Renaissance Quarterly Books Received, July–September 2012 Alfieri, Alberto. Education, Civic Virtue, and Colonialism in Fifteenth-Century Italy: The Ogdoas of Alberto Alfieri. Eds. and trans. Carla P. Weinberg and E. Ann Matter. Medieval and Renaissance Texts and Studies 365. Tempe: Arizona Center for Medieval and Renaissance Studies), 2011. $55. ISBN: 978–0–86698–413–3. Allinson, Rayne. A Monarchy of Letters: Royal Correspondence and English Diplomacy in the Reign of Elizabeth I. Queenship and Power. Basingstoke: Palgrave Macmillan, 2012. xvii + 251 pp. $90. ISBN: 978–1–137–00835–0. Anderson, Penelope. Friendship’s Shadows: Women’s Friendship and the Politics of Betrayal in England, 1640–1705. Edinburgh Critical Studies in Renaissance Culture. Edinburgh: Edinburgh University Press, 2012. xii + 291 pp. £75. ISBN: 978–0–7486–5582–3. Andreoni, Annalisa. La via della dottrina: Le lezioni accademiche di Benedetto Varchi. alla giornata; Studi e testi di letteratura italiana 9. Pisa: Edizioni ETS, 2012. 456 pp. €35. ISBN: 978–884673337–5. Baldo, Jonathan. Memory in Shakespeare’s Histories: Stages of Forgetting in Early Modern England. Routledge Studies in Shakespeare. New York: Routledge, 2012. x + 208 pp. $125. ISBN: 978–0–415–89683–2. Baumlin, James S. Theologies of Language in English Renaissance Literature: Reading Shakespeare, Donne, and Milton. Lanham: Lexington Books, 2012. liv + 260 pp. $75. ISBN: 978–0–7391–6960–5. Bayer, Andrea, and M. Cristina Rodeschini. Bellini, Titian, and Lotto: North Italian Paintings from the Accademia Carrara, Bergamo. Exh. Cat., The Metropolitan Museum of Art, 15 May–3 September 2012. New York: Metropolitan Museum of Art, 2012. vii + 70 pp. $19.95. ISBN: 978–0–300–17956–9. Bearden, Elizabeth B. The Emblematics of the Self: Ekphrasis and Identity in Renaissance Imitations of Greek Romance. Toronto: University of Toronto Press, 2012. xiv + 258 pp. $65. ISBN: 978–1–4426–4346–8. Blum, Paul Richard. Giordano Bruno: An Introduction. Value Inquiry Books Series 254. Amsterdam: Rodopi, 2012. xi + 132 pp. $41. ISBN: 978–90–420–3555–3. Blum, Paul Richard. Studies on Early Modern Aristotelianism. History of Science and Medicine Library 30; Scientific and Learned Cultures and Their Institutions 7. Leiden: Brill, 2012. xxi + 368 pp. $179. ISBN: 978–90–04–23218–1.

Bonfield, Lloyd. Devising, Dying and Dispute: Probate Litigation in Early Modern England. Farnham: Ashgate Publishing Limited, 2012. xvi + 293 pp. $119.95. ISBN: 978–1–4094–3427–6. Brackmann, Rebecca. The Elizabethan Invention of Anglo-Saxon England: Laurence Nowell, William Lambarde, and the Study of Old English. Studies in Renaissance Literature 30. Cambridge: D. S. Brewer, 2012. x + 244 pp. $95. ISBN: 978–1–84384–318–4. Brigden, Susan. Thomas Wyatt: The Heart’s Forest. London: Faber and Faber, 2012. xiv + 714 pp. + 16 color pls. £30. ISBN: 978–0–571–23584–1. Burnett, Mark Thornton. Filming Shakespeare in the Global Marketplace. Palgrave Shakespeare Studies. New York: Palgrave Macmillan, 2007. xvii + 227 pp. £19.99. ISBN: 978–0–230–39145–1. Burton, Robert. Una República Poética. Trans. Ana Sáez Hidalgo. Colección Utopías. Madrid: Círculo de Bellas Artes, 2011. 126 pp. €10. ISBN: 978–84–87619–84–7. Cacho Casal, Rodrigo. La esfera del ingenio: Las silvas de Quevedo y la tradición europea. Estudios críticos de literatura y de lingüística. Madrid: Biblioteca Nueva, 2012. 264 pp. ISBN: 978–84–9940–423–3. Christ, Georg. Trading Conflicts: Venetian Merchants and Mamluk Officials in Late Medieval Alexandria. The Medieval Mediterranean: Peoples, Economies and Cultures, 400–1500 93. Leiden: Brill, 2012. xviii + 366 pp. $212. ISBN: 978–90–04–22199–4. Connelly, Frances S. The Grotesque in Western Art and Culture: The Image at Play. Cambridge: Cambridge University Press, 2012. x + 190 pp. $99. ISBN: 978–1–107–01125–0. Cook, Alexandra Parma, and Noble David Cook. The Plague Files: Crisis Management in Sixteenth-Century Seville. Baton Rouge: Louisiana State University Press, 2009. xi + 296 pp. $40. ISBN: 978–0–8071–3404–7. Cooney, Helen, and Mark S. Sweetnam, eds. Enigma and Revelation in Renaissance English Literature: Essays Presented to Eiléan Ní Chuilleanáin. Dublin: Four Courts Press, 2012. $74.50. ISBN: 978–1–84682–281–0. Corneanu, Sorana. Regimens of the Mind: Boyle, Locke, and the Early Modern Cultura Animi Tradition. Chicago: The University of Chicago Press, 2011. ix + 308 pp. $50. ISBN: 978–0–226–11639–6. da Costa, Alexandra. Reforming Printing: Syon Abbey’s Defence of Orthodoxy, 1525–1534. Oxford English Monographs. Oxford: Oxford University Press, 2012. ix + 206 pp. $110. ISBN: 978–0–19–965356–0.

Costa, Gustavo. Epicureismo e pederastia: Il “Lucrezio” e l’“Anacreonte” di Alessandro Marchetti secondo il Sant’Uffizio. Le correspondenze letterarie, scientifiche ed erudite dal Rinascimento all’età moderna; Subsidia 18. Florence: Leo S. Olschki, 2012. viii + 106 pp. €14. ISBN: 978–88–222–6129–8. Delbeke, Maarten. The Art of Religion: Sforza Pallavicino and Art Theory in Bernini’s Rome. Histories of Vision. Farnham: Ashgate Publishing Limited, 2012. xv + 242 pp. $124.95. ISBN: 978–0–7546–3485–0. Dell’Antonio, Andrew. Listening as Spiritual Practice in Early Modern Italy. Berkeley: University of California Press, 2011. xii + 218 pp. $55. ISBN: 978–0–520–26929–3. Dowd, Michelle M., and Thomas Festa, eds. Early Modern Women on the Fall: An Anthology. Medieval and Renaissance Texts and Studies 410; MRTS Texts for Teaching 5. Tempe: Arizona Center for Medieval and Renaissance Studies, 2012. ix + 386 pp. $60. ISBN: 978–0–86698–458–4. Ducheyne, Steffen. The Main Business of Natural Philosophy: Isaac Newton’s Natural-Philosophical Methodology. Archimedes 29; New Studies in the History and Philosophy of Science and Technology. Dordrecht: Springer, 2012. xxv + 352 pp. $189. ISBN: 978–94–007–2126–5. Duncan, Sarah. Mary I: Gender, Power, and Ceremony in the Reign of England’s First Queen. Queenship and Power. Basingstoke: Palgrave Macmillan, 2012. xiii + 288 pp. $90. ISBN: 978–0–230–34104–3. Ebert-Schifferer, Sybille. Caravaggio: The Artist and His Work. Los Angeles: J. Paul Getty Museum, 2012. 320 pp. $59.95. ISBN: 978–1–60606–095–7. Fernández Biggs, Braulio. Calderón y Shakespeare: Los personajes de La cisma de Ingalaterra y Henry VIII. Biblioteca Áurea Hispánica 77. Madrid: Iberoamericana Vervuert, 2012. 366 pp. $56. ISBN: 978–84–8489–673–9. Ferraro, Joanne Marie. Venice: History of the Floating City. Cambridge: Cambridge University Press, 2012. xxxii + 268 pp. + 8 color pls. $28.99. ISBN: 978–0–521–88359–7. Ficino, Marsilio. Commentaries on Plato, Volume 2: Parmenides, Part I. Ed. and trans. Maude Vanhaelen. The I Tatti Renaissance Library 51. Cambridge, MA: Harvard University Press, 2012. lxii + 286 pp. $29.95. ISBN: 978–0–674–06471–3. Ficino, Marsilio. Commentaries on Plato, Volume 2: Parmenides, Part II. Ed. and trans. Maude Vanhaelen. The I Tatti Renaissance Library 52. Cambridge, MA: Harvard University Press, 2012. 408 pp. $29.95. ISBN: 978–0–674–06472–0. Fish, Stanley. Versions of Antihumanism: Milton and Others. Cambridge: Cambridge University Press, 2012. ix + 290 pp. $90. ISBN: 978–1–107–00305–7.

Fitter, Chris. Radical Shakespeare: Politics and Stagecraft in the Early Career. Routledge Studies in Shakespeare. New York: Routledge, 2012. xi + 330 pp. $133. ISBN: 978–0–415–89793–8. Flaten, Arne R. Medals and Plaquettes in the Ulrich Middeldorf Collection at the Indiana University Art Museum: 15th to 20th Centuries. Bloomington: Indiana University Art Museum; Indiana University Press, 2012. xvi + 230 pp. $100. ISBN: 978–0–253–00116–0. Gabriella, Erdélyi. Szökött Szerzetesek: Erőszak és fiatalok a késő középkorban. Budapest: Libri Kiadó, 2011. 296 pp. 3,990Ft. ISBN: 978–963–310–073–8. Gallaccini, Teofilo. Selected Writings and Library. Ed. Alina Payne. Biblioteca dell’“Archivum Romanicum” Serie I: Storia, Letteratura, Paleografia 394. Florence: Leo S. Olschki, 2012. ix + 412 pp. €45. ISBN: 978–88–222–6163–2. Gay, Jean-Pascal. Jesuit Civil Wars: Theology, Politics and Government under Tirso González (1687–1705). Catholic Christendom, 1300–1700. Farnham: Ashgate Publishing Limited, 2012. xi + 324 pp. $134.95. ISBN: 978–1–4094–3852–6. Gibbons, Katy. English Catholic Exiles in Late Sixteenth-Century Paris. Royal Historical Society Studies in History. Woodbridge; Rochester, NY: Royal Historical Society; Boydell Press, 2011. x + 206 pp. $90. ISBN: 978–0–86193–313–6. Gregory, Sharon. Vasari and the Renaissance Print. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xix + 428 pp. $124.95. ISBN: 978–1–4094–2926–5. Gritsch, Eric W. Martin Luther’s Anti-Semitism: Against His Better Judgment. Grand Rapids: W. B. Eerdmans Publishing Co., 2012. xiv + 158 pp. $25. ISBN: 978–0–8028–6676–9. Hadfield, Andrew. Edmund Spenser: A Life. Oxford: Oxford University Press, 2012. xxi + 624 pp. $45. ISBN: 978–0–19–959102–2. Hammond, Paul, ed. Shakespeare’s Sonnets: An Original-Spelling Text. Oxford: Oxford University Press, 2012. xvi + 493 pp. $150. ISBN: 978–0–19–964207–6. Hanegraaff, Wouter J. Esotericism and the Academy: Rejected Knowledge in Western Culture. Cambridge: Cambridge University Press, 2012. x + 468 pp. $110. ISBN: 978–0–521–19621–5. Helfer, Rebeca. Spenser’s Ruins and the Art of Recollection. Toronto: University of Toronto Press, 2012. xiii + 392 pp. $85. ISBN: 978–0–8020–9067–6. Helgeson, James. The Lying Mirror: The First-Person Stance and Sixteenth-Century Writing. Les seuils de la modernité 14. Geneva: Librairie Droz, 2012. 334 pp. $67.20. ISBN: 978–2–600–01545–5.

Hessler, John W., and Chet A. Van Duzer. Seeing the World Anew: The Radical Vision of Martin Waldseemüller’s 1507 & 1516 World Maps. Delray Beach: Levenger Press in association with the Library of Congress, 2012. 112 pp. + 2 maps. $85. ISBN: 978–1–929154–47–0. Hessus, Helius Eobanus. The Poetic Works of Helius Eobanus Hessus: Volume 3, King of Poets, 1514–1517. Ed. and trans. Harry Vredeveld. The Renaissance Society of America Texts and Studies Series 1. Leiden: Brill, 2012. xxiii + 786 pp. $199. ISBN: 978–90–04–22893–1. Hillman, Richard. French Reflections in the Shakespearean Tragic: Three Case Studies. Manchester: Manchester University Press, 2012. viii + 236 pp. £65. ISBN: 978–0–7190–8717–2. Hirst, Derek. Dominion: England and its Island Neighbours, 1500–1707. Oxford Histories. Oxford: Oxford University Press, 2012. ix + 322 pp. $35. ISBN: 978–0–19–953537–8. Hirst, Michael. Michelangelo, Volume I: The Achievement of Fame, 1475–1534. New Haven: Yale University Press, 2012. x + 438 pp. + 48 color pls. $40. ISBN: 978–0–300–11861–2. Howard, Peter. Creating Magnificence in Renaissance Florence. Essays and Studies 29. Toronto: Centre for Reformation and Renaissance Studies, 2012. 174 pp. $19. ISBN: 978–0–7727–2126–6. Jackson, Donald F. The Greek Library of Saints John and Paul (San Zanipolo) at Venice. Medieval and Renaissance Texts and Studies 391. Tempe: Arizona Center for Medieval and Renaissance Studies, 2011. ix + 92 pp. $45. ISBN: 978–0–86698–439–3. King’oo, Clare Costley. Miserere Mei: The Penitential Psalms in Late Medieval and Early Modern England. Reformations: Medieval and Early Modern. Notre Dame: University of Notre Dame Press, 2012. xix + 284 pp. $38. ISBN: 978–0268–03324–8. Kingdon, Robert M. Reforming Geneva: Discipline, Faith and Anger in Calvin’s Geneva. Cahiers d’Humanisme et Renaissance 103. Geneva: Librairie Droz, 2012. xvi + 154 pp. $43.20. ISBN: 978–2–600–01584–4. Koreny, Fritz, Gabriele Bartz, and Erwin Pokorny, eds. Hieronymus Bosch: Die Zeichnungen: Werkstat und Nachfolge bis zum Ende des 16. Jahrhunderts, Catalogue raisonné. Turnhout: Brepols, 2012. 456 pp. €125. ISBN: 978–2–503–54208–9. Lares, Jameela. Variorum Commentary on the Poems of John Milton: Volume 5, Part 8; Paradise Lost, Books 11–12. Ed. P. J. Klemp. Pittsburgh: Duquesne University Press, 2012. xxii + 394 pp. $85. ISBN: 978–0–8207–0446–3. Laurenza, Domenico. Art and Anatomy in Renaissance Italy: Images from a Scientific Revolution. New York: Metropolitan Museum of Art; distributed by Yale University Press, 2012. 48 pp. $14.95. ISBN: 978–0–300–17957–6.

Leach, Elizabeth Eva. Guillaume de Machaut: Secretary, Poet, Musician. Ithaca, N.Y.: Cornell University Press, 2011. xv + 367 pp. $59.95. ISBN: 978–0–8014–4933–8. Lee, Wayne E. Barbarians and Brothers: Anglo-American Warfare, 1500–1865. Oxford: Oxford University Press, 2011. ix + 340 pp. $34.95. ISBN: 978–0–19–973791–8. Mathieu-Castellani, Gisele. Narcisse, ou, Le sang des fleurs : les mythes de la metamorphose vegetale. Les seuils de la modernité 15. Geneva: Librairie Droz, 2012. 261 pp. $67.20. ISBN: 978–2–600–01588–2. McCoog, Thomas M. The Society of Jesus in Ireland, Scotland, and England, 1589–1597: Building the Faith of Saint Peter upon the King of Spain’s Monarchy. Catholic Christendom, 1300–1700. Farnham: Ashgate Publishing Limited, 2012. xiv + 468 pp. $134.95. ISBN: 978–1–4094–3772–7. McIntosh, Gregory C. The Johann Ruysch and Martin Waldseemüller World Maps: The Interplay and Merging of Early Sixteenth-Century New World Cartographies. Long Beach: Plus Ultra Publishing Co., 2012. 63 pp. $29.95. ISBN: 978–0–96–674622–8. McMahon, Chris. Family and the State in Early Modern Revenge Drama: Economies of Vengeance. Routledge Studies in Renaissance Literature and Culture. New York: Routledge, 2012. 250 pp. $125. ISBN: 978–0–415–80775–3. Mijers, Esther. “News from the Republick of Letters”: Scottish Students, Charles Mackie and the United Provinces, 1650–1750. Studies in Medieval and Reformation Traditions 161. Leiden: Brill, 2012. x + 224 pp. $144. ISBN: 978–90–04–21068–4. Momigliano, Arnaldo, and Anthony Grafton. Essays in Ancient and Modern Historiography. Chicago: The University of Chicago Press, 2012. xviii + 388 pp. $25. ISBN: 978–0–226–53385–8. Montgomery, Marianne. Europe’s Languages on England’s Stages, 1590–1620. Studies in Performance and Early Modern Drama. Farnham: Ashgate Publishing Limited, 2012. xi + 150 pp. $89.95. ISBN: 978–1–4094–2287–7. More, Thomas. Utopia. Trans. Dominic Baker-Smith. London: Penguin Classics, 2012. xxxix + 146 pp. $12. ISBN: 978–0–141–44232–7. Mudan Finn, Kavita. The Last Plantagenet Consorts: Gender, Genre, and Historiography, 1440-1627. Queenship and Power. New York: Palgrave Macmillan, 2012. xii + 267 pp. $85. ISBN: 978–0–230–39298–4. del Nacimiento, Cecilia. Journeys of a Mystic Soul in Poetry and Prose. Eds. and trans. Sandra Sider and Kevin Donnelly. The Other Voice in Early Modern Europe: The Toronto Series 18. Toronto: Iter Inc. & Centre for Reformation and Renaissance Studies, 2012. xi + 548 pp. $37. ISBN: 978–0–7727–2118–1.

Netien, Georges. Flore lyonnaise. Lyon: Société linnéenne de Lyon, 1993. 623 pp. ISBN: 978–295055143–6. Norman, Larry F. The Shock of the Ancient: Literature and History in Early Modern France. Chicago: University of Chicago Press, 2011. viii + 288 pp. $45. ISBN: 978–0–226–59148–3. O’Rourke, James L. Retheorizing Shakespeare through Presentist Readings. Routledge Studies in Shakespeare. New York: Routledge, 2012. xi + 189 pp. $125. ISBN: 978–0–415–89703–7. Ostling, Michael. Between the Devil and the Host: Imagining Witchcraft in Early Modern Poland. The Past and Present Book Series. Oxford: Oxford University Press, 2011. x + 280 pp. $110. ISBN: 978–0–19–958790–2. Payne, Alina. The Telescope and the Compass: Teofilo Gallaccini and the Dialogue between Architecture and Science in the Age of Galileo. Biblioteca dell’“Archivum Romanicum” Serie I: Storia, Letteratura, Paleografia 393. Florence: Leo S. Olschki, 2012. xix + 240 pp. €30. ISBN: 978–88–222–6122–9. Peterfreund, Stuart. Turning Points in Natural Theology from Bacon to Darwin: The Way of the Argument from Design. Nineteenth-Century Major Lives and Letters. New York: Palgrave Macmillan, 2012. xvii + 194 pp. £52. ISBN: 978–0–230–10884–4. Pfefferkorn, Johannes. The Jews’ Mirror (Der Juden Spiegel). Trans. Ruth I. Cape. Medieval and Renaissance Texts and Studies 390. Tempe: Arizona Center for Medieval and Renaissance Studies, 2011. xiii + 114 pp. $45. ISBN: 978–0–86698–438–6. Prendergast, Maria Teresa Micaela. Railing, Reviling, and Invective in English Literary Culture, 1588–1617: The Anti-Poetics of Theater and Print. Material Readings in Early Modern Culture. Farnham: Ashgate Publishing Limited, 2012. xii + 246 pp. $99.95. ISBN: 978–1–4094–3809–0. de Quevedo, Francisco. Silvas. Trans. Hilaire Kallendorf. Lima: Universidad Nacional Mayor de San Marcos Fondo Editorial, 2011. 318 pp. np. ISBN: 978–9972–46–455–3. Quintero, María Cristina. Gendering the Crown in the Spanish Baroque Comedia. New Hispanisms: Cultural and Literary Studies. Farnham: Ashgate Publishing Limited, 2012. xii + 248 pp. $99.95. ISBN: 978–1–4094–3963–9. Raffe, Alasdair. The Culture of Controversy: Religious Arguments in Scotland, 1660–1714. Studies in Modern British Religious History 28. Woodbridge: Boydell Press, 2012. xv + 290 pp. $95. ISBN: 978–1–84383–729–9. Reid, Steven J. Humanism and Calvinism: Andrew Melville and the Universities of Scotland, 1560–1625. St. Andrews Studies in Reformation History. Farnham: Ashgate Publishing Limited, 2011. xiv + 328 pp. $124.95. ISBN: 978–1–4094–0005–9.

Rijser, David. Raphael’s Poetics: Art and Poetry in High Renaissance Rome. Amsterdam: Amsterdam University Press, 2012. xxvii + 475 pp. + 16color pls. €39.50. ISBN: 978–90–8964–342–1. Robinson, Gavin. Horses, People and Parliament in the English Civil War: Extracting Resources and Constructing Allegiance. Farnham: Ashgate Publishing Limited, 2012. xi + 250 pp. $124.95. ISBN: 978–1–4094–2093–4. Roper, Lyndal. The Witch in the Western Imagination. Studies in Early Modern German History; Richard Lectures. Charlottesville: University of Virginia Press, 2012. xii + 240 pp. $39.50. ISBN: 978–0–8139–3297–2. Saak, Eric Leland. Creating Augustine: Interpreting Augustine and Augustinianism in the Later Middle Ages, 2012. xv +258 pp. $125. ISBN: 978–0–19–964638–8. Seaman, Natasha T. The Religious Paintings of Hendrick ter Brugghen: Reinventing Christian Painting after the Reformation in Utrecht. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xiv + 180 pp. + 4 color pls. $99.95. ISBN: 978–1–4094–3495–5. Shakespeare, William. As You Like It. Ed. David Bevington. Broadview/Internet Shakespeare Editions. Peterborough: Broadview Press, 2012. 238 pp. $12.95. ISBN: 978–1–55481–052–9. Shore, Daniel. Milton and the Art of Rhetoric. New York: Cambridge University Press, 2012. xi + 204 pp. $95. ISBN: 978–1–107–02150–1. Smith, Helen. Grossly Material Things: Women and Book Production in Early Modern England. Oxford: Oxford University Press, 2012. xv + 254 pp. $110. ISBN: 978–0–19–965158–0. Smith, Peter J. Between Two Stools: Scatology and Its Representations in English Literature, Chaucer to Swift. Manchester: Manchester University Press, 2012. xii + 292 pp. $100. ISBN: 978–0–7190–8794–3. Spallanzani, Marco. Vetri islamici a Firenze nel primo Rinascimento. Florence: Studio per Edizioni Scelte, 2012. xii + 106 pp. ISBN: 978–88–7242–339–4. Stamatakis, Chris. Sir Thomas Wyatt and the Rhetoric of Rewriting: “Turning the Word”. Oxford English Monographs. Oxford: Oxford University Press, 2012. xi + 263 pp. $110. ISBN: 978–0–19–964440–7. Straparola, Giovan Francesco, and Donald Beecher. The Pleasant Nights: Volume 1. Trans. W. G. Waters. The Lorenzo da Ponte Library Series. Toronto: University of Toronto Press, 2012. viii + 764 pp. $110. ISBN: 978–1–4426–4426–7. Stratton, Suzanne L., and Judy de Bustamante, eds. The Art of Painting in Colonial Quito / El arte de la pintura en Quito colonial. Early Modern Catholicism and the Visual Arts Series 6.

Philadelphia: Saint Joseph’s University Press, 2011. xiv + 338 pp. $75. ISBN: 978–0–916101–69–5. Thomas, Julia. Shakespeare’s Shrine: The Bard’s Birthplace and the Invention of Stratford-upon-Avon. Philadelphia: University of Pennsylvania Press, 2012. viii + 218 pp. $34.95. ISBN: 978–0–8122–4423–6. Totaro, Rebecca, ed. The Brief Plague Epic in Early Modern England: Heroic Measures, 1603–1721. Farnham: Ashgate Publishing Limited, 2012. vii + 340 pp. $119.95. ISBN: 978–1–4094–4171–7. Trubowitz, Rachel. Nation and Nurture in Seventeenth-Century English Literature. Oxford: Oxford University Press, 2012. xi + 252 pp. $110. ISBN: 978–0–19–960473–9. Tucker, Holly. Blood Work: A Tale of Medicine and Murder in the Scientific Revolution. New York: W. W. Norton, 2012. xxix + 304 pp. $15.95. ISBN: 978–0–393–34223–9. Uman, Deborah. Women as Translators in Early Modern England. Newark: University of Delaware Press, 2012. viii + 166 pp. $65. ISBN: 978–1–61149–385–6. Valla, Lorenzo. Dialectical Disputations, Volume 1: Book I. Eds. and trans. Brian P. Copenhaver and Lodi Nauta. The I Tatti Renaissance Library 49. Cambridge, MA: Harvard University Press, 2012. l + 398 pp. $29.95. ISBN: 978–0–674–05576–6. Valla, Lorenzo. Dialectical Disputations, Volume 2: Books II–III. Eds. and trans. Brian P. Copenhaver and Lodi Nauta. The I Tatti Renaissance Library 50. Cambridge, MA: Harvard University Press, 2011. 592 pp. $29.95. ISBN: 978–0–674–06140–8. Vallerani, Massimo. Medieval Public Justice. Trans. Sarah Rubin Blanshei. Studies in Medieval and Early Modern Canon Law. Washington, D.C.: Catholic University of America Press, 2012. xix + 380 pp. $69.95. ISBN: 978–0–8132–1971–4. Vaught, Jennifer C. Carnival and Literature in Early Modern England. Farnham: Ashgate Publishing Limited, 2012. xi + 196 pp. $99.95. ISBN: 978–1–4094–3208–1. Vester, Matthew A. Renaissance Dynasticism and Apanage Politics: Jacques de Savoie-Nemours, 1531–1585. Early Modern Studies 9. Kirksville, Mo.: Truman State University Press, 2012. xiii + pp. $49.95. ISBN: 978–1–61248–071–8. Viret, Pierre. Epistolae Petri Vereti: The Previously Unedited Letters and a Register of Pierre Viret’s Correspondence. Ed. Michael W. Bruening. Travaux d’Humanisme et Renaissance 494. Geneva: Librairie Droz, 2012. 654 pp. $144. ISBN: 978–2–600–01553–0. Vives, Juan Luis. Declamationes Sullanae II: Introductory Material, Declamations III, IV, and V. Ed. and trans. Edward V. George. Selected Works of J. L. Vives. Leiden: Brill, 2012. x + 314 pp. $146. ISBN: 978–90–04–22364–6.

de Vries, Lyckle. How to Create Beauty: De Lairesse on the Theory and Practice of Making Art. With CD. Leiden: Primavera Press, 2011. 224 pp. €34.50. ISBN: 978–90–5997–102–8.

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Barletti, Emanuele, ed. Giovan Antonio Dosio da San Gimignano: architetto e scultor fiorentino tra Roma, Firenze e Napoli. Florence: Edifir, 2011. 842 pp. €98. ISBN: 978–88–7970–350–5. Includes: Emanuele Barletti, “Introduzione”; Emanuele Barletti, Antonio Ernesto Denunzio, and Lucia Giorgi, “Estremi cronologici di una vita intensa: utili precisazioni”; Gabriele Morolli, “Dosio e la ‘quintessenza’ dell’ordine architettonico: Gli ‘embrioni’ delle membrature a parete fra magnificenza e pauperismo”; Paolo Bertoncini Sabatini, “Dosio e le regole dei cinque ordini: la norma vittoriosa”; Antonella Marciano, “Disegno e rappresentazione tra antico e moderno”; Ilaria Sferrazza, “La relazione tra disegno e scultura nella produzione dosiana”; Antonio Ernesto Denunzio, “Brevi considerazione intorno a due ambiti della committenza dosiana: la corte farnesiana di Roma e quella vicereale di Napoli”; Cristina Acidini Luchinat, “Aggiunte al Dosio”; Carolyn Valone, “Giovanni Antonio Dosia: gli anni romani”; Carolyn Valone, “Paolo IV, Guglielmo della Porta, Dosia e la ricostruzione di San Silvestro al Quirinale”; Claudia Conforti, “1550–1552: La cappella Del Monte a San Pietro in Montorio”; Riccardo Spinelli, “I busti scolpiti e una novità”; Ricardo Spinelli, “Il monumento funebre di Giovanni di Ottone Niccolini nella chiesa di San Gregorio al Celio”; Silvia Silvestri,“ Precisazioni su Michele Antonio Marchese di Saluzzo e un altare scomparso a Viterbo”; Daniela del Pesco, “La facciata di Santa Maria in Vallicella e l’architetettura interrotta di Dosia”; Emanuele Barletti, “L’Oratorio del Gonfalone”; Andrew Morrogh, “La cappella Gaddi nella chiesa di Santa Maria Novella”; Cristina Acidini Luchinat, “Tre madrigali e alcune osservazioni sulla cappella Gaddi nella chiesa di Santa Maria Novella”; Riccardo Spinelli, “La cappella Niccolini nella basilica francescana di Santa Croce”; Emanuele Barletti, “Il Palazzo Arcivescovile”; Clelia Di Lucia, “Il Palazzo dei Giacomini”; Andrew Morrogh, “L’’Anonimo Gaddiano’, Dosio e Niccolò Gaddi”; Andrew Morrogh, “Il vecchio Palazzo dei Gaddi”; Emanuele Barletti and Andrew Morrogh, “La ‘casa dell’orto’ di Niccolò Gaddi”; Sara Bonavoglio and Francesca Parrini, “La Villa di Bellosguardo a Lastra a Signa”; Emanuele Barletti, “La Villa di Fontallerta”; Emanuele Barletti, “Il Palazzo Inghirami a Volterra ed altri frammenti di architettura fiorentina tra Cinque e Seicento”; Emanuele Barletti, “La chiesa di Cristo Salvatore, di Gesù Pellegrino o dei Petroni”; Emanuele Barletti, “Palazzo Zanchini-Ridolfi”; Emanuele Barletti, “La chiesa di Santa Maria della Neve”; Daniela del Pesco, “Dosio a Napoli, vent’anni dopo”; Maria Ida Catalano, “Dosio, gli scultori, i marmorari e l’architettura di decorazione nella Certosa di San Martino a Napoli”; and Lucia Giorgi, “Dosio a Caserta (1601–1611): gli ultimi dieci anni al servizio del principe Andrea Matteo Acquaviva d’Aragona.” Baroni, Alessandra, and Manfred Sellink, eds. Stradanus 1523–1605: Court Artist of the Medici. Exh. Cat., Groeningemuseum, Bruges, 9 October 2008–4 January 2009. Turnhout: Brepols, 2012. 380 pp. €70. ISBN: 978–2–503–52996–7.

Includes: Sandra Jannsens, “The Flemish Roots of Johannes Stradanus”; Lucia Meoni, “The Medici Tapestry Works and Johannes Stradanus as Cartoonist”; Alessandra Baroni, “A Flemish Artist at the Medici Court in Florence in the Second Half of the Sixteenth Century”; Manfred Sellink, “Johannes Stradanus and Philips Galle”; Gert Jan van der Sman, “A Fertile Imagination”; and Marjolein Leesberg, “Between Copy and Piracy.” Betteridge, Thomas, and Greg Walker, eds. The Oxford Handbook of Tudor Drama. Oxford: Oxford University Press, 2012. xx + 688 pp. £95. ISBN: 978–0–19–956647–1. Includes: Thomas Betteridge and Greg Walker, “Introduction: ‘When Lyberte ruled’: Tudor Drama 1485–1603”; Sheila Christie, “The Chester Cycle: Creation and Old Testament Plays”; Greg Walker, “‘In the beginning’: Performing the Creation in the York Corpus Christi Play”; Elisabeth Dutton, “The Croxton Play of the Sacrament”; Vincent Gillespie, “Venus in Sackloth: The Digby Mary Magdalen and Wisdom Fragment”; Andrew Hadfield, “The Summoning of Everyman”; James Simpson, “John Bale, Three Laws”; Andreas Höfele, “John Foxe, Christus Triumphans”; Anna Rhiel Bertolet, “The ‘blindnesse of the flesh’ in Nathaniel Woodes’ The Conflict of Conscience”; David Lawton, “Christopher Marlowe, Doctor Faustus”; Clare Wright, “Henry Medwall, Fulgens and Lucres”; Daniel Wakelin, “Gentleness and Nobility, John Rastell, c.1529”; Pamela M. King, “John Heywood, The Play of the Weather”; Meg Twycross, “John Redford, Wit and Science”; John J McGavin, “Nice Wanton, c.1550”; Jane Griffiths, “Lusty Juventus”; Alan J Fletcher, “Gammer Gurton’s Needle”; Jennifer Richards, “Male Friendship and Counsel in Richard Edwards’ Damon and Pythias”; Claire Jowitt, “Robert Wilson’s The Three Ladies of London and its Theatrical and Cultural Contexts”; Leah Scragg, “John Lyly, Endymion”; Alison Findlay, “Ceremony and Selfhood in The Comedy of Errors (c.1592)”; Sarah Knight, “The Niniversity at the Bankside: Robert Greene’s Friar Bacon and Friar Bungay”; Sam Wood, “The Funeral of Henry VII and the Drama of Death”; Tracy Sowerby, “The Coronation of Anne Boleyn”; Kent Rawlinson, “Hall’s Chronicle and the Greenwich Triumphs of 1527”; Erzsébet Stróbl, “Entertaining the Queen at Woodstock, 1575”; Allyna E. Ward, “The Rare Triumphs of Love and Fortune, 1582”; Eleanor Rycroft, “Morality, Theatricality, and Masculinity in The Interlude of Youth and Hick Scorner”; Peter Happé, “‘Pullyshyd and fresshe is your ornacy’: Madness and the Fall of Skelton’s Magnfyfcence”; Philip Schwyzer, “Paranoid History: John Bale’s King Johan”; Sarah Carpenter, “Respublica”; Mike Pincombe, “Tragic Inspiration in Jasper Heywood’s Translation of Seneca’s Thyestes: Melpomene or Megaera?”; Alice Hunt, “Dumb Politics in Gorboduc”; Richard Hillman, “Thomas Kyd, The Spanish Tragedy”; Janette Dillon, “Tamburlaine”; Stephen Longstaffe, “The Troublesome Reign of King John”; Dermot Cavanagh, “Sovereignty and Commonwealth in Shakespeare’s Henry VI, Part 2”; Ros King, “Arden of Faversham: The Moral of History and the Thrill of Perfomance”; and Thomas Betteridge, “The Most Lamentable Roman Tragedy of Titus Andronicus: Shakespeare and Tudor Theatre.” Blick, Sarah, and Laura D. Gelfand, eds. Push Me, Pull You: Imaginative and Emotional Interaction in Late Medieval and Renaissance Art. 2 vols. Studies in Medieval and Reformation Traditions 156/1–2. Leiden: Brill, 2011. cvi + 1296 pp. $339. ISBN: 978–90–04–20573–4.

Includes: Robert L. A. Clark and Pamela Sheingorn, “Encountering a Dream-Vision: Visual and Verbal Glosses to Guillaume de Digulleville’s Pelerinage Jhesucrist”; Elizabeth Monroe, “Dangerous Passages and Spiritual Redemption in the Hortus Deliciarum”; Anne Rudloff Stanton, “Turning the Pages: Marginal Narratives and Devotional Practice in Gothic Prayerbooks”; Margaret Goehring, “Exploring the Border: the Breviary of Eleanor of Portugal”; Erika Boeckler, “Building Meaning: The First Architectural Alphabet”; Henry Luttikhuizen, “Still Walking: Spiritual Pilgrimage, Early Dutch Painting and the Dynamics of Faith”; Megan H. Foster-Campbell, “Pilgrimage through the Pages: Pilgrims’ Badges in Late Medieval Devotional Manuscripts”; Walter Gibson, “Prayers and Promises: The Interactive Indulgence Print in the Later Middle Ages”; Amy M. Morris, “Art and Advertising: Late Medieval Altarpieces in Germany”; Susan Leibacher Ward, “Who Sees Christ? An Alabaster Panel of the Mass of St. Gregory”; Donna L. Sadler, “The Well of Moses and Roland Barthes’ ‘Punctum’ of Piety”; Mark Trowbridge, “Sin and Redemption in Late-Medieval Art and Theater: The Magdalen as Role Model in Hugo van der Goes’s Vienna Diptych”; Kristen Van Ausdall, “Communicating with the Host: Imagery and Eucharistic Contact in Late Medieval and Early Renaissance Italy”; Juan Luis González García, “Empathetic Images and Painted Dialogues: The Visual and Verbal Rhetoric of Royal Private Piety in Renaissance Spain”; Alexa Sand, “The fairest of them all: Reflections on Some Fourteenth-Century Mirrors”; Scott B. Montgomery, “Bones and Stones: Imaging Sacred Defense in Medieval Cologne”; Alfred Acres, “The Middle of Diptychs”; Kathleen Ashley, “Hugging the Saint: Improvising Ritual on the Pilgrimage to Santiago de Compostela”; Sarah Blick, “Votives, Images, Interaction, and Pilgrimage to the Tomb and Shrine of St. Thomas Becket, Canterbury Cathedral”; Annette LeZotte, “Cradling Power: Female Devotions and Early Netherlandish Jésueaux”; Laura D. Gelfand, “Illusionism and Interactivity: Medieval Installation Art, Architecture and Devotional Response”; Lex Hermans, “Consorting with Stone: The Figure of the Speaking and Moving Statue in Early Modern Italian Writing”; Fredrika H. Jacobs, “Images, Efficacy & Ritual in the Renaissance: Burning the Devil and Dusting the Madonna”; Viola Belghaus, “Everybody’s Darling. Transformation of Value and Transformation of Meaning in the Veneration of St. Elizabeth of Thuringia”; Elina Gertsman, “The Pilgrim’s Progress: Devotional Journey through the Holy Womb”; Suzanne Karr Schmidt, “Memento Mori: The Deadly Art of Interaction”; Michelle A. Erhardt, “Preparing the Mind. Preparing the Soul. The Fusion of Franciscan Thought into the Daily Lives of Friars in the Sacristy Decoration of Santa Croce, Florence”; Jane Long, “Parallelism in Giotto’s Santa Croce Frescoes”; Mark Tucker and Lloyd De Witt, “The Guiding Illusions of the Morrison Triptych”; Kathryn Poole, “Christian Crusade as Spectacle: The Cavalieri di Santo Stefano and the Audiences for the Medici Weddings of 1589 and 1608”; Mickey Abel, “Intellectual Projection, Liminal Penetration: Programmed Entry and the Tympanum-less Portals of Western France and Northern Spain”; Janet E. Snyder, “Bodies Concealed and Revealed in Twelfth-Century French Sculpture”; Vibeke Olson, “Movement, Metaphor and Memory: The Interactions Between Pilgrims and Portal Programs”; and Rita Tekippe, “The Grand Procession at Tournai: The Community Writ Large.” Boehm, Gottfried, and Matteo Burioni, eds. Der Grund: Das Feld des Sichtbaren. Eikones. Paderborn: Wilhelm Fink, 2012. 492 pp. €59. ISBN: 978–3–7705–5074–6.

Includes: Gottfried Boehm and Matteo Burioni, “Einleitung: Nichts ist ohne Grund”; Gottfried Boehm, “Der Grund. Über das ikonische Kontinuum”; Matteo Burioni, “Grund und campo: Die Metaphorik des Bildgrundes in der frühen Neuzeit oder: Paolo Uccellos Schlacht von San Romano”; Günter Figal, “Der Grund und die Räumlichkeit des Grundes”; Lothar Ledderose, “Der Bildgrund in Ostasien”; Claudia Blümle, “Visuelle Emergenz. El Grecos Verkündigungen”; Nicola Suthor, “Transparenz der Mittel: Zur Sichtbarkeit der Imprimitur in einigen Werken Rembrandts”; Sebastian Egenhofer, “Grund und Territorium bei Hercules Segers”; Thomas Leinkauf, “Philosophische Implikationen des Begriffs ‘Grund’ am Beispiel der Vorstellung eines propre fonds bei Leibniz”; Hans Adler, “Bodenlosigkeit als Grund: Erkenntnis und Anschauung als Kryptographie der Seele in der Aufklärung”; Juliane Vogel, “‘Nebulistische Zeichnungen’: Figur und Grund in Goethes Weimarer Dramen”; Ralf Simon, “Die Sprache als grundierender Grund und als Topographisierung des Bildes (Karl Philipp Moritz)”; Arno Schubbach, “Von den Gründen des Triangels bei Kant”; Rodolphe Gasché, “Der Schleier, die Falte, das Bild: Über Gustave Flauberts Salambo”; Hans M. de Wolf, “Jan Van Eyck, Marcel Duchamp und der erweiterte ‘Grund’-Begriff”; Wolfram Pichler, “Zur Kunstgeschichte des Bildfeldes”; and Luc Tuymans, “Curating the Library.” Cagnolati, Antonella, ed. La formazione delle élites in Europa dal Rinascimento alla Restaurazione. Publications d’Italiques 4. Rome: Aracne Editrice, 2012. 274 pp. €18. ISBN: 978–88–548–4382–0. Includes: Antonella Cagnoletti, “Prefazione”; Paolo Carile, “Introduzione: Indagini sulla formazione delle élites dell’Antico Regime in Europa: una conclusione provvisoria”; Federico Piseri, “Élites per le élites: medici per i principi nella Lombardia sforzesca”; Monica Ferrari, “Per un’analisi pedagogica dell’outillage didattico dei principi: Casi di studio tra Italia e Francia (secc. XV–XVII)”; Graziana Brescia, “Virtus e paideia nella formazione del leader: La ‘fortuna’ di un modello da Sallustio a Machiavelli”; Enrica Guerra, “Il De cardinalatu di Paolo Cortesi”; Domenico Defilippis, “La difesa dell’Occidente e la formazione del ‘principe cristiano’”; Simona Negruzzo, “L’educazione intellettuale secondo Federico Borromeo”; Angela Giallongo, “Idiosincrasie attraverso le immagini di Cesare Ripa”; Antonella Romano, “Antonio Rubio, missionnaire philosophe: Culture, savoir et évangélisation jésuite en Nouvelle-Espagne (1570–1615)”; José Maria Hernández Diaz, “L’educazione delle élites nella Spagna moderna: I duchi di Béjar”; Andrea Gatti, “Un ideale di politior humanitas rivisitato: L’educazione estetica delle élites in età moderna”; Francesca Orestano, “Ascesa e declino del connoisseur: L’elite del gusto, tra distinzione e ridicolo”; Maurizio Piseri, “Giovanni Bovara e la riforma dei ginnasi ex gesuitici nella Lombardia teresiana”; and Vittoria Bosna, “Istruzione e virtù: Immagini di donne nel Mezzogiorno tra il XVIII e il xix secolo.” La Charité, Claude, and Roxanne Roy, eds. Femmes, rhétorique et éloquence sous l’Ancien Régime. Collection “l’école du genre,” nouvelles recherches 7. Saint-Etienne: Publications de l’Université de Saint-Étienne, 2012. 420 pp. €35. ISBN: 978–2–86272–608–3. Includes: Claude La Charité, “Introduction”; Diane Desrosiers, “Femmes et rhétorique: état présent de la recherche”; Tristan Vigliano, “Grobianus et Grobiana : comment les femmes

parlent, comment on parle aux femmes dans une contre-civilité humaniste”; Isabelle Krier, “Critique sceptique de la rhétorique adressée aux dames par Montaigne”; Guy Poirier, “L’Œconomie spirituelle et temporelle d’une reine de France: Louise de Lorraine, épouse d’Henri III”; Claude La Charité, “Les femmes et la théorie épistolaire à la Renaissance”; Renée-Claude Breitenstein, “Célébrer les femmes et parler de soi : le travail de la disposition dans trois éloges collectifs de la première moitié du XVIe siècle”; Cinthia Meli, “Un bien dire à l’usage des bourgeoises : les Nouvelles Observations sur la langue françoise (1668) de Marguerite Buffet”; Myriam Dufour-Maître, “Héroïnes de Corneille : des modèles rhétoriques féminins ?”; Jürgen Siess, “Cadre normatif et différence des sexes : lettres de femmes du XVIIIe siècle”; Marc André Bernier, “Ad majorem feminarum gloriam: L’Essai de rhétorique à l’usage des jeunes demoiselles (1745) de Gabriel-Henri Gaillard et la tradition jésuite”; Marilyne Audet, “Marguerite de Navarre épistolière et l’abolition de la subjectivité dans la lettre de confession”; Marie-Françoise Piéjus, “De l’écriture privée à l’écriture publique : les recueils de lettres de femmes en Italie au XVIe siècle”; Jane Couchman, “La rhétorique épistolaire chez Catherine de Bourbon (1559–1604): ethos et pathos”; Chloé Pardanaud-Landriot, “De l’emphase à la plaisanterie : l’elocutio dans les lettres familières des rois et reines de France de la seconde moitié du XVIe siècle”; Eugénie Pascal, “L’art du discours dans les lettres de princesses (1570–1630)”; Sophie Tonolo, “Rhétorique du cœur et écriture intime. L’art épistolaire d’Antoinette Deshoulières”; Nathalie Freidel, “‘Est-il possible, ma chère fille, que j’écrive bien ?’: présence et absence de la rhétorique dans la Correspondance de Mme de Sévigné”; Catherine Cessac, “La correspondance de Louise-Bénédicte de Bourbon, duchesse du Maine, et d’Antoine Houdar de La Motte (1726): la séduction du nom”; Mélinda Caron, “Des lettres de la ‘belle dame’ aux critiques de ‘Mme ***’: correspondance et sociabilité chez Louise d’Épinay“; Constance Cartmill, “La rhétorique de la réticence, ou l’être déchiré dans les Lettres d’amour de Madame Roland (1777–1780)”; Jean-Philippe Beaulieu, “De la langue pestifère à la langue diserte: détraction et autodéfense chez Hélisenne de Crenne”; Margarete Zimmermann, “Écho(s) de la guerre et de la paix dans L’Album de poésies de Catherine de Clermont, maréchale de Retz”; Marie-Ange Croft, “Marie de Romieu, de la controverse à la ‘suasoire’”; Gilbert Schrenck, “Rhétorique de l’affliction : Catherine de Bourbon, Agrippa d’Aubigné et la Conférence de Nancy (1600)”; Michèle Bretz, “Une rhétorique de combat : la mère Angéliquede Saint-Jean d’Andilly ou la défense des valeurs augustiniennes”; Roxanne Roy, “Il était une fois la colère…: topique de la colère d’après les contes de Mme d’Aulnoy”; Stephanie Bung, “Topiques de la voix: conversation vs éloquence dans les salons de l’Ancien Régime”; Éliane Viennot, “En parler ou pas ? La loi salique dans les discours politiques féminins au XVIIe siècle”; and Madeleine van Strien-Chardonneau, “Politique et rhétorique: les Observations et conjectures politiques (1787–1788) d’Isabelle de Charrière.” Clucas, Stephen. Magic, Memory and Natural Philosophy in the Sixteenth and Seventeenth Centuries. Variorum Collected Studies Series. Farnham: Ashgate Publishing Limited, 2011. xii + 318 pp. $154.95. ISBN: 978–1–4094–1975–4. Includes: Stephen Clucas, “John Dee’s Angelic Conversations and the Ars notoria: Renaissance Magic and Medieval Theurgy”; “Enthusiasm and ‘Damnable Curiosity’: Meric Cassaubon and John Dee”; “‘Non est legendum sed inspicendum solum’: Inspectival Knowledge and the Visual Logic of John Dee’s Liber Mysteriorum”; “In Campo Fantastica: Alexander Dicson, Walter

Warner and Brunian Mnemonics”; “Giordano Bruno’s De imaginum, signorum et idearum compositione: Art, Magic and Mnemotechnics”; “Amorem, Artem, Magiam, Mathesim: Brunian Images and the Domestication of the Soul”; “Galileo, Bruno and the Rhetoric of Dialogue in Seventeenth-Century Natural Philosophy”; “Corpuscular Matter Theory in the Northumberland Circle”; “The Atomism of the Cavendish Circle: A Reappraisal”; “‘The infinite variety of formes and magnitudes’: Sixteenth- and Seventeenth-Century England Corpuscular Philosophy and Aristotelian Theories of Matter and Form”; “In search of ‘The True Logick’: Methodological Eclecticism among the ‘Baconian Reformers’”; and “The Correspondence of a Seventeenth-Century ‘Chymicall Gentleman’: Sir Cheney Culpeper and the Chemical Interests of the Hartlib Circle.” Crăciun, Maria, and Elaine Fulton, eds. Communities of Devotion: Religious Orders and Society in East Central Europe, 1450–1800. Catholic Christendom, 1300–1700. Farnham: Ashgate Publishing Limited, 2011. xvii + 284 pp. $124.95. ISBN: 978–0–7546–6312–6. Includes: Maria Crăciun, “Mendicant Piety and the Saxon Community of Transylvania, c.1450–1550”; Marie-Madeleine de Cevins, “The Influence of Franciscan Friars on Popular Piety in the Kingdom of Hungary at the End of the Fifteenth Century”; Carmen Florea, “The Third Path: Charity and Devotion in Late Medieval Transylvanian Towns”; Gabriella Erdélyi, “Conflict and Cooperation: The Reform of Religious Orders in Early Sixteenth-Century Hungary”; Rona Johnston Gordon, “Between Bishop and Prince: Monasteries and Authority in Austria in the Late Sixteenth Century”; Elaine Fulton, “Mutual Aid: The Jesuits and the Courtier in Sixteenth-Century Vienna”; Christine Peters, “Jesuits, Confessional Identities and Landlordship in God’s Transylvanian Vineyard, 1580–1588”; Martin Elbel, “Tanquam Peregrini: Pilgrimage Practice in the Bohemian Franciscan Province”; and Greta-Monica Miron, “The Basilian Monk and the Identity of the Uniate Church in Eighteenth-Century Transylvania.” Deutsch, Helen, and Mary Terrall, eds. Vital Matters: Eighteenth-Century Views of Conception, Life, and Death. Toronto: University of Toronto Press, 2012. ix + 333 pp. $70. ISBN: 978–1–4426–4258–4. Includes: Helen Deutsch and Mary Terrall, “Introduction”; Jonathan Kramnick, “Living with Lucretius”; Helen Deutsch, “Dismantl’d Souls: The Verse Epistle, Embodied Subjectivity, and Poetic Animation”; Kevin Chua, “Girodet and the Eternal Sleep”; Raymond Stephanson, “Tristram Shandy and the Art of Conception”; Mary Terrall, “Material Impressions: Conception, Sensibility and Inheritance”; Corrinne Harol, “Misconceiving the Heir: Mind and Matter in the Warming Pan Propaganda”; Minsoo Kang, “From the Man-Machine to the Automation-Man: The Enlightenment Origins of the Mechanistic Imagery of Humanity”; Helen Thompson, “The ‘Fair Savage’: Empiricism and Essence in Sarah Fielding’s The History of Ophelia”; Elizabeth A. Williams, “Food and Feeling: ‘Digestive Force’ and the Nature of Morbidity in Vitalist Medicine”; Simon Chaplin, “The Divine Touch, or Touching Divines: John Hunter, David Hume and the Bishop of Durham’s Rectum”; Anita Guerrini, “The Value of a Dead Body”; and Lorna Clymer, “Noticing Death: Funeral Invitations and Obituaries in Early Modern Britain.”

Enenkel, Karl, Marc Laureys, and Christoph Pieper, eds. Discourses of Power: Ideology and Politics in Neo-Latin Literature. Noctes Neolatinae Neo-Latin Texts and Studies 17. Hildesheim: Olms, 2012. xxxv + 338 pp. €49.80. ISBN: 978–3–487–14838–0. Includes: Karl Enenkel, “Introduction”; Marc Laureys, “Bibliography”; Anita Traninger, “Arenas of Anger: The Uses of Declamation in Early Modern Political Discourse”; Christoph Pieper, “Die vielen Facetten des Sigismondo Malatesta in der ideologischen Poesie des Hofes in Rimini”; Karl Enenkel, “The Politics of Antiquariansim: Neo-Latin Treatises on Cultural History as Ideology and Propaganda”; Hans Lamers, “The Imperial Diadem of Greece: Giovanni Gemisto’s Strategical Representation of ‘Graecia’ (1516)”; Thomas Haye, “Der Türkendiskurs im anonymen Dialogus de capta Rhodo (1523)”; Roswitha Simons, “Umsturz, Irreligiosität, Kulturzerstörung: Diskursverschränkung in der Reformationspolemik des Johannes Atrocianus”; Marc Laureys, “Van Rossum ad portas: Girolamo Faletti’s Evocation of the Guelders War in his De bello Sicambrico”; Ronald W. Truman, “Ideological Discourses in Sixteenth-Century Spanish Treatises on Government”; Diana Stanciu, “Sovereignty and the Censure of Aristotle in Jean Bodin’s Methodus ad facilem historiarum cognitionem”; Coen Maas, “Was Janus Dousa a Tacitist? Rhetorical and Conceptual Approaches to the Reception of Classical Historiography and its Political Significance”; Robert Siedel, “‘Aliena sequens regna, deserui mea’: Antipfälzische Polemik im Medium lateinischer Centonendichtung”; Beate Hintzen, “Der Fürst im Nachruf: Zu Aktualisierung und Instrumentalisierung antiker und zeitgenössischer ideologischer Muster in den Nekrologen des Martin Opitz”; and Robert von Friedeburg, “Wars with Books: From which Point Onward Should We Employ the Term ‘Ideology’ with Respect to Our Sources?” Filosa, Elsa, and Michael Papio, eds. Boccaccio in America. 2010 International Boccaccio Conference, American Boccaccio Association, UMass Amherst, April 30–May 1; Memoria del tempo. Ravenna: Longo editore, 2012. 286 pp. €28. ISBN: 978–88–8063–7042. Includes: Victoria Kirkham, “The Cook’s Decameron, or, Boccaccio to the Rescue of the Dull British Diet”; Francesco Ciabattoni, “Musica sacra e musica profana nel Decameron”; Christopher Kleinhnez, “A Nose for Style: Olfactory Sensitivity in Dante and Boccaccio”; Beatrice Arduini, “Il ruolo di Boccaccio e di Marsilio Ficino nella tradizione del Convivio di Dante”; Jelena Todorovic, “Nota sulla Vita Nova di Giovanni Boccaccio”; Todd Boli, “Boccaccio’s Biography, Dante’s Biography, and How They Intersected”; Michael Papio, “Boccaccio: Mythographer, Philosopher, Theologian”; Sussana Barsella, “I marginalia di Boccaccio sull’Etica Nicomachea di Aristotele (Biblioteca Ambrosiana A 204 inf.)”; Filippo Andrei, “The Variants of the Honestum: Practical Philosophy in the Decameron”; Renzo Bragantini, “L’ordine dei racconti e il libro: variazioni e corrispondenze nel Decameron”; Marilyn Migiel, “Some Restrictions Apply: Testing the Reader in Decameron III.8”; Laurie Shepard, “Guido Cavalcanti among the Tombstones”; Igor Candido, “‘Venus duplex’: Apuleio nel Teseida e nella Comedia delle ninfe fiorentine”; Giuseppe Velli, “Giovanni Boccaccio, Centonatore/Recreator, or on the FreeUse of the Written Word”; and Roberto Fedi, “Agnizioni di lettura (Decameron VII.5): da Boccaccio a Verga.”

de Fuccia, Laura, and Christophe Brouard, eds. “Di là dal fiume e tra gli alberi”: Il paesaggio del Rinascimento a Venezia; Cascita e fortuna di un genere artistico (1500–1700 secolo). Ravenna: Giorgio Pozzi Editore, 2012. 174 pp. €15. ISBN: 978–88–96117–18–7. Includes: Paola Bassani Pacht, “Presentazione”; Stefania Mason, “Prefazioni”; Michel Hochmann, “Prefazioni”; Laura de Fuccia and Christophe Brouard, “Introduzione”; Dagmar Korbacher, “Arcadia in Venice: A Place to be; Impulses and Thoughts on Three Paintings in Berlin”; Véronique Dalmasso, “Paysages de rêve”; Simona Cohen, “From the Literal to the Abstract: Metamorphosis of Symbolic Modes in Venetian Renaissance Rural Landscape”; Leopoldine Prosperetti, “Trees: An Overlooked Topic in Renaissance Art”; Pascale Dubus, “Paysage et tempête dans la littérature artistique du Cinquecento”; Christophe Brouard, “Le Concert champêtre du Louvre: Fortune et interprétation”; Simone Ferrari, “Temi nordici nel paesaggio veneziano del Cinquecento”; and Laura de Fuccia, “Tra pastorali e paesaggi ‘eroici’: il paesaggio veneto Francia del Grand Siècle.” Gallagher, Lowell, ed. Redrawing the Map of Early Modern English Catholicism. Toronto: University of Toronto Press, 2012. ix + 342 pp. $75. ISBN: 978–1–4426–4312–3. Includes: Lowell Gallagher, “Introduction”; Arthur F. Marotti, “In Defence of Idolaty: Residual Catholic Culture and the Protestant Assault on the Sensuous in Early Modern England”; Frances E. Dolan, “‘True and Perfect Relations’: or, Identifying Henry Garnet and Leticia Wigington by Their Confessions”; Holly Crawford Pickett, “Motion Rhetoric in Serial Conversion Narratives: Religion and Change in Early Modern England”; Alison Shell, “William Alabaster and the Palinode”; Richard Rambuss, “Crashaw’s Style”; Gary Kuchar, “Alchemy, Repentance, and Recusant Allegory in Robert Southwell’s Saint Peters Complaint”; Jennifer R. Rust, “Malengin and Mercilla, Southwell and Spenser: The Poetics of Tears and the Politics of Martyrdom in The Faerie Queene, Book 5, Canto 9”; Phebe Jensen, “‘Honest mirth and merriment’: Christmas and Catholicism in Early Modern England”; Susannah Monta, “Uncommon Prayer? Robert Southwell’s Short Rule for a Good Life and Catholic Domestic Devotion in Post-Reformation England”; Anne Dillon, “‘To seek out some Comforts and Companions of his own kind and condition’: The Benedictine Rosary Confraternity and Chapel of Cardigan House, London”; and Stefania Tutino, “Obedience and Consent: Thomas White and English Catholicism, 1640–1660.” Gregory, Sharon, and Sally Hickson, eds. Inganno — The Art of Deception: Imitation, Reception, and Deceit in Early Modern Art. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xi + 204 pp. $104.95. ISBN: 978–1–4094–3149–7. Includes: Sharon Gregory and Sally Anne Hickson, “Introduction”; Steven Stowell, “Artistic Devotion: Imitations of Art and Nature in Italian Renaissance Writings on Art”; Sharon Gregory, “‘Quel Nuovo Studio e Fatica’: Pontormo, Dürer and Other Prints”; Allison Sherman, “‘Ad Ogni Maniera’: Tintoretto Imitates Veronese?”; Andrea Bubenik, “Imitation, Emulation, Forgery? Copies of Albrecht Dürer’s Feast of the Rosegarlands”; Cathleen Hoeniger, “How Copies May Shed Light on the Reception of Raphael”; Lynn Catterson, “Finding, Fixing, and Faking in

Ghiberti’s Third Commentarii”; Sally Anne Hickson, “‘Antichissimo’: Authority, Authenticity and Duplicity in the Sixteenth-Century Roman Antiquities Market”; Sally Anne Hickson, “Giuseppe Orologi’s Inganno – The Art of Deception and the Deception of Art”; and Kristin Campbell, “‘Such is Picture Dealing’: Noel Joseph Desenfans (1745–1807) and the Perils of Purchasing in Eighteenth-Century London.” Guneratne, Anthony R., ed. Shakespeare and Genre: From Early Modern Inheritances to Postmodern Legacies. New York: Palgrave Macmillan, 2011. xv + 314 pp. $90. ISBN: 978–0–230–10898–1. Includes: Anthony R. Guneratne, “Introduction: Kin, Kind, and Shakespeare’s Significance to Genre Studies”; David Crystal, “Shakespeare the Metalinguist”; Stephen Greenblatt, “Murdering Peasants: Status, Genre, and the Representation of Rebellion”; Andrew Gurr, “‘The Stage Is Hung with Black’: Genre and the Trappings of Stagecraft in Shakespearean Tragedy”; David Bevington, “Shakespeare’s Development of Theatrical Genres: Genre as Adaptation in the Comedies and Histories”; Lawrence Danson, “The Shakespeare Remix: Romance, Tragicomedy, and Shakespeare’s ‘distinct kind’”; Steven J. Lynch, “Turning Genre on Its Head: Shakespeare’s Refashioning of His Sources in Richard III, King Lear, and The Winter’s Tale”; Diana E. Henderson, “Shakespearean Comedy, Tempest-Toss’d: Genre, Social Transformation, and Contemporary Performance”; Alex Huang, “Comical Tragedies and Other Polygeneric Shakespeares in Contemporary China and Diasporic Chinese Culture”; Alexander Shurbanov and Boika Sokolova , “King Lear East of Berlin: Tragedy under Socialist Realism and Afterwards”; Samuel Crowl, “Shakespeare and Film Genre in the Branagh Generation”; Tony Howard, “Genre and Televised Shakespeare: Evolving Forms and Shifting Definitions”; Peter S. Donaldson, “Shakespeare and Media Allegory”; Charles Martindale, “Shakespeare Among the Philosophers”; and Douglas M. Lanier, “‘I’ll teach you differences’: Genre Literacy, Critical Pedagogy, and Screen Shakespeare.” Hammill, Graham, and Julia Reinhard Lupton, eds. Political Theology and Early Modernity. Chicago: The University of Chicago Press, 2012. ix + 316 pp. $29. ISBN: 978–0–226–31498–3. Includes: Graham Hammill and Julia Reinhard Lupton, “Introduction”; Victoria Kahn, “Political Theology and Liberal Culture: Strauss, Schmitt, Spinoza, and Arendt”; Adam Sitze, “The Tragicity of the Political: A Note on Carlo Galli’s Reading of Carl Schmitt’s Hamlet or Hecuba”; Carlo Galli, “Hamlet: Representation and the Concrete”; Graham Hammill, “Blumenberg and Schmitt on the Rhetoric of Political Theology”; Jennifer Rust, “Political Theologies of the Corpus Mysticum: Schmitt, Kantorowicz and de Lubac”; Kathleen Biddick, “Dead Neighbor Archives: Jews, Muslims, and the Enemy’s Two Bodies”; Paul A. Kottman, “Novus Ordo Saeclorum: Hannah Arendt on Revolutionary Spirit”; Jane O. Newman, “Force and Justice: Auerbach’s Pascal”; Jacques Lezra, “The Instance of the Sovereign in the Unconscious: The Primal Scenes of Political Theology”; Julia Reinhard Lupton, “Pauline Edifications: Staging the Sovereign Softscape in Renaissance England”; Drew Daniel, “Striking the French Match: Jean Bodin, Queen Elizabeth, and the Occultation of Sovereign Marriage”; Gregory Kneidel, “The Death of Christ in and as Secular Law”; Jonathan Goldberg, “Samson Uncircumcised”; and

Étienne Balibar, “Postscript: The Idea of a ‘New Enlightenment’ [Nouvelles Lumières] and the Contradictions of Universalism.” Henry, John. Religion, Magic, and the Origins of Science in Early Modern England. Variorum Collected Studies Series. Farnham: Ashgate Variorum, 2012. xii + 314 pp. $154.95. ISBN: 978–1–4094–4458–9. Includes: John Henry, “Animism and Empiricism: Copernican Physics and the Origins of William Gilbert’s Experimental Method”; “Atomism and Eschatology: Catholicism and Natural Philosophy in the Interregnum”; “Occult Qualities and the Experimental Philosophy: Active Principles in Pre-Newtonian Matter Theory”; “Medicine and Pneumatology: Henry More, Richard Baxter and Francis Glisson’s Treatise on the Energetic Nature of Substance”; “The Matter of Souls: Medical Theory and Theology in Seventeenth-century England”; “Henry More versus Robert Boyle: The Spirit of Nature and the Nature of Providence”; “Boyle and Cosmical Qualities”; “Robert Hooke, the Incongruous Mechanist”; “‘Pray do not ascribe that notion to me’: God and Newton’s Gravity”; and “The Fragmentation of Renaissance Occultism and the Decline of Magic.” Herman, Peter C., and Elizabeth Sauer, eds. The New Milton Criticism. Cambridge: Cambridge University Press, 2012. xii + 253 pp. $95; $27.99. ISBN: 978–1–107–01922–5. Includes: Peter C. Herman and Elizabeth Sauer, “Introduction: Paradigms Lost, Paradigms Found: The New Milton Criticism”; Richard Strier, “Milton’s Fetters, or, Why Eden is Better than Heaven”; Peter C. Herman, “‘Whose fault, whose but his own?’: Paradise Lost, Contributory Negligence, and the Problem of Cause”; John Rogers, “The Political Theology of Milton’s Heaven”; Judith Scherer Herz, “Meanwhile: (Un)Making Time in Paradise Lost’: Michael Bryson, “The Gnostic Milton: Salvation and Divine Similitude in Paradise Regained”; Elizabeth Sauer, “The Discontents with the Drama of Regeneration”; Christopher D’Addario, “Against Fescues and Ferulas: Personal Affront and Individual Liberty in Milton’s Prose”; Shannon Miller, “Disruptive Partners: Milton and Seventeenth-Century Women Writers”; Thomas Festa, “Eve and the Ironic Theodicy of the New Milton Criticism”; Jeffrey Shoulson, “Denis Saurat, and the Old New Milton Criticism”; William Kolbrener, “The Poverty of Context: Cambridge School History and the New Milton Criticism”; and Joseph Wittreich, “Afterword.” Ingram, Kevin, ed. The Conversos and Moriscos in Early Modern Spain and Beyond: Volume 2, The Morisco Issue. Studies in Medieval and Reformation Traditions 160. Leiden: Brill, 2012. xxiii + 278 pp. $144. ISBN: 978–90–04–22859–7. Includes: Kevin Ingram, “Introduction to this Volume”; Bonifacio Bartolomé Herrero, “The Jews and Conversos in Medieval Segovia”; Luis Alberto Anaya Hernández, “The Canary Moriscos: A Different Reality”; Trevor J. Dadson, “Inquisitorial Activity and the Moriscos of Villarrubia de los Ojos during the Sixteenth Century”; Manuel F. Ferández Chaves and Rafael

M. Pérez Garcia, “The Morisco Problem and Seville (1480–1610)”; Benjamin Ehlers, “Violence and Religious Identity in Early Modern Valencia”; Luis F. Bernabé Pons, “On Morisco Networks and Collectives”; William Childers, “An Extensive Network of Morisco Merchants Active circa 1590”; Mary Elizabeth Perry, “Morisco Stories and the Complexities of Resistance and Assimilation”; Steven Hutchinson, “The Morisco Problem in its Mediterranean Dimension: Exile in Cervantes’ Persiles”; Barbara F. Weissberger, “Blindness and Anti-Semitism in Lope’s El niño inocente de la Guardia”; Juan Ignacio Pulido Serrano, “Political Aspects of the Converso Problem: On the Portuguese Restauraçao of 1640”; and François Soyer, “Nowhere to Run: The Extradition of Conversos between the Spanish and Portuguese Inquisitions during the Sixteenth and Seventeenth Centuries.” Jorink, Eric, and Dirk van Miert, eds. Isaac Vossius (1618–1689): Between Science and Scholarship. Brill’s Studies in Intellectual History 214. Leiden: Brill, 2012. xiii + 352 pp. $179. ISBN: 978–90–04–18670–5. Includes: Eric Jorink and Dirk van Miert, “Introduction: The Challenger: Isaac Vossius and the European World of Learning”; Dirk van Miert, “The French Connection: From Casaubon and Scaliger, via Saumaise, to Isaac Vossius”; Anthony Grafton, “Isaac Vossius, Chronologer”; Scott Mandelbrote, “Isaac Vossius and the Septuagint”; Eric Jorink, “In the Twilight Zone: Isaac Vossius and the Scientific Communities in France, England and the Dutch Republic”; Fokko Jan Dijksterhuis, “A View from a Mountaintop: The Development of Isaac Vossius’ Optics, 1658–1666”; Karel Davids, “In the Shadow of Jesuits: Isaac Vossius and Geography”; Thijs Weststeijn, “Vossius’ Chinese Utopia”; Colette Nativel, “Isaac Vossius entre Philologie et Philosophie”; Susan Derksen, “Manuscript Notes in Books from the Vossius Collection”; Astrid C. Balsem, “Collecting the Ultimate Scholar’s Library: The Bibliotheca Vossiana”; and Eric Jorink and Dirk van Miert, “Epilogue: Isaac Vossius in Context.” Leibsohn, Dana, and Jeanette Favrot Peterson, eds. Seeing Across Cultures in the Early Modern World. Transculturalisms, 1400–1700. Farnham: Ashgate Publishing Limited, 2012. xx + 266 pp. $104.95. ISBN: 978–1–4094–1189–5. Includes: Dana Leibsohn, “Introduction: Geographies of Sight”; Yoriko Kobayashi-Sato and Mia M. Mochizuki, “Perspective and Its Discontents or St. Lucy’s Eyes”; Jeanette Favrot Peterson, “Perceiving Blackness, Envisioning Power: Chalma and Black Christs in Colonial Mexico”; Saleema Waraich, “Competing and Complementary Visions of the Court of the Great Mogor”; Bronwen Wilson, “Visual Knowledge/Facing Blindness”; Liza Oliver, “Blindness Materialized: Disease, Decay, and Restoration in the Napoleonic Description de l’Egypte (1809–1828); Mark Hinchman, “Gone: Memory and Visuality in Early Modern West Africa”; Patrick Thomas Hajovsky, “Without a Face: Voicing Moctezuma II’s Image at Chapultepec Park, Mexico City”; Todd P. Olson, “Markers: Le Moyne de Morgues in Sixteenth-Century Florida”; Natasha Eaton, “Tourism, Occupancy, and Visuality in North India, ca. 1750–1858”; Claire Farago, “Understanding Visuality.”

Van Liere, Katherine, Simon Ditchfield, and Howard Louthan, eds. Sacred History: Uses of the Christian Past in the Renaissance World. Oxford: Oxford University Press, 2012. xxiii + 339 pp. $125. ISBN: 978–0–19–959479–5. Includes: Anthony Grafton, “Church History in Early Modern Europe: Tradition and Innovation”; Euan Cameron, “Primitivism, Patristics and Polemic in Protestant Visions of Early Christianity”; Giuseppe Guazzelli, “Cesare Baronio and the Roman Catholic Vision of the Early Church”; Simon Ditchfield, “What Was Sacred History? Mostly Roman Catholic Ues of the Christian Past after Trent”; David Collins, “The Germania illustrata, Humanist History, and the Christianization of Germany”; Katherine Van Liere, “Renaissance Chroniclers and the Apostolic Origins of Spanish Christianity”; Howard Louthan, “Imagining Christian Origins: Catholic Visions of a Holy Past in Central Europe”; Rosamund Oates, “Elizabethan Histories of English Christian Origins”; Salvador Ryan, “Reconstructing Irish Catholic History after the Reformation”; Jean-Marie Le Gall, “The Lives of the Saints in the French Renaissance c. 1500–c. 1640 ”; Liam Brockey, “Doubting Thomas: The Apostle and the Portuguese Empire in Early Modern Asia”; Irina Oryshkevich, “Cultural History in the Catacombs: Early Christian Art and Macarius’s Hagioglypta”; and Adam Beaver, “Scholarly Pilgrims: Antiquarian Visions of the Holy Land.” Mason, Roger A., and Caroline Erskine, eds. George Buchanan: Political Thought in Early Modern Britain and Europe. St. Andrews Studies in Reformation History. Farnham: Ashgate Publishing Limited, 2012. xv + 316 pp. $124.95. ISBN: 978–1–4094–4864–8. Includes: Caroline Erskine and Roger A. Mason, “Introduction: George Buchanan: Influence, Legacy, Reputation”; Roger A. Mason, “From Buchanan to Blaeu: The Politics of Scottish Chorography, 1582–1654”; Tricia A. McElroy, “Performance, Print and Politics in George Buchanan’s Ane Detectioun of the duinges of Marie Quene of Scottes”; Andrew Hadfield, “Spenser and Buchanan”; Arthur Williamson, “George Buchanan and the Patriot Cause”; Astrid Stilma, “Tyrants and Translations: Dutch Interpretations of George Buchanan’s Political Thought”; Robert von Friedeburg, “Buchanan and the German Monarchomachs”; Allan I. Macinnes, “The Reception of Buchanan in Northern Europe in the Seventeenth Century”; Martin Dzelzainis, “The Ciceronian Theory of Tyrannicide from Buchanan to Milton”; John Coffey, “George Buchanan and the Scottish Covenanters”; Clare Jackson, “Buchanan in Hell: Sir James Turner’s Civil War Royalism”; Caroline Erskine, “George Buchanan, English Whigs and Royalists, and the Canon of Political Theory”; Esther Mijers, “Scotland’s Fabulous Past: Charles Mackie and George Buchanan”; Colin Kidd, “Assassination Principles in Scottish Political Culture: Buchanan to Hogg”; and Caroline Erskine, “George Buchanan and Revolution Principles, 1688–1788.” McKeown, Simon, ed. Otto Vaenius and His Emblem Books. Glasgow Emblem Studies 15. Geneva: Librairie Droz, 2012. xxxvi + 316 pp. n.p. ISBN: 978–0–85261–932–2. Includes: Walter S. Melion, “Venus/Venius: On the Artistic Identity of Otto Vaenius and his Doctrine of the Image”; Tina Montone, “Cupid in the Ouroboros, the Disconsolate Alembic and

Other Matters: The Amorum Emblemata (1608) from a New Persepective”; Stephen Rawles, “The Engravings of the Amorum Emblemata: States and Replacements”; Alison Adams, “Mens immota manet: An Exploration of an Emblematic Commonplace (Sambucus, Vaenius, etc)”; Simon McKeown, “An Unknown English Translation of Otto Vaenius’s Historia Septem Infantivm de Lara (British Library, 551.e.9): A Transcription and Introductory Notes”; Peter Boot, “Similar or Dissimilar Loves? Amoris Divini Emblemata and its Relation to Amorum Emblemata”; Ralph Dekoninck and Agnès Guiderdoni, “Reasoning Pictures: Vaenius’s Physicae et Theologicae Conclusiones (1621)”; Andrea Catellani, “Emblematic and Graphic Processes in Vaenius’s Physicae et Theologicae Conclusiones (1621): Semiotic Observations”; Olga Vassilieva-Codognet, “Coining Neo-Stoic Heiroglyphs: From the Brussels Mint to Emblemata sive Symbola”; Sabine Mödersheim, “Vaenius in German: Raphael Custos’s Emblemata Amoris for Philipp Hainhofer”; and Wim van Dongen, “In the Bath with Otto: Otto Vaenius’s Emblems in Nicolaus Person’s Marketing Strategy.” Pastore, Stefania, Adriano Prosperi, and Nicholas Terpstra, eds. Brotherhood and Boundaries / Fraternità e barriere. Seminari e convegni 26; Convegno nazionale di studi, Pisa, Scuola Normale Superiore, 19–20 settembre 2008. Pisa: Edizioni della Normale, 2011. xvi + 640 pp. €35. ISBN: 978–88–7642–354–3. Includes: Stefania Pastore, Adriano Prosperi and Nicholas Terpstra, “Introduzione”; Giovanna Casagrande, “Confraternite senza barriere? Un ‘viaggio’ tra casi ed esempi”; Mara Nerbano, “Confraternite disciplinate e spazi della devozione”; Alexis Fontbonne, “Les confréries du Saint-Esprit à Clermont et Montferrand entre communauté et identité individuelle: des outils de délimitation sociale”; Roisin Cossar, “Notaries and Confraternities in Bergamo, 1300–1400”; Mariaclara Rossi, “Idee ed esperienze di pace nelle confraternite italiane del basso medioevo: evoluzioni e specificità”; Marina Gazzini, “Dalla confraternita-communità alla confraternita-istituzione: solidarietà associative e barriere istituzionali nelle confraternite italiane del tardo medioevo”; Kenneth Stow, “From Civil Society to the Family: Transformations in Early Modern Jewish Confraternal Structure”; Alessandro Serra, “Spazi sacri e sacralizzazione degli spazi nelle confraternite romane d’età moderna”; Daniel Bornstein, “Civic Hospitals, Local Identity, and Regional State in Early Modern Italy”; Isabel dos Guimarães Sá, “Social and Religious Boundaries in Confraternities, Prisons and Hospitals in Renaissance Portugal”; Federica Francesconi, “La So’ed Holim di Modena: negoziazione e sopravvivenza culturale di donne ebree italiane nel Settecento”; Magda Teter, “Sacrilegi e spazi sacri e profani: Ebrei e cristiani nella Polonia d’età moderna”; Sabrina Corbellini, “La diffusione delle traduzioni bibliche nella Toscana medievale: il ruolo delle confraternite”; Peter Howard, “Bound by Words: Creating Belief and Community in Renaissance Florence”; Olga Zorzi Pugliese, “Machiavelli e le confraternite: partecipazione e parodia”; Josep Alavedra Bosch, “Confraternities: The Sociability of Lay People Despite the Council of Trent”; Christopher F. Black, “Confraternities and the Italian Inquisitions”; Paolo Sanvito, “Trasformazioni storiche ed iconografiche durante il Cinquecento veneziano sotto l’influsso delle Confraternite del Sacramento”; Marzia Giuliani, “Assetti istituzionale delle confraternite disciplinate nella Milano di Carlo Borromeo”; Margaret King, “Sodalities of the Blessed Virgin under Albert and Isabella: Spanish Piety and the Dutch Question”; Giuseppe Marcocci, “Conversione e schiavitù. La confraternita della Nossa Senhora do Rosário nella Lisbona del Cinquecento”; Susan Verdi Webster, “Ethnicity, Gender, and

Visual Culture in the Confraternity of the Rosary in Colonial Quito”; Gian Paolo Vigo, “Diffusione delle Confraternite trinitarie”; María Álvarez Fernández, “Religious Confraternities in the Cities in the Kingdom of Castile: The Case of Oviedo (Thirteenth–Fifteenth Centuries)”; Raffaele Savigni, “Le confraternite lucchesi (secc. XIV–XVI) e l’evoluzione della religione civica: relazioni tra chierici e laici e ridefinizione dei confini”; Anna Esposito, “Le confraternite romane tra città e curia pontificia: un rapporto di delega (secc. XIV–XV)”; Ilaria Taddei, “Il futuro della città: le societates puerorum, adulescentium et iuvenum a Firenze e il loro progetto sociale (XV secolo)”; Cristina Cecchinelli, “Tra devozione e politica: confraternite mariane a Parma nel Rinascimento”; Carlo Taviani, “Confratelli, cives, uomini di parte: Genova a inizio Cinquecento”; Colm Lennon, “Bridging Division or Bonding Faction? Civic Confraternity and Religious Sodality in Seventeenth-Century Ireland”; Juan O. Mesquida, “Negotiating the Boundaries of Civil and Ecclesiastical Powers: The Misericordia of Manila (1594–1780s)”; Liana Bertoldi Lenoci, “Le confraternite pugliesi post-tridentine nella realtà socio-religiosa della regione e le ‘boundaries-costrizioni’ subite”; and Danilo Zardin, “Istanze universaliste e particolarismo corporativo nelle confraternite dell’età moderna.” Rolet, D’Anne, ed. Allégorie et symbole: voies de dissidence? de l’Antiquité à la Renaissance. Collection “Interférences.” Rennes: Presses universitaires de Rennes, 2012. 598 pp. + 38 color pls. €24. ISBN: 978–2–7535–1982–4. Includes: Anne Rolet, “Introduction: Le symbole et l’allégorie: vecteurs et voiles de la dissidence ou phénomènes dissidents?”; Stavroula Kefallonitis, “L’allégorie chez les historiens grecs anciens: une figure marginale?”; Gilles Sauron, “Un anticonformiste romain: Q. Lutatius Catulus, cos. 102 a. c.”; Jacqueline Fabre-Serris, “Usages conjugués de l’image et de l’allégorie chez Ovide: la foudre et l’envie dans les Remèdes à l’amour (371–398) et dans la littérature d’exil (Tristes, Pontiques et Contre Ibis)”; Christophe Badel, “L’allégorie, une arme de l’opposition politique sous les Césars (1er s. apr. J.-C.)?”; Alain Gigandet, “La critique épicurienne de l’exégèse allégorique”; Bernard Pouderon, “Le vocabulaire de l’allégorie chez Héraclite le Pontique: entre conservatisme, apologétique et polémique”; Juliette Dross, “Orthodoxie, hétérodoxie et dissidence: les rapports entre la philosophie et la pauvreté dans les allégories romaines impériales (Sénèque, Apulée, Marc Aurèle)”; Ilaria L. E. Ramelli, “Ancien christianisme et langage symbolique comme signe de dissidence”; Marie-Françoise Baslez, “Entre dissidence et résistance: la symbolique des supplices dans l’Orient hellénisé d’après les récits juifs de martyre”; Eugenio Amato, “Discours figuré et allégorie chrétienne dans l’œuvre ‘profane’ de Procope de Gaza: vin eucharistique et doctrina arcani”; Vincent Zarini, “Allégorie et ‘dissidence’ dans la Paraenesis didascalica d’Ennode de Pavie”; Sylvain Piron, “Allégories et dissidences médiévales”; Marylène Possamai-Pérez, “L’Ovide moralisé: une traduction ‘dissidente’ des Métamorphoses d’Ovide?”; Juan Carlos D’Amico, “Allégorie et dissidence au XIVe siècle: Cola di Rienzo et la personnification de Rome”; Edith Karagiannis-Mazeaud , “L’Europe des signes: les Grecs, figure de la dissidence au temps de la Pléiade et d’Etienne Pasquier”; Antonella Fenech Kroke, “Réflexions autour des fresques vasariennes de Santa Maria di Monteoliveto (Naples): personnification et hétérodoxie religieuse”; Estelle Leutrat, “De l’âge d’or aux plaisirs mondains: le cycle des mois d’Etienne Delaune et de la rue Montorgueil: à propos du mois de mai”; Stéphane Rolet, “Un pileus et deux poignards: les symboles immuables du tyrannicide, du denier EID MAR de Brutus à l’emblème d’Alciat Respublica liberata

(1546)”; Guillaume Cassegrain, “Allégorie, donc. Culture savante et humour et dans la peinture vénitienne du Cinquecento”; Philip Ford, “Allégorie et homoérotisme dans la poésie narrative de Ronsard”; Agnès Guiderdoni, “Modes de penser allégoriques au début du XVIIe siècle au service des sciences: dire et masquer la nouveauté”; Rosanna Gorris Camos, “‘Sotto un manto di gigli di Francia’: poésie, allégorie et emblèmes de la dissidence entre Ferrare et Turin”; Valentina Sebastiani, “Sous le signe du Kairos: édition et érudition à Bâle au service d’Érasme de Rotterdam”; Olivier Pot, “Hercule à la croisée des chemins ou les métamorphoses de l’âne-Pégase: avatars de l’allégorie de Rabelais à Giordano Bruno”; and Pierre Maréchaux, “Allégories cellulaires dissidentes chez Liszt, lecteur de Dante: au fil des sens cachés d’une Psychomachie musicale.” Rubinstein, Nicolai. Studies in Italian History in the Middle Ages and the Renaissance 2: Politics, Diplomacy and the Constitution in Florence and Italy. Ed. Giovanni Ciappellii. Storia e lettereatura: Raccolta di studi e testi 272. Rome: Edizioni di storia e letteratura, 2011. ix + 458 pp. €61.20. ISBN: 978–88–6372–322–9. Includes: Nicolai Rubinstein, “La lotta contro i magnati a Firenze”; “Florence and the Despots: Some Aspects of Florentine Diplomacy in the Fourteenth Century”; “I primi anni del Consiglio Maggiore di Firenze”; “The Place of Empire in Fifteenth-Century Florentine Political Opinion and Diplomacy”; “Firenze e il problema della politica imperiale al tempo di Massimiliano I”; “Politics and Consitution in Florence at the End of the Fifteenth Century”; “Florentine Constitutionalism and Medici Ascendency in the Fifteenth Century”; “La confessione di Francesco Neroni e la congiura antimedicea del 1466”; “Italian Reactions to Terraferma Expansion in the Fifteenth Century”; “Lorenzo de’ Medici: The Formation of His Statecraft”; “Oligarchy and Democracy in Fifteenth-Century Florence”; “Il regime politico di Firenze dopo il Tumulto dei Ciompi”; “Dalla Repubblica al Principato”; “The Formation of the Posthumous Image of Lorenzo de’ Medici”; “Cosimo ‘Optimus Civis’”; “Piero de’ Medici Gonfaloniere di Giustizia”; “Lorenzo’s Image in Europe”; and “Savonarola on the Government of Florenze.” Sanger, Alice E., and Siv Tove Kulbrandstad Walker, eds. Sense and the Senses in Early Modern Art and Cultural Practice. Visual Culture in Early Modernity. Farnham: Ashgate Publishing Limited, 2012. xv + 258 pp. $124.95. ISBN: 978–1–4094–0004–2. Includes: Alice E. Sanger and Siv Tove Kulbrandstad Walker, “Introduction: Making Sense of the Senses”; Alessandro Arcangeli, “The Trouble with Odours in Petrarch’s De Remediis”; Suzanne B. Butters, “Natural Magic, Artificial Music and Birds at Francesco de’ Medici’s Pratolino”; Mindy Nancarrow, “Sight, Science, and the Still-Life Paintings of Juan Sánchez Cotán”; Sophie Oosterwijk, “Sensing Death: The Danse Macabre in Early Modern Europe”; Robert W. Gaston, “Peeling the Onion: Experiencing the Senses in Bronzino’s Burlesque Poem La cipolla”; Siv Tove Kulbrandstad Walker, “Appetites: Food, Eating and the Senses in Sixteenth-Century Italian Art”; Susan Russell, “The Villa Pamphilj on the Janiculum Hill: The Garden, the Senses and Good Health in Seventeenth-Century Rome”; Lisa M. Rafanelli, “Thematizing Vision in the Renaissance: The Noli Me Tangere as a Metaphor for Art Making”; Phillippa Plock, “Touching Looks: Masculinizing the Maternal-Feminine in Poussin’s Tancred

and Erminia”; Geraldine A. Johnson, “In the Hand of the Beholder: Isabella d’Este and the Sensual Allure of Sculpture”; and Alice E. Sanger, “Sensuality, Sacred Remains and Devotion in Baroque Rome.” Schmidt-Beste, Thomas, ed. The Motet around 1500: On the Relationship of Imitation and Text Treatment? Turnhout: Brepols, 2012. 570 pp. €100. ISBN: 978–2–503–52566–2. Includes: Thomas Schmidt-Beste, “Introduction”; Joshua Rifkin, “A Black Hole? Problems in the Motet around 1500”; Julie E. Cumming, “Text Setting and Imitative Technique in Petrucci’s First Five Motet Prints”; Warwick Edwards, “Text Treatment in Motets around 1500: The Humanistic Fallacy”; Stephen Rice, “Reverse Accentuation”; Leofranc Holford-Stevens, “The Latin Texts of Regis’s Motets”; Rob C. Wegman, “Compositional Process in the Fifteenth-Century Motet”; Mary Natvig, “Imitation in the Motets of Antoine Busnoys”; John Milsom, “Josquin des Prez and the Combinative Impulse”; Philip Weller, “Some Ways of the Motet: Obrecht and the Paths of Five-Voice Composition”; Timothy Pack, “Ostinato-Tenor Motet Composition, c. 1500”; Stefano Mengozzi, “Beyond the Hexachord: A View from Josquin’s Ut Phebi radiis”; John T. Brobeck, “Antoine de Févin and the Origins of the ‘Parisian Motet’”; David Fallows, “Moulu’s Composer Motet: Date and Context”; Marie-Alexis Colin, “The Motets of Mathieu Gascongne: A Preliminary Report”; Daniele V. Filippi, “Text, Form, and Style in Franchino Gaffurio’s Motets”; Murray Steib, “The Old Guard Goes to School: The Evolution of Style in Johannes Martini’s Motets”; Adam Gilbert, “Ludwig Senfl’s Sancte pater divumque and His Musical Patrimony”; Lenka Hlávková-Mráčková, “Motet Style and Structure in Central Europe around 1490: Some Remarks on Selected Pieces from the Codex Speciálník”; Kenneth Kreitner, “Spain Discovers the Motet”; Richard Wexler, “The Repertory in the Medici Codex”; Laura Youens, “The Last Motet-Chanson”; Jaap van Benthem, “A Triumph of Symbiosis: Angelo Poliziano, Josquin des Prez, and the Motet O Virgo prudentissima”; Jane Hatter, “Reflecting on the Rosary: Marian Devotions in Early Sixteenth-Century Motets”; Remi Chiu, “You Have Wounded My Heart! Song of Songs, Motets, and the Wound of Desire”; and Melanie Wald, “Between Heaven and Earth: Some Thoughts on Possible Semantics of the Cantus Firmus Motet.” Stump, Donald V., Linda Shenk, and Carole Levin, eds. Elizabeth I and the “Sovereign Arts”: Essays in Literature, History, and Culture. Medieval and Renaissance Texts and Studies 407. Tempe: Arizona Center for Medieval and Renaissance Studies, 2011. xxiii + 339 pp. $70. ISBN: 978–0–86698–455–3. Includes: Mary Hill Cole, “Maternal Memory: Elizabeth Tudor’s Anne Boleyn”; Janel Mueller with Carole Levin and Linda Shenk, “Elizabeth Tudor: Maidenhood in Crisis”; Sarah L. Duncan, “The Two Virgin Queens”; Retha Warnicke, “Elizabeth I and Mary Stewart: Two British Queens Regnant”; Catherine Howey Stearn, “Grave Histories: Women’s Bodies Writing Elizabethan History”; Carole Levin, “All the Queen’s Children: Elizabeth I and the Meanings of Motherhood”; Ilona Bell, “Elizabeth Tudor: Poet”; Steven W. May, “Queen Elizabeth to Her Subjects: The Tilbury and Golden Speeches”; Norman Jones, “Elizabeth, Burghley, and the Pragmatics of Rule: Managing Elizabethan England”; Susan Doran, “Elizabeth and Her

Favorites: The Case of Sir Walter Ralegh”; Debra Barrett-Graves, “Elizabeth I and Court Display”; Anna Riehl Bertolet, “Elizabeth I and the Heraldry of the Face”; Vincent P. Carey, “Elizabeth I and State Terror in Sixteenth-Century Ireland”; John Watkins, “Elizabeth Through Venetian Eyes”; Tim Moylan, “Advising the Queen: Good Governance in Elizabeth’s Entry Pageants into London, Bristol, and Norwich”; Michele Osherow, “‘Give ear, O princes’: Deborah, Elizabeth, and the Right Word”; Linda Shenk, “Elizabeth I’s Divine Wisdom: St. Paul, Conformity, and John Lyly’s Endymion”; and Donald Stump, “Abandoning the Old Testament: Protestant Dissent and the Shift in Court Paradigms for Elizabeth.” Thouret, Clotilde, and Lise Wajeman, eds. Corps et interprétation (XVIe–XVIIIe siècles). Faux Titre 374. Amsterdam: Rodopi, 2012. 298 pp. $85. ISBN: 978–90–420–3525–6. Includes: Clotilde Thouret and Lise Wajeman, “Pour une interprétation vraiment esthétique”; François Lecercle, “Image, corps et interprétation: à propos de deux anecdotes du Trattato sulla Pittura e la Scultura (1652) de G. D. Ottonelli et de P. da Cortona”; Marianne Closson, “L’écritoire surnaturel, ou le corps du démoniaque”; Hélène Merlin-Kajman, “Corps, émotion, lecture: Le ‘classicisme’ pourrait ne pas être l’antithèse de la ‘modernité’”; Guiomar Hautcœur, “De l’immersion médiatisée à l’immersion immédiate: La réécriture de l’épisode du Beau Ténébreux par Cervantès et Laclos”; Anne Teulade, “Interprétation et fantasmes mélancoliques: Le corps imaginé chez Tomaso Garzoni et Jourdain Guibelet”; Jean-Vincent Blanchard, “La Description des grandes cascades de la maison royale de Saint-Cloud: Architectures monumentales, phenomenology et rhétorique”; Mathieu Brunet, “Quand le corps dit la liberté: réflexions sur Marivaux et Rousseau”; Guillaume Peureux, “‘L’on f… en ce livre partout’ (Parnasse des poètes satyriques, 1622): Expériences érotiques et expériences de lecture dans les recueils de poésie satyrique”; Sylvaine Guyot, “Troubles dans la réception: pour une relecture des regards raciniens”; Sarah Nancy, “Corps du chanteur et corps de l’auditeur en France au XVIIe siècle: ‘car où l’esprit a si peu affaire, c’est une nécessité que les sens viennent à languir’”; Sophie Marchand, “Corps du public et ‘électricité du théâtre’: pensées du parterre (des années 1770 aux premières années de la Révolution française)”; Elisa de Halleux, “De la métamorphose corporelle à la métamorphose amoureuse: le corps androgyne, l’amour et le cosmos dans un tableau de Tintoret”; Paola Pacifici and Bérengère Voisin, “Le corps et l’œuvre dans les portraits de nains de cour (XVIe et XVIIe siècles)”; Bruna Filippi, “Le corps blason, ou l’émergence des secrets de l’âme”; Ralph Dekoninck, “‘Ce qui n’a point forme d’homme n’est pas image’: le corps de l’image, de la devise à l’allégorie”; Diane Robin, “Le plaisir de la laideur: Catharsis comique et interprétation dans les traités français et italiens sur le rire au XVIe siècle”; Hugh Roberts, “Catharsis comique et réception érotique chez Bruscambille”; Delphine Lesbros, “Du désir au plaisir?: quand la stimulation érotique incite à toucher une peinture au XVIe siècle”; and Marion Lafouge, “Mersenne et le plaisir paradoxal des chansons tristes.” Trevisan, Luca, ed. Renaissance Intarsia: Masterpieces of Wood Inlay. New York: Abbeville Press, 2012. 256 pp. $125. ISBN: 978–0–7892–1126–2. Includes: Luca Trevisan, “Introduction: Episodes in the Development of Italian Renaissance Intarsia”; Monia Franzolin, “Florence: The Sacrestia delle Messe in the Duomo, 1436–45, 1463–

68: Antonio Manetti, Agnolo di Lazzaro, and Giuliano da Maiano”; Alessandra Zamperini, “Urbino: The Studiolo of Federico da Montefeltro in the Palazzo Ducale, 1474–76: Benedetto da Maiano”; Monica Molteni, “Padua: The Choir and Reliquary Cabinet of the Basilica del Santo, 1462–69, 1475–77: Cristoforo and Lorenzo Canozi da Lendinara”; Luca Trevisan, “Vicenza: The Choirs of Monte Berico, San Bartolomeo, and Santa Corona, 1484–89: Pier Antonio degli Abati”; Paolo Bertelli, “Mantua: The Grotta of Isabella d’Este in the Palazzo Ducale, c. 1506: Antonio and Paolo Mola”; Alessandra Zamperini, “Verona: The Choir and Sacristy of Santa Maria in Organo, 1494–1500, 1518–23: Fra Giovanni da Verona”; Cristina Beltrami, “Siena: The Choir of Monte Oliveto Maggiore, 1504–5: Fra Giovanni da Verona”; Pierbarnaba Leonardelli, “Naples: The Intarsias of Sant’Anna dei Lombardi, 1506–10 and the Certosa di San Martino, c. 1514: Fra Giovanni da Verona and Giovan Francesco d’Arezzo”; Maria Teresa Franco, “Bergamo: The Choir of the Basilica di Santa Maria Maggiore, 1524–33: Lorenzo Lotto and Giovan Francesco Capoferri”; Giulio Zavatta, “Reggio Emilia: The Choir of the Basilica di San Prospero, 1457–58, 1544–46: Cristoforo and Lorenzo Canozi da Lendinara, and Cristoforo de Venetiis”; Alessandra Bigi Iotti and Giulio Zavatta, “Bologna: The Choir of the Basilica di San Domenico, 1528–51: Fra Damiano Zambelli”; and Paolo Pizzati, “The Techniques of Intarsia.” Usher, Phillip John, and Isabelle Fernbach, eds. Virgilian Identities in the French Renaissance. Gallica 27. Cambridge: D. S. Brewer, 2012. xvi + 260 pp. $95. ISBN: 978–1–84384–317–7. Includes: Phillip John Usher and Isabelle Fernbach, “Introduction”; Bernd Renner, “Virgil and Marot: Imitation, Satire and Personal Identity”; Margaret Harp, “Virgil’s Bucolic Legacy in Jacques Yver’s Le Printemps d’Yver”; Michael Randall, “On the Magical Statues in Lemaire de Belge’s Le Temple d’honneur et de vertus”; Stéphanie Lecompte, “Temples of Virtue: Worshipping Virgil in Sixteenth-Century France (translated by Penelope Meyers)”; Isabelle Fernbach, “From Copy to Copia: Imitation and Authorship in Joachim du Bellay’s Divers Jeux Rustiques (1558)”; Valerie Worth-Stylianou, “Virgilian Space in Renaissance French Translations of the Aeneid”; Philip Ford, “Virgil versus Homer: Reception, Imitation, Identity in the French Renaissance”; Phillip John Usher, “The Aeneid in the 1530s: Reading with the Limoges Enamels”; Corinne Noirot-Maguire, “At the Helm, Second in Command: Du Bellay and La Mort de Palinure”; Todd W. Reeser, “Du Bellay’s Dido and the Translation of Nation”; and Katherine Maynard, “‘Avec la terre on possède la guerre’: The Problem of Place in Ronsard’s Franciade.” Vega, María José, and Iveta Nakládalová, eds. Lectura y culpa en el siglo XVI / Reading and Guilt in the 16th Century. Studia Aurea Monográfica 3. Bellaterra: Servei de Publicacions de la Universitat Autònoma de Barcelona, 2012. 188 pp. np. ISBN: 978–84–490–2874–8. Includes: María José Vega, “Introducción: ‘Leer no es de cristianos’: lectura, culpa y miedo en el siglo xvi”; Gigliola Fragnito, “La letture sospette: prospettive di ricerca sui controlli ecclesiastici”; Ignacio J. García Pinilla, “Lectores y lectura clandestina en el grupo protestante sevillano del siglo xvi”; Javier San José Lera, “Libros y lectura en los procesos inquisitoriales de los profesores salmanticenses del siglo xvi”; Giogio Caravale, “Illiterates and Church Censorship

in Late Renaissance Italy”; Alexander Vanautgaerden, “Jean Henten, premier censeur dans le Pays-Bas, en 1552 à Louvain, des Opera Omnia d’Érasme”; Simona Munari, “Censura histórica y censura editorial en el Cymbalum Mundi”; Marie-Luce Demonet, “Le contrôle des esprits et l’auto-censure des auteurs de fiction: le deuxième commandement”; Antonio Corsaro, “Riscrittura e autocensura nei Dialoghi di Torquato Tasso.” Vega, María José, Julian Weiss, and Cesc Esteve, eds. Reading and Censorship in Early Modern Europe. Studia Aurea Monográfica 2; Barcelona 11–13 December 2007. Bellaterra: Servei de Publicacions de la Universitat Autònoma de Barcelona, 2010. 222 pp. n.p. ISBN: 978–84–490–2655–3. Includes: María José Vega, Julian Weiss, Cesc Esteve, “Introduction”; Donatella Gagliardia, “La teoría de la censura en el Theotimus de Putherbeus”; Gigliola Fragnito, “La censura ecclesiastica in Italia: volgarizzamenti biblici e letteratura all’Indice: bilancio degli studi e prospettive di ricerca”; Giorgio Caravale, “Forbidding Prayer in Italy and Spain: Censorship and Devotional Literature in the Sixteenth Century. Current Issues and Future Research”; Emilio Blanco, “Malos libros y censura difusa en Antonio de Guevara”; Julian Weiss, “Between the Censor and the Critic: Reading the Vernacular Classic in Early Modern Spain”; Robert Archer, “Canon y censura: fortuna de un poema de Ausiàs March”; José Augusto Cardoso Bernardes, “Pastores y filósofos en la corte de Portugal: la palabra velada en el teatro de Gil Vicente”; Rosa Navarro Durán, “Materia peligrosa: la censura de las obras de Alfonso de Valdés”; Emily Butterworth, “Censors and Censure: Robert Estienne and Michel de Montaigne”; Marie-Luce Demonet, “La censure de la fiction et ses fondements philosophiques”; and Roger Chartier, “Livres parlants et manuscrits clandestins: les voyages de Dyrcona.”