retrat fotogràfic d’un paisatge habitat roads to the sea · 2016 5 y 6 octubre 2017 camins al...
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2016
5 y 6 octubre 2017
CAMINS AL MARRetrat fotogràfic d’un paisatge habitat
ROADS TO THE SEAPhotographic portrait of an inhabited landscape
·Raquel Clausí Rochina
2016
·
Roads to the Sea. Photographic Portrait of an inhabited landscape.
1. HUERTA OF VALENCIA: CULTURAL LANDSCAPE.
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Huerta is, and it has been, sum of cultures, identities and gestures in the territory.
I returned to l’Horta Nord, my birthplace, and I observed an
accelereted degradation process.
“Creation means, first of all, emotion”
José Antonio Marina
2009
Roads to the Sea. Photographic Portrait of an inhabited landscape.
2. ROADS TO THE SEA. PHOTOGRAPHIC PORTRAIT OF AN INHABITED LANDSCAPE.
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I walk to meet again with my birthplace and to create a VISUAL MAP OF THE INTANGIBLE CULTURAL through photography.
SCHEDULE
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·Readings·Investigation of archive
photography ·First sketch
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·Lecturas·RealizaciónFotográfica
· Participación en proyectos Referentes
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·Readings·Photographic
realization·Memory TFM
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·Memory TFM·Presentation in
Huerta·Presentation TFM
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·Previous creation
·Return to the Huerta
·Congresses ·Publications
·2017 ·2018 ·2019
Approximate intensity of dedication to the project “Roads to the Sea. Photographic Portrait of an Unhabited Lanscape”
·Readings·Photographic realization·Referents
Roads to the Sea. Photographic Portrait of an inhabited landscape.
3. PAST: Investigation of Historical Photo Archive.
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From portraits in studio of “hortelanos” to artivism projects to preserve the territory.
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Studio portrait
s. XIX s. XIX- s.XX
Portrait of types. Travel postcards.Spain as a exotic destination.
Pictorialist Ideological Portrait.Memory of homeland. Loss of Colonies.
s.XX
Ortiz Echagüe
s.XX
Amateur photography.Family album.First democratizacion of photography.
s.XX
Reportage, freedom of the press.Transition to democracy.
Portraits with personal and intimist vision, that interpret reality.Welfare state.
s.XX s.XXI
Digital photographyState in crisis.
Roads to the Sea. Photographic Portrait of an inhabited landscape.
4. PRESENT: Net of acequias, roads, fences and limits.
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“TRANSHORTANCIAS”: Walking at random from the limit of highway of Barcelona to the sea, through the samllholdings of Horta Nord.·Metaphors of the evolution in transportation: from Road to the Sea, Mar Street, “Partida” of the Sea, Mediterráneo Avenue, Industrial Neighborhood of Mediterrani, to the Dual carriageway of the Mediterrànea V-21.
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Roads to the Sea. Photographic Portrait of an inhabited landscape.
5. PRESENT: VISUAL MAP OF THE INTANGIBLE CULTURAL.
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PORTRAIT, PAW PRINT, LANDSCAPE, PLACE, TIME, IDENTITY, HISTORY, MEMORY, AUTOBIOGRAPHY, CONTEMPORARY THINKING, PROCESS, PHOTOGRAPHIC RAPPORT, BODY GESTURE, RELATION, SELF-REFLECTION. COLLABORATIVE PUBLIC ART: personal is political.
“The picture, place where thougth and the history of culture are showed”Ana García Varas
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PORTRAITS AND TESTIMONIALS REFLECT
THE RELATIONSHIP WITH LANDSCAPE
Roads to the Sea. Photographic Portrait of an inhabited landscape.
6. FUTURE: NEWS ROADS TO THE SEA.
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·Possible routes through the Huerta to the visitor of the exhibition proposal in the city. ·Know the edible landscape of proximity to express actions and reflections about the territory and to mitigate enviromental crisis.
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WalkingI introduce myself in the Horta
And I meet again with the beautyOf the light
And of the Earth
Roads to the Sea. Photographic Portrait of an inhabited landscape.
7. DIALOGICAL RELATION. Presentation in “Orxateria Vida” in the Horta of “Roads to the Sea” · Would be possible seasonal days of walking the landscape?
CONCLUSIONS: • Education since childhood. Nutrition and knowledge of the enviroment. • Put “consumers km. 0” in contact with “farmers km. 0” with journeys in the Huerta and
points of sale in city.
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Roads to the Sea. Photographic Portrait of an inhabited landscape.
SOURCES
• 40 PHOTOGRAPHIC ARCHIVES CONSULTED• 30 BIBLIOGRAPHIC REFERENCES• 11 SEMINARS, CONFERENCES AND
CONGRESSES• 6 WEBSITES
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Roads to the Sea. Photographic Portrait of an inhabited landscape.
“ La utopía está en el horizonte. Camino dos pasos, ella se aleja dos pasos y el horizonte se corre diez pasos más allá. ¿Entonces para qué sirve la utopía?
Para eso, sirve para caminar.” Eduardo Galeano
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Thanks toJosé Albelda, Pep Benlloch, Francesc Vera, (tutors of the TFM Final Work of Master), to the portrayed, to the next family and friendships and to the assistants and organizers of the 3rd Conference of Global Network of Water Museums.
[email protected]@raquelclausi.com
“Utopia is on the horizon. I walk two steps, and it moves away two steps and the horizon runs ten steps beyond. Then, whats utopia good for? For this, it
serves for walking”Eduardo Galeano