preview : work in progress 2012
DESCRIPTION
(test version) This project is a collaboration between former NATNALIN magazine 's editorial / graphic staff with the Department of Photography, Faculty of Art and Design, Rangsit University. Works will be exhibited in an art gallery at Srinakharinwirot University, Prasarnmit Campus, Bangkok (September 2012)TRANSCRIPT
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WORK IN PROGRESS 2012Department of Photography : Faculty of Art and Design, Rangsit University
cover photograph by Chanikan Srintrarak ชนิกานต ศิรินทรารักษ
This project is a collaboration between former NATNALIN magazine 's editorial / graphic sta� with the Department of Photography (RSU, Thailand) in working with a group of young photographers, creating series of �ne art photography. Selected in this publication are some part - through the �rst half of the project.
Preview : Work in Progress 2012
Works will be exhibited in an art gallery at Srinakharinwirot University, Prasarnmit Campus, Bangkok
(September 2012)
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photograph by Chanikan Srintrarak ชนิกานต ศิรินทรารักษ
WORK IN PROGRESS 2012Department of Photography : Faculty of Art and Design, Rangsit University
Although photographing herself, her images portrait somewhat �ctional characters. Within soft and quiet light, there's a sense of struggle. In many modern middle class families, children would be regarded as angels - but ironically not always regarded as actual people. Deep down most of us dream of our little girl growing up to be a great person, sometimes even a goddess. Then again, a child has a mind of her own.
When an Angel grows up, would she become a goddess ?
In reality, we all know the answer. By having this great expectation, with all good intensions, it usually killed someone or something in the process. And in this series of photographs, Chanikan begins to explore the issue.
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photograph by Vasucha Booncharoen วาสุชา บุญเจริญ
WORK IN PROGRESS 2012Department of Photography : Faculty of Art and Design, Rangsit University
Vasucha Booncharoen also portraits herself as a main character. In her photographs, upperpart of her body is covered in a plastic bag wherever she goes. It's a simple, perhaps laughable idea of self preservation, especially when appears in photographs. However, Vasucha takes the idea seriously, naturally that crappy plastic bag becomes a private - or even a sacred space. Elegantly, she moves from place to place with her plastic shield, cutting o� from the world around. At the same time, one can feel that her self protection, her sacred space is as vulnerable.. with or without.
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