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?Quiz Show

Created by Micki Harrington: www.mickiharrington.com

100200300400500

GENRES

LIGHT

SHOTS

CAST/CREW

EQUIPMENT

NARRATIVE

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Genres:100

An action film cycle of the late 1960s and early 1970s that

featured bold, rebellious African American characters

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Genres:200

A fiction film that uses documentary conventions on

fictional matter

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Genres:300

A short documentary on current events, shown in movie theaters

beginning in the 1930s

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Genres:400

A type of documentary film whose purpose is to present the way of

life of a culture or subculture

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Genres:500

A film composed entirely of footage from

other films

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Light:100

A measure of a film stock’s sensitivity to light

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Light:200

Light striking the emulsion layer of the film, activating light-sensitive grains

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Light:300

These filters bend the light coming into the lens, softening and blurring the image

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Light:400

Glass filters whose surface is etched with spots that refract light, so they create the

appearance of water droplets in the air

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Light:500

The artful use of light and dark areas in the composition in black and white filmmaking

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Shots:100

A shot that contains two characters within the frame

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Shots:200

A camera shot taken at a large distance, capturing the entire human form

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Shots:300

A shot taken from a level camera located 5 ft. to 6 ft. from the ground, simulating

the perspective of a person

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Shots:400

A technique of moving the camera on a dolly, often to trace lateral character

movement

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Shots:500

A shot combining two kinds of movement: the camera tracks in toward the subject

while the lens zooms out

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Cast/Crew100

Reports to the DP; in charge of tasks involving lighting and electrical needs

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Cast/Crew200

An actor whose career rests on playing minor quirky characters, rather than leading

roles

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Cast/Crew300

A crew member whose job is to maintain consistency in visual details from one shot to

the next

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Cast/Crew400

A crew member who works in post-production in a specially equipped studio to

create the sounds of the story world

DAILY DOUBL

EPramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Cast/Crew500

A crew member who measures the distance between the subject and the camera lens,

marking the ring on the lens, and turning the ring precisely

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Equipment:100

A camera device that opens and closes to regulate the length of time the film is

exposed to light

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Equipment:200

A device used to manipulate the amount and/or color of light entering the lens

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Equipment:300

A small opening on a camera lens that regulates the amount of light entering the camera and striking the surface of the film

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Equipment:400

A platform with rotating wheels so it can change direction

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Equipment:500

A device that projects photographs or footage onto glass so that images can be

traced by hand to create animated images

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Narrative:100

A story narrated by one of the characters within the story, using the “I” voice

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Narrative:200

A non-standard narrative organization that assumes a “day in the life” quality

and features loose or indirect cause-effect relationships

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Narrative:300

The falling or unraveling action after the climax of a narrative that leads to

resolution

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Narrative:400

The technique of telling the story from an all-knowing viewpoint rather than from

one individual character

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Narrative:500

A chronological and complete account of all the events in a narrative

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

Final Jeopardy: Panning

A pan executed so quickly that it produces a blurred image, indicating rapid activity or, sometimes, the

passage of time.

Pramaggiore, M., & Wallis, T. (2008). Film: A critical introduction (2nd ed.). Boston: Pearson

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