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Jaco Wong Psithaura For Sixteen-Part Mixed Chorus

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Page 1: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

Jaco Wong

PsithauraFor Sixteen-Part Mixed Chorus

Page 2: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

Jaco Wong

Commissioned by Evan Tedlock for an interactive installation

PsithauraFor Sixteen-Part Mixed Chorus

Page 3: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

— Friedrich Hölderlinreferenced in Martin Heidegger’sThe Question Concerning Technology

“But where danger is, grows The saving power also.”

Page 4: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

— (n.) the sound of wind through trees

Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent times the weakening of humans spiritual connection to nature paired with the over commodification of natural resources has led to an imbalance in the global ecosystem, therefore humans must reconnect to nature in a meaningful way in order to survive.

Psithurism

Psithaura

Page 5: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

Duration: 12’

Musical changes should be subtle in order to avoid individual abrupt events, thus creating an evolution of sonic atmospheres.

The time signature merely serves as a guide for synchronization; no particular beats in the measure should be emphasized.

Intended to loop during an installation, the entire work may be repeated ad lib. in concert performances.

Syllables are notated in International Phonetic Alphabets.

Performance Notes

Page 6: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

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Soprano

Alto

Tenor

Bass

m/n

m/n

m/n

m/n

m/n

m/n

m/n

m/n

_æŒ ‰ ‰ j

œ

3

m/n u

m/n

m/n

m/n

_æŒ ‰ ‰ j

œ

3

m/n u

m/n

m/n

m/n

A "danger"q = 60

π

π

*

*

*

*

*

*

*

*

*

*

*

*

*

*

∏*

∏*

w

w

w

w

˙Œ ‰ ‰ j

œ

3

u

˙ Œ ‰ ‰ jœ

3

u

._æŒ

w

w

w

w

PsithauraJaco Wong

Copyright © 2018 by Jaco Wong

For Sixteen-Part Mixed Chorus

*alternate between [m] and [n] with mouth closed;lowest possible note

Page 7: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

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7

-æŒ Ó

(m/n)

(m/n)

(m/n)

(m/n)

(m/n)

˙Œ ‰ ‰ j

œ

3

u

(m/n)

(m/n)

(m/n)

˙ Œ ‰ ‰ jœ

3

u

(m/n)

(m/n)

(m/n)

_æÓ

w

w

_æÓ

w

Œ ≈.jœ ˙

u

w

Œ ≈.jœ ˙

u

π

π

-æŒ Ó

_æÓ

˙Œ ‰ ‰ j

œ

3

u

w

˙ Œ ‰ ‰ jœ

3

u

w

w

w

w

w

w

Œ ≈.jœ ˙

u

w

Œ ≈.jœ ˙

u

B2

Page 8: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

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A

T

B

13

˙Œ ‰ ‰ j

œ

3

u

w

(m/n)

(m/n)

˙ Œ ‰ ‰ jœ

3

u

w

(m/n)

(m/n)

w

w

w

w

w

Œ ≈.jœ ˙

u

w

Œ ≈.jœ ˙

u

˙Œ ‰ ‰ j

œ

3

u

w

˙Œ ‰ ‰ j

œ

3

u

w

w

w

w

w

-æŒ Œ ˙

3

u

π

lu...lu...lu...

w

Œ ≈.jœ ˙

u

w

Œ ≈.jœ ˙

u

w

π

C

3

Page 9: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

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V

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1

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S

A

T

B

19

˙Œ ‰ ‰ j

œ

3

u

w

(m/n)

(m/n)

˙Œ ‰ ‰ j

œ

3

u

w

w

(m/n)

Ó ˙æ

lu...lu...lu...

w

w

w

w

œ Œ Œ ˙

3

u

π

Ó Œ œæ

lu...lu...lu...

w

Œ ≈.jœ ˙

u

w

Œ ≈.jœ ˙

u

w

gradually change vowel

π

Œ .˙æ

lu...lu...lu...

˙æ

Ó

˙Œ ‰ ‰ j

œ

3

u

w

˙Œ ‰ ‰ j

œ

3

u

w

w

gradually change vowel

π

˙æ

Ó

Ó Œ œæ

lu...lu...lu...

w

w

_æŒ Œ

˙

3

u

w

w

y

œ Œ Œ ˙

3

u

π

gradually change vowel

p sim.

Ó ˙æ

lu...lu...lu...

Œ.˙# æ

lu...lu...lu...

w

Œ ≈.jœ ˙

u

w

w

Œ ≈.jœ ˙

y

w

gradually change vowel

p

p

p sim.

sim.

4

Page 10: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

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25

lu...lu...lu...

œæ Œ Ó

˙Œ ‰ ‰ j

œ

3

y y

w

w

(m/n)

˙Œ ‰ ‰ j

œ

3

u

w

w

(m/n)

p

p sim.

gradually change vowel

.˙æ

Œ

Ͼ

Œ Ó

Ó ˙æ

lo...lo...lo...

w

w

y

œŒ Œ ˙#

3

u

w

w

œ Œ Œ ˙

3

y y

p

P

Œ.˙

o

Ó Œ œ#æ

lo...lo...lo...

w

Œ ≈.jœ ˙

y

w

w

Œ ≈.jœ ˙

y

w

p

P

P.˙

Œ

Ó˙#

o

Ó Œ œæ

lo...lo...lo...

lo...lo...lo...

Ͼ

Œ Ó

˙Œ ‰ ‰ j

œ

3

y

w

w

˙Œ ‰ ‰ j

œ

3

y y

w

w

Œ Œ

œ ˙

3

u

π gradually change vowel

p

P

P

P

Ó Œœ

o

w

Ͼ

Œ Ó

w

w

œ Œ Œ ˙#

3

u

w

w

œ Œ Œ ˙

3

y

w

gradually change vowel

Pw

œŒ Ó

Ó Œœ

ɔ

˙æ

Ó

lɔ...lɔ...lɔ...

w

Œ ≈.jœ ˙

y

w

w

Œ ≈.jœ ˙

y

w

.˙Œ

y

F

F sim.

5

Page 11: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

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31 œŒ

Œ

ɔ

w

Ó Œ œæ

lɔ...lɔ...lɔ...

Ó ˙# æ

lɔ...lɔ...lɔ...

.˙æ

Œ

˙Œ ‰ ‰ j

œ

3

y

w

w

Œ Œ œ ˙

3

u

˙Œ ‰ ‰ j

œ#

3

y

w

w

Œ Œ

œ ˙

3

y

p

π gradually change vowel

gradually change vowel

F

F

F

w

ɔ

˙Ó

œŒ Ó

Ó Œ œæ

lo...lo...lo...

w

w

œ Œ Œ ˙

3

y y

w

w

w

i

œ Œ Œ ˙

3

y

w

p

F

P

˙Ó

w

o

Ó Œœ

o

˙æ

Ó

Œ .˙#æ

lo...lo...lo...

w

Œ ≈.jœ ˙

y

w

.˙ Œ

y

w

Œ ≈.jœ ˙

i

w

.˙Œ

P

P

P

P

D

Ó˙#

o

˙Ó

w

Ó Œ œæ

lo...lo...lo...

.˙æ

Œ

œæ Œ Ó

˙Œ ‰ ‰ j

œ

3

i i

w

w

Œ Œ œ ˙

3

y

˙Œ ‰ ‰ j

œ#

3

i i

w

w

Œ Œ

œ ˙

3

y

p

P

P

P

P

w

Ó˙

o

Ó Œ œ# æ

lo...lo...lo...

lo...lo...lo...

w

w

i

œ Œ Œ ˙

3

y

w

w

w

œ Œ Œ ˙

3

i i

w

P

œŒ Ó

w

w#æ

lo...lo...lo...

˙æ

Ó

.æ̇ Œ

w

Œ ≈.jœ ˙

i

w

˙ Œ Œ œ

3

y

w

Œ ≈.jœ ˙

i

w

.˙Œ

i

P

6

Page 12: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

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w

ɔ

œŒ Ó

.˙æ

Œ

Ó ˙æ

lɔ...lɔ...lɔ...

æ̇ Ó

Ó Œ œæ

lɔ...lɔ...lɔ...

˙Œ ‰ ‰

3e e

w

w

w

˙Œ ‰ ‰ j

œ

3

i

w

w

Œ Œ

œ ˙

3

i

P

F

F

F

F.˙ Œ

Œ.˙

ɔ

Ó ˙#æ

lɔ...lɔ...lɔ...

lɔ...lɔ...lɔ...

w

w

œ Œ Œ ˙

3

i i

w

w

w

e

œ Œ Œ ˙

3

i

w

P

F

F

F

Œ.˙

a

w

Ͼ

ΠΠϾ

la...la...la...

.æ̇Œ

æ̇ Ó

w

œŒ ≈

.jœ# œ

i

w

˙ Œ Œ œ

3

i i

w

Œ ≈.jœ ˙

e

w

.˙Œ

F

P

f

f

w

Ó˙

a

Ͼ

Œ Œ œ

a

w# æ

la...la...la...

Ó˙

a

.˙ Œ

w

w

w

˙Œ ‰ ‰ j

œ

3

e e

w

w

Œ Œ

œ ˙

3

i

F

f

f

f

f

Ó ˙

a

w

w

æ̇ Ó

la...la...la...

.æ̇Œ

˙ ˙# ˙3

Ó Œœæ

la...la...la...

‰ ‰Jœ œ ˙

3e

w

œ Œ ˙

i

w

w

w

œ Œ Œ ˙

3

e e

w

F

f

f

˙ ˙ ˙#

3

œŒ Œ

œ

a

˙ Ó

la...la...la...

.æ̇Œ

Ó ˙

a

˙ Ó

w

œ Œ ≈ .

Jœ œ

e e

w

˙ Œ Œ œ

3

i

w

Œ ≈.jœ ˙

e

w

.˙Œ

e

F

7

Page 13: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

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43˙

Ó

w

Ó Œ œ

a

.˙æ

Œ

Ó ˙

a

˙ ˙ ˙3

˙# ˙

a

æ̇ Ó

.˙ Œ

ɛ

w

w

w

˙ Œ ‰ ‰jœ

3

e

w

w

Œ Œ

œ ˙

3

e

F

w

a

˙Ó

w

Ó ˙

a

˙ ˙ ˙N

3

˙ Ó

˙ ˙

˙ ˙

a

‰ ‰ Jœ œ ˙

w

œ Œ ˙

e e

w

w

w

œ Œ Œ˙

3

e

w

f

F

.˙Œ

˙ ˙

a

˙ Ó

˙ ˙N ˙

3

˙ Ó

Ó Œ œN

a

Ó ˙

a

˙ ˙N

w

œ Œ ≈.

Jœ œ

e

w

˙ Œ Œ œ

3e e

w

Œ ≈.jœ ˙

e

w

.˙Œ

F

Ó

˙

ɛ

˙ ˙

Ó Œ œ

ɛ

˙ Ó

w

ɛ

w

˙ ˙ ˙3

.˙Œ

w

w

w

˙ Œ ‰ ‰jœ

3

ɛ ɛ

w

w

Œ Œœ# ˙

3

e

f

ƒ

ƒ

ƒ

˙ ˙ ˙

3

Ó

˙

ɛ

œ ˙ œ

w

ɛ

.˙ Œ

Ó ˙

ɛ

˙ Ó

˙ ˙

ɛ

‰ ‰ Jœ œ ˙

w

œ Œ ˙

ɛ ɛ

w

w

w

ɛ

œŒ Œ

˙#

3

ɛ ɛ

w

E

f

f

ƒ

ƒ

ƒ

ƒ

˙

Ó

w

œ ˙Œ

.˙Œ

˙ ˙

ɛ

˙ ˙ ˙

3

Œ ˙ œ

ɛ

˙ ˙

w

œ Œ ≈.Jœ œ

ɛ ɛ

w

˙ Œ Œ œ

3ɛ ɛ

w

Œ ≈ .jœ ˙

ɛ

w

.˙Œ

ɛ

f

f

f

ƒ

8

Page 14: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

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49 w

a

œŒ Ó

Ó˙

ɛ

Œ˙ œ

ɛ

˙ ˙

˙ Ó

œ ˙ œ

Ó Œ œ

ɛ

.˙Œ

w

w

w

˙ Œ ‰ ‰jœ

3

ɛ

w

w

Œ Œœ ˙

3

ɛ

f

f.˙

Œ

˙ ˙

ɛ

˙ ˙N ˙

3

œ ˙ œ

Ó Œ œ

a

w

ɛ

œ Œ Ó

œ ˙ œ

‰ ‰ Jœ œ ˙

w

œ Œ ˙

ɛ

w

w

w

œŒ Œ

˙#

3

ɛ

w

f

Œ.˙

a

˙N ˙

˙Ó

œ Œ Œ œ

a

w

.˙ Œ

Ó ˙

ɛ

œ ˙ Œ

w

œŒ ≈

.Jœ œ

ɛ

w

˙ Œ Œ œ

w

Œ ≈ .jœ ˙

ɛ

w

.˙Œ

gradually transitionto aspirate tone

f

F

w

Œ.˙

a

˙ ˙

a

w

˙ Ó

Œ ˙ œ

a

˙ ˙ ˙

3

Œ .˙

a

.˙Œ

a

w

w

w

˙ Œ ‰ ‰jœ

3

ɛ

w

w

Œ Œœ ˙

3

ɛ

f

f

f

f

˙Ó

.˙Œ

˙ ˙

˙ Ó

˙ ˙

a

œ ˙ œ

˙ Ó

w

‰ ‰ Jœ œ ˙

3a

w

œ Œ ˙

ɛ

w

w

w

œŒ Œ

˙#

3

ɛ

w

F

^

a

w

a

Ó ˙

a

˙ ˙

a

˙ ˙

œ Œ Ó

Œ ˙ œ

a

Ó ˙

a

w

œŒ ≈

.Jœ œ

ɛ

w

˙ Œ Œ œ

w

Œ ≈ .jœ ˙

ɛ

w

.˙Œ

exhale from vowelshape indicatedp

F

gradually transitionto aspirate tone

gradually transitionto aspirate tone

f

F

F

9

Page 15: Psithaura (main score) for indieprint— (n.) the sound of wind through trees Trees and humans have coexisted on this planet for millennia in mutualistic relationships, but in recent

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^ Ó

œ Œ Œ 6

a

w

˙ ˙

Ó ˙

a

˙ ˙

a

œ ˙ œ

˙ ˙ ˙

3

.˙Œ

w

w

w

˙ Œ ‰ ‰jœ

3

ɛ

w

w

Œ Œ œ ˙

3

ɛ

exhale from vowelshape indicatedp

^

a

^

.˙ Œ

Ó ˙

a

.˙ Œ

˙ ˙

œ Œ Œ œ

a

˙Ó

‰ ‰ Jœ œ ˙

3a

w

œ Œ ˙

ɛ

w

w

w

œŒ Œ ˙

3

ɛ

w

^ Ó

6 ΠΠ6

a

Ó ^

a

˙ ˙ ˙

3

Œ .˙

a

Ó˙

a

w

˙ ˙

a

w

œŒ ≈

.Jœ œ

a a

w

˙ Œ Œ œ

3a a

w

ΠŠ.

Jœ ˙

ɛ

w

.˙Œ

exhale from vowelshape indicated

p

gradually transitionto aspirate toneF

Fgradually transitionto aspirate tone

F

F

Π.^

a

^

^

˙ Œ œ

a

.˙ Œ

w

˙ Ó

˙ ˙

.˙Œ

w

w

w

˙ Œ ‰ ‰Jœ

3a a

w

w

Œ Œ œ ˙

3

ɛ

F

.^ Œ

6 Œ Ó

Ó ^

a

œ ˙ œ

^

a

.˙Œ

Ó˙

a

‰ ‰ Jœ œ ˙

3a

w

œ Œ ˙

a a

w

w

w

a

œ Œ Œ ˙

3

a a

w

gradually transitionto aspirate tone

F

F

exhale from vowelshape indicatedp

Ó Œ 6

a

^

a

^

œ ˙ Œ

^ Ó

Ó ^

a

˙ ˙ ˙

3

˙ ˙

a

w

œŒ ≈

.Jœ œ

a

w

˙ Œ Œ œ

3a

w

Œ ≈.

Jœ ˙

a

w

.˙Œ

a

exhale while graduallychanging vowel shapep

F

gradually changevowel shape

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V

V

V

V

?

?

?

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^

^ Ó

Œ.˙

a

^

a

^

o

˙Ó

˙ ˙

œŒ Œ 6

a

w

w

w

˙ Œ ‰ ‰Jœ

3a

w

w

Œ Œ œ ˙

3a

exhale from vowelshape indicatedp

F gradually transitionto aspirate tone

F

gradually changevowel shape

6 Œ Ó

o

Ó ^

a

Π.^

a

˙Ó

^ Ó

o

Ó ^

o

wa

Ó

˙a

^

w

œ Œ ˙

a

w

w

w

œ Œ Œ ˙

3

a

w

G "uttered"

gradually transitionto aspirate toneF

gradually transitionto aspirate toneF

gradually changevowel shape

gradually changevowel shape

Ó ^

o

^

o

.^ Œ

o

^

a

Π.^

o

^

u

œŒ Ó

w

6 ΠΠ6

a

œŒ ≈ .

Jœ œ

a

w

˙ Œ Œ œ

3 a

w

Œ ≈.Jœ ˙

a

w

.˙ Œ

exhale from vowelshape indicatedp

gradually transitionto aspirate tone

gradually transitionto aspirate tone

^

Ó Œ 6

o

^ Ó

.^ Œ

^

a

.˙Œ

^

w

Ó ˙

a

w

˙ Œ ‰ ‰ Jœ

3a

w

w

Œ Œ œ ˙

3a

exhale from vowelshape indicatedp

gradually transitionto aspirate tone

gradually transitionto aspirate tone

Π.^

o

^

^

a

Ó Œ 6

o

^ Ó

^

a

6 Œ Ó

œ Œ Œ 6

a

w

w

w

w

œ Œ Œ˙

3a

w

exhale from vowelshape indicated

p

exhale from vowelshape indicatedp

gradually transitionto aspirate tone

gradually changevowel shape

Ó ^

o

.^ Œ

6 Œ Ó

^ Ó

o

^

^

a

^ Ó

^

a

^

Ó ^

a

˙ Ó

w

Œ ≈

.

Jœ ˙

a

w

œ Œ Œ Œœ

3a

exhale while graduallychanging vowel shape

p

gradually transitionto aspirate tone

gradually transitionto aspirate tone

gradually change vowel

11

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&

&

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V

V

V

?

?

?

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^

Ó ^

o

Π.^

o

6 Œ Ó

u

^ Ó

o

^

a

^ Ó

6 ΠΠ6

a

^

o

^

a

Ó ^

a

˙Œ 6

a

.˙Œ

w

exhale from vowelshape indicated

p

exhale from vowelshape indicatedp

exhale while graduallychanging vowel shapep

Π.^

o

^

.^ Œ

Ó ^

u

Π.^

o

^ Ó

^

a

^

Ó ^

o

^ Ó

^

^

^

a

Π.^

a

exhale while graduallychanging vowel shape

p

exhale while graduallychanging vowel shapep

gradually changevowel shape

Ó Œ 6

o

.^ Œ

Ó Œ 6

o

^

.^ Œ

u

Π.^

a

^ Ó

o

6 Œ Ó

^

u

^

a

Ó ^

a

6 ΠΠ6

o o

^ Ó

o

.^ Œ

o

gradually changevowel shape

gradually changevowel shape

^

Ó ^

o

^

.^ Œ

Π.^

o

^

a

^ Ó

o

^

o

^

^

o

Π.^

o

6 Œ Ó

Ó ^

o

^

u

6 Œ Ó

u

Ó ^

u

Ó Œ 6

a

.^ Œ

^ Ó

Π.^

o

Ó Œ 6

o

6 Œ Ó

u

^ Ó

u

.^ Œ

u

gradually changevowel shape

^

^

^

Ó Œ 6

o

Ó ^

a

.^ Œ

^

gradually changevowel shape

12

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Π.^

o

Ó Œ 6

u

6 Œ Ó

o

^

^

o

Ó Œ 6

o

6 Œ Ó

u

.^ Œ

u

^

Ó ^

o

6 Œ Ó

^

^

o

6 Œ Ó

^

Ó ^

o

Π.^

o

6 Œ Ó

u

^ Ó

u

^

.^ Œ

^

u

Π.^

u

Ó ^

o

^ Ó

Ó Œ 6

u

.^ Œ

^

Ó ^

o

Π.^

o

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V

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?

?

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^

^

u

.^ Œ

6 Œ Ó

Ó Œ 6

o

^

u

^

u

^

Ó Œ 6

u

Ó ^

o

^ Ó

Ó Œ 6

u

^ Ó

6 Œ Ó

^

^

^

6 Œ Ó

6 Œ Ó

Π.^

o

gradually changevowel shape

14

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V

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?

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Π.^

u

.^ Œ

u

Π.^

u

^

o

gradually close mouth

gradually changevowel shape

.^ Œ

m

Ó

Óm

.^ Œ

^ Ó

u

∏vocal fry

^

u

Ó

Œ

.Óm

∏vocal fry

^ Ó

Ó

Ó

Ó

^

u

Ó

m

Ó Œ 6

u

∏vocal fry

Óm

x

Œ Ó

^ Ó

Ó

^

vocal fry

Ó

Óm

Ó Ó

m

6 Œ Ó

H

vocal fry

vocal fry

15

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Ó ^

u

Ó

xm

Ó

Ó

gradually close mouth

gradually from vocal fry tosolid tone; approx. pitchπ

^

m

Œ

xm

^

u

Ó Ó

Ó Œ 6

u

Ó Œ

π gradually from vocal fry tosolid tone; approx. pitch

πvocal fry

Œ ≈ .jœ ˙

ŋ

œ Ó

^ Ó

x

m

^

Ó

Ó

Óə

πgradually from vocal fry tosolid tone; approx. pitch

π

vocal fryπ

‰ .œ ˙

ŋ

˙ Œ ‰ .rœ

ŋ

xm

œ Œ Œ

xm

œ

6 Œ Ó

Œ

Ó

Œ.Ó

ə

sim.

sim.

π

vocal fryπ

œ Œ Œ ≈ .jœ

ŋ

w

œ

Ó x

m

Œ

.Óə

Ó

Ó

Ó

sim.

vocal fry

w

Ó ‰ .œb

ŋ

Ó

xm

œ Œ

Π.^

u

Ó

Óə

xŒ Œ

x

ə

vocal fry

vocal fry

gliss.

gliss.

gliss.

16

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&

&

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&

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V

V

V

?

?

?

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Œ ‰ .rœ ˙

ŋ

.˙ Œ

Œ

xm

.^ Œ

œÓ

^

u

Ó

Œ Œ

Ó

Ó

gradually close mouth

p

Œ .Ó

ø

˙ Ó

Œ ≈ .jœ ˙

ŋ

œ Ó

x

ə

^ Ó

m

Ó

.ӌ

pvocal fry

p

pgradually from vocal fry tosolid tone; approx. pitch

gradually from vocal fry tosolid tone; approx. pitch

Ó

Ó

ø

Ó Œ x

ø

‰ .œ ˙

ŋ

˙ Œ ‰ .rœ

õ

œ Œ Œ

Ó ‰ ‰ jœ œ

3

ŋ

œ

œ Œ

Œxə

pvocal fry

pvocal fry

p

p

p

pgradually from vocal fry tosolid tone; approx. pitch

p

x Œ Ó

Ó

Ó

œ Œ Œ ≈ .jœb

õ

w

œ

.˙Œ

Ó x

ə

Œ.˙

ŋ

Œ

œ Ó

p

sim.

p

Ó

ø

Ó Ó

ø

.Ó Œ

w

Ó ‰ .œ

õ

Ó

œ Œ

‰œ œ ˙

3

ŋ

˙ Ó

œŒ Œ

vocal fry

vocal fry

sim.

sim.

Ó

Ó

Œ .Ó

ø

Œ ‰ .rœ ˙

õ

.˙ Œ

Œ

œŒ Œ

œŋ

œÓ

‰ ‰Jœ# œ ˙

3 ŋ

œ Œ Œ

œ

vocal fry

gliss.

gliss.

gliss.

17

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Πx

ø

Ó Ó

Ó

˙ Ó

Œ ≈ .jœ ˙

õ

œ Ó

w

x

ə

œ Œ ‰ œ œ

Ó

œŒ

gradually from vocal fry tosolid tone; approx. pitchF

F

x

ø

x ΠΠx

ø

‰ .œ ˙

õ

˙ Œ ‰ .rœb

õ

œ Œ Œ

Ó ‰ ‰ jœ œ

3

ŋ

œ

.˙ Œ

œ Œ

Œx

ø

F

F gradually from vocal fry tosolid tone; approx. pitch

F

F

gradually from vocal fry tosolid tone; approx. pitch

œŒ Œ x

ø

œ

œ Œ Œ ≈ .jœ

õ

w

œ

.˙Œ

Ó x

ø

Œ .˙#

õ

Œ

œ Ó

Ó Œ œ

õ

Œ Œ

œ ˙

3

õ

sim.

F

F

F

F

F

Ó x

ø

œŒ

w

Ó ‰ .œ

ã

Ó

œ Œ

‰œ œ ˙

3

õ

˙ Ó

œŒ Œ

x

ø

w

Ó Œ

˙

3

õ

w

sim.

F

F

F

F

œŒ

Πx

ø

Œ ‰ .rœ ˙

ã

˙ Ó

Œ

œŒ Œ

ϛ

œÓ

‰ ‰Jœ œ ˙

œ Œ Œ

œ

˙ Ó

w

Ó Œ Œ

œ

3

õ

I "rain"

sim.

F

Œœ

œ

œÓ

˙ Ó

Œ ≈ .jœ ˙

ã

œ Ó

w

x

ø

œ Œ ‰ œ# œ

Ó

œŒ

Œ .˙

õ

œŒ Ó

w

f only vocal tone, no frygliss.

gliss.

gliss.

18

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&

&

&

&

&

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V

V

V

?

?

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œ

œ

œŒ Œ

œ

œ

‰ .œb ˙

ã

˙ Œ ‰ .rœ

ã

œ Œ Œ

Ó ‰ ‰ jœ œ

3

õ

œ

.˙ Œ

œ Œ

Œ œ

œ

w

Œ

˙ ˙

3

õ

˙Ó

f

f

only vocal tone, no fry

only vocal tone, no fry

f only vocal tone, no fry

œŒ Œ

œ

œ

œ

œ Œ Œ ≈ .jœ

ã

w

œ

.˙Œ

Ó x

ø

Œ.˙

õ

Œ

œœ

œ Ó

Ó Œ œ

ã

.˙Œ

Œ Œ

œ ˙

3

ã

f only vocal tone, no fry

f

f

Ӝ

œ

œŒ

w

Ó ‰ .œ

ã

Ó

œœ

œ Œ

‰œ œ ˙

3

ã

˙ Ó

œœ

œŒ Œ œ

œ

w

Ó Œ

˙

3

ã

w

f only vocal tone, no fry

f only vocal tone, no fry

f

f

œŒ

Œœ

œ

Œ ‰ .rœ ˙

ã

.˙ Œ

Œ

œœ

œŒ Œ

ϋ

œÓ

‰ ‰Jœ# œ ˙

œ Œ Œ

œœ

œ

˙ Ó

w

Ó Œ Œ

œ

3

ã

f only vocal tone, no fry

f

Œ

Ͽ

œÓ

˙ Ó

Œ ≈ .jœ ˙

ɛ ̃

œ Ó

w

œ

œ

œ Œ ‰ œ œ

Ó

œœ

œŒ

Œ .˙

ã

œŒ Ó

w

f only vocal tone, no fry

F

f

Ͽ

œŒ Œ

Ͽ

‰ .œ ˙

ɛ ̃

˙ Œ ‰ .rœ

ɛ ̃

œœ

œ Œ Œ

œœ

Ó ‰ ‰ jœ œ

3

ã

œ

.˙ Œ

œ Œ

Œ œ

œ

w

Œ

˙ ˙

3

ã

˙Ó

F

F

f

19

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œ Œ Œ

Ͽ

œ

œ Œ Œ ≈ .jœb

ɛ ̃

w

œ

.˙Œ

Ó œ

œ

Œ .˙#

ã

Œœ

ø

œ Ó

Ó Œ œ

ɛ ̃

.˙Œ

Œ Œ

œ ˙

3

ɛ ̃

F

F

F

Ó

Ͽ

œ Œ

w

Ó ‰ .œ

ɛ ̃

Ó

œœ

œ Œ

‰œ œ ˙

3

ã

˙ Ó

œ

ø

œŒ Œ œ

ø

w

Ó Œ

˙

3

ɛ ̃

w

F

F

F

œ Œ

Œ

Ͽ

Œ ‰ .rœ ˙

ɛ ̃

.˙ Œ

Œ

œœ

œŒ Œ

œa

œÓ

‰ ‰Jœ œ ˙

œŒ Œ

œ

ø

œ

˙ Ó

w

Ó Œ Œ

œ

3

ɛ ̃

F

F

Œ

œə

œ Ó

˙ Ó

Œ ≈ .jœ ˙

ɛ ̃

œ Ó

w

œ

ø

œ Œ ‰ œ# œ

Ӝ

ø

œŒ

Œ .˙

ɛ ̃

œŒ Ó

w

F

p

œə

œ Œ Œ

œə

‰ .œ ˙

ɛ ̃

˙ Œ ‰ .rœ

ɛ

Ͽ

œ Œ Œ

Ͽ

Ó ‰ ‰ jœ œ

3

a

œ

.˙ Œ

œŒ

Œ œ

ø

w

Œ

˙ ˙

3

ɛ ̃

˙Ó

F

F

p

p

F

œ Œ Œ

œə

œ

œ Œ Œ ≈ .jœb

ɛ

w

œ

.˙Œ

Ó œ

ø

Œ.˙

õ

Œœ

ø

œÓ

Ó Œ œ

ɛ

.˙Œ

Œ Œ

œ ˙

3

ɛ

F

f

f

20

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V

V

V

?

?

?

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Ó

œə

œ Œ

w

Ó ‰ .œ

ɛ

Ó

Ͽ

œŒ

‰œ œ ˙

3

a

˙ Ó

œ

ə

œŒ Œ

œ

ə

w

Ó Œ

˙

3

ɛ

w

p

p

f

œ Œ

Œ

œə

Œ ‰ .rœ ˙

ɛ

.˙ Œ

Œ

Ͽ

œŒ Œ

Ͼ

ma...ma...ma...

œÓ

‰ ‰Jœ# œ ˙

œŒ Œ œ

ə

œ

˙ Ó

w

Ó Œ Œœ#

3

ɛ

p

f

Ó Œ Œ œ

3o

œ Ó

˙ Ó

Œ ≈ .jœ ˙

ɛ

œÓ

œ

ø

œ Œ ‰ œ œ

3o

Ó œ

ə

œ

Œ

Œ .˙#

ɛ

œŒ Ó

w

f

FJ

w

Œ.˙

o

œ Œ Ó

‰ .œ ˙

ɛ

˙ Œ ‰ .rœb

ɛ

Ͽ

œŒ Œ

œə

Ó ‰ ‰ jœæ œæ

3

ma...ma...ma...

œ

.˙ Œ

œŒ

Œœ

ə

w

Œ˙# ˙

3

ɛ

˙Ó

p

F

˙ Ó

w

Œ ˙æ

˙æ

3mo...mo...mo...

œ Œ Œ ≈ .jœ

ɛ

w

œ

.æ̇Œ

Ó œ

ə

Œ .˙#

o

Œ œ

ə

œÓ

Ó Œ œ#

a

.˙Œ

Œ Œ œ ˙

3

ɛ

p

F

Œ Œ œ# ˙

3o

Ó Œ œN

o

.˙æ

Œ

w

Ó ‰ .œæ

mɛ...mɛ...mɛ...

Ó

œə

œŒ

‰œæ œæ æ̇

3

ma...ma...ma...

˙ Ó

œ

ə

œ

Œ Ó

w

Ó Œ ˙#

3

a

w

p

f

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w

w

Ó Œ ˙N

æ3mo...mo...mo...

Œ ‰ .rœ ˙

ɛ

.æ̇ Œ

Œ

œə

œæŒ Œ

Ͼ

ma...ma...ma...

œ Ó

‰ ‰Jœ œ ˙

œŒ Ó

œ

Œ .˙

ɔ

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