riding on fans' energy: touhou, fan culture, and grassroot entertainment

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Page 1: Riding on Fans' Energy: Touhou, Fan Culture, and Grassroot Entertainment

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May 28th 2008

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Hakurei Jinja Reitaisai 5

Page 4: Riding on Fans' Energy: Touhou, Fan Culture, and Grassroot Entertainment

30,000

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3 times expected

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3 times expected

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no “catalog”

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no entrance

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3 times expected

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sold out

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10am

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東方(Touhou)

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exclusive convention

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about same #participants

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Square Enix Party 2005

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47,000 in 2 days

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one man project

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ZUN

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programming

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programmingdrawing

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programmingdrawingwriting

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programmingdrawingwriting

composing

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1996

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hobby project

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2008

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media franchise

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GIGANTIC repetoire

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> 3,000 manga

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> 500 music albums

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> 100 games

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since 2003

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18/100most viewed

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media franchise

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obscurity stardom

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creative fans

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inspire

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create

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inspire

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chain reaction

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free publicity

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loyal fans/producers

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feat

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little $$$

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participatoryculture

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grassrootentertainment

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why?

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imperfect/postmodernconstruction

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laissez-faireon fan works

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<2>

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fans

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active

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fan activities

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influence

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media industry

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cultural attractor

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interesting

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many groups

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cultural activator

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meaningful activities

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東方 ?

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3

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hardcore gamers

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anime/manga otaku

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music lovers

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Touhou is (damn) hard.

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replays

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share

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socialize

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gameplaynot enough

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characters & settings

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anime/manga otaku

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anime/manga otaku

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Casablanca is a cult movie precisely because all the archetypes are there, because each actor repeats a

part played in other occasions, and because the characters live not the "real" life of human beings, but a life as stereotypically portrayed by previous

films. Casablanca brings with it the scent of déjà vu to such an extent that the specator is ready to see in

it also what happened after it.

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90+ characters

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=+ +

+

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When a repertoire of formulas is used wholesale, then the result is an architecture like Gaudi's Holy

Family Church --- the same vertigo, the same stroke of genius.

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To understand the evaluation/consumption structure of otaku culture, it is necessary to

distinguish two levels of otaku's desire. One is the level of simulacra where the odd images like the examples above fill the market. The other is the level of database that consists of the types and elements and regulates the scope of simulacra.

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Their desire toward those two levels are quite different from each other. In one hand, otaku is addicted to and absorbed in the given simulacra imagery. [...] We can call it a "wet" and exclusive

desire. [...] communication with humans. However, in the other hand, otaku is perfectly "dry" towards the works in the level of database. They rather feel big zeal in decomposing the unity of the given work or character into types and elements, rearranging them and making another new work or character.

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2nd level

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90+ characters

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add to database

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something familiar

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mashup

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serious flaws

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beautify!

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even better than the real thing

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music

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imperfect

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catchy motifs

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not arranged well

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remix!

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dBu music

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change MIDI instruments

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ネクロファンタジア

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少女幻葬戦慄曲 ~  Necro Fantasia

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effective ads

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MAD movies

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world building

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multipleproduct lines

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The Matrix

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The point of Touhou is to express the worldview of Touhou [...] As Touhou evolves, the characters and

the game systems change, but the basic feel remains the same.

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encyclopedia

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mainstream franchises

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deep, consistent world

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digging details

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Gensoukyou

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shallow & inconsistent

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in Japan

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European vampires

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Well, I live in modern times, so it makes it much easier. And I get to include things like rockets. If I had a setting in the past, I’d have to study a lot of

history.

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porous boundary

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objects/peoplefrom outside

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malleable > consistent

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easy

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create stories

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nothing sacred

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LOTS of doujinshi

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幻想入りシリーズ(Gensouiri Series)

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ZUN’s skills

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game maker &character designer

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can’t draw

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lousy world building

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doesn’t matter

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Let fans do the rest!

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<3>

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mainstream franchise

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control fans

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integrity & reputation

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We love our fans. We want them to have fun. But if in fact somebody is using our characters to create a story unto itself, that's not in the spirit of what we

think fandom is about. Fandom is about celebrating the story the way it is.

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Not Touhou!

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Have fun!

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In general, feel free to create derivative works --- I don’t really mind. If you ask, I won’t say no. The basic rule is that derivative works are something entirely different from the original. It’s not mine,

and there isn’t really anything I could do to stop it if I wanted to, and it would be bad if I did, I think.

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more fans!

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fan generated content

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indifferrent tsundere

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ゆっくりしていってね!!!(Yukkuri Shite Itte-ne)

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acknowledge

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utilize

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fanarts

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fan artist pro

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Nico [Nico Douga] is an interesting place that makes it easy for people to create new works by tying

together existing things --- which is the essence of creation. [...] Following the progressions of

evolutions from original works will probably result in something entirely new.

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culture

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flow

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mix

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nice surprises

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<4>

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how far?

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answer: very far

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Touhou

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fan creation growth

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no exercises ofexclusive rights

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free promotion

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more content

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less $$$ needed

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free culture

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Free culture works.