replica dossier

Cristina Goberna & Urtzi Grau of

Fake Industries Architectural Agonism are proud to present the final collection ever to be reproduced, renovated or redesigned of the projects assembled during the second installment of the

Replica Studio part of the Master of Science in Advanced Architectural Design during the Summer Semester of 2012 in the premises of the GSAPP of Columbia University in the form of this non-exhaustive but crafted survey of agonistic copies entitled

ReplicaDossierthat displays work by an engaged group of plagiarists including

Eirini Anthouli, Ernesto Cruz, Jaewon Heo, Paula Orta, Lev Stravchinsky, Shu Yang, Sun Yifu and Han Zhang who none the less, despite their youth, really tried hard to create something ofmodest value and genuine emotion, and ever since have tried to stay interested enough to assemble, again, once and for all this muscular compilation of design efforts which, in fact, was developed, produced and compiled with the inestimable support of

Bryce Suite in the role of Digital Assistant

Urban Cabinet of Curiosities - Eirini Anthouli, Paula Orta

Conative Museum - Jaewon Heo

AnAlysis > eAch spAces in the museum in order to make more accessble each space in the museum to public, explode them.

storAge 1

storAge 2

third

second

ground

storAge 1

storAge 2

storAge 1

storAge 2

storAge 3

re-ArrAngment > open to pubicextract path which allows each spaces to connect from sAnAA’s museum. they are strictly arranged by 2.6m depth corridors.

A conAtiveMUSeUMjh3306

0807.2012 Final summer AAD gsApp christina & urtzi replica studio

ground level

second level

third level

Art Compactor - Ernesto Cruz, Han Zhang

Project Room

Court Yard

Auditorium

Art Library

Gallery

Gallery

RestroomOffice Staff Elevator

Long-term project Art Library

Project Room

Court Yard

Auditorium

Art Library

Gallery

Gallery

RestroomOffice Staff Elevator

Long-term project Art Library

Cafe Restaurant

Art Library

Bench & Rail

Gallery

Gallery

Gallery

Gallery

Long-term project

Heterotopia_Replica Studio Ernesto Cruz & Han Zhang MSAAD 2012

OPENed 21st Century Museum - Lev Stravchinsky

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1. OFFICE 9. GALLERY 17. GALLERY 25. DELETED COURTYARD 33. STORAGE2. LONG TERM PROJECT 10. DELETED COURTYARD 18. GALLERY 26. OFFICE 34. WORKSHOP3. THEATER 11. MEETING ROOM 19. GALLERY 27. STORAGE 35. WORKSHOP4. GALLERY 12. GALLERY 20. DELETED COURTYARD 28. STORAGE 36. GALLERY5. DELETED COURTYARD 13. GALLERY 21. GALLERY 29. OFFICE 37. WORKSHOP6. GALLERY 14. GALLERY 22. GALLERY 30. STORAGE 38. WORKSHOP7. GALLERY 15. DELETED COURTYARD 23. OFFICE 31. TEA ROOM8. GALLERY 16. LECTURE HALL 24. GALLERY 32. WORKSHOP

OPENed 21st CENTURY MUSEUM

FIRST FLOOR BASEMENT REARRANGED SPACES

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1. OFFICE 9. GALLERY 17. GALLERY 25. DELETED COURTYARD 33. STORAGE2. LONG TERM PROJECT 10. DELETED COURTYARD 18. GALLERY 26. OFFICE 34. WORKSHOP3. THEATER 11. MEETING ROOM 19. GALLERY 27. STORAGE 35. WORKSHOP4. GALLERY 12. GALLERY 20. DELETED COURTYARD 28. STORAGE 36. GALLERY5. DELETED COURTYARD 13. GALLERY 21. GALLERY 29. OFFICE 37. WORKSHOP6. GALLERY 14. GALLERY 22. GALLERY 30. STORAGE 38. WORKSHOP7. GALLERY 15. DELETED COURTYARD 23. OFFICE 31. TEA ROOM8. GALLERY 16. LECTURE HALL 24. GALLERY 32. WORKSHOP

OPENed 21st CENTURY MUSEUM

FIRST FLOOR BASEMENT REARRANGED SPACES

Smoke - Shu Yang, Sun Yifu

Fog-fall Museum Replica Studio Yang Shu & Sun Yifu

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Replica Studio Final Review

LecturesCarlos Minguez Carrasco, June 11th, 2012 - Curatorial Reanimations: Atlas of New York Architecture Exhibitions (1975-1987)

Daniel Perlin, June 18th, 2012 - Sample Space - In cities, it is the always already time of digital anthropophagy and temporary spatial redesignUrtzi Grau, June 25th, 2012 - The Three Replicas of the Mies van der Rohe German Pavillion

Marisa Janh, July 9th, 2012 - Pro+agonist: The Art of OppositionSerkan Ozkaya, July 23rd, 2012 - Afagottino: a Renaissance sculpture and Turk walk into a bar

Cristina Goberna & Urtzi Grau’s Replica Studio

PRESENTSthe first Instalment of

the ReplicaLecture SeriesCURATORIALREANIMATIONSAtlas of New YorkArchitecture Exhibitions

(1975-1987)by Carlos Minguez Carrasco

GSAPP Monday June 11 2012 Avery Room 408


PRESENTSthe fourth installment of

the ReplicaLecture Series

PRO + AGONISMThe Art of Opposition by Marisa Jahn

GSAPP Monday July 9th 2012 Avery Room 504 from 2.00 to 3.00 pm


PRESENTSthe second installment of

the Replica Lecture SeriesSAMPLE SPACEInIn cities, it is the always already time of digital

anthropophagy and temporary spatial redesign

by DANIEL PERLINGSAPP Monday June 18th

2012, 300 Buell South


PRESENTSthe fth installment of

the Replica Lecture SeriesA F A G O T T I N O aa Renaissance sculpture and Turk walk into a bar...

by SERKAN OZKAYAGSAPP Monday July 23th 2012, 200 Buell at 14h


PRESENTSthe third installment of

the ReplicaLecture SeriesTHE THREEREPLICASof the Mies van der Rohe German Pavillion by Urtzi Grau

GSAPP Monday June 25 2012 Avery Room 408from 2.00 to 3.00 pm

LecturesCarlos Minguez Carrasco, June 11th, 2012 - Curatorial Reanimations: Atlas of New York Architecture Exhibitions (1975-1987)

Daniel Perlin, June 18th, 2012 - Sample Space - In cities, it is the always already time of digital anthropophagy and temporary spatial redesignUrtzi Grau, June 25th, 2012 - The Three Replicas of the Mies van der Rohe German Pavillion

Marisa Janh, July 9th, 2012 - Pro+agonist: The Art of OppositionSerkan Ozkaya, July 23rd, 2012 - Afagottino: a Renaissance sculpture and Turk walk into a bar

JurorsRami Abou-Khalil, Pep Aviles, Adam Bobbette, Eva Franch

Gilabert, Kersten Geers, Matteo Ghidoni, Marisa Jahn, Johanna Meyer-Grohbrügge, Carlos Minguez Carrasco, Brendan Moran, Joaquim Moreno, Emly Nguyen, Serkan Ozkaya, Daniel Perlin, Max Sanjulian, Alan Smart, Bryce Suite, Daniel Talesnik, Irina

Verona, Enrique Walker, Michael Young.

www.fakeindustries.org

The studio explores the potential of Replicas to opening unexpected paths for the identification, confrontation and dissemination of current polemics in architecture, understanding Replicas both as literal reproductions of works architecture and, in a sense denoted in Romance languages, as responses to previous statements, or, as defined below, Agonistic Copies.

How Copies expand disciplinary knowledge?As any other creative discipline, architecture is subjected to a regime of originality. Yet, operations having in common the recourse of already produced forms such as re-appropriation, détournement, objet-trouvé, mash-up, para-fiction, etc—well-known critical tools in a wide range of artistic production—still remain unabsorbed and even taboo. In fact, while imitation and reproduction are the obvious roots of the last twenty—if not the last six hundred—years’ excess of architectural shapes, the field has resisted to openly embrace copies and in so doing, it has hindered its potential. To intentionally copy entails a radical reformulation of architectural imagination: it allows for a radical renunciation to form-making—since form is defined a priory—to focus on architectural knowledge yet to be discovered.

Which are the tools for assessing Agonistic performance of architectural production?The current high-speed consumption of architectural imaginary entails the naturalization of issues that could otherwise be publicly contested. This domestication of architectural polemics, a general disinterest in discussion, and the automatic consensus it entails, hinders the debates that generate advancement in the field. It is necessary to approach architecture design in an Agonistic mode, that is, assuring that the final product is not only controversial, but is also able to maintain a certain level conflict over time by taking dissensus and positive friction as constructive tools of operation.

replica dossier

Documents