remick collection popular songs w uke acc. no 6 (1926)

8/3/2019 Remick Collection Popular Songs w Uke Acc. No 6 (1926)

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I~THE CAPITAL LETTERS IN PARENTHISES, UNDEANEATH THE'"CHORDS OFTHE UKULE LE ACCOMPANIMENT, ARE INDICATED FOR. THE USE OF BANJOISTS,MANDOlA,AND GUITAR PLAYERSTH E DIAGRAMS ABOVE. THE MELODY PART ARE ADDED FO R THELc.BENEFIT OF THE UKULELE PLAYERS WHO DO NOT READ NOTES~

t f h e ' R e m i c k C O l l e c t i o n. y .~S)mCG$withVKULELEACOOMIlFAN1IIMfIEN1rWITH DIRECTIONS FOR PLAYING

AND A SYSTEM OF FINDING CHORDSWITHOUT READING MUSIC.

A r r : a . T l Q d byE . T . ROMEDERP ric e 5 0 c en ts n e t

J E R O M E H . R E M l C K ~ C O . D E T R O I TN E \ V Y O R K


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CONTENTS:Directions for Playing the Ukulele Page

by Zahr Myron Bickford 3

By the Light of the StarsLittle, Sizemore & Shay 12Don't Bring LuluRose, Brown & Henderson 27Ev'ryone Home is Asking for You

Kahn & Donaldson 16

Got No TimeKahn & Whiting 6If I Had A Girl Like You

Rose, Dixon & Henderson 18

Let's Wander AwayBurtnett ,Owens & Ash 30Oh Say Can I See You Tonight

Creamer, Schuster & Flatow 14

Sometime Kahn & Fiorito 21Swanee ButterflyRose & Donaldson 9Sweet Georgia Brown

Bernie, Pinkard & Casey . 24The above compositions are published separately as songs with piano

accompaniment: also for Band and Orchestra.


5/34

Direction s for Playing the UkuleleBy Zarh Myron Bickford.

TUNING THE UKULELE(pronounced 00- !too-lay-lay)

The strings, from the.fir st to the.four th ri.ght toJeft),J'lfe_named_B, Fsharp, Dand.A, and are tuned to the correspondingletters onthe piano, as illustrated below. This.systemofnaming the strings is knownas the "D tuni ngj.and.i s..adv i e d inpreference to the other tuning, which makes the.Iowe.st.str Ing C.and the others correspondingly Iowerr.Th a.D tunin ghas been adopted by the best writers and teachers as being preferable. .

II

Toavoid.confusionin the_location.ofnotes_andthe_readingof chords,.allnotes_whi~h_are to be made onthe fourth string (A )will be.written an octave lower than they actually sound, thus always appearing as the lowest notes of the chords (when fournotes are used) ..The.followingdiagram shows.all the.no tes and their location on the staff and the fingerboard, as.far as the twelfth fret oneachstring.

_ T H E UKULELE_FINGERBOARD CHARTNUT FRETS 10 .k 111S~String

0 1 2 3 L 4 5 6 ~ _ b . . 7 _8 H.},..9 . . ~. . . . .}e# Db D# F l> E E#F F # Q , G G# A I> A A#Bb B4 !~ B M e D L Ll .Jl.

. , ! I F ' l l G G#.A], A A # B b B 0 e# J : > ! , D D# E E E# F F #'l_4 1 1 . . f t D i l E~ 1 ' T E # F 11F l I G b G G# . A I > A A#Bf B 0 e # , D b DE ~:~~ _J!. I- . . .4! . . " . ~ _ . p ~ I . . . ~ . . . . ft__ n ; G G#AJ , . AII'

2n_!iString

3r_ !i String

4t!l StringA B o

.Where, two_different notes.are.shownat one.rret Itmdj oatas that they sound the same. The small notes represented on thefourtb string showthe actual pitch, while the Iowercctave'sacwsnie way they will appear onthe staff. In making the notes, thefingers are placedjust back ofthe frets, touching th;.m, but not reaching ever,

HOLDING THE INSTRUMENT(The. position of the instrument, hands,etc., is shown inthe cut on the first page).

Therightforearmpresses lightly against the body ofthe instrument, sothat itcan be held inplace either in the sitting or stand-ing posrtfon, ..The neck must rest very lightly against fhe ball ofthe left thumb andjust above the thirdjoint of the first finger, the tip of the

thumb never appearing above.the.edge. of the fingerboard, and inmany cases being placed almost inthe center of the back oftheneck .The tips of the fingers must be used in holding.down the strings, thejoints being well rounded and the nails .kept rathershort, to avoid touching the strings.Since.the object of this preliminary .matteds.merelyto explain the ground actually covered inthe songs whichfollow,.much

rudimentary matterjsnecessarilyomitted_andltis.taken forgranted that those who procure the Folio, either for study or forp.leasur ecalready.havej.or caneasily_obtainthe_ne.cessaryrudiments covering time values of notes, signatures of keys, theuse.of sharps, flats, naturals and the various signs and terms used in musical notation .

.cop:y:righLMOMXXV by Jerome H. Remick & 00. NewYork& Detroit.Internatconai Oopyrz"ghtSecured

3

12


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The Chromatic Scale3rd String II 2nd String II 1st String

o 1 2 3 4 5 61 2 3 42 3The Scale ofD

o 2 0 1 3 0 2 3 5 7 8 10 12FRETS 0The chromatic scale progresses by half steps or.semi-tones and the above example shows the method of crossing to the next

higher string when it has been reached, rather than continuing on either the D or the Fsharp string. .Inthe Dscale the sharps placed onF and Cat the beginning indicate that these two sharps are required in thisscale or key, con-equently these letters must always be sharped, nomatter inwhatoctavethey:appear. These scales arein\'aluable inlearning theingerboard and the location of the notes and it is suggested that the general rule of using the first finger for the first fret, secondfinger.forthe second fret, etc., befollowed. In playing the higher notes, itisofcourse necessary to change the position ofthe hand.general rule for picking single note s is touse the thumb for the third.andfourth strings, the first finger forthe secondstring

andthe second finger for the first st ring, although this rule is frequently variedin actual playing.FINGERING

Owing tothe peculiar tuning ofthe ukulele and the fact that the notes to be made onthe fourth string are written an 0ct avelower than they actually sound, inachordoffour notes (the usual form),the highest note will always be found on the first string(B), the next lower note onthe second string, the third from thetop onthe third string and the lowest note on the fourth string.nmarking the chords and notes throughout the book, the figures always refer tothe left hand fingers andnot to the frets, un-less they may happen to correspond. As an illustrationofthis,the last chord shown below, known as a diminished seventhchord,.is made.by placing the.fourth finger on the highD, the second finger onthe G'sharp, the thirdfingeronF (naturayandthefirstinger on the.B, (This is also the chord which is being takenin the line cut shown at the beginning).ItwiUbe seen that it is ne\pessary to actually know the notes and their location in order tofind all the chords.used in thi solio, some of which are unusual and unfamiliar.

I ITHE STROKES

Although there are several different strokes used for certain effects inplaying the ukulele,these accompaniments have beenonfined tothe common stroke, made with the first finger only and tothe downward roll or slide.The right hand is held in avery loose andrelaxed condition, as shown inthe cut, the first finger being slightly straightened outrom the others. .Inmaking the down stroke (awayfrom the body), the nail of the finger brushes the strings lightly, while inthe up stroke the fleshyart only isused.Itis most essential that the arm, wrist and fingers be held perfectly relaxed inorderto produce the best results. T.he downrokes are indicated by the sign n and up strokes byll. The rollis made byusing the nails of allfour fingers, makingaslight turnfthe wrist and straighteningthefingers slightly. The thumb can also followthe fingers across the stringsif desirable.The rollwillbe indicated by the sign f . Throughout the Foliothe strokes have been marked at the beginning of each piece andwher-ver any changes occur.

THE PRINCIPAL CHORDS IN COMMON KEYSInusing the diagrams or"pictures"to illustrate these chords, the fact must not be lost sight of that the only system of readinghat is recommended isthe note system, the diagrams being used merely to assist the eye and because a certain percentage oflayers are familiar with this system. The names ofthe chords are given underneath, but it should be noted that there are manyords used inthe accompaniments which are not shown below, owing to the fact that one of the notes (usually the hi ghest) belongsothe melody and is not apartofthe chord inits usual position. These exceptions must always be worked out accordingtotheule gi ven previously and the exact fingering followed.The keyofDis given first, since this is the natural key of the instrument and its chords lay most naturally under the fingers.he keys following are given inthe order oftheir"naturalness" or congeniality tothe instrument.


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Key olG E minor (relative to G), ~ s i 1 t J g & i I I ~ # i f i a ! d t l I I2 3 2 2 0 2Emin. Amin. B 7th . Emin.III!I

1

RIGHT HAND FINGERING

Key of a .A minor (relative to O J, ii i! I s ? 1 1 " ' i J i s i i i i! I I3 2 3~Although occasional chords belonging to other keys will be used, it is not deemed necessary to illustrate further keys

.orscal es in thiswork.

Itisfrequently necessaryor advisable toplay either single notes, ortwo orthree together, instead ofthe full chord of fournotes, and for this purpose it is necessary to pick the strings with the fingers instead of making the stroke. Two dots in-.dicatethe second finger, one dotthe first finger and '~' the thumb. When the strings are picked in this manner, the littlefinger should rest lightly on the body ofthe instrument, near the sound hole, the thumb extending forward towardthefingef~board.In this latest Collection of Popular Songs we have made it possible for those who do not read notes toplay the musicalaccompani-ment onthe Ukulele. In order toget the full musical effect, exactly the same asplayed bymusic readers, we have madeuse ofthe chartsordiagrams shownin the sketches abovs; These diagrams havebeen placed ABOVEthe lines of the songs and correspond exactlywiththe chords written in the lower lines of the same songs. The above enumerated examples of playing from diagrams will clear ly illus-trate their appropriate use in the present Collection.Togive a greater scope and fill along felt want on the part of players of other strumming instruments, such as the Mandola, Banjo,

Guitar, etc., Wehaveplaced beneath the Ukulele Chords figured letters which indicate the chordsto be taken on their respective instru-ments.


8/34

GOT NO TIMESONG

(Tune Uke a semitone higherif played with Piano) By GUS KAHN andRICHARD A;WHITING

Arr. by E. !/'.Rorneder

VOICE,VIOLINORMAND.

Modera to~

UKULELEACC.

~

~ I could find ~ lot of things I~

May-be I would like to b e .., A~~ nip ~ p 1 \

~ g : : ~I-: 1 ' . . 5'~ ~ :i~.i ~ .:; ~:: ~ . . : .~ .. . . ~ . .. . oCD) (Bm7) (F#m)"U .I . . .

I~ I I. bout If I took the time to find ~ut ~hat theyu____

couldcom-pam a - are) in- Y or a rose But I might havebeen an oys-ter or a clamfl~f o~ g l I -I g - i 21 ~'i 0,t c l J H ! j o ~ ~ ~H': : : ~~ ~'1 ~iI ~~.~ g '~g i 0:: 21

(Bm)2 ~(D) (Bm) (F~-7) (A7) mb7) (A7) (D) (Bm) (D) (Brn)

~flU l. . .___._u r I" I I I y .- But all- Y - time that I have time to think I ' m just all tir - cd- Now I could wish that I had curl-y locks or some new kind of'1 ~ r\ r' \ . 0 : : 21 g ~ ~.~:: ~ : : ~.. . ::----' . g . . - I I . . o~ o ~ .


9/34

CHORUSm t~~ . ( l . . .~ Got no time to wor - fy 'bout the rain or s;ow _.-Vl' NoGot no time to wor - ry what the neigh- bors say_ - Nay~~ p - . t : 1---- - - - -. - ..", 0 . . ~ ~~.:~ 2"::: ~ - ~ g~~.:: ~ ::: :: '::1 T11o ...

(F#-7) (A7)

~~ ( l 1. . .I~ wor - [y if the wind don't - ' - - "o Got no time to blow_Nay Got no time to cry . if they don't like my way_

fj lJ. -~ ~ll~ ~= ~~ : ~.:; . . :: : l ) f t, : :: ..,~ ~ - -:: ~"-----'"- 04 .. 0 o . . .

~ I J .,~ '--"c; Just Win- ter I .so Sum- mer- Hey Hey I dont like the~~ . . - - - . . . - (pick) (pick). .. . o~ - - - - - : : :~:: ~ ::. ~ ~ 1 'ii g T I ~ 'i1 - ,.,.,- & . : 5 . ~ 2i1 ... . . 3(Bm7) (D)


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~~ 'l. . .~ Got time to wor - ihow the time does fly:y. a ~ wayo -Got no time to give the Pres-i - dent ad - vice - at all~~ ....- ..

r . ... ~ . : : : ~ A l f ' : : : o ~ ~ . . o.l!!l


11/34

SWANEE BUTTERFLYSONG(Tune Uke one tone lowerif played with Piano)9

VOICE,VIOLINOR MAND.

Moderator m f : m 0 0ByBILLY ROSE andWALTER DONALDSO~Arr. bll.J!J.'F..Romeder0 0 fm~u n ;..--_

I ~ til n'ev~r for - get Thenlf I met a moth-P " " "

Smile and for get_ Your lit-tieheart achesYour~~ P " " " - 'IJ~ P " " " - - -'~ ~l'1~-I'~::': I. 2"ir~ri1!I ! lJII . -: -I v_ V i -i i 3~i i-i... 2

(G) (Bm) (Em) '~D+5) (G) (Bm) (Ein) (G) (G+5)

UKULELEACC.

~~ 1 m 1 m g ~ 0 0I .t.- night that Iriet This poor lit - tle moth__ The face of a saint waslit - tIemistakes Oh smi~ and for - get __ Your, but- ter-fly years and~~ - r-- - , - r--- . I , . . . . . . . , _t.- ~.._ul\-I -i i 1 . . . . . ~tt. ' -I 2 ~ -4~-i -i -i -i i-i .. (l"tthree strings)(Em) (G) (dm) (E+5)E)E7)

~~ II .~ un-der the paint I knew I She was from the Southbut-ter-fly tears 'bout face Make a brand new start

~~ ~ - - ~ ~~ :il. -ii, -i ,Ii ,.. b it~ :: :: ::~~ l~ :: : : r A : : A : : 1 . . - ; _ ")I . : " i I ~(dm) (E7) (Bm7) (B7)

~~ ,-I ': - -::::.The ~he. o-pe'n'dup her - - - - I-- I whis-per'do-ment mourn_What good is face on a bro-ken heart' Those e e l don't~u - ~ P " " " - -

t.- '1I''j 2 '1 .'" ) 1 h W ' ' ' ' . . . ~ ~:::i t t = : ~ :: ~ :i 'i . r 1 l l 1.1 1 1 111~~'1I~ 0 ~ g : :__ , -= i(B7) (E) (dm~)(C~m7) (E) (D) (Am7)'(D'7)t m f m 1 1u n

I .t.- "take my ad - vice __ It fs-Iit tb o l~te It 18- it t~o l~te< care" kind of girls_~ They nev-er get by they nev-er get by~~ ~ !'""'- ~ , . . . . _ ~ ~ !--~ ~-:-I -; -1 1 '2- ii ''iI 41 1 u - I -I -i a~ i -i 2 . . - . u > t l i -i(G) (G+5) (Em) (G)G)Bm) (Em)

Copyright MCMXXVby JEROME H.REMICK&CO., NewYork &DetroitPropiedad para Ia Republica Mexicana deJerome H.Remick&Co., NewYork&Detroit. Depositada conforme a Ia 1eyMADE INU.S.A. ALL RIGHTS RESERVEDINCLUDING PUBLIC PERFORMANCE FOR PROFIT International Copyrz'ghtSecured


12/34

IV~~ -

0 0

~ Don't pay the price_ You've got-ta go straight You've got-ta go straight"WeTho' they wear pearls_ They're pay-ini to o high They're pay-Intoo high Your~ l l - ~ ~ - - - I_~ - , . . . . .c:r-~ i-i.-i -.~~ i ~ ~-i._' ..j ...... i-i "ill II ~. - - 2 .~~ -i -i t- i ...II1stthree strin s)(E7) (E) g (dm) (E7)'E+ii)

~ l l - l -

." both I went a - fong Broad ~- v she had towayarms were-n't meant to roam. .- so save your~ l l - ~ ~ ~ ~ ~~ b lt :: ~ :: ::.g ~ . 1 t t : : : ~ :: 6 : : : ~:: 1 "ill i.:- -i ji .... " " i l l i-i ~21. II(Bm7) (B7) (C#m7) (G7)

~ l l -t " cry when s'he heard me say You'd bet- ter< charms for the one back home You'd bet- ter~ l l - ~ - -t~. h t t l = : : : : : : : :: i f : : : . : : :: :: :: i -. ... 1,-i i "ill i-j 8\~~~ .~~ .:.(B7)CHORUS~J l . 1 m t m ~ m t f! m t t m ,-

00, ~ 0 ~Fly home Swan.ee But-ter fly Why roam

~ l l - p-~f' ~ -I 00~ ~-1 i i 1 g : : :: :: :: ~i-1-1 g : : : : -I - s -I .~.~ 1 . . . . II ...-. i(G) (G) (G) (Dm) (E7)

~ m r f m m l ~ 0 0~ . I I fly I like yourwan-ee But-ter - Pret-ty things

~ _ J l . - pick pick -" II - i -i - . ~ ~ ~ = 4 i i-.II ~ = 4 i ~ 0 x b~ ::..:: ~ :: tt~ :: ~ ~~5), . . , (B7)

Will be crush'd up ~ - gainst dia-rn~nd rings_......-,_-+-_ And ~ev-erI-"'

wings __ -+--(Bm'i}(G) (A7) (D) (A7)

Swanee Butterfly-3


13/34

11~~ M f m f m II 1 m m t l m.

-~ . u - - ~play with f'ire., if you're wise Leave thatII}~ ~ ~I

.~ ~-I -I ~ - s -- I g : : : : . : : :: ~-=1-J ~ :: ~-I-; - s ~ ~ t .. (G) (D7) (G) (D7) (G)~~ ~ W ~. 0 0 @ f m 0 0,

t... to the fire' ,- flies When you fly to the .. east_ _. rYou're~~ _ . - - -I

-~ -i '"iii -.II ; ~ ~ , ~ T 4 1 . . ~ = - ~ 8:: :: ~-J - s -1 -: -: 2 i i . . III liII ..(Am) (Am) (D7) (G) (Em)Brn)E7)

west_o the

(G) (G)

~~ ~ ~ t m M m ~ 1 m .~, ~ .You've'g~t- t~ 1 .1 lj< got-ta go wrong go wrong But fly down South and bye and~~ - -

I t... i..4i . . . . . . . .~ ~ :;.i ~ ~~ g : : B - 1 -I -1 1 g : : :: :: ::(E7) (G)A7) (D7)D7)~~ . .

I ~ bye You'll be hap - py Swan-ee But .Ia - ter -f}~ ~I

~ ~ - I - S -I ~f~ T. it. ii A . ~ -~~ ~ ~ ~..;:;;. . :. :. ; ~::::1 +5)0 Dm) 0'" ..,.(G) (E7) (A7) (Am7) D7)~~I t... -fly """-- fly~~ ......ick I-- ~f t... ~-;~ 27 ~-I ~ ~~ ~ ~ : : :: ~~ -I rD. i'ii ~ ~ - - - - - - ~G) x x (Am7)(D7) (Bm7) (D7) (G) (G)

Swanee Butterfly -3


14/34

12 BY THE LIGHT OF THE STARS

VOICE,VIOLINor MAND.

(Tune Uke a semitone higherif played with Piano.)Moderatom l WSONG By GEORGE A. LITTLE,ARTHUR SIZEMORE

& LARRY SHAYArr. by E. T. Romederm t ~ M~UKULELEACC.

_ f } ~LLt) Sand I Sand -man man< 1if ~and - man Sand - mann ut ~t) g : : : : 1I .. 11 o ~ ~ . . ~ g: :: 1 .. . . o ~ 6 t t~ ; A :

(D) (G#-7) ,(A7)A7) (D)

n ~I, t) I 'I .' I schemecon - fess dream con - fess< hon- est - ly it seems Ev - 'ry star that beamst fl ~tJ o :ij ~ 0 1 ' 1 . . ~ 0 : : : : :: :: ~:ij :ij o t f : i . . : : : g: ::::. .(Em7) (D) CD ) (Bm7) CD )A7+5)A7+5)n ~t , ,tJ Sil -ly it may seem I know you know dreamsmaynot come

'fl ~Fills myheart with dreams Some sad some glad some that caritcome~

-f}-tJ 2 '" 2"11 o . o . ~::::::.~I'I~ g : : . : 1'"11 11 0 . . . . ~ tt . :~:~ ~ ~I'!~ . .(Em) (F~m7) (A7) (D) (D) (A7)ll~

t tJ true Still you start ~e dream-ing and I know, n ~ true Wodt you tell me Sand-manwhat to do.-

to if ..~W ~ : ti "II -i . . 1 1 1 ' " I I . . . "II L _ : : : . . ' 0 I . o l 't t . : ~~"(F~7) (B7) (E7) (A)CHORUS m l 0 0fl ~ ,

I , t . > I - - You'rewithy the light of the starsfl ~. P I p-f'- - -~) 0" ~tT~ ~::, , , '1 .: . ; . . : : : 2 - I -I - I ' O t t . ~ 0 : : : : . : : ~1 -I 'I ~~ o : e. .(F#m) (A+5) (Bm7) (F#m7) (A7) (F#m)A+5) (D) (Bm7) (D) (Bm)Bm)

Copyright MCMXXV by JEROME H. REMICK & CO., New York & DetroitPropiedad para la Republica. Mexicana de Jerome H. Remick & Co., New York & Detroit. Depositada. conforme a laJey

ALL RIGHTS RESERVEDMADE IN U.S.A. International Copyrt'ght SecuredIKCU;DING PUBLIC PERFORMANCE FOR PROFIT


15/34

I f l ~ ....t, '-' - u .--ume and Iin with you Tho' I dream


16/34

V 1.1. O.I-i1 IUU 1v-r~lu-t11By HENRY CREAMERJOE SCHUSTER andLEON FLATOW .Arr. by _ E . : r . Eomeder

(Tune Uke one tone lowerif played with Piano.)

VOICE,VIOLIN (OR MAND.,

UKULELE (ACC.

Moderato0 0 m l m tu~t.- Lit-tle Min-nie Hood I .1 '- Isev-en-teenand

1 1 i f . Tommywas so shy ~ xer-y ver-y, ) _ ~ - pA-tJ 0: : ~+t~ 0 ~ --. : 4 i( ~ ~ ~ g : : : : o f l ' ~ ~ ~ : : : : : t : : : : r~ til .. til(D) (F#m7) (A7) (D) (E7)(At5) (0)flu .u Lovedher lit - tle friend Lit-he Tom-my -~ To!ay herood boy Woodshy ~ And he said "I'll see you may-be by and by" "MinI'waif- edf } u - iU -i I -j'j'j j o ~ o ~ o ~ g - l )~ .; o f l ' : i ~ 0 : : ~ : : ipl ~ :: : ~ . : : :: o~ :i ~ ~1 1(A7}(Am7){A7) (G) (A7) (A.5) (D) (Bm7) (D+5) (Bm7) (0) (A)

f } u~ ~eo-plewenta J way ~ called him on t l 1 w tel-e-phone to sayo shequite a whilein vain Thenshecalled him upandbegg1ihimoncea - gainf } u ~ -Ju i'" - . - . i 0..... [.1 "i til "N . ~ ~t 1~ 0 1 1 : : : : Q ~ X : ~I -I ~i 21 o.t~0 ~ b l ' + t : : 0 ~(A) (G#-7) ~F#7) (Bm)(F#7) ~Bm7) (F#m7)ffim7)(Bm) (A 7) (G) (A) (Om){F#-7) (A7)

CHORUS~ lml u - - - - -u Oh say! can I see you to - night There~ll be no-bod- y home.,f } u P P-j', A l~ _ = t -u o ~ g : : : : . : : : : : : : : : : ~~ . : : ; : : : : : : : : . _ _ _ , . : : 1 ' . . i '4":;: :i 6 + t : 0 : :. . . 0-41

(A7) (0) (E7) (A 7) (F#-7) (A 7)D) (A7)

f } u _l_- - - -J \yJll be there all a - lone Oh say! I- canf } U >- ~ ~.> :

tJ o . ~ i"-. "iI o ~ ~ ~+t: 0 : : ~~ . l> +t~ H - . til -j i -. oj 11 6 + t : : :(E7) (F#-7) (A7) (Em) (B7)A7) (B7)Copyright MCMXXV by JEROME H. REMICK & CO., New York & Detroit

Propiedad para la Republica !lIexicana de Jerome H. Remick & Co., l'i'ewYork & Detroit. Depositada conforme a Ia ley\J\DE IN U c :: A l ALL RIGHTS RESERVED Itt' t c . ht (Y d. ...' '.. . 1l~ .C J,Y]) IKG PVBLlC PERF()R!\lA~CE FOR PWlIT II erna zona t-opyrz.g sec-urea


17/34

J

I I I ICall a - round a-bout nin _>- ~~

_ 1 _ _ 1 _

seeyou to-nig~tA _ ~ ~v~ry - thing will be f~ne_

~(A) (F#m7) (A7

f l JJI ..ItJ .Ma's r I Iin the coun - try so far far a - wayWell spoon to - geth - er and when we are throughGrand - pa has mot - ored to where he was born~ f l j J ,tJ ~~ :: ~ : : . :: :: :: I r = : ~i i "I - I - t i ~J :: O i l ~(D7) ~D7"5) (G)fJ JJ

~

.It) Pa's I I Igone' to Brook-Iyn to buy a load of hay Hey!Yorrll play the rec - ords and I'll fix "tea for two" Hey!( He's got a Liz - zie that cant get back till morn Hey!f l JJ A ~

\.tJ 1 ... oj "iI i iI "i 11 iI o '~ ~ "I ~tt~ 0 ' ~ ~(E7) (A7) o(G) (F#-7) (A7)

' f l j J , 'j -=-tJ hey! can't you . . , all . hi Oh say! Iee Its rIg t., can

f l JJ !"- ~~- = = : itJ g : : : : ~ :: :: :: :: o . ~ ~:: : : : : : : -: : : : " : ' . . : : : : 0 : : :~ o .-6(D) (A7) (D) (A7) (D) (F#m7) (A7)

f l j J , , U see you to - night f>- -night< :~ AfJ JJ r- = ~ , . . . .I t) 0 : : : : O . o ~ ~:: : : : : ~ : : Z l l J~~ 0 6 0 : : 2~ i i o ~ g~ : :(D) (F#m7) (A7) (D) (Bm7}(D) (Em7) (Gm) (A7) (D) (Em7) (A7) (D)Oh Say Can I See etc - 2


18/34

JO EV'RY ONE HOME IS ASKING FOR YOUSONG

(Tune Uke one tone lowerif played with Piano) By GUS KAHN andW AL TE R DO NALDS ONArr. by E. P o Romeder

VO I CE ,VIOLINO R MAND.

1 1 a l s e m o d e r a t ot ! ~ O O M

UKULELEACC .

'J u . .~ I two old friends Isaw meet __I heard some- bod - y say __

flu nif i"""' p i"""'. - ~-~ ~I ~= ill.!: gt .. 0 :~ : ~-I ~~ 1 ~~ ~11~,: ~ ~t ~i ~I0.. t1~ 2 2 2

(G) (Em) (G)

~flu . . .

,I .

Here on a bus streetI

01

'd"I' 1 just been- y ne sal ve- lin go-ing back one day Some-how I nev - erfl ~ , . . . ~~'- 1 2 1 1 ~ " - t ; ~ ~t 1"~ . . .:: . s: g ~ ~l~"j gt ~t~j gl o . s: ~ o ~ :~ :~ :~. . . . . . . .

(D7) (G) (Em) (G) .CErn)(G) (A7)

fl.u ===--. .~ down Down to our old home - town 1 just gotknew They ever missed me too Isim-plyI'l ~ ==-- ~

il

~ ~:i ~~~~ o ~ :i ~ o . ~ . _ gift, g : gt ~11 ~t 1r . ~l~Io ~ ~ r l .(A7) #


19/34

CHORUSfm~Ht . ..~ 'k . .! . Why don't 1Ev' - ry - one home is as - rng for you you

~~ p-.ft ~ t.. ~. . i . . g - l - = ~ . . 2 1 ~~ o : i ' o ~ . : : . : : : ~r~ a t ~~ ~1..(G) (G) (G7) (Am7) (Am) (Am7) (em) CBm) (D7) (Bm)I')~

~ ~. .

'. -drop III and say "How- dy do" Your moth . er cries ev'~ ryfl~ 1 ,t.. g: g ~ . ~ ~~ ~t g: ~t ~j a t ~t- z - i " 1 1 it. v " ; .. ;i~ :.(D7) (Em7) (Em) (G)


20/34

IF I HAD A GIRL LII{,E YOUSONG By BILLY ROSE,

MORT DIXON andRAY HENDERSONArr. by E.T. Romeder(Tune Uke one tone lower

if played with Piano)

VOICE,VIOLIN

OR MAND.

Moderatom tUKULELE

ACC.

I f 'l ~ - = = = = "

\ @ ) Sweet - - hearts make) I'd be sof 'l ~ llif l"- F,_.f\ U ~::~ : : : : .: ~J J ~~ o t T . ~::::.: : : .: rlt~ ~::(D) (G) ~F#7) (D+5)D)A)f'l ~

-U I I . _ _ _ _ . . . . .love in the park r- They hide a - way in the darkhap.- py and glad r- I a run a news -pa- per '~d~f1.~ ~ ~~ , . . . ~ ;L_

@ ) ~I,-=:: 1 . o - : ; J . ~ - J " -" ; t J 2. ~1 o ~ :4 j ~ ~ - = - = _!: '_!: _!: ~t g _ : r - - -o ri ~ . . . oj 0.... .~A7) x (G~ (A) (G) . _ _ _ _ . . . . .(D)Em) (G) (A7)

r t ~u '--"' -I keep won - der - ing whyWith a pic - ture of Us

1 '\ ~ _ . . - . . . . ~ - - = = = = =- ~\

@ ) ~ : : ..:: :: : . : flt~ _ _ _ _ _ _ . . . ~ ~~ ~ ~ ~t1~J I1* : : . : 2 i "iI ~ if ': ::(Bm7) (D) (B7). q (B7)G) (Em)

.'. I I IThey're so ter - rI - bly shyMak - ing love on a bus~. ~~ ~ _ _ .,_\ tJ ~i " ' i l l ~'~------j Yj ~t J o " : i .= :j ~ ~ ~ ~ ~ - . o .. .(Em) (G~ (A7) (Em) (A7)G)Copyright ~{CMXXV by JEROME H. REMICK & Co.,New York & Detroit

Propiedad para Ia Republica Mexicans de Jerome H.Remick & Co., New York & Detroit. Depositada. conforme a lu leyMADE IN U.S.A. ALL RIGHTS RESERVED International Oopyright SecuredINCLUDING PUBLIC PERFORMANCE FOR PROFIT


21/34

/ ~ ~\ t: IThey look so fool - ish to meYour oth - er beaus would ex - claim , -f ~ - - - = = = = = = = :;::,..~ ~ -~ g : : ~ : : ~ : : 1~~ ~ ~~ : : '" . . . : : : 1 . o~ ~~~~ 1.. g : : 8 I .:j o l:j(D) q (A7) (Bm7) (Dm)- - - - - - - - - -(G)D+5)~ ~

I @ . r d I dif fr-ent ly ;act - -"Oh my! what a shame"fl ~ ~

~ tj "iI "iI iii t iii iii iI i o ' ~ .~ :4j . . : : : lPii ~~~ . . 0 : '(E7)CHORUSm 1

(Gm)A7) (A7)

1\ ~ _ - - - - .' @ . If r had a girl like you r would - n'tIf r had a girl like you r a be sofl ~ p P-/ l""-.tJ b H ~ ~ ~ ~ b H ~ : : o ~ ~ ~ . . : : : 5~ ~ ~ . . : : : :i - ii o ~ ~ . . : ;. . . . . . .(F#-7) (A7) (F#-7) (A7) (F#m7) (A7)fl ~ - - - - - - - - -tJ t'l'the whole r d Icare if wo;rld knew go allhap - py r a go cuck - 00 r d tell eachfl ~ I"'"-

@ . J g : : :: o ~ o ~ ~I'~ .: :: ~ :: .: .: : : .: .: .: : : . : :(D) (D)A7) (A7+5)

/. ~ ~\ @ . t'ell - ing I ,0 - ver Tom and Dick and Har - - ry) dan - de - lion and .daf - fo - dill and dai - - syI'l u , . . . . . I ~f - ...f) ~ : : . : : : 1 iI 1I 1I 1I o :i ~ . . : ; ~ . : : : : - = :i ~ ~ :i. . . . . .(G#-7) (A7)If I Had A Girl Like You- 3


22/34

I') ~ ."Meet 1 I. 1 I'm 1 Idhe lit - tIe glr gon - na mar - - ry""Come a - long with me 1 m go - ing era - - zy" Id~

\. t. ~ ~ ~ :i .: ; ~ . . g : : : : :: : : :: : : : : : : ::. . . (D)'I ~ ~t. with big brass band And buy dia - ,11,-go a a mond foi

fly in a big bal - loon And write your name all a1 " 1 ~ -tJ o ~ :i M + : : .: Q , ~ . . . . .i o . ~ :i .:; .: ; .:; 0 . . ~ ~ g : : : : ::11'~. . . . . .(A7) (F#-7) (A7) (D7)A7) (F#m7)~ ~ - - - - - ,1 -t. your . left hand I d let a hun - dred mil - lion-round the moon Up in a bam - boo tree Ia

1 " 1 . ~ ~tJ - g l l : : :: : : :: ~t 1J t J i J . . . . ,. . . t "'~0..

(D7) (G) (A7)

\ 0 " -U J. 1 . ~ 1peo - pIe know By tel - e - graph and ra - di - 0 If I had a< flit and flut From eo - eoa - nut to eo - eoa - nut If I had a( 0"\. tJ ~. . . : : : : ~t '1 'iI 11 "I o~ o ~ ~ o = i 3 r r ~ o " ' : i ~ ~ ~"(D) (Bm) (G#-7) (Dm) (A7) (F#m) (C#7) (A7)

'l_ ~\ v girl like you you< . girl like you you( ~ " f , . . . . . - I t . .t. ~:: g : : o:i :i g:: 1 '1 . 1 'iI . . o:i N':; ;c, -:' ..; g : : : : :: 2J ibt ~-: ::.. 0 .. . .(Bm7)(D7) (A7)If I H,ad A Girl Like You - 3

(D) (Bm7) (D) (G) (Gm) CD)G#-7)D) (A7) (Am7) (A7)


23/34

SOMETIMESONG

(Tune Uke a semitone higherif played with Piano.) By GUS KAHN aTED FIORITO.Arr. by E. P o Rome0 0 t m ~VOIC12 ,1VIOLIr~ORMAND.

Moderatom t 1 mUKULELEACC.

~ ~ "I

You're all a - lonell!l, Some - time the moonI f) ~ p

\ f) ~:: :: ~i ~ 1 T ~ oj oj g : : '~ K~ ~ 1 T '-ij ~ '~. .D) (Bm) (Em)(D)

~: I iYou've I The I er'sev - er known touch of' a lov -,,'Shin - ing in June Will smile from his nest ai f),~ _\ .. ~ ~f~ ~ ~ , ~ q 1 f : : : : : : ~i iI i ~~ ~, o ~(F#7) (Em) (F#m7) (A7)(B7)f) U I.. .f). - -

hand Af- ter a while Some - one wi l- bove H~ll see a pair Wan - der - ing.f) u'lJ 0 : : ~"I ~:: 0 : : g - l g : : 0 : : : : ~-I ~ 1 T oj _ . '_' i~.,~.: ; . . : ;. . -;II(D) (Bm) (D) (Bm) (D) (Bm)f) ~/ . .

~.-

t . . J I I - .. ,smile Some - one will un - der stand) there You and the one you lovef) ~f .,\ b : : i i o . ~ ~ IPi o ~ 0 ' : ') b '1t f : : :: i 'i i i -j o~q (B7) (E7) (C#-7) (A7) (F#m) (~A7)Copyright MCMXXV by JEROME H. REMICK & CO., New York & Detroit

Propiedad para Ia Republica Maxicana de Jerome H. Remick & Co" New York & Detroit, Deposi tada conforme a la ley:MADE IN U. S,A. ALL RIGHTS RESERVED International Copyright SecuredINCLUDING PUBLIC PERFORMANCE FOR PROFI


24/34

CHORUSf ml u ~ - I ISome-time to ev - 'ry lone - ly one, . , II O B BL IG A TO fo r V iol. or H a nd . _-:u o . . .. : . _ . . - - - Ifl u

P-f. u ~:: :: :: o~ -= i g : : ~. . o - = i ~ - J - t ~~ ~ - =D) (F#rn) (G) (A7) (G)A7) (G)D7)J fl u .U ~ v ~, , ., Some - time some - one comes a - longII r-,..... ,.._.J u ~ '--Z :i:fl u

~ 0" ~-t g : : g i i l P i g : : ~i g : : 0 : ; 1 ~ ~4(D) (Brn) (D) (G) (Grn) (A7)Brn) (D)D)

Ithere is an on - ly Ioneome - where __ +-_ =Q. . .-------. - - - - - ~ - - - - - - - - - - - - - - ~ - - ~

(A7) (G)G) (A7) (G)

fJ ut:J ~. -~ ..Sing - ing love's old song The) ,., u , . . . . . . _ -I ~ .-....;:_ _7 ... 0 . . . : : _" " . . .f-"fJ u Iu g~ ~i g : : o : i ~ ~ g~ : : :: g : : :: : :(D) (Brn) (D) (D) (Brn7) (D)A7)Sometime - H


25/34

I _ f J ~ . '..U I . . . I I r . . . . ., gray skies a bove you WillII ~ - - ~ . ' L - - - - - -U .TIf J . I J .

\ V o~ 4 ~ ofT~ ~ ~ i~" 'iI " 'iI ~fT"~ ~ . .. (A+5) (E7) (C#7)f } . I J . .U . . . --- . . . . Ichange_ to fair - est blue.," .~ -. .~ L J I ~- -fl . I J . ..u o ~ ~ ~., ~fT'" . . . . .o ~ ~ ~fT"~ N'1"::: . . ~-II(F~m) (C#7) (C#7) (A7)F#m)

f } ~ .~' I I I, Some - time Some - one will whis - per "I1t. ~ -, ~ ,",. . . . . . . -f } ~

'tJ g : : :: : : 04 ~ g : : ~1 , . : , . - = ~'I ~'i o ~ ~1i '4(D) (F#m) (G) (A7) (G) (A7) (G)D7)_ f J ~ . u C


26/34

SWEET GEORGIA BROWNSONG

VOICE,VIOLINor MAND.

Moderatof mBy BEN BERNIE,MACEO PINKARD an,KENNETH CASEYArr. by E.T.Romeder

UKULELEACC.

fl ~ I.. _...--..._\ u , . , I r IShe just got here yes-ter-day _( 7llp Brown-skin gals you'll get the blues,fl J J >- ~ p -- - - ~\ ~V 2 " i 1 1 1 1 1 1 1 1 1 t J ! l ~ ~ - - : : : : ; . 1 1 1 1 71 - i l l tt~ : : : :~::

(Em) o (B7) (Em)

f l _ u I..u r I r

Things are hot here now they say_ There'sBrown-skin pals you'll sure - ly lose_ Aridfl u z i 1 1 - . j b f t ~ :: . : : _~ - : : 1~. j>--'j iI

(Em) (Em)CB7)

f ) U lu r I - _ _ - r- a big change in town Gals are jeal- ous_ there's but one ex - cuse Now I've told you

f ) ~ ~ . - - - b~': : : :i 3 - = ~ :: ~i .---j .. 1 1 ' "i '-'. "jI "iI j i "iICB7)


27/34

25

(J w ~ Sweet I !sweet Geor- gia Brown AndHand this gal her dues This(Pick) (Pick) ~ -f 'J w >- >- ~ >- >- -' o ~ :i~-i i 1 i 2 ' " 'o=i =i ~. ~:: 1 ~.::~ 1'1'1 8 : : : : : ~ 7 ; g : :

(A7) (D7) o : of 'J w-- ' . h .._____/" . ' Iev - er smce s e came.; - The col- ored folks all claim Saycol-oru maid - en'sprayr ; c- Is an-swerd an - y - where Sayf } w ~ --, , I I >-~ :: :i :: ~ . : : -~ 1 ' 1 ' 3 8~~-1 :: : : : :: 2 o fT 8:: & ~ ~(Am7) (Fm)(1st three strlngsj.D7) (B7)CHORUS9~ I~~ . . .- . _ _ _ _ . . . . - I" r bn sweet G~or-gia Br~-o gal made., has got a shade.,I fl w - p-,t , _ - = - = >-

~ ,. .J 1. ii 'jI'jII ill 'ill ' til "'i II 'iI 'II' .- 11 r j.(E7)

f 'J lJ . . --' - - - - - - - - bh r r I -Two left feet ,., but so neat_ has Sweet Geor- giaBrown-f } lJ . - - . o = i ~ = i : i =i =i =i:~ . : : : . : : : ,~. 2 0 2 o~._ - = i i , = ii(A7)


28/34

:w-'1 1l .,. A trt;.I .tJ I --..___- I

< why you know., I don't lie Not much!f) ~ >- ::~ >- >- ~~ ~ r-:~ _ ,....-:. - - ,f . ~ r-. - ,tJ 21: t f - - - J 1 .-:j ' U _ : j " " L ' : : : '~I 1 I r - - J u2 i 1 1 ~~.:f 3 ~~f-'~ ., 2 ~:i 0. qi(0) ~

It's been said., she knocks emdead., when she. lands in town r-Allthose tips.; the par - ter slips., to Sweet Geor-gia Browu.; -f) ~ l " 1 l i ~ I :>n J 12 .. ii 'i ' i l l . . 'ill iI 'ill "j'1I''iI "iI 'ill ii.... i,rj.(E7)

/ , .f J ~ . \ .tJ . . . _ _ _ _ . . - - ~, r r I - I .r' ISince she came _ why' 1 s a shame , how she cools 'emdown- Fel-lers_( They buy clothes; at fash-ion shows, with one dol-lar down- Oh Boy_f) ~ . . . = = t ; : : : >-J o=i = - = - = - :;jj : : i .:;~ - : = 4 j :j =i ~~~ 2. 'iI~i'iIjj ..(A7) - >-f - . . . .u i o t l , t .,____..-~ ill ~:i = i vo :: :i ~J J ~~.:i 201 : 1 ~ - 0 = 4 :g~~l(E7)-'"Sweet GeorgIa Brown-3

(0)A7) CD7) (B7) .(0) CD7) (0)


29/34

VOICE,VIOLINorMAND.

UKULELEACC.

flu II - _...--.._ I.IJ "Your pres-ence is_ re -We all went to_ the~ u n!f ' > . - - r\ 1\ P . . , _~ tJ ''I1 'x V x oD'rl'~ .~~ :i :i~ g : : ' ' I 1 ' x x g : : -:; ip;~DUN'!, tll


30/34

2R

f J ) ) , I\ ~ I I theres Iall be treat - ed right But a wild and~ ~.ow the boys did stare But when she did ther\ ~ (Pick). .~ 6i q - J . ~~ O J g : : : : : i1 3 ' : : ..t- ~~ ~ Tj -i(A7) (G) (A7) (D) (A )

Iinthe

I,cantgot

Iwo - manhu - la

Iwool -hu

viteair

YouThen

NowNow

ly- la

boysshe

o : i(A)

f-l(Bm) --) f'i(E7)o = i 2 - " " i l l 1~(A) (Em7) (F#7)CHORUSm = t ~ m ti)),

/ \ ~ .You can bring Pearl shes a I don't 'tdarn nice girl but bring Lu-Iu~ ~.You can bring Nan with the old dead pan but don't bring Lu-lup-f (Pick),._ ~ ::::-4t. -~ :: :i :: :: :: :: :: :: :: :: :: y'll~ " " i l l ~=i ~ z-t~(D) (Bm7) (D) (Bm7) (D) (G#-7) (A7)~l~~

l ~ I .You can bring Rose with the turned up nose- but don't bring Lu - luI You can bring Tess with her "No" and "Yes" but don't bring Lu - Iuf})), r-- ~ I 0 0 4 . .~ ~ .. ; ~ . . . ; ~ .. ; . . . ; ~ :i ~ ~ ~ ~ ~ 8:: ~ ::: 2::: ~~. . . . . . . . . . . . ::j _ . (D7)

c ~ . \ I I I I, ~ T don't I"Luv lu al-ways wants to do What we boys want her to< Lu - lu has the red-dest hair Red- der here and red - der there( ~. -g ~ J i -t - J 1 ? - J 1 (b~~~i r -~1 I g~ - : : : : ~R: ~ .JI : ff ~ -~t-4t. ::j. 3 ...(G)

Don't Bring Lulu-31 0Gm) (0#-7) (D) (87)


31/34

~ ,u -I I I.\ ~ I don bridge is fall - ing downhen she struts her stuff a - round Lon -) How can we boys keep our head Bulls go wild when they see redfJu ~ ~f . . J t -j . . . iI " " i l l " " i l l . . . r ! : i . 0 - = i i..i . . . . "1 1 o ~ :j :j. o ~

29~

#(C#-7) (E7) (A)

f J ' u i\ u .I I. don:tou can bring cake or por - ter-house steak but bring Lu - lu< You can bring peas and crul-lers and cheese but dont bring Lu -Iu~n. !-- ,_- (P~)(PiCk)

,~ ~ :: :: .:l : : : 0: : :: :: :: :: : : ~ 1"'~ "1 1 o ~ . . . : : : : z - o t D i.:j(D) .(Bm7) (D) (Bm7) (D) (A7)

/lfJ~.u~~~~~~~~~~~~~l~~OO~~~~~~~~~~~, u Lu _Iu gets blue and she goes "Coo _~" Like t h eGIve her two beers and she tears por.tiers And she( n . . - . - . -

tJ.

clock up - on thethrows cups off the

shelfshelf

(Em) (Gm) (Bm7) (D) (B7) (E7) (A7)

f J . u ,.../ .\ tJ Shes the kind of I I I t ymart - y 'Who breaks up ev - 'ry par -( When she loves with feel - ing The boys all hit the ceil - ingfJ.u ~ ~tJ ~ " 1 1 -iI "1 1 -i i b 1 l l ~ . . . . ~ 1 1 1 "1 1 g : : :: :: : : : ~ H : : . : : t ~ o ~

f J .u ;..:-....~ I , I I'll bring her my ~ -self_ull-a -ba 100 100 Dont bring Lu-lu self

Hull-a -ba 100 100 Dodt bring Lu-lu She'll comehere her self -self.L~u ,,_.. ~- .IV g : :: :: ~i g : : t'~ -j II "1 1 ~ : : ~ 1 IQ : j 0: ; u ~ o ~ = i i ~ ~ ::(D) (Bm) (D) (D) (Em) (A7) (D) (A7) (D)

Don't Bring Lu l u -3


32/34

.LJD..L (J VV.til".LJ~.K AWArSONG

(Tune Uke one tone lowerif played wi th Piano)

By EARL BURTNETT,HARRY OWENS andPAUL ASHModera to A rr. by E. T. Romeder~ ~ ~ tmOICE,

VIOLINor MAND.

UKULELEACe.

fl 1 .1I t. J There is a love-land made forfl 1 .1 1 1 1 f >-~ POut where the days are ne~ - e~I

ItJ ~II..I ~:j:~:. ~. g : : ~. . ~ . . . . 2 - 1 g : : ~1 ~ . . ~(G) #mrn7) (G) (F#7)A7) (Am7) CD7) (G) (Bm)

fl 1 .1~ lov - ers_ Out where the iun-light al - ways beamsi--fl 1 .1 drear - y Out where the skies are nev - er gray- -~ .~~ ~ ~:j ~ .~ . g : : -11'11 11 r~ J i l l :: : : 2 - 1 -I 1 - 1 II 1Ij(Am) (D7) W#-7) (G) (G#-7)D7}f l 1 . l _I~ Let's - T- steal a - way from all the oth - ers_We'll find our hap - pi - ness my Dear - ie_f l 1 .1 - -

~ O l l . ! i l ! -~ : : : : ~ ~-I ~I -I 2 - 1 - I . . f P i - - 0 : : :: ~ -I t:j (G) (Bm J (Gm) CD) (Bm)fl 1 .1I t. J I And find this gar - den that's built of dreams- Out there where hearts are for ev - er gayr . . :t.. - ; - I o~ : : ~~ ll11l1~ .~ g ~ : : '1 ' 11 1I g i l : :CHORUS (Bm7) (E7) CD7) CD7}G#-7)A7) (A7)fl Jj

.U Q I (jI I QpT~ some land :> out yon - der Letsfl 1 .1 ~ r ; ; P-l' > >- >-~ g ~ ~-I -I .; -I 2 i 2 1 0 : : :: ~-I . . I I 2 - - - ~-I -I -ICD7) (Em) (G>G) (Em) (G) CD7) (G)Copyright MCMXXV by JEROME H.REMICK & CO. ,New York & Detroit

Propiedad para la Republica Mexicana de Jerome H. Remick & Co. New York & Detroit. Depositada conrorrne a la leyMADE IN U. S. A. ALL RIGHTS RESERVED International CopYright Secured

INCLUDING PUBLIC PERFORMANGX: FOR PROFIT

:yj;":- _"


33/34

31f l u -

~ I - won'tan - der a - way We stop>- >- >- >- ;~ >-fl u')r-~ g : :: ~:j g : : o ~ 0 : : : : :: g : : :i ~:j g~ ;::- g : : i~ - ~ .. 0 . :j

(Em7) '(E7) (Am)

f l u - - -, ~ to pon - der Just, wan - der a --~ u >- >- >- I >- >-I -~~ . . . . . . = 1 .. - o ~ ~:i~ ~ - = ~ 1 ~:i~ ~-I -I--It ~i ~. . ~~ :. o~f J u .~ rt t.J I I~ love landc., where skies blue.;way - f- aref J u >- >- >-t ; r -

t . . J ~-I I 2" ~I 2 - ' 2 1 2 o?; 3" -ii ~ ":: : : :: :: l' t~ ~ ~I v.. iYlI

(G) (Em) (G) (D7)

(G) (Em) (G) (Em) (G) (G'i) (C) (D7) #(c#-7) (Bm) (Em) (E7)f J uI -~ - dr~ams comeLet's make all_ - our true ,.,- Where~ U >

~ I- i . . . - . . . ~. :j i 'til -. g o : : : o:j :j o :j :i g : i : : ~~ g : : ~ ~:i::(Am) (E7) (Am) (A7) CD7) #(D+5)f J u ..,

~ fond hearts , "" J L~t's->- grow fond - er wan - der_f J u >- > >~ ~-I -I -I .. 2 - ' ~1 g : : : : ~-I I .;'I : 2 . . ~I .... ~.i :: :: : :

(Em) (G) (D7) (G) (Em) (G)G)

f J u - - - -\ ~ I - a - way To -wayfJ u >> : : : : >- >>_ > ~~~ ::::~:i 2 1 -I ~-. 2 -1 o :j :j ~:: ~ ~. . . . -I 1'2-' 2~ I112'fm

,Let 8 .Wander Away _ 2 (G) (Em) (G) (A7) (G) , (Em) (G )


34/34

Dpn't fail to getTH E R EMIC K COLLEC TION S

OF POPUL AR SON GSwith UKULELE accompanimentand directions for playing

No.1CONTENTS

Directions for Playing the UKULELE, by ZARH MYRON BICKFORDI Can Hear the Ukuleles Calling Me Down HOt:lolulu Way,.There's Egypt in Your Dreamy Eyes Mammy's Little Coal-Black RoseAnd TheyCalled IH~i;

remick collection popular songs w uke acc. no 6 (1926)

Documents