œ œ œ Œjust made one mis take,

Ó Œ ‰ . rœI

œœœ œ œœœ œ œœœ œœœ œœ œ œœœœ œ..˙̇ ..œœ œ

Esus

16 Ó ‰ œ œ œ œwhen you called me

œ œ œ œ œ œ œ œ œ œ œdid n't know what to say, when you called me

œœœ œ œœœ œ œœœ œœœ œœ œ œœœœ œ..˙̇ œ œ

E

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17 .œ jœ ˙ba by..œ Jœ ˙ba by.

œœœœ œ œœœœ œ œœœœ œœœœ œœœ œ œœœœ œwwD2

18 .˙ Œ.˙ Œ

œœœœ(Drs - fill)

œ œœœœ œ œœœœ œœœœ œœœ œ œœœœ œww

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19

‰ jœ jœ .œ œ .œ ‰Don't say good night.

‰ Jœ jœ .œ œ .œ ‰Don't say good night.

œœœœœfœœœœœ œœ œœœœ œœ œ

œœ œ œ..œœ

jœœF2 G2

20 ‰ œ œ œ œ œ œ œ œ œ œ œ œSay you're gon na stay for ev er,

‰ œ œ œ œ œ œ œ œ œ œ œ œSay you're gon na stay for ev er,

...œœœjœœ œœœ œœœ œ

..œœjœœ œœ œ œ

F G Am

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21 jœ ‰ jœ .œ œ œ œ ‰ œ œ œoh oo whoa, all the way.

Jœ ‰ jœ .œ œ œ œ ‰ œ œ œoh oo whoa, all the way.

œœœœ œœ œ œœœœ œœ œœœ œ œ œœ œœF G

22 w

w

œœœœ œœœœ œœœœ# œœœœœœ œœ œœ œœ œœ œœ œœ œœ

Asus A


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23

Œ œSHERRIE:

œ œ œ œ œCan you take me high

Œ œDREW: œ œ œ œ œCan you take me high

Œ œœWOMEN: (off-stage) œœ œœ œœ œœ œœ

Can you take me high

Œ œœMEN: (off-stage) œœ œœ œœ œœ œœCan you take me high

œœœ œœœ œ œœœ œœœ..œœ

jœœ œœ œœD A

24 .œ œ œ œ œ œ œ Œe nough.œ œ œ œ œ Œe nough?

..œœ œœ œœ œœ œœ Œe nough?..œœ œœ œœ œœ œœ Œe nough?

...œœœ jœ œœ œ œœœ œ

..œœjœœ ..œœ œœ œœ

Bm

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25 ‰ jœ œ œ œ œ œ œto fly me o ver

Ó Œ jœ œ œFly me

œœœœ œœœ œ œœœ œœœœ..œœ

jœœ ..œœ œœ œœEm Em9

26 Œ jœ .œ œ .œ ‰yes ter day?

œ œ œ jœ .œ œ .œ ‰o ver yes ter day?

œœœ œœœ œ œœœ œ œ œ œ œ œ..œœ

jœœ ..œœjœœ

G A

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27 Œ œ œ œ œ œ œCan you take me high

Œ œ œ œ œ œ œCan you take me high

Œ œœ œœ œœ œœ œœ œœCan you take me high


...œœœ jœ œœœ œ œœœœ

..œœjœœ œœ œœ

D A2/C#

28 .œ œ œ œ œ œ œ Œe nough?.œ œ œ œ œ Œe nough?


˙̇̇̇ œœœœ œ œœœ œ..œœ

jœœ ..œœ œœ œœBm

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29 ‰ Jœ œ œ œ œ œ .œ jœ ‰It's nev ver o ver.

!

!

....œœœœ jœ œœ œœ


Em7

30 œ œ œ œ œ œ œ .œWhoa oh oh oh...

œ œ œ œ œ œ ‰ JœWhoa oh oh I'm

Ó Œ ‰ JœDREW: (alt. melody)

I'm

˙̇˙˙ ˙̇̇˙˙œœ œ œ ˙̇

G2 A2

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31

.œSHERRIE:

Jœ .œ jœOh

œDREW: .œ ˙ œ3

œN œ œrun ning.

œDREW: (alt. melody).œ ˙ œ

3

œ œ œrun ning.

..œœWOMEN: (off-stage) jœœ ..œœ jœœ

Oh

..œœMEN: (off-stage)

Jœœ ..œœ JœœOh

jœœœ>‰ jœœœ>

‰ jœœœ>‰ jœœœ>

‰

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœBsus2

32 œ œ Ó

Jœ ‰ ‰ œ œ œ œ œ œ œ œI was run ning for the door.

Jœ ‰ ‰ œ œ œ œ œ œ œ œ œI was run ing for the door.

œœ œœ Ó

œœ œœ Ójœœœ> ‰ jœœœ> ‰ jœœœ>

‰ jœœœ>‰

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœD A

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33 .œ Jœ .œ jœOh.œ ‰ Ó.œ ‰ Ó

..œœjœœ ..œœ jœœ

Oh

..œœ Jœœ ..œœ JœœOh



‰


34 œ œ Ó

Œ ‰ œ œ œ .œ œ œ œThe next thing I re mem

Œ ‰ œ œ œ œ œ œ œ œ œThe next thing I re mem

œœ œœ Ó

œœ œœ Ó

jœœœ> ‰ jœœœ> ‰ jœœœ>‰ jœœœ>

‰

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœD

A

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35 .œ Jœ .œ jœOhœ .œ œ Ó

ber

œ .œ œ Óber


Oh




‰


36 œ œ Ó

Œ œ œ œ œ œ œ jœ œ œI was run ning back for more

Œ œ œ œ œ œ œ œ œI was run ning back for more

œœ œœ Ó

œœ œœ Ó

jœœœ> ‰ jœœœ> ‰ jœœœ>‰ jœœœ>

‰

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœD A

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37 .œ Jœ .œ jœOh

œ œ œ ‰ " œ œ œ .œyeah,

œ œ œ ‰ " œ œ œ .œyeah,


Oh




‰


38 œ œ Ó

‰ Jœ œ .œ œ œ œ œyeah, yeah, yeah.

‰ Jœ œ .œ œ œ œ œyeah, yeah, yeah.

œœ œœ Ó

œœ œœ Ójœœœ> ‰ jœœœ> ‰ jœœœ>

‰ jœœœ>‰

œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœ œœD A Bsus2

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39

‰ JœSHERRIE: .œ œ œ Œ

Don't say good bye.

‰ JœDREW: .œ œ œ ŒDon't say good bye.

œœœœœ œœœœœ œœ œœœœ œœ œœœ œ œ ..œœ

jœœG2 A2

40 ‰ œ œ œ œ œ œ œ œ œ œSay you're gon na stay for ev er,

‰ œ œ œ œ œ œ œ œ œ œSay you're gon na stay for ev er,

...œœœjœœ œœœ œœœ œ

..œœjœœ œœ œ œ

G A Bm

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41 jœ ‰ .œ œ œ œ ‰ œ œ œoh, oo oh, all the way.

Jœ ‰ .œ œ œ œ ‰ œ œ œoh, oo oh, all the way.

œœœœ œœ œ œœœœ œœ œœœ œ œ œœ œœG A

42 ˙ Œ ‰ JœAll

œ ‰ Jœ œ œ .œAll the way,

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœœœ œœ œœ œœ œœ œœ œœ œœ

B5

43 œ œ œ œ .˙the way,œ ‰ Jœ .œ œ œ œ .œ

yeah

œœœ œœœ œœœ œœœ œœœ œœœ œœœ œœœœœ œœ œœ œœ œœ œœ œœ œœ

A5

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44

Œ œSHERRIE: œ œ œ œ œ

Can you take me high

Jœ ‰ œDREW: œ œ œ œ œCan you take me high

Œ œœWOMEN: (off-stage)

œœ œœ œœ œœ œœCan you take me high

Œ œœMEN: (off-stage)œœ œœ œœ œœ œœCan you take me high

œœœ>Œ Œ œœœ> œœœ>

œœ>Œ Œ œœ>

œœ>D A Bm

45 .œ œ œ œ œ Œe nough?.œ œ œ œ œ Œe nough?


...œœœ jœ œœ œ œœœ œ

..œœjœœ ˙̇

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46 ‰ œ œ œ œ œ jœ œ ‰Can you fly me o ver

Ó Œ œ œFly me

œœœœ œœœ œ œœœ œœœœ˙̇ œœ œœ œœ

Em7 Em9

47 Œ .œ œ œ œ œ œyes ter day?

œ œ œ .œ œ œ œ œ œov er yes ter day?

œœœ œœœ œ œœœ œ œ œ œ œ œœœ œ œ ..œœ

jœœG A

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48 Œ œ œ œ œ œ œCan you take me high

Œ œ œ œ œ œ œCan you take me high



...œœœ jœ œœœ œ œœœœ˙ œ œ œD A/C#.˙ œ

49 .œ œ œ œ œ Œe nough?.œ œ œ œ œ Œe nough?


˙̇̇̇ œœœœ œ œœœ œ..œœ

jœœ œœ œœBm

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SHERRIE: œ œ œ œ œ .œ jœ ‰It's nev ver o ver.

....œœœœ jœ œœ œœ


Em

51 jœ œ œ œ œ œ œ œ œ œ œYes ter day's just a mem o ry...

˙ ˙wwwwG Gmaj7

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˙ Ó

jœ œDREW: œ œ œ œ œ œ jœ œ œ œ œ .œYes ter day's just a mem o ry...

˙˙̇̇ ˙̇̇˙˙

˙ ˙Em7 A

˙ ˙

53 !U

.˙ ŒU

wwwwwU

al niente

wUw

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STAFF

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STAFF

rock of ages national tour role: drew for ...sorry about your purse. sherrie it’s okay. i didn’t...

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