proceedings of the 2002 international computer … of the 2002 international computer music...

Proceedings of the 2002International Computer Music Conference

Organized by

The School of Music and Music Education, Goteborg University, andInnovative Design, Chalmers University of Technology

in cooperation with

The International Computer Music Association

16 - 21 September 2002

Goteborg, Sweden

Organizing Committee:Magnus Eldenius, Per Anders Nilsson, Mats Nordahl

Proceedings Editor: Mats Nordahl

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Table of Contents

Greetings from the ICMC 2002 General Coordinator iiiGreetings from the Principal of the School of Music ivGreetings from the President of the ICMA vICMA Officers viiICMA Board of Directors 2001 -2002 viiICMC 2002 Staff and Sponsors viiiICMC 2002 Music Selection Panel xICMC 2002 Paper Reading Panel xICMC 2002 Paper Selection Panel xiAbout the Paper Selection Process xiPrevious Conferences xii

Paper Schedule

Tuesday, September 17, 2002

PAPER SESSION 1 - Physical Modeling 1

9.00-9.20 1Takafumi Hikichi, Naotoshi Osaka, Fumitada ItakuraA Physical Model of the Sho and Its Application to Articulation Synthesis

9.20-9.40 5Ken-Ichi Sakakibara, Hiroshi Imagawa, Seiji Niimi, Naotoshi OsakaSynthesis of the Laryngeal Source of Throat Singing Using a 2x2-Mass Model

9.40-10.10 9Gary P. ScavoneTime-Domain Synthesis of Conical Bore Instrument Sounds

PAPER SESSION 2 - Cognition and Analysis 1

9.00-9.20 16Vincent Tsui, W. James MacLeanHarmonic Analysis Using Neural Networks

9.20-9.50 20Olivier LartillotMusical Analysis by Computer Following Cognitive Model of Induction of Analogies

XIII

9.50-10.20 28Roger B. DannenbergListening to "Naima": An Automated Structural Analysis of Music from Recorded Audioautomatic listening

DEMONSTRATION SESSION 1

9.00-9.40 35V. Gal, C. Le Prado, J. B. Merland, S. Natkin, L. VegaProcesses and Tools Used in the Sound Design for Computer Games

9.40-10.20 41Ambrose FieldThe Implications of 5.1 and 7.1 commercial surround sound formats for computer musicsound design: an environmental approach to aestethics and practical techniques


10.40-11.00 45Julian Bensa, Stefan Bilbao, Richard Kronland-Martinet, Julius O. Smith IIIFrom the Physics of Piano Strings to Digital Waveguides

11.00-11.20 49Georg Essl, Perry R. CookBanded Waveguides on Circular Topologies and of Beating Modes: Tibetan SingingBowls and Glass Harmonicas

11.20-11.40 53Patricio de la Cuadra, Christophe Vergez, Rene CausseUse of Physical-Model Synthesis for Developing Experimental Techniques inEthnomusicology: The Case of the Ouldeme Flute

11.40-12.00 57Stefania Serafin, Patty Huang, Selvi Ystad, Chris Chafe, Julius O. Smith IIIAnalysis and synthesis of unusual friction-driven musical instruments

PAPER SESSION 4 - Cognition and Analysis 2

10.40-11.00 61Kenji Suzuki, Yoichiro Taki, Hisaki Konagaya, Pitoyo Hartono, Shuji HashimotoMachine Listening for Autonomous Musical Performance Systems

11.00-11.30 65Belinda Thorn, Christian Spevak, Karin HothkerMelodic Segmentation: Evaluating the Performance of Algorithms and Human Experts

XIV

11.30-12.00 73Kalev TiitsOn SOM Based Time-Series Analysis and Motivation of Generic Methods of MusicalPattern Recognition


10.40-11.20 77Mara HelmuthStochGran on OSX

11.20-12.00 79Ivica Ico BukvicRTMix - a Real-Time Interactive Electroacoustic Music: Performance, Composition andCoaching Interface

PAPER SESSION 5 - Interactive Systems 1

14.30-14.50 83Mark Feldmeier, Joseph A. Paradiso, Mateusz MalinowskiLarge Group Musical Interaction using Disposable Wireless Motion Sensors

14.50-15.10 88Farhan Mohamed, Sidney FelsKEYed User Interface: Tools for Expressive Music Production

15.10-15.40 92Gilles Dubost, Atau TanakaA Wireless, Network-Based Biosensor Interface for Music

PAPER SESSION 6 - Synthesis 1

14.30-14.50 96Georgios Marentakis, Kristoffer JensenSinusoidal Synthesis Optimization

14.50-15.10 100Pierre Hanna, Myriam Desainte-CatherineDetection of Sinusoidal Components in Sounds using Statistical Analysis of IntensityFluctuations

15.10-15.40 104Sergio Canazza, Giovanni De Poli, Gian Antonio Mian, Alessandro ScarpaComparison of Different Audio Restoration Methods Based on Frequency and TimeDomains with Applications on Electronic Music Repertoire

XV


16.00-16.20 110Rodney Berry, Makoto TadenumaAugmented Reality for Music

16.20-16.40 114Stuart Rimell, David M. Howard, Andy M. Tyrrell, Ross Kirk, Andy HuntCymatic: Restoring the Physical Manifestation of Digital Sound using Haptic Interfaces toControl a New Computer Based Musical Instrument.

16.40-17.00 118Lonny L. ChuUsing Haptics for Digital Audio Navigation


16.00-16.20 122Alex RobelEstimating partial frequency and frequency slope using reassignment operators

16.20-16.40 126Spectral Envelope Correction for Real-Time Transposition: Proposal of a "Floating-Formant" MethodRichard Dudas

16.40-17.10 130William J. DeMeoCharacterizing Musical Signals with Wigner-Ville Interferences

Wednesday, September 18,2002

PAPER SESSION 9 - Languages and Systems 1

9.00-9.20 138Fernando Lopez-LezcanoThe Planet CCRMA Software Collection

9.20-9.40 142Mikael Laurson, Mika KuuskankarePWGL: A Novel Visual Language based on Common Lisp, CLOS and OpenGL

9.40-10.10 146Andreas MahlingMusicTalk: A Tool Driven Approach to Computer Aided Composition

XVI

PAPER SESSION 10 - Algorithmic Composition 1

9.00-9.20 152Torsten AndersA Wizard's Aid: Efficient Music Constraint Programming with Oz

9.20-9.50 156Moreno Andreatta, Carlos Agon, Emmanuel AmiotTiling Problems in Music Composition: Theory and Implementation.

9.50-10.20 164Camilo Rueda, Frank ValenciaProving Musical Properties Using a Temporal Concurrent Constraint Calculus


9.00-9.40 172Phil Burk, Larry Polansky , douglas repetto, Daniel Rockmore, Mary Lee RobertsDescription of an interactive, sound making, online computer music tutorial web book.Available for any browser on a Windows or Apple platform.

9.40-10.20 177George Tzanetakis, Andreye Ermolinskyi, Perry CookBeyond the Query-by-Example Paradigm: New Query Interfacesfor Music Information Retrieval


10.40-11.00 184Miller PucketteUsing Pd as a Score Language

11.00-11.20 188Naotoshi Osaka & Ken-Ichi SakakibaraThe Sound Synthesis System "O'kinshi": its Data Structure and Graphical User Interface

11.20-11.40 192David TopperGAIA: Graphical Audio Interface Application

11.40-12.00 196Gary P. ScavoneRtAudio: A Cross-Platform C++ Class for Realtime Audio Input/Output

XVII


10.40-11.00Ian Whalley 200Towards a Closed System Automated Composition Engine:Linking 'Kansei' and Musical Language Recombinicity

11.00-11.30 205Paul DoornbuschA Brief Survey of Mapping in Algorithmic Composition

11.30-12.00 211Francois PachetThe Continuator: Musical Interaction With Style


9.00-9.40 219Carr Wilkerson, Stefania Serafin, Carmen NgPhysical Model Synthesis and Performance Mappings of Bowl Resonators

9.40-10.20 222Federico Avanzini, Mattias Rath, Davide RochessoPhysically Based Realtime Synthesis of Contact Sounds

PAPER SESSION 13 - Pedagogical Aspects 1

14.30-14.50 228Erica Schattle, Mary SimoniCollaboration Software for Music Analysis: A Case Study

14.50-15.10 232Yuichi Yoshida, Yasunori Yamagishi, Kazuki Kanamori, Naoki Saiwaki, Shogo NishidaThe Musical Session System with the Visual Interface

15.10-15.40 236Carola BoehmBetween Technology and Creativity:Challenges and Opportunities for Music Technology in Higher Education

PAPER SESSION 14 - Spatial Sound and Acoustics 1

14.30-14.50 244Shahrokh Yadegari, F. Richard Moore, Harry Castle, Anthony Burr, Ted ApelReal-Time Implementation of a General Model for Spatial Processing of Sounds

XVIII

14.50-15.10 248Felipe Otondo, Jens Holger RindelNew Method for the Directional Representation of Musical Instruments in Auralizations

15.10-15.40 252Tor HalmrastCombfilters and Coloration in Music

PAPER SESSION 15 - Score Following 1

16.00-16.20 258Tristan Jehan, Tod Machover, Mike FabioSparkler: An Audio-Driven Interactive Live Computer Performance for SymphonyOrchestra

16.20-16.40 262Bryan Pardo & William BirminghamImproved Score Following for Acoustic Performances

16.40-17.00 266Ozgur Izmirli, Rob Seward, Noel ZahlerCompositional Imperatives for Implementing an audio Alignment Program in MAX/MSP

PAPER SESSION 16 - Sonification 1

16.00-16.20 270Bob L. SturmWater Music: Sonification of Ocean Buoy Spectral Data

16.20-16.50 273Masahiko Kimoto, Hiroyuki OhnoDesign and Implementation of Stetho - Network Sonification System

Thursday, September 19, 2002


9.00-9.20 280Jan-Markus HolmEstimation of Frequency Dependent Damping and Implementation for Physical Modeling

9.20-9.40 283Janne Riionheimo, Vesa VelimakiParameter Estimation of a Plucked String Synthesis Model with Genetic Algorithm

XIX

9.40-10.10 287Hanna JarvelainenPerception-Based Control of Vibrato Parameters in String Instrument Synthesis

PAPER SESSION 18 - Aesthetics and Composition 1

9.00-9.20 295Damian Keller, Ariadna Capasso, Scott R. WilsonUrban Corridor Accumulation and Interaction as Form-Bearing Processes

9.20-9.50 299Atau Tanaka, Bert BongersGlobal String - An Instrument for Hybrid Space

9.50-10.20 305Claude CadozThe Physical Model as Metaphor for Musical Creation:pico..TERA, a Piece Entirely Generated by a Physical Model


9.00-9.40 313Nick CollinsThe BBCut Library

9.40-10.20 317Shu Matsuda, Chikashi Miyama, Daichi Ando, Takayuki RaiDIPS for Linux and Mac OS X


10.40-11.00 321Axel Nackaerts, Bart De Moor, Rudy LauwereinsMeasurement of Guitar String Coupling

11.00-11.30 325Gary Scavone, Matti KarjalainenTonehole Radiation Directivity: A Comparison of Theory to Measurements

11.30-12.00 330Nicolas Castagne, Claude CadozGENESIS: A Friendly Musician-Oriented Environment for Mass-Interaction PhysicalModeling

XX


10.40-11.00 338Flavio Tariffi, Stefano Cuomo, Carola Boehm, Nick Bailey, Phil Kerr, Barry ShortOPENDRAMA: Networking Opera - a report of a project in progress

11.00-11.30 342John YoungThe Interaction of Sound Identities in Electroacoustic music

11.30-12.00 349Gil WeinbergThe Aesthetics, History, and Future Challenges of Interconnected Music Networks

DEMO SESSION 6

10.40-11.20 357Rumi Hiraga, Mitsuyo Hashida, Keiji Hirata, Haruhiro Katayose, Kenzi NoikeRENCON: Toward a New Evaluation Method for Performance Rendering Systems

11.20-12.00 361Simon Dixon, Werner Goebl, Gerhard WidmerThe Performance Worm: Real Time Visualisation of Expression Based on Langner'sTempo-Loudness Animation

Friday, September 20,2002

PAPER SESSION 21 - Expression 1

9.00-9.20 365Anders Friberg, Erwin Schoonderwaldt, Patrik N. Juslin, Roberto BresinAutomatic Real-Time Extraction of Musical Expression

9.20-9.50 368W. James MacLeanA Bayesian Technique for Distinguishing Between Melody Notes and Grace Notes inRecorded Performances

9.50-10.20 376Efstathios StamatatosQuantifying the Differences between Music Performers: Score vs. Norm

XXI


9.00-9.20 383P. Zolfaghari, H. Banno, H. Ban, K. Igarashi, K. Takeda, F. ItakuraSpectral Modification and MIDI Control for Improved Quality of Violin Sound Synthesis

9.20-9.50 387Pietro PolottiFractal Additive Synthesis: A Pitch-Synchronous Extension of the Method for theAnalysis and Synthesis of Natural Voiced-Sounds9.50-10.20 393Kelly Fitz, Lippold Haken, Susanne Lefvert, Mike O'DonnellSound Morphing using Loris and the Reassigned Bandwdith-Enhanced Additive SoundModel: Practice and Applications

STUDIO REPORTS 1

9.00-9.20 401Judith Shatin, Matthew Burtner, David TopperThe Virginia Center for Computer Music

9.20-9.40 403Juan Reyes, Fernando Lopez-LezcanoCCRMA Studio Report

9.40-10.00 407William Branson, Orjan Sandred, Fredrik HedelinStudio Report - Kungliga Musikhogskolan in Stockholm

PAPER SESSION 23 - Expression 2

10.40-11.00 410Patrick Zanon, Giovanni De Poli, Alessandro DorigattiTime-Varying Estimation of Parameters in Rule Systems for Music Performance

11.00-11.20 414Sergio Canazza, Giovanni De Poli, Antonio Roda, Giulio Soleni, Patrick ZanonReal Time Analysis of Expressive Contents in Piano Performances

11.20-11.40 419Ali Taylan Cemgil, Bert KappenIntegrating Tempo Tracking and Quantization using Particle Filtering

11.40-12.10 423Antonio Camurri, Riccardo Trocca, Gualtiero VolpeReal-Time Analysis of Expressive Cues in Human Movement

XXII


10.40-11.00 429Steven TrautmannDifferential PCM Representation of Acoustic Instruments and Wavetable Synthesis

11.00-11.20 432John ffitch, Julian PadgetLearning to Play and Perform on Synthetic Instruments

11.20-11.40 436Richard PolfremanMfOM: a Library for Building and Controlling Physical Model Instruments in OpenMusic

STUDIO REPORTS AND FUNDING OPPORTUNITIES

10.40-11.00 440Richard AndrewsCNMAT Studio Report

11.00-11.20 444Kai LassfolkUniversity of Helsinki Music Research Laboratory and Electronic Music Studio - AStudio Report

11.20-12.00Alexandras BakalakosFuture & Emerging Technologies - Funding Opportunities

PAPER SESSION 25 - Music Information Retreival 1

14.30-14.50 446Pitoyo Hartono, Kenji Suzuki, Hai Qi, Shuji HashimotoSubjective Preference Oriented Global Sound Database

14.50-15.10 450Hugues Vinet, Perfecto Herrera, Francois PachetThe Cuidado Project: New Applications Based on Audio and Music Content Description

15.10-15.30 455Geoffroy Peeters, Xavier RodetAutomatically Selecting Sound Descriptors for Sound Classification

XXIII

PAPER SESSION 26 - Notation and Transcription 1

14.30-14.50Royce Neagle, Kia Ng, Roy A. RuddleNotation and 3D Animation of Dance Movement

PAPER SESSION 27 - Music Information Retrieval 2

16.00-16.20Ning Hu, Roger Dannenberg, Ann L. LewisA Probabilistic Model of Melodic Similarity

459

471

PAPER SESSION 28 - Notation and Transcription 2

16.00-16.30Kai RenzAn Improved Algorithm for Spacing a Line of Music

16.30-16.50Karl MacMillan, Michael Droettboom, Ichiro FujinagaGamera: Optical Music Recognition in a New Shell

Saturday, September 21,2002


9.00-9.20Dan OverholtNew Musical Mappings for the MATRIX Interface

9.20-9.40Diana YoungThe Hyperbow: A Precision Violin Interface

9.40-10.10Mark Marshall, Breege Moynihan, Matthias RathThe Vodhran - Design and Development of a Virtual Instrument


9.00-9.20Guenter GeigerAn Interpreted Language for Real Time Signal Processing

475

482

486

489

493

500

XXIV

9.20-9.40 505Vincent Rioux & Manuel PolettiAn Experimental SDIF Sampler in Max/MSP

9.40-10.10 509Roger B. DannenbergA Language for Interactive Audio Applications


9.00-9.40 516Rajmil FischmanApplication of Mathematical Models to the Generation of Organic MusicalStructure and Discourse in Composition: Research Summary


10.40-11.00 522Charles NicholsThe vBow: A Four Degrees of Freedom Haptic Musical Controller Human-ComputerInterface

11.00-11.20 526Mikael Fernstrom, Lisa Me Elligott, Michelle Dillon, Colm McGettrick"PuSH Ouverture" - Extending the Playability of the Traditional Instrument

11.20-11.40 530Matthew BurtnerThe Metasaxophone: Design of a New Computer Controller

11.40-12.00 534Kia Ng, Jon ScottA Distributed Real-time System for Interactive Music Mapping with Multiple Inputs


10.40-11.00 538Francois Thibault, Philippe DepalleOLW: An Extension to MSP for the Implementation of Overlap-Windowing Techniques


14.30-15.00 553Eduardo Reck MirandaVoices of Artificial Life: On Making Music with Computer Models of Nature

XXV

15.00-15.30 561Christopher ArizaProkaryotic Groove: Rhythmic Cycles as Real-Value Encoded Genetic Algorithms


14.30-15.00 568Christopher BurnsTracing Compositional Process: Software Synthesis Code as Documentary Evidence

15.00-15.30 572Ralf Nuhn, Barry Eaglestone, Nigel Ford, Adrian Moore, Guy BrownA Qualitative Analysis of Composers at Work

15.30-15.50 599Momilani RamstrumHegel, Heidegger and Borgmann's Substantive Implications for Music and Technology

PAPER SESSION 35 - Music information retrieval 3

16.00-16.30 581Yann Geslin, Pascal Mullon, Max JacobEcrins: an Audio-Content Description Environment for Sound Samples

16.30-17.00 591Brian Whitman, Steve LawrenceInferring Descriptions and Similarity for Music from Community Metadata

XXVI

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