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F I N E A N D A N T I Q U E J E W E L R Y A U C T I O N

S U N D A Y , D E C E M B E R 6 , 2 0 1 5R A G O

G R E A T E S T A T E S Saturday December 5, 2015 at 10am

C O I N S & C U R R E N C Y Saturday December 5, 2015 at 5:30pm

F I N E A N D A N T I Q U E J E W E L R YFeaturing the Collection of Dora Jane Janson Sunday December 6, 2015 at 11am

F I N E F U R S – O N L I N E O N L Y A T B I D S Q U A R E . C O MRegister online or at the auction house Sunday December 6, 2015 at 6pm

P R E V I E W S :

November 28 – December 3, 12 noon–5:00 pm • December 4, 12 noon–7:00 pm • By appointment Doors open December 5/6 at 9:00 am • Preview online at www.ragoarts.com

“The Triumph of Design: Modernism & Elitism in France, 1914–1939”

Derek Ostergard, renowned expert in the history of European decorative arts and design

Wednesday, December 2 at 6 pm

The auction house opens on December 2 at noon. A reception begins at 5 pm.

RSVP to 609.397.9374 ext. 119 or [email protected]. If you unable to rsvp in advance, please join us if you can. All are welcome.

I M P O R T A N T N O T I C E T O A L L B U Y E R S :

The buyer’s premium for each lot purchased is 25% on the first $200,000 of the hammer price, 20% on the value between $200,000 and $3 million.

For purchases made in the room or by phone or by absentee bid and paid for by Visa, MasterCard, Discover or PayPal: A 2% surcharge will be added to the total invoice (hammer price, buyer’s premium as above, any applicable taxes).

For purchases made through any online bidding platform, regardless of means of payment: A buyer’s premium will be applied to the hammer price of each lot equal to 28% on the first $200,000; 23% between $200,000 and $3 million.

A U C T I O N E E R ’ S N O T E S :

If you have questions on the condition of a work, we would be glad to provide our opinion, but all works are sold according to our Terms of Sale. Please call the Auction House for complete condition reports if you cannot view in person.

I M P O R T A N T I N F O R M A T I O N F O R P H O N E B I D D E R S :

Rago guarantees you a line and a phone agent for bidding until 4 PM on the day prior to an auction. After that time, we will gladly accept your absentee bids, even during the auction (up to 30 minutes before a lot goes on the block). Changes to bid lists left with us prior to the deadline will always be accommodated as best we can, as will follow-up phone bids for those who attend/must leave the auction and other exceptional cases.

O N L I N E B I D D I N G A V A I L A B L E A T B I D S Q U A R E . C O M and other aggregators

C O N D I T I O N R E P O R T S A R E N O T L I S T E D I N T H E C A T A L O G U E :

Up-to-date condition reports can be accessed by:

• Going online to www.ragoarts.com – all available condition reports will be posted along with the lot descriptions.

• Calling us at 609.397.9374

• Faxing us at 609.397.9377

• E-mailing us at [email protected]

• Speaking directly with us on the phone or in person, at the auction house from November 28.

C O V E R I L L U S T R A T I O N S : lot 1012 (front), lot 1381 (back)

C O N T E N T S :

Fine and Antique Jewelry, lots 1000–1520, page 1

Fine Furs (online – bidsquare.com), lots 2000-2038, p. 184

Terms of Sale, page 188

Auction Staff, page 192

Shipping Information, page 193

Condition Report Form, page 195

Absentee Bid Form, page 196

I N Q U I R I E S / I N F O R M A T I O N :

Specialist in Charge:

Sarah Churgin 609.397.9374, ext. 162 or [email protected]

Specialist:

Katherine Van Dell 609.397.9374, ext. 149 or [email protected]

Partner in Charge:

Miriam Tucker 609.566.7224

Absentee Bids:

Eliane Talec 609.566.7225 or [email protected]

Telephone Bids:

Guy Benthin 609.397.9374, ext. 124 or [email protected]

Condition Reports:

Robin Harris 609.397.9374, ext. 119 or [email protected]

New Bidder Registration:

Eliane Talec 609.566.7225 or [email protected]

Payments / Shipping:

Karen Davies 609.397.9374, ext. 145

Catalogue Subscriptions and Single Orders:

1.866.724.6278 ragoarts.com

Auction and Exhibition Information:


Up to the Minute Information:


Fax Line for Bids/Condition Reports:

609.397.9377

E-mail for Bid Forms:

[email protected]

1003 1010 1013 1025

1090 1107 1134 1140

1151 1160 1167 1185

1205 1229 1235 1280

1369 1380 1389 1392

1412 1426 1427 1499

C O M M O N A B B R E V I A T I O N S :

Carat(s): ct(s).

European-cut: OEC

Gold-filled: GF

Grams: gs.

Gross weight: GW

Karat gold: k

Millimeters: mm.

Old mine-cut: OMC

Ounce(s) troy: OT

Pennyweights: dwt.

Platinum: pt.

Round Brilliant Cut Diamond: RBC

Rose gold: rg.

Sterling: sterl.

Total Weight: TW, listed in carats (cts.)

White gold: wg.

Yellow gold: yg.

C O N V E R S I O N S :

1 carat = .20 grams = ct.

1 ounce troy = 31.1 grams = 20 DWT

G L O S S A R Y O F P E R I O D S :

Georgian: (1714–1830)

Victorian: (1837–1901)

Art Nouveau: (1890–1905)

Belle Epoque / Edwardian: (1901–1914)

Art Déco: (1918–1939)

Retro: (1935–1945)

Antique: (more than 100 years old)

T A B L E O F C O N T E N T S

Buccellati: 1279, 1280, 1282, 1289, 1290, 1292, 1293, 1296, 1297, 1298

Cartier: 1071, 1078, 1205, 1347, 1356, 1363, 1376, 11427, 1429, 1430, 1431

Chanel, Coco: 1287

Colonna, Edward : 1014

Dunay, Henry: 1249

Giuliano, Carlo: 1004, 1005, 1148

Hermès: 1481

Jensen, Georg: 1042, 1047

Lalique, Réne: 1003, 1008 (attr.), 1013, 1049

Leiber, Judith: 1512, 1513, 1514, 1515, 1516, 1517, 1518

Loloma, Charles: 1231, 1232, 1234, 1235

Marcus & Co.: 1010 (attr.), 1016, 1017, 1018, 1257A

Schlumberger, Jean: 1201 (attr.)

Tiffany & Co.: 1027, 1062, 1110, 1158, 1160, 1201, 1206, 1265, 1281, 1300, 1336, 1355, 1359, 1390, 1394, 1396, 1399, 1454, 1456, 1457, 1468, 1475, 1487

Tiffany, Louis Comfort: 1023, 1024, 1025

Van Cleef & Arpels: 1276, 1283, 1284, 1476

Webb, David: 1186, 1188, 1191, 1195, 1197, 1202, 1203, 1224, 1227, 1369, 1370

Wiese, Jules & Froment, Meurice: 1132, 1150, 1152

Significant Jade and Coral: 1050, 1123, 1146, 1218, 1222, 1229, 1233, 1243, 1338, 1340, 1341, 1342

Timepieces: 1016, 1067, 1074, 1080, 1113, 1154, 1165, 1343, 1354, 1357, 1359, 1366, 1368, 1430, 1462, 1463, 1466, 1483-1505

Certified Diamonds: 1268, 1353, 1380, 1439, 1440, 1441, 1443, 1445, 1448, 1449, 1450, 1451, 1460

Significant Gemstones and Natural Pearls: 1314, 1315, 1329, 1330, 1401, 1402, 1405, 1410, 1412, 1414, 1415, 1421, 1422, 1423, 1426, 1433, 1437, 1439, 1453

Vertu: 1049, 1050, 1051, 1052, 1054, 1071, 1073, 1297, 1299, 1301, 1302, 1304, 1367, 1387, 1388

RAGO ARTS AND AUCTION CENTER > 1

1 0 0 0 : A N D R E K A U F F E R D I A M O N D T H I S T L E C O R S A G E O R N A M E N T

A large Lorraine thistle jewel rendered in silver-topped gold, frosted with rose cut diamonds in original case. Marked Andre Kauffer. Ft (farbricane) Joaillier-Orfevre, Nancy. French marks for 18k and silver. Maker marks of Francois Fleuret and A. Kauffer, Nancy, ca. 1890. 8”, transforms to 6” by removing longest drop. 63.7 dwt. Note: The Lorraine Thistle, a favorite of Andre Kauffer, adorns his letter paper and repeats in the silver punch bowls he designed for presentation to the Russian Squadron in 1893. His work appears in the collection of Museum of Decorative Arts, Paris, Ecole de Nancy.” Provenance: Collection of Dora Jane Janson.

$9,000–12,000

2 updated catalogue and condition information on ragoarts.com

1 0 0 1 : F R E N C H A R T N O U V E A U C A R V E D H O R N J E W E L R Y

Two pieces: Carved and tinted horn ornamental hair comb in the form of wild roses, one blossom centers a blue sapphire in yellow gold, scratch maker mark ENK, 5 1/4”, in original case “Hosaka, Paris”; Georges Pierre carved and tinted Cicadid necklace with art glass pendant, on original cord with amber beads, 4 1/4” ornament. Provenance: Collection of Dora Jane Janson. Literature: Dora Jane Janson. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #101, 102.

$2,000–3,000

1 0 0 2 : F R E N C H J A P A N E S Q U E G O L D C I C A D A B R O O C H

Highly realistic 18k gold insect with ruby eyes, ca. 1890. Eagle mark for 18k, half struck and indistinct maker mark. 2”. 6.8 dwt. Note: The cicada represents music and the sun and is a symbol of Provence, France. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #111.

$1,200–1,800

1001

1002

1002 detail


1 0 0 3 : R E N E L A L I Q U E “ O M B E L L E S ” H O R N A N D D I A M O N D H A I R C O M B

White horn carved as umbel blossoms with rose cut diamond dew drops, ca. 1900. Incused mark Lalique. 3 3/8” x 4 3/4”. 31.4 gs. Note: Pencil sketch with color described as “design drawing without deviation”: Barton, Sigrid. Rene Lalique Schmuck und Objets d’Art . Cat.# 103A, pg. 104. Provenance: Collection of Dora Jane Janson.

$7,000–9,000

Author and scholar Dora Jane Janson was a woman who knew and loved jewelry. Born Dora Jane Heineberg in Philadelphia

in 1902, she met her future husband, Horst W. Janson, while an undergraduate at Radcliffe College in Cambridge, MA. They

married after his Ph.D. was completed at Harvard in 1941. She helped shape, and is credited as co-author, on a number of

his books, notably The Story of Painting for Young People (1954) and the seminal History of Art (1962). In 1971 she curated

an innovative exhibition of jewelry at Duke University’s Nasher Museum of Art entitled From Slave to Siren: The Victorian

Woman and Her Jewelry from Neoclassic to Art Nouveau. The catalog of the same name, which she wrote to accompany the

exhibition, was one of the first books on the subject of antique jewelry for the lay reader, upholding the Janson tradition of

writing prose both lucid and learned.


1 0 0 4 : G I U L I A N O E N A M E L E D 1 8 K G O L D I V Y V I N E T I A R A

Nine naturalistic variegated ivy leaves of shaded translucent enameled gold supported by gold stems and vine, 1895-1915. Marks for Carlo and Arthur Giulliano. 2 1/2” x 4 1/4” x 4 1/2”. 34.8 dwt. GW

$1,000–1,000

1 0 0 5 : G I U L I A N O J A P A N E S Q U E W A T E R F O W L B R O O C H

Painted enamel marshland with herons, 18k gold frame with rows of enamel shot, granulation and wirework, ca. 1880 (as found). Retailed by S.J. Phillips LTD, with box. Marked tag CG, Carlo Giuliano, below hinge. 1 1/2”. 8.8 dwt.

$2,500–3,000

1004 1005


1 0 0 6 : T H R E E F R E N C H A R T N O U V E A U C O M B S : V E V E R , G A I L L A R D , E T C .

Blonde horn carved as stylized twin peacock feathers with enameled gold eyes, marked L. Gaillard (cat. #109); Carved wood as a cluster of violets set with a pearl “dew drop”, marked VEVER (cat. #101); Carved horn with silver fascia depicting flowing haired woman and flowers, French mark for silver, indistinct maker mark (poss. Albert Marionnet). Longest 5 1/2”. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971.

$2,000–3,000


1 0 0 7 : A R T N O U V E A U E N A M E L , G O L D A N D D I A M O N D B R O O C H A F T E R M U C H A

Enameled gold maple leaves and seed pods with rose cut diamond platinum spines eclipses a diamond crescent moon, two OEC diamonds accents, approx. .75 ct. and .33 ct., diamonds approx. 1.75 cts. TW throughout. Probably Australian, ca. 1905. Czech import mark, 14k. 1 1/2” x 1 5/8”. 8.4 dwt. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971.

$3,500–4,500

1 0 0 8 : A R T N O U V E A U “ W I S T E R I A ” O P A L A N D D I A M O N D P A N E L B R O O C H

Carved opal wisteria frutescens on gold branches with draping OMC diamond foliage, within a rectangular, curved frame. Unmarked 18k yg. with early locking clasp and flange pin. ca. 1900, attributed to René Lalique. 2” x 1”. 10.6 dwt. Provenance: Collection of Dora Jane Janson. Reference: Zorn Karlin, Elyse. Maker & Muse: Women and Early Twentieth Century Art Jewelry. Collection of Richard H. Driehaus, pg. 111. (exhibition publications). Provenance: Collection of Dora Jane Janson.

$8,000–12,000

1 0 0 9 : A R T N O U V E A U P L I Q U E - A - J O U R P R E S S E D G L A S S G O L D J E W E L

In the form of stylized wheat ears and ribbons, translucent pâte de verre seeds over shaded enamel, opalescent plique-à-jour beards, translucent copper-tone enamel ribbon spirals, ca. 1903-1905. Possibly by René Lalique. Unmarked 18k gold corsage ornament fragment remade as a brooch, tubular hinge ground down, replaced pin stem. 2 1/2” x 3”. 30.5 dwt. Note: Wheat Stalks Bracelet, Museum of Arts and Design, Paris. Cat. #57, pg. 201, “René Lalique” Musée des Arts Décoratifs. Lalique Necklace, “Epis De Ble Et Volutes”. Lot 148, Artcurial, 7/26/2011.

$3,000–5,000

1007

1008

1009


1 0 1 0 : A R T N O U V E A U P L I Q U E - A - J O U R M O R N I N G G L O R Y N E C K L A C E

Naturalistic morning glory cluster rendered in the feminine form, shaded pink/yellow buds open to diamond centered blossoms, plique-à-jour leaves. Detachable chain composed of shaded pink tubular links and green plique-à-jour leaf-form links. Cased by Shaw & Brown Co., Washington, DC, ca. 1900. Unmarked. Attributed to Marcus & Co., New York. Evidence of an original brooch fitting, now lost. 2 1/2” x 2 1/2”, 17” chain. 19.9 dwt.

$15,000–20,000

1 0 1 1 : A R T N O U V E A U P L I Q U E - A - J O U R J E W E L E D G O L D D R A G O N F L Y

Gossamer light, green enameled wings with rose cut diamond edges en tremblant, ruby cabochon thorax, OMC diamond abdominal segments, chalcedony face, enameled eyes. 14k-15k. Flange Unmarked. 2” x 3 1/2”. 10 dwt. Reference: Similar example: Sataloff, Dr. Joseph. Art Nouveau Jewelry. Dorrance. 1984. Child & Child, pg. 60. Provenance: Collection of Dora Jane Janson.

$2,000–3,000

1010

1011


1 0 1 2 : P L I Q U E - A - J O U R W I S T E R I A B R O O C H , A T T R . V E V E R

18k yg. articulated brooch with plique-à-jour enamel foliage and dogtooth pearl wisteria blossoms, ca. 1900. Attr. to Vever, possibly after a design by René Lalique. French eagle mark for 18k, no maker mark evident. 5 1/4” x 3”. 24 dwt. Provenance: Collection of Dora Jane Janson. Reference: Comb and brooch by Rene Lalique. Bartan, Sigrid. Rene Lalique. Collection of Museum of Applied Art, Vienna, cat. #68A. Provenance: From the Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #134.

$10,000–20,000


1 0 1 3 : R E N E L A L I Q U E P I N N E D D R A G O N F L Y W O M A N G O L D C A N E H A N D L E

Modeled as nude nymph tacked through torso and one draped wing, the other wing folded beneath her body, her countenance expressing ecstatic agony, ca. 1900. Maker mark of René Lalique, French eagle mark for 18k, incused Lalique. 4 1/2” x 4 5/8”. 116.5 dwt. Provenance: Collection of Dora Jane Janson.

$50,000–75,000


1 0 1 4 : E D W A R D C O L O N N A E N A M E L E D G O L D A R T N O U V E A U P E N D A N T

18k gold with green enamel, sinuous leafy tendrils and an abalone blister pearl blossom. Possibly retailed by S. Bing’s “Maison de l’Art Nouveau”, ca. 1897. French marks for gold and maker mark. 1 7/8” x 1 5/8”. 12.7 dwt. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #122.

$3,000–4,000

1 0 1 5 : A R T N O U V E A U O P A L A N D D I A M O N D G O L D I N D E X F I N G E R R I N G

14k, American ca. 1905. Probably from a design by E. Colona. Size 6 1/2. 2 1/8” x 7/8”. 6.2 dwt. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #139.

$3,000–4,000

1 0 1 6 : M A R C U S & C O . A R T N O U V E A U E N A M E L E D G O L D L A P E L W A T C H

18k, embossed case back with pierced foliate design set with diamonds and emeralds, reveals green guilloche cuvette, emerald set bezel, white dial with gold Arabic hours and hands, sub seconds, unsigned Swiss jeweled movement #1148, 28 mm., companion lapel brooch with cast and chased violets and foliage over guilloche enamel ground, scroll border laps over edge. Back cover with Marcus cypher and 18k. 2 7/16”. 20.7 dwt. GW

$4,000–6,000

1014 1015

1016


1 0 1 7 : M A R C U S & C O . A R T N O U V E A U J E W E L E D E N A M E L E D G O L D B R O O C H

Sarpech form set with ten semispherical pearls and diamonds among tendrils on leaf green enameled ground, diamond capped emerald drop, 15.93 x 14 x 7.9 mm., 15 diamonds approx. 1.26 cts. TW. Incused mark M+Co. Retailed by Frank Pollak & Sons, New York, May 18th 1968. 3” x 1 5/8”. 22.8 dwt.

$5,000–7,000

1 0 1 8 : M A R C U S & C O . P L I Q U E - A - J O U R A N D J E W E L E D G O L D P E N D A N T / B R O O C H

In the Persian style, 18k gold arabesque and drop set with opal and chrysoprase floriforms on green translucent enamel ground, detachable brooch findings and hinged bail for pendant wear, ca. 1910. Arched label marked Marcus & Co. Retailed by Frank Pollak & Sons, New York, November 9th, 1967. 3 1/2” x 2”. 20 dwt.

$5,000–7,000

1017 1018


1019

1020

1021

1 0 1 9 : A R T S & C R A F T S T O U R M A L I N E A N D P E A R L 1 8 K G O L D N E C K L A C E

Octagonal mixed cut green tourmaline, 19.9 x 9.8 x 8.24 mm., 6.0 cts. by formula, and three blister pearls, 6.6 mm., in notched bezels among leaves and tendrils on fetter link chain, later 14k spring clasp. 1920-1930. Unmarked. Attr. to Edward Oakes. 17”. 8.9 dwt.

$1,500–2,500

1 0 2 0 : A R T N O U V E A U 1 8 K G O L D P E A R L M I S T L E T O E N E C K L A C E

18k gold and river pearls, ca. 1901. Possibly the work of Leopold Van Strydonck, Belgian Court Jeweler. Unsigned. Inscribed and dated on reverse. 17 3/4” x 1 1/2”. 22.8 dwt. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #195.

$3,500–5,500

1 0 2 1 : E A R L Y 2 0 T H C . G E M - S E T O R E N A M E L E D G O L D J E W E L R Y

Three pieces: B.M. Shanley, Jr. Company 14k yellow gold Art Nouveau belt buckle with bezel set amethyst accents; Blue and white enameled 14k yg. forget-me-not flower motif watch fob; Silver topped gold circlet brooch with rose cut diamond foliage, central pearl trefoil. 1900-1915. Circlet brooch unmarked, buckle with B.M. Shanley Jr. Company cypher. 27.9 dwt. Brooch in London and Ryder Goldsmiths Antique box. Provenance: Collection of Dora Jane Janson.

$1,200–1,800


1 0 2 2 : L O U I S C O M F O R T T I F F A N Y G E M - S E T E N A M E L E D G O L D B R O O C H / P E N D A N T

Circular, in the Persian style, central faceted peridot and four moonstone double cabochons, caged by gold scroll with green plique-à-jour accents, hinged bail, ca. 1910. Incused Tiffany & Co. 1 1/16”. 6.1 dwt.

$5,000–7,000

1 0 2 3 : L O U I S C O M F O R T T I F F A N Y A Q U A M A R I N E A N D P E A R L P L A T I N U M P E N D A N T N E C K L A C E

Double chain of small filigree links join a scrolling filigree ornament centrally set with an oval aquamarine, suspending a similar oval aquamarine drop, six pastel colored seed pearl accents, oval filigree and mauve pearl clasp, ca. 1920. Applied tag marked Tiffany & Co. 15”, drops 2 3/4”. 9.5 dwt. In period box. Reference: Phillips, Claire, Bejewelled by Tiffany, 1837-1987, pg. 247; Loring, John. “Tiffany Jewels,” pg. 179.

$16,000–22,000

1 0 2 4 : L O U I S C O M F O R T T I F F A N Y M O O N S T O N E S A P P H I R E B R O O C H

Oval cabochon cut moonstone, 13.7 x 9.64 x 3.91 mm., flanked by three-stone sapphire rows in platinum openwork, bordered by platinum 18k and rosettes, 1910-1914. Signed Tiffany & Co. 1 1/8” x 15/16”. 4.7 dwt.

$3,500–5,500

1 0 2 5 : L O U I S C O M F O R T T I F F A N Y E N A M E L E D G O L D P E N D A N T B R O O C H

Convex disk chased with confronted scrolls and geometric motifs enameled in shades of green with blue accents, centrally set with a circular faceted peridot, approx. 9.2 mm. 18k. ca. 1910. 1 1/16”. Signed Tiffany & Co., scratch mark L.8H130. 6.4 dwt

$6,000–8,000

1022

1024 1025

1023


1 0 2 6 : T W O Y E L L O W G O L D J A P A N E S Q U E B R A C E L E T S

Hinged cuff bracelet with applied tricolor gold figural water birds and bamboo, ornamental flanged edges; Hinged bypass bangle with applied tricolor bird and butterfly motif fan form, suspending horseshoe and engraved monogram charms. Late 19th c. Charm engraved 1881; Bangle cuff stamped Pat. Oct. 14 1879. 24.3 dwt. Provenance: Collection of Dora Jane Janson.

$1,200–1,800

1 0 2 7 : T I F F A N Y & C O . G O L D , P L A T I N U M J A P A N E S Q U E C H A T E L A I N E

Tricolor 18k gold and platinum mixed metal segmented clip depicts songbird on flowering branch above basket weave textured ground, ca. 1880, 4”. 19.4 dwt.

$1,000–1,200

1 0 2 8 : P I E L F R E R E E N A M E L E D P E A C O C K F E A T H E R B E L T B U C K L E

Shaded opaque and translucent cloisonné enamel with shaped cobalt glass “eye” on gilt bronze, ca. 1890. Marked. 4 1/4”. Note: Design attrib. to Gabriel Stalin, first exhibited at the Paris International Exhibition, 1900. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #119; Koch, Michael. The Belle Epoque of French Jewelry 1850-1910. T. Heneage & Co. Ltd. Pg. 275.

$400–600

1 0 2 9 : A . J . H E D G E S M I X E D M E T A L J A P A N E S Q U E G O L D B R A C E L E T

Flexible links in the form of pinned fabric swatches, tricolor 14k gold and platinum patterning, central panels set with a ruby, a diamond, and a sapphire, 1879-1890. Pat. Nov. 4, 1879. Unsigned. 7”. 13.4 dwt. Provenance: Collection of Dora Jane Janson. Literature: Dietz, Joselet, Smead, Zapata. The Glitter and the Gold. Newark Museum. 2006. Illustration #106.

$1,800–2,400

1026 1027

1028

1029


1 0 3 0 : W A L T O N & C O B L A C K O P A L , D E M A N T O I D A N D G O L D P E A C O C K R I N G

Art Nouveau peacock with black opal body, demantoid garnet feathers, ca. 1910. Partial marks (due to sizing) 14k and Walton. Size 7. 5.2 dwt. Note: A companion necklace by Walton & Co. sold, 4/20/2010, lot 67, Sotheby’s, NY, “150 Years of Artistic Jewels.”

$1,000–1,500

1 0 3 1 : M E I J I P E A C O C K F E A T H E R C L O I S O N N E B O X , K . S H I B A T A R O ( A T T R . )

Cushion shaped box and cover, decorated with peacock feathers of tapered wires and foiled eyes, on celadon ground. Four pillar shaped legs with daisy and dotted brown decorations, ca. 1900. Unsigned, attributed to Kawade Shibataro. 6 3/4” x 4 7/8” x 3 7/8”. Note: This box speaks to the relationship between Meiji decorative arts and French Art Nouveau. Provenance: Collection of Dora Jane Janson.

$2,000–4,000

1 0 3 2 : F R E N C H A R T N O U V E A U 1 8 K P L I Q U E - A - J O U R B I R D B R O O C H

Sculptural bird of paradise with polychrome plique-à-jour tail, diamond accents on crest and branch. French marks for 18k, incised signature possibly Alphonse Auger. 4”. 6.6 dwt.

$1,200–1,500

1 0 3 3 : T W O E N A M E L E D G O L D P E N D A N T S , A L E X I S F A L I Z E

Circular disk with beaded edge, cloisonné decorated in the Japanesque style, one face a heron on russet ground with marsh grass, obverse with songbirds on turquoise ground, marks of Falize and French control marks; Oval locket cloisonné decorated in the Persian style, unmarked. Ca. 1867. Disk 1 1/4”, locket 2” beyond bail. 14.5 dwt. GW. Provenance: Collection of Dora Jane Janson.

$1,500–2,000

1030

1031

1032

1033


1 0 3 4 : J A P A N E S Q U E M I X E D M E T A L J E W E L R Y A N D A C C E S S O R I E S

Nine pieces: Pair of 18k gold hairpins, engraved on each trifid, top inset with rose cut diamonds, ruby, sapphire, unmarked; Bicolor 14k gold and platinum chatelaine clip in three hammered sections depicts birds and marshland, unmarked; Patinated silver necklace and earrings depict single fruit wisteria pods and insects; Shiebler crescent moon brooch #401 with applied bat; Shiebler crescent cufflinks with applied gold insect of fish and pine bough. Ca. 1900. Pair of hairpins 4 3/4”, chatelaine 2 3/4”. Chatelaine 11.3 dwt.; Hairpins 9.9 dwt.; Six silver elements 58.8 gs. Provenance: Collection of Dora Jane Janson.

$1,400–1,800

1 0 3 5 : E I G H T A R T N O U V E A U G O L D F L O W E R B R O O C H E S

Five American 14k enameled flower brooches include: Three-pansy cluster by Hammerman Brothers, three-leaf and pearl knot by Carter & Howe, unsigned diamond wreath, and two others. 14k Continental framed leaf and pearl; 10k pansy with opal, 9 ct.; Framed five-leaf and pearls. Largest: 1” around. 19.2 dwt.

$800–1,000

1 0 3 6 : A M E R I C A N A R T N O U V E A U J E W E L E D G O L D P A N S Y B R A C E L E T

14k sculpted gold and seed pearl pansy links joined by cabochon pink tourmaline links, Bippart, Griscom & Osborn, ca. 1910. Marked 14k with makers cypher. 6 5/8” x 1/2”. 10.8 dwt.

$900–1,200

1034

1035

1036


1 0 3 7 : T H R E E 1 8 K G O L D G A R D E N C R E A T U R E B R O O C H E S

Edwardian jeweled butterfly brooch, OEC diamonds, sapphires, rubies, demantoid garnets; Diamond and ruby frog brooch #12245; Italian salamander. Diamonds approx. 2.80 cts. TW. Butterfly 1 3/4”, Frog 7/8”, salamander 1 7/8”. 16.9 dwt.

$1,400–1,800

1 0 3 8 : V I C T O R I A N G O L D , M U L T I - G E M B U T T E R F L Y L O C K E T B R O O C H

Realistically rendered hinged wings tipped by turquoise, pearls, garnets and pink tourmaline, with applied green and yellow gold decoration and black enameling open to reveal two photo reserves, black enameled abdomen with opal and garnet cabochon eyes, ca. 1890. Unmarked. 2 1/4” x 1 1/2”. 9.8 dwt. GW (weighed with glass) Provenance: Collection of Dora Jane Janson.

$1,200–1,800

1 0 3 9 : 1 8 K Y E L L O W G O L D A N D R U B Y S E R P E N T B R A C E L E T

Open wrapped cuff with bright and textured embossed head and neck, bezel set ruby trefoil and eyes, open mouth and fangs. First quarter 20th c. Stamped 750, “B3”. Accommodates 7 1/2”. 25.3 dwt. Provenance: Collection of Dora Jane Janson.

$1,400–1,800

1 0 4 0 : T W O P I E C E S E A R L Y 2 0 T H C . Y E L L O W G O L D J E W E L R Y

Art Nouveau pendant featuring the profile of a lady with rose cut diamond necklace, hairpiece, plique-à-jour enameled foliate background; Rosebud pendant with translucent green and opaque pink enameled bud enclosing loose freshwater pearl. 1900-1915. Unmarked. Largest 2 1/4”. 9 dwt. Provenance: Collection of Dora Jane Janson.

$1,200–1,800

1037 1038

1039 1040


1 0 4 1 : F R E N C H A R T N O U V E A U P L I Q U E - A - J O U R 1 8 K G O L D B R O O C H

Shield form depicts flowing haired smiling woman among leafy fronds and berries on translucent shaded enamel ground, suspended pearl, ca. 1900. French eagle mark, half struck indistinct maker mark. 2 1/2” x 1 1/2”. 14.9 dwt. Provenance: Collection of Dora Jane Janson.

$1,500–2,500

1 0 4 2 : G E O R G J E N S E N C A R N E L I A N N E C K L A C E # 1 5 8 , E A R R I N G S # 4

Rare silver pendant necklace with carnelian cabochons #158; Silver and carnelian earrings #4, for pierced ears. Embossed oval mark 1915-1927, 925, Denmark. 2” pendant suspends from two 15” lengths of chain joined by toggle clasp. Earrings 1 1/4”. 45.4 gs. GW

$1,500–2,500

1 0 4 3 : F R E N C H A R T N O U V E A U 1 8 K Y E L L O W G O L D S L I D E M I R R O R P E N D A N T

Engraved profile of ethereal woman in nature with rose cut diamond accents, surrounded by platinum topped rose cut diamond frame, bail on antique 10k rolo link chain. France, ca. 1910. Stamped with French control marks for 18k, illegible maker mark, engraver’s mark “B” at front. 1 5/8”. 25.1 dwt. GW

$1,200–1,800

1 0 4 4 : A V E N T U R I N E A N D Y E L L O W G O L D F E S T O O N N E C K L A C E

Oval cabochons and acanthus scroll links suspend oval and teardrop cabochons in roped gold frames, ca. 1900. Unmarked. 15”. 17.6 dwt. Provenance: Collection of Dora Jane Janson.

$800–1,200

1041 1042

1043 1044


1 0 4 5 : E D W A R D I A N 1 4 K G O L D C I T R I N E F E S T O O N N E C K L A C E

In the Rococo style with circular oval and pear shaped faceted citrines, ca. 1910. Marked D (possibly James C. Durham & Sons, Providence, RI). 18” x 2 1/4”. 15.2 dwt.

$900–1,200

1 0 4 6 : E D W A R D I A N 1 4 K G O L D J E W E L R Y

Three pieces: Two tubular clover or neoclassical motif hinged bracelets with diamonds; Amethyst sugarloaf water lily motif ring, unsigned, size 7. 21.7 dwt.

$1,000–1,200

1 0 4 7 : G E O R G J E N S E N # 1 N E C K L A C E 8 3 0 S I L V E R A N D C O R A L

Eleven foliate links with bezel set orange coral joined by toggle clasp. Raised bead oval mark, #1, Denmark, 1915-1927. 16 1/2”. 43.7 gs.

$1,800–2,400

1 0 4 8 : J E W E L R Y C O L L E C T I O N , C A . 1 9 0 0

Seven pieces: Carved coral Masks of Tragedy g.f. fringe necklace; 14k gold Indian chief brooch with diamond; Carter & Howe enameled 14k gold leaf pin with diamond and pearl accents; 14k gold diamond circle pin by J. Faber; Oval citrine and seed pearl 14k gold pin; Krementz 14k sapphire pin; Enameled pansy 800 silver ring. Necklace: Indian brooch #A8062. 12.1 dwt. (gold elements)

$1,000–1,500

1045 1046

1047 1048


1 0 4 9 : O P U L E N T A C C E S S O R I E S : R U S S I A N S I L V E R /S U S S F I E L D - 2

Three pieces: German gilt sterling and pink guilloche enamel egg shaped thimble case with matching thimble, ca. 1910, 2”; Russian 84 silver and mother of pearl sewing kit, fitted interior with needle case, 2 bobbins thread pick, scissors, yarn bobbin, crystal vial, 18k French thimble, unid. maker Cyrillic FV, Moscow 1850, rococo exterior, leafy monogram JN below coronet, 4 7/8” x 3 7/8”; René Lalique Atomizer Sussfiled-2, cylinder blue tinted colorless glass flowers, marked R. Lalique, Made in France. 4 1/8”.

$1,000–1,500

1 0 5 0 : C A R V E D C O R A L A N D A M B E R G O L D M O U N T E D P A R A S O L H A N D L E

Striated orange and pink coral carved putti and dolphin frolic on waves, 3”; Above 6 1/2” amber rod, 14k gold junctures, ca. 1895. Marked 14k. 11”. 118.8 gs.

$1,500–2,500

1 0 5 1 : F R E N C H 1 8 K G O L D M E S H E V E N I N G B A G A N D P U R S E

Long supple mesh pouch with tassels on angular frame, sapphire bullet snap closure suspends from rows of gold rope to a mesh strap, ca. 1920. French eagle marks. 14 1/2” overall; Change purse 2 1/2” x 2 1/4”. 137.5 dwt.

$4,500–5,500

1049

1050

1051

1049 detail


1052

1053

1 0 5 1 A : S E C E S S I O N I S T G O L D - M O U N T E D P O R T R A I T M I N I A T U R E

Oval portrait of a young woman against a colorful ground with gilt highlights, behind shaped crystal in 14k gold frame, ca. 1917. Indistinct Continental marks. 2 1/2” x 1 1/4”. 18.2 dwt. Provenance: Collection of Dora Jane Janson.

$600–800

1 0 5 2 : G O R H A M / H A W K E S 1 4 K G O L D V A N I T Y V E S S E L S A N D F R A M E

Five pieces for the vanity, Rococo engraved 14k gold mounts by Gorham on Hawkes “Rock Crystal” pattern vessels include: Cologne bottle, 7 1/2” above stopper; Powder jar with gold mounted down puff, 4 3/4” x 6”; Jar with hinged cover, the interior stopper with gold finial, 4”; Salve jar, 1 3/4” x 2 1/4”; Oval photo frame on bead feet, 8 1/4” x 6 3/8”. Ca. 1910. Vessels #X440, X441, X443, X444, Frame XBOL, ribbon monograms AAMcN. Weighable and calculated gold approx. 160 dwt.

$4,500–6,500

1 0 5 3 : E D W A R D I A N F I R E O P A L S U I T E , A . M A R X & C O . , L O N D O N

Lavaliere necklace, pendant earrings and bracelet in silver-topped gold with buff top-cut, octagonal and oval cabochon, orange fire opals and paste accents. Unmarked. Necklace 19”, earrings 2 1/4”, bracelet 6 1/2”. In original case by A. Marx & Co., with royal warrant. Provenance: Collection of Dora Jane Janson.

$5,000–7,000

1051A


1 0 5 4 : T H R E E E D W A R D I A N G O L D M E S H P U R S E S

Two section 14k pierced frame depicts clover leaves among scrolls interior inscribed A.G.R. Xmas, 1900; 14k pierced frame with foliate motif; 9 ct. foliate engraved frame. Largest 3” x 2 1/2”. 94.7 dwt. TW (57.3 dwt. 14k)

$2,200–2,800

1 0 5 5 : E Q U E S T R I A N G O L D J E W E L R Y , 1 8 7 9 - 1 9 0 8

Three pieces: T.B. Starr, NY, 18k bent horseshoe nail brooch with diamond head; Fritzsche & Co., Newark, 14k and diamond coiled horseshoe nail hinged bracelet; 14k coiled crop ring with garnet set horseshoe, dated 1879. Two diamonds approx. .45 ct. TW. Brooch 2”. Ring size 4 1/4. 14 dwt. Provenance: Collection of Dora Jane Janson. Literature: Dietz, Joselit, Smead, Zapata. The Glitter and the Gold. Newark Museum. 2006. Pg. 77 (bracelet).

$1,200–1,800

1 0 5 6 : F R E N C H B E L L E E P O Q U E G O L D , R U B Y A N D D I A M O N D B R A C E L E T

Elliptical 18k links joined by four tubular set ruby gold links and four tubular set diamond platinum links, approx. .72 ct. TW. French assay marks on tongue. 6 3/4”. 12.9 dwt.

$1,000–1,500

1 0 5 7 : E D W A R D I A N E Q U E S T R I A N D I A M O N D H O R S E S H O E B R O O C H

25 graduated OMC diamonds in platinum-topped 14k gold, diamonds approx. 3.25 cts. TW, ca. 1905. Unmarked. 1 3/8” x 1 3/8”. 6.1 dwt.

$1,000–1,500

1054

1055

1056

1057


1 0 5 8 : D I A M O N D P L A T I N U M I N I T I A L B R O O C H

Millegrained platinum OEC diamond set scripted “MP”, 14k yg. pin stem, diamonds approx. 3 cts. TW, Early 20th c. 1 1/2” x 1 1/2”. 5.9 dwt.

$700–900

1 0 5 9 : T W O D E M A N T O I D G A R N E T A N D D I A M O N D B A N G L E B R A C E L E T S

Oval faceted demantoid garnets alternate with OMC diamonds, approx. .86 ct. TW, crown set in silver on yellow gold, hinged, 14k, ca. 1900. Unmarked. Accommodates 6 1/2”. 16.7 dwt.

$1,400–1,800

1 0 6 0 : E D W A R D I A N D I A M O N D P L A T I N U M B A R B R O O C H

Twenty-one scientifically cut OEC diamonds, bead set, millegrain, filigree and knife edge borders, scalloped ajouré, diamonds approx. 2.75 cts. TW. Unmarked. 2 13/16”. 5.5 dwt.

$2,000–3,000

1 0 6 1 : D I A M O N D P L A T I N U M B A R P I N

OEC diamonds, approx. 3.2 cts. TW, square set in platinum. First quarter 20th c. Unmarked. 3 1/4”. 5.3 dwt.

$1,000–1,500

1058 1059

1060

1061


1 0 6 2 : T I F F A N Y & C O . A R T D E C O D I A M O N D P L A T I N U M B A R P I N

Central marquise shaped diamond, approx. .50 ct., geometric piercings, stylized foliate details, and OEC diamond accents, approx. 1.35 cts. TW, millegrained details throughout, ca. 1920. Marked Tiffany & Co., #8306. 2 3/4”. 7.3 dwt. In original box

$2,000–3,000

1 0 6 3 : A R T D E C O D I A M O N D P L A T I N U M F I L I G R E E B R O O C H

Shaped openwork bisymmetric bar, central OEC diamond, approx. 1 cts., with two OEC diamonds, approx. .90 ct. TW and eight accent diamonds. Diamonds approx. 3.10 cts. throughout. 2 5/8”. 4.9 dwt.

$1,000–1,500

1 0 6 4 : T . B . S T A R R D I A M O N D A N D P E A R L P L A T I N U M B O W B R O O C H

Fixed ribbon bow suspends flexible tails with pearl terminals, 63 OEC diamonds, approx. 4.96 cts. TW, bails for pendant wear. Pin stem marked T.B. Starr Inc. Retailed by Frank Pollak & Sons, New York, June 5th, 1968. 2 1/8” x 2 1/2”. 10.5 dwt.

$2,000–3,000

1 0 6 5 : T H R E E S A P P H I R E A N D D I A M O N D R I N G S

Edwardian five-stone sapphire ring with diamond loops in platinum-topped 18k gold; Art Nouveau three-stone ring in platinum-topped 18k gold; Art Deco three-stone ring in 18k wg. Diamonds approx. 1.62 cts. TW, sapphires approx. 1.50 cts. TW. Sizes 3 1/2 - 8 1/2. 8.2 dwt.

$1,400–1,800

1 0 6 6 : T H R E E A R T D E C O P L A T I N U M D I A M O N D R I N G S

OEC diamond, approx. .80 ct., octagonally set in platinum mount with pierced and diamond set gallery, shoulders; Diamond navette ring; Three stone diamond filigree ring; Smaller diamonds, approx. 2 cts. TW throughout, ca. 1920-1930. Unmarked, indistinct engravings. Sizes 5 1/2 - 7 3/4. 6.1 dwt.

$2,500–3,000

1062

1063

1064

1065

106


1 0 6 7 : L O N G I N E S A R T D E C O D I A M O N D P L A T I N U M B R A C E L E T W A T C H

Lozenge shaped case and lozenge link bracelet with engraved edges, RBC, square and rectangular step cut diamonds, approx. 3.25 cts. TW. 17 jeweled movement #5298206, case #23014. 6 5/8”. 16 dwt. (excludes movement)

$3,000–5,000

1 0 6 8 : F O U R A R T D E C O D I A M O N D O R S A P P H I R E R I N G S

Yellow gold bezel set oval faceted sapphire in pierced platinum topped OEC diamond set octagonal frame, yg. scrolling filigree gallery; 18k wg. OEC diamond, approx. .75 ct., square set in rectangular mount with diamond band accents, engraved gallery, hoop; Platinum and diamond “steps of love” engagement ring with central square set diamond, approx .75 ct., in millegrained diamond set mount with diamond and platinum wedding band. Diamond melee approx. 3 cts. TW throughout. 1920-1935. Sizes 5 1/4 - 6 1/2. 9.2 dwt. In original boxes.

$2,500–3,500

1 0 6 9 : R A Y M O N D Y A R D D I A M O N D B R O O C H A N D A Q U A M A R I N E E A R R I N G S

Art Deco diamond and sapphire platinum brooch, geometric openwork set with RBC, baguette and triangular diamonds, approx. 1.58 cts. TW, and calibrated cut sapphires; Aquamarine briolette and diamond earrings in 18k yg. and platinum. 1925-1960. Both marked Yard of Yard Inc. Brooch 1 1/2”. 9.3 dwt. In original boxes.

$2,500–3,500

1067

1068

1069


1 0 7 0 : A R T D E C O S T A R S A P P H I R E R I N G A N D S A P P H I R E B R A C E L E T

Art Deco ring with round double cabochon lilac star sapphire, 8 x 6.53 mm., 5 cts. by formula, RBC and emerald cut diamonds and shaped onyx accents, unmarked; Line bracelet with struck filigree panels alternating square faceted emeralds and round faceted sapphires. 1925-1930. Ring size 5 1/2, bracelet 7” x 1/4”. 10.6 dwt. Ring cased by J.W. Weeks, 5 Maiden Lane, NY.

$1,500–2,000

1 0 7 1 : E N A M E L E D S I L V E R C O M P A C T B Y A N S O R E N A F O R C A R T I E R

Art Deco cylindrical 935 silver compact, black enamel with geometric white enamel edges, parcel gilt interior fitted with three chambers and silver pen, ca. 1935. Marked Cartier, Paris, Ansorena (Gallery de Ansorena, Madrid). 1 7/8” x 1 1/8” x 3 1/4”. 5.375 OT GW

$1,200–1,800

1 0 7 2 : B E L L E E P O Q U E A N D A R T D E C O D I A M O N D P L A T I N U M J E W E L R Y

Three pieces: Octagonal onyx sautoir on cord with diamond platinum ornaments and joints; Platinum seed pearl chain suspends 14.5 x 9.8 mm. pear shaped river pearl; 9 x 8.8 mm. button pearl platinum ring with diamond shoulders. Sautoir retailed by Bowler & Burdick Co., Cleveland. Platinum chain 18”, ring size 5 1/2. 7.7 dwt. (excludes onyx)

$1,000–1,500

1070

1071

1072


1 0 7 3 : M A R Z O , P A R I S , D I A M O N D A N D E N A M E L E D G O L D / S I L V E R C O M P A C T

Art Deco rectangular compact, black enameled exterior with geometric white gold ornament and diamond details, gilt interior with mirror, lipstick case and powder chamber. Marked Marzo, Paris, French control marks for 18k gold and silver. 2 5/8” x 1 3/4”. 121.2 gs.

$800–1,200

1 0 7 4 : L E B O L T A R T D E C O D I A M O N D P L A T I N U M W R I S T W A T C H

Rectangular case to stirrup lugs, set with baguette and RBC diamonds, approx. 1.60 cts. TW, 18 jeweled, 5 adj. Swiss movement #40525, sapphire crown, grosgrain ribbon strap with original snap closure. Marked Lebolt on movement, case, clasp. Case marked Plat. 1 1/2” x 7 1/6”. In original box

$1,500–2,000

1 0 7 5 : A R T D E C O D I A M O N D P L A T I N U M B R O O C H

Revised panel bracelet link with central marquise, approx. .50 ct., between horizontal baguette cut strap, geometric RBC diamond set form tipped by graduated baguettes, diamond melee approx. 2.0 cts. TW, ca. 1925. Unmarked. 1 1/2” x 3/4”. 6.1 dwt.

$1,500–2,000

1 0 7 6 : T W O A R T D E C O P L A T I N U M B R O O C H E S W I T H O N Y X O R E N A M E L

Bow shaped brooch with onyx OEC diamonds in Greek key openwork; Octagonal scissor cut amethyst quartered by black enamel and diamond pairs. Unmarked. Largest 2 1/2”. 13.8 dwt. With Bowler & Burdick Co., Cleveland box

$1,000–1,500

1073 1074

1075

1076


1 0 7 7 : E D W A R D I A N D I A M O N D A N D S A P P H I R E P L A T I N U M S T R A P B R A C E L E T

Stylized foliate open design with meandering diamond ribbons and channels of French cut sapphires, OEC diamonds, approx. 4.30 cts. TW, ca. 1915. 7 1/8” x 3/8”. 10.6 dwt.

$9,000–12,000

1 0 7 8 : C A R T I E R , P A R I S , D I A M O N D A N D S A P P H I R E P L A T I N U M C L I P

Stepped shield set with square and rectangular step cut sapphires, approx. 10.40 cts. TW, RBC and baguette cut diamonds, approx. 5.90 cts. TW, ca. 1937. Marked Cartier OCC, Paris, #C4760 + #10020. 1 3/4” x 1 3/8”. 17.5 dwt.

$5,000–7,000

1078A: A R T D E C O D I A M O N D A N D G E M S T O N E P L A T I N U M P A N E L B R O O C H

OEC diamond, approx. .33 ct., centers bisymmetric diamond geometry highlighted by channels of ruby, sapphire, onyx calibre and shaped emeralds. Diamonds approx. 2.50 cts. TW. Unmarked. 1 1/2” x 1/2”. 4.1 dwt.

$1,200–1,800

1 0 7 9 : A R T D E C O D I A M O N D A N D R U B Y S T R A P B R A C E L E T

Concentric diamond design of articulated stirrup links with bellflower piercings and square or rectangular French cut rubies, marquise cut diamond, .50 ct., and RBC diamonds, approx. 6.80 cts. TW, ca. 1935. Marked 10% irrid. plat. 7 1/8” x 9/16”. 25.8 dwt.

$8,000–9,000

1077

1078A

1079

1078


1080

1081

1 0 8 0 : H A M I L T O N A R T D E C O D I A M O N D , P L A T I N U M D R E S S W A T C H

Square cream dial with Arabic numerals, Hamilton movement, 17 jewels within diamond case, tipped by two bullet cut diamonds, approx. .50 ct. and .49 ct. each, taper to scrolling bezel prong set OEC diamond lugs, square set diamond bracelet, approx. 3.9 cts. TW, ca. 1925. Case and bracelet marked 10% irid. plat. Accommodates 6 1/2”. 15.9 dwt. (excludes movement)

$2,500–3,500

1 0 8 1 : A R T D E C O D I A M O N D P L A T I N U M D O U B L E C L I P B R O O C H

Stirrup-form, RBC, baguette cut, kite-shaped and trapezoidal cut diamonds approx. 6.80 cts. TW, ca. 1938. Unmarked. 2 5/8” x 1 3/8”. 17.6 dwt.

$7,500–8,500

1 0 8 2 : S E E D P E A R L D I A M O N D M E S H C H A I N W I T H R U B Y A C C E N T S

18k wg. sautoir strap in the Edwardian style, diamond and RBC ruby stations, diamond and heart shaped ruby central ornament, diamonds approx. 4 cts. TW. Mid 20th c. 19 1/2”, drops 3/4”. 16.1 dwt. Provenance: Property from the Estate of a New York City Collector.

$1,200–1,800

1 0 8 3 : A R T D E C O D I A M O N D A N D P L A T I N U M N A V E T T E R I N G

Central OEC diamond, 3.16 cts. by formula, flanked vertically by two OEC diamonds, approx. .50 ct. each, surrounded by diamond melee shoulders, approx. .26 ct. TW, set in millegrained platinum navette contour with pierced and millegrained gallery on engraved hoop, ca. 1920. Size 4. 3.5 dwt.

$4,000–6,000

1082

1083


1 0 8 4 : T W O G E O R G I A N P A S T E S I L V E R B R O O C H E S

Girandole brooch with colorless and green or yellow foil backed gems, inked collets, bubble backed settings, bail for pendant wear, unmarked, 2 5/8” x 2 3/4”; Lozenge shaped brooch, blue rose cut pastes in closed settings, gold applied highlights, replaced findings, 2 7/8”. 61 gs. Provenance: Collection of Dora Jane Janson.

$1,200–1,800

1 0 8 5 : T W O T O P A Z C O L O R E D G E O R G I A N P A S T E S I L V E R J E W E L S

Girandole brooch suspends pear shaped paste clusters below ribbon and floral motif brooch, bubble back closed settings, ca. 1770, with 19th c. pin fitting; Oval portrait clasp in two parts with “topaz” pastes surrounds, French marks, 2 1/4”. Brooch 2 1/4” x 2 5/8”, fitted case. Provenance: Collection of Dora Jane Janson.

$1,500–2,000

1 0 8 6 : T W O G E O R G I A N P A S T E S I L V E R P O R T R A I T N E C K L A C E S

A painted portrait behind shaped crystal joins paste link necklace with applied bright cut gold lozenges, pastes with inked culets; Enameled copper portrait miniature oval cluster pendant suspends from three-loop ribbon bow and bail, ca. 1790. 2 1/2”. Necklace 14”. Provenance: Collection of Dora Jane Janson.

$2,000–3,000

1084

1085

1086


1 0 8 7 : G E O R G I A N D I A M O N D , M O O N S T O N E A N D C I T R I N E S E V I G N E B R O O C H

Old mine cut diamonds and central cushion shaped moonstone in closed back settings designed as a sevigne bow and blossom, suspends a detachable briolette cut citrine concentrically suspended by diamond pendant, diamonds approx. 1.70 cts. TW, moonstone 10.5 x 10.5 mm., silver with gold joints, ca. 1790. Revised findings, possibly pendant drop, ca. 1890. Cased by Parkes, 12 + 13 Vigo Street, Regent St., London. 2 1/4”. 17.3 gs. Note: Parkes & Co., founded in 1777, dealt in fine jewelry, antiques, silver and curiosities, frequented by James McNeill Whistler.

$2,500–4,500

1 0 8 8 : G E O R G I A N D I A M O N D A N D N A T U R A L P E A R L P E A C O C K E A R R I N G S

Stylized peacock with old mine cut and rose cut diamond plumage and tails and natural untreated near round saltwater drilled pearls, 6.62 x 6.48 mm. and 6.92 mm. (GIA report #6177208643). Diamonds approx. 2 cts. TW, in silver-topped gold, later post backs. In James Robinson box.

$4,000–6,000

1 0 8 9 : T W O L A T E G E O R G I A N D I A M O N D A N D G E M S T O N E B R O O C H E S

Foil backed diamond silver bow and wreath with emerald pendant drop; Stylized diamond and ruby serpents guard an amethyst among diamond and emerald foliage, silver-topped gold. Old mine cut diamonds, approx. 4.50 cts. TW. Largest 2”. 27 gs. GW

$1,500–2,500

1087

1088

1089


1 0 9 0 : T H R E E P A I R S G E O R G I A N O R V I C T O R I A N P A S T E E A R R I N G S

French silver chandelier and fringe earrings with patented post and clutch findings; French silver chandelier earrings inked culets French screw back for unpierced ears, 3 1/2”; Unmarked yellow pastes in silver with early screw back for unpierced ears. Drop 3” - 3 5/8” Provenance: Collection of Dora Jane Janson.

$2,000–3,000

1 0 9 1 : C O L L E C T I O N O F G E O R G I A N P A S T E J E W E L R Y

Silver foil backed clear paste dove and bow motif stomacher; Yellow gold and silver foil backed clear paste bow brooch with round cluster drops; Gold tone comb with scrolling foliate paste decoration. Second half 18th - early 19th c. Unmarked. Comb 4 1/2” x 7”. 12.9 dwt. Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1 0 9 2 : L A T E G E O R G I A N A M E T H Y S T B L O O M E D G O L D N E C K L A C E

Seven oval faceted amethysts in beaded cut-down collets joined by seven-strand multi-chain with cannetille details and foil-backed amethyst box clasp. 15k bloomed gold, unmarked. 16”. 37.9 dwt. Retailed by Marshall Field & Company, Antique Jewelry Collection, box with description.

$1,000–1,500

1090

1091

1092


1 0 9 3 : G E O R G I A N F L A T C U T G A R N E T G O L D N E C K L A C E

Leafy links suspend a cruciform ornament detachable for brooch wear. Unmarked, approx. 10k. 13 1/2”. 18 dwt. GW. Fitted case, marked for Ares Antiques, NY. Provenance: Collection of Dora Jane Janson.

$1,500–2,500

1 0 9 4 : 1 8 T H C E N T U R Y F R E N C H P A S T E S I L V E R C R O S S N E C K L A C E

Circular and cushion cut pastes in closed settings, foil backed with inked culets, ca. 1784. French silver marks. 17”, drops 4”. Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1093

1094


1 0 9 5 : C O L L E C T I O N O F G E O R G I A N , V I C T O R I A N A N D A R T D E C O P A S T E J E W E L R Y

Nine pieces: Two necklaces, five brooches, a revised shoe buckle and finding. Pieces of note include Art Deco carved glass “emerald” and “diamond” pendant on link chain; Edwardian foil backed clear paste scrolling floral and foliate link necklace; Three giardinetto clear paste brooches; Blue foil backed paste spray bow brooch with drop; Multicolored paste giardinetto brooch; Revised shoe buckle brooch; Paste finding mounted in gold toned metal; Others mounted in silver. 1780-1920. Unmarked. Largest 16 1/2”. 203.9 gs. GW (silver items). Provenance: Collection of Dora Jane Janson.

$1,200–1,800

1095

1096

1 0 9 6 : G E O R G I A N O R V I C T O R I A N P A S T E O R S T E E L J E W E L R Y

Seven pieces: Four necklaces, two pendants and a ring. French silver and cut steel necklace with cobalt blue enamel; English paste and blue enamel necklace, sterling, 1778; Floriform link paste necklace, silver topped gold; Floral link paste necklace; French paste ring, silver topped gold, size 5 3/4”; Silver jointed pendant with pastes and turquoise, 2 3/4”; Multicolored paste floral bouquet pendant, 1 1/2”. Necklaces 15 1/4” - 15 1/2”. 188 gs. Provenance: Collection of Dora Jane Janson.

$1,500–2,000


1 0 9 7 : G E O R G I A N A N D V I C T O R I A N G R E E N P A S T E S I L V E R J E W E L R Y

Four pieces: Necklace separable to three bracelets; Necklace suspends dove motif pendant; Circular cluster and crescent link necklace; Articulated brooch, later clasp. All unmarked. 21” necklace separates to three 7” bracelets. 164.6 gs. Provenance: Collection of Dora Jane Janson.

$2,000–3,000

1 0 9 8 : T W O G E O R G I A N B E R L I N C A S T I R O N B R A C E L E T S

Gothic link example with floral bosse above mirror steel clasp, unmarked, attributed A.F. Lehman; Rococo example with circular central ornament of delicate grillwork. 1800-1830. Unmarked. 7 1/4”. Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1097

1098


1 0 9 9 : U N C O M M O N L Y L O N G G E O R G I A N K N I T T E D G O L D R O P E A N D S L I D E

Tubular knitted 18k gold rope suspends oblate cannetille beads, triple loop bow-form cannetille slide centers heart shaped cartouche, monogrammed (conjoined) AM and RF. 18th c. 60”, 1” beads. 71.6 dwt. Provenance: Collection of Dora Jane Janson. Literature: Redington, Ginny. Georgian Jewelry, 1714-1880. Antique Collectors Club Dist. 2007. Pg. 112; Dietz, Joselit, Smead, Zapata. The Glitter and the Gold. Newark Museum. 2006. Pg 76. (Similar examples)

$4,000–6,000

1 1 0 0 : T H R E E G E O R G I A N Y E L L O W G O L D S T R A P B R A C E L E T S

Hand painted portrait miniature of a young girl with woven blonde hair closure; Paste cluster with monogrammed closure “E.R.M.”; Floral engraved plaque, closure on engraved strap; All on flat link bracelet. Late 18th-early 19th c. Portrait stamped “C. Steward” on reverse. Largest 6 3/4”. 35 dwt. GW. Provenance: Collection of Dora Jane Janson.

$1,800–2,400

1099

1100


1101

1102

1 1 0 1 : L A T E G E O R G I A N J E W E L E D G O L D H A I R O R N A M E N T I N C A S E

Designed as a floral and wheat spray in bird headed posy holder. En tremblant blossoms set with aquamarines, pink and yellow topaz and enamel, steel aigrette pin. Probably Vienna, ca. 1820. 18k, unmarked. 8”. 22.6 dwt. In original fitted case. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #52.

$4,000–6,000

1 1 0 2 : G E O R G I A N W O V E N H I G H C A R A T Y E L L O W G O L D N E C K L A C E

Finely woven wire chain apportioned by cannetille stations and closure, join girandole ornament suspending three drops, two with later shepherd’s hook wire backs for use as earrings, ca. 1880. Unmarked. 17”. 21 dwt. Literature: Redington, Ginny. Georgian Jewelry, 1714-1880. Antique Collectors Club Dist. 2007. Pg. 112. (Similar example).

$2,500–3,500


1103

1104

1105

1 1 0 3 : N I N E P I E C E S O F 1 8 T H O R 1 9 T H C . M O U R N I N G J E W E L R Y , I N C L . G O L D

Woven blonde hair necklace and earring suite with yellow gold findings; Blue enameled and gold ring reading “c’est pour la vie”, framed by paste in yg. mount; Oval pendant brooch with hand painted macerated hair classical scene reading “To Bliss” and “Not lost but gone before”, mounted in yellow gold; Yellow gold portrait miniature frame with scrolling foliate grapevine surround and applied figural dove, Emu and Kangaroo; Hand chased yg. buckle ring with hinged opening to reveal woven hair; Two hand painted unmounted portrait miniatures under glass. Late 18th - mid 19th c. Pendant brooch inscribed on reverse “Cha. Greenwood died 1 January 1788 Aged 45”. Hair ring with interesting faux English marks for 15ct. Hair necklace 18”. 38.4 dwt. GW (items with gold). Hair suite in original “E. Jackson Goldsmith Jeweler & Fancy Hair Worker” box. Provenance: Collection of Dora Jane Janson. Literature: Redington, Ginny. Georgian Jewelry, 1714-1880. Antique Collectors Club Dist. 2007. Pg. 165. (Similar example)

$2,000–3,000

1 1 0 4 : T W O 1 8 T H C E N T U R Y M O U R N I N G J E W E L S W I T H D I A M O N D S

Cushion shaped blue enamel ring top centers rose cut diamond urn, diamond surround; French pinchbeck portrait miniature of a woman on velum, the obverse a diamond motto “C’est tout ce qui me reste” (that’s all I have left) on a ground of hair; Unmarked. Pendant: 1 5/8” x 1 1/8”, Ring: Size 6 to base of bail. Provenance: Collection of Dora Jane Janson.

$1,500–2,000

1 1 0 5 : T W O G E O R G I A N H A I R A N D W H I T E E N A M E L G O L D M O U R N I N G R I N G S

Reserves with woven blonde hair or painted hair urn and weeping willow scene both under shaped crystals, mounted in yg., white enameled band describing deceased. Dated 1776, 1777. 4.2 dwt.

$2,200–2,800


1 1 0 6 : G E O R G I A N E N A M E L A N D S E E D P E A R L S W A G N E C K L A C E

Circular and navette shaped enameled yg. panels, closure depict classical ladies and garden scenes framed by strung seed pearls, joined en esclavage by three rows of ornamental yellow gold chain, ca. 1820. French or Swiss enamels. Unmarked. Shortest row 18”. 38.6 dwt.

$2,500–3,500

1 1 0 7 : G E O R G I A N M A S Q U E R A D E J E W E L E D A N D E N A M E L E D G O L D R I N G

Masked woman’s face with diamond eyes and rose cut diamond border hinges to reveal enameled heart and message “Pour Vous”, ca. 1760, replaced shank. Unmarked. Size 6 1/2. 1.6 dwt. Provenance: Collection of Dora Jane Janson.

$1,200–1,800

1106

1107


1 1 0 8 : C E N T E N N I A L E X H I B I T I O N C A M E O A N D W E D G W O O D C A M E O

George Washington bust shell cameo gold brooch, the reverse inscribed “Julia T. Curltin from R.G.C. cut in the Italian Dept. Centennial, 1876”, 1 5/8” x 1 3/8”; Gold pendant mounted Wedgwood memorial cameo of English poet Edward Young, date mark 1878, 3” x 1 15/16”. Provenance: Collection of Dora Jane Janson.

$600–800

1 1 0 9 : J A M E S T A S S I E G L A S S P A S T E C A M E O , G L A S G O W U N I V E R S I T Y

Glass paste cameo by James Tassie in gilt silver Anderson prize medal for Natural Philosophy, University of Glasgow, presented to Archibaldo Arthur, M.A., 1770. Fitted with bail, brooch and findings. 2” x 1 3/4”. Note: Similar example REF. H.1982.24 National Museums Scotland. Provenance: Collection of Dora Jane Janson.

$600–800

1 1 1 0 : T W O G E N T L E M A N ’ S H A R D S T O N E R I N G S , I N C L . T I F F A N Y & C O

Tiffany & Co. 18k yg. and lapis ring; Black and white carved hardstone cameo of two men in 14k yg. mount. Early to mid 20th c. Lapis ruby stamped Tiffany & Co. Sizes 8 1/2 and 10 3/4. 17.7 dwt.

$1,200–1,800

1 1 1 1 : F I V E C A M E O S F O R T H E C O L L E C T O R

Four cameo brooches, and one unmounted cameo: Carved agate Medusa cabinet cameo in deep relief, ca. 1880, 1 5/8” x 1 3/8” x 1”; Silver mounted Edwardian amethyst glass cameo brooch with baroque pearl pendant by Bill Tendler, made for Dora Jane Janson after an Art Nouveau design by René Lalique, signed Tendler, 3 1/4”; White onyx profile portrait of Napoleon as Caesar, modern gold frames, 2 3/8”; Head of Medusa carved shell in Italian Archaeological Revival style 18k brooch mount, 19th c., 2 1/2”. Two gold cameos: 48.9 dwt. GW. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #4, 5, 11.

$1,800–2,400

1108

1109

1110 1111


1 1 1 2 : S E V E N P R E C I O U S G E M S T O N E A N D D I A M O N D S T I C K P I N S

Pear shaped emerald, 10.8 x 7 mm., in diamond platinum cap gold stem; Pear shaped pearl, 12 x 8 mm., in diamond cap silver-topped gold; RBC red spinel, 7.2 mm., and diamonds in gold; RBC sapphire 5 mm., framed by diamonds in platinum on gold; RBC diamond, .45 ct., in gold Belcher setting; RBC diamond, approx. .50 ct., and four accent diamonds in platinum; Diamond platinum pinwheel on gold. Diamonds approx. 2.50 cts. TW. Ca. 1890-1930. 10.3 dwt.

$1,500–2,000

1 1 1 3 : C O N R A D H E C K E L A U S T R I A N C R Y S T A L C A S E D S I L V E R W A T C H

Faceted crystal coffer and polychrome enameled silver reveals a verge movement, signed Conrad Heckel, Wien #640, 1750-1785, key wound and set, 65 x 35 x 25 mm., case bears assay office strike for Vienna.

$3,000–4,000

1 1 1 4 : B U R N S C L U B O F B A L T I M O R E G O L D S N U F F B O X

18k gold engraved with thistles and foliate borders, Presented to A. Hussey. The obverse inscribed stanza from “Epistle to J. Lapraik, An Old Scottish Bard” by Robert Burns. 1839. 2 5/8” x 1 5/8” x 5/8”. 47.1 dwt. Provenance: Collection of Dora Jane Janson.

$1,400–1,800

1 1 1 5 : N A T U R A L B L U E S A P P H I R E I N T A G L I O S I G N E T R I N G

Buff-top cut sapphire, 11.47 x 10.48 x 4.67 mm., 6.5 cts. by formula, quartered armorial crest. Tapered 14k yg. mount, 20th c. Size 8. 8.7 dwt.

$1,500–2,500

1112

1113

1114

1115


1116

1117

1 1 1 6 : C O L L E C T I O N O F 3 2 S T I C K P I N S , M O S T G O L D

14k and 10k examples includes the moon, a devil, 1860 gold dollar on g.f. stem, oyster and seed pearl, gold nugget, coral cameo, cat’s eye chrysoberyl, aquamarine, diamond, etc. Enameled silver strawberry vinaigrette with g.f. mount, ca. 1850. 1850-1960 (most ca. 1900-1930). 33.8 dwt. (gold elements)

$1,000–1,500

1 1 1 7 : A N T I Q U E G O L D N O V E L T I E S A N D S T I C K P I N S , I N C L . G O L D

Twenty-two pieces: Eight stickpins, four brooches, two safety pins, a single cufflink, an enhancer, two pendants and four loose scarabs. Pieces of note include four green enameled brooches in Egyptian Revival style, foliate and floral motifs, some set with seed pearls, diamond or coral; Two lingerie pins with seed pearls; Single Krementz terrier cufflink; Hummingbird head in roped gold pendant; Carved ebony Blackamoor enhancer gem-set with emeralds, seed pearls, ruby and coral hat; Victorian silver pendant locket with garnets; Whiteside and Blank amethyst and seed pearl Art Nouveau stickpin; Insect, seahorse, dragon and classical motif stickpins, some with gems including diamonds, sapphires and pearls; Etc. 10k-14k. Late 19th - early 20th c. Hummingbird inscribed on reverse “12th May 1870”, Whiteside & Blank cypher on stickpin. 10k-18k. Hummingbird pendant 1 1/2” x 1”. 34.5 dwt. GW (items with gold). Provenance: Collection of Dora Jane Janson.

$1,500–2,000


1 1 1 8 : A R C H A E O L O G I C A L R E V I V A L G O L D , E M E R A L D A N D P E A R L C O L L A R

Central element formed in two parts, granulated bloomed gold set with a bright emerald cabochon, suspends 12.2 mm. pear shaped river pearl, four-row woven gold braid joins a similar emerald set back ornament, emeralds approx. 5.80 cts. TW, twice clasped, ca. 1880. Unmarked, approx. 15k. 14 1/4”. 29.5 dwt. In original fitted leather case.

$3,250–3,750

1 1 1 9 : T W O 1 4 K G O L D B E A D N E C K L A C E S A N D A S E R P E N T B R O O C H

Two Victorian 14k yg. necklaces with graduated beads, 3.7 - 7.5 mm., applied rope work decoration, late 19th c. 15”; Egyptian Revival 14k gold serpent lapel brooch suspends serpent framed carved opal scarab pendant on serpent bail, Allsopp & Allsopp, ca. 1925, 2 1/4”. 28.0 dwt.

$1,400–1,800

1 1 2 0 : C O L L E C T I O N O F A N T I Q U E C A M E O S , I N C L . G O L D

Eight Cameos: Includes shell, glass and vulcanite carved or molded in classical scenes or portraits, some mounted in gold. Pieces of note include carved hardstone Medusa head cameo, cat. #6; Molded glass Bacchus cameo, cat. #12; Carved shell carting scene cameo mounted in gold filled frame, etc. Late 19th-20th c. Largest 2” x 2 3/4”. 38.3 dwt. GW (items with gold). Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971.

$1,000–1,500

1118

1119

1120


1 1 2 1 : C O L L E C T I O N O F A N C I E N T J E W E L R Y O R F R A G M E N T S

Nine pieces: Victorian 14k gold double cufflinks set with antique Roman stone seals; 22k earring set with ancient glass tablets; Egyptian tubular faience bead necklace with 18k gold wine jar pendants and ancient glass beads; Victorian g.f. necklace with demilune Venetian glass tablets; Persian carved and gilt seal in silver brooch, ancient faience in silver pendant; 14k gold fringe necklace with ancient Egyptian scarabs, turquoise and lapis fringe, ca. 1900. 35.7 dwt. GW (gold elements)

$1,000–1,500

1 1 2 2 : C A R N E L I A N I N T A G L I O 1 8 K G R A N D T O U R S O U V E N I R B R A C E L E T

Seven cushion shaped carnelian intaglios depict mythological subjects, chased gold, half bead joints and clasp, safety chain, ca. 1880. Unmarked. 7” x 9/16”. 16.9 dwt.

$1,000–1,500

1121

1122


1 1 2 3 : V I C T O R I A N C O R A L 1 8 K G O L D F R I N G E N E C K L A C E

Button shaped coral and gold links suspend graduated baton shaped coral drops, ca. 1880. Unmarked. 14” x 1 7/16”. 64.8 gs. GW.

$3,500–4,500

1 1 2 4 : V I C T O R I A N O R A R C H A E O L O G I C A L R E V I V A L G O L D J E W E L R Y

Citrine and white enameled pendant with applied rope work and granulation on carved coral and roped yellow gold link chain; Bangle bracelet with ornamental flanged edges, applied rope work and granulation. 10k-14k. Mid 19th c. Bracelet accommodates 7”, necklace 16”. 29.3 dwt. GW. Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1 1 2 5 : A R C H A E O L O G I C A L R E V I V A L C A M E O G O L D P E N D A N T B R O O C H

Large carved shell cameo depicts a cluster of floating sprites with diaphanous veils, signed B. Read. 18k bloomed gold oval setting and unique detachable bail with granulation and roped gold details, ca. 1880. Unmarked. 2 1/2” x 2 1/4” plus 1 1/8”. 24.5 dwt.

$900–1,200

1123

1125

1124


1 1 2 6 : T W O V I C T O R I A N L A R G E M Y T H O L O G I C A L C A M E O B R O O C H E S

Both depict Nike and Goddesses leading the four horses of the sun. Carved helmet shell example in bloomed 15k gold Archaeological Revival frame, ca. 1875; Conch shell example in engraved scroll and blue enameled 14k gold, ca. 1850. Unmarked, retailed by Cameo Corner, London. Largest 2 7/8” x 2 5/16”. 43.3 dwt. GW. One in original box.

$1,400–1,800

1 1 2 7 : T W O I T A L I A N G R A N D T O U R G O L D B R O O C H E S

Very fine Roman floral bouquet micromosaic on black ground, 18k gold mount; Deeply carved Sardonyx cameo of a man with oak laurel and pelt, 10k gold mount. Ca. 1850-1870. Both 2” x 1 1/2”. Both unsigned.

$800–1,200

1 1 2 8 : V I C T O R I A N M I C R O M O S A I C B R A C E L E T A N D B R O O C H

Oval link bracelet depicts flower basket and butterflies on graduated micromosaic panels in yg. scrolling acanthus frames; Oval micromosaic brooch depicts snake eating dove mounted in yellow gold. Italian, ca. 1870. Unmarked. Bracelet 7 1/4” x 1 1/2”, brooch 1 1/4” x 1 1/2”. 23.2 dwt. GW. Provenance: Collection of Dora Jane Janson.

$1,500–2,000

1126

1127

1128


1 1 2 9 : F R E N C H C O R A L C A M E O A N D E N A M E L E D S I L V E R I V Y B R A C E L E T

Six oval carved coral Neoclassical female busts among scrolling green enameled silver and applied yellow gold naturalistic ivy vine. Mid-late 19th c. French control marks for 800 silver, unidentified maker mark “AL” 7” x 1 1/4”. 66.3 gs. Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1 1 3 0 : G E O R G I A N A N D V I C T O R I A N C A M E O A N D G O L D J E W E L R Y

Three pieces: Victorian enameled 15k gold bracelet with three portrait cameos en esclavage; Two 14k Georgian shell cameo brooches include deeply carved and undercut Cybele on a chariot pulled by lions, and bearded Greek philosopher. Bracelet retailed by Cameo Corner, Ltd., London, Bracelet 7” x 1 5/8”, Brooches 3”, 1 1//8”. 25 dwt. Bracelet in original box.

$1,500–2,000

1 1 3 1 : V I C T O R I A N W O V E N Y E L L O W G O L D G E M - S E T S E R P E N T A R M L E T

Flexible coiled serpent set with turquoise and ruby head, open mouth with protruding tongue. Mid 19th c. Unmarked. Accommodates 8”. 19.6 dwt. Provenance: Collection of Dora Jane Janson.

$1,400–1,800

1129

1131

1130


1 1 3 2 : A N C I E N T S T O N E P O R T R A I T C A M E O P E N D A N T , J U L E S W I E S E

Cameo Roman noble woman, second century AD, worked 18k gold oval pendant mount, ca. 1860. Marked Wiese, French import mark for 18k, minimum assay, ca. 1893. 2” x 1 3/8”. 17.5 dwt. On later silver chain. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #1.

$2,000–3,000

1 1 3 3 : A R C H A E O L O G I C A L R E V I V A L G O L D B U L L A , L E O . I N N O C E N T I

18k hinged oval form with applied wirework and granulation, a naturalistic beetle centers the dished cover, applied gold monogram JLE on reverse reveals glazed chamber, ca. 1875. Applied mark Innocenti, for Leopoldo Innocenti, Piazza Trinita Dei Monti, Rome. 2 1/8”. 18.8 dwt.

$2,400–2,800

1 1 3 4 : A R C H A E O L O G I C A L R E V I V A L G O L D B R O O C H , M E L I L L O A T T R .

Designed in the “Campana” style, a square sectioned panel with nine intricately granulated beads and wirework flanked by circular elements with granulated blossoms. Unsigned. 1 3/4” x 11/16”. 6.4 dwt. Literature: Christie’s, Magnificent Jewels, May 16, 2012, Geneva, lot 136 (similar work by Giacinto Melillo).

$1,000–2,000

1 1 3 5 : I N S E C T M I C R O M O S A I C G O L D E A R R I N G S A N D B R O O C H

Revival style earrings with conical drops, shepherd’s hook backs and gold mounted circular brooch with antique Italian beetle micromosaics. 20th c. mounts. Earrings stamped 750 with unidentified makers mark, brooch pin stamped with illegible European gold control mark. Earrings drop 2’, brooch 1 1/4” around. 17.0 dwt. Provenance: Collection of Dora Jane Janson.

$1,200–1,800

1134

1133

1132

1135


1 1 3 6 : E T R U S C A N R E V I V A L 1 8 K G O L D A N D L A P I S F R I N G E N E C K L A C E

Loop in loop chain with tubular and round beads suspending oval links with applied twist wire decorations and granulation alternating with openwork florette links with lapis beads, ca. 1880. Later spring clasp. Unmarked. 14”. 20.8 dwt.

$5,000–7,000

1 1 3 7 : A S S Y R I A N R E V I V A L E N A M E L E D G O L D M E R M A I D E A R R I N G S

Hollow formed as arched mermaids, jewel toned enamel headdress and necklace and black enamel details, ca. 1850. Approx. 15k. Unmarked. 7.6 dwt. In fitted case. Provenance: Collection of Dora Jane Janson.

$2,500–3,500

1136

1137


1 1 3 8 : S E T O F 2 4 M I C R O M O S A I C G O L D B U T T O N , P A P A L S T A T E S

24 round buttons with floral motifs 18k gold, 1815-1850. Papal States marks. 5/8”. 37.7 dwt. GW. In original case.

$8,000–10,000

1 1 3 9 : V I C T O R I A N I T A L I A N M I C R O M O S A I C S P A N I E L B R O O C H

Rectangular micromosaic of shaped and multi-colored tesserae, engraved 18k gold frame, gold filled pin stem, ca. 1840. 1 1/8” x 1 5/8”

$2,800–3,200

1138

1139


1 1 4 0 : O L D M A S T E R S R O M A N L A N D S C A P E M I C R O M O S A I C B R A C E L E T

Five exceptional Roman landscape micromosaics on blue ground in 18k yellow gold conforming links, souvenir of Rome, depicts five Italian landscape paintings, 17th and 18th c. Each reverse inscribed with the artist’s name and exhibition location, incl.: Salvator Rosa at the National Gallery of Londres, and the Academy of St. Luca; Claude de Lorraine at the Galleries of Prince Canino and Prince Doria; Vernet at the Gallery of Prince Borghese, 1828. 7 1/8” x 1 1/4”. 81.3 dwt. GW. In original box embossed with coronet and gothic PE below coronet. Provenance: Collection of Dora Jane Janson.

$7,000–9,000

1 1 4 1 : P E R S I A N T U R Q U O I S E A N D D I A M O N D 1 8 K G O L D L O C K E T

Archeological Revival locket and bail set with turquoise cabochons and rose cut diamonds, roped gold details, bloomed finish, ca. 1870, probably English. Unmarked. 2 3/4” (above bail) x 1 5/8”. 24.1 dwt.

$1,200–1,800

1140

1141


1 1 4 2 : T W O M I X E D M E T A L H U N T M O T I F W A T C H C H A I N S

Both rusticated branch links 18k gold and silver, one depicts six hounds cornering a boar, two gold swivels; One depicts three hounds chasing a stag, gilt metal swivel. Join to form a necklace. Ca. 1848. 11 1/4” and 9”. 48.2 dwt. GW. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat #34; Vever, Henri. Henri Vever: French Jewelry of the Nineteenth Century. Thames & Hudson. 2001. Pgs. 370, 414 (possibly designed by Hubert Obry or Neville).

$1,800–2,800

1 1 4 3 : F I V E V I C T O R I A N H U N T O R A N I M A L J E W E L S

Enameled 18k and sterling enhancer depicts a stag and three hounds (revision); Silver and 10k gold boar brooch, after Hubert Obry; Fob, 14k ruby eyed monkey mother and child with pot, vacant carnelian seal; Fob in the form of a hound, 18k sterling, vacant carnelian seal; Patinated bronze brooch depicts hound among ivy bower, gold and silver enhancer. All unmarked. Longest 2 1/2”. 10.6 dwt. GW. Reference: Vever, Henri. Henri Vever: French Jewelry of the Nineteenth Century. Thames & Hudson. 2001. Pg. 44 (Animal studies for charms and pins by Hubert Obry). Provenance: Collection of Dora Jane Janson.

$1,500–2,000

1 1 4 4 : E N A M E L E D Y E L L O W G O L D D O V E A M O N G I V Y P E N D A N T

Oval pendant with applied green enameled ivy vine and foliage surrounding perched figural dove with outstretched wings in shaded pink and white enameling, blue ribbon tied at neck. 18k. Late 19th c. Unmarked. 2 1/2” x 1 1/2”. 13.6 dwt. Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1142

1143

1144


1 1 4 5 : E L A B O R A T E G O L D A N D S I L V E R R E N A I S S A N C E R E V I V A L J E W E L

Assembled necklace composed of a Hungarian gilt silver enameled and jeweled festoon necklace, ca. 1880, suspends anthropomorphic 18k gold monkey in green enameled hood with fife and drum, astride a prancing purple enameled 18k gold steed, monkey and horse embellished with rubies. Necklace with French import marks for silver, 1893-1984, 19”, gold ornament 2”. Gold approx. 12 dwt. Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1 1 4 6 : V I C T O R I A N N A T U R A L C O R A L T I A R A A N D B R O O C H

Polished coral branches and beads post set and arranged on gilt metal frame, ca. 1860, likely Italian. Unmarked. Tiara 18 3/8”, brooch 2 1/2” x 1 7/8”. 99.1 gs. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat #52. (Similar example).

$1,000–2,000

1145

1146


1 1 4 7 : R E N A I S S A N C E R E V I V A L S A P P H I R E E N A M E L E D N E C K L A C E

Fret cut gilt silver links with turquoise and oxblood enamel join graduated natural blue sapphires in closed settings, enameled obverse green quatrefoils on black ground, sapphires 12.7 x 12.4 mm - 5 x 3.4 mm., ca. 1900. Unmarked. 20”. 42.6 gs.

$2,000–3,000

1 1 4 8 : E N A M E L , G O L D , D I A M O N D A N D P E A R L N E C K L A C E , A F T E R G I U L I A N O

Enameled pendant with seed pearls and rose cut diamond cluster suspend from five strands of cultured pearls, Florentine style enameled gold and diamond terminals and clasp, ca. 1938. Later pearls. Unmarked. 16”, drops 2”. 38.4 dwt.

$3,500–4,500

1 1 4 9 : T W O R E N A I S S A N C E R E V I V A L B R O O C H E S W I T H F R E N C H M A R K S

Glazed cartouche and hair chamber flanked by angels between a pearl embellished coronet and multi-hued gold floral garland, French import marks 18k and silver, non-treaty country after 1893; Gilt silver brooch, Austro-Hungarian 1867-1872, depicts Joan of Arc, flanked by harpies and a cherub (losses). 57.7 gs. GW. Provenance: Collection of Dora Jane Janson.

$1,200–1,800

1147 1148

1149


1 1 5 0 : F R O M E N T - M E U R I C E R E N A I S S A N C E R E V I V A L B R A C E L E T

Parcel gilt and enameled silver strap bracelet, “Musician Angel of Paradise” stands within an oval blue enamel window flanked by white trifid armed crosses, scroll links with gilt half-bead joints, ca. 1847. Marked Froment Meurice, French import mark for silver, after 1893. 7” x 2” - 1”. 60.4 gs. Note: Francois-Desire Froment Meurice (1802-1855) appointed goldsmith jeweler to the City of Paris in 1839, gold medalist in French industrial Exposition of 1844, this bracelet was likely purchased at the Great Exhibition, Crystal Palace, London, 1856. Provenance: Collection of Dora Jane Janson.

$4,000–6,000

1 1 5 1 : R E N A I S S A N C E R E V I V A L M I X E D M E T A L A N D G O L D B R A C E L E T

Semi-rigid hinged bracelet. Central gold cartouche flanked by reclining semi-nude female figures the openwork and chased strap with vegetal motifs. Realistic applied floral garland of four color gold and platinum. French import mark for 18k and silver, after 1893, unid. poincon (L/Goblet/P). 7” internal circumference, 1 7/8”, tapers. 87 gs. Provenance: Collection of Dora Jane Janson. Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #36.

$2,000–3,000

1 1 5 2 : R E N A I S S A N C E R E V I V A L S I L V E R B R A C E L E T , J U L E S W I E S E

French silver gilt and garnet bracelet by Jules Wiese / Froment-Meurice, embossed central ornament depicts harpist and angel musician, leafy broad strap, foil backed garnet cabochons, ca. 1850. French marks for silver and Jules Wiese. 6 5/8” x 2 5/16”. 80.2 gs. Literature: Dora Jane Janson. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #36.

$3,000–5,000

1150

1151

1152


1 1 5 3 : R E N A I S S A N C E R E V I V A L J E W E L E D 1 8 K G O L D B R A C E L E T

Flexible fancy links, central oval cat’s eye chrysoberyl, approx. 10 cts., framed by rose cut diamonds on rose cut diamond accented millegrained wires, .76 diamonds approx. 1.25 cts. TW, late 19th c. Unmarked. 1 5/8” x 7/8” x 7”. 60.8 dwt.

$4,000–6,000

1 1 5 4 : C A R V E D M O O N S T O N E G R I M A C E C A M E O A N D D I A M O N D W A T C H

Cabochon moonstone carved as a scowling mask, open face watch on reverse, rose cut diamond bezels on both sides, diamond stem and bail, silver-topped gold, pin set, Swiss movement, ca. 1890. Unmarked, cuvette #12873. 3/4” diameter, 1 1/4” over bail. 6.1 dwt.

$6,500–7,500

1 1 5 5 : V I C T O R I A N E N A M E L E D 1 4 K G O L D , E M E R A L D A N D D I A M O N D H I N G E D C U F F

Broad tapered bracelet centrally set with an oval faceted emerald, 15 x 9 mm., and pearl triplets, rose cut diamond and enamel rows. Retailed by Frank Pollak & Sons, New York, February 24th, 1968. 6 1/2” x 1 5/8”. 34.2 dwt..

$2,000–3,000

1 1 5 6 : I T A L I A N G O L D / S I L V E R , D I A M O N D A N D P E A R L D R A G O N B R O O C H

Bloomed 18k gold dragon after a 16th century design, granulated and ornamented with applied wirework, patinated silver wings and tail set with circular cut diamonds, its breast shielded by blister pearl and diamond cluster, suspending a large pear shaped baroque saltwater pearl. GIA report #16255488 describes Natural Baroque pearl, 16.57 x 14.90 x 11.56 mm. OEC, OMC RBC diamonds, approx. 4.15 cts. TW, ca. 1930. Unmarked. 23.7 dwt.

$10,000–12,000

1153

1154

1155

1156


1 1 5 7 : P A I R O F D I A M O N D A N G E L W I N G S B R O O C H E S

Old mine cut and rose cut diamonds, approx. 6 cts. TW, in silver topped gold, ca. 1880. Detachable brooch and findings (later clasps). 2 5/8” each. 17.6 dwt. Provenance: Collection of Dora Jane Janson.

$2,000–3,000

1 1 5 8 : T I F F A N Y & C O . B O N N E T B A B Y C A R V E D M O O N S T O N E B R O O C H

A chubby cheeked baby wearing a diamond and ruby-set bonnet, a large diamond bow below the chin, silver-topped gold, ca. 1890. Marked Tiffany & Co., scratched #3001. 1” x 7/8”. 4.2 dwt.

$15,000–18,000

1 1 5 9 : T W O E D W A R D I A N G E M S T O N E N O V E L T Y C A M E O G O L D R I N G S

Carved amethyst terrier with enameled eyes and tongue; Carved moonstone cherub mask in onyx surround with OEC diamond quarters, ca. 1900. Both size 7. 7 dwt. Provenance: Collection of Dora Jane Janson.

$1,200–1,800

1 1 6 0 : T I F F A N Y & C O . B O N N E T B A B Y C A R V E D M O O N S T O N E B R O O C H

Jovial baby in a broad ribbon tied bonnet with hatpin, rose cut diamond bonnet with red enameled stripes, diamond bow, pearl pin, ca. 1890. Marked Tiffany & Co. 1 1/8” x 1 1/4”. 4.2 dwt.

$12,000–15,000

1157

1158 1159 1160


1 1 6 1 : F R E N C H D I A M O N D A N D P E A R L G O L D P A R U R E I N F I T T E D C A S E

Four piece suite consists of a hinged bangle, chandelier girandole earrings and a transformable pendant/brooch, with two appliances, geometric and floral garland decorations with old mine cut diamonds, seed pearls and black enamel, approx. 1.75 cts. TW throughout. 1838-1847. French horse and rhino head marks, for 18k. Longest 3 1/4”. 43 dwt.

$3,000–4,000

1 1 6 2 : L A T E V I C T O R I A N D I A M O N D W I L D R O S E B O U Q U E T B R O O C H

Open blossoms, buds, foliage and ribbons full-set with plump old mine cut diamonds, rose cut diamond stem, brooch fittings with trombone clasp, hooks for pendant wear, approx. 10.63 cts. TW. Ca. 1880. 3” x 1 3/4”. 11.4 dwt.

$2,500–3,500

1 1 6 3 : M I D - V I C T O R I A N D I A M O N D B O U Q U E T B R O O C H

Silver-topped 14k gold designed as a floral spray, set with foil-backed OMC and rose cut diamonds in closed settings, diamonds approx. 3 cts. TW. Ca.1855. Unmarked. 2 3/4”. 14.9 dwt.

$1,000–1,500

1163

1162

1161


1 1 6 4 : V I C T O R I A N D I A M O N D A N E M O N E N E C K L A C E A N D E A R R I N G S U I T E

Silver-topped gold OMC diamond set graduated anemone flower heads joined by leafy vining links, earrings designed in the same manner, revised from necklace links, approx. 17.25cts. TW throughout, ca. 1840. Unmarked. 15 1/2”. 66.7 dwt. Note: In the language of flowers, anemones can symbolize anticipation or expectation.

$13,000–15,000

1 1 6 5 : L A T E V I C T O R I A N D I A M O N D A N D R U B Y 1 8 K G O L D L A P E L W A T C H

Oval brooch with rose cut diamond and ruby silver foliage, suspends round watch with rose cut diamond and ruby floriform cover, Neoclassical ornaments. Unmarked Swiss stem wound, pin set movement, white porcelain Roman dial with Arabic hours, rose cut and OMC diamonds approx. 3.40 cts. TW, principal cushion cut ruby, approx. .50 ct., ruby accents approx. .50 ct. TW, ca. 1895. 4 5/8”. 29.4 dwt. GW

$3,000–5,000

1 1 6 6 : F R E N C H 1 8 K D I A M O N D A N D P E A R L B R A C E L E T

One hinged bangle with engraved strap work centrally ornamented with a circular cluster of old mine cut diamonds and pearls, black enamel details. Diamonds approx. 1.50 cts. TW. 1840-1879. French export mark, maker mark A/L. Fits up to 6 3/4”. 30.4 dwt.

$1,500–2,500

1166

1164

1165


1 1 6 7 : M A U V E P E A R L , E M E R A L D A N D G O L D J E W E L R Y A T T R . J . V . M O R E L

Gold grapevine bracelet and brooch with emerald pavé leaves and mauve pearl grape clusters, white pearl and diamond accents, attr. to Jean-Valentin Morel, London, ca. 1850. Similar example: Vever, “French Jewelry of the 19th Cent.”, pg. 352. French import mark, ca. 1893. Hinged bracelet fits 7”, brooch 1 3/4”. 30.2 dwt. Provenance: Collection of Dora Jane Janson, Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #34.

$5,000–7,000

1 1 6 8 : J E W E L E D G O L D G R A P E V I N E N E C K L A C E A T T R . J . V . M O R E L

Rusticated vine links the central elements with emerald pavé leaves, mauve pearl grape clusters, the balance with green enameled foliage gray and white pearl accents. Attr. to Jean-Valentin Morel, London, ca. 1850. Similar example: Vever, “French Jewelry of the 19th Cent.”, pg. 352. French importation mark, ca. 1894. 19 1/2”. 44.2 dwt. Provenance: Collection of Dora Jane Janson, Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat #34.

$8,000–10,000


1 1 6 9 : S W I S S S C E N I C E N A M E L 1 8 K B R A C E L E T R E T A I L E D B Y B I R K S

Five oval links, each luminous enamel Alpine scene within engraved rings and loop, chased box clasp and v-spring, ca. 1890. Most scenes identified on reverse. Clasp incused 18k, Birks. 7 3/4” x 1 3/4”. 37 dwt. GW.

$2,000–3,000

1 1 7 0 : L A T E V I C T O R I A N 1 4 K G O L D A N D P E A R L M O U R N I N G S U I T E

Four pieces: Necklace and bracelet of oval onyx dishes centered by split pearl and gold forget-me-nots; Oval brooch similarly made in quatrefoil design; Ring with similar floriform cluster motif. Ca. 1905. Marked 14k. Necklace 15 1/2”, bracelet 7”, ring size 6 3/4. 56.8 dwt. GW

$1,500–2,500

1 1 7 1 : T H R E E P I E C E S O F V I C T O R I A N G O L D J E W E L R Y

Transformable gold and shell cameo pendant/bracelet; Hollow link necklace suspends blue enameled pendant with hair chamber obverse; Gold girandole brooch with pearl accented “Chinese Fan”, black enamel and drop fringes. 10k-18k. Unmarked. Chain:19”, drops 4 3/4” 75.7 dwt. Provenance: Collection of Dora Jane Janson, Literature: Janson, Dora Jane. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #86.

$1,800–2,400

1169

1170 1171


1 1 7 2 : V I C T O R I A N T R I C O L O R G O L D L O C K E T B R A C E L E T

Complex hinged bangle with central hinged compartment that opens to reveal three photo reserves and suspends slide locket from woven chains which conceal two additional photo reserves, applied green or pink gold on engraved Neoclassical geometric and acanthus decorations throughout, 14k yg., ca. 1865. Unmarked. Accommodates 7”. 42.3 dwt. GW. Original box/packaging/papers: Intact with four original tinted portrait photographs. Provenance: Collection of Dora Jane Janson.

$1,500–2,000

1 1 7 3 : C A R R I N G T O N & C O . Q U E E N V I C T O R I A M O U R N I N G P E N D A N T

Navette shaped crystal protects photographic miniature of the late queen, enameled with years of reign, 1837-1901, and illegible initials on mother of pearl ground, black enamel frame and bail star set with rose cut diamonds. G.F. or low karat gold. 1 3/4”. In original Carrington & Co. leather case

$1,400–1,800

1 1 7 4 : J E W E L E D 1 8 K R I B B O N B O W B R O O C H W I T H D I A M O N D S

Bloomed 18k gold ribbon brooch with platinum accents, set with colorless and fancy color diamonds, emeralds and rubies. Twelve old mine cut or table cut diamonds, approx. 2.0 cts. TW, five rose cut diamonds, approx. .15 ct. TW. Probably Italian, ca. 1885. 2” x 2 1/2”. 10.5 dwt.

$3,000–5,000

1172

1173

1174


1 1 7 5 : C O L L E C T I O N O F V I C T O R I A N M O U R N I N G J E W E L R Y , I N C L . G O L D

Seventeen pieces: Ten brooches, one necklace, four bracelets, a pendant and a hair comb. Pieces of note include a carved onyx and rolled gold bead necklace suspending black enameled oval locket with gold tone engraved foliate and seed pearl flower motif; Six brooches with woven hair in enameled, pearl or onyx set mounts; Pair of black lacquered cuffs with engraved gold tone panels; Woven hair bracelet; Taille d’epargne enameled gold filled brooch, bangle bracelet; Silver hair comb with graduated beads; Blue enameled yg. locket with early photograph interior; Two carved onyx brooches, one with seed pearl buckle; Unmounted Grand Tour micromosaic of Pantheon; Gutta Percha brooch with seed pearls, etc. Early-late 19th c. Some pieces engraved for deceased. Necklace 30”. Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1 1 7 6 : A N T I Q U E J E W E L R Y I N V A R I O U S M A T E R I A L S , I N C L . G O L D

Fourteen pieces: Five brooches, three bracelets, three necklaces, locket on chain and a portrait miniature frame. Pieces of note include aluminum and gold tone metal brooch with turquoise accents; Gold tone coiled snake bracelet with branch “gem” set eyes, head; Machine engraved portrait miniature gold filled frame; Fancy two-tone foliate link necklace; Engraved gold filled locket with glass cabochon accents on antique chain; Bangle bracelet with steel panels, faceted steel center; Gold filled locket with duel tintype photo on antique stag head watch chain; Silver articulated fish form snuff; Archaeological Revival blue enameled brooch with seed pearls; Enameled yg. coiled serpent brooch with ruby eyes and suspended tassels; Blue and white enameled yg. foliate brooch. 18th-early 19th c. Largest 16”. 33.8 dwt GW (items with gold). Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1175

1176


1 1 7 7 : V I C T O R I A N A N D E D W A R D I A N G O L D J E W E L R Y

Three pieces: Victorian mesh garter bracelet and companion brooch with carved coral cameo, foxtail fringe, black incised enamel details, brooch fitted for necklace wear; Woven mesh bracelet with amethyst and four OMC diamonds, approx. .70 ct. TW. 1875-1905. Bracelets 7”, brooch 4 1/8”. 58.8 dwt.

$2,000–2,500

1 1 7 8 : R E N A I S S A N C E R E V I V A L S I L V E R J E W E L R Y

Five pieces: Two Hungarian jeweled and enameled gilt silver necklaces with amethysts and pearls or chrysoprase and pearls; A lapel pin suspends three enameled swans on a pond of green pastes; Cherubs and garnet brooch, French marks; Gilt silver with pearls brooch depicts a lute playing woman and musical angels. 19th-20th c. Unmarked. Necklaces: 17” - 18”, longest brooch 2 1/8”. 170.7 gs. GW. Provenance: Collection of Dora Jane Janson.

$900–1,200

1177 1178


1 1 7 9 : V I C T O R I A N T U R Q U O I S E P A V E O R G A R N E T P A V E J E W E L R Y

Eight pieces: Two necklaces, two bracelets, two brooches, and a pair of earrings. Turquoise pavé bombé link necklace and similar teardrop earrings gold filled; hollow-formed gold brooch with turquoise, seed pearls; Two gold filled Bohemian garnet hinged bracelets; Star motif garnet brooch; Five-row bicolor gold filled ribbon necklace with garnet clasp. Late 19th century. Turquoise necklace 15”.

$1,500–2,000

1 1 8 0 : V I C T O R I A N B L O N D E B A N D E D A G A T E A N D S E E D P E A R L S U I T E

Necklace with graduated gold framed links suspending seed pearl fringe, earrings and brooch designed in the same manner, ca. 1875. Unmarked. Necklace 17”, earrings drop 2 1/2”, brooch 1 1/8” x 1 1/2”. 29.1 dwt. GW. Provenance: Collection of Dora Jane Janson.

$1,400–1,800

1179

1180


1183

1 1 8 1 : I N D I A N S C H O O L P O R T R A I T B R A C E L E T O F P R O M I N E N T W O M E N

Largest and central of seven glazed miniatures, depicts Mumtaz Mahal beloved wife of Shah Jahan. Silver, glass, applied enameled gold monogram D.M. on clasp. 19th c. 7 1/2” x 2”. 71.7 dwt. GW. Provenance: Collection of Dora Jane Janson.

$1,500–2,500

1 1 8 2 : V I C T O R I A N P E R S I A N T U R Q U O I S E G O L D J E W E L R Y

Four pieces: Turquoise mosaic and 18k pendant with cannetille edge and glazed obverse; 14k seed pearl and turquoise fringe necklace; Detachable 18k matching pendant brooch; Round pavé earrings, 14k, for pierced ears. Unmarked. Necklace: 1 5/8” x 1 1/4”. 36.7 dwt. GW

$1,000–1,500

1 1 8 3 : E N A M E L E D S A R P E C H B R O O C H W I T H D I A M O N D S

Enameled 18k brooch in the form of a turban ornament with OMC and rose cut diamonds, approx. 2.25 cts. TW, in silver-topped gold, ca. 1885. Unmarked. 2 1/2”. 13.2 dwt.

$1,000–1,500

1181

1182


1 1 8 4 : J E W E L E D S E R P E N T O N B R A N C H B R O O C H / E A R R I N G S

Turquoise pavé serpent with cushion cut diamond crown entwines rusticated branch with spinel and pearl blossoms. Brooch with diamond, approx. .90 ct.; Earrings with diamonds, approx. .35 ct. TW. Ca. 1845. Silver, unmarked. Brooch 3” x 2”, earrings drop 1 3/4”. 57.5 gs. Provenance: Collection of Dora Jane Janson.

$5,000–7,000


1 1 8 5 : J E W E L E D S E R P E N T A N D B R A N C H B R A C E L E T

Turquoise pavé serpent with cushion cut diamond crown entwines rusticated branches with faceted red spinel and pearl blossoms. Oval cushion cut diamond approx. 1.30 cts. Silver unmarked. Ca. 1845. Ornamental bosse 3” x 2 1/8”, accommodates up to 6 3/4”. 54.1 gs. Provenance: Collection of Dora Jane Janson.

$5,000–7,000


1 1 8 6 : D A V I D W E B B T U R Q U O I S E 1 8 K R I N G A N D B R A C E L E T

Rope textured ring set with oval turquoise cabochon and four old mine cut diamonds, approx. .90 ct. TW; Hinged bangle concentrically prong set with turquoise beads in roped edge concavity. Ca. 1965. Both marked Webb 18k. Ring size 8, bracelet 8” internal circumference. 43.1 dwt.

$3,000–4,000

1 1 8 7 : D I A M O N D A N D P E R S I A N T U R Q U O I S E P L A T I N U M P E N D A N T / B R O O C H

Oval cluster of 24 prong set baguette cut and RBC diamonds on radial wires, approx. 5.5 cts. TW, hinged bail and detachable fur clip findings. #V9099. No maker mark noted. Retailed by Frank Pollak & Sons, New York, February 12th, 1968. 2” x 1 7/8”. 31.5 dwt.

$2,000–3,000

1 1 8 8 : D A V I D W E B B D I A M O N D , 1 8 K A N D P L A T I N U M B R O O C H

Stylized leaf, textured 18k with diamond platinum spine, 14 RBC diamonds approx. .56 ct. TW, ca. 1960. Hinged double pin back, marked Webb 18k Platinum. 2 15/16”. 13.5 dwt.

$1,500–2,500

1 1 8 9 : 1 8 K R O P E D G O L D / P L A T I N U M D I A M O N D R I N G A N D E A R C L I P S

Turban form ring with central diamond pavé dome and diamond ribbons, size 7; Chandelier ear clips with diamond ribbons and accents, 1 1/2”. Diamonds approx. 2.30 cts. TW. Indistinctly marked. 23.1 dwt.

$900–1,200

1186

1187

1188

1189


1 1 9 0 : T W I S T E D 1 8 K W I R E A N D D I A M O N D H I N G E D B R A C E L E T

Semi-rigid tapered design of twisted wire filigree hinged sections, central diamond platinum bypass, approx. 2.70 cts. TW, in the style of Sterle. Tongue marked Tiffany 18k. Accommodates 6 1/2”. 54.5 dwt. In Tiffany & Co. box.

$3,500–5,500

1 1 9 1 : D A V I D W E B B D I A M O N D P L A T I N U M 1 8 K G O L D R I N G

Hexagonal platinum panel and tapered bars set with 24 fine RBC diamonds, approx. 1.35 cts. TW, in fluted yellow gold, ca. 1970. Marked Plat 18k Webb. Size 7 3/4. 14.1 dwt.

$2,500–3,500

1190

1191


1 1 9 2 : G R O U P O F Y E L L O W G O L D D I A M O N D O R G E M - S E T E A R R I N G S

Four pairs: Circular radial design with applied granulation and central bezel set RBC diamond, approx. .50 ct. each; Convex discs with burnished blue and pink sapphire, citrine, peridot and diamonds on matte ground; Huggie with wg. star set diamonds, textured ground; Kieselstein & Cord circular with central dome diamond surround. Diamond melee approx. .45 ct. TW throughout. Second half 20th c. 14k-18k. Largest 7/8”. 31.2 dwt.

$1,500–2,000

1 1 9 3 : 1 8 K G O L D E A R R I N G S , I N C L . H A M M E R M A N B R O S .

Gold “flame” and diamond ear clips by Hammerman Bros., diamonds approx. 1.32 cts. TW, marked 18k, Des in France, HB cypher, 1 1/8”; Lapis and gold geometric earrings for pierced ears, marked 18k, 750, maker mark L, 1”. 22.5 dwt.

$1,000–1,500

1 1 9 4 : T U R Q U O I S E , D I A M O N D , S I L V E R A N D G O L D E A R P E N D A N T S

Spherical drops with bands of circular turquoise cabochons and rose cut diamonds in silver, silver and rose diamond foliate cap surrounds from shepherd’s hook wire backs for pierced ears. Unmarked. Drops 1 1/2”. 12.0 dwt.

$1,200–1,500

1 1 9 5 : D A V I D W E B B L A P I S 1 8 K G O L D R I N G

Bombé ring designed as an asteroid inset with lapis cabochons, ca. 1965. Marked Webb 18k. Size 7. 12.2 dwt.

$1,000–1,500

1192

1193

1194

1195


1 1 9 6 : I T A L I A N 1 8 K G O L D , L A P I S P A S S E M E N T R I E L I N K B R A C E L E T

Substantial solid links join to form an uninterrupted rope, ca. 1960. Italian control marks 15VI and 750. 8” x 7/8” x 1/2”. 67.2 dwt.

$2,000–2,500

1 1 9 7 : D A V I D W E B B C U L T U R E D P E A R L 1 8 K G O L D B R O O C H

Roped gold and post set Japanese saltwater cultivated pearls, 7.6 - 7.05 mm., in the form of a square knot, ca. 1965. Hinged double pin back, marked Webb 18k. 1 15/16” x 1 15/16”. 31.1 dwt.

$1,500–2,500

1 1 9 8 : D I A M O N D A N D G E M - S E T 1 4 K G O L D E A R R I N G S U I T E

Twelve piece transformable earrings. Floriform diamond cluster yellow gold surmount with detachable pear-shaped drops, coral drops, lapis drops, emerald drops, sapphire and diamond cluster links. Diamonds approx. 1.53 cts. TW. Clip backs for unpierced ears. 25.2 dwt.

$1,200–1,800

1196

1197

1198


1 1 9 9 : E N A M E L E D J E W E L E D 1 8 K S E R P E N T R I N G , A F T E R B U L G A R I

18k yg. flexible open coiled stylized serpent, with variegated green enamel scales, white gold head and tail tip set with fine RBC diamonds, approx. .47 ct. TW. Marked 750. Fits size 5 and above. 10.7 dwt.

$1,800–2,400

1 2 0 0 : T W O P A I R S D I A M O N D O R G E M S T O N E G O L D E A R R I N G S

Circular 14k white gold diamond open crosshatch motif earrings; Oval coral center with single cut diamond and turquoise surround, 18k yg. Diamond melee approx. 2.5 cts. TW throughout. Post backs for pierced ears. Second half 20th c. Unmarked. Larger 1” x 3/4”. 17.8 dwt.

$1,500–2,000

1 2 0 1 : T I F F A N Y & C O . Y E L L O W G O L D B R A C E L E T , E N A M E L E D E A R R I N G S

18k braided bracelet; 18k blue enameled oval earrings, 14k screw backs for unpierced ears, attributed to Schlumberger for Tiffany & Co. 14k-18k. Bracelet stamped “T & Co.”, earrings unmarked. Bracelet 17/32” x 7 3/4”, earrings 5/8” x 1/2”. 27.6 dwt.

$1,500–2,000

1 2 0 2 : D A V I D W E B B B L U E E N A M E L E D 1 8 K G O L D E A R R I N G S

Designed as three tiers of fluted enamel navettes. Marked Webb, 18k. 1 1/32” x 3/4”. 20.4 dwt.

$900–1,200

1 2 0 3 : D A V I D W E B B E N A M E L E D 1 8 K G O L D R I N G

Steep bombé ring, concentric reeded gold rows alternate with translucent emerald green enamel, ca. 1965. Marked Webb 18k. Size 7. 13.5 dwt.

$1,500–2,500

1199 1200

12011202

1203


1 2 0 4 : J E W E L E D E N A M E L E D G O L D S U I T E , B O R I S L E B E A U

Four pieces: Trefoil brooch, 2 1/4”; Shrimp shaped clip earrings, 1” x 1/2”; Bombé ring, size 7 1/2. All embellished with diamonds, approx. 2.15 cts. TW, the brooch with five ruby cabochons, approx. 6 cts. TW. Ca. 1960. All elements marked Boris 18k. 63.1 dwt. GW. (Enamel restorations). Provenance: Property from the Estate of a New York City Collector.

$2,500–4,500

1 2 0 5 : C A R T I E R G E M - S E T E N A M E L E D G O L D B L A C K A M O O R B R O O C H

Black enameled head with cream color enameled turban, Persian turquoise topknot, rose cut diamond sarpech and articulated pearl earrings, ca. 1938. Hinged double pin-back. French marks for 18k gold, signed Cartier, Paris, Depose #05980. 1 1/2”. 7 dwt.

$3,000–5,000

1 2 0 6 : L A P I S 1 8 K G O L D J E W E L R Y , I N C L . T I F F A N Y & C O .

Two substantial 14-strand lapis and gold bead torsade bracelets with articulated 18k gold joints, join to form a torsade necklace. Tiffany & Co., Italy, sealife form brooch, lapis pavé bombé with two yg. and sapphire floriforms and platinum and 18k diamond floriform, diamonds approx. .40 ct. TW. Second half 20th c. Necklace 18”, brooch 1” x 1 1/4” x 3/8”. 14.2 dwt. Brooch in box.

$2,500–3,500

1204

1205

1206


1 2 0 7 : E L I Z A B E T H G A G E T O U R M A L I N E A N D S A P P H I R E 1 8 K R I N G

Wide tapered band of textured bloomed gold, applied shot and cut work, roped and bright edge, centrally set with tourmaline cabochon, 17.33 x 13.9 x 8.55 mm., 17 cts. by formula, four sapphire cabochons. Signed Gage, English hallmarks, 18k. Size 7. 13.2 dwt. In original box.

$1,200–1,800

1 2 0 8 : A N G E L A C U M M I N G S R U B E L L I T E A N D O N Y X 1 8 K E A R R I N G S

Each oval earring centrally set with an oval rubellite tourmaline cabochon, 2.5 x 8.3 mm., approx. 9.0 cts. TW, onyx and gold granulation, ca. 1990. Marked Angela Cummings, 18k. 15/16” x 3/4”. 11.6 dwt.

$1,000–2,000

1 2 0 9 : A R T I S A N A L R U B E L L I T E A N D D I A M O N D 1 8 K G O L D R I N G

Fantasy cut deep red rubellite tourmaline, approx. 35.0 cts., claw set in diamond strapped 18k gold, diamonds approx. 1.40 cts. TW, ca. 1980. Unmarked. Size 7 1/2. 15.3 dwt.

$5,000–7,000

1 2 1 0 : G O L D J E W E L R Y W I T H D I A M O N D S

Four pieces: Tourmaline and diamond 18k yg. ring in the style of Sepkus, size 7 1/2; Cat’s eye chrysoberyl and diamond 14k yg. beehive-form earrings for pierced ears; Bicolored gold and diamond link bracelet, marked 14k, 7”. Diamonds approx. 1.25 cts. TW throughout. 34.8 dwt.

$1,500–2,500

1207

1208

1209

1210


1 2 1 1 : S U B S T A N T I A L B L U E S A P P H I R E A N D D I A M O N D 1 8 K G O L D N E C K L A C E

Oval sapphire cabochon, 21.2 cts. (17.44 x 13.92 x 8.45 mm.), framed by 24 RBC diamonds, .58 ct. TW Weights inscribed. 17”. 95.2 dwt.

$9,000–12,000

1 2 1 2 : 1 8 K Y E L L O W G O L D C H A I N A N D G E M - S E T H E A R T M O T I F P E N D A N T

Tubogas chain with pink tourmaline heart pendant, RBC diamond hinged enhancer bail, melee approx. .15 ct. 20th c. 15 1/2”. 61.7 dwt.

$2,000–3,000

1211

1212


1 2 1 3 : T H R E E 1 8 K G O L D O P E N B A N G L E S F O P E G I O I E L L I

Sprung bangles of brick link style with spherical terminals. Rose gold with white and yellow gold terminals, yellow gold with white and yellow terminals, matte white gold with white gold terminals, ca. 2000. Marked Fope, Mod. Dep., Italian control marks, 750. Resting size 6 1/2”. 70.4 dwt. GW

$2,500–3,500

1 2 1 4 : T W O 1 4 K Y E L L O W G O L D H I N G E D B A N G L E B R A C E L E T S

Heavy gauge concentric roped design, concealed v-spring closure. Italian, late 20th c. Italian maker mark “MF”. Accommodates 7”. 40.9 dwt.

$1,200–1,800

1 2 1 5 : C O R A L , O N Y X A N D D I A M O N D W H I T E G O L D E A R R I N G S

Art Deco style cushion shaped coral links suspended by carved onyx rings and white gold and diamond straps, terminate in pear shaped coral drop, diamond melee, approx. .50 ct. TW throughout, 18k wg., back posts for pierced ears, ca. 2000. Italian control marks. Drop 3 5/8”. 11.2 dwt.

$1,000–1,500

1213

1214

1215


1 2 1 6 : M O D E R N I S T 1 4 K G O L D N E C K L A C E

Supple textured ribbon, ca. 1960. Indistinct maker mark, 585 West Germany. 17” x 3/8” x 2/8”. 44.8 dwt.

$1,500–2,000

1 2 1 7 : C O R A L B E A D Y E L L O W G O L D L I O N M A S K T O R S A D E B R A C E L E T

Twelve strands of 3 mm. coral beads join figural tiger heads set with ruby eyes, white gold and diamond accents, concealed lever releases, ring closure, 18k. Late 20th c. 8 1/4”. 72.1 gs. Gold elements: 20 dwt.

$1,000–1,500

1 2 1 8 : L A R G E C O R A L A N D D I A M O N D B U D D H A G O L D P E N D A N T / B R O O C H

Orange coral carved as Buddha meditative radiating diamond and white gold, green gold or onyx rays, resinous frame, diamonds approx. .75 ct. TW, ca. 1960. Double pin back, marked 585, 14k. 2 15/16” x 2”, hinged bail 1/2”. 53.8 dwt. GW

$2,400–2,800

1216

1217 1218


1 2 1 9 : I T A L I A N 1 8 K R O P E D G O L D N E C K L A C E A N D B R A C E L E T

Textured broad cord of gold links entwined by smaller cord forms supple 15 1/2” necklace, 7 1/2” bracelet. Third quarter 20th c. Both marked Italy 18k. 76.6 dwt.

$2,500–3,500

1 2 2 0 : Y E L L O W G O L D W H E A T C H A I N N E C K L A C E A N D B R A C E L E T

18k matte gold bracelet; 14k textured gold link necklace. Bracelet with European control marks. Necklace 19”. 52.8 dwt.

$1,500–2,500

1 2 2 1 : C O L L E C T I O N O F Y E L L O W G O L D O R G E M - S E T E A R R I N G S

Six pairs: Carved coral heart drop earrings; Strung faceted tourmaline and onyx bead flower motif earrings; Ovals with pierced two tone chevron design; Triangular drops with RBC diamond line, approx. .80 ct. TW throughout; Stylized foliate motif in bright and matte finish; Mesh ribbons. Post backs for pierced ears. 14k-18k. 20th c. Four with Italian marks, ribbon earrings with French control mark. Largest drop: 2 1/2”. 34.1 dwt.

$2,500–3,500

1219

1220

1221


1 2 2 2 : O X B L O O D C O R A L 1 8 K D O U B L E S T R A N D N E C K L A C E , B R A C E L E T

Deep red coral double strand necklace, 15.5 - 6 mm., shortest length, 18”, coral bead and chased 18k gold clasp, 113.2 gs. GW; Hinged bangle, lush pierced chasings in the Florentine style, set with three oval red coral cabochons, 19.58 x 14.87 x 8.2 mm. - 11 x 9 mm., ruby floral clusters, 6 1/2” internal diameter, 26.7 dwt. Ca. 1960. Bracelet marked 750, necklace unmarked

$2,000–3,000

1 2 2 3 : H I G H C A R A T G O L D F I L I G R E E B R O A D C U F F

Hinged cuff of hand built leaf and scroll filigree and enamel accents inset with four replica King George 1911 Sovereigns. Unmarked. 2 3/8” tall, 2 1/4” internal diameter. 89.5 dwt. Provenance: Gifted to Princess Marcella Borghese by Sheik Yamani, 1979, through the Borghese family.

$3,500–4,500

1222

1223


1 2 2 4 : D A V I D W E B B M O D E R N G E O M E T R I C P L A T I N U M A N D 1 8 K R I N G

Steep facets rise to a high plateau with stepped triangle, hammered surface, ca. 1970. Marked Webb Plat 18k. Size 7 3/4. 16.7 dwt.

$1,500–2,000

1 2 2 5 : R O B E R T I N D I A N A 1 8 K Y E L L O W G O L D “ L O V E ” R I N G

Attributed to Joan Kron, ca. 1965-1970. Marks lost due to sizing. Size 8 1/2. 21.9 dwt.

$1,000–1,500

1 2 2 6 : A R T I S A N A L G O L D N E C K L A C E A N D B R A C E L E T

14k yellow gold fetter chain with spherical stations, 38” x 3/4”; Sinuous 18k matte gold bracelet of beaded and smooth sections, integral clasp, Italy, 8”. Late 20th c. 55.2 dwt.

$1,800–2,400

1 2 2 7 : D A V I D W E B B M O D E R N S C U L P T E D 1 8 K G O L D R I N G

Stylized stepped knot, planished surface, ca. 1970. Incused Webb, 18k. Size 8. 15.4 dwt.

$1,400–1,800

1224

1226

1227

1225


1 2 2 8 : A B S T R A C T 1 4 K Y E L L O W G O L D D I A M O N D B R O O C H

Converging linear yellow gold rods accented by and suspending baguette and RBC diamonds, approx. 1.65 cts. TW. 20th c. Stamped by the maker “March”. 3” x 3 3/4”. 18.5 dwt.

$3,500–4,000

1 2 2 9 : S T R A N D O F B A R R E L O R D R U M S H A P E D C O R A L B E A D S

29 beads, 23 x 17.5 - 9 mm., hues of orange and salmon, most with white mottling, gilt silver toggle. 16”. 168.4 gs.

$1,500–2,500

1228

1229


1230

1231 1232

1 2 3 0 : L A R G E L A P I S L A Z U L I B E A D 1 8 K Y E L L O W G O L D N E C K L A C E

Strand of 20 lapis beads, 20 mm., with bright conforming gold caps and hexagonal spacers, integral clasp. Marked 18k. 19 1/2”. 358.8 gs. GW

$1,500–2,000

1 2 3 1 : S O N W A I , H O P I , G E O M E T R I C S T O N E A N D C O R A L S I L V E R C U F F

Silver tapered open cuff inlaid with shaped slabs of coral, turquoise, lapis, sugalite, 18k, onyx. Purchased from the artist. Marked Somwai and Butterfly for Sherian Honhongva, Granddaughter of Charles Loloma, ca. 1990. 5 3/8” x 1/2” - 1/8” (tapers). 22.6 dwt.

$1,000–2,000

1 2 3 2 : C H A R L E S L O L O M A H A R D S T O N E A N D C O R A L M O S A I C P E N D A N T

Silver in the form of a stylized bird inlaid with orange and red coral, lapis, onyx, 18k yellow gold. Purchased from the artist, ca. 1990. Signed Loloma. 3 1/16” x 3/4” (tapers). 11.4 dwt.

$1,500–2,500


1233

1234 1235

1 2 3 3 : S I X S T R A N D R E D C O R A L 1 8 K A R T I S A N A L N E C K L A C E

Textural six-strand torsade of randomized red coral branch segments, 24 - 5 mm., unique toggle closure with 2” polished coral branch. Unsigned. 19”. 432 gs. GW

$2,000–3,000

1 2 3 4 : C H A R L E S L O L O M A H A R D S T O N E G O L D A N D S I L V E R M O S A I C C U F F

Silver tapered open cuff with geometric mosaic, Hopi inlay includes lapis, turquoise, coral, bone and 18k gold. Purchased from the artist, ca. 1990. Signed Laloma. 5 1/4” (open), tapers 7/16” - 2/16”. 23.7 dwt.

$4,000–5,000

1 2 3 5 : C H A R L E S L O L O M A , H O P I , H A R D S T O N E M O S A I C G O L D R I N G

Geometric stepped concentric inlay in 18k yellow gold includes lapis, coral, turquoise. Purchased from the artist, ca. 1990. Signed Loloma. Size 6. 12.5 dwt.

$2,000–3,000


1 2 3 6 : D E V R O O M E N E N A M E L , 1 8 K G O L D A N D C I T R I N E B R A C E L E T

Broad hinged bracelet set with two faceted and one sugarloaf citrine in strapped design on russet guilloche enamel ground, 1997. Signed DeVroom with English marks for 18k. 6 3/4” x 1 1/8”. 65.4 dwt.

$3,500–4,500

1 2 3 7 : E N A M E L E D A N D J E W E L E D 1 8 K G O L D S E R P E N T R I N G

Flexible open coil, black and white enameled scales, diamond crown, ruby eyes, open mouth, diamonds approx. .32 ct. Marked 750. Fits size 7 and above. 10.1 dwt.

$1,800–2,400

1 2 3 8 : E N A M E L E D 8 6 5 G O L D H I N G E D B A N G L E B R A C E L E T , T H A I L A N D

Yellow gold with oxblood red translucent enamel with etched flame scroll and engraved scroll edge, ca. 1980. Marked Thip 865 G. Internal circumference 7” x 5/8”. 37.8 dwt.

$1,500–2,000

1 2 3 9 : S E A M A N S C H E P P S T U R B O S H E L L C O R A L A N D G O L D E A R R I N G S

Lustrous white shells with deep orange coral, Fourth quarter 20th c. Marked Seaman Schepps, 750, #15910. 1 1/8”. 12.9 dwt. GW

$1,000–2,000

1236 1237

12381239


1 2 4 0 : S C U L P T U R A L 1 8 K G O L D , C O R A L A N D D I A M O N D F U R C L I P

Textured yellow gold floriform with diamond, white gold accents, button shaped deep orange coral center, 22.77 x 22.92 mm. 2 1/4”. 32.5 dwt.

$2,800–3,400

1 2 4 1 : C O R A L A N D B I C O L O R D I A M O N D 1 8 K W H I T E G O L D P E N D A N T E A R R I N G S

Articulated button shaped orange coral surmount, 13.07 mm., within a halo of colorless diamonds, suspends two champagne diamond links and 35 mm. deep orange coral baton in colorless diamond cap. Diamonds, approx. .76 ct. TW, 18k white gold eurowires for pierced ears. 2 1/2”. 19 dwt. GW

$2,500–3,500

1 2 4 2 : C O R A L A N D D I A M O N D P A V E B E A D N E C K L A C E

Graduated strand of salmon colored coral beads, 14.7 - 4.8 mm., interspersed with twelve rose cut diamond pavé beads and caps, 7 - 6.5 mm., approx. 3.24 cts. TW, 18k clasp. 26”. 58.3 gs.

$3,500–4,500

1 2 4 3 : S T E P H E N D W E C K C A R V E D C O R A L , S I L V E R A N D B R A S S B R O O C H

Antique Chinese carved coral chrysanthemum bloom, 69 x 56 mm., mounted in sterling with verdigris patina brass conifer leaves, applied signature sterling beetle. Copyrighted 1990. Stamped with Stephen Dweck signature. 3” x 5 1/4”. 127.7 gs.

$1,000–1,500

1240 1241

1242 1243


1 2 4 4 : N A R D I M O O N S T O N E , A M B E R , C I T R I N E A N D D I A M O N D 1 8 K E A R R I N G S

Moonstone cabochon and tapered baguette cut citrine cluster surmounts suspend detachable amber drops in platinum diamond caps, ca. 1985. Inscribed 750 Nardi. 1 1/6” surmount for unpierced ear, 1 3/4” amber drop. 22.8 dwt. GW

$1,500–2,000

1 2 4 5 : C I T R I N E B R I O L E T T E 1 8 K G O L D F R I N G E N E C K L A C E

Lattice of lenticular 18k beads suspends graduated briolette cut citrines, 30 x 18.6 x 12 mm. - 16.4 x 12.6 x 8.63 mm. Marked 18k. 15”. 47.4 dwt.

$1,000–1,500

1 2 4 6 : 3 5 ” W H I T E S O U T H S E A P E A R L N E C K L A C E

58 semi-baroque lustrous white South Sea pearls, 16.5 - 13 mm., sterling spring clasp.

$3,500–4,500

1 2 4 7 : C A R V E D C O R A L A N D D I A M O N D G O L D C H R Y S A N T H E M U M B R O O C H

Carved angel skin coral chrysanthemum blossom accented by RBC dewdrop, approx. .35 ct., stylized foliage, hinged double pin closure, ca. 1960. Marked 14k, 585. 2 1/2”. 33.3 dwt. GW

$800–1,200

1245

1246

1247

1244


1 2 4 8 : S O U T H S E A P E A R L A N D D I A M O N D A S S E M B L E D S U I T E

Five pieces. 19” strand of 33 near round or oblate white South Sea pearls, 17 x 14 mm. - 13.8 x 12 mm., mystery clasp joins diamond pavé bicolor 14k gold pear shaped ornament, 1 7/8” x 1 1/2”; Bicolor 14k gold diamond and sapphire heart-shaped enhancer, 1 3/4” x 1”; Mabé pearl 14k gold clip earrings, 1”. Diamonds approx. 3.50 cts. TW. Ca. 1995. 35.3 dwt. GW (four gold elements)

$2,000–3,000

1 2 4 9 : H E N R Y D U N A Y K U N Z I T E A N D D I A M O N D 1 8 K P E N D A N T B R O O C H

Fancy step cut kunzite, approx. 100 cts., within scrolling yellow gold wirework mount, tipped by platinum set RBC diamond accents, melee approx. 1 cts. TW throughout. Stamped with Dunay cypher. 2 1/4” x 1 1/2”. 36.7 dwt.

$4,250–4,750

1 2 5 0 : M I L K Y A Q U A M A R I N E 1 8 K G O L D J E W E L R Y , I N C L . T R I A N O N

Cowrie shell and milky aquamarine ear clips by Trianon, #38810, 7/8” x 3/4”; Zwikker & Zacher milky aquamarine cabochon ring, size 6. 18.7 dwt. GW

$1,500–2,000

1 2 5 1 : S H A D E S O F G R A Y A N D B L A C K T A H I T I A N P E A R L N E C K L A C E

25 spherical lustrous Tahitian pearls in shades of gray-black, 17.5 - 15 mm., 17 1/2”. Sleek silver clasp.

$1,200–1,800

1248

1249

1250

1251


1 2 5 2 : 1 4 K J E W E L E D G O L D A C C E S S O R I E S

Four pieces: Three scent vials, dauber lids set with rubies or sapphires; Two chambered pill box set with emeralds. Ca. 1960. Most marked 14k. Tallest 1 3/8”. 48.9 dwt.

$1,200–1,500

1 2 5 3 : T H R E E W H I M S I C A L 1 8 K Y E L L O W G O L D , G E M - S E T B R O O C H E S O R P I N

Yellow and white 18k gold toy soldier brooch with diamond accented eyes, hat; Blue and white enameled beetle brooch with white gold and diamond accent; Stylized plume jabot pin with oval cabochon ruby and white gold and diamond accents. Diamond melee approx. .38 ct. TW throughout. 20th c. Brooch and jabot pin with Italian marks. Largest 2 1/4” x 1 1/4”. 25.7 dwt.

$1,000–1,200

1 2 5 4 : T W O G O L D A N D D I A M O N D “ L O V E ” J E W E L S

14k diamond bombé heart on 16” omega necklace; 14k wg. motto “I love you” yg. charm, 18k link bracelet, 8”. Diamonds approx. .75 ct. TW. 44.5 dwt. Property from the Estate of a New York City Collector.

$1,400–1,800

1252 1253

1254


1 2 5 5 : T W O 1 4 K G O L D L I N K B R A C E L E T S W I T H F I G U R A L C H A R M S O R F O B S

Eleven gold souvenir charms (14k and 18k) includes enamels; Ten gold or gold filled charms (most 10k-18k) include fobs, lockets, diamonds, a compass-drum. 1890-1960. 7 3/4”. 73.9 dwt. GW

$2,000–2,500

1 2 5 6 : O R N A T E G O L D C H A R M B R A C E L E T

Fancy link 14k gold chain suspends seven large 14k or 18k charms: Hand, mezuzah, carriage lantern with garnets, hat, multi-photo locket, clover, multi-gem lantern, ca. 1960. 7”. 58.5 dwt.

$1,800–2,400

1255

1256


1 2 5 7 : G O L D A N D B L A C K “ O P A L ” M E R M A I D P E N D A N T O N C H A I N

Entwined figural yg. mermaids grasping freshwater pearls separated by and suspending oval Gilson “black opals” on rolo link chain. Post 1984. Unmarked. Pendant 1 1/4” x 3” on 16” chain. 19 dwt. Provenance: Collection of Dora Jane Janson.

$1,400–1,800

1 2 5 7 A : A R T N O U V E A U J E W E L E D 1 8 K B R O O C H S T Y L E O F M A R C U S & C O .

Scrolling tendrils with faceted amethyst and two pale green gem cabochons in gold saw tooth settings, pale blue faceted gem in silver saw tooth setting, ca. 1900. Unmarked. 2” x 2”. 14 dwt.

$1,200–1,800

1 2 5 8 : O P A L , B L U E E N A M E L A N D Y E L L O W G O L D J E W E L R Y

Abstracted dark blue enameled links center teardrop shaped or oval opals, necklace designed in the same manner with opal drop, ca. 1905. Stamped 14k. Bracelet 7 1/2”, chain 15 1/2”. 13.6 dwt. Literature: Dora Jane Janson. From Slave to Siren. The Duke University Museum of Art. 1971. Cat. #119-122.

$1,400–1,800

1257 1258

1257A


1 2 5 9 : M O O N S T O N E , D I A M O N D A N D S A P P H I R E G O L D S W A G N E C K L A C E

Contemporary necklace in the Edwardian style, two rows of oval cabochon cut moonstones in millegrained bezels join cable link chain to a central vertical articulated arrangement of moonstones and two OEC diamonds, approx. .66 ct. TW, blue sapphire accents. Unmarked. 16 1/2”, drops 2 7/8”. 20.8 dwt.

$2,800–3,200

1 2 6 0 : M A S R I E R A Y C A R R E R A S E N A M E L E D G O L D D I A M O N D E A R R I N G S

Articulated pendant earrings in the Art Nouveau style with green and blue plique-à-jour enamel and diamonds, 18k, ca. 1995. Marked with maker’s cypher B-273, 15/22. 1 7/16”. 6.3 dwt.

$1,000–1,500

1 2 6 1 : M A S R I E R A Y C A R R E R A S D R A G O N F L Y B R O O C H A N D R I N G

18k gold dragonfly brooch in the Art Nouveau style with shaded blue and green plique-à-jour enamel wings, diamond head and abdomen, sapphire tail, 2 3/4” x 1 3/4”; Bisymmetric ring with central diamonds, approx. .50 ct., foliate diamond shoulders, translucent enamel butterflies, framed by undulating diamond ribbon, size 9 1/2. Diamonds approx. 1.10 cts. TW throughout. Brooch with maker’s cypher #B723, ring marked 18k, 212.33. 14.1 dwt.

$1,800–2,400

1259

1261

1260


1 2 6 2 : 1 8 K Y E L L O W G O L D C I R C L I N G F I S H C O L L A R N E C K L A C E

Figural engraved fish links join in concentric design. 20th c. Unmarked. Accommodates 7”. 78.5 dwt.

$2,800–3,800

1 2 6 3 : 1 8 K Y E L L O W G O L D S E A H O R S E B R A C E L E T

Open hinged cuff designed as skeletal seahorse with emerald eye. Second half 20th c. Unmarked. Accommodates 6 1/2”. 19 dwt. Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1 2 6 4 : Z O L O T A S 1 8 K Y E L L O W G O L D , G E M - S E T O C T O P U S B R A C E L E T

Hinged cuff with two conjoined figural octopodes set with emerald eyes, central cabochon and round faceted sapphire “bubbles”, entangled tentacles with applied shot work conform to tapered design. Greece, 20th c. Stamped Zolotus. Accommodates 6 1/2”. 40.1 dwt.

$2,000–3,000

1262

1263

1264


1 2 6 5 : T I F F A N Y & C O . E G Y P T I A N C O I L 1 8 K G O L D N E C K L A C E

Coiled gold links. Second half 20th c. Marked Tiffany & Co., 18k. 22 3/4”. 32.1 dwt.

$1,500–2,500

1 2 6 6 : A N G E L A C U M M I N G S 1 8 K G O L D L E A F S K E L E T O N N E C K L A C E

14 links with concealed hook closure. Marked 1985 Cummings 18k. 17” x 1 1/4”. 48.2 dwt.

$1,400–1,800

1 2 6 7 : T H R E E N A T H A N L E V Y A R T I S A N A L E T E R N I T Y B A N D S

Contemporary art jewels hand built in platinum and 18k gold using ancient techniques: Seven diamond scroll ring, 5.4 mm., size 6; Scroll ring, 8.4 mm., size 7; “Heart to Heart” band in platinum and 18k gold with five diamonds, 5.6 mm., size 7 1/2. .55 cts. TW throughout. All signed Nathan Levy. 13.8 dwt.

$1,800–2,400

1 2 6 8 : N A T H A N L E V Y 1 . 2 1 C T S D I A M O N D W E D D I N G R I N G S S E T

Artisanal hand built diamond engagement ring and diamond eternity band of 18k gold and platinum employing ancient techniques. “Cupcake” engagement ring set with RBC diamond, GIA report #8483699 describes round brilliant cut, E, VVS2 diamond 6.98 - 7.04 x 4.15 mm. set to diamond scroll shoulders, matching band, 16 smaller diamonds, approx. .66 ct. TW. Both signed Nathan Levy. Size 6. 10.1 dwt.

$6,000–8,000

1265 1266

1267 1268


1 2 6 9 : S A P P H I R E , G R E E N G A R N E T A N D D I A M O N D T R I M M E D B E L T R I N G

Wrapped belt of tsavorite garnets, 3.20 cts. TW, and sapphires, 1.43 cts. TW, in black rhodium patinated 14k wg., white gold buckle hardware set with .16 ct. micro pavé diamonds. Marked with maker cypher, 14k, 585. Size 7. 7.1 dwt.

$1,500–2,500

1 2 7 0 : L A L A O U N I S H A M M E R E D 1 8 K S T Y L I Z E D S E R P E N T N E C K L A C E

Substantial minimalist hinged collar designed as a coiled serpent, ca. 1980. Marked #35, Lalaounis cypher, 750, Greece. Internal circumference 14 1/2”. 41.1 dwt. Original suede pouch

$1,800–2,400

1 2 7 1 : M A R I N A B T R I C O L O R 1 8 K G O L D S P R U N G N E C K L A C E , F R A N C E

Bright triangular rose, white and yellow gold elements on open steel band, ca. 1979. Marked Marina B, #W164, French assay and maker marks. 13 1/2” x 3/8”. 50.1 dwt. GW. Provenance: Given by Marina Bulgari to Princess Marcella Borghese, through the Borghese family.

$3,000–5,000

1 2 7 2 : I T A L I A N P A R C E L P A T I N A T E D 1 8 K G O L D D I A M O N D C O L L A R

Graduated flat gaspipe composed of rows of bright yellow and patinated white 18k gold. Four yellow gold accent straps, the central two set with RBC diamonds, approx. 1.56 cts. TW, ca. 1980. Italian control marks for 750 and maker mark. 15” x 7/8” - 3/8”. 43.5 dwt.

$1,500–2,500

1269

1270

1271

1272


1 2 7 3 : 1 8 K G O L D N E C K L A C E , K O S T A S A N T O N I O U , S A N T O R I N I , G R E E C E

Long “Y” shaped sautoir of textured, stylized Greek key links, bottom 6” portion is detachable, ca. 1995. Struck with makers cypher and 750. 21”, drops 7”. 96.1 dwt. In original blue sueded folio

$3,000–5,000

1 2 7 4 : L A L A O U N I S H A M M E R E D 1 8 K G O L D H I N G E D B R A C E L E T

Substantial stylized stirrup motif double hinged, ca. 1980. Marked #A21, Lalaounis cypher, 750, Greece. Accommodates 6 1/2”. 38.6 dwt.

$1,800–2,400

1 2 7 5 : 1 8 K Y E L L O W G O L D A N D B R O W N Z I R C O N B R A C E L E T

Conforming rectangular panels bezel set with round faceted brown zircons join to form hinged cuff design. Second half 20th c. Stamped with illegible maker mark. Accommodates 7”. 59 dwt.

$1,500–2,500

1273 1274

1275


1 2 7 6 : V A N C L E E F & A R P E L S A L H A M B R A G O L D D I A M O N D R I N G

Mother of pearl quatrefoil with diamond center, beaded edge. Incused VCA 750, #51 GL 91984, shank exterior with French maker and assay mark. Size 6. 4.2 dwt.

$1,600–2,400

1 2 7 7 : D I A M O N D A N D G E M S T O N E P A V E 1 8 K W H I T E G O L D R I N G

Contemporary asymmetric design in the form of sea foam, set with rose cut and RBC colorless and champagne diamonds, approx. 1.30 cts. TW, blue sapphires and amethysts. Marked 750. Size 6 1/2. 8.7 dwt.

$2,000–3,000

1 2 7 8 : T W O P A I R S G E M A N D D I A M O N D Y E L L O W G O L D F L O W E R E A R R I N G S

Clusters of three overlapping flower heads centered by RBC diamonds in pink and purple tourmaline or peridot, diamond melee approx. .84 ct. TW, 14k. Late 20th c. Unmarked. 1 1/4”. 21.5 dwt.

$1,500–2,000

1 2 7 9 : B U C C E L L A T I D I A M O N D 1 8 K G O L D F L O R A L E T E R N I T Y B A N D

Six engraved yellow gold flower heads with diamonds, approx. .24 ct. TW, in fluted white gold bezels form an endless daisy chain, 10.7 mm. Inscribed Buccellati, Italy, 18k, N706, Italian registry marks. Size 6 1/2. 6.4 dwt. Original box.

$1,500–2,500

1276 1277

1278

1279


1 2 8 0 : B U C C E L L A T I F A N C Y A N D C O L O R L E S S D I A M O N D H E A R T R I N G

Convex white gold diamond pavé heart centrally set with a heart shaped fancy colored diamond, 7 x 7.5 x 3.63 mm., 1.31 cts. by formula, white gold ornato hoop, engraved yellow gold edges, colorless diamonds approx. 1.80 cts. TW, ca. 1994. Signed Gianmaria Buccellati, Italy, 18k, T2027. Size 61/2. 6.0 dwt. Original Box.

$5,000–7,000

1 2 8 1 : T I F F A N Y & C O . B I C O L O R D I A M O N D B U T T E R F L Y B R O O C H

Designed as a butterfly in flight from The Nature Collection, 65 RBC fancy intense yellow diamonds from the Ellendale Mine (closed 2014), approx. 2.20 cts. TW, set in 18k yg., and 35 RBC colorless diamonds in platinum, approx. .54 ct. TW. Marked 1996 Tiffany & Co., 750. 1 1/2”. 5.5 dwt. In original box. Note: This brooch depicted in 1997 Blue Book.

$4,000–6,000

1 2 8 2 : B U C C E L L A T I B O T A N I C A L A S S E M B L E D 1 8 K G O L D S U I T E

Sunflower earrings of chased white or yellow gold petals and green gold center, #P2347, 7/8”, and yellow gold two oak leaf brooches with white gold veins, #W905, 1 3/4”, both marked Buccellati; Gianmaria Buccellati engraved yellow gold blossom ring with white gold center, #Z464, size 7. Second half 20th c. Italy, 18k. 18.8 dwt. In original box.

$2,500–3,500

1 2 8 3 : V A N C L E E F & A R P E L S 1 8 K A N D C O R A L B U T T E R F L Y B R A C E L E T

18k yellow gold, angel skin coral butterfly with diamond accent. French assay marks, tag marked VCA (c) 18KT 1003, B2052J8. 5.1 dwt.

$1,800–2,400

1280 1281

1282

1283


1 2 8 4 : V A N C L E E F & A R P E L S D I A M O N D , L A P I S , G O L D L O N G C H A I N

18k yellow gold curb link chain with four oval lapis cabochon stations and four RBC diamond pavé oval platinum bombé stations, diamonds approx. .40 ct. TW. Second half 20th c. Marked VCA NY, 4K28-25, 18k. 36”. 28.9 dwt.

$3,800–4,800

1 2 8 5 : T W O P A I R S D I A M O N D W H I T E G O L D B R A C E L E T S

Hinged 18k bangles centered by navette shaped turquoise in single cut diamond thread bypass, ca. 1950; Two baguette cut diamond 18k wg. chain bracelets, diamonds approx. 1.40 cts. TW, 6 1/4”. 15.8 dwt.

$1,500–2,500

1 2 8 6 : I P P O L I T A 1 8 K B A N G L E S W I T H D I A M O N D S O R S A P P H I R E S

Diamond “stardust” bangle with RBC diamonds, 2 cts. TW; “Tiny Bubbles” bangle set with 4.30 cts. TW blue sapphires. Marked Ippolita 18k or Ippolita 18k ROSE GOLD. 2 1/4” x 2 5/8”. Both rose gold, 13.3 dwt.

$1,400–1,800

1 2 8 7 : F R E N C H D I A M O N D , S A P P H I R E A N D R U B Y 1 8 K R I N G B Y C H A N E L

18k wg. formed as three rows of bezel set RBC diamonds, pink and purple sapphires and rubies, five diamonds, approx. .40 ct. TW, 13 corundum, approx. 1.0 cts. TW. French assay marks, interior incused (c) Chanel 17L 1942 750 55. Size 8, 13/16” wide. 9.9 dwt.

$5,000–6,000

1284

1285

1286

1287


1 2 8 8 : S A P P H I R E A N D D I A M O N D 1 8 K W H I T E G O L D E A R R I N G S

Each matte earring laterally set with an oval faceted blue sapphire, suspends square set diamond, fluted edge, two sapphires approx. 4 cts. TW, four diamond accents, approx. .11 ct. TW, hinged wires, ca. 2010. Marked 750. 1 1/8”. 7.5 dwt.

$1,200–1,800

1 2 8 9 : B U C C E L L A T I S A P P H I R E A N D D I A M O N D B I C O L O R 1 8 K G O L D B A N D

Oval cabochon cut sapphire, approx. 1.45 cts., centrally set in engraved yellow gold on pierced white gold floral pattern “Eternelle” diamond band, diamonds approx. .45 ct. TW, the back telato engraved with ornato details, engraved gold edges. Inscribed Buccellati, Italy, 18k, #W502. Size 7. 4.5 dwt. In original box.

$2,000–3,000

1 2 9 0 : B U C C E L L A T I S A P P H I R E B I C O L O R 1 8 K G O L D R I N G

Concentric pierced and engraved floral motif “Eternelle” ribbon centrally set with rose cut blue sapphire, 3 cts. by formula, ca. 1993. Purchased in Paris. Signed Gianmaria Buccellati, Italy, 18k, Q756, Italian registry marks. Size 8, 9.3 mm. 5.1 dwt. In original box.

$2,500–4,500

1 2 9 1 : D I A M O N D A N D S A P P H I R E 1 8 K W H I T E G O L D P A N S Y F U R C L I P

Realistically rendered pansy with invisibly set sapphires and RBC diamond petals, centered by RBC diamond, approx. .25 ct., and three bezel set round faceted sapphires, diamonds approx. 2.72 cts. TW, sapphires, approx. 16.88 cts. TW. Weights incised on reverse. 2” x 1 3/4”. 17.4 dwt.

$2,000–3,000

1288

1289 1290

1291


1 2 9 2 : B U C C E L L A T I 1 8 K G O L D D I A M O N D C L A S S I C A H O O P E A R R I N G S

Textured yellow gold set with 8 RBC diamonds, .34 ct. TW, in 18k wg., ca. 1995. Signed Buccellati, H4154, Italy, 18k. 5/8”. 6 dwt. In original box

$2,000–3,000

1 2 9 3 : T W O P A I R S B U C C E L L A T I 1 8 K G O L D C O N V E X E A R R I N G S

The larger pair with ornato detail on silken telato ground, Mario Buccellati, 25 x 8 mm.; Yellow gold telato button earrings centrally set with sapphires framed by white gold diamond lace, Gianmaria Buccellati, 15.3 x 9.4 mm. Hinged backs, the larger pair with posts for pierced ears. 1980-1990. 17.6 dwt. Original boxes.

$2,000–3,000

1 2 9 4 : D I A M O N D , R E D C O R A L , G O L D A N D P L A T I N U M E A R R I N G S

Leaf-form surmounts of diamonds in platinum and roped 18k yg., suspend detachable red coral and diamond drops, RBC diamonds approx. 2.90 cts. TW, hinged backs for pierced ears. Unmarked. 2 1/4”. 15.6 dwt.

$1,500–2,000

1 2 9 5 : W O V E N H I G H K A R A T Y E L L O W G O L D B R A C E L E T

Wide supple ribbon with hand chased closure. At least 18k. 20th c., possibly Greek. 8 1/4” x 1 3/4”. 57.1 dwt. Provenance: Collection of Dora Jane Janson.

$3,000–5,000

1292

1293

1294

1295


1 2 9 6 : M A R I O B U C C E L L A T I T E X T U R E D 1 8 K G O L D N E C K L A C E

Flexible necklace of concave telato links arranged as overlapping petals, ca. 1980. Marked M. Buccellati, 750, Italian registry mark. 17”. 39.4 dwt.

$3,500–5,500

1 2 9 7 : M A R I O B U C C E L L A T I 1 8 K G O L D A N D D I A M O N D P H O T O F R A M E

Oval with easel back, lacy scalloped telato textured frame set with ten RBC diamonds, approx. .30 ct. TW, floral engraved reverse. Marked M. Buccellati, Italy, 18k. 2 7/8” x 2 3/8”. 25 dwt. (weighable gold)

$3,200–3,800

1 2 9 8 : B U C C E L L A T I B I C O L O R 1 8 K G O L D A N D C I T R I N E R I N G

Sugarloaf cognac citrine emerges from segrinato yellow gold oak leaves with white gold veins, ca. 1980. Signed Buccellati, Italy, scratched #12247. Size 6 1/2. 7.2 dwt. In original box.

$2,500–3,500

1296

1297

1298


1 2 9 9 : E D W A R D I A N 1 4 K G O L D M E S H E V E N I N G B A G

Rectangular frame with sapphire thumb press, 15” paperclip chain. 5” - 8” x 4”. 77.9 dwt.

$1,500–2,000

1 3 0 0 : T I F F A N Y & C O . E L S A P E R E T T I 1 8 K M E S H N E C K L A C E

Supple tapered yellow gold chain mail mesh, ca. 2005. Stamped on attached tag, “Tiffany & Co, 18k, Peretti”. 26.5”. 20.3 dwt.

$2,000–4,000

1 3 0 1 : T W O F R E N C H 1 8 K G O L D M E S H P U R S E S

Both with arched frames, jump rings to join evening bags, snap closures, bead fringe. French eagle marks. Longest 3 3/4” overall. 43.9 dwt. With chamois storage pouch.

$1,400–1,800

12991300

1301


1 3 0 2 : A R T D E C O 1 8 K G O L D E V E N I N G B A G F O R F R E N C H M A R K E T

Rectangular frame supports two-section evening bag, sapphire bullet snap closure, 5” x 5 3/4”, with 13 5/4” oval link chain. French import marks for 18k, 1893-1984. 240 dwt. In chamois storage pouch.

$8,000–10,000

1 3 0 3 : H A M M E R M A N B R O T H E R S A R T I C U L A T E D F L O W E R B R O O C H

Textured 18k gold with diamonds designed as an unfolding blossom, 16 post set diamond stamens tremble, approx. 1.12 cts. TW. Mark of Hammerman Bros, 18k, #28. 2”. 19.6 dwt.

$2,000–3,000

1 3 0 4 : 1 4 K Y E L L O W G O L D C O M P A C T

Slim rectangular case with hand engraved Florentine design, onyx thumb press, interior engraved 9 Septembre 1941, conceals two WWII German train tickets. Unmarked. 3” x 2 5/8”. 49.7 dwt.

$1,200–1,800

1302

1303 1304


1 3 0 5 : L A R G E O C T A G O N A L C U T A M E T H Y S T A N D D I A M O N D R I N G

Octagonal step cut deep purple amethyst, 23.19 x 21.31 x 11.68 mm., 41.5 cts. by formula, flanked by six RBC diamonds, .72 ct. TW, 14k yg. Marked 14k and indistinct maker mark. Size 8 1/2. 10.7 dwt.

$800–1,000

1 3 0 6 : T W O V I C T O R I A N R E V I V A L Y E L L O W G O L D E N A M E L J E W E L S

Baroque style pendant with figural putti and woman with violin over blue enameled background in the style of Francois-Desire Froment-Meurice on 18k knot motif link chain; Opal and RBC diamond cluster pendant brooch outlined in blue enamel. ca. 1950. Pendant stamped with #30402. Pendant 2” x 1”, brooch 1 1/2” around. 30 dwt. Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1 3 0 7 : G R A Y T A H I T I A N P E A R L A N D D I A M O N D G O L D N E C K L A C E A N D E A R R I N G S

Necklace with baroque and semi-baroque pearls separated by yg. and diamond rondelles, accent links and large lobster clasp; Spherical pearl drops suspend from yellow gold and diamond findings, ruby cabochon post, earrings for pierced ears. 18k. Melee approx. 3.5 cts. TW throughout. Late 20th c. Unmarked. Necklace 17 1/2”, earrings drop 1 1/2”.

$1,000–1,500

1 3 0 8 : G O L D E N A N D W H I T E S O U T H S E A P E A R L A N D D I A M O N D C H A I N

37 button shaped pearls and 19 RBC diamond highlights, approx. .70 ct. TW, joined by 14k yg. curblink, spring ring clasp. 72.5 dwt. GW

$1,800–2,400

1305

1306

1307 1308


1 3 0 9 : T W O M U L T I - G E M 1 4 K G O L D R A I N B O W L I N E B R A C E L E T S

Calibrated gemstones include spectral colors of tourmaline, quartz and aquamarine. Mid 20th c. Engraved edges, incised mark 14 ct. 7 1/8”. 26.2 dwt.

$2,000–3,000

1 3 1 0 : D I A M O N D , E N A M E L E D 1 4 K Y E L L O W G O L D L I N K B R A C E L E T

Open Florentine cluster links of prong set RBC diamonds, approx. 8 cts. TW with scalloped cobalt blue enamel trim, ca. 1950. Marked 14k on spring ring. 7” x 1”. 32.6 dwt.

$2,000–3,000

1 3 1 1 : S A P P H I R E A N D D I A M O N D 1 8 K G O L D S T R A P B R A C E L E T

Baguette cut natural blue sapphire, yellow gold links joined by arched white gold diamond links, sapphires approx. 12.0 cts. TW, diamonds approx. 1.20 cts. TW, ca. 1980. Marked 18k MAG. 7” x 7/16”. 20.3 dwt.

$1,200–1,800

1309

1310

1311


1 3 1 2 : A R T D E C O S T A R S A P P H I R E A N D D I A M O N D P L A T I N U M R I N G

Oval star sapphire, 31 cts. by formula, with baguette and single cut diamond strapped shoulders, melee approx. .45 ct. TW, ca. 1935. Size 8 3/4. 8.5 dwt.

$2,500–3,500

1 3 1 3 : 1 7 . 1 1 C T S S T A R S A P P H I R E A N D D I A M O N D C L U S T E R R I N G

GIA report #5151886173 describes natural, unheated, oval cabochon transparent blue star sapphire, 14.35 x 10.80 x 10.60 mm., originating from Sri Lanka, framed by 16 RBC diamonds, diamond shoulders, approx. 1.50 cts. TW, 14k wg . Size 6 1/2. 6.4 dwt.

$4,000–5,000

1 3 1 4 : 8 . 4 6 C T S U N T R E A T E D B U R M A S A P P H I R E A N D D I A M O N D R I N G

AGL Report #CS 66581 describes natural, untreated, oval mixed cut, blue sapphire, 11.56 x 9.41 x 8.47mm originating from Burma (Myanmar) within turban of RBC diamonds, approx. .60 ct. TW, 14k wg. Size 6 1/2. 5.0 dwt.

$4,000–6,000

1 3 1 5 : U N T R E A T E D 5 . 0 2 C T S B L U E S A P P H I R E A N D D I A M O N D R I N G

AGL report #CS 65337 describes natural, untreated, oval pyramidal cabochon sapphire, 10.2 x 8.3 x 6.68 originating from Cambodia (Pailin) flanked by two triangular cut diamonds, approx. .80 ct. TW. 14k wg. Unmarked. Size 5. 2.1 dwt.

$3,500–5,500

1 3 1 6 : A R T D E C O O P A L A N D D I A M O N D P L A T I N U M R I N G

Round cabochon opal, 13.46 x 8.24 mm., approx. 8 cts., flanked by diamond volute shoulders with onyx bullets, tapered hoop with diamond accents, approx. .60 ct. TW, ca. 1938. Size 9 1/2. 7.7 dwt.

$1,500–2,500

1312 1313 1314

1315 1316


1 3 1 7 : A Q U A M A R I N E A N D D I A M O N D “ P O O L O F L I G H T ” N E C K L A C E

16 oval cabochon cut aquamarines, 350 cts. TW, in 14k wg. spectacle settings joined by diamond links, diamonds 2.60 cts. TW. 17 1/2”. 55.1 dwt. GW

$3,250–4,250

1 3 1 8 : O P A L A N D D I A M O N D 1 4 K W H I T E G O L D P E N D A N T E A R R I N G S

Oval cabochon opal and RBC diamond cluster surmounts and drops joined by three diamond links. Four opals, approx. 10.3 cts. TW, 70 single cut and RBC diamonds, approx. 2.50 cts. TW, hinged backs for pierced ears, ca. 1955. Marked 14k. 1 3/4”. 8.8 dwt.

$2,000–4,000

1 3 1 9 : A Q U A M A R I N E , S A P P H I R E A N D D I A M O N D E A R R I N G S , Z W I K K E R & Z A C H E R

Four oval milky aquamarines, approx. 34 cts. TW, 28 oval faceted blue sapphires, approx. 10 cts. TW, 34 RBC diamonds, approx. .68 ct. TW, pendants detach for day/night wear, hinged backs and posts for universal wear. Marked 18k, 750. Unsigned. 2”. 17.7 dwt. In original box.

$2,000–3,000

1317

1318

1319


1 3 2 0 : G E M - S E T 1 8 K G O L D N E C K L A C E A N D E A R R I N G S

Bezel set oval cabochon cut gemstones include moonstones, pink tourmaline, carnelian, amethyst, citrines, and rock crystal. Joined by heavy oval link chain to form 17 3/4” necklace, clusters of three for ear clips, for unpierced ears. 33.4 dwt.

$1,200–1,600

1 3 2 1 : D I A M O N D , P L A T I N U M A N D C H A T H A M E M E R A L D P I N W H E E L R I N G

Bright baguette, RBC and marquise shaped diamonds, approx. 2.40 cts. TW, 10 mm. RBC lab created emerald. Size 6. 10.4 dwt.

$1,200–1,800

1 3 2 2 : C A B O C H O N S A P P H I R E A N D D I A M O N D P L A T I N U M P E N D A N T E A R R I N G S

Articulated drop earrings. Four cabochon cut sapphires, approx. 12.50 cts. TW, two baguette cut diamonds, approx. .50 ct. TW, threaded posts for pierced ears. Indistinct maker mark, PT 950. 1 1/4”. 6.5 dwt.

$2,500–3,500

1320

1321

1322


1 3 2 3 : G R E E N T O U R M A L I N E A N D D I A M O N D 1 4 K W H I T E G O L D E A R R I N G S

Cushion cut faceted green tourmalines, 10.3 cts. each, surrounded by RBC diamonds, approx. 2.3 cts. TW throughout, shepherd’s hook wire backs for pierced ears. Late 20th c. Stamped 14k. Drops 1 1/8”. 9.6 dwt.

$3,000–4,000

1 3 2 4 : H . S T E R N B R A Z I L I A N M U L T I - G E M 1 8 K B R A C E L E T

Eleven textured rectangular links, each set with an emerald cut gem, includes colors of tourmaline, citrines, amethyst, aquamarine, ca. 1970. Maker mark H. Stern, 750. 7” x 3/4”. 40 dwt.

$1,400–1,800

1 3 2 5 : G R E E N T O U R M A L I N E A N D D I A M O N D R O S E G O L D S U I T E

Four pieces with rectangular step cut green tourmalines, a ring and ear clips with diamond accents, a link bracelet. Ten tourmalines, approx. 42 cts. TW, the largest 7.9 x 12.6 x 8.6 mm., 16 cts. by formula, ca. 1948. Unmarked. Ring size 7, bracelet 8”. 20.7 dwt.

$2,500–3,500

1323

1324

1325


1326

1 3 2 6 : T A N Z A N I T E A N D D I A M O N D P L A T I N U M R I N G

Round faceted tanzanite, 3 cts. by formula, in Art Deco style “Steps of Love” diamond setting, RBC diamonds, approx. .55 cts. Second half 20th century. Unmarked. 6 3/4”. 7.5 dwt.

$1,200–1,800

1 3 2 7 : R U B Y A N D D I A M O N D 1 8 K W H I T E G O L D E A R R I N G S

Circular cluster earring pendants suspend from diamond accented hinged wires, two cushion shaped rubies, 2.59 cts. by formula, 16 RBC diamonds, approx. 2.88 cts. TW, two RBC diamonds, approx. .16 ct. TW. Marked 750. 1”. 4.9 dwt. Note: Rubies probably Burma, origin untested.

$5,000–7,000

1 3 2 8 : F A C E T E D T A N Z A N I T E S A N D D I A M O N D S B Y T H E Y A R D

62” chain of 58 faceted tanzanites, approx. 181 cts. TW, and 27 RBC diamonds, approx. 3.5 cts. TW, in spectacle settings, joined by cable link chain, lobster claw clasp, 14k wg. Unmarked. 19 dwt. GW

$5,500–8,500

1327

1328


1 3 2 9 : 3 . 0 2 C T S B U R M A S T A R R U B Y A N D D I A M O N D P L A T I N U M R I N G

AGL report #CS 67643 describes natural, untreated, oval, double cabochon, pink-red star ruby, 7.89 x 5.98 x 6.44mm originating from Burma (Myanmar) within “ballerina” setting of 20 tapered baguette cut diamonds, approx. 1 cts. TW, ca. 1960. Marked 10% irrid. Size 7 1/4. 4.0 dwt.

$1,500–2,500

1 3 3 0 : R U B Y A N D D I A M O N D T H R E E - S T O N E R I N G , H A M M E R M A N B R O S .

2.78 cts. mixed cushion cut ruby flanked by two oval-cut diamonds in platinum prongs, approx. .95 ct. TW. AGL report CS67646. Ca. 1965. Mark of Hammerman Bros. #25266, 18k, Plat. Size 6 1/2. 3.3 dwt.

$3,500–5,500

1 3 3 1 : O P U L E N T M U L T I C O L O R E D S A P P H I R E A N D D I A M O N D R O P E

Comprising approx. 265 cts. TW of faceted blue and fancy colored sapphires and approx. 6 cts. TW colorless and yellow diamonds, accumulated by a gem dealer. Spectacle set in 14k wg. 18k wg. lobster claw clasp. 80”. 44.8 dwt. GW

$30,000–40,000

1329 1330

1331


1 3 3 2 : N O L O T

1 3 3 3 : R E T R O S T A R S A P P H I R E A N D D I A M O N D 1 8 K G O L D R I N G

Round blue star sapphire cabochon, approx. 12.75 cts., in octagonal yellow gold seting paired with diamond platinum corners, diamonds approx. .12 ct. TW. Size 6. 8.2 dwt.

$1,000–1,500

1 3 3 4 : B L A C K O P A L A N D J E W E L E D 1 8 K G O L D P L A T I N U M B R O O C H

Oval gray black, semi-crystal opal with red/yellow/blue/green fire, 30 x 11 x 4.5 mm., 10.7 cts. by formula, and .25 ct. blue sapphire, in platinum bezel and rippled openwork ,18k yg. set with diamonds, pearls and aquamarines, ca. 1995. Marked 18k, pendant bail. 1 3/4” x 1 1/4”. 10.2 dwt.

$4,000–6,000

1 3 3 5 : A Q U A M A R I N E A N D D I A M O N D 1 4 K W H I T E G O L D R I N G

Step cut aquamarine, 22.5 cts. by formula, flanked by two RBC diamonds, approx. .20 ct. each, 14k wg. Mid 20th c. Size 9 1/2. 8.8 dwt.

$1,500–2,500

1 3 3 6 : T I F F A N Y & C O . I N L A I D G O L D C A M I L L I A B R O O C H

Mother of pearl and blue chalcedony petals, black jade stamens. Designed by Angela Cummings. Marked Tiffany & Co., 750. 1 15/16”. 19 dwt.

$1,500–2,000

1333

1334

1335

1336


1 3 3 7 : 3 3 / 4 Y A R D S O F A Q U A M A R I N E S A N D D I A M O N D S

14k white gold rope of 142 oval faceted aquamarines, approx. 255 cts. TW, and 142 RBC diamonds, approx. 8.52 cts. TW, lobster claw closure, ca. 2005. 136”. 43.3 dwt.

$8,000–10,000


1 3 3 8 : J A D E I T E J A D E A N D D I A M O N D 1 8 K Y E L L O W G O L D R I N G

Mason-Kay report #150515-4 describes “A” type undyed oval jadeite cabochon 12.95 x 18.35 x 7.18, 15 cts. by formula framed by 24 RBC diamonds, approx. 1.50 cts. TW. Ca. 1965. Maker cypher for Walter McTeigue, Inc. NY. Size 6 1/2. 10.9 dwt.

$2,000–3,000

1 3 3 9 : A R T D E C O C H I N E S E T O U R M A L I N E S E E D P E A R L N E C K L A C E

Pink tourmaline tablet pierced and carved depicts courtesans in a boat below willows suspends from platinum shou for longevity, tourmaline bead strand with platinum seed pearl barrels and vegetal carved tourmaline stations, ca. 1925. 2 3/4” tablet, 32” strand. 110.6 gs.

$1,200–1,800

1 3 4 0 : C H I N E S E C A R V E D C O R A L O R J A D E U N M O U N T E D O R J E W E L R Y

Thirteen pieces: Two carved coral panels, larger 38.1 x 25.4 mm.; “A” green jade elongated cabochon, 46.65 x 11.09 x 3.44 mm., brooch. Mason-Kay report #151006-3, “A” jade carving, 68.7 x 33.4 x 1.98 mm. brooch, with Mason-Kay report 151006-2; Three unmounted “A” jade carvings; Two unmounted cabochon jade carvings; Two jade pendants; Two “A” jade discs. Note: Six elements chosen at random have verbal reports for “A” jade (natural jadeite jade).

$1,000–2,000

1338

1339 1340


1 3 4 1 : C H I N E S E E X P O R T U N T R E A T E D J A D E I T E 1 8 K G O L D R I N G

Mason Kay report #150514-2 describes “A” type untreated oval jadeite cabochon, 14.55 x 11.82 x 5.67 mm., supported by two dragons. Marked 18 and HK (probably Shanghai, 1880-1920). Size 5 1/2. 5.6 dwt.

$1,500–2,500

1 3 4 2 : P E A R L A N D J A D E I T E N E C K L A C E B Y T R I O P E A R L C O . L T D .

51 highly lustrous round and near round Akoya pearls, 11 - 10 mm., join 18k yellow gold diamond cluster clasp centrally set with an “A” type green jadeite cabochon, 9.20 cts. by formula. 14 RBC diamonds and two pear shaped diamonds, approx. 1.80 cts. TW, ca. 1960. At least 18k. Unmarked. Retailed by Trio Pearl Co., Hong Kong. Mason-Kay report #151019-1 describes a green jadeite cabochon, 15.55 x 10.80 x 6.12 mm., no dye or polymer detected, 91.29 gs. 24”. Note: Trio Pearl Co. Ltd., Peninsula Hotel Kowloon, is renowned for selling the finest quality jade jewelry.

$2,000–3,000

1 3 4 3 : D U O T I M E B R O A D S T R A P G O L D B R A C E L E T W A T C H

Substantial and supple woven gold strap inset with two Swiss 17 jeweled unadjusted mechanical movements by Wakmann, one dial trimmed with 22 RBC diamonds, approx. 1.10 cts. TW, the other with emeralds, ca. 1960. Unmarked. 7” x 2”. 73.4 dwt. Provenance: Property from the Estate of a New York City Collector.

$2,000–3,000

1341

1342 1343


1 3 4 4 : T H R E E S T R A N D C U L T U R E D P E A R L A N D D I A M O N D N E C K L A C E

Graduated Akoya saltwater cultured pearls, 10.5 - 7.8 mm. with RBC diamond, pearl button and platinum clasp, melee approx. 2.75 cts. TW. Second half 20th c. Unmarked. Longest strand 14 1/2”. 74.8 dwt.

$1,200–1,500

1 3 4 5 : D I A M O N D P L A T I N U M F O U R S T R A N D C U L T U R E D P E A R L B R A C E L E T

Rows of lustrous spherical saltwater cultivated pearls, 7 - 6.3 mm., RBC and marquise cut diamond platinum clasp and spacers, approx. 3.50 cts. TW, ca. 1955. Unmarked. 7 1/4” x 1 1/4”. 57.2 gs. GW. Provenance: Property from the Estate of a New York City Collector.

$2,000–3,000

1 3 4 6 : J A D E , D I A M O N D A N D O N Y X P A T I N A T E D G O L D P E N D A N T E A R R I N G S

Each articulated black patinated 18k gold earring suspends two onyx ringed jade disks with diamond centers, diamond pavé wg. trefoils and hinged hoop surmounts, diamonds approx. 1.56 cts. TW, ca. 2008. Marked 750. 3 5/8”. 16.6 dwt.

$1,800–2,400

1344

1345 1346


1 3 4 7 : C A R T I E R A M E T H Y S T C A M E O A N D D I A M O N D F U R C L I P

Central oval faceted dished cameo topped amethyst, within radiating OMC and OEC diamond palladium frame in the Victorian style, diamonds approx. 6.15 cts. TW, ca. 1940-1945. Inscribed “Cartier, PALL 45 66498”. 1 3/4” x 1 1/8”. 10.7 dwt.

$4,000–6,000

1 3 4 8 : T E N A G R O A N D O T H E R J E W E L E D G O L D E A R C L I P S

Pearl and diamond 18k gold cluster ear clips by Tenagro, in the style of Suzanne Belperron, signed Tenagro, 1 3/8”; 18k volute ear clips set with aquamarines and blue topaz, sapphire and ruby accents, unmarked, 1 1/2”. Second half 20th c. 38.2 dwt.

$2,000–3,000

1 3 4 9 : R E T R O O P A L A N D D I A M O N D A S S E M B L E D S U I T E

18k yg. brooch set with carved opal songbird, 38.1 mm., with ruby eye, set among 14k yg. ribbons and volutes with channels of French cut aquamarines and diamond platinum accents; 14k yg. ear clips with round cabochon opals, 14.83 x 7.80 mm., smaller opal and diamond platinum accents, for unpierced ears, marked 14k Pat. Pending. Ca. 1948. Brooch 2 1/2” x 1 1/2”, earrings 1” x 3/4”. 26.1 dwt.

$1,200–1,800

1347

1348

1349


1 3 5 0 : I T A L I A N B I C O L O R 1 8 K G O L D F R I N G E D S T R A P B R A C E L E T

Playful bead link fringe and supple pink gold ribbon with textured yellow gold quatrefoils. Italian registry mark 2 BO and 750. 7 1/2” x 1 3/4”. 66.1 dwt.

$2,500–3,500

1 3 5 1 : M A S S I V E R E T R O S M O K Y T O P A Z 1 4 K G O L D B R A C E L E T

Six conforming links joined by barrel hinges, each supports an octagonal step cut coffee colored quartz gem, 31 x 23 mm. - 20.8 x 17.3 mm. Unmarked. 7” x 1 3/8” (tapers). 101.2 dwt.

$1,500–2,500

1 3 5 2 : R E T R O 1 8 K G O L D L I N K B R A C E L E T

Modified brick link bracelet of convex and concave rows, ca. 1945. Marked 750, E.W. (in square). 7 1/2” x 13/16”. 47.5 dwt.

$1,500–2,000

1350

1351

1352


1 3 5 3 : G I A F A N C Y V I V I D Y E L L O W D I A M O N D R E T R O R I N G

Retro 18k yellow gold bow ring, centrally set with round brilliant cut, natural fancy vivid yellow diamond, 6.14-6.19 x 3.57mm, .81ct. by formula, fans of colorless baguette cut diamonds, approx. 1.25 cts. TW, volute shoulders. Accompanied by GIA report #2171330695. Unmarked. Size 7. 8.4 dwt.

$2,000–3,000

1 3 5 4 : R E T R O B R O A D G O L D S T R A P B R A C E L E T W A T C H

Brick link ribbon with oblate gas pipe borders, octagonal watch, gold dial, 17 jewels Swiss movement. Strap marked 14k, NARD. 6 3/4” x 1 1/4”. 57.6 dwt. (excludes movement)

$2,000–3,000

1 3 5 5 : R E T R O C A R V E D C I T R I N E G O L D R I N G , T I F F A N Y E A R R I N G S

Fluted cabochon citrine with faceted base on octagonal table, banded by buff top cut cognac citrines, marks absent; Matching pair of screw back earrings, marked 14k Tiffany & Co. Ring resized to 6. 21.6 dwt.

$900–1,200

1353

1354

1355


1 3 5 6 : C A R T I E R D I A M O N D A N D S A P P H I R E M E S H B R A C E L E T A N D 1 8 K S T R A P

Chevron mesh strap ornamented by diamonds and sapphires, diamonds approx. .35 ct. TW, sapphires, approx. 1.10 cts. TW, marked Cartier Inc, 18kts, Made in France #2078, French assay marks. Accompanied by similar strap bracelet, marked 18k. Second half 20th c. Both 6 1/2” x 3/8”. 38.6 dwt.

$1,400–1,800

1 3 5 7 : Y E L L O W G O L D J E W E L R Y W I T H R U B I E S A N D D I A M O N D S

Four pieces: Large retro tricolor 14k gold volute fur clip; Ruby cabochon diamond pavé 14k gold ring; Jeweled 10k disk charm; Enicar Swiss mechanical 14k “belt” watch with hidden dial; Diamonds approx. 4.80 cts. TW, rubies approx. 8 cts. TW. Brooch 2 1/4” x 2 1/2”, watch: 6 1/4”. 70.6 dwt. GW. Provenance: Property from the Estate of a New York City Collector.

$2,000–3,000

1356

1357


1 3 5 8 : T H R E E - S T R A N D 1 4 K G O L D G A S P I P E N E C K L A C E

Ca. 1950. Marked 14k. Shortest concentric strand 15 1/4”. 89.8 dwt.

$2,000–3,000

1 3 5 9 : T I F F A N Y & C O . / O S C A R H E Y M A N G E M - S E T R E T R O D R E S S W A T C H

Rectangular platinum case and lugs set with RBC diamonds and two deep purple rectangular step cut amethysts in 18k yg., diamonds approx. .86 ct. TW, amethysts approx. 11.0 cts. TW, double 18k gold snake chain strap, Movado 17 jeweled Swiss movement, ca. 1948. Marked Tiffany & Co. on dial, case interior, #8277, Oscar Heyman cypher. 6 3/4”. 22.4 dwt. GW

$2,000–3,000

1 3 6 0 : R E T R O D I A M O N D P L A T I N U M C O C K T A I L R I N G

Volute design centrally set with RBC diamond, approx. 1.35 cts., RBC and baguette cut diamonds, approx. .80 ct. TW, ca.1948. Unmarked. Size 6. 6.2 dwt.

$3,000–5,000

1358

1359 1360


1 3 6 1 : D O U B L E S T R A N D A K O Y A P E A R L R O P E , D I A M O N D P T . C L A S P

37” and 36” strands of lustrous spherical saltwater cultured pearls, 9 - 8.1 mm., join diamond pavé platinum ring-form clasp, marquise and RBC diamond pendant earrings suspend pearls, ca. 1960. Diamonds approx. 2.50 cts. TW. 177 gs., earrings 2.8 dwt. Provenance: Property from the Estate of a New York City Collector.

$2,400–3,200

1 3 6 2 : N O L O T

1 3 6 3 : C A R T I E R B I C O L O R G O L D , D I A M O N D A N D S A P P H I R E B O W B R O O C H

Textured ribbon bow joined by platinum and diamond or sapphire center, melee approx. .10 ct. TW, 14k, ca. 1945. Engraved Cartier, 3351. 3” x 1 1/4”. 14 dwt.

$1,800–2,200

1 3 6 4 : B I C O L O R G O L D R U B Y A N D D I A M O N D F L O W E R B R O O C H

Two textural overlapping primroses, matte rose gold with central diamond and ruby clusters among conforming matte yellow gold foliage and ruby and diamond sprays, diamonds approx. 1 cts. TW, 14k, ca. 1940. 3” x 1 1/2”. 14.1 dwt.

$1,200–1,800

1361

1363

1364


1 3 6 5 : F R E N C H 1 8 K D I A M O N D F E R N M O T I F B R O O C H A N D R I N G

Everted circle brooch with three fern leaves and fine RBC diamonds, hinged double pin back, marked Depose SSM; Companion ring with three OEC diamonds in platinum. 36 diamonds, approx. 3.32 cts. TW throughout. Ca. 1950. Indistinct mark on ring, eagle marks on brooch. Ring size 6 1/2, brooch 2”. 27.3 dwt.

$3,500–5,500

1 3 6 6 : R O L E X 1 8 K P I N K G O L D D I A M O N D R E T R O B R A C E L E T W A T C H

Graduated demilune links, hinged cover star set with approx. .76 ct. TW diamonds, Rolex Precision 17 jeweled movement, Rolex case #4940. Marked Rolex on dial and movement, Continental gold marks. 7” x 3/4”. 49.1 dwt. (excludes movement)

$2,000–4,000

1365

1366


1 3 6 7 : F R E N C H T R I C O L O R 1 8 K G O L D M E S H E V E N I N G B A G

Square frame, ornamental flap, woven yellow, green and white gold or platinum mesh in Persian pattern, acorn finials. Eagle marks and #1408 24 C. 4 3/4” x 4 1/4”; 9” oval link chain. 95.6 dwt. With chamois pouch.

$3,500–4,500


1 3 6 8 : B L A N C P A I N S U P E R B D I A M O N D P L A T I N U M B R A C E L E T W A T C H

Blancpain 17 jeweled, 6.9 mm., movement #7555, cal R-55, case #7665, dazzling diamond hinged cover and strap set with RBC and marquise cut diamonds, approx. 12.50 cts. TW. 6 1/4”. 27.2 dwt.

$6,000–8,000

1 3 6 9 : D A V I D W E B B S O U T H S E A P E A R L A N D D I A M O N D E A R R I N G S

Mirrored pair composed of contrasting black and white South Sea baroque pear-shaped pearls, 18 x 14.5 mm. and 19.4 x 14.6 mm., in platinum with marquise cut diamonds and RBC diamond tendrils, diamonds approx. 4.26 cts. TW, ca. 1965. Clip backs for unpierced ears. Marked Webb Plat. 1 1/4”. 15.4 dwt.

$3,500–5,500

1 3 7 0 : D A V I D W E B B S O U T H S E A P E A R L A N D D I A M O N D R I N G

Bypass design of contrasting white and black pear-shaped South Sea pearls, 15.5 x 13.3 mm. and 15 x 13.1 mm., set to roped wired tipped by marquise cut diamonds and rows of prong-set RBC diamonds, approx. 4.0 cts. TW, ca. 1965. Marked Webb Plat 14k. Size 6. 13.3 dwt.

$3,500–5,500

1368

1369

1370


1 3 7 1 : S O U T H S E A P E A R L A N D D I A M O N D Y E L L O W G O L D R I N G

Spherical lustrous white South Sea pearl, 13.2 mm., post set in turban style pavé set diamond and yg. mount, diamonds approx. 4 cts. TW. Late 20th/early 21st c. Stamped with unidentified arrow maker mark. Size 7. 14.4 dwt.

$2,000–3,000

1 3 7 2 : L A R G E W H I T E S O U T H S E A P E A R L A N D D I A M O N D E A R R I N G S

Each spherical silvery white South Sea pearl, average diameter 16.2 mm., set below a prong set RBC diamond, 18k white gold Eurowire backs for pierced ears. Diamonds approx. .80 ct. TW. 10 dwt.

$1,500–2,500

1 3 7 3 : D I A M O N D P A V E 1 8 K W H I T E G O L D H O O P E A R R I N G S A N D R I N G

Oblate inside-outside hinged hoop earrings, 1 3/8” x 7/8”; Ring, size 7 1/2. RBC diamonds approx. 5.23 cts. TW. 11.7 dwt.

$1,200–1,600

1 3 7 4 : L A R G E S O U T H S E A P E A R L A N D D I A M O N D P L A T I N U M R I N G

Spherical white South Sea pearl, average diameter 18.78 mm., post set in bypass style to flush mounted baguette and princess cut diamond shoulders, approx. 1.08 cts. TW, ca. 2000. Marked H.B., PT 950. Size 7. 17.4 dwt.

$3,000–4,000

1371 1372

1373

1374


1 3 7 5 : 1 8 K W H I T E G O L D D I A M O N D M U L T I - S T R A N D S W A G N E C K L A C E

Seven concentric rows of textured links and fixed diamond bars finished by three rows to the box clasp, twelve RBC diamonds, approx. 1.30 cts. TW, ca. 1950. Unmarked. 14 1/2”. 43 dwt.

$1,500–2,000

1 3 7 6 : C A R T I E R D I A M O N D P L A T I N U M L I N K B R A C E L E T

Concentric design of stylized ribbon links. 168 RBC and baguette cut diamonds, approx. 6.20 cts. TW, NY, ca. 1950. Incised mark Cartier, #9665, Platinum. 6 3/4” x 2/5”. 18.2 dwt.

$8,000–10,000

1375

1376


1 3 7 7 : K U R T W A Y N E D I A M O N D 1 8 K G O L D E A R R I N G S

Circular buttons with fine RBC diamonds, approx. 3 cts. TW, hinged backs for unpierced ears, ca. 1980’s. Marked KW 750 #46654. 3/5”. 6.4 dwt.

$3,000–4,000

1 3 7 8 : D I A M O N D 1 4 K Y E L L O W G O L D B O M B É R I N G

RBC diamond bombé, approx. 6.5 cts., diamonds TW inset in yellow gold tapered hoop. Second half 20th c. Unmarked. Size 7. 8.8 dwt.

$3,000–4,000

1 3 7 9 : D I A M O N D A N D 1 4 K Y E L L O W G O L D L E A F B R O O C H E S

Matched pair of bright yellow gold dimensional leaves encrusted with 168 RBC diamonds, approx. 4.60 cts. TW, ca. 1960. Marked 14k. 2 1/8”. 23.1 dwt.

$2,500–3,500

1377 1378

1379


1 3 8 0 : H A R R Y W I N S T O N 2 . 2 4 C T S D I A M O N D G O L D B Y P A S S R I N G

GIA report #5151547340 describes round brilliant cut, D, VVS2, diamond, 8.74 - 8.76 x 4.87 mm., bezel mounted in 18k yg. set with 109 RBC diamonds, approx. 3.80 cts. TW. Signed Winston. Size 10. 6.5 dwt. In original box.

$32,000–38,000

1 3 8 1 : S W A N S I N F L I G H T D I A M O N D D O U B L E C L I P B R O O C H E S

Male and female mated pair, rendered in platinum with 18k yg. feathers and beaks, ruby eyes, 329 round brilliant cut diamonds, approx. 21.25 cts. TW, join an 18k white gold armature to form an oval brooch, second half 20th c. Marked 18k, Plat., unsigned. Retailed by Frank Pollak & Sons, New York, June 26th, 1968. 2 5/8” x 2 1/2”. 37.9 dwt. Note: Similar example signed Tiffany, Sotheby’s Magnificent Jewels, 12/4/2007, lot 337

$10,000–15,000

1380

1381


1 3 8 2 : D I A M O N D P L A T I N U M F L O R A L S P R A Y B R O O C H

Central RBC flower head among channel set baguette and tapered baguette cut diamond leafy spray, diamonds approx. 4.75 cts. TW, fixed bail on reverse for use as pendant, ca. 1950-1960. Unmarked. 2 1/2” x 1 1/2”. 15.0 dwt.

$2,000–3,000

1 3 8 3 : D I A M O N D P L A T I N U M S P R A Y A N D F R I N G E D R O P E A R R I N G S

Radial baguette cut surmount suspends detachable baguette cut diamond waterfall with RBC and pear-shaped diamond fringe, diamonds approx. 10.8 cts. TW throughout, for pierced ears, ca. 1950-1960. Unmarked. 2” with drops, 1” without drops. 20.5 dwt.

$8,500–10,500

1 3 8 4 : M A R Q U I S E D I A M O N D P L A T I N U M E T E R N I T Y B A N D

19 graduated fine marquise shaped diamonds, the largest approx. .75 ct., approx. 5.50 cts. TW, and plain spacer on reverse. Size 7. 5.2 dwt.

$2,500–3,500

1382

1383

1384


1 3 8 5 : G I O V A N E O P U L E N T D I A M O N D 1 8 K W H I T E G O L D B R A C E L E T

Flexible broad strap of conforming marquise clusters and RBC diamond Florentine scrolls accented by channel set baguette diamond straps, approx. 45 cts. TW. Late 20th/early 21st c. Stamped on plate Giovane, Italy. 6 1/2” x 1 1/2” (tapers). 51.8 dwt.

$20,000–30,000

1 3 8 6 : M A R Q U I S E A N D B A G U E T T E C U T D I A M O N D E T E R N I T Y B A N D

Twelve graduated fine marquise cut diamonds and 24 tapered baguette cut diamonds, approx. 6.10 cts. TW, in platinum. Unmarked. Size 6. 5.5 dwt.

$4,000–6,000

1385

1386


1 3 8 7 : F R E N C H 1 8 K G O L D , P L A T I N U M A N D D I A M O N D E V E N I N G B A G

Basket woven bicolor gold oblong hinged evening bag with diamond and platinum edge, mirror on interior flap, black sueded kidskin half-cover, diamonds approx. 4 cts. TW. French maker marks, eagle head, dog head. 6 3/4” x 4” x 2”, 10” rope chain strap. 285.7 dwt. GW.

$7,000–9,000

1 3 8 8 : W O V E N 1 8 K G O L D E V E N I N G B A G W I T H D I A M O N D S

Envelope shaped hinged clutch with teardrop profile, scalloped diamond platinum edge, 53 single cut diamond, approx. .75 ct. TW, ca. 1958. Unmarked. 3 1/2” x 4 3/4” x 1 3/8” (tapers). 142.2 dwt.

$4,250–5,250

1387

1388

1387 detail


1 3 8 9 : N A D J A B U C K L E Y P I N K T O U R M A L I N E A N D D I A M O N D N E C K L A C E

Platinum fringe of sixty-two well matched graduated rectangular step cut pink tourmalines suspends from zipper-teeth shaped diamond pavé links, principal gem 25 cts. by formula, tourmalines approx. 150 cts. TW, RBC diamonds approx. 5.90 cts. TW, ca. 1956. Signed Nadja Buckley on rail of principal gem setting. 16”, 1 1/2” drop. 79.8 dwt. Provenance: Sotheby’s, Geneva, Magnificent Jewelry, 1996, lot 409. Note: A Van Cleef & Arpels zipper necklace signed by Nadja Buckley sold, lot 169, Christie’s Geneva, May 19, 2004. Nadja Buckley, born Countess Nadja Ostrovska, designed and made jewelry in NYC from 1940 to 1979. Retailed by Georg Jensen, Inc., 1948, and Bonwit Teller. The remaining stock of her retail establishment at 30 E. 54th Street sold at Park-Bernet Galleries in 1955 after which time she concentrated on commissions.

$25,000–35,000


1 3 9 0 : T H R E E A R T D E C O G O L D A C C E S S O R I E S , I N C L . T I F F A N Y & C O .

Two 14k pieces by Tiffany & Co.: Round black enameled compact with platinum diamond lace ornament, mirrored interior, 2”; Glass beaded evening bag on enameled gold frame and fetter link chain, snap closure with sapphire bullets, 6” x 5” (beyond fringe), 12 1/2” fetter link chain includes mirror and purse. 14k gold and platinum compact by Veinus & Co., NY, faux malachite and black enamel, rose cut diamond ornament, sapphire thumb presses, mirrored interior with two compartments, 3 1/2” x 2 1/8”. Two compacts 101.7 dwt. GW. In Tiffany & Co. box.

$2,000–2,500


1 3 9 1 : I M P R E S S I V E E M E R A L D A N D D I A M O N D C L U S T E R E A R R I N G S

Bright rectangular step cut emeralds, each approx. 13 x 9.9 mm., approx. 15.5 cts. TW, framed by fine RBC diamonds, 32 diamonds, approx. 6.40 cts. TW, 14k wg. 7/8” x 11/16”. 10.6 dwt. Note: Certification report will be posted online.

$15,000–20,000

1 3 9 2 : 9 . 4 5 C T S C O L U M B I A N E M E R A L D A N D D I A M O N D R I N G

Gubelin report #14021035 describes natural step cut emerald, 15.27 x 12.60 x 6.60 mm. with characteristics consistent with those emeralds originating from Columbia with indications of minor clarity enhancement flanked by calf’s head faceted diamond, approx. .85 ct. each, set in 18k wg. ring. Size 6 3/4. 4.5 dwt.

$50,000–70,000

1 3 9 3 : A R T D E C O D I A M O N D A N D E M E R A L D P L A T I N U M S T R A P B R A C E L E T

Broad ribbon of OEC diamonds and shaped emeralds designed as a meandering vine. Diamonds approx. 10 cts. TW, ca. 1935. Unmarked. 7” x 13/16”. 32.5 dwt.

$20,000–25,000

1391 1392

1393


1 3 9 4 : T I F F A N Y & C O . D I A M O N D A N D S A P P H I R E P L A T I N U M R I N G

Designed as a tapered bombé, 19 RBC diamonds, approx. 1.10 cts. TW, 14 baguette cut blue sapphires, approx. 1.75 cts. TW, ca. 1960. Signed “Tiffany & Co.”, marked “irrid. plat.” Size 7. 6.6 dwt.

$3,000–4,000

1 3 9 5 : D I A M O N D A N D S A P P H I R E P L A T I N U M E A R R I N G S

Oval bombé set with lines of prong set RBC diamonds and round faceted sapphires, diamonds approx. 3.45 cts. TW throughout, post backs for pierced ears, ca. 2000. Stamped with unidentified maker mark “M”. 3/4” x 1/2”. 7.7 dwt.

$3,000–4,500

1 3 9 6 : T I F F A N Y & C O . R U B Y , S A P P H I R E A N D D I A M O N D F L A G B R O O C H

Billowing American flag in platinum with calibrated ruby or diamond stripes, diamond stars on calibrated sapphire field, pear-shaped and RBC diamond flagpole finial. Mid 20th c. Signed Tiffany & Co. 1 58” x 1 3/8”. 10 dwt.

$7,000–9,000

1 3 9 7 : I N V I S I B L Y S E T R U B Y A N D D I A M O N D F L O W E R E A R R I N G S

Naturalistic blossoms composed of calibrated ruby petals, approx. 35.26 cts. TW, central diamond clusters, .76 ct. TW, 18k wg., transformable for pierced or unpierced ears, reverse fitted with a hook to suspend a pendant, ca. 2000. Marked 750, weights inscribed. 1 1/8’. 11.9 dwt.

$5,500–6,500

1394

1395

1396 1397


1 3 9 8 : F R E N C H D I A M O N D A N D S A P P H I R E 1 8 K G O L D N E C K L A C E

Flexible and slightly graduated designed as twisted ribbons of fine RBC diamonds, approx. 27.12 cts. TW, and RBC royal blue sapphires, approx. 13 cts. TW, ca. 1955. French eagle mark for 18k and indistinct maker mark. 15 3/4”. 49.9 dwt.

$25,000–30,000

1398A: F R E N C H D I A M O N D A N D S A P P H I R E 1 8 K G O L D B R A C E L E T

Flexible, concentrically designed as twisted ribbons of fine RBC diamonds, approx. 8.40 cts. TW, and RBC royal blue sapphires, approx. 6 cts. TW, ca. 1955. French eagle mark for 18k and indistinct maker mark. 6 1/2”. 16.5 dwt.

$8,000–10,000

1398

1398A


1 3 9 9 : T I F F A N Y & C O . A R T D E C O E N A M E L E D G O L D N E C E S S A R Y

Flask-form, in the Chinese style, suspends from lipstick tube, opens to mirrored interior and two hinged chambers, replete with original cake rouge and powder with puffs. Emerald green guilloche and black enamel trimmed with rose cut diamonds in platinum. Enameled fetter link chain with jade stations. Marked Tiffany & Co., 14k. 6 1/4”. 67.8 dwt.

$1,500–2,000

1 4 0 0 : F R E N C H A R T D E C O S A P P H I R E A N D D I A M O N D R I N G

Square emerald sapphire, approx. 3.5 cts. by formula, in strapped single cut diamond and platinum head on 18k white gold hoop, diamond melee approx. .55 ct. TW, France, ca. 1930. French control marks for platinum, 18k. Size 9. 3.0 dwt. Note: Sapphire probably Ceylon, untreated, untested.

$2,500–3,500

1 4 0 1 : C O L U M B I A N E M E R A L D A N D D I A M O N D P L A T I N U M R I N G

AGL report #CS 66169 describes natural, insignificant traditional clarity enhanced, rectangular step cut emerald, approx. 9.50 x 8.70 x 5.23 mm., 3.17 cts. by formula, originating from Columbia, centrally set in the odeonesque style between baguette cut diamond channels. Diamonds approx. 1 cts. TW, ca. 1948. Unmarked. Size 7 1/2. 6.2 dwt. Cased by Sanz, Madrid.

$4,000–6,000

1 4 0 2 : 2 . 4 6 C T S C O L U M B I A N E M E R A L D A N D D I A M O N D P L A T I N U M R I N G

AGL report #CS 65116 describes natural, insignificant traditional clarity enhanced, rectangular emerald cut emerald, 10.95 x 9.92 x 3.63 mm., originating from Columbia, flanked by two tapered baguette cut diamonds, approx. .80 ct. TW. Marked platinum, worn maker mark, possibly WM Wise. Size 4. 3.7 dwt.

$3,000–5,000

1399


1400 1401 1402

1 4 0 3 : A R T D E C O D I A M O N D A N D E M E R A L D P L A T I N U M S T R A P B R A C E L E T

Bisymmetric, central laterally set marquise cut diamond, approx. 1.48 cts., and rectangular step cut diamonds, framed by emerald calibre channels, 196 diamond melee, approx. 11.3 cts. TW, ca. 1935. Unmarked. 7”. 21 dwt.

$12,000–18,000

1 4 0 4 : A R T D E C O D I A M O N D A N D S A P P H I R E P L A T I N U M L I N E B R A C E L E T

Articulated diamond strap, approx. 3.24 cts. TW, with meandering channel of French cut blue sapphires, approx. 4.20 cts. TW, ca. 1930. Unmarked. 7” x 1/4”. 10.6 dwt.

$6,500–7,500

1403

1404


1 4 0 5 : A R T D E C O B U R M A S A P P H I R E A N D D I A M O N D P L A T I N U M B R A C E L E T

Five cushion cut well matched blue sapphires, 11.5 cts. TW by formula, adorn geometrically pierced full-set diamond strap. 330 circular brilliant or rose cut diamonds, approx. 6 cts. TW. AGL report #CS 67084 describes five natural, untreated, cushion and oval mixed cut blue sapphires, approx. 9.6 x 8 x 3.57 mm. to 8.9 x 7.5 x 3.48 mm., originating from Burma (Myanmar). Incused #83284, unsigned. 7” x 1/2”. 25.3 dwt.

$15,000–25,000

1 4 0 6 : A R T D E C O L A R G E D I A M O N D P L A T I N U M L A V A L I E R E / B R O O C H

Hinged passementrie form. Three OEC principal diamonds, approx. 2.40 cts., 2.40 cts., 1.90 cts. OEC and OMC diamond melee, approx. 1.76 cts. TW, ribbons of French cut sapphires. 2 5/8”. 12.2 dwt. Detachable, 14k wg. and seed pearl fetter link chain, ca. 1925, unmarked, 23”

$10,000–15,000

1 4 0 7 : A R T D E C O D I A M O N D P L A T I N U M R I N G , S A P P H I R E A C C E N T S

Fine OEC diamond, approx. 1.05 cts., flanked by tapered rows of French cut sapphires, centrally set to bead-set diamond bombé, chased details, ca. 1930. Size 7 1/2. 3.3 dwt.

$5,000–7,000

1405

1407

1406


1 4 0 8 : A R T D E C O B L U E S A P P H I R E A N D D I A M O N D P L A T I N U M R I N G

Oval faceted sapphire, 11.65 x 8.4 x 4.8 mm., 3.95 cts. by formula, above French cut sapphire banded openwork diamond gallery and diamond shoulders. Unmarked. Size 7. 2.7 dwt.

$7,000–9,000

1 4 0 8 A : A R T D E C O O P A L A N D D I A M O N D P L A T I N U M L A V A L I E R E

Octagonal cut blue-green opal tablet, onyx backed, in platinum open work quatrefoil, strapped corners with green garnet calibre, framed by French cut onyx rows, on original cord with bail, slide and clasp, opal 20.5 x 15.7 mm., ca. 1925. Unmarked. Pendant 1 1/8” x 1”, drops 1 5/8”. Weighs approx. 5.9 dwt. (excludes cord)

$2,000–4,000

1 4 0 9 : B E L L E E P O Q U E C E Y L O N S A P P H I R E A N D D I A M O N D P L A T I N U M R I N G

Faceted cushion cut lively blue sapphire, 12.61 x 10.94 x 7.10 mm., 9.75 cts. by formula, strapped motif shoulders with RBC and baguette cut diamonds, RBC diamond rails, approx. 1.0 cts. TW. Setting marked 146 JM. Size 6. 4.1 dwt.

$10,000–14,000

1 4 1 0 : 4 . 4 3 C T S K A S H M I R S A P P H I R E A N D D I A M O N D P L A T I N U M R I N G

Platinum and diamond set acanthus shoulders, fret cut gallery centers sapphire, AGL report # CS 60352 describes as natural, untreated, cushion faceted base cabochon, 7.90 x 7.54 x 7.57mm originating from Kashmir. London marks for platinum 1927, maker mark WT Ltd. Size 5. 3.9 dwt.

$30,000–40,000

1408

1409 1410

1408A


1 4 1 1 : D I A M O N D A N D C A R V E D G E M P L A T I N U M G I A R D I N E T T O B R O O C H

Diamond set reticulated platinum overflowing basket, colorless diamond foliage and blossoms with fancy color diamond centers, Tutti-frutti accents of carved rubies and emeralds. RBC, marquise and baguette cut diamonds approx. 2.90 cts. TW, telescoping bail. Mid 20th c. Marked 10% irrid plat, #5915, unsigned. 1 3/4” x 1 1/8”. 11.6 dwt.

$4,000–6,000

1 4 1 2 : 1 1 . 9 1 C T S C E Y L O N S A P P H I R E A N D D I A M O N D

GIA report# 15872844 describes natural, oval, modified brilliant cut (crown), step cut (pavilion) blue sapphire 4.53 x 12.10 x 8.51mm with indications of heating, no residue. Gemresearch Swisslab report #GRS2015-028618 describes Sri Lanka origin, framed by 14k fine RBC diamonds, approx. 2.80 cts. TW, 18k wg., with internal guard. Size 5 1/4. 8.5 dwt.

$24,000–34,000

1 4 1 3 : S A P P H I R E A N D D I A M O N D C H A N D E L I E R E A R R I N G S

Articulated earrings in the Persian style, 14 faceted oval and pear shaped blue sapphires, approx. 6.50 cts. TW, RBC diamonds, approx. 1.56 cts. TW. Mid 20th c. Unmarked. 2”. 8.6 dwt.

$4,000–5,000

1411

1412 1413


1 4 1 4 : 4 . 3 6 C T S U N T R E A T E D B U R M A S A P P H I R E A N D D I A M O N D R I N G

AGL report #CS 64730 describes natural, untreated oval mixed cut sapphire, 11.05 x 8.05 x 4.83 mm., originating from Burma (Myanmar), flanked by four square brilliant cut diamonds, approx. 1.11 cts. TW. Plat. Size 7 3/4. 6.8 dwt.

$20,000–30,000

1 4 1 5 : G E M - S E T G I A R D I N E T T O B R O O C H W I T H L A R G E C O N C H P E A R L

Abundant floral bouquet of 14k yellow gold flowers set with two faceted sapphires, approx. 3 cts. TW, emeralds, rubies, rose cut diamonds and cabochon cut rubies, platinum blossoms and foliage set with OMC, cushion cut and rose cut diamonds, twist wire basket supports a very light pink natural semi-baroque conch pearl, 19.36 x 17.2 x 14.88 mm., 33.22 cts. (132.88 grains). GIA report #5171052805. Diamonds approx. 1.35 cts. TW. Hinged double pin back. Ca. 1940. Unmarked. 2” x 1 7/8”. 16.5 dwt.

$10,000–15,000

1 4 1 6 : D I A M O N D A N D C A R V E D R U B Y P L A T I N U M E A R R I N G S

Foliate surmounts suspend detachable carved ruby and diamond clusters, RBC diamonds approx. 2.64 cts. TW, hinged for pierced ears. Unmarked. 1 1/8”. 11.0 dwt.

$1,200–1,800

1 4 1 7 : A R T D E C O D I A M O N D A N D C A R V E D S A P P H I R E G I A R D I N E T T O R I N G

Platinum flower basket set with RBC and baguette cut diamonds, carved sapphire blossoms, button pearl accents, diamond shoulders, platinum hoop, diamonds, approx. .90 ct. TW, ca. 1930. Unmarked. Size 5. 3.8 dwt. Provenance: Estate of Rudy Dusek, wrestler, who, with his brother was known as the “Dusek Riot Squad”.

$1,200–1,800

1414

1415

1416

1417


1 4 1 8 : A R T D E C O R O C K C R Y S T A L , D I A M O N D A N D J A D E E A R P E N D A N T S

Platinum pendant earrings, coggled crystal disk with diamond and green enamel surmount suspends two diamond links to oval crystal tablet set with OEC diamonds and carved jade, diamonds approx. 6.0 cts. TW, 14k shepherd’s hook wires, ca. 1938. Unmarked. 2 1/2” x 1 3/16”. 19.9 dwt. GW

$7,500–8,500

1 4 1 9 : F R E N C H D I A M O N D P L A T I N U M D O U B L E C L I P B R O O C H

Two hand built wing-form clips, the dimensional leading edges full set with fine old mine cushion cut and RBC diamonds, sinusoidal row of prong set diamond “feather tips” implies flight with 18k wg. fur clip appliance. Diamonds approx. 12.0 cts. TW. French assay marks for platinum, 18k, clip marked Depose, no maker mark apparent, possibly by Sterlé, 1930’s. Each clip 2 1/8” x 1 3/16”, join to form brooch 2 1/2” x 2 1/4”. 25 dwt.

$5,000–7,000

1 4 2 0 : D I A M O N D P L A T I N U M B O M B E R I N G

RBC diamond bombé within graduated baguette cut diamond bypass with tapering strapped shoulders, diamonds approx. 2.2 cts. TW, ca. 1950. Size 6. 6.7 dwt.

$1,200–1,800

1 4 2 1 : 1 . 6 9 C T S U N T R E A T E D B U R M A R U B Y A N D D I A M O N D R I N G

AGL report #CS 67644 describes natural, untreated, mixed cushion cut, ruby, 7.86 x 6.98 x 3.23 mm., originating from Burma (Myanmar), centrally set among RBC and marquise shaped diamonds, approx. 1.50 cts. TW, in platinum. Ca. 1960. Marked PLAT. Size 7 1/4. 5.7 dwt.

$7,000–9,000

1418 1419

1420 1421


1 4 2 2 : A R T D E C O D I A M O N D A N D B U R M A R U B Y P L A T I N U M S T R A P

Conforming central panel and stirrup links join five-row ribbon of ruby beads, approx. 28 cts. TW and diamond platinum links. Three marquise shaped diamonds, approx. 2 cts. TW, and 412 similar marquise, baguette and circular cut diamonds, approx. 11 cts. TW. AGL report #CS 67541 describes 80 natural, untreated round to oval, purplish red, drilled ruby beads, approx. 5.1-5.0 x 4.0 mm to 4.3-4.2 x 3.4mm, originating from Burma (Myanmar). Unmarked. 7” x 1 7/8”. 42.6 dwt.

$25,000–35,000

1 4 2 3 : 1 4 . 6 5 C T S U N T R E A T E D B U R M A R U B Y A N D D I A M O N D R I N G

AGL report #CS 67953 describes natural, untreated oval mixed cut ruby, 14.21 x 12.47 x 9.42 mm., originating from Burma (Myanmar) origin, flanked by two half-moon diamonds, approx. 1.38 cts. TW, 18k yg. Size 7 1/2

$60,000–80,000

1422

1423


1 4 2 4 : A R T D E C O D I A M O N D , O N Y X A N D R U B Y P L A T I N U M S T R A P B R A C E L E T

Designed as two tapered flexible diamond sections trimmed with rows of calibrated rubies and onyx, joined by shaped onyx links. Transitional and OEC diamonds, approx. 10.05 cts. TW. 7 1/4” x 3/8”. August 8th, 1968. 16.4 dwt. Companion to lot 1427.

$8,000–12,000

1 4 2 5 : A R T D E C O D I A M O N D A N D P L A T I N U M E A R P E N D A N T S

Pierced millegrained platinum and diamond articulated stylized bell flowers suspend bezel set OEC diamonds, 1.36 cts. and 1.41 cts. by formula, approx. 6.4 cts. TW throughout, ca. 1920. Unmarked. Drops 2 3/8”. 7.6 dwt.

$7,000–9,000

1 4 2 6 : B U R M A R U B Y A N D D I A M O N D T H R E E - S T O N E P L A T I N U M R I N G

AGL report #CS 66170 describes natural, minor heat treated, oval mixed cut ruby, 10.70 x 8.78 x 3.25 mm. 2.56 cts. by formula, originating from Burma (Myanmar) set in 18k yellow gold, flanked by two OEC diamonds, approx. 5 cts. TW, in platinum. 4.1 dwt.

$35,000–45,000

1424

1425 1426


1 4 2 7 : C A R T I E R P I N E C O N E D I A M O N D P L A T I N U M S H O U L D E R B R O O C H

Paris, designed in 1922. Executed with onyx and pearls. Detachable articulated pinecone form pendant, with 9 mm. saltwater pearl, seed pearl and diamond icicle fringe, suspends from seven onyx or diamond platinum links (the largest two are hinged), below a panel brooch in the Persian style. Diamond melee, approx. 12 cts. TW. Inscribed Cartier #0420, French marks for platinum. Revised and additionally set with an OEC diamond, approx. 2.90 cts., and two pear shaped diamonds, approx. 2 cts. TW. Retailed by Frank Pollak & Sons, New York, December 21, 1962. 5 5/8” x 3 3/8”. 37.7 dwt. Literature: Rudoe, Judy, Cartier: 1900-1939, Harry N. Abrams, Inc. & The Metropolitan Museum of Art, 1997, pgs. 312-313; Vassallo, Nuno, Silva, E., et al. Cartier 1899-1949; Skira, The Journey of a Style, 2007, pgs. 198-199.

$40,000–60,000


1 4 2 8 : A R T D E C O D I A M O N D A N D O N Y X P L A T I N U M S T R A P B R A C E L E T

Designed as four flexible panels joined by onyx calibre links. Four OEC diamonds, approx. 2.40 cts. TW, and diamond melee, approx. 6.56 cts. TW, 8.96 cts. TW throughout. Indistinct patent marks at clasp. 7 1/4” x 1/2”. 29.6 dwt.

$8,000–12,000

1 4 2 9 : M O N T R E C A R T I E R A R T M O D E R N E D I A M O N D P L A T I N U M R I N G

OEC diamond, approx. 2.0 cts. hexagonally bezel set with six chamfered baguette cut diamonds, approx. 1.60 cts. TW, in brushed platinum. Indistinct maker mark on back of hoop. Size 6 1/2. 15 dwt.

$11,000–13,000

1 4 3 0 : C A R T I E R H E X A G O N A L A R T D E C O D I A M O N D P L A T I N U M W A T C H

Ladies dress watch, engine turned cream dial with Roman hours, hexagonal case with rose cut diamond border, diamond lugs to expandable baton link bracelet with rose cut diamond accents, rose cut diamond crown, 20 mm., Agassiz, 17 jeweled movement #218255. Diamonds are approx. .40 ct. TW. Case exterior with French mark for platinum (worn), case back interior struck Cartier. Bracelet #598, WIL-IXO (?), ca. 1920. Length expands 5 3/4” - 6 1/4”. 14.1 dwt. GW. Note: Similar watch formerly property of HRH Princess Margaret, Lot 99, Fellows, Dec. 11, 2014.

$2,000–4,000

1428

1429

1430


1 4 3 1 : C A R T I E R A R T D E C O D I A M O N D P L A T I N U M S T R A P B R A C E L E T

Concentric design of three wavy rows, eleven OEC diamonds, approx. 3 cts. TW, 154 OEC and transitional cut diamonds, approx. 13 cts. TW. Signed Cartier, #692. Retailed by Frank Pollak & Sons, New York, June 18th, 1968. 6 3/8” x 1/2”. 18.4 dwt.

$10,000–15,000

1 4 3 2 : A R T D E C O E G Y P T I A N R E V I V A L D I A M O N D P L A T I N U M B R O O C H

Designed as stylized cobras, principal OEC diamond, 8.23 x 4.95 mm., approx. 2.14 cts., three pear shaped diamonds, approx. 2.55 cts. TW, 24 baguette cut diamonds, approx. 2.75 cts. TW, and 122 OEC melee, approx. 4.71 cts. TW, replaced findings, fixed pendant bail possibly later. Metal incised #61, no maker mark noted. Retailed by Frank Pollak & Sons, New York, June 26th, 1968. 2 1/8” x 1 1/2”. 13.7 dwt..

$14,000–18,000

1431

1432


1 4 3 3 : N A T U R A L P E A R L A N D D I A M O N D G E O R G I A N P E N D A N T , N E C K L A C E

Georgian pendant centrally set with large heart shaped natural pearl, OMC and various antique cut diamond cluster surround, mounted in silver topped yellow gold suspended from later OEC diamond ribbon heart with central natural button pearl on antique French silver-topped yellow gold and diamond link chain. Heart shaped pearl described by GIA report #6177328174 as natural, baroque, partially drilled, pinkish brown, pinctada margaritifera pearl, 23.51 x 21.05 mm, button pearl described as natural, button, partially drilled, white, saltwater pinctada species pearl, 8.70 x 7.30 mm. Antique diamonds, approx. 14.6 cts. TW. Early-late 19th c. Chain stamped with French control marks for 18k, unidentified maker mark. Necklace 17”, pendant drops 2 1/4”. 29.9 dwt.

$30,000–35,000

1 4 3 4 : C H A M P A G N E A N D C O L O R L E S S D I A M O N D P L A T I N U M N E C K L A C E

Fine Art Deco octagonal cluster, OEC champagne diamond, approx. 2 cts., 32 colorless OEC diamonds, approx. 1.44 cts. TW, millegrained. 3/4”. Later 18k wg. chain, 18”. 6.1 dwt.

$2,000–4,000

1 4 3 5 : A R T D E C O D I A M O N D A N D P L A T I N U M T O P P E D G O L D P E N D A N T

Three square set OEC white diamond links terminated by pendant with central OEC cognac diamond, 1.4 cts. by formula, suspended from circular white diamond frame within larger circular white diamond frame, smaller diamonds, approx. 2.75 cts. TW, on later 14k white gold chain, ca. 1925. Unmarked. Drops 2”, chain 21 1/4”. 6.0 dwt.

$3,500–5,500

1435

1434

1433


1 4 3 6 : A R T D E C O D I A M O N D A N D P E A R L P L A T I N U M E A R P E N D A N T S

Acanthus shaped surmount suspends articulated diamond links to a 8.7 mm. button pearl with diamond fringe. OEC diamond melee approx. 1 cts. TW, threaded posts for pierced ears. Retailed by Frank Pollak & Sons, New York, August 9th, 1963. Drop 2 1/16”. 7.4 dwt.

$1,000–2,000

1 4 3 7 : E D W A R D I A N N A T U R A L S A L T W A T E R P E A R L A N D D I A M O N D N E C K L A C E

GIA report #5171206679 describes semi-baroque drop-shaped natural white saltwater pearl with orient overtone, 11.88 x 11.50 mm., depth unmeasurable, (visible depth 14 mm.), no indications of treatment, suspended from conical diamond platinum cap and enhancer bail. Diamonds approx. .72 ct. TW. Unmarked. 1 1/4”, on 10k curblink chain. 5 dwt.

$6,000–8,000

1 4 3 8 : F R E N C H A R T D E C O D I A M O N D P L A T I N U M L A C E S T R A P B R A C E L E T

Concentric ribbon of OEC diamonds in open filigree sections, approx. 12 cts. TW. Retailed by J.E. Caldwell. French owl hallmark and makers mark (A over P). 6 1/2” x 3/8”. 19.2 dwt. In original box.

$10,000–15,000

1436 1437

1438


1 4 3 9 : 1 . 7 0 C T S F A N C Y I N T E N S E Y E L L O W D I A M O N D A N D S E T T I N G

GIA report #2175130285 describes, round brilliant cut, natural, fancy intense yellow, SI1, diamond., 7.38-7.54 x 4.94mm with retro modified bow setting channel set with baguette cut rubies and six RBC diamonds, .44 ct. TW, ca. 1948. Mark of Maurice Tishman, Inc., NY, Platinum. Size 6 1/4. 4.4 dwt.

$4,000–6,000

1 4 4 0 : U N M O U N T E D 2 . 5 1 C T S E M E R A L D C U T D I A M O N D

GIA report #2175249821 describes emerald cut, I, VS1, diamond 9.15 x 6.92 x 4.43mm

$6,000–9,000

1 4 4 1 : 3 . 8 9 C T S D I A M O N D P L A T I N U M R I N G

GIA report #5172226534 describes round brilliant cut, K, SI1, diamond, 10.23 x 10.3 x 6.13 mm., in platinum six-prong setting, ca. 1960. Size 8 3/4. 4.9 dwt.

$10,000–15,000

1 4 4 2 : U N M O U N T E D 4 . 1 0 C T S R O U N D B R I L L I A N T C U T D I A M O N D

10.26 X 6.26 mm.

$12,000–16,000

1439 - partial1440

1441

1442


1 4 4 3 : 8 . 0 0 C T S F A N C Y L I G H T Y E L L O W D I A M O N D R I N G

GIA report #1162080366 describes oval modified brilliant cut, natural, fancy light yellow, even, VVS2 diamond, 14.97 x 10.67 x 6.27mm. flanked by two trapezoidal cut colorless diamonds, approx. 1.34 cts. TW, in platinum and 18k yg. Piranesi setting. Size 5 3/4. 4.2 dwt.

$60,000–80,000


1 4 4 4 : D I A M O N D 1 4 K W H I T E G O L D S O L I T A I R E N E C K L A C E

Lively OEC diamond, approx. 1 cts., in spectacle setting on 16” cable link chain. 2.4 dwt.

$1,500–2,500

1 4 4 4 A : A N T I Q U E D I A M O N D E A R R I N G S

Two bright OEC diamonds, approx. 2.15 cts. TW, in twelve-prong knife edge gold baskets. Foliate wire surmount, ca. 1890. 3/4”. 1.8 dwt.

$6,500–8,500

1 4 4 5 : 1 . 3 0 C T S A S S C H E R C U T D I A M O N D A R T D E C O R I N G

GIA report #3030072 describes square emerald cut, G, SI2 diamond, 5.80 x 5.77 x 4.34 mm., in original delicate platinum setting, OEC cut diamond shoulders. Size 6 1/4. 1.8 dwt.

$3,500–4,5000

1 4 4 6 : E D W A R D I A N D I A M O N D P L A T I N U M T H R E E - S T O N E R I N G

OEC diamond, approx. 1.60 cts., flanked by two OEC diamonds, approx. 1.50 cts. TW, sinuous chasings. Marked irrid. plat. Size 8. 3.3 dwt.

$3,000–4,000

1 4 4 7 : D I A M O N D W E D D I N G R I N G S E T

RBC diamond, approx. 1.10 cts., and diamond shoulders in platinum, joined to five-stone diamond 14k wg. guard, melee .68 ct. TW. Size 7. 3.2 dwt.

$1,800–2,400

1444

1445 1446 1447

1444A


1 4 4 8 : 2 . 8 7 C T S P E A R C U T D I A M O N D P L A T I N U M E N G A G E M E N T R I N G

GIA Report #2175030183 describes pear, brilliant cut, J, VS2 diamond, 12.70 x 8.04 x 4.99 mm., mounted in platinum to tapered baguette cut diamond shoulders, ca. 1960. Size 5 3/4. 1.80 dwt.

$7,000–9,000

1 4 4 9 : 1 . 1 7 C T S O V A L D I A M O N D S O L I T A I R E , G I A C O L O R G R A D E F

GIA report #6177330769 describes oval brilliant cut, F, SI1 diamond 8.03 x 6.05 x 3.73 mm. in 14k wg. Size 6 1/2. 1.3 dwt.

$2,000–3,000

1 4 5 0 : U N M O U N T E D 1 . 3 8 C T S R O U N D B R I L L I A N T C U T D I A M O N D

GIA report #31138701 describes round brilliant cut, G,SI2 diamond, 7.12-7.28 x 4.38mm., accompanied by original 14k yg. solitaire setting. Size 7 1/4. 1.4 dwt.

$3,500–5,500

1 4 5 1 : 2 . 3 8 C T S P E A R S H A P E D D I A M O N D P L A T I N U M S O L I T A I R E R I N G

GIA report #1176352714 describes G, SI1, OEC pear shaped diamond and tapered baguette cut diamond shoulders, approx. .20 ct. TW. Size 6 1/2. 2.9 dwt. Note: Full GIA report will be posted online.

$6,000–7,000

1448 1449

1450 1451


1 4 5 2 : P E N N Y P R E V I L L E 1 8 K W H I T E G O L D D I A M O N D N E C K L A C E

Reversible granulated link necklace, one side with diamond accents, 108 RBC diamonds, approx. 1 cts. TW. Struck with maker’s PP signature. 16”. 18.3 dwt.

$1,000–2,000

1 4 5 3 : 3 . 4 8 C T S S A P P H I R E A N D D I A M O N D P L A T I N U M E N G A G E M E N T R I N G

GIA report #2165362729 describes natural, untreated, oval sapphire, 9.67 x 7.73 x 5.25 mm., tapered baguette cut diamond shoulders, approx. .30 ct. TW, in platinum. Size 6. 4.1 dwt.

$4,000–6,000

1 4 5 4 : T I F F A N Y & C O . D I A M O N D P L A T I N U M P E T A L S K E Y P E N D A N T

Bead-set bright RBC diamonds, 1.18 cts. TW, ca. 2010. Marked Tiffany + Co., PT 950. 2 1/4”. 7.3 dwt.

$1,000–2,000

1452

1453 1454


1 4 5 5 : E M E R A L D C U T D I A M O N D A N D E M E R A L D E N G A G E M E N T R I N G

Rectangular step cut emerald, 7.92 x 6.54 x 4.64, 2.02 cts. by formula, flanked by two rectangular step cut bright green emeralds, approx. .90 ct. TW, in platinum. Size 7. 4.8 dwt.

$5,000–7,000

1 4 5 6 : T I F F A N Y & C O . D I A M O N D P L A T I N U M W O V E N R I N G

950 platinum designed as two corset stitched eternity bands, fine RBC diamonds pavé set, approx. 2 cts. TW, ca. 2000. Marked Tiffany & Co., PT 950, France. Size 5 1/2. 6.4 dwt.

$4,500–5,50 0

1 4 5 7 : T I F F A N Y & C O . F R E N C H C U T D I A M O N D E T E R N I T Y B A N D

Art Deco platinum band set with 31 French cut diamonds, approx. 1.20 cts. TW. Marked Tiffany & Co. Size 5 1/4. 1.2 dwt. In original box.

$800–1,200

1 4 5 8 : D I A M O N D P E N D A N T E A R R I N G S

Two OEC diamonds, 1.80 cts. TW, of yellow hue set in 18k gold within a cushion shaped colorless diamond halo, diamond thread surmount, 14k wg., diamonds 2.38 cts. TW throughout. 2.6 dwt.

$2,000–2,500

1455 1456

1457

1458


1 4 5 9 : D I A M O N D A N D R U B Y K I T E S H A P E D C O C K T A I L R I N G

Round brilliant cut diamond, 5 cts. by formula, framed by 22 bright red rubies, approx. 1.25 cts. TW, 28 RBC diamonds, approx. 1.40 cts. TW. Mid-20th century. Size 7 1/2. 6.6 dwt.

$6,500–7,500

1 4 6 0 : G E N T L E M A N ’ S F A N C Y C O L O R D I A M O N D 1 8 K G O L D R I N G

Engraved strapped cruciform in the Celtic style, centrally bezel set with round brilliant cut, natural brownish yellow diamond, 5.30 - 5.40 x 3.40 mm., .70ct. by formula, ca. 1995. Accompanied by GIA report #2175330661. Unidentified maker mark. Size 10. 9.5 dwt.

$1,800–2,400

1 4 6 1 : B E L C H E R S E T O L D E U R O P E A N C U T D I A M O N D G O L D R I N G

OEC diamond, 7.7 x 4.6 mm., 1.84 cts. by formula, supported by six cusped prongs, 14k yg., ca. 1895. Unmarked. Size 7 1/2. 4.7 dwt.

$3,500–5,500

1 4 6 2 : F O U R G O L D C A S E D M E C H A N I C A L P O C K E T W A T C H E S

Vacheron Constantin for J.E. Caldwell & Co., 18k, 45 mm., 3 bodied O.F., white dial with sunk sub seconds, 17 jewels, 3 adjust. and temperature, #348606, case #213582 by V+C, movement and dial marked for J.E. Caldwell; Elgin National “Gail Borden”, 14k, 44 mm., 4 bodied, key wind and key set, engraved case #229872, 1873; Lady of Lyons, 14k, 42 mm., 4 bodied engraved case with superior scenic and maternal engravings, movement #87966; French Royal Exchange, London, 18k, 38 mm., 4 bodied O.F. with gold dial, key wind and key set, movement #12907, 1853. 155.3 dwt. GW

$1,800–2,400

1459 1460 1461

1462


1 4 6 3 : P A T E K P H I L I P P E 1 4 K G O L D H U N T C A S E P O C K E T W A T C H

Stem wound, four bodied, porcelain dial with Roman hours, and sunk sub seconds, 48 mm., marked on dial and movement, movement and case #60297, 1880-1885. No monograms, no erasures. 54.8 dwt. GW

$1,800–2,400

1 4 6 4 : V I C T O R I A N 1 4 K G O L D “ L I B E R T Y G E M S T O N E ” J E W E L R Y

Two pieces: Fancy link neck chain set with rubies, sapphires, half-pearls; 14k bloomed gold Orientalist chatelaine clip set with OMC diamonds, cushion cut rubies and sapphires, unmarked. Ca. 1890. Chain marked 585. Neck chain 16 1/2”, converts to 14”, clip 2 5/8”. 40.2 dwt. Provenance: Collection of Dora Jane Janson.

$1,400–1,800

1 4 6 5 : V I C T O R I A N F A N C Y L I N K 1 4 K G O L D W A T C H C H A I N

Hand built with applied shot and roped details, toggle bar and swivel. Swivel marked 14k, ca. 1880, 15 1/2”. 28.2 dwt.

$900–1,200

1463

1464 1465


1 4 6 6 : F I V E G O L D P O C K E T W A T C H E S

Four American 14k gold watches: Elgin hunt case with fancy enameled porcelain dial, 15 jewels, #10756020, 40 mm.; Elgin H.C., stepped porcelain dial, 15 jewels #11497193, 48 mm.; American Watch Co., H.C., stem wound, lever set, Royal model #2464178, 42 mm.; American Watch Co. 15 jewels #10145976, 34 mm.; Clemente 18k h.c. Swiss, key wind and set, #56387, 40 mm. 178.4 dwt. GW

$1,600–1,900

1 4 6 7 : C O L L E C T I O N O F G O L D P R O S P E C T O R J E W E L R Y

Six pieces: Two brooches, three rings and a stickpin. Brooch ornamented with prospector tools, foliate motif surround; Shovel, pick and pail brooch with roped nugget, embossed “South Africa”; Colorado gold bicolor “Colorado” ring; Bezel set pyrite ring; Figural ring with two men; Shreve & Co. shamrock stickpin with gold bearing quartz. 10-18k. Late 19th c. Shovel brooch stamped “LP”, 18k, Colorado ring stamped “Colorado Gold”. Largest 1 3/4” x 2”. 26.7 dwt. Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1 4 6 8 : C O L L E C T I O N O F M E D A L S , T O K E N S A N D B A D G E S , I N C L . G O L D

Nine pieces: Four badges, a bracelet and four tokens or medals. Tiffany & Co. 18k yg. Military Athletic League medal; Gold plated “California Gold, 1856” coin token bracelet; Silver “The Gift of Franklin” scholastic merit metal; Dallas Academy, First Grade enameled yg. badge; Waltham Training School for Nursing yg. graduation medal; Hand engraved yg. scholastic merit badge; Silver and yg. love tokens with gold tone heart locket; Silver and gold toned F.O.B. Knights of Pythias Supreme Lodge Badge. 10k-18k. 19th and 20th c. Most engraved. Largest 2” x 3 1/4”. 44.4 dwt.GW (gold items) Provenance: Collection of Dora Jane Janson.

$1,000–1,500

1466

1467 1468


1470

1471

1469

1472

1 4 6 9 : I M P R E S S I V E G O L D C O I N 1 8 K C H A R M B R A C E L E T

18k solid fancy link chain suspends eight Mexican gold coins in a variety of gold numismatic settings: two 50 Peso coins, two 20 Peso coins, three 10 Peso coins, one half Peso coin. 7”. 154.6 dwt.

$5,500–6,500

1 4 7 0 : G E N T L E M A N ’ S I N D I A N H E A D F I V E D O L L A R G O L D C O I N R I N G

Mounted in tapered yg. setting, 22k and 18k, coin dated 1909. Size 11. 22.3 dwt.

$800–1,000

1 4 7 1 : M E X I C A N 5 0 P E S O / E N G L I S H S O V E R E I G N G O L D P E N D A N T S

Mexican 50 peso, 1947, 37.5 gr. coin in 14k floriform setting; Queen Victoria 1974 gold sovereign in 14k numismatic setting. Largest 2 1/2”. 48.2 dwt. Provenance: Property from the Estate of a New York City Collector.

$1,500–1,700

1 4 7 2 : C O L L E C T I O N O F G O L D C O I N J E W E L R Y A N D A C H A R M

Ten pieces: American gold Indian head $10 1909 ring; American gold Indian head $5 coin ring; American Liberty $5 gold coin pendant; Sovereign 1959 pendant; Mexican Maximilian 1 Peso ring and 2 Peso ring; Islamic coin ring; 18k cotton anniversary charm pendant; Pair of Austria 20 Corona Franz Josef cufflinks, 1915. 14k and 18k gold settings.19th/20th c. 70.9.dwt.

$1,800–2,400


1 4 7 3 : F I V E P A I R S G O L D C U F F L I N K S A N D A G E N T L E M A N ’ S D R E S S S E T

Fifteen pieces: Four pairs of 14k yg. cufflinks with hinged 14k backs; Dragons with diamond eyes, retailed by Ruth Satsky; Black enameled bars with diamond accents; Brown enameled domes with pearls and white gold diamond accents; Sardonyx cameos; Italian 18k gold, black enamel, diamond five piece suite retailed by Ruth Satsky. Freeform 10k gold and synthetic star ruby cufflinks with hinged g.f. backs. Dragons, 1”, cameos 1 1/16”. 68.9 dwt. GW

$1,500–2,000

1 4 7 4 : G E N T L E M A N ’ S D I A M O N D 1 4 K Y E L L O W G O L D R I N G

OEC diamond, approx. 1.50 cts., three RBC diamonds, approx. .75 ct. TW, geometrically set. Unmarked. Size 8. 8.1 dwt.

$2,000–3,000

1 4 7 5 : G E N T L E M A N ’ S 2 0 T H C E N T U R Y G O L D D R E S S J E W E L R Y

Nineteen pieces. Two five-piece dress sets: 18k hammered knots with diamonds; Diamond studded onyx beads on 14k; Tiffany & Co. 14k wishbone tie tack. Four pairs cufflinks include: Tiffany & Co. 14k stippled knots with diamonds; Black enameled 18k stirrup style hinged cufflinks (unmarked); 18k and lapis freeform cufflinks; Matte 18k beaded square knot cufflinks. Diamonds approx. 1.87 cts. TW. 74 dwt.

$2,500–3,500

1474

1475

1473


1 4 7 6 : V A N C L E E F & A R P E L S A N D O T H E R G O L D C U F F L I N K S

Two pairs includes: Van Cleef & Arpels, France, woven 18k cufflinks, wire woven grates chained to similar bars, ca. 1965, marked VCA, Made in France, #12V236-1; Figural tiger cufflinks of enameled 14k gold with hinged bars, ca. 1965. 17.1 dwt.

$1,200–1,800

1 4 7 7 : D I A M O N D P L A T I N U M G E N T L E M A N ’ S R I N G

OEC diamond, approx. 1.45 cts., mounted in platinum gypsy setting. First quarter 20th c. Size 11. 9.4 dwt. Provenance: Estate of Rudy Dusek, wrestler, who, with his brother was known as the “Dusek Riot Squad”.

$3,750–5,500

1 4 7 8 : G E N T L E M A N ’ S G O L D B E L T B U C K L E A N D C U F F L I N K S

Basket weave textured 14k gold belt buckle by Larter & Son, 1 7/8” x 1 1/16”; Rickrack textured enameled 18k gold cufflinks with hinged bar, 3/4” x 3/4”. 42.9 dwt.

$1,400–1,800

1 4 7 9 : 1 8 K Y E L L O W G O L D A N D D I A M O N D H I N G E D B A N G L E B R A C E L E T

Matte 18k yg. with bright white gold screws and three bezel set RBC diamonds, approx. .75 ct. TW, in the style of Aldo Cipullo for Cartier “Love Bracelet”. Late 20th c. Unmarked. Accommodates 8”. 53.6 dwt.

$3,000–4,000

1476 1477

1478 1479


1 4 8 0 : G O L D J E W E L R Y / A C C E S S O R I E S W I T H D I A M O N D S

Three pieces: Liberty $10, 1881 American gold coin, 14k octagonal setting with diamond clusters; Bicolor 18k gold triple key fob with paisley motif; 14k yg. mesh flexible belt ring, size 7. Diamonds approx. 1.20 cts. TW. 58.6 dwt. Provenance: Property from the Estate of a New York City Collector.

$2,000–3,000

1 4 8 1 : H E R M E S 1 8 K Y E L L O W G O L D “ C H A I N E D ’ A N C R E ” B R A C E L E T

Substantial bracelet with signature links, toggle closure, ca. 2000. 18k. Inscribed on toggle, “Hermès, Paris”, stamped with French control marks for 18k. 9”. 62.1 dwt.

$5,000–7,000

1 4 8 2 : K I E S E L S T E I N - C O R D B I C O L O R 1 8 K G O L D T O G G L E N E C K L A C E

Solid matte 18k gold oval links, three groups of ten white gold links alternate with four groups of four yellow gold links, bicolor toggle bar. Marked Kieselstein-Cord, 1984, Star and crescent symbols, 750. 17 1/2”. 76.5 dwt.

$3,000–4,500

1481

1482

1480


1 4 8 3 : L A D I E S 1 8 K G O L D R O L E X O Y S T E R B R A C E L E T W A T C H

“Date Just” perpetual chronometer, “President” bracelet, gold dial bar markers and hands, sweep seconds, ref. #69178, serial #S713229, 29 jewels, self-winding, cal. #2135, deployment clasp #8570, ca. 1994. 26 mm. 49.1 dwt. GW. In original box

$3,000–5,000

1 4 8 4 : L A D I E S 1 8 K G O L D R O L E X O Y S T E R D I A M O N D B R A C E L E T W A T C H

Diamond markers, bezel and bracelet, gold dial, sweep seconds, 26 mm., ref. #6917, serial #8162882, ca. 1984, original plexiglass crystal. 6”. 44.9 dwt. GW. Original box.

$4,000–6,000

1 4 8 5 : L A D I E S C H O P A R D “ H A P P Y D I A M O N D ” 1 8 K G O L D W A T C H

Quartz, electric push button setting, diamonds approx. 1.03 cts. TW. 25 - 23 mm. 11 dwt. GW. Leather strap. In original box.

$2,000–2,500

1483 1484 1485


1 4 8 6 : T W O L A D I E S G O L D D R E S S W A T C H E S

Tiffany & Co., France, textured 18k gold and diamond bracelet watch, 40 diamonds, approx. 1 cts. TW, curved case, later quartz movement, 35.2 dwt. (weight without movement); 14k gold and onyx hidden watch on black suede strap, Swiss 17 jewel movement, 1 1/8”. Both accommodate 6 3/4” - 7”. 19.9 dwt. GW

$1,500–2,500

1 4 8 7 : G E N T L E M A N ’ S R O L L S R O Y C E G R I L L 1 8 K W H I T E G O L D W R I S T W A T C H

Black dial with white hands, Corum stem wound, 40 x 29 mm., 18 jewels, adj. 3 positions, movement #158642, case #307269, Corum black leather strap and buckle. Adjusts to 7 1/2”. 31.6 dwt. GW

$1,500–2,000

1 4 8 8 : P A T E K P H I L I P P E G O L D M E C H A N I C A L W R I S T W A T C H

Rectangular steel case with rose gold lugs, rose gold dial with sub seconds, rose gold hands, 18 jewels, three adjustments for temperature, five positions, movement #837676, case #628218, ca. 1951, 14k conforming box link bracelet, accommodates 7 - 7 1/2”, 30 x 23 mm. 23.4 dwt. GW

$1,500–2,000

1486 1487

1488


1 4 8 9 : G E N T L E M A N ’ S P I A G E T 1 8 K Y E L L O W G O L D B R A C E L E T W A T C H

Broad, bright woven strap with round white dial, dash markers and arrow hands, ca. 1980. Ultrathin manual wind #9025B2, 231987, 9p caliber, 18 jewels, adjusts to five positions, serial #7312642, 35 mm. dial, 8” strap. Swiss control marks. 47.6 dwt. GW. In original box.

$1,500–2,000

1 4 9 0 : G E N T L E M A N ’ S A U D E M A R S P I G U E T 1 8 K W H I T E G O L D W R I S T W A T C H

White dial with dash markers, manual wind, cal. #AP2003, 17 jewels, adj. 4 positions, case #24236, engraved case back, 31 mm. 7 5/8”, after market 18k wg. bracelet. 37.6 dwt. GW

$1,000–1,500

1 4 9 1 : G E N T L E M A N ’ S I W C L A R G E S I Z E 1 8 K G O L D B R A C E L E T W A T C H

36 mm. manual wind wristwatch, Schaffhausen, ca. 1950. Gold dial with gold batons and dagger hands, sweep center seconds, cal #c.89, movement #1475304, case #1518864, after market textured 18k deployment bracelet, adjusts to 8”. 51.5 dwt. GW

$2,000–3,000

1489 1490 1491


1 4 9 2 : S E V E N G E N T L E M A N ’ S G O L D W R I S T W A T C H E S

Three round cases: Bulova Accutron with quartz conversion, 18k, 38 mm., Speidel bracelet; Wittnauer manual wind, 14k, 17 jewels, cal. #11BG3, 38 mm., Speidel bracelet; Longines, manual wind, 14k, 17 jewels, cal. #370, #13090894, 40 mm., g.f. bracelet. Four square cases: Bailey, Banks & Biddle, manual wind, 14k, Concord case #88863, 17 jeweled Concord movement, cal. 245B, Tonneau movement with cover, 30 mm., gray leather strap, engraved; Hamilton manual wind, 14k, cal. 770, 22 jewels, 28 mm., leather strap; Lyceum, manual wind, 14k, 17 jewels, 29 mm., Speidel bracelet; Zodiac, manual wind, diamond accents on dial, 14k, cal. 37, 17 jewels, 25 mm., leather strap. Second half 20th c.

$1,800–2,400

1492

1493

1 4 9 3 : T W O Q U A R T Z W R I S T W A T C H E S O N 1 8 K G O L D B R A C E L E T S

Eterna 18k white gold bracelet watch, silver dial with black line markers, accommodates 6 1/2”; Girard-Perregaux gold-filled tank watch on substantial 18k gold bracelet, accommodates 6 3/4” - 7”. 79.4 dwt. GW. Note: Both were gentleman’s watches, which have been remade for a lady.

$2,000–3,000


1 4 9 4 : T W O G E N T L E M A N ’ S 1 4 K G O L D T I M E P I E C E S

Baume & Mercier slim quartz profile textured bracelet watch with matching dial, 32 mm., 6 3/4” strap, ca. 1960; Movado for Tiffany & Co. open face mechanical pocket watch, 17 jewels, 46 mm., ca. 1940. 64.4 dwt. GW

$1,500–2,000

1 4 9 5 : T W O R A Y M O N D W E I L G E N T L E M A N ’ S S T E E L W R I S T W A T C H E S

Freelancer Automatic chronograph, 42 mm., white dial with rose gold accents, stick markers, water resistant to 100 meters, cal. RW 5000, case #7730, K350429, exhibition back, brown leather strap, deployment buckle, new in box with book and packer, purchased 12/18/13; Tradition quartz bracelet watch, ref. #5456-T-00608, rectangular case #S456,E356676, slate gray Roman dial, date aperture, water resistant to 50 meters, 35 x 30 mm., 7 1/2”. New in box with books.

$2,000–3,000

1494

1495


1 4 9 6 : G E N T L E M A N ’ S R O L E X D A T E J U S T S T E E L A N D G O L D B R A C E L E T W A T C H

After market mother of pearl and diamond dial, cal. #1570, ref. #1601, serial #3322277, ca. 1972. Jubilee bracelet, after market sapphire crystal, case #1601. 36 mm. Accommodates 7 1/2”. Two spare links.

$1,500–2,000

1 4 9 7 : R O L E X P R E S I D E N T 1 8 K G O L D O Y S T E R P E R P E T U A L W A T C H

Gentleman’s 18k yellow gold case and president bracelet, white Roman dial, day-date, serial #E287381, ca. 1991, ref. #18238, bubble crystal, 46 mm. 7”. 85.9 dwt. GW. In original box.

$6,500–8,500

1 4 9 8 : G E N T L E M A N ’ S R O L E X O Y S T E R P E R P E T U A L A I R K I N G 1 4 K A N D S T E E L

Two-tone self-winding mechanical wristwatch, 34 mm., silver dial with gold bar markers, sweep seconds, ca. 1964, movement ref. #1003, serial #1127139, “Precision Automatic”, cal. #1560, non-hacking mechanism, case back ref. #1005, gold and stainless steel oyster bracelet, 6 3/4”

$1,400–1,800

1496 1497 1498


1 4 9 9 : G E N T L E M A N ’ S R O L E X C O S M O G R A P H D A Y T O N A 1 8 K A N D S T E E L

Two-tone 18k gold and stainless steel automatic chronograph, 38 mm., with slate dial, gold bullet markers with white enamel trim, triple registers, sweep seconds, gold tachometer, bezel. Reference #116523, Serial #K449196, caliber 4130. 18k gold and stainless steel oyster bracelet #78493 with Rolex deployment clasp #DT1 7493, fits 7 1/2”. Ca. 2001.

$8,000–12,000

1 5 0 0 : I W C T O P G U N M I R A M A R A U T O M A T I C C H R O N O G R A P H W A T C H

Titanium cased Pilot’s watch with steel inner case, bronze dial with cream Arabic minutes and dash markers, ref. IW388002, case #3899975, sapphire crystal, 45 mm., sage green fabric and leather IWC strap adjustable to 9”. New in box with packer and books, purchased 11/26/2013.

$4,000–7,000

1499 1500


1 5 0 1 : G E N T L E M A N ’ S E B E L A U T O M A T I C S . S . C H R O N O G R A P H / C H R O N O M E T E R

1911 Discovery, white dial with silver dash markers, gray sub dials, black bezel, ref. #9750L62, case #A1346991, water resistant to 10ATM, 46 mm., 8”. New in box with book and packer.

$1,000–1,500

1 5 0 2 : T A G H E U E R L I N K A U T O M A T I C C H R O N O G R A P H S T E E L W A T C H

Gentleman’s stainless steel bracelet watch with flip-lock clasp, silver dial, caliber 16, Ref. CJF2111-0, ca. 2008. 42 mm., open exhibition back, 16 mm. thick, accommodates 7 1/2”. With original box and packer, with three spare Chevron links.

$1,400–1,800

1 5 0 3 : T A G H E U E R L I N K S S . S . A U T O M A T I C C H R O N O M E T E R W A T C H

Gentleman’s stainless steel bracelet watch, white lined dial with steel markers, cal. 16, ref. #CAT 2011, case #EB7696, 43 mm. 7 1/2”. New in box with packer.

$1,000–1,500

1502

1501

1503


1 5 0 4 : B R E I T L I N G B E N T L E Y S T E E L C H R O N O G R A P H W R I S T W A T C H

Gentleman’s 48 mm. self-winding wristwatch, sateen dial with triple registers, sweep seconds, date aperture, bidirectional rotating bezel, steel bracelet with deployment clasp, water resistant to 100 meters, #A25362, #712821. Fits up to 8” wrist.

$2,500–3,500

1 5 0 5 : T A G H E U E R A Q U A R A C E R C A L . 1 6 A U T O M A T I C C H R O N O G R A P H

Gentleman’s 44 mm. stainless steel wristwatch, black lined dial with luminous markers and hands, ref. #CAK2111 / RUZ9362, water resistant to 500 meters, 44 mm., 8”, and two extra links. New in box with booklet and packer, purchased 10/14/13.

$1,500–2,000

1504

1505


1 5 0 6 : T H E O D O R F A H R N E R F O U R S T E R L I N G B R O O C H E S

Early and rare filigree and faceted hematite bar brooch, ca. 1908, with spot hammered band, 4”*; Two matte enamel brooches with stones and corded wire: orange with turquoise, hematite and marcasite, and brown with turquoise and citrine, ca. 1927; Gilt sterling and marcasite stylized orchid brooch, ca. 1927. Most marked. 47.1 gs. Note: Hase-Schmundt, Weber, Becker, Theodor Fahrner Jewelry, pg. 139 (similar example)

$1,500–2,000

1 5 0 7 : W I L L I A M S P R A T L I N G A N D M A R G O T O F T A X C O S I L V E R J E W E L R Y

Four pieces: Two bracelets by William Spratling and two-piece suite by Margot Van Voorhies. Spratling silver and carved amethyst hand and tulip open cuff, 1940-1944, second period marks; Spratling successors, applied disk link bracelet; Margot of Taxco silver and green glass cabochon volute link half-suite. 1940-1980. Necklace 16 1/2”, and bracelet, 7 3/4”, both #5513A. 377.2 gs. GW

$1,000–1,500

1 5 0 8 : D A V I D Y U R M A N S T E R L I N G , G O L D A N D G E M S T O N E J E W E L R Y

Five pieces: “Renaissance” collar necklace with bezel set faceted and cabochon tourmaline; “Cable Classics” bangle with mabé pearl terminals; “Confetti” bangle bracelet bezel set with faceted peridot, amethyst, tourmaline, quartz and cabachon green gems; Half hoop earrings designed in a similar manner with amethyst, green gems. All with yellow gold accents. Sterling silver and 14k. Stamped with David Yurman cypher. ca. 2000-2010. Necklace accommodates: 17”. 214.8 gs.

$1,000–1,500

1506

1507 1508


1 5 0 9 : L A G O S “ C A V I A R ” S T E R L I N G A N D 1 8 K J E W E L R Y C O L L E C T I O N

Fourteen pieces: Two necklaces, three bracelets, two pairs of earrings, four enhancers, and a ring. 18-strand bead necklace joined by five interchangeable jeweled enhancers, bracelet en suite; Wheat archive gold trimmed link bracelet, pairs of moonstone or citrine earrings en suite; Signature Caviar two tone sprung bracelet with citrine cabochons; Citrine ring, size 6 1/2; Amethyst and citrine link necklace, 16”. 603 gs.

$1,500–2,000

1 5 1 0 : J O H N H A R D Y S T E R L I N G J E W E L R Y C O L L E C T I O N

Ten pieces: “Wheat chain” bracelet with 18k gold trim; “Wheat chain” necklace; “Kali” hoop earrings; “Jaisalmer” 18k and sterling drop earrings with blue topaz; Huggies with green gems; Blue topaz ring; 18k and sterling “wheat” ring. Ca. 2008. Bracelet 8”, necklace 18”, rings sizes 7 and 8. 373.2 gs.

$1,200–1,800

1509

1510


1 5 1 1 : O P U L E N T J E W E L R Y C O L L E C T I O N B Y I R A D J M O I N I

Eight pieces: Faceted emerald and Indian faceted ruby sautoir with pink tourmaline and emerald joints, 41”, companion ruby and paste ear clips; Aubergine freshwater pearl, 12-strand torsade and 14-strand fringe with iolite briolettes, silver toned lavender and colorless paste Edwardian style juncture and clasp, 22”, suspends 9 1/2”; Citrine and coral gold toned “Shrimp” ear clips; Chandelier gold toned earrings with citrine, coral, pearl and pastes, 2 1/2”. Late 20th c. All elements signed Iradj Moini.

$1,800–2,400

1 5 1 2 : F O U R J U D I T H L E I B E R E V E N I N G B A G S

Gold crystal encrusted cushion shape with drop-in chain and accessories; Tapered oblong silver crystal encrusted box with drop chain and accessories; Black satin re-embroidered evening bag with gold frame, gold cherry blossom motif, accessories; Oblate satin evening bag silver encased with “black pearls” and diamonds, “black pearl” strap. Largest 7 3/4”. Includes 3 boxes.

$1,500–2,000

1511

1512


1 5 1 3 : T H R E E J U D I T H L E I B E R C R Y S T A L E N C R U S T E D M I N A U D I E R E S

Oblong Secessionist style with ruby and metallic flashed iridescent crystals and half pearls; Oblong flower garden on black ground; Rectangular padded cushion with blue and iridescent crystals. All with drop-in chain, coordinating leather snap-purse, comb, mirror. Longest 7”. Includes 3 boxes.

$1,500–2,000

1 5 1 4 : T W O J U D I T H L E I B E R C R Y S T A L E N C R U S T E D M I N A U D I E R E S

“Precious Miniature” gold tone swan with silver crystal accents; Cushion shaped box with cherry blossom design in pink, red, jonquil, green and gold on silver crystal ground. Both with drop in-chains, coordinating gold leather interior and snap purse, comb, mirror. Ca. 1995. 5 3/4” x 5 1/2”. Includes boxes.

$1,200–1,800

1513

1514



Jonquil Rose; Red star-shaped box. Both with drop-in chain, gold snap-purse, comb, mirror, 1994. 5 1/2”. Includes 2 boxes.

$1,200–1,800

1 5 1 6 : T W O J U D I T H L E I B E R “ P R E C I O U S M I N I A T U R E ” C R Y S T A L M I N A U D I E R E S

Crystal encrusted figural seal in shaded gray tones; White crystal encrusted figural polar bear. Both with drop-in chains, coordinating gold leather interior, snap purse, comb, mirror, ca. 1995. 4 3/4” x 5 3/4”. Includes original boxes.

$2,000–3,000

1515

1516



Fantasy stack of books in gold and bronze tones, copper color cord; Black and gold cello with drop-in handle. Both with gold leather interiors and coordinating snap purse, comb, mirror. Longest 7 1/2”. Includes boxes.

$1,500–2,000

1 5 1 8 : J U D I T H L E I B E R C R Y S T A L E N C R U S T E D P E A C O C K M I N A U D I E R E

Figural precious miniature in blue and green tones with pear shaped “sapphire” cabochons, drop-in chain, coordinating gold leather interior and snap purse, comb, mirror. 9”. Includes box.

$1,500–2,500

1517

1518


1 5 1 9 : J E W E L R Y B O O K S F R O M T H E L I B R A R Y O F D O R A J A N E J A N S O N

Eleven jewelry books and two others, includes: “Jewelry, 1789-1910, The International Era, Vol. I”, first edition by Shirley Bury, signed and inscribed to Mrs. Janson with handwritten letter by Author; Two three volume sets, “La Bijouterie Francaise” by Henri Vever S.P.E.S. editions, one boxed; Mrs. Janson’s “Radcliffe College Yearbook, 1938”; “Louis C. Tiffany’s Glass-Bronze-Lamps” by Robert Kock; Etc. Complete listing posted online.

$400–600


1 5 2 0 : L I B R A R Y O F J E W E L R Y , D E C O R A T I V E A R T S , F A S H I O N B O O K S

154 volumes, many out of print: Includes but not limited to books, catalogues and assorted publications, articles, papers and hand written notes from the collection of Dora Jane Janson. Pieces of note include (Hardcover books): “ENAMELS,” Little Books on Art, Mrs. Nelson Dawson, 1906; “Livre D’ Aneaux D’ Orfevrerie,” Pierre Woeiriot, 1978 (French); “Juwelen und Preziosen,” Heinz Biehn, 1965 (German); “La Bijouterie,” Roger Miles, 1895 (French); “Edelsteinschliff und Fassungsformen,” Fritz Falk, 1975 (German); “Western Asiatic Jewellry c. 3000-612 B.C.” K.R Maxwell-Hyslop, 1971; “Buccellati,” Vincent- Emmanuel Ragot; “Goldschiedekunst Und Die Sculptur Von Benvenuto Cellini,” Justus Brinckmann, 1867 (German); “Ambra oro del Nord,” Umberto Franzoi, 1978 (Italian); “Jewellery,” H. Clifford Smith, 1908; “Histoire de La Verrerie et de L’Maillerie,” Edouard Garnier, 1886 (French); “Der Appensell- Innerrhodiche Trachtenschmuck,” Dr. Carl Rusch, 1974; “Modern Design in Jewellery and Fans,” Charles Holme, 1902; “The Triumph of Love; Jewelry 1530-1930,” Geoffrey C. Munn; “El Arte Modernista Catalan,” A. Cirici Pellicer, 1951 (Spanish); “Schmuck; der 20er und 30er Jahre in Deutschland,” Chistianne Weber, 1989; “Artists’ Jewellry, Pre-Raphaelite to Arts and Crafts,” Charlotte Gere and Geoffrey C. Munn, 1989; “Coupe et Assemblage,”Mme Berge, 1907 (French); “Henry van de Velde, 1863-1975,” 1970 (French); Musee du Louvre “Orfevrerie Emaillerie et Gemmes,” J.J Marquet De Vasselot, Gaston Braun (French); Dictionnaire des Poincons de Maitres- Orfevres Frencais, E. Beuque et M. Frapsauce and Emile Beuque with Tome I and Tome II, 1964 (French); “Indian Jewellery, Ornaments and Decorative Designs,” Jamila Brij Bhushan, 1964; “Italian Jeweled Arts, Chalices, Reliquaries, Jewelry, Vases, Candelabra, Altarpieces, in Gold, Silver, Crystal, Jade, Lapis Lazuli, Precious and Semiprecious Stones,” Filippo Rossi, 1954; “Renaissance Jewelllery,” Yvonne Hackenbroch, 1979; “Theophrastus De Lapidibus,” D.E. Eichholz, 1965; “Fashions in Hair,” Richard Corson, 1965; “Ivories, Enamels and Other Objects, Fitzwilliam Museum,” O.M. Dalton, 1912; “Ruhlmann, Master of Art Deco,” Florence Camard, 1983; “The Book of Pearls,” Joan Younger Dickinson, 1968; “Gaudi, His Life, His Theories, His Work,” Cesar Martinell, 1967; “Daghestan Decorative Art,” D. Chircov, 1971; “Art Nouveau, 1900,” Petr Wittlich, 1975; “Des Berrn Delacroiz Talchenbucb fur Raturliebhaber,” Johann Zadarias Logan, St. Petersburg, 1782. (Softcover books): “Die Pforzheimer Schmuckindultrie,” R. Rucklin ( German); “The Fashionable Lady in the 19th Century, Victoria and Albert Museum,” Charles H. Gibbs-Smith, 1960; “El Modernismo en Espana,” Cason Del Buen Retiro, Madrid, 1969 (Spanish); “Europa 1900,” Oostende (foreign language); “Schmuck aus Zentraliasien,” Sammlung Ing Prokot. Complete listing posted online.

$1,000–2,000

partial


2 0 0 0 : N E W S H E A R E D B E A V E R H O O D E D J A C K E T W I T H F O X T R I M

Black with slit pockets, fox trim at hood and cuffs, collar button, three concealed hooks. Unmarked. 33” length, 18” shoulder, 28” sleeve.

$250–350

2 0 0 1 : N E W S E M I - S H E A R E D C O G N A C D Y E D M I N K H O O D E D J A C K E T

Chevron pieced, brown-black ombre, zipper front, fixed hood, scarf printed silk interior, velvet linked slit pocket. 27” length, 18” shoulder, 24” sleeve. Retail $5,990.

$250–350

2 0 0 2 : N E W S I L V E R F O X T U X E D O F R O N T A R T D E C O S T Y L E J A C K E T

Slit pocket, dolman sleeve, generous size. 32” length, 24” shoulder, 29” sleeve. Retail $1,000.

$250–350

2 0 0 3 : B L U E F O X C A R C O A T

Banded sleeve, velvet lined slit pocket, three concealed hooks, tagged Hertzberg Furs, American Fur Awards, American select fox. 32” length, 22” shoulder, 23” sleeve.

$250–350

2 0 0 4 : N E W D A R K B R O W N S H E A R E D B O M B E R S T Y L E R E V E R S I B L E J A C K E T

Concealed zipper, velvet lined slit pocket, Bishop sleeve, reverses to black cashmere. 36” length, 18” shoulder, 28” sleeve. Retail $2,500.

$300–500

2 0 0 5 : N E W C H I N C H I L L A T R I M M E D R E V E R S I B L E R A I N J A C K E T

Swing style with cuff sleeve, black reverses to silver, fixed hood, slit pocket. 32” length, 23” shoulder, 22” sleeve. Retail $4,800

$300–500

2 0 0 6 : T A U P E S H E A R E D B E A V E R S W I N G S T Y L E C A R C O A T

Dark brown geometric inlay, drawstring waist, two concealed snap closures, gathered cuff, printed interior. 34” length, 19” shoulder, 22” sleeve. Retail $6,500.

$200–400

2 0 0 7 : N E W B L A C K C A S H M E R E M I N K D A Y C O A T

Generously sized mink shawl collar, hood semi-lining and cuffs, slit pockets, jacquard silk lining. 36” length, 17” shoulder, 27” sleeve. Retail $8,500.

$300–500

2 0 0 8 : N E W G E N T L E M A N ’ S B R O W N L E A T H E R S H E A R L I N G J A C K E T

Dark brown leather exterior with natural interior, slit pockets, three button closure. 33” length, 23” shoulder, 26” sleeve.

$150–250

2 0 0 9 : S H E A R E D M I N K T H R E E - Q U A R T E R L E N G T H C O A T

Black with black unsheared mink collar, velvet lined slit pockets, silk interior, button collar, three concealed hook closures, J. Kudra tag. 37” length, 16” shoulder, 25” sleeve.

$400–600

2 0 1 0 : N E W C O G N A C M I N K S E M I - S H E A R E D S W I N G J A C K E T

Ombre colors, bell sleeve, shawl collar, single button, envelope pockets, scarf silk printed interior. 28” length, 17” shoulder, 24” sleeve. Retail $6,500.

$400–600

2 0 1 1 : N E W B L O N D E S H E A R E D M I N K T H R E E - Q U A R T E R L E N G T H C O A T

Zipper front, drawstring bottom, elasticized cuff, wide collar, flap pockets, G. Kudra tag. 33” length, 18” shoulder, 21” sleeve. Retail $4,500.

$250–350

2 0 1 2 : N E W L E A T H E R T R I M M E D S H E A R E D M I N K J A C K E T

Black mink with stitched black leather corset waist, cuffs and flap pockets, two hook closures, black silk interior. 26” length, 16” shoulder, 24” sleeve. Retail $3,500.

$300–400


F I N E F U R SA Rago Online Only Auction

Sunday December 6, 2015 at 6pm

lot 2029

View/Register at

bidsquare.com

or at the auction house

during previews


2 0 1 3 : N E W N A V Y / B L A C K B R O C A D E D R E S S C O A T , B L A C K F O X T R I M M E D

Vermiculated brocade, A-line, envelope pockets, three leather buttons with spare. 39” length, 14” shoulder, 25” sleeve.

$200–300

2 0 1 4 : G O L D E N I S L A N D S H A D O W F U L L L E N G T H F O X F U R C O A T

Generously sized with tuxedo front, Tarnopol’s, Phil. tag, three concealed hooks. 50” length, 21” shoulders, 27” sleeves, 62” hem. Cons. $4,200.

$400–600

2 0 1 5 : F U L L L E N G T H C A N A D I A N M I N K C O A T

Undyed, shawl collar, velvet lined slit pockets, three hidden hooks. 47” length, 16” shoulder, 23” sleeve, 71” hem.

$300–500

2 0 1 6 : B R O W N W O V E N S H E A R E D B E A V E R R U F F L E D J A C K E T

Three hook closures, slit pockets, mocha paisley jacquard lining. 22” length, 15” shoulder, 22” sleeve, with 3” extra everted at cuff. Retail $5,600.

$300–500

2 0 1 7 : N E W B R O W N S T R I P E D S H E A R E D M I N K J A C K E T

Three hook closures, velvet lined slit pockets, G. Kudra, Buck County. 28” length, 16” shoulder, 23” sleeve. Retail $6,500.

$300–500

2 0 1 8 : N E W L E O P A R D D Y E D S H E A R E D M I N K T R E N C H C O A T

With self belt and black mink trim at collar and cuff. Three hook closures, slit pockets, leopard pattern scarf interior. 36” length, 17” shoulders, 25” sleeve. Retail $4,500.

$300–500

2 0 1 9 : N E W R E V E R S I B L E S H E A R E D B E A V E R / L A M B O R L E A T H E R C O A T

Dark brown sheared beaver with matching Persian lamb trim, reverses to dark brown leather with Persian lamb and suede laced trim, four horn buttons on each face, velvet lined slit pockets. 50” length, 16” shoulder, 26” sleeve, 66” hem. Retail $6,500.

$500–700

2 0 2 0 : B L U E F O X T A I L C A R C O A T

Joined with sueded cream leather, three hook closures, interior envelope pocket, silver silk lining. 30” length, 19” shoulder, 24” sleeve. Retail $1,800.

$300–500

2 0 2 1 : N E W B L A C K R A N C H M I N K T H R E E - Q U A R T E R L E N G T H C O A T

Zipper closure, yoke shoulder, velvet lined slit pocket, cuffed sleeve, interior vest pocket, black interior, G. Kudra, Bucks County. 30” length, 19” shoulder, 28” sleeve. Retail $7,500.

$500–700

2 0 2 2 : N E W B L A C K S H E A R E D M I N K C O A T

Mink collar button, three black buttons, velvet lined slit pockets. 37” length, 18” shoulder, 27” cuffed sleeve.

$400–600

2 0 2 3 : N E W S H E A R E D B E A V E R I N L A I D H O U S E C O A T

Umber with shaded mosaic patterned inlaid trim, tied belt with six belt loops, four hook closures, velvet lined slit pockets, mocha satin lining, and waist sash in interior. 54” length, 18” shoulder, 26” sleeves.

$600–800

2 0 2 4 : N E W P I E C E D P A S T E L S H E A R E D M I N K T H R E E - Q U A R T E R C O A T

Houndstooth pattern, double breasted with eight abalone buttons, three cuff buttons on each sleeve, velvet lined slit pockets, white interior. 37” length, 18” shoulder, 24” sleeves. Retail $9,500.

$300–500

2 0 2 5 : W H I T E M I N K A N D F O X T A I L C O A T

Tuxedo front with lush foxtail trim, three hook closures, velvet lined slit pockets. 45” length, 19” shoulder, 24” Bishop sleeves.

$300–500


2 0 2 6 : S A B L E T H R E E - Q U A R T E R L E N G T H C O A T

Two hook closures, velvet lined slit pockets, printed satin interior. 24” length, 18 shoulder, 27” sleeves, 47” hem.

$700–1,000

2 0 2 7 : N A T U R A L C H A M P A G N E M I N K C O A T

With ornamental collar button and three hook closures, cuff sleeves, satin lined slit pocket, one interior pocket. 54” length, 20” shoulder, 25” sleeve, let out hem 80”. Retail $15,500.

$1,000–1,500

2 0 2 8 : N E W N A T U R A L M I N K D E M I - B U F F T H R E E - Q U A R T E R C O A T

Shawl collar with black shirred inlay and ornamental buttons, Bishop sleeves, three closures, slip pockets. 34” length, 18” shoulder, 25”.

$250–350

2 0 2 9 : S H E A R E D B L O N D E M I N K T H R E E - Q U A R T E R L E N G T H C O A T

Carved trim and cuff, two hook closures, velvet lined slit pocket, brown interior. 37” length, 18” shoulder, 25” sleeve.

$500–700

2 0 3 0 : N A T U R A L T U N I K I F U R C O A T

Shawl collar with three hook closures, velvet lined slit pockets, brown paisley jacquard lining, G. Kudra tag. 42’ length, 21” shoulder, 23” sleeve. Retail $1,900.

$400–600

2 0 3 1 : N E W N A T U R A L D I A M O N D M I N K F U R C O A T

Shawl collar, three hooks, velvet lined slit pockets, brown satin interior, Michael Kudra Signature Furs, Trenton, NJ. 54” length, 19” shoulder, 29” cuffed sleeve, 69” hem. Retail $12,300.

$1,500–2,000

2 0 3 2 : E L A B O R A T E L Y D E C O R A T E D I T A L I A N S U E D E S H E A R L I N G C O A T

Taupe with gold embroideries, mica sequins and half beads, peasant sleeves, shawl collar, slit pockets and sash belt with loops. 47” length, 18” shoulder, 20” sleeve. Retail $3,500.

$300–500

2 0 3 3 : M I N K J A C K E T A N D S H A W L

Golden buff full let out mink jacket with hood and ornamental collar button, four closures, velvet lined slit pockets, reptile printed scarf silk interior, 25” length, 19” shoulder, 24” sleeve; Black woven mink tapered cape with envelope pockets and deep fringe, 6”, 140” over fringe x 18”. Cape retail $3,200; Coat retail $7,800.

$600–800

2 0 3 4 : S U E D E D S H E A R L I N G C O A T W I T H L E A T H E R T R I M

Single toggle closure, envelope pockets, rouched leather cuffs with snap with kick slit and horn toggle closure. 44” length, 16” shoulder, 28” sleeve. Retail $4,500.

$300–500

2 0 3 5 : L A D I E S N E W D A R K B R O W N S P A N I S H S H E A R L I N G C O A T

Four front buttons and collar button, slit pockets, notched collar and cuff. 44” length, 16” shoulder, 24” sleeve.

$150–250

2 0 3 6 : B L A C K W O V E N S H E A R E D B E A V E R J A C K E T , B L A C K F O X T R I M

New jacket with two front buttons, slit pockets, black fox broad collar and cuffs. G. Kudra Furs, Bucks County. 22” length, 18” shoulder, 24” sleeve. Retail $4,500.

$150–250

2 0 3 7 : N E W B R O W N W O V E N S H E A R E D B E A V E R S W E A T E R , F O X T R I M

Medium brown, two button closures, slit pockets, dark brown fox fur broad collar and cuffs. 21” length, 14” shoulder, 23” sleeve. Retail $3,500.

$200–400

2 0 3 8 : B L A C K M I N K C O A T

Sash belt, mink collar, button and three hooks, velvet lined slit pockets, labeled “Black Gold, exclusively at Dialle Furs”. 43” length, 17” shoulder, 21” cuff sleeve.

$1,000–1,500


T E R M S O F S A L E

Questions? Contact Miriam Tucker, Managing Partner [email protected]

Rago Arts and Auction Center (Hereafter referred to as “the Auction House”). 609-397-9374 (p) / 609-397-9377 (f)

All bidders are responsible for reading and understanding these Terms of Sale, as well as any supplemental notices. If you have any questions after having read the Terms of Sale, please contact the C.E.O., Miriam Tucker, at [email protected] or 609.397.9374, extension 141.

All items in our Unreserved Auctions are “As-Is, Where-Is.”

1. General

Each lot in this catalogue is offered for sale subject to the terms set out below, as changed or supplemented by provisions a) written in other places within these Terms of Sale, b) in written supplements to this Catalogue or other materials prepared by us and c) as stated by the auctioneer or posted in writing at the auction, prior to a bid being accepted for a lot. No other communications by any employee of the Auction House is intended to be binding, and such communications are made for informational purposes only. By bidding at the auction the buyer and all bidders agree to be bound by these terms or those changed and supplemented, whether bidding in person, through a representative, by phone, by internet, or other absentee bid.

Upon the fall of the auctioneer’s hammer, the successful bidder becomes the buyer and owner of the property and is responsible for the property, the amount of the successful bid, the buyer’s premium, applicable taxes, and other charges provided for in the Terms of Sale in U.S. Dollars, payable immediately.

The thirty (30) day warranty shall commence on the date of sale and continue to run without any tolling even if the Buyer within that thirty (30) day period 1) fails to inspect or pay, 2) requests delay in shipment, 3) provides incorrect shipping address or information or 4) is unavailable to receive shipment.

Sales Results: Preliminary results will be available online shortly after each sale at www.ragoarts.com. Final sales results will be available as soon as the Auction House has audited and verified all sales, usually within one day of the auction.

The Auction House retains all rights to photographs and other intellectual property contained in this catalogue.

2. Auctioneer’s Determination Final

A lot will be sold to the highest bidder as determined in the sole and exclusive judgment of the auctioneer. The auctioneer will also have the sole and exclusive power and authority to a) resolve any disputes between bidders, b) determine whether to pass or re-offer a lot for sale, c) reject or challenge any bid or advance in the bidding, d) exclude any bidder from the premises and e) otherwise regulate the bidders, the bidding and its increments.

3. Buyer’s Premium, Purchase Price, Taxes, and Billing

For purchases made in the room or by phone or by absentee bid and paid for by check, cash, money order or wire transfer: A buyer’s premium will be applied to the hammer price of each lot equal to 25% on the first $200,000; 20% between $200,000 and $3 million.

For purchases made in the room or by phone or by absentee bid and paid for by Visa, MasterCard, Discover or PayPal: A 2% surcharge will be added to the total invoice (hammer price, buyer’s premium as above, any applicable taxes).

For purchases made through any online bidding platform, regardless of means of payment: A buyer’s premium will be applied to the hammer price of each lot equal to 28% on the first $200,000; 23% between $200,000 and $3 million.

Taxes: If you are shipping to a New Jersey address or if you pick up the lots you have won at our New Jersey location, you must pay the State’s 7% sales tax. The only exception is for those who hold a valid resale license and file the completed New Jersey State Sales Tax Form (New Jersey Seller’s Certificate Form ST3 or Non New Jersey Seller’s Certificate Form ST-3NR) with Rago at time of payment. No New Jersey sales tax is charged for purchases shipped out of state.

Billing: All successful bidders will be sent invoices by e-mail or mail (if we do not have an email address on file) within the two business days that follow the auction.

4. Methods of Payment and Fees

Cash. Check. Wire Transfers. Money Order. Visa. MasterCard. Discover. PayPal. (NOTE: A 2% surcharge will be added for payments made by Visa, MasterCard, Discover or PayPal. See Terms of Sale paragraph 3.)

All payments are due immediately upon receipt of invoice. We reserve the right to hold all goods paid for by check until payment has cleared.

If payment is not received within fifteen (15) days, the Auction House reserves the right to impose from the date of sale a late charge of 1 1/2% a month of the total purchase price.

5. Payment, Collection, and Shipping Responsibilities of Buyer

Buyer Obligations: On the fall of the auctioneer’s hammer, title to the property immediately transfers to the successful bidder who, in turn, becomes the buyer of the Property. The buyer immediately assumes full risk and responsibility for the purchased Property, including all costs and expenses of handling, shipping, insurance, taxes, export, and otherwise, and is liable for the full purchase price, plus the buyer’s premium, applicable taxes, and any other associated expenses.

Collection of Property and Storage Charges: The buyer will pay for the purchased Property immediately and remove it from the premises of the Auction House within fourteen (14) days of the sale. We are not responsible for any damage or loss on property purchased but not removed from premises. If the purchased Property is not removed within thirty (30) days of the sale, the buyer will thereafter be assessed a $10 per lot storage charge per day. The Auction House may, at its discretion, remove the purchased Property to public storage at the buyer’s risk and expense. All associated charges will be added to the total invoice and must be paid in full before the Property will be released.

Those who choose to pick up their property from the Auction House following the sale must call 24 hours in advance to arrange pick-up. Regular hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30 a.m. and from 1:30 p.m. to 5:00 p.m. Please bring your own packing materials. The Auction House is closed on Federal holidays and on Mondays following full auction weekends. Weekend pick-ups are made by special arrangement and/or by appointment only. Note: New Jersey sales tax of 7% must be added to your invoice when picking up merchandise unless you have a valid resale number on file.

The buyer is responsible for the shipment of all purchased property. We will work with any shipper of your choosing. If you have any shipping preference for any reason, please make sure your shipper carries insurance. We are not responsible for any damage or loss that occurs while your objects are in another’s care. We will also not be responsible for any damage or loss that occurs if you choose a shipping method that we have advised against and we will require a waiver from you acknowledging this.

As a convenience to the buyer, the Auction House will, if requested, give your property to a third party shipper. This company will pack and ship or arrange shipment for you via UPS, FedEx or other carrier, fully insured, for a fee payable in advance by credit card. Shipments are made within a few days after payment has been received.

All international customs, duties, and other tariffs are the responsibility of the Buyer. The Auction House and all third party shippers will declare the selling price as the value in all cases.

Shipping larger items: Larger items are objects such as furniture, andirons, floor vases, or any other item whose safe packing will exceed the limits of common carriers. The Auction House can arrange delivery by freight almost anywhere in the United States, fully insured, for a fee. The delivery of large, heavy, or expensive objects is not an inexpensive proposition and we urge you to consider this before bidding.

Firearms: Rago sells only antique firearms as defined by the U.S. Bureau of Alcohol, Tobacco and Firearms. Due to New Jersey firearms regulations, all handguns, pistols, and revolvers will only be shipped via Federal Express and will only be delivered to a person who holds a Federal Firearms License or a Curios and Relics License. Handguns, pistols, and revolvers can only be picked up at Auction House by a person who holds a Federal Firearms License or the proper New Jersey handgun permits, which must be shown and logged. There are no exceptions. No firearms will be sold or shipped internationally.

Property purchased and left at the auction house for 90 days will be sold or donated for you.

6. Buyer Default

Remedies: If any of the Terms of Sale are not fully complied with by the buyer, the buyer will be in default without need of notice by the Auction House. The buyer shall be liable to the Auction House and the consignor for the total purchase price, including all premiums, charges, and expenses specified in the Terms of Sale. Interest shall accrue at the rate of 18% per annum commencing with the date of the auction. In addition to other remedies available to the Auction House by law, the Auction House may, at its option, a) cancel the sale of the lot(s) on which the buyer defaulted and of any other lots sold to the defaulting buyer at the same or any other auction(s) and


retain as liquidated damages all payments made by the buyer, b) resell the purchased Property, whether at public auction or private sale, or c) pursue any combination of a) and b) above. In event of default, the buyer will be responsible to the Auction House and the consignor for any deficiency, any and all costs and expenses, including reasonable attorneys’ fees, collection fees and expenses, late charges, and other damages. The Auction House may, at its discretion, apply any proceeds of sale otherwise due to the buyer or monies of the buyer in the Auction House’s possession to reduce or satisfy the buyer’s obligations.

Security Interest: As security for full payment to the Auction House and the consignor of all amounts due, the buyer grants the Auction House the right to retain a security interest in the Property purchased at auction and in any other property or money of buyer in the Auction House’s possession or coming the Auction House’s possession (collectively, ’collateral’). The Auction House shall have the rights of a secured creditor as provided by the Uniform Commercial Code and other applicable law. Such security interest in the Property or other collateral will cease when the Property is physically delivered to the buyer or the buyer’s agent.

7. Warranties and Guarantees

All items are served “As-Is, Where-Is,” except as expressly stated otherwise in the following paragraph:

All information in the catalogue concerning authenticity is guaranteed for a period of thirty (30) days from the date of sale. In that time, prior to payment to the consignor of the work, the Auction House will allow the buyer to submit, at his own expense, an opinion in writing from a recognized expert, pre-approved by the Auction House and the purchaser, regarding authenticity. In the event the work is judged inauthentic by the expert, the work may be returned in the same condition as at time of sale and the buyer’s full purchase price will be refunded. Refunds shall not include costs of transportation, insurance, or other expenses that may have been incurred by the buyer. It is the buyer’s responsibility to make payment in a timely fashion such that the property can be released and inspected within this thirty (30) day time frame. Should the buyer not do so, or should the buyer request the auction house to delay shipment, should he give an incorrect shipping address, or be unavailable to receive shipment, the thirty (30) day warranty shall still apply. If the Auction House has paid the consignor the amounts due consignor as a result of the sale, the Auction House will (i) refund to the buyer the amount of the buyer’s premium and applicable taxes received from the buyer, and (ii) make written demand upon the consignor for the payment of the balance of the purchase price. If the consignor fails to honor the written demand for a refund of the balance of the purchase price, the Auction House will furnish buyer the name and address of the consignor, and assign to buyer all of the Auction House’s rights for the return of the balance of the purchase price of the affected lot. Upon this disclosure and assignment, the Auction House will have no further liability to buyer or responsibility to pursue the buyer’s claim. The Auction House will extend reasonable cooperation to buyer, provided that such cooperation does not require out-of-pocket expenditures by the Auction House. This limited right of rescission is available only to the original buyer and may not be relied upon by any heir, agent, transferee, assign, or other third party or assigned to any subsequent transferee of the Property which gives rise to the claim.

This Warranty does not cover any description that states there is a conflict of specialist opinion; any description that states (or is bracketed in a section described as) “as-is“ or “not guaranteed.”

This Warranty does not cover any typographical errors. This Warranty does not cover wear on furniture. This Warranty does not cover flakes, surface scratches, or manufacturing flaws in glass or ceramics.

The description of clocks and lighting devices, whether in catalogues or condition reports, may be incomplete and not identify every mechanical replacement, repair, or defect. The absence of reference to the condition of a clock or lighting device does not imply it to be in working condition or without defects, repairs, restorations, or replacement parts.

The description of jewelry, whether in catalogues, condition reports, or any other form, is rendered as opinion, including, but not limited to, specialist opinion as to authenticity, the enhancement or treatment of gemstones, the weight of gemstones, the country of origin, the authorship or origin (manufacture) of an item, its period (or c.) or the authenticity of its marks.

No warranty is made that any watch is in working condition or without defects, restorations, or working parts.

Buyers are advised to check watch works prior to auction.

All measurements are approximate.

This disclaimer of liability on our part applies whether the information is included in the catalogue, advertisements,

announcements, or communicated through our representatives, bills of sale, or elsewhere, and whether written or oral.

No Warranty of Reproduction: Neither the consignor nor we make any warranty or representation, express or implied, as to whether a buyer will acquire any reproduction rights, copyrights or other intellectual property rights in, or with respect to, the Property.

The Auction House makes no warranties, express or implied, as to the merchantability or fitness for purpose except as otherwise expressly stated in these Terms of Sale.

8. Qualifying to Bid

As a security measure for our consignors and our company, all bidders must establish credit. You will be asked to furnish identification and a valid credit card number, credit references and/or (for absentee, phone and online bidders) an initial deposit in the form of a pre-authorization hold equal to 10% of the low estimate of the total number of lots on which you are bidding. First time and international buyers bidding on Asian lots with a total low estimate of $5,000 or greater will be asked to a) furnish an initial deposit in the form of a pre-authorization hold equal to 30% and b) grant the Auction House the right to charge your credit card 30% of the selling price on the day of sale. If you are acting as another’s agent or principal, we may request a letter of authorization. If you are successful and do not remit payment as specified, the amount owed will be charged to your credit card together with such charges set forth in these terms of sale. If you have any questions, contact Eliane Talec, ext. 118.

Bidding Numbers: All bidders must register and receive a bidding number from the Auction House prior to bidding at the auction.

9. Bidding Increments

All unreserved bidding starts at 50% of the low estimate unless there are two or more competing absentee bids in excess of this figure. The auctioneer has the sole and exclusive power, discretion, and authority to regulate the bidding and its increments.

Increments

• $10 until $100 is reached

• $25 until $500 is reached

• $50 until $1,000 is reached




• $1,000 until $30,000 is reached



• $10,000 over $100,000

10. Absentee Bids

Absentee bids are requested by no later than 6:00 p.m. on the business day before the auction. We accept absentee bids by phone, by mail, in person, or by fax. Absentee bidders are emailed bid confirmations – If you do not receive a bid confirmation by the afternoon prior to the auction, please call us. When you do receive a bid confirmation, please double check for accuracy.

All absentee bidding is handled as though you are in attendance. We buy all designated lots for you one bidding increment above where competition stops. Please check and comply with these increments. In case of failure to comply, we will reduce each off-increment bid to the next lower figure.

“Plus” bids: Because of our structured bidding increments, it is more likely that several people will leave identical bids. Since an earlier bid left with the auction house wins in the event of a tie, a later bid with an added “plus” bid to the next increment would win the piece.

Absentee bids left with third party online bidding platforms are sent to the auction house as the lot comes up for auction and not before. There is no time advantage to absentee bids left with third party online bidding platforms.

All absentee bidder names and bids are held in strictest confidence, disclosed only in the event of a question after the sale.

Absentee bidding is a convenience offered to our customers and, while we will make every effort to execute your instructions, the Auction House is not liable or responsible for any errors or failure to do so. If you place absentee bids with the Auction House, then choose to attend in person, bid by phone or any other means, it is solely your responsibility to cancel any or all absentee bids prior to the start of the auction.


11. Telephone Bids

Rago guarantees you a line and a phone agent for bidding until 4 PM on the day prior to an auction. After that time, we will gladly accept your absentee bids, even during the auction (up to 30 minutes before a lot goes on the block). Changes to bid lists left with us prior to the deadline will always be accommodated as best we can, as will follow-up phone bids for those who attend/must leave the auction and other exceptional cases.

If you need condition reports, please request and review them prior to reserving phone lines.

Telephone bidders are emailed bid confirmations – If you do not receive a bid confirmation by the afternoon prior to the auction, please call us. When you do receive a bid confirmation, please double check for accuracy.

We can call you at two phone numbers ONLY during the auction. If you are unsure of where you or your agent will be during the sale, we recommend you leave absentee bids.

Please do not change your phone number after your phone lines have been confirmed; if you do, the Auction House will not be responsible for any breakdown in communications. Overseas phone numbers only will be confirmed the day before the auction.

We do not have the capacity to assign phone agents to clients who want to listen only or who will not bid the minimum selling price. Therefore, if you bid by phone, you must be willing to open bidding and bid to within 2/3 of the low estimate should the bidding go that far. You may, however, leave absentee bids for any amount.

Bids are placed on the telephone at the discretion of the Auction House and at the caller’s risk. Telephone bidding is a convenience offered to our customers and, while we will make every effort to execute your instructions, the Auction House is not liable or responsible for any errors or failure to do so.

If you place absentee bids with the Auction House or Live Auctioneers and also bid in person, by phone or any other means, it is solely your responsibility to cancel any or all absentee bids prior to the start of the auction. If you do not or cannot, regardless of reason, you will be held responsible for the property’s purchase.

12. Internet Bids

The Auction House has also engaged the services of third party online bidding platforms called Bidsquare and Live Auctioneers. Please proceed to these sites for all necessary information on how to bid and buy online using this system. The user of Bidsquare and/or Live Auctioneers indemnifies and holds the Auction House and its consignors harmless against any claim arising out of or resulting from your use of the Bidsquare and/or Live Auctioneers sites, including all losses, damages, liabilities, and all fees (including attorney’s fees), costs, and expenses incurred in connection with any claim. Under no circumstances, including, but not limited to, negligence, shall the Auction House and its consignors be liable for lost profits or any special, incidental, or consequential damages that result from the use of, or the inability to use, this site.

If you place absentee bids with the Auction House and/or a third party site and also bid in person, by phone or any other means, it is solely your responsibility to cancel these absentee bids prior to the start of the auction. If you do not or cannot, regardless of reason, you will be held responsible for the property’s purchase.

Absentee bids left with third party online bidding platforms are released to the Auction House when a lot comes up for sale. The Auction House cannot distinguish these from bids made in real time. They have no timed advantage.

13. Condition Reports

Condition reports are rendered as specialist opinion by the staff of the Auction House and/or independent consultants and not as statements of fact. We do not guarantee the content of written or verbal condition reports.

Up-to-date condition reports can be accessed online at ragoarts.com. If you would like additional information, please call (609) 397-9374, fax condition report requests to (609) 397-9377 or e-mail them to [email protected]. Our specialists will respond to requests as quickly as possible.

Please be patient. We get many requests and we make every effort to respond to all of them in a timely fashion. The Auction House is not liable or responsible for any errors or failure to do so.

14. Reserves

A reserve is the confidential minimum price established by the Auction House and the consignor. The reserve will never exceed the low estimate of the lot. The Auction House prohibits consignors from bidding on their own property, but may implement the reserve by

bidding on behalf of the consignor at the auction up to the reserve.

15. Estimates

The estimates provided in this catalogue are our opinion of the price that a willing buyer would pay for the property at auction, based, where possible, on prices paid for comparable items sold in the past. They are neither a representation nor a prediction of the actual selling price that will be realized at auction, post-auction sale, or upon resale, which may be substantially different from these estimates. We shall not be liable in any way for such a difference.

16. Withdrawal of Property from Sale

The Auction House reserves the right to withdraw property from the sale for any reason and with no liability whatsoever for such withdrawal.

17. Rescission by Buyer

All items are served “As-Is, Where-Is,” except as expressly stated otherwise in Paragraph 7. Buyer acknowledges and expressly agrees that the provisions of this Paragraph state the sole and exclusive remedy available to a buyer in the event of non-conformity in Property purchased. The buyer understands and agrees that the exclusive remedy for any breach of the warranty shall be a rescission of the sale and a refund of the original purchase price (bid plus buyer’s premium), as well as any applicable taxes paid. Neither the Auction House nor its Consignor shall be liable for damages beyond the remedy expressly provided for herein, such as, but not limited to, direct, indirect, special, incidental, punitive, or consequential, including the loss of profit or revenue, cost of obtaining alternative property, claims of customers of the buyer or otherwise.

18. Rescission by the Auction House

In the event the Auction House receives notice of an adverse claim with respect to purchased Property, the Auction House shall have the right (but not the obligation), in its sole and absolute discretion, to rescind the sale to the buyer, upon written notice to the buyer. Upon such notice, the buyer will promptly return the purchased property to the Auction House’s premises in the same condition as when purchased.

The Auction House will then promptly refund the purchase price, including the buyer’s premium and applicable taxes paid. Buyer will have no further recourse against the Auction House or the consignor, and the Auction House and the consignor shall not be liable for any damages of any nature suffered by the buyer.

19. Governing Law and Forum for Disputes

The laws of New Jersey shall govern the auctions of the Auction House. Any disputes that may arise in connection with the auction and/or any auction purchase, and all of the terms and conditions set forth herein above, shall be governed by and construed in accordance with New Jersey law. Anyone who participates in the auction and/or makes auction purchases agrees to submit to the jurisdiction of the courts of the State of New Jersey with respect to any dispute arising in connection with the auction and/or any auction purchases. In the event that the Auction House needs to bring an action to enforce the terms and conditions herein and/or to collect any sum due and owing to it the Auction House shall be entitled in addition to collect its reasonable attorney’s fees, collection agency fees, and cost of suit.

20. Limitations of Liability

The Auction House acts only as the agent for the consignor and in no event will be liable for any breach or default by the consignor.

21. Severability and Waiver

If any provision of portion of these Terms of Sale shall be deemed unlawful, void, or unenforceable under applicable law, that provision or portion shall be stricken and severed from the remaining provisions, which shall remain in full force and effect. Failure to enforce any of the provisions in these Terms of Sale shall not be deemed a waiver of the right to enforce any other provisions of these Terms of Sale.

22. No Assignment

Unless the Auction House consents in writing, buyers may not assign their rights or any of their obligations related to an auction or other sale by the Auction House.


23. No Modifications

These Terms of Sale may not be changed unless the Auction House and buyer have agreed to do so in a written agreement signed by both parties.

24. Export or Import - Endangered/Threatened/Prohibited Species

The State of New Jersey prohibits the import, sale, purchase, barter, or possession with intent to sell of any ivory, ivory product, rhinoceros horn, or rhinoceros horn product with exceptions that are irrelevant to commercial sale. As used in this act “Ivory” means tooth or tusk from any animal, including, but not limited to an elephant, hippopotamus, mammoth, narwhal, walrus, or whale, or any piece thereof, whether raw ivory or worked ivory, or made into, or part of, an ivory product. As concerns worked products made of species legal to sell under current Federal guidelines, it is the sole responsibility of buyers to familiarize themselves with International and U.S. state laws or requirements for import and export; to identify and obtain any necessary export, import, endangered species or other permit prior to bidding; and to abide by International and U.S. laws and requirements. The Auction House and the Consignor make no representations or warranties as to whether any lot is or is not subject to export or import restrictions or any embargoes and will have no responsibility with regard to these matters. a) International: Several countries do not allow the importation of lots containing materials made from endangered species. This includes, but is not limited to coral and tortoiseshell. An export license may be required for the export of certain materials, as well. b) State of California: California Penal Code sections 653o - 653r make it illegal to import into California for commercial purposes, to possess with intent to sell, or to sell within the state, the dead body, or any part or product thereof, of any polar bear, leopard, ocelot, tiger, cheetah, jaguar, sable antelope, wolf (Canis lupus), zebra, whale, cobra, python, sea turtle, colobus monkey, kangaroo, vicuna, sea otter, free-roaming feral horse, dolphin or porpoise (Delphinidae), Spanish lynx, or elephant. Starting in 2015, it will be unlawful to import into this state for commercial purposes, to possess with intent to sell, or to sell within the state, the dead body, or any part or product thereof, of any crocodile or alligator. Should a buyer in California state an intent to sell the certain animal parts named in California Penal Code sections 653o - 653r, the Auction House reserves the right to reject bids and refuse to ship.

25. Firearms

Rago sells only antique firearms as defined by the U.S. Bureau of Alcohol, Tobacco and Firearms. All Firearms will be sold in accordance with State of New Jersey and Federal firearms laws and any relevant State of New Jersey and Federal laws. It is the sole responsibility of buyers to familiarize themselves with their local laws and requirements for the possession of firearms; to identify and obtain any necessary license or permit prior to bidding; and to abide by all Federal, State and local laws and requirements. The Auction House and the Consignor make no representations or warranties as to whether any lot is or is not subject to such restrictions and will have no responsibility with regard to these matters. Rago sells only antique firearms as defined by the U.S. Bureau of Alcohol, Tobacco and Firearms. Due to New Jersey firearms regulations, all handguns, pistols, and revolvers will only be shipped via Federal Express and will only be delivered to a person who holds a Federal Firearms License or a Curios and Relics License. Handguns, pistols, and revolvers can only be picked up at Auction House by a person who holds a Federal Firearms License or the proper New Jersey handgun permits, which must be shown and logged. There are no exceptions. No firearms will be sold or shipped internationally.

26. Miscellaneous

Private Sales: These Terms of Sale shall apply to both auction and private sales of property.

Paragraph Headings: Paragraph and subheadings are included in these Terms of Sale for ease of reference and should not be used to interpret the meaning of the substantive provisions.

A D D E N D U M T O T E R M S O F S A L E : J E W E L R Y

For centuries, natural gemstones have been enhanced in a variety of ways, including heating, oiling and other methods. These treatments are accepted by the international jewelry and gemstone trade. The Auction House makes no representations or warranties, express or implied, as to whether natural stones have been treated or enhanced, whether specifically referenced or not.

All stones have been identified by standard gemological field tests as the mounting permits and the Auction House will make available to prospective buyers any gemological certificates in its possession. It will not always be feasible to obtain a qualified lab report on every

stone offered through the Auction House. Buyers wishing to have a grading or gemological report from an independent recognized laboratory such as the Gemological Institute of America, the European

Gemological Laboratories or the American Gemological Institute may request one at their own expense or hire an independent adviser of their choosing.

Weights given are based solely on measurements and known gemological formulae; they are approximate, not exact. Weight may differ once a stone is removed from its setting. Buyers are advised to verify weight estimates prior to auction

A D D E N D U M T O T E R M S O F S A L E : C O I N S A N D C U R R E N C Y

Grading is a not an exact science. It is a matter of opinion as to condition and other attributes. Because of this, grading can and will differ among third party grading services (even though consensus grading is employed by most), independent experts, dealers, collectors and auction houses, including our own. Due to the subjectivity of coin and currency grading, a given piece evaluated twice by the same expert may be assigned a different grade each time. Opinion as to the grading, condition or other attributes of any property may have a material effect on value.

Therefore all coins and currency are served “As-Is, Where-Is,” by the Auction House except as to authenticity, as expressly stated in the Terms of Sale. They are sold without any additional express or implied warranty, including, but not limited to, grade. This includes all coins and currency, including, but not limited to, those:

• Referencing the opinion of a third-party grading service;

• With no reference to the opinion of a third-party grading service;

• With reference to the opinion of Auction House as to grading;

• Subsequently submitted to a third-party grading service for determination or certification;

• Encapsulated and therefore unable to be physically examined.

The Auction House reserves the right to differ with the grades assigned to property, by certificate or otherwise, regardless of the grading service and will not be bound by any prior or subsequent opinion, determination or certification by third-party grading services including, but not limited to, National Guaranty Company (NGC), Professional Coin Grading Service (PCGS), Paper Money Guaranty (PMG) and Currency Grading and Authentication (CGA) or any other any grading service, third party organization or dealer. There is no guarantee or warranty implied or expressed that the grading standards utilized by the Auction House will meet the standards of any grading service at any time in the future.

The Auction House has graded uncertified coins and currency with reference to the current interpretation of the American Numismatic Association’s standards at the time of grading.

The Auction House reserves the right to re-grade property re-consigned for any reasons, including, but not limited to a change of grading standards, differences in opinion, mishandling over time.

The Auction House will not be liable for any patent or latent defect or controversy pertaining to or arising from any encapsulated coins or currency. In any such instance, purchaser’s remedy, if any, shall be solely against the service certifying.

Please note:

• Certain types of plastic may react with a coin’s metal or transfer plasticizer to notes, causing damage. Avoid storage in materials that are not inert.

• Catalog illustrations may not be to scale or reflect the depicted property’s actual size.


R A G O J E W E L R Y D E P A R T M E N T

Auction Management: Miriam Tucker

Director: Sarah Churgin

Specialist: Katherine Van Dell

Cataloguer: Robin Harris

Thanks to Greg Kettle, horologist.

R A G O A R T S A N D A U C T I O N C E N T E R

Partners-in-Charge: David Rago, Suzanne Perrault, Miriam Tucker

Chief Operating Officer: Michael Ingham

Chief Administrative Officer: Eliane M. Talec

Director, Estate Services: Sebastian Clarke

Director, Appraisal Services: Laurel Porcelli

Art Director: Anthony Barnes

Photography Studio Director: Lynnette Mager Wynn

Photographer: Jared Kramer

Client Services Manager: Karen Davies

Client Services: Martine Webber

Foreman of Operations: Croix Leadem

Art Handlers and Movers:

Casey Kochis (crew chief), Charles Chamberlin, Jason Kwon, Sean Leslie, Richard Palleschi, Justin Thomas

Controller: Lisa Kolva

Marketing Associate: Adrienne Lieberman

Digital Content Creator: Nicholas Fonteix

Public Relations/Marketing Assistant: Robin Harris

Auction Administration: Rebecca Schild

Administrative Staff: Kathy Buscavage, Guy Benthin

Our thanks to the entire auction staff.


S H I P P I N G / R E C E I P T O F P U R C H A S E D P R O P E R T Y

A bid is a contract to buy. So on the fall of the auctioneer’s hammer, the successful bidder becomes the owner and assumes full responsibility for the purchased property. This includes all costs and the expenses of any handling, shipping, insurance, taxes, or export.

When the Auction Center receives and processes your payment, your property is released - for shipping, delivery by freight, or pick-up. Please allow up to three weeks.

NOTE: Some property in this sale may require specialized shipping. Please call us for our recommendations.

S H I P P I N G S M A L L I T E M S B Y C O M M O N C A R R I E R (UPS, FedEx, DHL or USPS):

We have engaged shippers to pick up several times a week from the auction house. Our recommended shippers for small items are Masterpiece Shipping and The Flemington UPS Store. Once we receive your payment and the completed shipping form authorizing the release of your property to the shipper, we will add your lot(s) to the list for the next pick up. You will receive a shipping quote for your approval within 48 hours after the shipper has picked up your lot(s). If for any reason the quote is not acceptable to you, your property will be returned to the auction house so that you can make alternate arrangements.

Masterpiece Shipping

David and Vicki Child, Owners-Operators

Buckingham Green

4950-C Old York Road

Buckingham, PA 18912-2000

T: 215-794-1199

F: 215-794-1177

The UPS Store #1752

203 Main Street

Flemington, NJ 08822

T: 908-806-4842

F: 908-806-4843

S H I P P I N G L A R G E R I T E M S B Y F R E I G H T :

(for example: furniture, bulky or odd shaped items) that exceed allowable dimensions or weight restrictions of UPS, Fed Ex and similar carriers. The auction house can provide assistance in arranging for delivery by freight. Depending on the location, we can recommend a variety of third party shippers. We are also happy to work with the freight company of your choosing. Please keep in mind that delivery of these types of items can be an expensive proposition and we urge you to consider this before bidding. Please remember that it is your responsibility to pay for all deliveries.

P I C K U P A T R A G O :

Hours for pick up are Monday – Friday, from 9:00 a.m. – 11:30 a.m. and from 1:30 p.m. to 5:00 p.m. The shipping department closes each day from 11:30 – 1:30. The Auction House is closed on Federal holidays and on Mondays following two and three day auctions. We require 24 hours’ notice in advance of pick up. Please bring your own packing materials.

I M P O R T A N T N O T E S :

• Weekend pick ups are made by special arrangement and/or by appointment only.

• New Jersey sales tax of 7% must be added to your invoice when picking up merchandise unless you have a valid resale number on file.

• All property must be paid for and removed from Rago Arts & Auction Center within 15 business days of the auction. Unless special arrangements are agreed upon in writing before the sale. Storage fees are charged beginning on day 16. For more details see our Terms of Sale.

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C O N D I T I O N R E P O R T F O R M

We are happy to provide you with condition reports on all lots as requested. We are neither professional restorers nor conservators and specialist opinions are subjective and not a statement of fact. Therefore, we do not guarantee the content of the written or verbal condition report. Not withstanding this report, all lots are offered and sold in accordance with the Terms of Sale listed in print and online at ragoarts.com.

Lot# Description Specific Questions

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Name ______________________________________________________________________________________________________

Telephone _________________________________________________________________________________________________

E-mail _____________________________________________________________________________________________________

I N T E R N A L U S E O N L Y

Check Condition Online Add to/confirm in AuctionFlex

Print Initials:_______________________ Date _______________________________________________________________

R A G O phone: 609.397.9374

fax: 609.397.9377

B I D D I N G F O R M

A B S E N T E E B I D

P H O N E B I D

Name ______________________________________________________________________ Business Name ___________________________________________________

Address ___________________________________________________________________________________________________

City _________________________________________________ State _____________________________________________ Country ____________________

Zip Code ____________________________________________ E-mail ____________________________________________

Telephone __________________________________________ Fax ________________________________________________

CC # (Visa/MC/Disc.) ______________________________________________ Exp. Date ______________ CSV code (from back) ________________

If using Resale ID, a copy must accompany this form. Resale ID Number ______________________________________ State __________________

Lot# Description Absentee/Contigency Phone

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T E L E P H O N E B I D P H O N E N U M B E R – D A Y O F S A L E :

1). ________________________________________________________________________

2). ________________________________________________________________________

C H E C K , S I G N A N D D A T E B E L O W O R B I D S W I L L N O T B E E X E C U T E D

I am bound by Terms of Sale I have read the condition report(s) online / requested all needed information

I am responsible to contact Rago if bid confirmation is not received by 5pm on the day prior to the auction

I am responsible for canceling Absentee Bid if I choose to bid in person/by phone

I understand the buyer’s premium (see below)

The buyer’s premium for each lot purchased is 25% on the first $200,000 of the hammer price, 20% on the portion from $200,000 through $3,000,000

Signature _____________________________________________________________ Date _____________________________________________________________

P L E A S E A D H E R E T O

T H E B I D D I N G I N C R E M E N T S

$10 until $100 is reached

$25 until $500 is reached

$50 until $1,000 is reached




$1,000 until $30,000 is reached



$10,000 over $100,000

Rago’s guarantees you a line and a phone agent for bidding until 4 PM on the day prior to an auction. After that time, we will gladly accept your absentee bids, even during the auction and will do our best to accomodate before the lot goes on the block.

Buyer Number

I N T E R N A L U S E O N L Y

Check Boxes Above Absentee/Plus New/Hold AF: confirm contact info/check notes Addendum Increments

Print Initials:_______________________ Date/Time _________________________________________________________

R A G O phone: 609.397.9374

fax: 609.397.9377

e-mail: [email protected]

R A G O A R T S A N D A U C T I O N C E N T E R >

333 NORTH MAIN STREET

LAMBERTVILLE, NJ 08530

[email protected]

RAGOARTS.COM

609.397.9374

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