Research Book for Fashion Photography Editorial

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An interesting book about fashion photography and how to make editorials.

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<ul><li><p>RESEARCH BOOK FOR</p><p>FASHION PHOTOGRAPHY</p><p>-Editorial-</p><p>CHEN ZHIDE / CHE12377539 / GROUP B</p></li><li><p>MINDMAP (FETISH) INSPIRATIONS (FETISH)</p></li><li><p>INSPIRATION (FETISH) INSPIRATION (FETISH)</p></li><li><p>PHOTOGRAPHERS INTERPRETATIONS(POSSIBLE POSE/ GESTURES)</p><p>DAVID SIMS FOR ALEXANDER VMCQUEEN HELMUT NEWTON</p><p>HELMUT NEWTON ELLEN VON UNWERTH</p><p>PHOTOGRAPHERS INTERPRETATIONS(POSSIBLE POSE/ GESTURES)</p><p>HELMUT NEWTON (VOYEURISM)SOURCE FROM FASHIONGONEROGUE</p><p>SOURCE FROM FASHIONGONEROGUE</p><p>SOURCE FROM FASHIONGONEROGUE</p></li><li><p>PHOTOGRAPHERS INTERPRETATIONS(POSSIBLE POSE/ GESTURES)</p><p>KARLIE KLOSS FOR NUMEROSOURCE FROM FASHIONGONEROGUE</p><p>SOURCE FROM FASHIONGONEROGUE</p><p>STEFAN KHOO</p><p>MINDMAP (PUNK)</p></li><li><p>INSPIRATION (PUNK) INSPIRATION (PUNK)</p></li><li><p>PHOTOGRAPHERS INTERPRETATIONS(POSSIBLE POSE/ GESTURES)</p><p>PHOTOGRAPHERS INTERPRETATIONS(POSSIBLE POSE/ GESTURES)</p><p>TUNG WALSH</p><p>NINJA HANNA</p><p>MARK KEAN ENRIQUE BADULESCU</p><p>JERMAINE FRANCIS</p><p>BOO GEORGE</p><p>KARL LAGERFELD BJARNE JONASSON</p></li><li><p>PHOTOGRAPHERS INTERPRETATIONS(POSSIBLE POSE/ GESTURES)</p><p>BJARNE JONASSON</p><p>TXEMA YESTE</p><p>TUNG WALSH</p><p>INFLUENTIAL ELEMENTS (LIGHTING &amp; COLOUR PALETTE)</p></li><li><p>INFLUENTIAL ELEMENTS (LIGHTING &amp; COLOUR PALETTE)</p><p>COLOUR PALETTE: BLACK &amp; WHITELIGHTING INSPIRATION: SIDE LIGHTING, REMBRANDT, HARD SHADOW (TO CREATE STRONG AND EDGY MOOD FOR THE IMAGE)</p><p>STORYBOARD SKETCH FOR SHOOT</p></li><li><p>CONTACT SHEET</p><p>Image 1</p><p>This image was taken with ISO 640, 1/80 sec, f/6.3. With a wide angle range of 32mm to achieve the narrative image. Light is filled in this photo to show the photographer at work from a models point-of-view. Show-ing the voyeuristic side of a photographer behind the camera. The lights and equipments at the background shows a genuine side of a photographer. </p><p>RAW IMAGES and DESCRIPTIONS</p></li><li><p>Image 2</p><p>This image was taken with ISO640, 1/60 sec, f/5.6. With a focal length of 60mm to achieve a tighter crop of the model to better focus on the subjects facial expression and body gesture. Lighting from the top right side and polyboard placed on the left, achieved a mood that shows the exhibitionist side of the subject. Embracing her body and being comfortable with her own skin. </p><p>Image 3</p><p>This Image was taken with ISO 400, 1/80 sec, f/6.3. With a focal length of 35mm, this image shows a full body shot of the model and captures her body gesture and expression. Light from right side without polyboard to achieve the harsh, contrasty shadow for this photo, showing a darker side of the model. Body language sug-gest wild and expressive attitude.</p></li><li><p>Image 4</p><p>This image was taken with ISO640, 1/60 sec, f/4 and with a focal length of 45mm. The backlited model illus-trates a close-to-transparent side of her, allowing the viewer to look into her while expressing her punk side. </p><p>Image 5</p><p>This image was taken with ISO 320, 1/60 sec, f/7.1 and with a focal length of 50mm. This image was lite up from the left side without polyboard to achieve harsh and constrasty shadow. The adornment, body language and facial expression suggested a edgy side of the punk character in her. </p></li><li><p>Image 6</p><p>This image was taken with ISO 400, 1/ 60 sec, f/4 with a focal length of 50mm to achieve a tighter crop, hav-ing more focus on the subject and her body languge. Light from the right side without polyboard to achieve hard shadows, illustarting the edgy character and mood of the image. </p><p>Image 7</p><p>This image was taken with ISO 400, 1/80 sec, f/6.3 with a focal length of 35mm. Two lighting from either side of the model was placed to prevent shadows on the subject. This image is to illustrate the feminine side of the model, however, with a hint of leather fetish. The body languge of model was to suggest empowerment and looking up as though she has a plan in mind. </p></li><li><p>Image 8</p><p>This image was taken with ISO 400, 1/60 sec, f/5 with a focal length of 50mm. Light was setup on the right side (from photographer point-of-view) with black side of polyboard on the right side of model. Harsh shadow is achieved in this setup to show the dark side of her character while having the body language of strength, certainty and ego. Trying to express the fact that she is confident regardless of her adornment. </p><p>FINAL IMAGES</p></li></ul>