proview 30

Volume 30 2008

THE COMPLETE KORG CATALOGAND MORE

M3

OA

SYS

TR

Ser

ies

& X

50

> Ka

mal

Gra

y &

The

Roo

ts

RA

DIA

S &

R3

mic

roX

& m

icro

KOR

G

> To

ny B

anks

& G

enes

is

K6

1P, K

ON

TR

OL4

9 &

pad

KON

TR

OL

Korg

Leg

acy

Col

lect

ion

> C

reat

ing

Mor

e KA

OSS

KA

OSS

ILAT

OR

& m

ini-K

P

KP

3 &

Elec

trib

e

KA

OSS

Mix

ers

ZER

O M

ixer

s

> D

uran

Dur

an

SP

-25

0

Korg

Con

cert

Pia

nos

Pa2

Xpr

o &

Pa8

00

Pa5

00

& P

a50

> M

RRe

cord

ers

Sou

nd T

houg

hts

MR

Rec

orde

rs

D8

88

D32

00

PX5

D

> D

ave

LaRu

e

PX4

D &

PX

4A

AX

300

0G

& A

X30

00

B

AX

5G

& A

X5

B

> Ko

rg P

roS

essi

ons

Tune

rs

Met

rono

mes

03 06 08 10 12 14 15 16 18 19 20 21 22 23 24 26 27 28 30 31 32 34 35 36 37 38 39 40 41 42 46

C E L E B R A T I N G

Kamal GrayTHE ROOTS

Kamal GrayTHE ROOTS

DURAN DURAN: RED HOT

Korg ProView Magazine is published by Korg USA Inc., 316 South Service Road, Melville, NY 11747. Due to our efforts for constant improvement, specifications and features printed herein are subject to change withoutnotice. Some of the products listed may not be available at certain Korg Dealers. We are not responsible for unsolicited material, which must be unconditionally assigned for publication and subject to Korg USA Inc.’sunrestricted right to edit and comment. Korg USA Inc. assumes no liability for errors in articles or advertisements, and opinions expressed by authors are not necessarily those of Korg USA Inc. The contents of thispublication are © 2008 by Korg USA Inc. and may not be reproduced in any manner without prior written permission of Korg USA Inc. All rights reserved. Printed in the USA. Front cover photo by Keith Smith. Back cover photo by Stephanie Pistel.

ProView Extra ONLINE NEWSLETTER. SIGN UP AT www.korg.com/subscribe To receive regular product updates, register online at korg.com/updates

Pa500 Pitchblack KAOSSILATOR

> NEW

>>3>>2

www.korg.com

> The eight slider/switch control surface offers multi-functional control over KARMA, sounds,effects and even external hardware.

> The screen even changes colors in response tothe movement of your finger for cool visualfeedback to your performance.

Twenty years ago, synth players and manufacturers were in search ofthe Next Big Thing. Nearly everyone had abandoned analog synths,making digital the synthesis flavor of choice. Megabuck machines withhigh-tech capabilities offered some amazing possibilities, but their pricetags kept them well beyond the reach of the typical musician.Meanwhile, companies that catered to those of us with more limitedfunds searched to find the magical combination of features that wewanted and needed the most.

It was Korg that came through with the M1, bundled with the goodsthat struck the right chord for so many of us. Before the M1, mostsynths were using analog, digital or some hybrid forms of the synthesisthat while interesting, were still lacking in realism for acoustic sounds.The M1 was the first affordable keyboard that fully embraced sampledsounds, or PCM for its sound engine.

Enclosed in its 4MB of ROM were 86 musically useful and downrightstunning 16-bit PCM samples, including superb drum and percussionhits — a first for a sample-playback synth — and exotic instruments thatpreviously hadn’t been heard by many in the mainstream. “The M1 hada lot of innovative features for its day,” says Korg’s legendary soundprogrammer, Jack Hotop. “It had sampled PCM sounds in ROM, abuilt-in sequencer, and a good variety of digital multi-effects. We alsogave it memory expansion via card slots. Insert a RAM card and youcould access more banks of sounds. If you wanted more samples, plugin a PCM card that you could carry in your pocket and trade likebaseball cards.”

Korg founder and chairman Tsutomu Katoh and his son Seiki Katopulled the strings that spelled success for the company. Theyassembled an international team to develop the M1 and its successors,along with industry-leading sounds and feature sets for each of them.“The sound developers and Korg’s engineers collaborate internationallyas one team with one mission: To create great instruments,” Hotopexplains. “There are no egos, and everyone contributes.”

What makes a music workstation special? You can do so much withone instrument; it simplifies the composition and orchestration process.Prior to the M1, you had to assemble a bunch of separate components,connect them all via audio and MIDI cables, and troubleshoot channelassignments and compatibility issues before you could actually getaround to making music.

Quite a stream of trendsetting workstations followed in the M1’s wake.The Trinity introduced the touchscreen, optional hard-disk recording,and Flash ROM, user memory for samples that were ready to go atpower-up. The TRITON offered user sampling, dual arpeggiators, andknobs for realtime parameter control. Karma featured VariablePerformance Modeler technology for automatically generating andmanipulating phrases and patterns. OASYS, the remarkable OpenArchitecture Synthesis Studio, delivered modeling, vector,

wave-sequencing, waveshaping, and other types of synthesis,synchronized sequencing and hard-disk recording, and so much more.The new M3 offers Enhanced Definition synthesis, Firewire DAWintegration, a color touchscreen with KAOSS Pad controller capabilities,and a whole lot more.

“I think a crucial secret in the sauce,” Hotop concludes, “is that TsutomuKatoh and Seiki Kato had the vision to create an International team ofmusicians and sound designers, involving them in the product designdecisions, and coming together in Japan to work with the whole team ofengineers. Each product we work on is a labor of love with each personcontributing something special to make it a musical instrument, not apiece of science. We’re like a wonderful international family with aspecial bond. And we are as excited today to be working together on thenew ideas and products that you’ll be seeing in the near future.”

CELEBRATING THE GENESIS OF A KEY TRENDTHE 20TH ANNIVERSARY OF KORG’S M1 MUSIC WORKSTATION

By Mark Vail

M3MUSIC WORKSTATION/SAMPLERM MEANS MOREThe M3 heralds the third generation of KorgWorkstations. The M1 started it all, first appearing in1988 to bring the world a new concept called the‘music workstation.’ It went on to become the bestselling workstation in history, and was furtherexpanded and enhanced through the T and 01/Wseries. Trinity defined a new level of innovationsincluding touch screen technology, and was theforbearer of the wildly successful TRITON range of products.

Now Korg once again has delivered powerful newadvancements in the workstation category. With anumber of innovations distilled from the flagshipOASYS including the new EDS (EnhancedDefinition Synthesis) sound generator derived fromthe HD-1 engine design, the advanced second-generation KARMA functionality, and the multi-purpose control surface, the M3 has learned a lotfrom its upper-end sibling.

As a stand alone instrument, the M3 offers unparalleled fidelity and an interactive interface that is second to none. The M3 isalso a workstation in tune with the times – the era of the “Integrated Workstation” has arrived due to the M3’s ability to beused in conjunction with your computer. It is no longer an either/or decision! The abundant controllers and hardware can allbe used to control your favorite software instruments and apps. With our “Virtualized Hardware,” the M3 transforms into apowerful plug-in for your favorite computer DAW program. Best of all, since the M3 provides its own processing it adds morepower to your system instead of draining it. No other workstation offers anywhere near this versatility!

Whether used on its own or with your computer, what you’ll most appreciate about the M3 is its stunningly expressive andinspiring sounds, and the ways it will bring your performances and recording to new heights. The M3 MusicWorkstation/Sampler opens a new and exciting page in music making, and is the workstation that rightfully deserves to wearthe “M” that started it all.

> TRITON

> KARMA

> OASYS

> M3

Proview Extra Online Newsletter. Sign up at www.korg.com/subscribe

>>5>>4

www.korg.com

> RADIAS ENHANCEDYou can add even more synthpower to your M3 – the EXB-RADIAS is a 24-voice, singletimbre version of the awesomeMMT synthesizer that fuels boththe RADIAS and R3 synths. Justpop it in to your M3 and enjoyanalog modeling and digitalsynthesis combined to offerendless synthesis possibilities.One hundred twenty-eight greatnew Programs marry that engineto the many features found onlyin the M3.

> INNOVATIVE CONTROLWe’ve included a wealth ofexpressive controllers toenhance your performance.The classic Korg joystick, dualswitches, a ribbon, andmultiple pedal inputs are justthe beginning. The color TouchView display alsodoubles as an X/Y pad forcontrolling syn-thesis andeffects parameters, changingcolors in response to yourmovements.

> CONTROL SURFACEThe M3 features the sametype of multi-mode real-timecontrol surface as first featuredon the OASYS. Eight slidersand switches with powerfulfunctionality give you totalcontrol over tweaking internalsounds, mixing tracks,interacting with KARMA,controlling external hardware,and more.

> PAD MEEight great-feeling velocity-sensitive pads can be used totrigger notes, chords, evencontroller messages for usewith KARMA or your own liveperformance and sequencingneeds. You can store up toeight notes per pad, retainingall the feel and nuance of yourchord voicing, and play themback exactly as entered, orwith full velocity scaling.

> DRUMMER INCLUDEDDrum Tracks are an M3innovation – natural sounding,user-programmable groovesthat can be played along tofor instant inspiration, integratedwith KARMA for new creativepossibilities, and used asspringboards for your nexthit song.

> ENHANCED DEFINITIONSYNTHESISThe M3 utilizes a new soundchip designed in parallel withthe software that became theHD-1 in the flagship OASYS.This new synthesis system,EDS (Enhanced DefinitionSynthesis), shares much ofthe OASYS lineage – low-aliasing oscillators with up tofour stereo samples per, apowerful new filter topology,detailed envelope generators,a Drive parameter for analogwarmth and grit, AMS Mixersfor advanced modulations –the 120 voice M3 delivers theessential elements from theacclaimed HD-1 design.

> MORE ROMA whopping 256 MB of ROMwith 1,028 multisamples and1,606 drumsamples providesplenty of samples to makesounds from! It’s like the“best-of” from the OASYSROM compiled into a greatnew soundset, including velocity-switched sources for the mainacoustic sounds and plenty ofsynth source and drums.

> BETTER SOUNDSKorg is renowned for theirunsurpassed soundprogramming, and the M3takes that reputation to an evenhigher level. Five hundredtwelve expressive Programsand 384 stunningCombinations take fulladvantage of all the innovationsof the M3. With space for atotal of 1,664 Programs and1,792 Combinations, you’llnever run out of room for yourown creations.

> COMPUTER FRIENDLYThe bundled editor/librariansoftware uses USB MIDI toenable you to edit and workwith your M3 using yourcomputer. This powerfulsoftware works in stand-alonemode or as a plug-in withinyour favorite host software.

> VIRTUALIZED HARDWAREAdding the visionary EXB-Firewire option enables theM3 to interface both audioand MIDI with your computerusing a single Firewire cable.The M3 shows up in yourDAW/ sequencer like a plug-in with complete control andinteractive operations.

> GREAT NEW FEELThe M3 comes in 61- and 73-key synth action versions,featuring a newly-designedkeybed that delivers greatfeel, fast response, and ultimatecontrol. The 88-key versionuses Korg’s heralded RH3weighted action that is gradedso it feels heavier at the bottomand progressively lighter asyou go up. All three modelsfeature aftertouch sensitivity.

> SEQUENCING PERFECTIONThe M3 features a new high-resolution sequencer enginewith a professional 480 PPQfor the most natural feel. Itincludes all the must-haveKorg innovations like One-Touch Record, SongTemplates, RPPR, Cue Listand Tone Adjust part editing.

> KARMA-FIED!The M3 includes all thesecond-generation KARMAfunctions as featured in theflagship OASYS, includingKARMA Wave Sequencing.KARMA is the inspiring, real-time phrase generator that canhelp you play everything fromnatural instrument gestures, tocomplex cascades of notes,dance-riffs, gated andchopping effects and more.

> UNIQUE DESIGNThe M3 series offer a newdesign concept called theKorg Komponent System,allowing you to customconfigure your ownexpandable instrument. The73-key version can host boththe M3 and the RADIAS·Rmodule for a powerful dualpanel system. The 88-keyversion can actually hold dualM3 engines or theM3/RADIAS configuration.

> OPEN SAMPLINGThe Open Sampling Systemallows sampling andresampling in every mode,with 64 MB of RAM standard,expandable to 320 MB withthe optional EXB-M256 board.Compatibility with WAV, AIFF,AKAI and now SoundFont 2.0ensures a large library ofpossible sounds beyond yourown creative efforts.

M3MUSIC WORKSTATION/SAMPLER

M3 AT A GLANCESynthesis Method: EDS synthesis ROM: 256 MB Polyphony: 120 Keyboard: 61 keys, 73 keys or 88 weighted keys;velocity and aftertouch sensing Programs/Combinations: 1,664 user programs (512preloaded); 1,792 user memory combinations (384preloaded); 144 user drum kits (32 preloaded); GMLevel 2 Effects: 170 algorithms, 2 master effects, 5 inserteffects, 1 total effect Control Inputs: Damper pedal, dual assignable(Switch/Pedal) Outputs: Main = L/MONO, R; Individual = 1, 2, 3, 4;S/P DIF (optical); Headphones Inputs: 1, 2; MIC/LINE Switch, Level Knob; S/P DIF(optical) MIDI: IN, OUT, THRU Interface: 2 USB Type A (external USB device), USBType B (PC) KARMA® (Kay Algorithmic Realtime MusicArchitecture) and the KARMA Logo are registeredtrademarks representing patented technology licensedfrom Stephen Kay, Karma Lab LLC, www.karma-lab.com.To hear and see more, go to: www.korg.com/M3

New


www.korg.com

Methods of Synthesis: PCM, Analog Modeling, StringModeling, Tonewheel Organ Modeling, VPM, WaveshapingPreset PCM: 314.6 MB (1,505 multisamples, 1,388 drumsamples)Sample RAM: 500 MB*— expandable to approx.1.5 GBOutput: L/MONO, R, Individual 1-8 (1/4"), headphones(1/4" stereo), S/P DIFInput: Audio Inputs 1 and 2 (XLR-1/4" phone combijacks), Audio Inputs 3 and 4 (1/4"), S/P DIFControl Input: Damper pedal (half damper supported),assignable footswitch, assignable footpedalInterface: Four USB 2.0 type A connectors (for externalUSB devices)Disk Drives: 20 GB HDD (2.5"), CD-R/RWDimensions (W x D x H) in.: 76-key: 49.84 x 19 x 5.3, 88-key: 57.4 x 1 x 5.3*Capacity of sample RAM varies based on the use of EXs PCM libraries.

KARMA® (Kay Algorithmic Realtime Music Architecture) and the KARMALogo are registered trademarks representing patented technology licensedfrom Stephen Kay, Karma Lab LLC, www.karma-lab.com.

To hear and see more and find complete specificationsand options, go to: www.korg.com/oasys>

OA

SYS

AT

A G

LAN

CE

>>7

> KARMA – THE NEXTGENERATIONKARMA is our revolutionaryalgorithmic performancetechnology that generatesamazing phrases, grooves,and other musical effects thatcan be altered andrandomized in real time.

> KARMA 2This easier-to-use, secondgeneration KARMA includesKARMA Wave Sequencing,which manipulates theplayback of the samplesused for a sound, allowingeach note triggered toaccess a different waveform.

All of the onboard KARMAGenerated Effects have beenorganized into 13 “Real-TimeControl Models,” whichstandardize controllableparameters and assignments.OASYS OS 1.3 has addedsupport for loading new andcreating your own KARMApatterns via optional softwareavailable from Karma-Lab.

> PAD CONTROLThe OASYS also featureseight velocity-sensitive drumpads which can be used totrigger notes, controllers, orchord voicings.

> CONTROL MULTIPLIEDThe control surface hasmultiple modes of operation –it can be a mixer for the 16MIDI or audio tracks, a real-time interface for sounds andKARMA parameters, and caneven be used to controlexternal MIDI gear.

> UNDER CONTROLOASYS offers a large, 10.4"color TouchView display. Thetraditional joystick, dualswitch and ribbon controllersare joined by a Vectorjoystick, eight knobs, 16switches, nine sliders, plusthree pedal inputs.

> UNLOCKING THECOMBINATIONCombination mode providesthe ability to layer and splitup to 16 Programs, freelyblending all the synth enginesto create amazing newtextures. A powerful ToneAdjust feature allows easytweaking of over 33 timbreparameters.

> CAUSE AND EFFECTSOASYS offers an astounding12 Insert, two Master andtwo Total effects. With 185algorithms, the possibilitiesare vast and include theToneWorks (REMS) mic,amp and speaker models;the Chorus/Vibrato circuitfrom the CX-3; and more!

> RECORDING POWERHOUSEOASYS combines Korg’sacclaimed 16-track MIDIsequencer with 16 tracks ofAudio recording. Up to fourtracks of 16-bit, 48 kHzaudio can be recordedsimultaneously withautomation editing provided.Record through the on-boardeffects, and use the manymic, amp and speakermodels to enhance yourrecordings.

> LAC-1: A LEGACY FORTHE FUTURE!The fifth and sixth synthmodels are the distinctiveMS-20EX and the rich-sounding PolysixEX, availablein the LAC-1 Legacy Analogbundle. Demo versions are

included free and can beunlocked for full operation via acode purchased from thekorguser.net website.

> MS-20EXThe MS-20EX is a faithful re-creation of the Korg MS-20analog synth, perfectlyreproducing its distinctivetimbral signature. It includesall of the features from theKorg Legacy MS-20 plug-in,an abundant 48 voices ofpolyphony, and significant,OASYS-only extras.

> POLYSIX EXThe PolysixEX reproducesthe features and soniccharacter of the classic KorgPolysix, including thearpeggiator, and effects. Aswith the MS-20EX, we addedthe Legacy version’sfeatures, up to 172 notepolyphony, plus newOASYS-only additions.

> MOD-7 ADVANCEDWAVESHAPING VPMSYNTHESIZEROASYS version 1.3 adds theMOD-7 Waveshaping VPMsynthesizer option, apowerful, semi-modularsynthesizer, combiningVariable Phase Modulation(VPM), waveshaping, ringmodulation, PCM sampleplayback, and subtractivesynthesis. VPM refers toKorg’s patented contributionsto Frequency Modulation(FM) synthesis, as madefamous on classic Korginstruments such as theProphecy and the Z1 — andthe MOD-7 takes thistechnology to a completelynew level.

OASYSOPEN ARCHITECTURESYNTHESIS STUDIO

IN A CLASS ALL ITS OWNOASYS brings together over 40 years of refined expertise in making the finestmusical instruments in the world. OASYS is more than the instrument you buytoday; it’s a platform to support Korg innovations for years to come. Powered byan ultra-fast processor and an open architecture, OASYS offers all the benefits ofa variable software system with the hardware integrity that can only come from afully-integrated instrument design.

FANTASTIC FOUR AND MORE!OASYS ships with four synthesis engines that deliver a new level of realism,fidelity and sound quality for a professional musical instrument.

> HD-1 STELLAR SYNTHESISThe HD-1 High Definition PCM synthesizer offers up to 172 notes of polyphony and comes preloaded with a staggering 628 MB of wave ROM. This includes stereo waveforms with long sample lengthsand up to 4-way velocity-switched instrument and drum samples. Dual multi-mode resonant filters, three LFOs per-voice, a 3-band EQ, and three detailed Envelope Generators allow for very complex and nuanced Program design.

BLAST FROM THE PASTVector Synthesis smoothly blends between the two oscillators for ever-shiftingtimbres. Wave Sequences play back a series of selected waveforms, creatingeither distinctive rhythmic effects or complex and continually evolving sounds.

FREE HD-1 SAMPLESWe’ve included the first two Expansion Sample (EXs) releases for free; theEXs-1 is a 313 MB Expansion set, and the EXs-2 is a 503 MB Concert Grandpiano offering unparalleled realism

EXs-3 NEW BRASS AND WOODWINDSThis large optional Expansion sample library (over 700 MB!) features a widevariety of natural-sounding brass and woodwind instruments. Each instrument haslong samples taken at many points, giving you extremely nuanced and realisticsounds. Individually played notes can be richly expressive, thanks to the includedsamples of idiomatic dynamics, trills, falls, growls, and staccato articulations.

> AL-1: THE ULTIMATE VAThe AL-1 is a state-of-the-art virtual analog synth delivering 96 notes ofpolyphony. Dual oscillators offer eight waveforms with modulatable shapes,along with a sub oscillator, noise generator, and audio input. Sync, FM, andseveral varieties of ring modulation offer plenty of tone-mangling power. Korg’snew MultiFilter provides 21 different filter configurations. Awealth of modulationriches include five re-triggerable envelopes; four tempo-synced LFOs; dualAMS Mod Mixers; and a 32-step Step Sequencer.

> CX-3 = ORGAN-IC AUDIOExpanding on the current Korg CX-3 organ, this EXi expansion instrumentfeatures dual drawbars and control over every nuance of the sound, includingleakage, key click, chorus/vibrato and a complete rotary speaker simulation. Italso features Korg’s unique EX Mode which adds additional harmonics andpercussion tunings.

> STR-1: STRINGS AND THINGSThe STR-1 Plucked String lets you use 16 different “pluck” types, noise, or anyPCM waveform to pluck, strike, scrape, or otherwise “excite” a virtual string.Other unique modeling parameters involve damping, harmonics, and dispersion– even physical characteristics of the string and modeled feedback interaction.

>>6


>>9>>8

www.korg.com

Synthesis Method: HI (Hyper Integrated) 48 kHzsound engineSampling: 64 MB PCM ROMMax Polyphony: 62 voices, 62 oscillators (single mode)Keyboard: 61-key and 76-key: velocity and aftertouch sensing, 88-key: real-weighted (RH2)keys, velocity and aftertouch sensingEffects: 2 master, 1 insert, master EQ, 89 typesPresets: GM sound map compatible, 512Programs (512 preloaded), 384 Combinations (384 preloaded), 24 Drumkits (16 preloaded)Sequencer: 16-track, 200-song, 200,000-noteArpeggiator: Dual polyphonicIns & Outs: L/mono out, R out, individual outs 1 & 2, headphones, USB-B, SD card slot, MIDIIn/Out/ThruDisplay: 240 x 64-dot LCD backlit displayDimensions (W x D x H) in.: 88 key: 55.67 x14.37 x 4.84; 76 key: 49.51 x 11.9 x 3.75;61 key: 41.15 x 11.91 x 3.75

For soundclips and more go to: www.korg.com/TR

>TR

MU

SIC

WO

RKS

TAT

ION

AT

A G

LAN

CE

TRMUSIC WORKSTATION

BLAZE TRAILS. BE BRILLIANT.Korg’s TR Music Workstations distill the essential powerand creativity of the acclaimed TRITON into an affordableall-in-one package. We start with Korg’s proven HI soundengine and then add in a comprehensive 64 MB sampleset including many new acoustic instruments. Plenty ofnew Programs and Combis were created from thesesounds for a soundset that covers all genres and tastes.The TR workstations boast modern USB MIDI and SDstorage, Korg’s classic 16-track sequencer, a superbeffects engine and a user-friendly interface. What’s more,with three different sizes to choose from, there’s sure tobe one to suit your needs.

> HELP MEFinding the right sound hasnever been easier! The X50’sCategory Select function makesit quick and easy to choose thesound you need from the vastarray of high quality sounds.There’s also an Audition Rifffunction that provides one-touchaudition of each Program.

> ALL IN THE FAMILYSharing the same great 64 MBROM, 512 sound Programs, and384 Combinations as the TRseries, the X50 allows you toshare sounds and songs withKorg users around the world.

> STYLISH ANDFUNCTIONAL DESIGNThe lean-and-mean design of theX50 ensures that it can fit intothe smallest home studioworkspace or tight stage setup,and thanks to its cool sidehandles it is easy to take alongwherever you go. Even with a61-note keyboard that gives youplenty of room to perform, theX50 boasts an ultra-light weightof only 9.5 lbs. – about the sameas an electric guitar.

X50MUSIC SYNTHESIZER

THE MUSICAL HEART OF TRWith modern styling, integrated handles, and alightweight stealthy design, the X50 packs all the sonicbrilliance and clarity of the TR. The head-turning X50leaves out the TR’s sequencer-based production tools,sampling option and media slot, offering a leanperformance synthesizer with real audio firepower forlive performance or computer-based applications.

Select sounds easily with the Category/Audition function

> BACK-UP, BE SAFEYou can use compact,affordable, high-capacity SDcards to transfer data in andout of the TR or to makebackups to your computer.

> TOTAL CONTROLThere are four knobs that offerfixed and assignable functions,plus two assignable switchesand foot pedal jacks. Theseprovide you with a full range ofindispensable control oversynthesis parameters, effectssettings, and MIDI control.

> SCREEN SENSATION The TR offers an easy-to-understand interface withclearly laid-out screens. The240x64 pixel LCD featuresadjustable contrast so youcan view the display even inlow light on stage. You canalso quickly flick throughPrograms, Combis,waveforms and effects usingthe Category Select function.

> FANTASTIC SOUNDSThe 64 MB PCM waveformmemory is jammed with newsample data, including 470 high-quality multi-samples and 518outstanding drum samples, manywith multi-level dynamics andstereo imaging. These are shapedinto 512 awesome Programs and384 Combinations (blends of upto eight Programs for advancedsplits/layers and mixtures).

> CAUSE AND EFFECTSThe TR offers a broad paletteof 89 types of effects to enrichyour sound creations andproductions. The section consistsof two Master effects, onestereo Insert effect and one Master EQ.

> IN SEQUENCEThere’s an onboard 200,000note, 16-track sequencer withOne-Touch Record, SongTemplates complete withpre-programmed drum patterns,and RPPR phrase-basedpattern sequencing.

> EXPRESS YOURSELFThe four-way joystick lets youvary the pitch and applymodulation effects such asvibrato or wah.

> THE ART OF ARPSThe richly expressive dualarpeggiators generate powerfulperformances. You can useone arpeggiator in Programmode and both arpeggiatorssimultaneously in Combimode, and you can evenrecord their output directlyinto the internal sequencer.

> SAMPLE THISWith the EXB-SMPLupgrade, the TR has full-fledged sampler capabilities,including advanced functionssuch as graphic waveformediting, timestretch,crossfade looping and timeslice.

> BELIEVE IN USBThe USB connector lets you makeMIDI connections with yourcomputer using just a singlecable – no MIDI interface needed!

> VERSATILE STYLESThe TR Music Workstationcomes in three different sizescovering every performance need:61-key and 76-key synth actions,and an 88 weighted-key versionwith graded action. All modelsinclude aftertouch sensitivity forincreased expression.

> MULTI MODEUse the 16-part Multi Modewith your favorite sequenceror DAW application. You cansave and recall 128 of theseflexible multi setups internally.

> USB ITA single USB cable connectsthe X50 to your computer,and the included editor/librarian software can run as aplug-in for an integratedapproach we call “VirtualizedHardware.”

> PERFORMANCECONTROLSThe TR’s low-profile paneloffers traditional Pitch andMod wheels, and the newClickPoint™ cursor systemmakes navigating the X50 abreeze.

Synthesis Method: HI (Hyper Integrated) 48 kHzsound enginePCM ROM: 64 MB: 470 multi-samples and 518drum samplesKeyboard: 61 keys, velocity-sensitiveMax Polyphony: 62 voices, 62 oscillators (singlemode)Effects: 2 master, 1 insert, master EQ, 89 typesPresets: GM sound map compatible, 512 programs(512 preloaded), 384 Combinations (384preloaded), 128 multi-sets (16 preloaded), 40 drumkits (16 preloaded)Arpeggiators: Dual polyphonic, 251 patternsDisplay: 240 x 64-dot backlit LCDIns & Outs: L/mono out, R out, individual 1&2 outs,headphones, damper, switch, pedal, MIDI In/Out,USBDimensions (W x D x H) in.: 38.39 x 10.12 x 3.15For video demo, sound clips and more info go to:www.korg.com/x50

> X

50 A

TA

GLA

NC

E

User-friendly interface

Real-time knobs

Now comes with thevaluable Creative KontrolPack Vol.3!! See page

16 for more information.


>>11>>10

www.korg.com

“A big portion of my life was spent tug-of-warring between jazz andhip-hop. A lot of time during my youth was spent trying to follow thetrends of hip-hop: break dancing, DJ’ing and graffiti writing. Then I hadmy dad on the other side saying, ‘Get away from that hip-hop stuff,you need to be over here sitting down at this piano, playing this jazzmusic.’ I kind of fell into both musical categories growing up.” Andthat, my friends, is where the story begins for The Root’s 14-yearkeyboard veteran, Kamal Gray.

“Early on in my musical development, with my hip-hop edge, I met mymanager Rich. He gave me an introduction to MIDI and keyboardsthrough a production course for little kids that he was teaching. Richand I developed a relationship that we kept through the years, and heeventually went on to put The Roots together. He called me up and said,‘You should be in this group that I’ve got. We need a keyboard player.’I’d say ‘I can’t really do it. You know, my dad…this, that and the otherthing. I’m in trouble. I’m here. I’m there.’ Rich came back with, ‘Awman, just graduate high school, and see what you’re going to do.’ Itseemed like the day I graduated he was on my phone, ‘So, what’s up?The guys are in London. Why don’t you meet up with us? We’re goingto go live in London for a little while.’ Live in London? I had all thepressures of going to college, and other things that I wanted to do, buteventually I agreed. The next thing you know, I’m living in London with abunch of people I didn’t know except for my manager Rich and our bassplayer Hub,” explains Kamal. Little did he realize at the time but these‘people’ would soon become his fellow band mates, the ‘legendary’Roots. Sitting across from me at The Studio, in Philadelphia, PA, Kamalstill seems amazed telling his ‘right place at the right time’ story…

“I was just there. Seriously, the second I graduated from high school. Iwas in London, in a two bedroom apartment with, I don’t know, sevenof us. Living there, fighting over beds and who was sleeping in whichbedroom. We lived off of fish and chips. It was quite an experience. Ihad been places, but I had never been anywhere by myself for that longof a period of time. We developed a brotherhood, but it was similar tobeing broke. Seriously, like being a broke-ass family, living in one placetogether. That type of situation will definitely bring you together andcause you to develop a bond. There’s nothing else to do in thatsituation but be a man. You walk out into the streets, and you’re onyour own,” Kamal reflects.

Looking back, hopping a plane to London fresh out of high school mayhave been one of the smartest decisions that Kamal could have made.The Roots are now a Grammy Award-winning ensemble that also havevarious MTV Award nods, a N.A.A.C.P. Image Award for Best Duo orGroup and the prestigious honor of being named one of the ‘twentygreatest live acts in the world’ by Rolling Stone!

Some of Kamal’s major musical influences growing up wereThelonious Monk, Herbie Hancock and Chick Corea, and he actuallygot a chance to meet and get involved with those guys at an early age,too! But when he was a bit older, Kamal started getting into Prince(now the artist formerly known as…) “When Prince came around, Ithought, ‘Oh man, he looks like me a little bit. We were both light-skinned and had these big giant curls that I hated when I was growingup,” Kamal laughs. “I immediately thought, ‘I need a guitar, I’ve gottahave a guitar. It gets you girls, dude!’ And my dad bought me a guitar.”Classic sibling rivalry is what we’ve got to thank for the Kamal Graywe all know and love today. He explains, “Eventually, I wanted to playthe piano because my little brother was taking piano lessons. I’d tellhim, ‘I can do that. That’s easy, son!’” Thankfully for all the fans outthere, the lessons took off really well.

Gear-wise, this musician’s path is the same as many of the greats thatcame before him. Now, coming upon the 20 year anniversary of Korg’sbreakthrough best-selling workstation of all time, Kamal recounts how itall went down. “The first Korg keyboard I was introduced to was theKorg M1. I had a friend who did all of his stuff on the M1 back in theday. My piano teacher had one, too. When I started making my ownmoney and buying keyboards, I was introduced to the Korg Trinity. Thatwas a sound being used by a lot of people. We bought a few Trinitysaround here. I used them to make beats over and over and over. I knewalmost every sound in the Trinity. Then, I knew it was time to upgrade. Iused the Trinity on stage, but I got a Korg TRITON to use on myrecordings and for the albums. That kind of put me in a situation where ithad to be a staple in my performance because those were the soundsthat I used on all of The Roots recordings. It was the easiest thing. Itbecame second nature to me. The TRITON has been a staple for ourperformance, because I understand that workstation for what I need touse it for. The main thing about the TRITON that’s always made it sousable for me is the touch screen. During the show, I don’t want to haveto turn knobs and scroll through things. I can push the screen threetimes, and I’m right at the sound that I need to be.”Moving forward, there’s always room for change, explains Kamal, “I candefinitely see myself using the Korg M3 for sounds and productionbecause I already have an idea of how to use it.” Continuing, “I’m theworst at learning something brand new. I’ve had a few new keyboardsput in front of me that I didn’t understand. The fact that the M3 is sovery familiar to me in a lot of ways, though it has a lot of new toys builtin, will allow me to progress and move forward. I can definitely seemyself incorporating it more. Maybe it’ll eventually replace the TRITON.The M3 has the quality that I need in a keyboard, and since I can buildone of my main sounds, the Rhodes, to my liking with the M3, that’spretty cool, too.”

Since he was just starting to dig into all the rich features the M3 offersat the time of this interview, Kamal was bursting with productknowledge. “I like all the effects options, the expansions, the fact thatyou have a whole extra board, the RADIAS, to load into it and the ideaof having pads built in. It’s pretty cool to be able to assign chords todifferent pads. It will take time for me to figure out ways to use some ofthe features.” But wait, he remembered, “The KAOSS pad function inthe touch screen – now that seems like something that’s going to be funto use on stage to spice up my solos and give me some flair!”

All in all, Kamal is decidedly a humble guy (don’t let his Paul Walldesigned diamond grill fool you!) and a proud dad with some greatinsight for up and coming musicians. “You know what’s funny is that I’vedone so many things that are far beyond my wildest expectations ofbeing a musician that I look at them and am numb to it now. I’ve playedwith the best; I’ve been around the best and eaten with the best. Youknow what I mean? I’ve been everywhere, done everything that I canimagine doing. I feel my biggest accomplishment is sticking in there aslong as I have and not giving up on any of it. Never thinking in broketimes that it was never going to work. The most major accomplishmentis sticking in there this long and keeping it moving, because it’s whatI’ve gotta do.”

The Roots expect to release their yet-to-be named 10th album in early2008. For now, do yourself a favor and catch up on your Rootsknowledge by picking up their 2006 release Game Theory or checkingout a live show in a city near you!

Stay tuned to www.myspace.com/theroots or www.theroots.com for thelatest info on The Roots.

DEEPLY ROOTEDKAMAL GRAY OF THE ROOTS

Written by Jenn Plonski

Photo by Keith SmithLocation: The Studio, Philadelphia, PA


>>13

www.korg.com

RADIAS & R3SYNTHESIZER/VOCODERAHEAD OF THE CURVEBorrowing ultra low-aliasing modeling techniques from theOASYS, the Multi Modeling Technology (MMT) synthengine in the RADIAS and R3 exceeds common analogexpectations and rapidly takes off for uncharted territories.This powerful MMT engine first appeared in our EMX-1ELECTRIBE and has been fully realized in the amazingRADIAS and R3 synths.

RADIAS & R3 AT A GLANCESynthesis Method: MMT (Multi Modeling Technology)Max. Polyphony: 24 voices (RADIAS) / 8 Voices (R3)Synth Structure: Four Timbres per Program (RADIAS) Two Timbres per Program (R3)Vocoder: 16-band with formant motion, shift and holdfunctionsEffects: 30 types, 2-band EQ, 2 insert effects per timbre, 1master effect per ProgramKeyboard: 49 keys; Velocity sensing (RADIAS) 37 keys;Velocity sensing (R3)Accessories: RADIAS: Headset mic, mounting hardware,accessory shelf, CD-ROM; AC supplyR3: Gooseneck mic, CD-ROM, AC supply Connections:• Audio In: 1, 2• Audio Out: L/Mono, R, 1, 2• MIDI: In, Out, Thru• USB port• Pedal jacks: Switch, Pedal

Dimensions (W x D x H) in.; Weight: RADIAS: 34.84 x 15 x3.9 (flat), 8.78 (raised); 19.2 lbs. R3: 25 x 20.63 x 3; 6.17lbs.See and hear much more at:www.korg.com/RADIAS & www.korg.com/R3

>>12

Download RADIAS OS V2and cool new sounds FREE atkorg.com/RADIAS

> ENDLESS EFFECTSTwo insert effects and a two-bandEQ can be assigned to eachTimbre. Choose from 30 differenteffect types.

> MOD SEQUENCINGModulation Sequencers (RADIAS –three per Timbre; R3 one perTimbre) provide discrete values to amodulation parameter that changeover time, either in stepped orsmooth motion, and can loop overand over.

> PROCESSING PACKAGEAudio inputs allow any audio signalto be gated and filtered using theinternal synthesis and effects.

> BEND ME, SHAPE MEAdd analog warmth by dialing upextra “Drive.” Innovative WaveShaping provides dramatic results– even offering virtual “pick-up”response.

RADIAS:

> CUSTOM CONFIGUREDWith enough controls for theserious knob-tweaker, the RADIASpanel tilts up for easy access anddown when you just want to play.The whole panel slides to eitherside, so you can drop in thematching shelf to hold a laptop,KAOSS pad, mixer, etc. RADIAS isalso available as a rack module.

> AWESOME ARCHITECTUREEach of the 256 RADIAS Programsconsists of up to four Timbres,each with its own note-range,output, MIDI channel and more.The Program itself offers a mastereffect, plus a 32 step arpeggiatorand two step sequencers that canbe applied to any or all timbres.

> KEEP THE BEATA drumkit program can beassigned to one Timbre in aProgram and can be driven fromthe arpeggiator or Step Sequencer.

> ACTION VOCODINGAbove and beyond traditionalvocoding, Formant Motion recordsthe formant of a sung or spokenphrase, so it can be recreatedanytime. The vocoder offers 16bands for extra clarity, and avocoder mic is included.

> PUNCH IT UPAdd definition and emphasis to thebeginning of the sound by addingvariable amounts of Punch toreinforce the attack.

> FREE EDITING SOFTWAREManage your sounds and formantswith the free sound editing andlibrarian software. A single USBconnection makes transferring dataquick and easy.

> KEYS TO THE KINGDOMBoth models offer full-size, velocitysensing keys; Pitch and Modwheels offer expressiveperformance control.

R3:

> STREAMLINED DESIGNCompact, portable and easy to use,the R3 keeps important controlsclose at hand, and individualparameter displays let you dig deepwhen editing or programming. TheBank Select dial keeps all 128preloaded programs organized bycategory for fast access.

> TWO IN ONEAn R3 Program consists of up totwo complete Timbres. TheProgram itself offers a master effect,plus an eight-step arpeggiator.


>>15>>14

www.korg.com

microXMUSIC SYNTHESIZERHOOK UP, TAKE OFFIt’s a software plug-in. It’s a hardware module. It’sa multifunction controller. The microX is all this andmore! Its compact size makes it perfect forgigging, plus you can use it as a fully-featured,multi-timbral MIDI expander module!

microKORGSYNTHESIZER/VOCODERRETRO TO GO!The future/retro microKORG delivers seriously bigsound, combining analog modeling, vocoding,multiple effects and step-arpeggiation with an easy-to-use performance interface.

> BEST SOUND AROUNDmicroX starts with the mostup-to-date version of Korg’slegendary Hyper Integrated(HI) synth engine and thendoubles the ROM with new,specially created PCMwaveforms. 640 Programsand 384 Combinations areprovided, with a specialemphasis on modern synthand dance applications, aswell as unique ethnicinstruments and traditionalsounds.

> CASE INCLUDEDThe microX comes with acool, custom carry case thatincludes space for theadapter and cables.

> MULTI CAPABLEFor multi-timbralperformances, the microXoffers 128 sixteen-timbre Multisets, perfect for working withsoftware sequencers.

> FINDERS KEEPERSAll sounds are grouped bycategory making it easy tofind what you need, and theClick-Point controller makesnavigating the display abreeze.

> DUAL ARPEGGIATORSDual polyphonic arpeggiatorscan be used individually ortogether on individual ormultiple timbres.

> COMPUTERCOMPATIBLEAn External Control featureallows 12 functions to beassigned to the four knobsas a “set” – and 64 of thesesets can be stored. A USBjack talks MIDI directly withyour computer. We’ve alsoincluded a graphiceditor/librarian program thatruns as a plug-in under VST,AU or RTAS.

> ROBUST VOICEARCHITECTURETwo oscillators with over 70waveshapes power each ofthe microKORG’s fourvoices. The four filter modesprovide 12dB and 24dBslopes, with Low, High andBand pass settings. TwoADSR envelope generators,two MIDI syncable LFOs,switchable distortion and aVirtual Patch matrix provideunpreced ented creative options.

> POWERFULPROGRAMS Grouped by genre for quickaccess, the microKORG isloaded with 128 great-sounding, fully editablePrograms. Each can play upto two Timbres, layered orsplit across the keyboard.

> PLAY IT AND SAY ITAn eight-band vocoder (withincluded mic) provides

exciting talking music andother effects. Vocalformants can becaptured and playedacross the keyboard.

> PERFORMANCEEDITINGIn performance, these fiveknobs default to cutoff,resonance, etc. for on the flytweaking.In Edit mode, theyprovide direct access toevery parameter.

> KEYS TO PLEASEThirty-seven mini, velocitysensing keys keep themicroKORG compact for go-anywhere action – it caneven run on batteries.microKORG AT A GLANCE

Synthesis Method: Analog ModelingStructure: 128 Programs; 2 Timbres per ProgramVocoder: 8-Band; Formant Shift, Formant HoldArpeggiator: 6 patternsEffects: Modulation (3 Types); Delay (3 Types); EQIns &:Outs: Audio In 1; Line/Mic switch; Audio In 2,L/Mono out, R out; HeadphoneDimensions (W x D x H) in.; Weight: 20.63 x 9.13 x 2.76;4.85 lbs.For video demo, soundclips and more info go to:www.korg.com/microKORGAlso available: Limited edition reverse key model. Find outmore at www.korg.com/microKorgBK

microX AT A GLANCESynthesis: HI synthesisROM: 64 MBPolyphony: 62 voices (max)Keyboard: 25 full sized keys; velocity sensingPrograms/Combinations/Multi: 640 Programs/ 384Combinations/128 Multis; GMEffects: 2 master effects; 1 insert effect; master 3-band EQ; Effecttypes: 89Controllers: Joystick, 2 assignable switches, 4 real-time knobsControl Inputs: Damper pedal; Assignable Switch; AssignablePedalOutputs: L/Mono, R; Indiv. 1, 2; HeadphoneDimensions (W x D x H) in.: Weight: 23.86 x 8.9 x 3.15; 5.29 lbs.See and hear more at: www.korg.com/microXNow comes with the valuable Creative Kontrol Pack Vol.3!! Seepage 16 for more information.

As the keyboardist and pianist in one of the most successful andhighly acclaimed British bands of the last 40 years, Tony Banksknows exactly what he needs from technology. “Most people thinkI’m still using the old instruments, which really is a good thing!”laughs Tony Banks, reflecting on the fine job his Korg OASYSkeyboard workstation has been doing on the mammoth 2007Genesis reunion tour.

It was while still at school, that Tony Banks formed a series ofbands with fellow pupils Peter Gabriel and Mike Rutherford,eventually landing a recording deal and settling on the nameGenesis. By 1970, Phil Collins had joined as drummer and,together with guitarist Steve Hackett, the band fully establishedthemselves as one of the most important progressive rocks actsof the era.

Now for the first time in more than a decade, keyboardist Banksand guitarist Mike Rutherford have been joined by Phil Collins toperform a set of old favorites, celebrating the band’s 40-yearanniversary, and helping to promote a host of newly formattedDVD releases.

The task of recreating the sounds from songs written usinggeneration after generation of equipment has not been a simpleone, but Korg’s flagship workstation, the OASYS, is Tony’s secretweapon. It also came to the rescue during the band’s WembleyStadium performance as part of the UK Live Earth climateawareness show in July.

Not one to hang onto his vintage gear, Tony originally intended torecreate his old sounds using virtual instruments running from adedicated rack-mounted computer, but eventually decided that theOASYS – offering a selection of different synthesis types withinthe one box – was a better bet. “It is something of a coincidencethat I happened to come across it at this particular time,”continues Tony. “I was looking at something to power my virtualinstruments and went as far as buying the hardware, but when Istarted fiddling around with OASYS I realized that I didn’t needthe other system.

“A lot of people do the same thing using computers, but I trust theOASYS more, and it is much easier because it’s a completesystem. I find that the trouble with virtual instruments is thelatency. Sequencing is fine but when you are actually trying tobuild up an idea they are not terrifically user friendly.”

On stage, the OASYS provides almost all the sounds originallycreated using analogue synthesizers and other pre-digital gear.“Everything that pre-dates 1980 is almost exclusively done on theOASYS, and it’s been fantastic for that,” he insists. “We do along medley starting with ‘In The Cage,’ passing through lots ofinstrumental passages and ending with ‘Afterglow,’ and everysound in that is from the OASYS. I don’t have any of thosekeyboards anymore and wouldn’t want to tour with them. It’s got agreat piano, organ, strings and voices, plus all the monophonicsynthesizers I used in the old days.”

Tony’s live setup employs three keyboards, two of which aremerely controllers, set up to play the sounds stored in theOASYS. For each song, the relevant sounds are split betweenthe three, enabling Tony to instantly access whatever he needswithout too many button presses. “I just use about 30 or 35 userpresets to represent all the different songs and set it up so thatthe splits are appropriate for each song. For example, for ‘In TheCage,’ which has about seven or eight sounds, three of them canbe played on the OASYS itself, the lead is played remotely from alittle sprung keyboard sat on top and then I have two types oforgan on the third.”

Read more of our interview with Tony Banks atkorg.com/TonyBanks and find out more about Genesis atwww.genesis-music.com

TONY BANKS/GENESISBy Thomas James

Photo by Keith Smith | Location: Verizon Center, Washington D.C.


>>17>>16

www.korg.com

KORG Controllers padKONTROLUSB MIDI CONTROLLERPacked with user-friendly features, the padKONTROL isthe most expressive and versatile pad controller ever! Inaddition to triggering drum sounds or samples, thepadKONTROL can control soft synths and effects, triggerloops and video clips, and act as transport controls forDAW programs. Combining an X-Y pad, 16 illuminatedpads, foot-pedal input and assignable knobs, thepadKONTROL gives you unsurpassed, evocative powerover your musical creations.

> CONTROLLERSTwo assignable knobs provide continuous control of two MIDIparameters.

> PAD POWERYou’ll appreciate the fantastic feel of the illuminated pads. Theyrespond well no matter where you strike them, and each padcan have its own velocity curve so you get responsive, great-sounding results every time!

> X-Y PADThe X-Y pad can be used to intuitively manipulate any twocontinuous controllers in real time. It can also be set to controlrealistic flams and rolls. By moving from left to right you increasethe speed of the roll or the distance between the flammed notes,and by moving up, you increase the volume of the roll or thesecond note in the flam.

> PUT YOUR FOOT DOWNWith an optional footswitch, you can add real kick-drum parts orclose an open hi-hat. The footswitch input can also be set as amomentary or toggle switch for any parameter.

> MAKE THE SCENEYou can save your entire set of assignments as a user scene.There are 16 user scene locations available in thepadKONTROL itself, as well as 30 provided preset scenes,which instantly match the padKONTROL to some of the mostpopular music software programs.

> SOFTWARE BONUSThe padKONTROL comes with free editor/librarian software,which makes it easy to create, store and organize vast scenelibraries. Third-party software is also provided, including DFHSUPERIOR, a 260 MB drumkit plug-in from Toontracks with over2,700 samples; and Korg’s Creative Kontrol Pack Version 3.

K61PUSB MIDI CONTOLLER

padKONTROL AT A GLANCEControllers: 16 velocity-sensitive, illuminated trigger pads, X-Y pad, two assignable knobs, assignablepedal jack Display: Seven-segment, three-digit LEDDimensions: 12.36” (W) x 9.21” (D) x 2.17” (H)Weight: 2.12 lbs.For more detailed specs and information, visit: www.korg.com/padkontrol

K61P AT A GLANCEKeyboard: 61 full-size keys, velocity sensitive, 4 velocity curvesPrograms: 24 soundsConnections: Pedals, MIDI Out, USB, DC inPower: USB power, optional AC adaptorDimensions: 38.66” (W) x 8.70” (D) x 2.72” (H)Weight: 6.39 lbs.For more detailed specs, sound clips and information, visit:www.korg.com/kseries

KONTROL49 AT A GLANCEKeyboard: 49 full-size keys, Velocity sensing; 8 touch curvesAssignable Controllers: 16 velocity-sensing pads(illuminated);Master encoder; footswitch input, 8 rotary encoders,8 sliders, Vector joystick, 2 assignable switches, Mod wheel(Pitchwheel is not assignable); foot pedalConnections: MIDI IN/OUT (Out x 2 on KONTROL49), USB, DC InPower: USB power, AC adapterDimensions: 28.74” (W) x 12.56” (D) x 3.39” (H)Weight: 10.8 lbs.For more detailed specs and information, visit:www.korg.com/KONTROL49

> ASSIGNABLE CONTROLThe K61P offers two switches,two knobs, a slider, mod wheeland footswitch input – all MIDIassignable. Switches can beset to toggle or momentaryoperation, with separate onand off values.

> DOUBLE-DUTYCLICKPOINT™The innovative ClickPointcontroller can be set to act asa USB mouse + left click, tonavigate through your softsynths or DAW software. Inaddition, this versatile interfacecan be switched to send twoMIDI controllers; one on the Xaxis and one on the Y axis.

> “SOUND CONTROL”The K61P takes full-featuredUSB control one step beyondby providing 24 pro-qualitysounds on-board. Naturalsounding acoustic and electricpianos, organs, strings andmore are right there for youwhether you’re connected to acomputer or to a keyboardamplifier.

> QUALITY KONTROLA Vector (four–pole) joystick,pitch and mod wheels,footswitch and foot pedalinputs and a pair of switchesoffer plenty of assignablecontrol options. Shift buttons(as well as key transpose)provide access to the entirekey range. Eight touchresponse curves canaccomodate any playing style.

> IT’S HOT ON THESURFACEEight assignable sliders andeight assignable rotaryencoders are teamed witheight color-coded LCDdisplays. The display colorindicates the controller type,and the text shows theparameter name and value–and you can even create anddisplay your own parameternames.

> “PAD-TASTIC”These pads do it all.Illuminated and velocity-sensing, the pads can triggernotes, samples and loops,select sounds, send SysExstrings, even act as transportcontrols for your computer-based DAW. And of course,the pads can also change andselect scenes.

> MAKE THE SCENEFull sets of controllerassignments are stored as“Scenes.” A free editor/librarian program helps youcreate, manage and savescenes on your computer.Template scenes for popularsoftware titles are included.

> MIDI AND MORESure, the KONTROL49features MIDI in and MIDI out,but it also features USB forsingle cable convenience. Thisarrangement allows thekeyboard to double as a USB/MIDI interface, and alsoprovides USB bus power. AnAC adaptor is also included.

> NATIVE TONGUENative Mode allows supportedsoftware – Korg LegacyCollection, PropellerheadReason, Apple Logic, etc., tomap parameters with customnames directly to the controlsurface with no set-up – all inreal time – offering the highestlevel integration between acontroller and a softwarepackage.

KONTROL49USB MIDI CONTOLLERWhen quality counts, the Korg KONTROL49 is ready!Forty-nine great-feeling, full sized and velocity-sensingkeys, assignable knobs and sliders – dedicated LCDs,multi-function pads, and handfuls of performance controlsprovide endless performance possibilities.

CREATIVE KONTOL PACK VOL. 3 (CKP3)WHAT’S A CONTROLLER WITHOUT SOFTWARE?All Korg controllers include an impressive assortment of software to get youstarted, or add to your existing arsenal, with the new Creative Kontrol Pack VVersion 3. CKP3 features a full version of Korg’s M1 Le – the software versionof our iconic M1 workstation. Also included – Propellerhead’s Reason Adapted3.0, Ableton Live Lite 6, lite versions of Applied Acoustics’ Ultra Analog VA-1and Lounge Lizard, a lite version of Modartt’s PianoTeq and Ultimate SoundBank’s UVI Korg Edition Volume 2. Round it all up with a dedicated customEditor Librarian, and you’re stocked with the tools you need to create right outof the box!

On stage or on the run, wherever your music takes you, the K61P USBMIDI controller can keep up with you. With responsive full-size keys, awide variety of controls and a solid set of on-board sounds, K61P providesthe versatility, power and creativity that helps you to play with confidence.


BOTH LEGACYCOLLECTIONSAT A GLANCECompatibility: PC and Mac,AU/RTAS/VST compatibleOperation Modes: Standalone, Plug-In via hostProtection: SyncroSoft USB KeyFor more detailed specs, soundclips and information, visit:www.korg.com/klcde andwww.korg.com/klc-ae2007

>>19>>18

www.korg.com

LEGACY COLLECTIONDIGITAL EDITION (KLC-DE)Korg has earned acclaim for transforming many of its historic instruments into superb-sounding softsynths.KLC-DE offers an exacting recreation of the legendary Korg M1 and WAVESTATION, offering integrationof some of the most famous synths of all time into your computer-based production environment.

LEGACY COLLECTIONANALOG EDITION 2007 (KLC-AE07)The classic sounds of the MS-20, PolySix and Mono/Poly are reborn in KLC-AE07! Korg’s proprietaryComponent Modeling Technology recreates not just the sound, but the characteristics and response curveof each aspect of the original analog signal flow, to provide results that are completely faithful to theoriginal hardware.

> M1: RETURN OF A CLASSICIn 1988, the M1 created theworkstation category and went onto become one of the top sellingkeyboards of all time, easilysurpassing an amazing 100,000units. The M1 software softsynthgoes on to supplement thispowerhouse synth with 256 notesof polyphony, variable filterresonance, two Insert effects perpart and two Master effects.

> SOUGHT AFTER SONICUPGRADESThe M1 also contains all PCM,Program, and Combination datafound in the original M1 andM1EX PCM expansion, all 19ROM cards, plus the full soundset of the acclaimed T Series.That’s over 3.000 sounds total!

> WAVESTATIONIn 1990, the WAVESTATIONintroduced the world to bothAdvanced Vector Synthesis andWave Sequencing, winningnumerous awards and legions offans. And all of the WAVESTATION’sfunctions have been faithfullyrecreated in the KLC-DE.Furthermore, the WAVESTATIONadds all the data contained in thesix long-sought-after ROM cardsfor a total of over 1,450 sounds!

> MDE-X MDE-X is a multi-effect plug-inproviding 19 high quality effecttypes derived from Korg’s digitalrecorders, TRITON synthesizers,and effects processors. MDE-Xprovides a full arsenal of nicetiesto satisfy all your recording,mixing, sound designing and liveperformance needs!

> MONO/POLYThe Mono/Poly was amonophonic/polyphonicbehemoth that many musiciansacclaimed as the best analogsynthesizer Korg ever made.And we’ve improved itsfunctionality in software byadding a powerful eight-virtual-patch matrix for near infinitemodulation routing, twointegrated multi-effects, 16-voice unison and up to 128voices.

> MS-20This semi-modular monophonicsynthesizer has enjoyedunbroken popularity for its thickand solid sound, aggressivefilters and inexhaustiblepatching possibilities. Thesoftware MS-20 adds 32-voicepolyphony, up to 16-voiceunison (with detune/spread)and flexible modulation settings.

> POLYSIXThe Polysix programmablepolyphonic analog synthesizerprovided a surprisingly full-sounding voice structure andpowerful performance functions,quickly becoming a worldwidehit. The Polysix software givesyou all the power of the originalhardware and then adds thesame polyphony, unison andmodulation enhancements asthe MS-20 – readying thisclassic for modern musicproduction.

> KORG EFFECTS INSIDEKLCAE-07 includes the samegreat MDE-X effects suite as itsbrethren. Here, we include yetanother powerful effect plug-in –the MS-20FX – which allowsyou to run audio through theMS-20’s snarling filters andflexible DSP signal processing.

REIGN OF KAOSSNo matter what style of music you play, record or produce, there’s always roomfor some KAOSS! Korg’s ultra portable KAOSS products give you the ability toadd real-time creativity and expression to any performance or recording. No otherinterfaces are as intuitive, immediate or just plain fun to use. By simply tapping orsliding your finger over the touchpad of the KP3, mini-KP, or KAOSSILATOR,you can control multiple effects parameters, manipulate samples, or producestunning synth sounds. I’d touch these if I were you!

“The KAOSSILATOR is such a fun gizmo. I really love it! On the way home from Miami, Iwas jamming on the plane with it and the time literally flew by. The air stewardess possiblythought I was insane as I was literally raving in my seat.”

— James Zabielawww.jameszabiela.co.uk • www.myspace.com/jameszabiela

“The KP3 is great because it pushes the limits and cuts through everything else that I’mplaying. I can really hear it and feel it in the PA system. I use the sampling feature a lot. I’lltake sound samples…and use them as segues between songs, along with the synth patch,which makes some really gnarly noise. I’m going to start messing around with themicrophone input and start doing weird stuff like sampling the crowd. Or possibly runningthe mic from our lead singer and just totally tweak out a weird line that he says…”

— Jessie Nelson, Head Automaticawww.headautomatica.com • www.myspace.com/headautomatica

“I’m super excited to get to work with the KP3…I’m going to be using it on our newrecord!”

— Chris Dudley, Underoathwww.underoath777.com • www.myspace.com/underoath

“The mini-KP wins out as our new favorite studio toy. We have it linked up to our outboardmixer and have been using it to both gently affect and radically destroy keyboards, beats offthe turntables, and anything else we can manage to run through it. It’s like having 50 of thecoolest stompboxes ever made sitting there at your fingertips. It’s also extremely killer forusing live and DJing – we are using it to bring a whole new dimension to our live sets and itnever gets old or repeats itself.”

— Rondo Brotherswww.rondobrothers.com • www.myspace.com/rondobrothers

“The KP3 has so many effects packed into a small package. The power and portability makethe KP3 perfect for my Live Remix Project shows. My favorite features are the filter andgrain effects, as well as the sample banks. Plus, with the illuminated red touchpad, it lookscooler than any performance effects processor that I’ve seen!”

— DJ Enfernowww.djenferno.com • www.liveremixproject.com • www.myspace.com/djenferno

“I can honestly say that [KP3] exceeds the fist two KAOSS Pads, which were amazing aswell! This is quiet too, which is always more helpful in the studio.”

— Aaron Johnston, Brazilian Girlswww.braziliangirls.info • www.myspace.com/braziliangirls

“I’ve always been a big fan of Korg products and the KAOSS KP3 is just another reasonwhy. It’s an amazing improvisational tool for me and the interface is pretty much the most funyou can have with a piece of gear.”

— EL-Pwww.definitivejux.net/jukies/el-p/ • www.myspace.com/elproducto

James Zabiela

Jesse Nelson

Chris Dudley

Rondo Brothers

DJ Enferno

Aaron Johnston

EL-P


>>21>>20

www.korg.com

> KAOSS TO THE THIRDKP3 has 128 all-new effectsdesigned to appeal to players,producers and DJs alike.Along with traditional effects –delays, flangers and more –the KP3 provides exciting neweffects, like grain shifter,decimator, analog style filterwith a tone-bending drivecircuit and EQs controllabledirectly from the pad.

>TRIP THE LIGHTFANTASTICThe new pad lighting systemprovides visual cues for thecurrent program, held position,and more – it can even scroll acustom message!

> BEYOND EFFECTSInstant drum grooves andRADIAS-inspired vocoder andsynthesizer sounds can also beplayed on the X/Y pad.

> SYNC’D UPThe KP3’s Auto BPM circuitderives tempo information froma turntable or CD player andcan sync effects to play inperfect timing, while providingMIDI clock to other devices.

> CAPTURE CONTRAPTIONSampling and effects are totallyintegrated, so you can samplethrough the effects, and evenresample the output to createpowerful, multi-element sounds.

>SOFTWARE SAMPLEEDITORAn editor/librarian program is included so you can buildlibraries of samples and editthem using your computer (via USB).

ELECTRIBE•SX: SERIOUSSAMPLINGA wide variety of samples areincluded, plus you can importWAV/ AIFF samples or recordyour own! These samples can beplayed back as “one-shot” DrumParts or as tuned Keyboard Parts.Stretch Parts allow the tempo ofsampled loops to be adjustedwithout affecting pitch, so you canplay multiple loops in perfect sync.Samples can also be “sliced” intothreshold-based segments,allowing play back of the phraseat different tempos, individuallytriggering each of the segments.

ELECTRIBE•MX:BEAUTIFUL MODELSThe incrediblyadvanced MMT(Multi ModelingTechnology)sound engineoffers 16differentsynthesismethods,providingpowerful analogmodels as wellas sophisticatedadditive, PCM,VPM, unison andmore.

> TUBE TONEBoth models feature ourexclusive Valve Force circuit,using a pair of 12AX7 vacuumtubes to add warmth or edgeto your sound.

> SOUND IN MOTIONMotion Sequencing capturesand replay your inspired knobtweaks for an extraperformance dimension.

KAOSSILATORMUSIC SYNTHESIZERThe next innovation in musical expression and creation from Korg has arrived!The KAOSSILATOR is a new pocket-sized instrument that packs Korg'sworld renowned sound along with innovative performance features in an ultra-compact unit.

KP3 KAOSS PadDYNAMIC EFFECT/SAMPLERThe KP3 KAOSS Pad takes real-time effects control and sampling to a newlevel! Just move or tap your finger along the X/Y pad to manipulate sampleand effects parameters in a totally unique and intuitive fashion.

mini-KP KAOSS PadDYNAMIC EFFECT PROCESSORIt’s the KAOSS Pad that fits in your shirt pocket! The new mini-KP distills 100 effect andsynth programs from the KP3 into a portable package that is perfect for music on the go.With its familiar touch pad interface intact, it’s meant to be touched.

> BIG SOUND, SMALLFOOTPRINTThe nifty little KAOSSILATORcomes packed with 100powerful sound programs thatcombine Korg's legendarymodeling synthesizer enginewith effects from the KAOSSPAD series, perfect for anymusical genre.KAOSSILATOR doesn’t justoffer synths. In fact, there aredrum patterns thatautomatically sync with theselected tempo, drum hits,basses, chorded sounds andeven realistic horn models.

> GET PLAYFULWhether you’re an established“tweaker,” an aspiringelectronic artist or somewherein between, KAOSSILATOR isone musical sketch pad thatyou should not be without!Anyone can instantly playmusical phrases by simplytapping or sliding their fingeracross the KAOSSILATOR’stouch pad.

> GET LOOPY!!!!Loop Recording allows you torecord a phrase with aspecified number of beats(maximum 8 beats = 2measures), and play it backendlessly. Now, go ahead andchoose a different sound andplay it on top… and repeatinfinitely! Each time you add aphrase, KAOSSILATOR“stacks” it on top of what waspreviously entered, resulting incomplete musical works assimple – or complex – as youdesire!

> HAS POWER, WILLTRAVELKAOSSILATOR is acompletely portable, travelfriendly device that runs onbatteries, so you can have funcreating music anywhere yourlife takes you, with seeminglyendless possibilities.

> HOW DID THEY GET ALLTHAT IN THERE?!?!To add another dimension ofexpression, 50 GateArpeggiator patterns are therefor the using, applicable to anyof the programs.KAOSSILATOR also provides31 available scales to help youdevise phrases that inspire.

KAOSSILATOR AT A GLANCEPrograms: 100Outputs: Line Out L, R (RCA), Headphone JackPower Supply: Four alkaline AA batteriesDimensions (WxDxH) in.: 4.17 x 5.08 x 1.14For more detailed specs, A/V examples and information, visit:www.korg.com/kaossilator

EMX1 AND ESX1 AT A GLANCEELECTRIBE • MX (EMX1)Analog Modeling + PCMWave/Models: 207 drum; 76 synth PCM; 16Oscillator ModelsNumber of Parts: 16 totalELECTRIBE • SX (ESX1)Sampling (44.1 kHz)Sample Memory: 285 seconds total; 256 Stereosamples + 128 Mono samplesNumber of Parts: 16 totalBOTHDimensions (WxDxH) in.: 14 x 10 x 2.44Weight: 6.83 Lbs.For more detailed specs, sound clips andinformation, visit: www.korg.com/emx1 andwww.korg.com/esx1

ELECTRIBE EMX1 & ESX1MUSIC PRODUCTION TOOLSThe ELECTRIBES achieved instant popularity by combining interactive pattern-basedprogramming with unique sound generation. Illuminated step-keys, flexible pattern recordingoptions and a wealth of dedicated knobs team up in an intuitive and easy-to-use interface.

KP3 AT A GLANCESampling: 16 bit, 48 kHz; 24-bit A/D, D/AData Storage: SD Card (100 samples max)Inputs: Mic (1/4" ) with trim knob; Line In L,R (RCA)Outputs: Headphone (1/4"Ç Stereo) withvolume; Line Out L, R (RCA)Interface: USB Type B (PC), MIDI IN/OUTDimensions (WxDxH) in.: 8.27 x 8.9 x 1.93For more detailed specs and information,visit: www.korg.com/kp3

mini-KP AT A GLANCEPrograms: 100Inputs: Line In L, R (RCA)Outputs: Line Out L, R (RCA), Headphone JackPower Supply: Four alkaline AA batteriesDimensions (WxDxH) in.: 4.17 x 5.08 x 1.14For more detailed specs, sound examplesand information, visit: www.korg.com/miniKPand www.myspace.com/minikp

> GROOVE ON THE MOVEThe mini-KP is lightweight andbattery powered, yet offerstons of features like auto-BPMand Tap Tempo functionality,FX hold, FX depth selection,FX Release and more – allderived from its big brother, the KP3.

> HOW WILL YOU USEYOUR MINI-KP?The mini-KP’s size and powermake it a perfect multi-taskprocessor. Keep it near yourstudio and you might find thatyou can quickly patch it intothe effects loop of a guitaramplifier, directly between asynth and mixer or… well, whoknows? No matter what youconnect it to, from a mixer, toan MP3 player to yourtelevision, mini-KP provides theeffects you need to do the job– or simply have some fun.


>>23>>22

www.korg.com

KM402 & KM202KAOSS MIXERSWith the KM202 and KM402, Korg brings a new level of control andexpression to the DJ. Both combine a pristine 24-bit digital mixer with anadjustable curve digital crossfader, familiar cue and monitor, an integratedKAOSS pad with effects from the renowned KP3, plus multi-modelingEQ. Their streamlined design set a new standard for an integratedmixer/effects processor, allowing a style of mixing and performing witheffects that is unequalled.

ZERO MIXERSLIVE/STUDIO CONTOL MIXERSZERO IN ON LIVE CONTROLThe ZERO8 and ZERO4 combine multi-channel Firewire audio I/O, a flexible, easy to understand and customizable MIDI controlsurface and multi-effects processing. That translates to total control of your music, whether mixing in the studio or performing live.

> DJ MIXER MEETS KAOSSWith the innovative integratedKAOSS Pad, you canmanipulate effects using the tipof your finger. The uniquetouch-pad changes multipleeffect parameters at once tocreate unique timbres. Thesimple and intuitive interfacehas made the KAOSS pad oneof the most popular effectprocessors in the world. Andchoosing which channels areaffected by KAOSS is a quickone button operation.

> SO MUCH AT YOURFINGERTIPSThe KM Mixers integrate onehundred powerful effects fromthe KP3 KAOSS Pad, all withthe unique fingertip control thatmade the entire line of KAOSSproducts famous. Theincluded presets combinesimple elements such asdelays and filters in waysyou’ve never imagined toprovide a wealth of inspiration.With the KOASS Pad’s uniqueability to “touch” your effects,the KM Mixers provide aunique access to effects thatwill take your performance tothe next level.

> EQ ECLECTIC EQ manipulation is a staple ofDJ performance. In responseto this need, the KM Mixerstake advantage of full-digitalprocessing to provide sixdifferent sonic sculpting toolssuit any sound, from powerfulhigh-pass filters and full-cutIsolation, to unique EQ curves,all based on the opinions ofnumerous famous artists. Thiscapability means that the EQknobs are now a core elementof your DJ performance, andtake advantage of theintegration with the KAOSSeffects to create performancesthat use EQ in a new andunique way.

> FADER FINESSE Cross-fader response is aspersonal as the DJ holding it.The adjustable digital (VCDA)crossfader offers curve controland calibration that let you setthe mixer to your personalstyle. Whether you’re mixingdual decks, triggering from alaptop or integrating othersound sources, the KAOSSMixers adapt to your style andpersonal touch. The fader feelsgreat, whether you’re makingtransitions or getting into someserious scratching.

KAOSS MIXERS AT A GLANCELine Inputs: Connectors: RCA jacks L/R Input impedance: 10 k OHMSPhono Inputs: Connectors: RCA jacks L/R Input impedance:

40 k OHMS PHONO RIAA compliantMic Input: Connectors: 1/4" mono phone jack Input impedance:50k OHMSMaster Output L/R: Connector: RCA jacks L/RBooth Output L/R: Connector: RCA jacks L/RPhones Output: Connector: 1/4" stereo phone jackDimensions (WxDxH) in.: 11.34 x 15.12 x 4.21Weight: 11.02 lbs.For more detailed specs and information, visit:www.korg.com/km202 and www.korg.com/km402

ZERO8 AT A GLANCEInputs: Phono (x3): RCA L, R (with ground lug);CD (x8): RCA L, R; Line (x8): TRS L, R; Mic (x2):XLR; switchable phantom; mic/line gain switch;Guitar: 1/4" unbalanced Outputs: Master: XLR L, R; TRS L, R (+4/-10switch); Booth: TRS L, R; S/P DIF: co-axial;Headphone: 1/4" stereo; 1/8" stereo mini Total MIDI-capable controls: 128MIDI: In, Out FireWire (x2): IEEE 1394 6-pin connector Dimensions (WxDxH) in.: 11.8 x 15.83 x 4.13Weight: 13 lbs. For more detailed specs, sound clips andinformation, visit: www.korg.com/zero8

THE PERFECTINTEGRATION OFSOFTWARE ANDHARDWAREAn Input Select knob at the topof each channel controls an inputmatrix, helping to easily assignthe full array of inputs to thechannels or stream Firewireaudio from your computer. As weapproach the “Audio + MIDI” and“MIDI” selections, things geteven more interesting. In MIDImode, all knobs and switcheschange from bright orange toelectric blue (ZERO8) or dazzlinggreen (ZERO4) to indicate thatthose controls are ready to sendMIDI CC to any software with aMIDI learn feature or presetMIDI, implementation. The “Audio+ MIDI” provides a half-MIDIsetup, leaving the EQs availablefor audio.

THE ZERO EFFECTSOn ZERO8, 112 effects can beused three at a time (Master,send from each channel and asingle channel-specific). A largetouch screen provides real-timecontrol of these effects a-laKAOSS Pad! On ZERO4, oneof eight effects is selectable perchannel, along with one Mastereffect.

SOUND SCULPTING THATGOES TO ELEVENWant sound shaping? OnZERO8, the EQ knobs canactually be set to one of fiveEQs, three filters or threeisolators per channel. That’seleven options to help youmodulate your mix! On ZERO4one of the eleven EQs areselectable for the whole mixer.

CAUGHT IN A TRAKTORBEAMBoth ZERO Mixers boast TraktorScratch Certification. This meansthat Native Instruments hasevaluated the mixers and deemedthem worthy alternatives to theirown Firewire I/O. And with theZEROs’ extensive MIDI control,you can take advantage ofScratch’s MIDI learn function tocustomize your control over thesoftware.

> ZERO OFFERS MORERound out both ZERO Mixerswith digital faders and crossfaders all with highly adjustablecurves, full featured cueing,per-channel LEDs, auto-BPMand more, and they claim theirstake as “Uber-Control Mixers.”Want more? A flexible busstructure lets you stream yourhands-on performance rightback into your favorite audiorecording program.

For more information on Traktor ScratchCertification, visit:http://www.native-instruments.com

ZERO4 AT A GLANCEInputs: Phono (x4): RCA L, R (with ground lug);CD (x4): RCA L, R; Line (x4): TRS L, R; Mic:XLR; switchable phantom; mic/line gain switch;Guitar: 1/4" unbalanced Outputs: Master: XLR L, R; Booth: TRS L, R; S/PDIF: co-axial; Headphone: 1/4" stereo; 1/8" stereo mini Total MIDI-capable controls: 56MIDI: In, Out FireWire (x2): IEEE 1394 6-pin connector Dimensions: (WxDxH) in.: 17.72 x 14.61 x 4.92Weight: 16 lbs. For more information, visit:www.Korg.com/zero4

>Both KAOSS Mixers feature 100presets from the KP3 KAOSS Pad.


>>25>>24

www.korg.com

Duran Duran killed in the ‘80s electric pop scene, and theirnewly released Red Carpet Massacre shows that they still havethe razor-sharp sensibility for combining catchy, danceable hitswith artful songwriting. With over 70 million records sold, 18American hit singles, 30 top 30 songs in the UK, and an arena-filling international presence, Duran Duran has endured alongevity that is rarely associated with its contemporaries.Bassist John Taylor explains why this is by saying, “I think it’sjust not quitting. I see groups and individuals just hang up theirguitars, their drumsticks – whatever it is, and often times peopledon’t want to work out the issues that arise with their bandmates. We just keep moving forward. We love what we do,we’re very passionate about it, and we feel very honored to stillbe doing it.”

While Duran Duran did experience additional commercial andcritical success in the ‘90s with its second self-titled album, ithad its share of member changes and breaks. John says, “I leftthe band for a while and I tried making music with others.Through that experience, I appreciated the particular chemistry Ihave with these guys…and I’ve got to say that we may not bevirtuosos, but there’s a chemistry we have and it works.”

Now not only are we approaching the 30th anniversary of DuranDuran, but the beginning of the next era for the band. They’vecollaborated with the stellar production team of Timbaland andNate ‘Danja’ Hills, as well as long-time Duran fan JustinTimberlake on Red Carpet Massacre. John describes theexperience as, “Pretty damn intense. Timberlake was in the firstday on the New York session, and then we did five days withTimbaland and Danja…we kind of felt a flow. Then Danja cameto London and he produced a bunch of tracks with us there. Hepicked up from the New York sessions and got the band’s vibe.We then worked with Justin one more time right at the very endand cut a track with him.” He adds, “They’re very exciting guysto work with. Since I’ve got back into the band, we’ve workedwith producers but nobody that was really on their game theway these guys were. They were very inspiring to work with. Itjust really pushed you to up your game.” The result is acollection of powerful, club-ready cuts like “Nite Runner,” thatdisplays Duran’s versatility and ability to keep up with thechanging times.

John realized right away when working with this productionteam that he’d be playing some keyboard bass. He says, “There

was no way that I was going to be able to make all this workwith a regular bass, and I had to find new ways of saying thingswith my bass.” For his amazing synth bass sounds, John relieson the Korg RADIAS Synthesizer/Vocoder. He loves how itcombines the old school, hands-on feel of a real analog unitwith modern voicing, user ease and capabilities. “It haseverything I could possibly want to use it for,” he notes, adding,“I’ve only touched the surface of what that machine is capableof. I didn’t pick up my RADIAS until we went on tour, but I haveto say it has been able to adapt to everything that I did in thestudio with Timbaland and Nate.”

When John showed the RADIAS to Duran Duran keyboardist,Nick Rhodes, it blew him away. That led to what they call the“electro set,” a collection of their hits that they perform on tourwhere the whole band is playing synths. John explains, “We’dsort of been talking about how a lot of bands today have whatthey call the “acoustic portion” of the set. It’s become sort of anindustry standard...and we’ve done that but it never felt reallygenuine because we’re not that kind of a band. When we goback to our roots, we go back to synthesizers and earlysequencers and that sort of thing. So we thought instead ofgoing back to an acoustic guitar type of presentation, why don’twe go electro?”

In addition to the RADIAS, they’ve equipped the stage setupwith a Korg M3 Music Workstation/Sampler and microKORGSynthesizer/Vocoder. They can’t get enough of all threeinstruments and are looking forward to utilizing them on futurerecordings. John says, “Basically, we’re all playing keyboards inthe electro set so there was a bit of a learning curve. I wasalready into them so I thought this is going to be great for me,because I have to play a bit of keyboard in the presentation ofthe new album. I suggested to Simon (Le Bon, lead singer,)‘How would you feel about just playing a couple of lines hereand there?’ and he was willing to try it. Of course, once hestarted working with the vocoder on the microKORG, he waslike a kid in a candy store! We’re all interfacing with technologyin a way certainly Simon, Roger (Taylor, drummer,) and I are notused to, and we’re having a lot of fun. We’re really loving it.”

Be sure to check out Duran Duran’s Red Carpet Massacre andvisit their website, www.duranduran.com for additionalinformation on the band, including performance dates!

DURAN DURAN

RED HOT

By Evan O’Brien

Photos by Stephanie Pistel


>>27>>26

www.korg.com

Sound Engine: PX dynamic stereo sampling;60 note polyphony (max)Keyboard: RH3 Graded Hammer Action; 3 touch curvesSounds: 30 total; (5 Pianos, 7 ElectricPianos, 3 Church Organs, 3 Jazz Organs,Harpsichord, Marimba, Vibraphone, Acousticguitar, 3 Strings, 3 Choirs); 30 Demo songsEffects: Reverb (3 Levels); Chorus (3 Levels)Sound System: Bass-reflex chamber; 2 co-axial 10cm speakers, 2 11-WattamplifiersConnections: Headphone (1/4" Stereo x 2);Line out (1/4" L/Mono, Right); MIDI IN, OUT;Pedal inputDimensions (W x D x H) in.; Weight: 51 x 15x 5.5; 41.9 lbs.Accessories: Half-damping pedal, customtubular stand, AC adapter, music rackRead and hear more at:> www.korg.com/sp250

The SP-250 is alsoavailable in this elegant,limited-edition white finishat Korg Concert Seriespiano dealers.

C-720, C-520,and C-320CONCERT PIANOSTHE MODERN ART OF MAKING MUSIC®

The C-520 Concert Piano – and the new flagship C-720 – combine advances in sound, touch and designto create a series of piano instruments that is a feast forall the senses.

Also Available: C-320Based on the KORG SP-250, the C-320 is housed in a moretraditional Concert Piano cabinet, and offers larger 13cmspeakers with 20 Watts of power per side. Available in DarkRosewood or Light Cherry.

Also Available: C-720The new flagship C-720 adds a powerfully enhanced 90 Watt bi-amped sound system (featuring 16cm bass speakers) thatmounts “spinet-style” to the stand; a true grand piano style soft-landing fallboard (folding key cover); decorative metal accents;and a real wood finish. Available in Wenge (dark espresso).

> C-320 > C-720

Sound Engine: Piano eXperience multi-levelstereo sampling; 62 note polyphony (max)Keyboard: RH3 Graded Hammer Action; 8 touch curvesSounds: 40 total; (9 Pianos, 8 ElectricPianos, 2 Harpsichords, 2 Clavs, 2 Vibes,Nylon Guitar, 3 Church Organs, 3 JazzOrgans, 3 Strings, 3 Choirs, 4 Basses); 30 Demo songsEffects: Reverb (8 Types); Chorus (8 Types);Insert 1 & 2 (24 Types); BrillianceTuning: Transpose, Fine Tuning,Temperaments (10)Sound System: Bass-reflex chamber; two co-axial 13cm & two 3.5cm speakers,two 35 Watt amplifiersConnections: Headphone (1/4" Stereo x 2);Line out (1/4" L/Mono, Right); Line in (1/4"L, R); MIDI IN, OUT; USB to computer.Dimensions (W x D x H) in.; Weight: 55 x18.2 x 34.2; 116.9 lbs. (including stand)*Available in Dark Rosewood, Cherry andDark Cherry

See and hear more at:www.korg.com/C520

> THE PIANO EXPERIENCEOur new PX (Piano eXperience)technology accurately reproducesevery dimensional detail of thepiano, using multi-velocity stereosamples, key release and damperresonance to create all of thesubtle shadings inherent in asuperior instrument.

> SOUND SYSTEMThe C-520’s two-way stereo soundsystem features two 13cmwoofers, two 3.5cm tweeters, andis powered by 35 Watts perchannel. The speakers are housedin a bassreflex chamber.

> EYE CANDYGraceful curves, elegant front legs,sliding key cover and a full-sizemodesty highlight the refined C-520 cabinetry. Even the foldingmusic rack is equipped with pageretaining clips.

> POWERFUL PERFORMANCESAny of the 40 sounds can beplayed individually. Thirty“Performances” can quickly recallany two sounds – split or layeredacross the keyboard – plus alleffect, pedal, metronome, tuningand transposition settings.

> OUR FINEST KEYBOARDAs on a concert grand piano, theC-520’s 88 keys feature a gradedhammer action (RH3), gettingprogressively lighter towards thetop end of the keyboard.

> PLAY IT AGAINThe two-part recorder allows over-dub and play-along options withsongs saved internally or tocomputer via USB. For the student,185 classical music selections canbe played from the recorder’smemory, with the right and lefthand parts on separate tracks.

> TIME OUT!The C-520 metronome featuresboth metronome settings and drumgroove settings.

> AUTHENTIC PEDALINGThe C-520’s damper and softpedals respond to varying degreesof pressure (half-pedaling) for anauthentic piano experience. Andthe sostenuto pedal operates justas on a grand piano. Inperformance, the pedals can alsobe assigned to other functions

> C-520

SP-250DIGITAL PIANOPORTABLE PIANO SOUND AND FEELIn creating an outstanding portable piano, KORG hascombined their finest keyboard touch, a wide variety ofdetailed and authentic sounds, assignable effects, arobust integrated sound system and a solid matchingstand into a complete instrument that is both elegant andeasy-to-use.

> S

P-25

0 A

TA

GLA

NC

E>

C-52

0 A

TA

GLA

NC

E>

C-52

0 A

TA

GLA

NC

E

> SUPERIOR SOUNDSMulti-level stereo samplingensures accurate and faithfulsound reproduction over thepiano’s entire dynamicrange. But piano is just thebeginning. Thirty sounds areprovided, convenientlyorganized in three banks often. Layer two sounds foreven more sonic variety.

> TAKE A STANDThe SP-250 is a completeinstrument offering sounds,effects, sound system andpedal all in one. It alsoincludes a sturdy, collapsiblestand that fits into a grooveon the underside of thekeyboard for a solid, secureconnection. A matchingmusic rack is also provided.

> SECURE PEDALThe SP-250’s half-dampingpedal provides greaternuance of the damper effect,just as on a real grand piano.This unique pedal simplyslips over the stand,preventing the pedal from“creeping” forward duringperformance.

> EFFECTS THATENHANCEA spacious reverb effect anda colorful chorus can addpizzazz, depth and motion tothe sound. The effectsettings have been optimizedfor each individual sound,and the depth can bespecified or changed to suitthe music, the performance,or even the room.

> CALL TO ACTIONOur RH3 graded hammeraction provides 88 keys anda life-like grand piano feel forconfident, inspiringperformances. Three velocityresponse settings tailor thetouch to the performer’s ownplaying style.

> TUNING AND TIMINGFor practice and reference, aconvenient metronome can beset to different tempos andtime signatures. Transposeinto different keys at the touchof a button. Historicaltemperaments add authenticvoicing to Baroque andClassical performances.

> BUILT TO SHAREWith two headphone outputs,you can share your music witha friend. Student and teachercan share lessons withoutdisturbing – or being disturbedby – other family members.Use MIDI cables to connectyour new SP-250 to yourcomputer or other MIDIdevices.

> STEALTH SOUNDIntegrated into the SP-250 is arich, vibrant sound system.Mounted into a bass-reflexchamber is a complete stereoamplifier and speakers. Stereooutputs for connecting to arecorder or stage amplificationsystem are featured on theback panel.


>>28

www.korg.com

Pa2XProProfessional ArrangerTAKING THE “WORK” OUT OF WORKSTATIONFor the musician, composer, performer and entertainer, the interactivePa2XPro is the perfect musical partner, quickly transforming musical ideasinto complete, polished productions. Guided by Korg’s Real eXperience(RX) technology, the Pa2XPro combines unbeatable sound, state-of-the-arteffects, advanced MP3 features, comprehensive sample edit tools, fullyrealized musical Styles and a sequencer loaded with compositional aids.Brimming with power, the Pa2XPro employs a slew of assignable controllersand a new motorized, full-color TouchView interface, providing an intuitiveand musical interface that will encourage your creativity – not stifle it.

Pa800Professional ArrangerWith the same renowned RX Technology and EDSsynthesis as the Pa2XPro, the all-in-one PA800 adds apair of 22 Watt amplifiers and a four-speaker soundsystem. With sixty-one keys and minus a few luxuryfeatures, the Pa800 offers the same great sound in amore portable, affordable package.

> STUNNING SOUNDBased on the EDS (ExtendedDefinition Synthesis) engine foundin the new Korg M3, the Pa2XProprovides breathtaking sound. ThePa2XPro also borrows the stunningmulti-layer piano sound from ourflagship C-720 Concert Piano. Allin all, over 950 fully editablesounds are preloaded forimmediate use, along with a fullGM soundset and 64 drumkits.

> DO IT WITH STYLETake a drum groove, add somepercussion, toss in a bass patternand stir in up to five moreinstruments parts and you have thefoundation for a Style. The Stylesection follows your chord changesand voice leading, enhancing yourperformance by adding everythingfrom tasteful and authentic guitarpicking to a tight drum and bassgroove – or even a full blown R & B rhythm section!

> SIEZE CONTROLTwo assignable switches and afour-way joystick offer versatilereal-time control. The nine multi-mode sliders provide full drawbarorgan control, MP3 volume, mixerlevels, and eight are fullyassignable. The optional EC-5offers five assignable footswitchesso you can keep your hands on the keyboard.

> BOOK ‘EM!The Songbook feature provides asearchable database for all yoursongs, settings and more; keepingyour settings merged with your repertoire – and all at fingertip control.

> SUPER SEQUENCINGIn addition to traditional “track at atime” workstation sequencing, theBacking Sequencer allows you tocapture multiple Style driven partsat once. Step Editing allowschanging or substituting chords,instantly re-writing all Style tracksin the sequencer.

> INTERFACE LIKE NO OTHERThe intuitive color TouchVIewdisplay is motorized, providing asecure position at nearly any angle.“Expert” and “Easy” modes showas much or as little information asyou need for performance.Contextual HELP screens are abutton push away – select any ofseven languages!

> EFFECTS EVERYWHEREFour stereo processors access atreasure trove of effects, from richreverbs and dazzling delays toguitar modeling effects from Korg’srenowned REMS series – even anamazing vocoder. Each track has athree-band EQ, plus a semi-parametric master EQ.

> PERFORMANCE MP3 ENGINEIn addition to recording and playingback MP3 files, the Pa2XPro allowyou to change the tempo and/orkey of MP3 files in realtime, asthey play!

> ENDLESS POSSIBILITIESEach of the over 400 fully-editablepreloaded Styles contains fourvariations of increasing intensity.Three Intros (including a Count-In),three endings, three breaks / fillsare also provided so you can addthe finishing touches to yourcompositions. Need more? Each ofthe four Pads can also be assignedto a sound effect, instrument solo /arpeggio, or even one of your ownriffs or phrases. Build your ownStyles quickly by copying partsfrom different Styles.

> INSTANT ACCESS As each Style plays, up to foursounds can be played along in realtime, split and layered across thekeyboard. Four “Single TouchSettings” (STS) per Style can callup and switch these soundsinstantly in performance or as yourecord to the sequencer.

> NON-STOPENTERTAINMENTTwo individual sequencers allowone to play while the other loads.Cue the next song and use the DJ-style crossfader to smoothlytransition between the twosequencers. Each sequencer canplay MIDI or MP3 files!

> NO KEYBOARD CHOPS?With the Backing Sequencer, youcan Step Enter all the chordchanges for a song, add fills, switchvariations, etc., building a completebacking without ever playing thekeyboard – a big plus for guitarists,singers, horn players, etc.

> GET CONNECTED Talk to computers, external drivesand other devices via three USBports (2 Host, 1 Device), includinga convenient front panel slot – idealfor USB pen drives. All this inaddition to the internal Hard Drive.

> NEW MIC SECTIONWant to sing along? A phantompowered XLR input feeds into our TC Helicon powered vocaleffects – including compression,EQ, reverb – even three part vocalharmonies! Dedicated switchesoperate the mic, harmonies andeffects.

Keyboard: 76 keys, semi-weighted; velocityand aftertouchSynthesis Method: Extended DefinitionSynthesis (EDS)Polyphony: 120 voiceMP3: Play, Record; Transpose +6/-5 steps;Tempo change ± 30%Hard Drive: Internal ATA 2.5”Effects: 4 Stereo Processors (2 for Styles, 2 for Sounds); 3-band per track EQ, Mastersemi-parametric EQ; TC Helicon Vocal FX &HarmoniesSounds: 950+ GM soundset (256 user); 64 drumkits (64 user)Styles: 400+ preloaded; 960 locationsInterface: Color Motorized TouchViewdisplay; Easy and Expert modesConnections:

• Pedals: damper, assignable, EC5• Audio In: Balanced TRS 1, 2; XLR

w/Phantom• Audio Out: Balanced TRS L/mono, R, 1,

2; Digital (Co-Axial)• MIDI: In, Out, Thru,•USB: Host (x2 – one on front); Device

Dimensions (W x D x H) in.; Weight: 47.52 x14.37 x 5.35; 39.68 lbs.See and hear much more at:www.korg.com/Pa2XPro

> Pa

2XPr

o AT

AG

LAN

CE

New

>>29


>>31>>30

www.korg.com

Pa500THE PROFESSIONALARRANGER AT THE AMATEUR PRICELike its big brothers – the Pa800 andthe Pa2XPro – the Pa500 uses our RX(Real eXperience) technology to delivera sound unprecedented in an arrangerkeyboard. With exclusive Korg featuressuch as the XDS Dual Sequencer,intuitive TouchView interface, quarter-tone on-the-fly and a four way joystickfor realistic articulation, the only thingreally missing is a big price tag!

Pa50Based on the Korg Pa80 – the instrument that started the Arranger Revolution – thePa50 provides the proven TRITON synth engine combined with our XDS dualsequencer, studio-quality effects, and an internal stereo speaker system. Eight-part,world-class Styles along with assignable pads, a four-way joystick and otherperformance features keep you in control. A huge custom backlit LCD lets you vieweverything at a glance.

> PERFORMANCEPOSSIBILITIESNo doubt: Korg’s Styleprogramming is world class. Withup to eight parts, four variations,three intros/count-in, threefills/break and three endings, eachStyle is a complete musicalenvironment. Advanced featuressuch as Syncro Start/Stop, FadeIn/Out, Assignable Pads, TapTempo and Manual Bass allowyou to spontaneously add complexand professional touches to yourperformances.

> SINGLE TOUCH SETTINGSNeed to switch sounds fast? FourSTS (Single Touch Settings)buttons allow you to have up tofour sounds split and layeredacross the keyboard and switchthem all instantly with a singlebutton press. The STSassignments can be savedindependently for each Style.

> PRODUCTION POWERFour internal effect processorsallow you to add any of 124different effects to any and all ofthe Style instruments and/or theparts you play live (realtimetracks). Developed for our DigitalRecording Studios and Pro-levelworkstation instruments, theseeffects are all studio-quality andoffer full parameter editing. A finalsemi-parametric EQ allows evenmore custom control.

> STUDIO SIMPLICITYTraditional linear 16 tracksequencing is enhanced by ourstep edit/entry feature and uniquebacking sequencer. The backingSequencer captures each Styleinstrument on a separate trackand MIDI channel, making it easyto re-write or edit an individualpart later – without re-writing aentire Style. With Step Edit/Entry,you can actually just type in yourchord changes without everplaying the keyboard – a real plusfor guitarists, singer, and otherinstrumentalists.

> ALL IN ONEHiding inside is a full stereo soundsystem with two speakers in abass reflex enclosure for the bestsound in a small box. The Pa500is completely self-contained andeasily transportable – whetherrushing to a gig, jamming withfriends, or teaching a new tune tothe band. We couldn’t fit anymore fun in here if we tried.

> SAVE IT FOR LATERIn addition to providing a USB tocomputer connection for movingand saving data, the Pa500 canalso save and read data from SD /MMC memory cards for instantaccess to your custom data, MIDIfiles, songs, and performances.

Pa500 AT A GLANCEKeyboard: 61 key; velocity sensingSynthesis Method: Extended Definition Synthesis (EDS)Polyphony: 80 VoiceEffects: 4 Stereo Processors (2 for Styles, 2 for Sounds); 1 Final EQSounds: 880 (including GM Level2 soundset + 56 drumkits) Styles: 320 preloaded; up to 448 locationsInterface: TouchView (monochrome)Connections:• Pedals: Damper, Assignable• Audio In: Left, Right• Audio Out: Left, Right• MIDI: In, Out• USB: Device• Card: SD / MMC Memory

Sound System: 15 Watts (x2); Dual 10 cm Speakers in reflex enclosureSee and hear much more at: www.korg.com/Pa50

MICHAEL BISHOPGrammy Award-winning engineer Michael Bishop has an affinity for good sound. He’s been at the helm for some ofthe world’s best classical, jazz and blues recordings on Telarc, a label known for amazing sound quality and clarity. It’sno wonder that Michael was drawn to the Korg MR-1000 1-bit recorder. He shares his initial reaction, “I camefrom DSD systems that took eight engineers to run. Now I have one that’s running on eight AA batteries! And it’sso easy – within 30 seconds, I had it up and running.”

Michael first used the MR-1000 for a Cincinnati Symphony Orchestra session. He explains, “I put some mics infront of the orchestra while I was recording because I wanted to see what the MR-1000’s mic pre-amp wasgoing to do by itself. I also brought the MR-1000 into the control room. When I played the recording back in thecontrol room of just a two microphone set-up that went straight into the MR-1000 at 5.61 MHz, Bob Woods, thesession’s producer, said, ‘Boy I could put that out today and not make apologies for it.’ It was that good withsuch a simple set-up.”

Visit www.wired4music.com to learn more about Michael Bishop.

HERBIE HANCOCKJazz legend Herbie Hancock was also turned on to the high quality sound capture of the MR recorders. DuringHerbie’s tour in Japan, FOH engineer Bill Winn recorded each show and was so impressed with the MR-1000’ssound quality he suggested that Herbie consider releasing them as a live recording. And after hearing the resultshimself, Herbie commented, “The spatial sound spectrum is very apparent –almost like hearing 3D.” Heconcludes, “They sound fantastic, stunning. They take your breath away.”

Find out what’s going on with Herbie at www.herbiehancock.com

RUSS LANDAUThe MR-1 and MR-1000 have found their way to the remote regions of China. Composer and producer RussLandau brought them there to help record traditional Chinese instrumentals and chorus parts for a new variationof the theme song for the wildly popular TV show, Survivor. He shares his reaction to the experience, saying,“The stealthy beauty of both of Korg’s new 1-bit recorders, the MR-1000 and the MR-1, allowed me to get upclose and personal to my subjects without distracting them from the music at hand. The 2.8 and 5.6 Mhzrecordings have a resolution I’ve never before heard in a digital format. The veil has lifted!”

Find out more about Russ at www.russlandau.com

TIMOTHY MONTLERTimothy Montler, a linguistics professor at the University of NorthTexas, has received a grant from the National Endowment for theHumanities to create a dictionary and electronic text archive to helppreserve the endangered Klallam language used by the Lower ElwhaKlallam American Indian tribe in northwest Washington. As heexplains, “Future-proofing our recordings is of utmost importance toour project, since this may be our last chance to record theselanguages in a medium that won’t degrade over time. The MRrecorders are assisting in our quest to permanently preserve a pieceof native American history.” To learn more about this project, pleasevisit http://www.ling.unt.edu/~montler/Klallam/

PETER WOLFIf you’ve heard hits by the Commodores, Heart, Natalie Cole or Santana or watched Top Gun, Pretty Woman orThe Never Ending Story then you’re already familiar with the work of multi-Grammy nominated composer,producer, arranger and keyboardist extraordinaire Peter Wolf.

Peter and his wife, Gilia, recently used the Korg MR-1000 on her new Christmas album. “I heard it and wasreally blown away!” says Peter. “We mixed the album to the MR-1000 – it really sounds fantastic! We usually mixto 1/2 inch analog tape because the bottom end is so much better. But we compared it to the MR-1000 versionand felt that we didn’t have to do that any more. The sound was huge already!” Peter also uses the MR-1000 inhis everyday musical activities. “I’m using it for my composing ideas – I have two C-12s recording myBoesendorfer piano.

For more info on Peter Wolf, visit www.opus26.com; www.myspace.com/peterwolfmusic;www.powerhausmusic.com.

SOUND THOUGHTSON THE MR SERIES RECORDERSBy Leslie Buttonow

Michael Bishop

Herbie Hancock

Russ Landau

> NON-STOP ENTERTAINMENTIn addition to being a seriousinstrument, our unique dual SMFplayer, ensemble modes, andsimplified chord recognition transformthe Pa50 into a non-stopentertainment center for even thenovice musician!

New


>>33>>32

www.korg.com

MR-1000 & MR-11-BIT PROFESSIONALMOBILE RECORDERSUNCOMPROMISING, FUTURE-PROOF FIDELITYAT AN UNPRECEDENTED PRICEKorg’s new, super-portable MR Professional MobileRecorders break new ground by providing high fidelity1-bit recording technology at unheard of low prices.The hand-held MR-1 provides high quality 1-bit/2.8MHz recording and playback, while the mobile/tabletopMR-1000 delivers an astonishing 1-bit/5.6 MHz,doubling industry DSD recording quality standards.

> PRISTINE FIDELITY1-bit recording is the latestadvancement in audio. Itoffers a frequency responseof DC to 100 kHz anddynamic range of 120 dB,exceeding even the bestanalog tape recordingsystems, and has alreadybeen adopted for use in thecritically acclaimed SACDrecording format. Thisuncompromising fidelity, lownoise floor, extended dynamicrange, lifelike imaging andanalog quality depth has beenpraised by top experts.

> PURE AND SIMPLEToday’s state-of-the-art 24-bitconverters already use high-speed 1-bit conversion tocapture audio, and thenemploy real-time decimationand other processes to thinout the data stream into thecorrect bit depth/sample rateto match the desired format.The beauty of the MR’s bit-stream format is that it usesthe original 1-bit data, withoutthe need for the otherprocesses. What comes incomes out, with nomanipulation needed.

> THE 1-BIT ADVANTAGEIn addition to providing thefinest audio performanceavailable, the 1-bit format canbe readily converted to any oftoday’s multi-bit PCM formats.The critical issue is that youwant to be capturing yourrecordings/mixes in the highestfidelity possible; you can alwaysrepurpose it to the format ofyour current project, but if youhaven’t recorded it with thebest fidelity in the first place, itcan never be improved upon.

> MR-1000 –FUTUREPROOFFIDELITY ANDPERFORMANCEThe MR-1000 is the perfecttool for professional usersrecording and archiving theirfinal mixes in the studio, whileits compact size andportability make it ideal forlocation recording. Whateverthe use, you get the benefit ofcapturing it at the new high5.6 MHz rate.

> SAVE IT RIGHTMixing directly to the MR-1000 gives you thesuperb fidelity of high-rate1-bit technology, outperformingtoday’s multi-bit formats. TheAudioGate software canconvert your recording intothe mastering format of yourchoice. And backing up inthis highest-spec 1-bit format“future proofs” your mix forpotential reuse in the future.

> PRO PERFORMANCEQuality components ensurethe finest audio performance.The MR-1000 uses the highlyrespected Burr-BrownPCM4202 from TexasInstruments for A/Dconversion and the CS4398from Cirrus Logic for D/Aconversion. It features ultra-high quality mic preamps anduses separate power suppliesfor the digital and analogcircuitry, providing anabsolutely pristine audio paththroughout the signal chain.

> REAL WORLDFEATURESRecording formats includeDSDIFF, DSF, and WSD 1-bitformats, as well as multi-bitPCM format (BWF) withresolutions up to 24-bit/192kHz. Both MR recordersfeature an internal hard driveand a USB 2.0 connection forfast and easy file sharing withyour computer.

> FREE INTEGRATEDSOFTWARE SOLUTIONKorg’s innovative AudioGateTM

software for Mac® and PCconverts 1-bit recordings intoWAV and AIFF formats atvarious bit-rates (and viceversa) and offers real-timeconversion and playback of 1-bit files. Free with every MR,AudioGate also offers DCoffset removal, gain control,and fade in/out.

> MR-1 – SHIRT-POCKETPORTABILITY ANDSTUNNING FIDELITYThe MR-1 is the ultimateportable 1-bit recorder,perfect for location recording,broadcast journalism, livemusic performances – evenfor rehearsals andsongwriting sessions.

> STUNNING AUDIOBy recording in 1-bit/2.8 MHzformat you are assured thatyour most important, once-in-a-lifetime moments arecaptured in stunning detailand ready for whatever thefuture brings you. And back inthe studio it also providessuperb final mix and archivingbenefits. Record anywherethanks to the included high-quality CM-2M stereocondenser mic. Its versatileclip-on design allows you toplace it anywhere you need.

> AUDIOGATE SOFTWARE

ACTUAL SIZE

Record anywherethanks to theincluded high-qualityCM-2M stereocondenser mic. Itsversatile clip-ondesign allows you toplace it anywhereyou need.

MR-1000 AT A GLANCERecording Formats: <1-bit audio formats> DSDIFF, DSF, WSD:2.8224 MHz @ 1-bit, 5.6448 MHz @ 1-bit <PCM audio formats>WAV, BWF: 44.1 kHz @ 16/24- bit, 48 kHz @ 16/24-bit, 88.2kHz @ 24-bit, 96 kHz @ 24-bit, 176.4 kHz @ 24-bit, 192 kHz @24-bitNumber of Tracks: 2 tracks, 2-track recording/playbacksimultaneouslyInput L/R: XLR-3-31 type / 1/4" TRS phone combo jack(balanced)Output L/R: XLR-3-32 type (balanced), RCA jacks (unbalanced)Headphones: 1/4" stereo phone jackInternal Hard Disk Drive: 40 GBDimensions (W x D x H) in.; Weight: 7.56 x 6.7 x 2.2; 2.20 lbs.Power Supply: AC adapter, or 8 AA batteries (not included)Accessories: AC adapter, carrying bag, CD-ROM (AudioGateaudio file conversion software)Find out much more at: www.korg.com/MR1000

MR-1 AT A GLANCERecording Formats: <1-bit audio formats> DSDIFF, DSF, WSD:2.8224 MHz @ 1-bit <PCM audio formats> WAV, BWF: 44.1kHz @ 16/24-bit, 48 kHz @ 16/24-bit, 88.2 kHz @ 24-bit, 96 kHz@ 24-bit, 176.4 kHz @ 24-bit, 192 kHz @ 24-bitNumber of Tracks: 2 tracks, 2-track recording/playbacksimultaneouslyInput L/R: 2 mini phone jacksOutput L/R: stereo mini phone jack; Headphones: stereo miniphone jackInternal Hard Disk Drive: 20 GBPower Supply: AC adapter, or internal rechargeable battery(lithium ion polymer)Dimensions (W x D x H) in.; Weight: 2.52 x 4.72 x 0.94; .44 lbs.Accessories: AC adapter (also operates as charger), carryingpouch, stereo condenser mic (CM-2M), CD-ROM (AudioGateaudio file conversion software)Find out much more at: www.korg.com/MR1

Register your MR-1 online and get a free external AA batterypack to increase your mobile recording time! Seewww.korg.com/MR1 for more information.


>>35>>34

www.korg.com

Tracks: 64 plus master track, eight-track simultaneousrecording/playbackRecording Format: 44.1kHz, 16-bit, WAV formatRecording Time: 124 hours (single recording: 6 hours)Mixer: Eight channel inputs (eight-buss)Songs: 200 (100 mark points per song)Signal Processing: 40-bit, 44.1 kHzEffects: Master x1, 11 programsDisplay: 160 X 104-dot backlit LCDIns & Outs: 8 XLR (phantom)/TRS inputs, monitor out 1& 2, master out 3 & 4, Ch 5-8 out (unbalanced 1/4"),two quarter inch stereo headphone jacks, optical S/P DIF out, USB Type B, MIDI out (clock)Dimensions (W x D x H) in.: 14.76 x 13.03 x 4.33For more information go to:www.korg.com/D888>

D8

88

AT

A G

LAN

CE

> D

320

0 A

TA

GLA

NC

E

D888DIGITAL RECORDEREIGHT INPUTS, EIGHT OUTPUTS, EIGHT TRACKS OF RECORDINGFor performances, rehearsals, gigs, or spontaneous jam sessions, the D888delivers truly great-sounding live recordings. With this powerful, portable recorderyou can use all eight tracks at once to capture the whole band. When recordingshows, the D888’s in-line mixer and reconfigurable outputs can put you in chargeof the show, or ensure that the house mix is unaffected. Each track is recorded asa separate WAV file, so once you get back home, you can easily move your tracksinto any recording software using the high-speed USB 2.0 port for furtherproduction enhancements.

D3200DIGITAL RECORDING STUDIOHIGH QUALITY RECORDING IN AN EASY-TO-USE FORMATWhen it comes to professional results in a compact, self-contained studio, the D3200 delivers like no other, withuncompromising audio clarity. From musical idea to finished CD, all recording, mixing, editing and processingtakes place right inside and is saved to the internal hard drive. A full suite of editing tools is provided.

> MIC INSThe D888 provides eight balancedXLR and TRS inputs. 48V phantompower is available on all XLRs.

> REAL OR VIRTUALEight virtual tracks exist for eachtrack, making a total of 64. Youcan bounce tracks togetherdigitally and bounce the entire mixdown to the stereo master track.

> PERFECT TIMINGThe metronome can be sent frommaster and monitor outputs, or justthe monitor outs so you can followa click-track during recording orperformance.

> MIXER STYLEThe interface is similar to an analogmixer, where each channel has itsown channel strip, with trim, three-band EQ, effects send and pancontrols.

> COMMUNICATIONTracks can be transferred betweenthe D888 and an editing/recordingenvironment thanks to native WAVformat recording. A high-speedUSB 2.0 connection moves thedata, with the entire hard driveshowing up as a mounted disk onyour desktop. The MIDI outputtransmits MIDI timecode, so otherdevices can sync up to the D888.

> EASY EDITINGNon-destructive editing toolsenable you to copy entire sectionsof the song, swap tracks, or erase.Undo and Redo commands allowyou to hear before and afterversions of edits.

> INDIVIDUAL MODEIn Individual mode, each output isdirectly tied to a particular channel.With the Individual mode off,outputs 1 & 2 become Monitoroutputs, while 3 & 4 serve asMaster outputs.

> SESSION DRUMSKick-start your recordings by layingdown a complete drum track withfills and an ending in real time –with no programming. You can varythe kit, tune the drums, addvariable dynamics and humanizethe feel, all on the fly.

> AUTOMATED DIGITALMIXINGSupports both scene and faderautomation for that perfect mix. Thedigital mixer offers powerful EQs,69-bit digital processing, and up to11 simultaneous effect processors– eight Insert, two Master and aFinal effect.

> DIGITAL CONNECTIVITYAlthough self-contained, the D3200plays well with others. MIDI, USBand S/P DIF optical Ins and Outsare all provided.

> DRIVESWith the built-in CD-RW drive, youcan make your own finished CDsand back up valuable song data.Inside is a 80 GB hard drive forsaving your current projects andrecordings.

Now comes with FREE Cubase LE4 production software! Use yourcomputer to edit, arrange, mix andmaster your recordings with awealth of powerful tools andcutting-edge features.

> EFFECTS SETEleven effects types are provided forthe Master effect. Effects settings arememorized with each song.

> INPUTSThe D3200 is equipped with eightXLR inputs (each with individualphantom power), eight balancedTRS inputs, optical S/P DIF stereoinputs plus a guitar input. Trim andpad controls provide excellent gaincontrol.

> OUTPUTSBoth digital (S/P DIF) and analog(TRS balanced) Master outputs areprovided. The balanced Monitoroutputs have a Mute switch and alevel control, and are great forisolating a click, setting up a cuemix for overdubs, etc.

> DISPLAY / CLICKPOINT™The 320 x 240 pixel backlit LCDtilts for easy viewing, using a fourlevel grayscale for clarity. Thefingertip ClickPoint moves thecursor and selects display itemswith intuitive ease.

> KNOB MATRIXThese 16 multi-function knobsprovide hardware satisfaction whenadjusting EQs, effect parameters,pan, effect sends, using jump ormatch knob behavior. They alsocontrol the Session Drums.

Recording Format: 24-bit/16-bit uncompressed,44.1kHz/48kHzSimultaneous Record Tracks: 14 (12 analog + 2 S/P DIF) @ 16-bit; 12 @ 24-bitSimultaneous Playback Tracks: 32 @ 16-bit; 16 @ 24-bit

MIXERInternal Processing: 64-bit (maximum 69-bit)Automation: 100 Scenes per song (Scene); Dynamic faderautomationEQ:

• Recorder channels 1-24: 4-band parametric with selectablehi/lo shelving

• Recorder channels 25-32: 2-band shelving EQ• Submixer channels 1-12: 2-band shelving EQ• Master track: 4-band parametric with selectable hi/lo

shelving

EFFECTSInternal Processing: 56-bitSimultaneous Effects (max): 8 Insert, 2 Master, FinalPrograms: 128 Preset; 128 User; 32 SongDimensions (W x D X H) in.; Weight: 21.5 x 14.6 x 4.5; 17.2lbs.Options: PS-1 Footswitch; EXP-2 Foot controllerTo find out a whole lot more go to:www.korg.com/D3200


>>36

www.korg.com

PANDORA PX5DTHE FIRST COMPUTER READY PANDORAThe Korg PANDORA series is famous for packing dozens of realistic modeling effects anda multitude of versatile functions into a pocket-sized unit. Now we’re proud to introducethe new PANDORA PX5D multi-effect processor, optimized to work with your computer asa powerful recording tool. The PX5D for guitar and bass is the first in the PANDORAseries to provide a USB audio interface so you can plug directly into your computer.

> THE MAGIC OF MODELSThe PX5D provides a total of 180 realistic and wide-ranging effects created using Korg’s world-acclaimed, proprietary “REMS” modeling technology.Included are simulations that recreate classic vintageand modern, high-gain amps, as well as effectsranging from the familiar to the unique.

> CABINETS TOORealistically reproduced models of many differentcabinets and speakers are also provided, offeringdifferences in speaker size and cabinet structure forsuperb presence and depth. You can even combinecabinets and speakers freely with any amp models,letting you experience combinations not possible onthe original units themselves.

> THE BASS-ICSNumerous effects designed specifically for bass arealso included, making the PX5D a great choice notonly for the guitarist but for the bassist as well.

> SYNTH EFFECTSThere are also synth effects that let you create uniqueand fresh new sounds, with three choices each forguitar and bass.

> SPECIAL EFFECTSThe PX5D goes beyond with features like pickupmodeling, an intelligent pitch shifter, a talk effect, aslow attack effect to simulate a violin or cello, afeedback effect, a rotary speaker effect, a fretlessbass effect and many others.

> USB CONNECTIONA USB-MIDI/USB audio interface is included, so youcan use the PX5D with your computer to transferaudio data or record into your DAW software.

> READY TO RECORDThe PX5D comes with “Ableton Live Lite 6 KorgEdition” recording software, so you can startrecording as soon as you open the box. There’s alsodedicated editor/librarian software that lets you editand manage programs from your computer.

> PHRASE TRAINERThe PXD5 allows you to record up to eighty secondsof sound from an external audio source such as aCD, MD, or MP3, and then play it back as a loop ata different speed, without affecting the pitch.

> RHYTHM AND BASSYou can also record your own accompaniment, alongwith the built-in rhythm and bass patterns, then play itback while you practice playing a lead.

> FEATURES PLUSA Key Transpose function lets you change the pitchof the incoming audio source by as much as oneoctave upward or downward, and a Bass Cancellerfunction cancels the bass sound so that you canenjoy “minus-one” playing.

> HANDS-FREE CONTROLA foot switch jack lets you control the PX5D’s richarray of functionality without interrupting yourperformance. Connect the included foot switch jackcable to the PX5D, and you’ll be able to connect twofoot switches (not included) and use them to changeprograms or start/stop Phrase Trainer recording orplayback.

Effects: 180 types (Max. simultaneouseffects: 7)Number of Programs: User: 100, Preset: 100Inputs: guitar input (1/4" jack), AUX (mini stereo jack)Output: line/headphone dual-purpose output(stereo phone jack) Control: FOOTSW jack, USB connectorTuner Section: detection range:27.5 Hz-2,093 Hz (A0-C7), calibration:A = 438 Hz-445 HzRhythm Section: 128 patterns, 40-208 bpmIncludes: strap holderPower Supply: 2 x AA alkaline batteriesDimensions (W x D x H) in.:4.65 x 2.95 x 0.79Option: AC adapter, KORG PS-1 pedalswitchFind audio files, effects listings and moreinfo at: www.korg.com/px5d

> P

X5D

AT

A G

LAN

CE

GET MORE! WHAT’S NEW WITH THE PX5D:• More live control! Footswitch jack lets you use any common footswitch to select

programs—a first for Pandora.• More effects! Over 20 new effects brings the grand total to 180.• More Recording! With USB audio, your Pandora doubles as a direct recording interface.• More jam tracks! 744 Rhythm and Bass patterns to jam along to. That’s over seven times

more than the PX4D. Plus you can chain up to 20 different patterns together.• More memory! 80 second phrase trainer samples and slows down your favorite tune

without altering the pitch. And if you want to change the key, we’ve got you covered with atranspose feature.

>>37

Dave LaRue learned his first bass line from a drummer. “Just by chance, the bass player walked away, left hisbass, and the drummer showed me a few licks,” he explains. “So I’ve always stayed with the bass and developeda love for it.”

Indeed he did. From that hometown band, a true great has emerged, carrying the low end for some of the mosttechnically proficient rock artists in the industry. He has been touring with the Dixie Dregs and the Steve MorseBand for nearly two decades, and has also worked with Joe Satriani, Dream Theater’s John Petrucci, Steve Vai,Steve Lukather, Vinnie Moore, Planet X, and many more.

LaRue’s influences might provide some clue to where he has acquired his fretboard proficiency. Jaco Pastoriuswas his main “go to” guy. “There was a period where I was really emulating his style, copying everything he did,”Dave says. He also includes Jeff Berlin, John Paul Jones (Led Zeppelin), and Berry Oakley (Allman Brothers),among others.

In the way that he has been affected by his influences, LaRue wishes to do the same for the next generation. Hewrites an instructional column for Bass Player magazine, holds clinics nationally, and even teaches privately in theOrlando area. He has performed and instructed at numerous seminars and released educational materials such asinstructional videos and bass method books.

On stage and in the studio, LaRue is constantly on his toes and adapting his style to play with the virtuosos aroundhim. “I’ve just seen so much wonderful music, and gotten so many great ideas from these guys” says Dave.Sometimes that means creating new parts and emulating other instruments, pushing himself and his technicalability to new levels. When he’s practicing, Dave uses the Pandora PX5D Personal Multi-Effect Processor, and hasbeen a Pandora user for many years. “The wealth of sounds is great and it’s all in one compact unit,” he explains.“I was able to get rid of four pieces of gear by getting the Pandora! I just have my Pandora and my MP3 playerand I’m good to go.”

The new Pandora PX5D also offers USB compatibility to act as its own audio interface into computers. “I’ll be ableto get rid of another piece of gear!” exclaims LaRue, who is especially a fan of theunit’s effects, including the reverbs, choruses, and phasers. “The delay is great forsoloing,” he adds.

Dave is once again providing thump for Steve Morse on a yet-to-be-namedupcoming record, and is working on his second solo album at home.

Check out some more of Dave at www.davelarue.com, and get more info onthe Dixie Dregs and the Steve Morse Band at www.stevemorse.com!

DAVE LARUE – BASS OUTTA THE BOXBy Brinton Ewart and Evan O’Brien

Hear more of what Dave and otherPandora artists have to say atwww.korg.com/px5d

Pho

to: M

iki N

agae

Pho

to b

y M

iki N

agae

ACTUAL SIZE


>>39>>38

www.korg.com

> With numerous effects ranging fromstandards such as compressor, limiter, echo,delay, reverb, and chorus, throughdistinctive effects such as a twelve-stringeffect, the PX4A even includes Mic effectsthat simulate the sense of space and depthachieved by mic’ing an instrument.

PANDORA PX4DPERSONAL MULTI-EFFECT PROCESSORTHE ULTIMATE PRACTICE TOOL FOR GUITARAND BASSPacked with authentic amp models, a wealth of effects, rhythms, bass patterns and a phrasetrainer, the PDX4 provides an array of advanced sonic tools for practice, performance andrecording, all in one compact, easy to operate unit. From high-end tube amps to rare vintageamps and classic favorites, the PX4D’s 25 amp types faithfully model the amp sounds thatguitarists and bassists seek. Each of the 23 speaker cabinet models was newly createdespecially for the PX4D. The permutations are limitless — you can even combine a guitaramp with a bass cabinet.

AX3000BBASS MODELING SIGNAL PROCESSORThe AX3000B packs 72 types of amp models and effect sounds created specifically for bass deliveredby Korg’s world-acclaimed REMS modeling technology. You’ll find unique effects such as a two-octavepitch shifter, a fretless effect, and even a bass synth effect. The AX3000B’s bass-specific 16 drive/ampmodels include fat-sounding tube sounds, ultra-low bottom-end, clean sounds, and many more.

AX3000GMODELING SIGNAL PROCESSOREvery guitarist craves a better way to satisfy his hunger for ultimate toneand control. Packed with a treasure trove of tone and a unique ExpressionStep Sequencer, the AX3000G satiates that need with a powerful multi-effect processor with amazing control.amp with a bass cabinet.

PANDORAPX4AACOUSTIC PERSONALMULTI-EFFECT PROCESSOROPTIMIZED FOR ACOUSTICCreated especially for electric-acoustic players, the PX4Acontains 82 effects including Body effects that model theresonances and vibrational character of great acousticguitars. Aspects such as guitar construction and body sizeare modeled in painstaking detail. The PX4A’s effectsinclude models for resonator guitar, a newly developedbanjo and nylon-string guitar — you can play a wide varietyof acoustic sounds using just a single instrument.

> MASSIVE EFFECTSIn addition to standards such ascompressor and wah, there arenumerous modeling effects, plus pickupmodeling, guitar and bass synths, slowattack effect, feedback effect, fretlessbass and much more.

> SUPERB VISIBILITYA backlit, semitransparent LCD clearlydisplays effect and program names andicons. A strap holder is also provided sothat you can attach it directly to yourinstrument strap.

> MULTIPLE PROGRAMSUtilize the PX4D’s effects to the fullestwith the generous 100 preset and 100user programs.

> LEARN PHRASESRecord up to 30 seconds from an audiosource such as a CD, MD or MP3, andplay it back repeatedly (looped) at aslower speed without changing the pitchwith the built-in phrase trainer.

> BUILT IN PATTERNSThe 100 built-in rhythm patterns cover abroad range of styles that include rock,jazz, funk, blues and dance music.

> THE BASS-ICSThe PX4D also contains a BassCanceller function that erases the basssound from an external audio source sothat you can play and hear your bassalong with the song.

> PLAY ALONGConnect a CD player or another externalaudio source to the AUX IN jack, and usethe Key Transpose function to change thepitch of the song upward or downward byas much as one octave.

Effects: 158 types (Max. simultaneous effects: 7)Number of Programs: User: 100, Preset: 100Inputs: guitar input (1/4" jack), AUX (mini stereo jack)Output: line/headphone dual-purpose output (stereo phone jack)Tuner Section: detection range: 27.5 Hz-2,093 Hz (A0-C7),calibration: A = 438 Hz-445 HzRhythm Section: 40-208 bpmIncludes: strap holderPower Supply: 4 x AAA alkaline batteriesDimensions (W x D x H) in.: 2.99 x 4.41 x 1.06Option: AC adapterFind audio files, effects listings and more info at:www.korg.com/px4d>

PX4

D A

TA

GLA

NC

E

Number of Drive/Amp Types: 16Number of Cabinet Types: 11Number of Effects: Pedal: 11, Modulation: 11, Delay: 11, Reverb: 11, Noise Reduction: 1Number of Programs: 96 (24 Banks x 4 Channels)Audio Inputs: INPUT (1/4" phone jack), INSERT RETURN (1/4" phonejack), AUX IN (stereo mini-jack)Audio Output: OUTPUT x 2 (1/4" phone jacks), INSERT SEND (1/4"phone jack), PHONES (stereo mini-jack), LEVEL Knob (adjusts OUTPUTand PHONE), S/P DIF OUT (16-bit, 44.1 kHz optical connector(IEC60958, EIAJ CP-1201))Tuner: Tuning Range: A0~C7 (27.5 Hz~2093 Hz),Tuner Calibration: A = 438 Hz~445 HzMIDI: IN, OUTPower Supply: DC9VDimensions (W x D x H) in.: 19.69 x 9.49 x 2.83Included Items: AC adapterFind audio files, video demos, effects listings and more info at:www.korg.com/ax3000G

> A

X30

00

G A

TA

GLA

NC

E

Drive/Amp Types: 16Cabinet Types: 11Effects: Pedal: 11, Modulation: 11, Delay: 11, Reverb: 11, Noise Reduction: 1Programs: 96 (24 Banks x 4 Channels)Audio Inputs: INPUT (1/4"), INSERTRETURN (1/4"), AUX IN (stereo mini-jack)Audio Output: OUTPUT x 2 (1/4"), INSERTSEND (1/4"), PHONES (stereo mini-jack),LEVEL Knob, S/P DIF OUT (16-bit, 44.1 kHzoptical connector)Built-in tunerMIDI: IN, OUTDimensions (W x D x H) in.: 19.7 x 9.5 x 2.8Included: AC adapterFind audio files, video demos, effectslistings at:www.korg.com/AX3000B>

AX

300

0B

AT

A G

LAN

CEEffects: 82 types (Max.

simultaneous effects: 8)Number of Programs: User: 50,Preset: 50Inputs: guitar input (1/4" jack), AUX(mini stereo jack)Output: line/headphone dual-purpose output (stereophone jack)Built-in TunerRhythm Section: 40-208 bpmPower Supply: 4x AAA alkalinebatteries

> PX

4A

AT

A G

LAN

CE

> AMP MODELS GALOREThe AX3000G packs 72 types ofamp models and effect soundsdelivered by Korg’s world-acclaimed REMS modelingtechnology.

> ESS ITAdd some amazingly cool, complexmovement to your sound with theunique Expression Step Sequencer(ESS). It automatically controlsmost effect parameters in a fixed orrandom step function.

> EVEN MORE EFFECTS!The AX3000G includes some funkyeffects like synth effects that modela guitar synthesizer, an acousticeffect to transform your electricguitar into an electro-acoustic, orPickup Modeling to transform thetonal character of your pickups.

> SWITCHABLE CONTROLA multi-function control switch canbe used to switch effects blocks onor off, set effect perameters orcontrol ESS.

> EASY TO USE, TOOSelect an effect model just byturning the effect select knobsprovided for each effect block. Editeach individual effect simply byturning the knobs of the familiar,analogue-style user interface.

> SWITCHABLE CONTROLA multi-function control switch canbe used to switch effects blocks onor off, set effect parameters orcontrol ESS.

> EXPRESSIVE POWERUse the assignable expression pedalto control volume or wah, or tons ofother effects that you select.


>>41>>40

www.korg.com

AX5GMODELING SIGNALPROCESSORLooking for just the right sound? Check out theAX5G multi-effect processor. This on-the-floor,footswitchable unit contains an array of realisticeffects powered by Korg’s proprietary REMSmodeling technology. Want a studio’s worth ofgreat amps, cabinets, modulation, and delay/reverbeffects and more? An ideal choice for quickrehearsals, warmups or even to help pass the timewhile traveling in the van – with the AX5G you canenjoy great sound wherever you are.

AX5BBASS MODELINGSIGNALPROCESSORThe great-sounding, compact and affordableAX5B is designed specifically for bass, with57 of its own specially modeled effects.Sixteen famous bass amp sounds rangefrom vintage to standard models, and everydetail of each original amp has beenfaithfully recreated. All the essential effects,plus a collection of unique bass must havesare included. The AX5B also has a built-inexpression pedal.

> MORE MODELSPacked with 57 differentrealistic modeled effects, theAX5G offers 16 models of avariety of highly coveted ampsincluding hard-to-find tubeamps, boutique, as well asclassic and modern amps.

> 80 PROGRAMSUse up to six REMS effectssimultaneously, and save yoursettings as one of 40 differentprograms. Forty presetprograms in a wide range ofmusical styles are alsoprovided, giving you a total of80 programs.

> OF COURSE, EFFECTSChoose from standard effectslike comp, wah, delay, reverb,and acoustic simulator, aswell as unique choices suchas a pickup effect or a droneeffect that simulates thesympathetic strings of a sitar.

> LIMITLESSEXPRESSIONThe AX5G’s expression pedallets you control volume, wah,or nearly any effect parametersuch as the gain of an ampmodel or the speed of atremolo or flanger.

> FLEXIBLE EDITINGWith a simple and intuitiveinterface, getting the perfectsound is quick and easy.Suitable values areautomatically selected whenyou choose an amp or effect,and there are a wide varietyof editable parameters thatrival those found on dedicatedunits.

> SPEEDY CONTROLThe Quick Assign functionlets you assign an effectparameter at one touch andadjust the variable rangeyourself for maximumflexibility.

> CABINETS, TOO!Ten cabinet models rangingfrom 4x12 stack cabinets tocombo cabinets are eachrealistically reproduced withtheir own distinctive soniccharacter.

> KNOBS HELPThe most frequently usedmain parameters areaccessible directly via theknobs. Numerous sub-parameters are also providedso that you can adjust thedetails of the sound to yourtaste.

> AUTO CHROMATICTUNERAn Auto Chromatic Tuner isincluded, so in addition tohaving great tone you’llalways be in tune.

AX5G AT A GLANCENumber of Effects: 57 (Pre effects: 10, Drive/Ampmodels: 16, Cabinet models: 10, Modulation effects: 10,Delay effects: 5, Reverb effects: 5, and Noise Reduction)Number of Programs: 80 (40 users / 40 presets)Connections: INPUT (1/4" phone jack), OUTPUT (1/4"stereo phone jack)Signal Processing: A/D, D/A conversion: 24 bit, samplingfrequency: 31.25 kHzTuner Function: Detection Range: 27.5 Hz~1,318.5 Hz(A0~E6), Calibration: A = 438~445 HzPower Supply: Four alkaline AA batteriesDimensions (W x D x H) in.: 9.88 x 5.59 x 1.69Options: EXP-2 Foot Controller, XVP-10Expression/Volume Pedal, DC9V AC adapterFind audio files, effects listings and more info at:www.korg.com/AX5G

Effects: 57Programs: 80 (40 users / 40 presets)Connections: INPUT (1/4"), OUTPUT(1/4" stereo)Signal Processing: A/D, D/A conversion:24 bit, Sampling frequency: 31.25 kHzBuilt-in tunerPower Supply: Four alkaline AA batteriesDimensions (W x D x H) in.: 9.9 x 5.6 x1.7Options: EXP-2 Foot Controller, XVP-10Expression/Volume Pedal, DC9V ACadapterRead and hear more at:www.korg.com/AX5BA

X5B

AT

A G

LAN

CE

Wanna polish your chops with tips from top players? Check out Korg ProSessions. This FREE series of metronome-based instructional videos features world renowned artists like John Petrucci, Joe Satriani, John Scofield, JordanRudess, Jake Cinninger of Umphrey’s McGee, Jesse Murphy and Aaron Johnston of Brazilian Girls, Béla Fleck, VictorWooten and many more.

Each ProSession features metronome practice tips for all levels of playing including beginner, intermediate andadvanced exercises demonstrated by the artists themselves. Plus, we’ve posted notation and tablature for the lessons,so you can have all the tools to make the most of each session.

Check out Korg ProSessions at www.korg.com/ProSessions. You can even sign up to find out when the nextProSession goes live.

> BROUGHT TO YOU BY KORG METRONOMESP

hoto

: Pau

l Und

ersi

nger

Pho

to: B

rett

Sau

l

Pho

to: E

rik N

eldn

er

Pho

to: L

arry

DiM

arzi

o

Pho

to: N

ick

Sut

tle


3yearyearyearyearwarrantywarranty

>>43>>42

www.korg.com

GUITAR AND BASS TUNERS

PITCHBLACK+ADVANCED CHROMATIC PEDAL TUNERTwo selectable inputs for guitar or bass • Dual meter “Focus Mode”offers ultra-precise tuning within +/- 0.1 cent • 5 programmable tunings• 5 open tunings (A-G-E-D, DADGAD) • 100% true bypass circuitry • Choose from 6 tuning modes: Full Strobe, Half Strobe, Meter, Mirror,Focus Mode 1 and Focus Mode 2 • Flat tuning down to 7 semi-tones • Includes cascade cable for powering other 9 volt pedals • Range ofpitch detection: E0-C8 • Battery life: approximately 5 hours • Dimensions (W x D x H) in.: 5.12 x 4.8 x 1.9 (including feet)

GA-40 ADVANCED SOLO TUNERLarger, higher visibility display ensures stable tuning • Output jack forconnection to an external amplifier • Built-in folding stand for easy viewing• Tune seven-string guitars and six-string basses • Flat tuning down to 5semi-tones • Reference tone can be produced from the internal speaker(Sound Out) • Auto Power Off function conserves battery life • Built-inhigh-sensitivity microphone for tuning acoustic guitars • Range of pitchdetection: B0-B6 • Battery life: approximately 85 hours of continuous use• Dimensions (W x D x H) in.: 3.94 x 2.64 x 0.67

PITCHJACKPLUG-IN TUNERPlug directly into yourguitar or bass • Built-inflashlight • Connects to akeychain ring • Flat tuningdown to 7 semi-tones • Tune seven-string guitarsand six-string basses • Range of pitch detection:B0-B6 • Dimensions (W x D x H) in.:1.22 x 5.39(open) x 1.1 GA-30

SOLO TUNERHigh-precision LCD needle-type meter for easy tuning • Flat tuningdown to 5 semi-tones • Tune seven-string guitars and six-string basses• Reference tone can be produced from the internal speaker (SoundOut) • Convenient tilt slit lets you insert a plastic card for use as astand • Auto Power Off function conserves battery life • Built-in high-sensitivity microphone for tuning acoustic guitars • Range of pitchdetection: B0-B6 • Battery life: approximately 100 hours of continuoususe • Dimensions (W x D x H) in.: 4.1 x 2.52 x 0.6

GT-120 STUDIO PRO TUNER

Dual display combines a needle indicator and backlit LCD • Fivetypes of built-in open tunings (D, E, A, G, DADGAD) • Tune

seven-string guitars and six-string basses • Auto or Manualtuning modes • Reference tone can be produced from the

internal speaker (Sound Out) • Flat tuning down to 4 semi-tones • Durable suede-type soft case is included • Built-

in high-sensitivity microphone for tuning acoustic guitars • Range of pitch detection: A0-C8 • Battery life:

approximately 100 hours of continuous use • Dimensions (W x D x H) in.: 2.91 x 1.42 x 4.72

DT-7 BUZZ FEITEN GUITAR AND BASS TUNERTwo types of tuning modes: Buzz Feiten or Chromatic • LargeLED meter and seven-segment note display • Buffer amp betweenthe INPUT and BYPASS jack eliminates tone loss • Tune seven-string guitars and six-string basses • Reference tone can beproduced from the internal speaker (Sound Out) • Built-in high-sensitivity microphone for tuning nylon or steel acoustic guitars • Range of pitch detection: A0-B7 • Battery life: approximately 12hours of continuous use • Dimensions (W x D x H) in.: 6.65 x2.48 x 1.71

NewNew

New

GT-4 SOLO TRIMODE TUNERA compact and unique high-performance dedicatedguitar/bass tuner • Threetypes of tuning modes:Strobe, Mirror, and Meter • Flat tuning down to 5semi-tones • Tune seven-string guitars and six-stringbasses • Auto Power Offfunction conserves batterylife • Built-in high-sensitivitymicrophone for tuningacoustic guitars • Range ofpitch detection: B0-B6 • Battery life: approximately18 hours of continuous use• Dimensions (W x D x H)in.: 2.40 x 2.56 x 0.87

> FIND THE TUNER THAT’S RIGHT FOR YOU AT WWW.KORG.COM/MYTUNER 3yearyearyearyear

warrantywarranty

> FIND THE TUNER THAT’S RIGHT FOR YOU AT WWW.KORG.COM/MYTUNER

PITCHBLACKCHROMATIC PEDALTUNER100% true bypass circuitry • Four types of tuning modes:Full Strobe, Half Strobe, Meterand Mirror • Flat tuning down to5 semi-tones • 11 point LEDdisplay • DC out powers other 9volt pedals • Range of pitchdetection: E0-C8 • Battery life:approximately 5 hours ofcontinuous use • Dimensions (Wx D x H) in.: 2.67 x 4.72 x 1.85

> FIND THE TUNER THAT’S RIGHT FOR YOU AT WWW.KORG.COM/MYTUNER> FIND THE TUNER THAT’S RIGHT FOR YOU

AT WWW.KORG.COM/MYTUNERProducts not shown in relative size.




warrantywarranty


>>45>>44

www.korg.com

DTR-1000 Chromatic tuner with large LED meter • Mute button for silent tuning during aperformance • Flat tuning down to 7 semi-tones • Front and rear input jacks• Two types of tuning modes: Cent and Strobe • Adjustable calibration:Manual/Auto • Easy to read note name display • Range of pitch detection:A0-C8 • Dimensions (W x D x H) in.: 18.94 x 4.45 x 1.81

DTR-2000 Strobe, Cent and Hertz tuning modes • Chromatic, guitar (six-string, seven-string)/bass and open modes • Five types of built-in open tunings (D, E, A, G,DADGAD) • Flat tuning down to 7 semi-tones • Mute button for silent tuningduring a performance • Two sets of inputs • Built-in light illuminates rack-mounted equipment below • Reference tone can be produced from the soundjack • Built-in high-sensitivity microphone for tuning acoustic guitars • Range ofpitch detection: A0-C8 • Dimensions (W x D x H) in.: 18.94 x 4.45 x 1.81

STAGE PRO RACK TUNERS

MULTI-INSTRUMENT TUNERS

CA-30 SOLO TUNERCompact chromatic tuner, ideal for band & orchestra instruments •High-precision LCD needle-type meter ensures stable tuning • Marksprovided for pure major thirds and minor thirds • Reference tone can beproduced from the internal speaker (Sound Out) • Built-in high-sensitivity microphone for tuning acoustic instruments • Adjustablecalibration: 410 Hz~480 Hz • Range of pitch detection: C1-C8 •Battery life: approximately 100 hours of continuous use • Dimensions(W x D x H) in.: 4.1 x 2.52 x 0.6

CA-40 ADVANCED SOLO TUNERA compact chromatic tuner, ideal for use with band & orchestralinstruments • Larger and more easily readable high-precision LCDneedle-style meter • Reference tone can be produced from the internalspeaker (Sound Out) • Equipped with output jack & folding stand • Auto Power Off function conserves battery life • Built-in high-sensitivity microphone for tuning acoustic instruments • Adjustablecalibration: 410 Hz~480 Hz • Range of pitch detection: A0~C8 • Batterylife: approximately 85 hours of continuous use • Dimensions (W x D x H)in.: 3.94 x 2.64 x 0.67

DT-4 SOLO TRIMODE TUNERA compact and unique high-performancechromatic tuner • Three types of tuningmodes: Strobe, Meter and Mirror • Built-inhigh-sensitivity microphone for tuning acousticinstruments • Adjustable calibration: 410Hz~480 Hz • Range of pitch detection: A0~C8• Battery life: approximately 18 hours ofcontinuous use • Dimensions (W x D x H) in.:2.40 x 2.56 x 0.87

OT-120 STUDIO PRO TUNER

Dual chromatic tuner displaycombines a needle indicator and

backlit LCD • Sound Back™mode plays a reference pitch

for the note that’s closest tothe input pitch. The meter

indicates the discrepancybetween the input and

the correct pitch • Choose from three

levels of needleresponse speed

(slow, mediumand fast) •

Transposemode is

convenient for windinstruments • Multiple

Temperaments to supporthistorical tunings • Both auto and manual

tuning modes are provided • Reference tonecan be produced from the internal speaker (Sound

Out) • Durable suede-type soft case is included • Built-inhigh-sensitivity microphone for tuning acoustic instruments• Adjustable calibration: 349 Hz~499 Hz • Range of pitchdetection: A0-C8 • Battery life: approximately 100 hoursof continuous use • Dimensions (W x D x H) in.: 2.91 x1.42 x 4.72

TM-40 COMBO TUNER METRONOMEChromatic tuner and metronome functions can be used simultaneously orindependently • Large LCD-type needle meter • LED indicators show pitchdeviation or blink to indicate the tempo • Pure major third and minor thirdinterval markings • Reference tone can be produced from the internalspeaker (Sound Out) • Metronome beat mode with adjustable tempo andtime signature selections • Thirteen rhythm variations for practicing a widerange of styles • Two tempo adjustment modes: “full step” and “pendulumstep” • Built-in high-sensitivity mic for tuning acoustic instruments •Adjustable calibration: 410 Hz~480 Hz • Range of pitch detection: C1-C8 • Battery life: (tuner) approximately 70 hours, (metronome) approximately 50hours of continuous use • Dimensions (W x D x H) in.: 4.45 x 3.03 x 0.71

LCA-120 WIDESCREEN PRO TUNER WITH FOCUS TUNE™Focus Tune™ function allows for even more precise tuning • Volume Metervisually displays the volume of a performance • Sound Back™ mode playsthe reference pitch for the note closest to the input pitch. The meter alsoindicates the discrepancy between the input and the correct pitch • Programmable Temperament lets you specify the pitch for each note • Reference tone can be produced from the internal speaker (Sound Out) • Marks to indicate pure major third and minor third intervals • Flip top designprotects LCD display • Built-in high-sensitivity microphone for tuning acousticinstruments • Adjustable calibration: 410 Hz~480 Hz • Range of pitch detection:A0~C8 • Battery life: approximately 60 hours of continuous use • Dimensions: (W x D xH) in.: 3.98 x 3.31 x 0.81 (folded)


AT WWW.KORG.COM/MYTUNER Products not shown in relative size.




warrantywarranty



AT WWW.KORG.COM/MYTUNER

>>47>>46

www.korg.com

MM-1 MICRO METRONOMEDigital accuracy for complete rhythmtraining • Fits comfortably on your ear.Only the user can hear it. • 1/4, 2/4,3/4, 4/4, 5/4, 6/4, 7/4 time signatures,plus duplet, triplet and quadrupletbeats • Hook for attachment to akeychain • Tempo range: 40-208 BPM• Battery life: approximately 500 hoursof continuous use • Dimensions (W xD x H) in.: 0.64 x 1.83 x 0.66

MM-2PERSONAL METRONOME39 tempo steps in a 40-208 bpm range • 0,2,3,4,5,6,7 beats,8th notes, triplets, 16th notes • +/-2% accuracy • Easy-to-adjustvolume control • Piezo electric speaker • Ear hook comfortablyfits either ear • Two interchangeable color caps • Tempo range:40-208 BPM • Battery life: approximately 100 hours ofcontinuous use • Dimensions (W x D x H) in.: 3.0 x 0.94 x 1.97

CM-100L CONTACT MICROPHONEThe CM-100L Contact Microphone is a perfectcomplement to any tuner that offers a 1/4" inputjack. The mic can be positioned on just about anyinstrument to get a more accurate reading, whileallowing the tuner to be positioned for easierreading. The jack is a right angled 1/4" maleconnector.

AW-1 CLIP-ON TUNERUltra-lightweight chromatic tuner attaches to virtually anyinstrument • Tune using the Piezo pickup or the built-inmicrophone • Marks to indicate pure major third and minorthird intervals • Meter Reverse function lets you invert thedisplay for easy viewing • Two clip sizes (Large/Small)are included for various types of instruments •Adjustable calibration: 410 Hz~480 Hz • Range ofpitch detection: A0-C8 • Battery life:approximately 20 hours of continuous use •Dimensions (W x D x H) in.: 0.98 x 2.17 x 0.35

METRONOMES ANDPERCUSSION TRAINERS

ACTUAL SIZE

ACTUAL SIZE

KDM-2BAND & ORCHESTRA METRONOMECylindrical resonator speaker offers high volume for usewith multiple instruments • Three different PCM beatsounds (Cowbell, Agogo & Clave) • An LED providesvisual reinforcement of the tempo • A total of 19 beatpatterns cover your practicing needs for diverse musicalstyles • Tap Tempo function lets you set the desiredtempo • Reference tone can be produced from theinternal speaker for tuning • TEMPO/CALIB dial andswitch provide quick access to the desired setting orfunction • A large LCD screen makes settings easy tosee • Tempo range: 30-252 BPM • Battery life:approximately 120 hours of continuous use •Dimensions (W x D x H) in.: 4.17 x 1.91 x 4.19

MA-30 SOLO METRONOMEThirteen different beats and rhythms are built-in • Rhythms include duplets,triplets, triplets with inner beats omitted, quadruplets, and quadruplets withinner beats omitted • Headphone jack with adjustable volume • Tap Tempofunction lets you set the desired tempo • Reference tone can be producedfrom the internal speaker for tuning • Adjustable calibration: 438-445 Hz •Tempo range: 40-208 BPM • Battery life: approximately 250 hours ofcontinuous use • Dimensions (W x D x H) in.: 4.09 x 2.52 x 0.59

BEATLAB PERCUSSIONIST’S RHYTHM TRAINING

METRONOMETrain with 39 basic rudiments including roll, paradiddle, flam,

and ruff • Accent sliders add rhythmic variations to practiceany style • Sound and LED indicators for left and right hand

sticking • Supports triplets and complex rhythms such as five tonine notes per beat • 24 programmable patterns allows creations of

tempos, beats, and rhythms • Chain mode lets you link eight programs,each containing up to sixteen bars • Tap Tempo function lets you set the desired

tempo • Headphone jack with adjustable volume • Backlit display for excellentvisibility • Tempo range: 30-300 BPM • Battery operation (four AAA alkaline batteries)or optional AC adapter • Dimensions (W x D x H) in.: 5.59 x 4.09 x 1.10

LMA-120 WIDESCREEN PRO METRONOME“Virtual Conductor” mimics a conductor’s baton • The timer/stopwatchfunction lets you time your practice sessions up to 99 minutes • Tendifferent beats and six different rhythms can be combined • Tapfunction lets you set the desired tempo • Choose from two types oftempo steps: “Pendulum” or “Full” • Reference tone can beproduced to tune your instrument • Flip top design protectsLCD display • Calibration range: 410 Hz~480 Hz •Tempo range: 30-252 BPM • Battery life:approximately 90 hours of continuous use •Dimensions (W x D x H) in.: 3.98 x 3.31 x 0.81 (folded)

Products not shown in relative size.


proview 30

Documents