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FREDDIE MERCURY, leod vocols, occosionol keyboords; composer ond lyricist.Born September 5, 1946, in Zonzibor, educoted in Indio. Freddie studied olEoling School of Arl ond become o grophic designer ond illuslrotor before form-ing Queen with Roger ond Brion.

ROGER TAYLOR, drums, vocols; composer ond lyricisl. Born in Norfolk, Rogeris 24 ond o [eo. Studying ot Denlol College in London, he hoted the roulineond turned to music insteod. Roger hos ployed drums since the oge of 12.Meeting Freddie Mercury while working in o clothing slore, ond Brion Moywhile ploying with Smile, Roger is o founding member of Queen.

BRfAN MAY, guitor, vocols; composer ond lyricist. 24 ond o Concer, Brion hoso B.Sc. in Physics ond tought ot o comprehensive school prior to eueen. Hewos olso on osltonomer for four yeors. Brion built his guitor with wood tokenfrom o century-old fireploce. Moy first met Roger in Smile, in 1968, settingthe sloge for Queen's loter formotion.

JOHNDEACON,bossgui lor .BornAugust lg, l95l , inLeicester,Johnstorfedploying guilor ol l2 ond boss ot 14. Slinls with grummor school bonds ond on

honoia"grr" in eleclronics from chelseo college followed before John ioinedQueen os i ts f inol oddit ion in Februory, 1971.

e2*Z60,{r*g%-&/,;ou^....Words 8nd Music by FR$D|E MERCURy

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blood like a leech,_ You break the law and Screw my brain til l it hurts._You've tak -en

Copyrighr O t975 by B. FETDMAN AND C0, LTO., trading as TFt0€NT MUSTCt38-t40 ftsring Cross Road, tondon WC2H 0td, Engtond

Disrribured erctusivety in he U.S.A and Canada W THe gtc : UUSIC COnpOnArtOtInlemational Copyright Secured Made in U.S.A A Bights n€s€^cd

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you wanl more.

mule- With your pig-head-ed rules,- With your nar-row-mind-ed cro-nies who are

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now you can k$s my ass good -bye. Feel sood, Are you sat - is - fied?

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bus-'ness ty - coon,- You're just a hot So no a damn,-You ie just an

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dos with dis - ease,- You're the king of the Pur )our moq - e) where your nouth is, Mis - ter

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2374

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Copyrltht O 1975 hv 3 FETDMAN AND c0 LTD tEdinsasTR|D€NT Musrcl33l{ Clirinq Crcs toad, London wC2H old Ensknd

Distbuled erd!sivaV ii the U SA .nd cai,dz bv'IHE 3 G 3 MUsrc c0RP0RAT|0NInlemarioialCopvriqhi Sscusd i/hde n ! SA Al Ruhls Feserued

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And the hub-caps all sleam. When Im hold rns Your wheel '

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Ali I hear is When my hand's on your grease

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a dis - ease, son.- I'm In Love With My Caroh,

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All I hear is Your gear,

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CopyishrO 1975 by S FELDMAN AND C0 LTD t.dinq 6TRlofNT MUSIC1331O Chariio Cffs Road, Ldidon WC2H old Enghnd

Dkrib0&d exc Bivelv ii ihe u sA and c'nada tTHE 316 3 MUS|C CoBPoFATIoNlitemarionalcopyiqht Securcd M.ne nusa AllRrshrsReseMd

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you make me live,-

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237 8

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--'---\-

Copyright O 1975 by I FETDMAN ANo C0., LTD., l6dim as TRIDENT MUSIC138'140 ClBring Crcss Road, London WC2H 0ld, Engbnd

Disir ibured exclusivety in the U S.A. and Canada by THE BIG 3 MUSIC C0RPoRATI0N

sun - nynew - ly

sweethearts

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Copyt ight O 1975 by B. FETDMAN AND C0, tTo., t rading ss TRIDENT MUSC138'140 Charing Cross R@d, Lofldon WC2H 0ld, tnqbnd

Distr ibuted exclusivelv in the U.S A and Canada bY THE BIG 3 [ lUSlC CoBP0f lATl0NInternatronal Copyr ighl Secured MadernUSA

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2378

&,,y A* e4d*ty, e4rtt*"-Uo out to work on Mondoy nonin|tuesdoy I go on @ honeymoonI ll be bo& agoin before it's time lor sunny4ownI ll be laznp on o Sundov AfternoonBicychng oi eve. t Wediesdoy evemnpThursdoy l-go woltzine to the Zoo -

l-cone fron London t6wn, t''| just on odinory gut,rndoyst go Pointingin the LouvreI n bound to be proposlng on o Soturdoy nighlI, t,nere,ne _goet ogot n ) .'

t' oe toztnqon o tunoaylazing on o SundoyIozing on o Sundoy Afternoon.

To'/lor(Dedicoted to lohnothon Hotris, boy ro.er to the end)

The mochin. of o dreom, su.h o deon nodine,With the pistons o pumpin: ond the hubcops oll gleom.When I'm holdlngyour wheel,All I heat is you geor,When my hond'son yourpreose gun,06 it's i,ke d diseose sor, -

I n in loue wi6 nl co. Eotto feel fot ny outonobile,lJet o gnP on my boy rocer ro|Dor,Such o thrill when your rodialssqueol.

l^old. n'/.gnl I iust had to lorget het,l<other Duy me o new cdrbureftor,So she mide trock soyin' tl'is ,s the end now,Cors don't tolk bock they're just fov wheeled friends nout,

\A/hen I'n holding your wheel,All I heor s your giaaWhen I n .rusin' in overdrive,Don'thoy€ to tisten to ro run ofthe rr,ill talk jirc,

I n in love wth ny cor, gono feel for ny outonobile,l m in love wtrh mlt .or, stting bo.l gloves in my outomolove!

&*2, O, {** gq* /'/}t2"1,/ a..... c{ae%$"*-/.e,e/r'4,6*You su.k my blood like o lee.hYou breok the low ond you breod,S<rew my broin till it hurtsYou've taken ollnl noney-you stillwantmorc,

wtth 'lour Pgheoded rulesWirh you noftow-nnded <rcnies who ote fools of the first division-

Deoti on two /egs -Yor're teoring n;e oporl9Deoth on two JegsYou nevet hod o heort of your own -

Ktt joy, Bod guy,Btg tolking. Snall fryYou're just on old borroul-boyHove you-found o new toy to rcplo.e me,

gut now you con kiss my oss goodb\/e

Feel Eood, orc pu satisfied

Do you feel like sui.ide (l think,/ou should)ls your cons.'ence oll rryhtDoes ir plogue you ot nilht,Do pu feel good-Feeltood!

Toll< /i*€ o 6igbusiness t/(oor,BtJt '/ou't. just o hot-oit bolloon,to no one gtves you a oomn,Youie just on over{own s<hool-bolLet me ton your hide.

KnsTl the sleaze'Putyour noney where yout nouth is ll,r. Know oll,Wos the fin on your bocl pott of the deol. . . (shorkl)

Deoth on tv/o legsYou're teoring me oportDeoth on two legs -You never hod o-heonof your own,(You nevet did, tight fron the start)

lnsone,you should be putinside,Youl e o sewer-rot deeows in o cesslool of D.ideShould be mode unenilotidThen mske yourself null-and-void,

I leel Eood. -

/"r* cZQ efr^t Fo'aZDeoaonOoo, you moke me livewhotevet this world con give to meIt's you, you're oll I seeOoo, yoi noke me live now honeyOoo, you moke me live

You'te the best friend

I've been with you such o long time

And I wontyou to knowThot my fe;lings ore true

You'rc ny bestftiend

Ooo, '/ou makeme ljve

l've been wondetinp rcundBut I still cone bockto you

You've stood b'/ ne grll'n hoppy, hoppy ot honeYou're ny best ftiend.

Ooo, you moke rne livewhenever this world is cruel to meI _Eot you, to help me forgiveQoo,you mske me live now honeyOoo, you moke me live.

You'rc the fitn oneWhen things turn out bodYou know l'll never be lonelyYou're my only one

The things thot,/ou doYou're ny b.st f t iend

Ooo, you moke me live.

I m hoppt hopry othoneYou're fiy bett ftiendYou're fiy bestfriendOoo,you moke me liveYou, lou' re my best friend.

Copyr ight @ 1975 by B. Feldman and Co., Ltd. , t rading as

Z,*afqQZ*Love of ny life - you've hurt rr,e,'lou vebroken my heort and now you leove me.Loveofmy life can twu see,Btinz it bo<]' bnns it bockDon.t toke ir awoi f' on ne, becouse pu don't kjow -,whot i mesns to me.

Love of ny life don'tleove me,You ve token my love,Wu now der€rt me,Love of ny life can t you see,Bring it boek, briry it boc,',Don't toke it owai frcm ne becouse /ou donl toow -whot, t meors to me.

You won't remember-When this is blov/n overAnd eretnhns ;. oll bv the wov -When I iet otderlwill belhete ot your side to remind youhovr I still love you - still love you-

Pleose brngit bockhome to mebe@uteyoudon t know whdr i r meons ro me-Love of ny lifeLove of ny life. . .

p*l?-,,y,,y,Tole pood eore of whor vou ve sotMy fither sotd ro neAs he puffed his pipe and Baby B.He dondled on his kneeDon't fool with fools who'l1 turn ov/ovKeeP ollGood CamponyOo Hoo Oo HooToke core of those you <oll your ownAnd keep Cood Conpany

Soon I *rc9| ond hoppy tooMy very good fnends ond neWed ploy ol l doy wuhSol ly I .The girl fron nunberfoui'And ver'l soon I begged her won t you

Oo Hoo Oo HooCome morry me for evermore we'llBe Cood Conpony.

Now marrioge is on institution surelAy wife ondl our needs ond nothins noteAll ny friends by o yeorBy ond by disappeoredBut we'rc safe enough behind our door.

I flourished in ny hunbletrode

The work devoired ny wokin2hourt8ut when my time wos rhrolqhReword ofol t ny ef fon:ny o*n

lhordly naticed Solly as wePa!1ed ConponyAll through the years n the end ,r dppedrsThere was never really onyone butrreNow rn od I puff ny pee6ur no- one s ttere to seeI pondet on the lesson of

Toke core of tho:se you .alt your ownAnd Keep Good Compony.'

e{r*a"ZnpYou coll ne up ond treot me like o dosYou coll me upondteor me upinside-You've got me on a leodYou bnng ne down

You don'tbelieve thatl'm olone.

Sweet Lad'lSweettodySweet Lody... Stoy sweet.

"You call ne uO ond feed ne o/l rl'e ,ines"You.oll me sweet like I'm som€ kindofc}eese"Woiting on the shelf

"l'm just o fool to nake you o home

"Sweet Lody"sweet Lody"Sweet Lacly . . . Stoy sweet

My Sweet lodyThoush it seems like wewoitforeverStoy iweet bobyEelieve ond we've Eot everything we need.

d"aub &*z/?*rrb

Sedside-wh€never you skoll olonp 9',th neI m merelv contenilotins whot yo-u feeJ insjdeMeonwhile I osk y6u to b7 my Clementine -You say you dhoveto |l-ll lour daddy tf you can-

Let my imorination tun o9'ov wrth vou slodlv-A brand neit onple - hiphty ionninaobb -'Seaside Rendeziour- '

I feel so rcmontic - con we do it ogoinConwe do it ogoin sometime, -

Fontostic, .'esilo v,e mesdomes et messieurs,And dt th€ p€ok oftheseoson,the Mediterroneon -,this time ofyear, it's so foshionoble,Ifeel like dandnz-n rhe roin,All I need is o volunteet -Doncinp - vthot o domn tollv eood ideo -h's suci ,a lolhficatton -'os i

-moaer of foa,so ves (normont my deor -

U nderneoth the moon I ight -together we'l/ soil ocrosi the s€o -tennis.ing every nightMeontime - I otk you to be my v olentineYou toy you do if you did bur you daten'tI ll be you Volentino -We'll ride upon on onnbus ord rhen rie coeno-eer o ne9' f;crct - so sensationot -Seoside Rendezvous - so odoroble,Seoside Rendezvous-Seoside Rendezvous-

Copyright O 1975 by B. Feldman and Co., Lrd., trading as Trident Music

d^fuen",Zgr**Words and Music bv FREDDIE MERCURY

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Rem-i

feel in

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side.-

cing night.

237 8 Copyrighl O lS75 by L FEIoMAN AND C0., tlD' trading as TR|0ENT MUSTC138-140 CtEring Cr6s noed, London, WC2H 0td, Engbnd

Distribured exctusavev in rhe U.S.A and Csnada by THE BtG 3 MUSTC CoRpoRAnONInlemationel Copyright Secured Made in U.S.A. AllRights Reserved

Dm

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Sea - side Ren - dez - vous.

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ffit+1++ffiI

Ebdim

ffit-t-ffFlh.1tnN. C.

Ooh - hoo!- Sea - side Ren - dez - vous. Give us a kiss!

ffi"efi"Vl"Ad-?Words and Music by BRIAN MAY

Slowly

d--=r-T * ! 7np

+41+7 *-- ' rralt - \:/

/:\

tDmo

ffiFfffil

(D 6ast

iulflri I ..f Lf f i iJ l

Dmo

ffiIfFTr1

said. Be.hand. You

wam - ing, The seel henew life, Take mY

thethe

ofof

- ple

-drenpeochil

Oh, oh,Ah, ah,

the earth,the land,

- tenQuick-en

Dm

H+Hn-rtT1

BbffiETFFr-H-tH

F

ffi|fffit

to the wiselike a white

thatthe

ware thefly and

storm-find-

gath - ersnew green

here,bough

Lis - tenturn

sawdea

Copyright O 1975 by B. F€LoMAN AND C0., [m., tnding as fRloENl MUSIC138-140 Chaing Cross noad. tondon WC2H 0ld, Engbnd

Oistduled exclusivelv in lhe U S.A. and Canada by THE 8lG 3 MUSIC CoRPonAn0N

I dreamed- IHe told- of

on a moon - lit stairas a bone white haze

2318

38

Intemalional Copyright Sec1lred Made in U.S A All Rights Reserved

Gooo

ffifi]l-+tirTTrt

D

ffiFIH.|.1

Dmo

]nfDHf#r'fltrl

Spread-ing his hands- on the mul - ti - tude there.-

iak-ing the lost- and the un - loved babe'-

ice cold hearts of char - i - tYkings of beasts now count - ing their

A man who cried forLate, too lat€ all

a love gone stale, Andthe wretch-es run, These

I watched as fear took the old man's gaze,

From moth - er's love is the son es - stranged,

Asus4oo

ffiAmoo

ffiAmooffiFH+I]

Dm

ffit-fFtft

Do

ffiti-i-n

coo

ffiG

(B bass)@o

ffiFft-fH

BblwH+HFfrrn

I heard him say,- Soin two will break,- AndHopes of the young in

Mar - ried his own, his

(clbass)

ffiDmo

ffitfFrn

grey .is the face of ev - er - Ydeath all a -round will be- our

trou-bledpre-cious

day,'l--shake,-

(D bass) Dmo

ffiI-tttft

oh,oh,

peo - ple of the earth!peo - ple of the earth!

graves,- "I see nogain.- The earth will

Dm0

ffiHffi

mor - tal.dow - ry.

237I

DmffitHJlflF|-fftl

BbffiETIflFfFffl

Ffl-rTal

ffiflr-fFFfl

"Lis - ten"Lis - ten

the warn - ing," the Proph-etthe warn - ing," the seer

soon the cold of night will fall'

those who hear and mark mY words,

H+ffiff iff i ff i

Sum-moned by Your own

(Bbbass)

ffiF+fi+FiFTN

Lis - ten to the good Plan.-

Dmo

ffil-t-ffH

F

ffiFt-fHr

Gmffim*+mhatm

ffiFl-Prli

zoo, They'l l be run-ning for to come, run-ning for to come, out of the

Dm

ffit-ftffi

ooffiHt#

Gooor]:m

HitHt-t-ffH

237 8

40

ooom!+ftffiTTTTT1

all- your treas - ure make

Bm

cfmu-.1-.1-tLt-l-l..lF+?I-H

not, - the fires- of

F

ffintrr1

Do

ffir!-l-Tt-t

Gooo

t]mt+l++lF|-FTN

hel l wi l l take - you.- Should death

No chord

met Peo -ple, can you h€ar me? Peo- ple, can you hear

237I

4l

Andnow I know,andnow I know,and now I know,and now I knox'that you can hear me.- And

b)

BbffiHlWH-irfl-l

grace_ to purge- this Place, Andnow know. God gave you

6

Ebdim

rall.

--:=-:-A

ctbass)f iTTTIFIMIrfTT]

Dm

ffirTmF1tin

aE Am Dm (D b;s)

I oo o o o OoO

ffiffififfi ffi-i -*r1 -j-rrri Fffffl rrl-l-H? + --..-=\

Dmo

ffit-ffl-H

be your Ah,---- chil -dren of the land

coo

ffiitTrn

F

ffiFII+N|t_rrn

coo

ffiFt ft-H

BbffiHHfrrrn

Dmo

ffin-rrll

L,ove is sti l l lhe an - swer, take my hand. The a voice I

2318

42

Dm

#lr1-l-rn

"Lis - ten to the Mad - man!:l-

Dmrn[)H+f#li-1frl

BbgqmBFFFTIIH

FtIFt. rTlffi1

abmaJT

432318

g'*O//&&"Words and Music by FRB)0lE MEBCURY

Moderately slow

tW -\ ra '-jL,-' --__--------

le- + e--i_.il-'+

Dm

ffiFn-rn

(1'

ooffiltll+Fit-tfl

my heart-my love,-

You've bro - kenYou've tak - en

F

ffift-t-t-Tt

c7o

Hffin'rrfl

you've hurt-don't leave-

Love Of My Life,-I-ove Of My Life,-

G7ooo

tmlull+ritrn

Life, -

237I

44

Copyright O 1975 by L FEL0MAN ANo C0., 1T0., lrading as TRIDENT MUSIC138lr0 Charing Cross Rosd, tondon WC2H old, Enghnd

Distr ibuted exclusively in the U S.A and canada byTHt 8lG 3 IVUSIC CoRPoRATI0NInlernational Copyright Secored NkdeinUSA Al lRiqhts Beseryed

Dml|]Et

Hi#fffn

AmtIlj]uirf.+l

Lo

fmilffFFfFFH

F

ffiBb

ffiH#n-rfi-J

Dm

ffiFfttfl

back, bring it back, don't take it from me be - cause

F

Ff+H-lFTTTN

Q7

ffirTTTNffiFfi-ff1

BblEtHl+fiF|.ITH

F

ffic7

o

ffiffrn

(tm,

.rmlt]++Hl:F-rrl

know-

t

BblmEFffiH-ti-H f f i f f i f f i

Fitfft FFFffI lf ffi1

F7

ffiF

ffiITTTN

BbffiHffir-ttir1

F?

ffitffrn

45

Amoo[Lrt-t+tNF++l

re-mem-ber when this

BbffiFqMFitFH

EGm?FA7Dmoo

f f i f f i f f i f f i f f il_rtfil *|fH riJ_r+1 ffi rrrFil

----T-==-_

ev - 'ry-thing's all- by the way. When I grow old - er,

Gm7

Ff+]ut+tt{r-rn

--a------./l-.-.-.....-

ffi"ffiffi -H+n

.<--- -1--\

nCTr'_o

ff iff iff iFffitl l-l-l-FH n-ffil

ffiffiffiffiift t-i-rfl.l n-rFH

I st i l l love you.-

2378

46

Dmo

ffiFTIFJ

ffin-fn1

BbffiFfll'n

Amoo

ffiHTM

Bb Am D_nr

f f i t l f f i f f iFt+l-j-1 ifl-fl rtFt-rl

hur-ry back, Please bring it back home- to me be - cause

Dmo

ffirfriTl

c7Fo-

f f i f f il+li-H FHril

Gm7EEEqfl-t1tllrIR

know- what it means to me.

h/-

I-ove Of My Life,-

poco a poco ritqrd. ,/-\

Gm7FlTm+f{tiir5rtr

AmooEtrEt-++flffiH.I-TT1

Bbm6

ffiFffrn

L,ove Of My Life.-

47

W6'*V"rryWords and Music by BRIAN MAY

tG

ooocE!ItftHFft-fh

D7o

ffiffim

he puffed his PiPe and Ba - bY

play all day with Sal - lYAsWe'd

tG7ooo

mlallll,++tt+t-1-Ht-it-i-Ft

Gooo

ffiFft-Fit

dan - dledgirl from

on hisnum - ber

knee. -four. -

Don't foolAnd ver

with fools- y soon

who'llI

f

237 8

48

Copyight O 1975 by B. FELDMAN AND C0 LlD., tradino as TRIDENT MUSIC

138J40 Chainq Cross R@d, London wC2H 0ld, Engbnd

Distr ihured exclusively in the lJ.S A and canada by THE BIG 3 MUSIc c0RP0RAT|0N

Inlernational Copyfu hi Secured It ladeinUSA. Al lBqhls B€served

Gooo

ffirTTTN

D7

ffiDo

EfE)H+HH-TiH

c*dtmH]TFFfft'i,?n-rTn

Keep allyou keep

Gooo

EET!sff1n-irr 7r-*rfr _

hoo,-

D

ffin'nfl

ct dtlnffift+t+tntrH

D?o

ffifi1]]

care ofmar - ry

those you call your own.-me for - ev - er - more,-

And keep Good Com - pa - ny.-We'l l be Good Com - pa - ny.-

49

Gooo

tIIEtrH+IHrrTrn

D?o

ffiffi

G(D bass)

ooom-mHTNri1-rl

cildlmffif+++trrirn

,/--;/ t

+?

To=a nf{g

t r iO

mal-rrage

All myour needs- and noth - ing more.

GGrrtrfifffiTTTTTI

FmaJTo

[!!

H++Nirirn

F{m?-5

1+++NI+Fil

AIn(C bass)

ffiTitfn

by a year By and hv dis - ap - peared.-

237 A

50

E

[]:m+{+ft

Cmo

mflF+Ftfi.FTN

Cmo(Ebbass)

ffitfriil

be - hind

Gooo

ffirrntt

flour - ished

D7

ffiH++H

my hum - ble trade, my rep - u - ta - t ion

Goootrm

t{-l-l-H|-rirn

de - voured my wak - ing but when my was through,

D7ooom

l111fl

Do

ffifftfFt

mY- own Lim - it - ed

cildtmffif++i+?Ft-t-t-h

oooffi}FFFHFi .H

ward of my ef - forts

t51

g "

c$drm

f f i f f it-fiftl Ft|tn

c*dhEfmt.l-t++tFt-i-t-H

coo

ffiiir|'n

G?ooo

I:majttfl1ffit

Gooo

ffirrrrn

D

ffif+]-{+fft-t-Fl

D7G

Hmff in-rrn rrrrn

D7 Cm---S-- o

f f i f f iAll through the Yeals, in the

BtrmH++t

Om

ffi

AmooMELttrH-]ffiffi

Fmaj?

end ap - pears There was nev-er leal - ly an -y-one but me.

ri tempo (as before)Gooo

t]mH+t4I-Hi-l-t

Now I'm old I puff my pipe, but no one's there I pon - der on the

G?ooo

trfEu,l,.t-l-.]F+HI

Gooo

[EH+tHFtrItI

Gooo

ffiffi_rn

D7o

fficildrrn|:mH]++tr-ttfH

Do

ffirfl1f1

coo

trEDffifirrl

And keep Good Com - Pa - nY. -

&"1*tare?ltp"@ls this thc reol life -ls this just fontoty -C.oueht in o londslid. -No ;s.ope fron rcotity -Open your .yesLook uP to t €ski.s ondscc-I n iust o.tsor boy, I n.ed no sfmpothy -ocaouse I m aosy coma, eost Qo,A litrle high, Iiftl. IouAnyoy the wind blovts, doesn't r.olly moft.t to m.,

- tom!- l

Momo, iuttktll?d o mon,Put o a;n otoinst his h.od.Pulld my itgcr, now hc's dcod,Mona, life hod iutt b.sun,But now I've go;. ond 6rcwn it otl ovto,t -

Didn't meon to maka you ary -lf I'm not ba.k ogain this tii,c tomonow -Carry on, cony oi, os if nothing rEolly motbrs -

Too lot , ml tlmc hos com.,s.nds shivcrs down mv sDin. -Eody's ochinp alt thc time,Go6dbyc cvi body - t'vc got to go -Gotto lcovc fiu oll bchind ond foce thc truth -

, somelim€s wish , d n.ycr bcen bo./l' ot oll -

l5.r d iittle sirhouctto ofo mon,korcmou<h, scoromouch will lou do rh. FondonEo -Thundcrboh ond lithtning - '.ry

very fnghtemni ne -

Gollil.o, ColllleoGallil.o litoro - Moenifico -But I'n iui o poor ioy and nobody i oves me -He's just a poor boy fmm o poor fomib -Spotc htm hts lifc fton this monstrosii -Eoty .ome eos't Eo a will you lct me p6 -Eismilloh! No -, wc wi,, not lct,/ou go- l.t him go-Bisnillah! We will not lctvou eo-Lthim so'Bisnilloh! We.wtll n.ot letiou-go - kt htnio

w lu not |et tou po - Iat ma go

.. Will not let lou go - tet neioNo, no, no, no, no, no, no-Mamomio,mamo mio, mamo mio lat me po-Beelzebub hos o .levil put oside for me, for-nc -

for 'r|'e-

so you rhink you .on stone me ond tpit in mt erc -So you rhink you.on lovc me oncl lcave me to die-Oh Eoby - Con't do this to ne boby -./ust gond get out -just go4o get ight outto h.rc -

N oth i n g r e o I I y m otte rs,

Nothing reolly mollers-, nothlng rcolly mott rs.o me,

An/woy the wind blows. . .

ln the yeor of'39 ossembied herc drc Volunteercln thc doys when londs were fewH.rc the ship soilcd out ina the blue onc! sunny mornIha swectesi sight aver seen.

And th. nigtu folbw.d dayAnd th. story tcllcrs solIlot th. score brovc souis tnsidcFot mony o loncly day sotLd dcross thc mill/ s.osN. .r lookcd bacr" ncvq f.arcd, ncvcr cicd.

D^on't pu heor my .oll.though you'rc many ycorc owoyuon I lou heor ma co ing youWrite your lctt.rs in the sdndFor th; doy I tokc your hondln the land thot our grondchildren Lnewl

ln the yeor of'39 conc o ship in from the blucThc \bluntc.rs come home thot dolAnd th.r brlnp pood news of o world so ncwlv bor nfhoulhihctr h;or.t so heoyily w.iehF_ot tE. conh is old ond {ey, io o iew hone we'L owoyAut mf lova this aonnot DeFot so mony yeors hovc gone though I'n o6er but o yeo.Your mother's ey.s in yout eyes cry to mc.

Don'tyou heor my coll though you r. monl 1r.dts owolDon't fou haar ma <ollin( fouAfl thi ietters i,l thc sand<;nnoth.ol m.lik yo|J hond

For ny life

{a&"VrUi.d""yOh Oh pcoplc of th. .onhUstan to tha wominlfhc sc.r h. soid -

Il,-worc the storm thot gothcrs hcrcUstcn to th. wis. mdn--

I dreomed I sow on o moonnt saoirSPrcoding hls hands on the multitudc thcr.A mon ,.ho <ried for o love son. stol.And t.e <old h.aftt of choiiy bore.I ,.lotched os [.or rook thc old nen's gozeHopes of the young in voubled grovelI sce no doy, I haord him soySo grey is the face of erery noftol.

Oh Oh people of the cofthUsten to tha womineTh. proph.t he sotdFor soon rhe cold of niqhr wtll follSummoned by your oin hond.

Oh Oh .hildrcn ofthc londQul<k ntothcn w lifclok my hondFly ond find thc ncw prcen boushRcturn iik. thc yyhite?ov.. -

He told of deoth os o bon. whitc hozeToking th. lost ond the unlovcd bobeLot too lote oll thc,xrckh.s runIhcsr kn{s ofbeosts now <ountlngtheir days.irom motDer3 ,ove i5 ttc son astonge<lMoffied his own his precious f4jin -Thc earth will shoke in tuo wi br.okAnd deoth oll oround will b.'lour dow'r,/

Oh Oh peoPle ofthe earthLlst€, to the worninf t rrseer hesoidFor rhose who hcor ind mork my wordsUsten to thc good plan.

Oh Oh - ond two by two my humon zooThey'llberunn'nglor @.omerunning fot to comeout of the roin

FIcc fot tou lif.Whoheed ne not" let oll yo tteosure moka youFeor for your lifeDec.ive you not the frtes of hel] vtill tok youShould d.oth ouloit you.

Cod glve you gro.e to purge this plo.cAnd pea.e oll orcund noy bc your foftune.

Oh Oh children of the londLore is still the ons$ter, toke my hondThe vision fodes, o Yoice I heor"Usten to the Mo<!mon!"

But still I feot ond still dorc notLough otthe Modmon.

Copyright @ 1975 by B. Feldman and Co., Ltd., trading as Trident Music

&tl"*r;oenVa"lOWords and Music by FREDDIE MERCURY

Cm? BbBbffiEFFFEFH-+I

rtfmqr|Ttffff i*ifflFftfH Fi-1-1-f1

Cm7 p7eboc7o

ffiTTTTN

owlyBb6|-nrltFfftiH+IH

ffiffiHft-H Fl-t-t-f1

((

tsbz

f,Eqri-Tn

Gmfl+!t+ 1!+rrtt'n

{

F?

ffiftt-t-ti

Cmo

F|fmH1111FFFI-H

BbmmLLlrJiFt-t-fti

I 'm just a poor boy, I need no sym -pa - rhy. Be-cause I 'm

tEb

ffi

gblRRMt'Frr

BbfimHi#r-ffi1

Btfn_nffmr-itffl

gb

ffiEIFMFl-ffi

ooTrrrnl-+ttt.lffi

BblmMFFt-t-ffi

Bb(D bass)

ffiT[fflFTTTT1

eas - y come, eas - Y go, Lit - t le high' tle low, An - y way the wind blows

Cogyr ighl O 1975 by I f tLoi /AN AND C0., tTD., r fd ing as TRIDENT MUSIC138-140 Ch€ring Cmss Ro6d, London WC2H old, Engbnd

oisrributed erclusi!€ly in the U.S.A and Canada by THE 8lG 3 MUSIC C0RP08AT|0N

International Copyrighl Secured MadeinUSA All Rights Reserved55

BbffiHqHF ftn

Cmo

FFPffi

Gmt[tttrfllittrff|-F

Bb@TifflFrlIN

F(C bast

ffiffi-ri't

c{drnffil++t+triTl.N

to- me. -,,---'t---..-/ ' ,-4 |

l . Ma- ma-2. Too late,-

just kil led a man,my time has come,

gun a-gainst his head, Pulled mYshiv - ers down my spine, bod - Y's

Put aSends

BbffimfitFittn

F

ffiiTT'N

Bb(D bass)

rfupl#r1-Fin

EbffiTI]G'f+l+H

Fm(Abbass)

mtlfrtrt+ft-H

nolea'

w I've golr'e you al

le anlbe

d thrown it all a - wiy. Ma - ma,- ooh,-

- hind and faca the truth. Ma - ma,- ooh,-

orT , r q'4, f^ l

2318

56

BbFPTfiNFini-l

FmmHtqqri-FFn

Cm

ffiffi

BbI) brrs)

dFffiftlft-t-l't-t

Did - n't mean to make you cry,I don't want to die,

If I'm not back a - gain this timeI some-times wish I 'd nev-er been born

cEo4 ft.1.114-1..1l-+Hitffrn

EbmmE!a!lH+FH

* lLO

ffi

Instrumental Solo

Ebdlmclmt1,t+.itFFFi-HrE1-r'

BbffiHlTflfftt1

Cmo

ffiF]+PH-|iN

lrrou^"rrot sotol

57

Gm(D bass)FIfl]It+++frrlfiTl

Ebfffmffi

Bb7ffiIlilf,t-ft-fl-l

Bbm

ffiFffrfl

Db( (bbass)Db

EE)Ft+111fl.Fl-tl

Cmo

ffiflF$FRhtiH

FmmH*11rflflT

tempo t.fr = J )'istesso

tmflf+t+tll-Frffi

ffi ffi{+] ffi H+HLLLlral l.]..|+ l.]-i+H]+tI FII-FII FFFH FI-ffi

ffi ffi+fiffi F++

o

see a l i t - t le s i l -hou-et- to of a man, Scar-a -

ffiffiffiffi ffi^Db

ootAb

::1:71

Prt-l-fl

mouche, Scar - a-mouche, wil l you do the Fan -dan - go. Thun - der - bolt and light - ning, ver - y, ver - y frightining

nc

(G bass)oo

ffiF+FH

A

s+H

tz31a

58

B

ffi+#

BblmHlwrit-t-tl

Bb#mHl{{ntn.1

_titoun

ffil-H-H

BBb

f f i f f i

roMag-ni- f i -co.!

Solo: I 'm just a poor boy and

Eb AbFI+m SFi4rr't-fftt1 +fHl

^A^ Bb Ab Eb

f f i f f im"mEb

EIG't-fffH

Ebdlm

ffil"#FffiI

- lED

ffiffi

VW-l:A. i Chorus:no - bod - y Ioves me. He's just a poor boy from a poor fam -i - ly,

QVDita) if

I t-r

Bbfq*trmFffl-fi

ffiFff*t

Spare him his life from this mon - stros - i - ty.

EbirmL!!a.JtlH+IH

Bbffirqfrtfftt1

oo

F4fiF+++l

BblmHilfltrrn

B

ffifiRfl

BbffiE{+Ffrrn

BbmH1ttlfli-t-t1

B

ffiHffi

eas - y go, wil l you let me go' Bis - mi l - lah!

Ebmffi

will not let You go. t-et him so!-

-J f ,---------,

l t /Bis - mil - lah! We will not let you go' Let him

Bbffi|t'rrn

(Bis - mil - lah! We will not let you go Let go._Ii l l not let You go r.€t

Dbt[[tFIHNFI-TTTI

ffiFtrt-t-l

Bm ^A^

f f i f f i

lo ' no,no,No,Will not let You go. kr

237 8

60

^luP r3o EbEm €R FEEtrEJ]JJ iJffi b]fiH+H H+fH +f+l'l No chord

BblmtitfiFrr1-n

Eb

I:Elt-t+++

nO. Ob ma ma Ma-ma

BbffirqfEFft-fH

Do

ffiTFTTI

Hlfr '" 'Ht+]r-l1in

Ebmmffi

Ebfnmffi

al r',

3 3 3 Instrumentsl Solo

F7ffiFrTl'lffit

So you think you can stone me and spit in my

. -2- _-1 _'- Z

- - -- -

-r-----------l

BbffiFMFFI-IH

So you think you can love me and leave me to

tilntflftIlr-Ffi-fi

f -J------- - - - - - - | -J- ]

die.-

Jtt -

BbffirFfflFl-Hft

can't do this to me,

_ 2-i v |

-o----------l

_!ma

ffiritrn

Fm7{wifrmffi1

BbffiHlfflII.FFFI

'-3______r

.FL.I

B,b? ,"'i:.", Eo EbclrD iffi' {rFl FFmHidii HJd ffifi1 H]rF'-ffFF Fi-flH

r- - -r l--u -_l

- .i

t'

-u-=-_--l

out, right out - ta

r__ 3 _____---___-__

Instrumentsl Solo poco a poco ritard. e

GmFMtgi4+||frn

-effffi ffg Eb Pffiffiffiffiffi ffi ffi

Slowly, a tempo-r

rb ',d:'.,

"Tmm ffi F|TmrE]l]l I E rtEEtrH+in 4+H Ft-fft-i

Gmsffii+IrpF'ain

o_EEM +H+H1fl4 f,+ffit_t_f|-H ra-rn

Noth- ingreal - ly mat- ters, An -y-one can see' Noth - ing real - ly mat- ters,

Eb

ffi

_-______-_-__...._/

rb E?olm

f f iHf f irlrllFl+H ri-f*l

.Bb sb m'Dbbdssl

f f i f f iNoth-ing real - ly mat-ters to me

Bb F Abdim

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Gm7 F

f f i f f iha+FH r-fi-fr1.l

An - y way thc wind blows.

F

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