premiere pro cs5 for final cut pro

8/6/2019 Premiere Pro Cs5 for Final Cut Pro

http://slidepdf.com/reader/full/premiere-pro-cs5-for-final-cut-pro 1/20

Ediing wih Adobe Premiere Pro CS5 i you’re a Final Cu Pro user

What’s included:

• Adobe Premiere Pro CS5

• Adobe OnLocation CS5

• Adobe Encore CS5

• Adobe Bridge CS5

• Adobe Media Encoder CS5

Adobe Premiere Pro CS5 is also

available as a component o

Adobe Creative Suite® 5 Production

Premium and Adobe Creative Suite

5 Master Collection sofware.

Adobe Creative Suite 5 Production

Premium combines:

• Adobe Premiere Pro CS5

• Adobe Aer Eects® CS5

• Adobe Photoshop® CS5 Extended

• Adobe Illustrator® CS5

• Adobe Flash® Catalyst™ CS5

• Adobe Flash Professional CS5

• Adobe Soundbooth® CS5

• Adobe OnLocation CS5

• Adobe Encore CS5

Additional components:

• Adobe Dynamic Link

• Adobe Bridge CS5

• Adobe Device Central

Integrates with new

Adobe CS Live online services*

his reerence guide was creaed speciically o help users o Final Cu Pro ge up o speed

quickly on how o edi wih Adobe Premiere Pro CS5. I you’re a longime Final Cu Pro

user, you’ll ind ha here are many similariies beween he wo applicaions; however,

here are some dierences as well.

Par : Adobe Premiere Pro user inerace

he Adobe Premiere Pro workspace is similar o Final Cu Pro in many ways. In Adobe Premiere Pro,each workspace iem appears in is own panel and muliple panels can be docked where you’d like. I

you’re amiliar wih oher Adobe producs such as Aer Eecs, Phooshop, or Illusraor, your experience

wih Adobe Premiere Pro will be even beer. Adobe Creaive Suie applicaions share common

commands, panels, and keyboard shorcus, so i you’re amiliar wih one program, learning he ohers is

easy.

Ediing wih Adobe® Premiere® Pro CS5

i you’re a Final Cu Pro user

Project Panel Source Monitor Efect Controls Audio Mixer Program Monitor

Audio MeterHistory Panel Tracks Timeline Clips

Media Browser

Ino Panel

Efects Panel

Sequence

Workspace Layout



2Ediing wih Adobe Premiere Pro CS5 i you’re a Final Cu Pro user

• Timeline: he imeline is where you’ll do mos o your ediing using sequences. A single

imeline panel appears in a rame in he lower cenral porion o he screen when you irs

launch Adobe Premiere Pro, open any o is deaul workspaces, or creae a projec. You can

remove all sequences rom a imeline panel, or add muliple sequences o i, each appearing

as a ab wihin ha imeline panel. You can also open muliple imeline panels, each wihin

is own rame, wih each conaining any number o sequences.

• Tracks: A sequence may conain several video and audio racks. When you add a clip o a

sequence, you need o speciy which rack or racks i should occupy. You can arge one or

more racks o boh he audio and video varieies. he way you speciy arge racks dependson he ediing mehod you use.

Timeline panel

Light gray highlight indicates patching

Toggle waveorm display Show keyrames Track keyrame controls

Toggle track output Toggle sync lock Toggle track lock Editing tools

Audio master meters

Source monitor

Clip name

Step back

Go to previous marker

Set unnumbered marker

Set Out point

Set In point

Go to In point

Go to Out point

Play In to Out

Jog

Current timecode

Play/stop toggle

Step orward

Go to next marker

In-to-Out duration

or clip duration

Sae margins

Output

Overlay

Insert

Loop

Shuttle

Tabbed panels




• Monitors: Wihin he user inerace, he Source Monior is on he le. You use he Source

Monior o view and rim he raw clips you wan o add o a sequence. o place a clip in he

Source Monior, double-click i in he Projec panel. he Program Monior is o he righ o he

Source Monior and plays back he sequence o clips ha you are assembling.

• Project panel: his is where you reain your links o your projec ’s video clips, audio iles,

graphics, images, and sequences. You can use binsolders o organize your asses.

• Media Browser: he Media Browser gives you quick access o all your asses while you edi.

Use he Media Browser o impor clips copied rom video sorage media such as P2 cards, SxScards, XDCAM disks, and DVDs. When you impor an asse, Adobe Premiere Pro leaves i in is

curren locaion, and creaes a clip in he Projec panel ha poins o i. By deaul, Adobe

Premiere Pro wries XMP iles o he direcory where he media iles are locaed, bu you can

urn o his behavior in Preerences.

• Effects panel: Sandard eecs are lised in he Eecs panel and are organized ino wo main

bins: Video Eecs and Audio Eecs. Wihin each bin, Adobe Premiere Pro liss e ecs by

ype in nesed bins. Eecs are organized as Preses, Audio Eecs, Audio ransiions, Video

Eecs, and Video ransiions.

• Audio Mixer: he Audio Mixer ab allows you o adjus seings while lisening o audio racks

and viewing video racks. Each Audio Mixer rack corresponds o a rack in he imeline o he

acive sequence and displays he imeline audio racks in an audio console layou. Each rack

is labeled near he op o he Audio Mixer, and you can rename a rack by double-clicking isname. You can also use he Audio Mixer o record audio direcly ino a sequence’s racks.

• Effect Controls panel: You can use he Eec Conrols panel o change seings or a ransiion

you placed in a sequence. Seings vary rom ransiion o ransiion. Click he Eec Conrols

ab, and hen click any clip in he imeline o display ha clip’s eec parameers in he Eec

Conrols panel.

Program monitor

Most controls

are the same

as those in the

Source monitor, with

these exceptions:

Trim monitor

Extract

Lit

Tool panel and keyboard shortcuts

Selection tool (V)

Ripple Edit tool (B)

Razor tool (C)

Pen tool (P)

Track Select tool (A)

Rolling Edit tool (N)

Rate Stretch tool (X)

Slip tool (Y)

Slide tool (U)

Zoom tool (Z)

Hand tool (H)

• Tools panel: he ools panel conains a number o ools or ediing sequences in a imeline

panel. When you selec a ool, he poiner changes shape according o he selecion.

• Info panel: he Ino panel displays several daa abou a seleced iem, and imecode inorma-

ion or clips under he curren-ime indicaor in he imeline.




• History panel: he Hisory panel racks up o 32 seps you ake in your producion and les

you back up o dieren saes o your ediing process. When you back up o a previous

condiion, all seps ha came aer ha poin are also undone.

Par 2: Creaing a projec and cusomizing your workspace

It’s easy to get a project started in Adobe Premiere Pro.

. Launch Adobe Premiere Pro. A Welcome screen allows you o creae a new projec, browse o

a previous projec, or selec rom a lis o recen projecs.

2. Click New Projec o open he New Projec dialog box. Noe ha he General ab in he New

Projec dialog box is similar o he AudioVideo preerences window or Easy Seup dialog box

in Final Cu Pro.

3. Leave ile Sae Area, Acion Sae Area, and Video and Audio Display Forma as he deaul

setings. In he Capure Forma pull-down menu, selec a orma o capure i you’re capuring

rom ape. I no capuring rom ape, choose your desired compression ype (DVDVCPRO,

XDCAM or Apple ProRes among many ohers), audio sample size, rae, and source.

5. Name your projec a he botom o he dialog box, and hen browse o a older where you

wan your projec inormaion saved. Don’ click OK ye.

. Selec he Scrach Disks ab. Tis ab will be amiliar o Final Cu Pro users; however, Adobe

Premiere Pro gives you more conrol over he acual placemen o your les. Insead o having

muliple projecs wih muliple olders inside a Scrach Disks older, Adobe Premiere Pro allowsyou o creae your own older srucure, which makes i easier o move and archive media.

7. Using each o he our Browse butons, browse o he olders where you wan o sore he

capured media and previews, click Choose, and hen click OK.

8. he New Sequence dialog box appears. his behavior is a bi dieren han ha o Final Cu Pro

because you are asked o sar a new sequence beore going o he ediing inerace. I you

preer, you can simply click Cancel in his dialog box and ge sared as you would in Final Cu

Pro.

I you choose no o creae a new sequence a his sage, you can work on oher aspecs o he

projec such as imporing, capuring, and organizing he ooage, and hen creae a new sequence

when you’re ready o sar ediing. Adobe Premiere Pro can mix ormas in sequences and can

usually play hese sequences back wihou rendering. However, hese mixed-orma sequences will

need o be rendered beore oupu, so i is bes o designae he orma ha maches whichever

orma has he mos ooage.

To start a new sequence:

. Choose File > New > Sequence (Command+N). his brings up he same dialog box ha

ollowed he New Projec dialog box.

2. Selec a video orma rom he Available Preses lis on he le, jus as you would selec a

Sequence Prese rom he AudioVideo Seings in Final Cu Pro. Each prese has a ull descrip-

ion displayed o he righ. Revise he seings shown in he descripion using he General ab,

which is similar o he General ab in he Sequence Seings dialog box o Final Cu Pro.

3. Adobe Premiere Pro allows you o prese he number o audio and video racks ha you sar

wih and wheher he audio will be masered as mono, sereo, or 5.. (You can revise he

number o racks and masering opions laer i you wish.)

4. Click Save Prese o save his as a cusom prese or one-ouch recall on laer projecs . Name

your prese and click OK.

5. Name your sequence and click OK.




How to customize and save sequence settingsAdobe Premiere Pro has many dieren naive ediing sequence preses, including preses or DSLR

and RED cameras.. Each ime you click he New Sequence buon, you ypically pick rom he lis o

available opions. Bu, wha i, or example, you wan o edi naively in a dieren resoluion, rame

rae, or compression orma? You can creae your own cusom sequence prese o mach exacly

wha you need.

In his example, we’re going o creae a prese or Apple ProRes422. his will enable naive ediing

o Apple ProRes iles, and creaion o ProRes previews. his is speciic o he Mac plaorm, and

requires FCP insalled on he same sysem.

To do this, simply:

. Choose File>New>Sequence

2. Go o he General ab a he op o he new Sequence box.

3. Change he Ediing mode rom a speciic ediing mode o “Deskop.”

4. Change he imeBase o mach he rame rae you wish o edi in

5. Change he Video and Audio seings o also mach he seings required or your projec.

. Under Video Previews, change he Preview File Forma o Quickime (Deskop)

7. Change he Codec o Apple ProRes 422.

8. Click he Save Prese buon, and name your new prese. his prese will now be available in

uure projecs.

Customizing your workspaceAs you know rom Final Cu Pro, cusomizing your workspace o i your personal syle and

worklow can really increase produciviy. he deaul workspace in Adobe Premiere Pro conains

groups o panels (such as Projec, Meadaa, and imeline) and you can cusomize a workspace by

arranging panels in he layou ha bes suis your working syle. As you rearrange panels, he oher

panels resize auomaically o i he window.

You can creae and save several cusom workspaces or dieren asks—or example, one or

ediing and one or previewing. When creaing workspaces, Adobe Premiere Pro oers more

coniguraion opions han Final Cu Pro. I also enables you o ake any window or panel o

ull-screen size simply by pressing he ilde key.

Audio, Color Correcion, Ediing, Eecs, and Mealogging workspaces are already deined whenyou irs launch Adobe Premiere Pro. However, you can cusomize hese named workspaces o

bes i your work habis—or creae new workspaces or oher asks. (he abiliy o group panels

wihin a rame means ha you can creae cusomized workspaces ha are even more lexible han

hose in Final Cu Pro.)

To customize your workspace:

Selec your desired workspace rom he Window > Workspace submenu a any ime. You can also

choose Premiere Pro > Preerences and edi oher seings in he Preerences dialog box ha

appears. his is similar o User Preerences in Final Cu Pro. here are 4 abs o inormaion ha

you can cusomize.

More information about

custom workspaces is available in

the online Help for Adobe Premiere

Pro. Choose Help > Adobe Premiere

Pro Help and search for Dock, Group,

or Float Panels.




Par 3: Capuring and imporinghere are a variey o ways o impor ooage ino Adobe Premiere Pro. A hird-pary capure card

is required or all bu irewire-based deckscameras. Adobe Premiere Pro suppors many o he

same capure cards and boxes as Final Cu Pro so you likely will no need o inves in new hardware

o use Adobe Premiere Pro.

Capturing from tapehe Capure panel in Adobe Premiere Pro is very similar o he Capure window in Final Cu Pro.

To capture from tape:

. Choose File > Capure, or press F5.

2. Selec he Seings ab. In he Device Conrol secion o he ab, selec a brand and ype o

machine or camera ha you wan o conrol rom he Opions menu. his provides he bes

qualiy conrol over your FireWire camera or deck. Common cameras and decks are oen

recognized over he FireWire connecion and will auomaically be seleced.

3. (opional) Revise he seings or your capure locaions using he Seings ab.

he Adobe Premiere Pro user inerace or capuring is similar o ha in Final Cu Pro. he Capure

window includes a primary area or display o he conen being capured. Logging and Seings

conrols are oered in abs o he righ o ha display.

There are several possible methods for capturing footage:

• o capure on-he-ly, click he record buon near he boom o he Capure window, or

press G. You can name and describe he clip jus as you would in Final Cu Pro. o sop

capure, click Sop, or press S or he Escape key as you would in Final Cu Pro.

• o capure clips “In o Ou,” se Ins and Ous wih he Se In and Se Ou buons, or press I o

mark an inpoin and O o mark an oupoin. hen capure he clip by clicking InOu in he

Capure secion o he Logging ab.

• o capure an enire ape, rewind he ape using he on-camera conrols or he rewind buon

in Adobe Premiere Pro, and hen click ape in he Capure secion o he Logging ab. I you

selec he Scene Deec checkbox beore you begin capuring an enire ape, i will subclip he

ape based on camera breaks.

Adobe Premiere Pro has a huge advanage over Final Cu Pro when i comes o ooage ha was

capured on-he-ly in he Capure panel. Adobe Premiere Pro can name hese clips aer hey’vebeen capured. In Final Cu Pro, renaming clips requires orcing he media ile o mach he new

name.

Importing footage from tapeless (file-based) camerasIn Adobe Premiere Pro, you can impor and edi clips rom nearly any ile-based media direcly

including P2, AVCHD, XDCAM, AVCCAM, DPX, and AVC-Inra as well as DSLR and RED cameras

wihou ranscoding or rewrapping. You can begin viewing and ediing sraigh rom he cards, bu

i is more eicien o copy heir conens o a hard disk beore imporing. his also improves

playback perormance, and, he imporing o clips doesn’ acually move or copy hem. I he iles

aren’ moved rom he card or opical media o a hard drive, hey will go oline i he card or

opical media are removed rom he sysem.

Locate and open ootage easily

with the Media Browser panel,

which lets you drag and drop

les to the Project panel,

preview them in the Source

Monitor, or add them to a

sequence in the Timeline. Notice

how P2 clips can be viewed as

video clips or as a group o le

olders.




here are hree main ways o impor iles ino Adobe Premiere Pro. wo o he mehods—using he

File > Impor command and drag and drop rom he Finder—are idenical o hose in Final Cu Pro.

he ohers mehod is via he Media Browser panel which is he mos eecive way o ind apeless

media in Adobe Premiere Pro because i can acually see he camera clips wihou having o impor

hem ino your sysem. he Media Browser is par o he ediing inerace and allows you o see all

he media on he drives and cards conneced o your compuer.

To import media from these cameras:

. Choose Window > Media Browser or press Shi+8.

2. Selec he ype o media you wan o see in he View pull-down menu. he media browser willsee and play he media iles hemselves insead o wading hrough a convolued ile and

direcory srucure.

For deails on how o work wih a speciic camera and is orma, check ou he video producion

worklow guides available online:

• Using Adobe Premiere Pro CS5 wih Canon Digital Video Cameras

• Using Adobe Premiere Pro CS5 wih apeless Sony XDCAM conen

• Using Adobe Premiere Pro CS5 wih RED Digital Cinema conen

• CS5 Producion Premium end-o-end ediing worklows wih Panasonic AVCCAM cameras

• CS5 Producion Premium end-o-end worklows or Panasonic P2 and P2HD cameras

Importing from Adobe OnLocation CS5Anoher powerul way o inges media is o use Adobe OnLocaion CS5 soware (included wih

Adobe Premiere Pro CS5, as well as wih Adobe Creaive Suie 5 Producion Premium and Maser

Collecion). Adobe OnLocaion allows you o live capure DV, HDV, or DVCPRO ooage direcly

rom he camera o your compuer hard drive hrough Firewire. I also allows you o ge all he

beneis o real-ime, on-se logging when working wih apeless cameras oo.

Comment markers are displayed in

he Field Monior imeline.

Te new Timestamp buton ells

OnLocaion when he seleced sho

is being recorded, wheher or no he

camera is conneced o OnLocaion.

When apeless media is impored,

OnLocaion auomaically maches he

inormaion o he recorded clips.Te Shot List in he Projec panel les you keep rack o

locaions, In and Ou poin imecode, and oher vial

inormaion, commen on clips, describe and caalog each

sho, indicae camera moves, and auomaically capure

inormaion coming rom he camera.

Te Media Browser panel displays he conens o your

compuer drives. Te Media Browser undersands he

sandard Panasonic P2 and Sony XDCAM direcory sruc ure,

so when you browse o a P2 dire cory, he Media Browser

displays only he imporable shosakes.

Te Field Monitor displays DV, HDV,

and DVCPRO naively, so unlike your

camera’s viewnder or LCD screen, he

Field Monior displays video

exacly as i is recorded.

Te Vectorscope displays he amoun

o color in he video signal or eiher he

ull rame or or a single horizonal line

wihin a rame.

Te Waveform Monitor operaes in

YUV or RGB color spaces, so you can

evaluae brighness (luminance) and

sauraion levels.

Audio level meters help you keep rack o your audio

signal so i doesn’ disor, and pop alers ideniy when

sudden surges occur ha are oo shor o regiser on

meers.

http://www.adobe.com/go/canon_cs5_wfg

http://www.adobe.com/go/prempro_xdcam_wfg

http://www.adobe.com/go/red_adobe_cs5

http://www.adobe.com/go/avccam_cs5_wfg

http://www.adobe.com/go/p2hd_cs5_wfg

http://www.adobe.com/go/p2hd_cs5_wfg

http://www.adobe.com/go/avccam_cs5_wfg

http://www.adobe.com/go/red_adobe_cs5

http://www.adobe.com/go/prempro_xdcam_wfg

http://www.adobe.com/go/canon_cs5_wfg




Adobe OnLocaion provides a hos o monioring ools, such as waveorm moniors, vecorscopes,

VU meers, and high-qualiy display opions. hese monioring opions help o ensure ha you

ooage is capured a he highes possible qualiy by allowing he camera operaor or direcor o

phoography o achieve proper audio and video levels. Fooage capured wih Adobe OnLocaion

sores camera’s meadaa, as well as meadaa you add while you shoo he ooage. hese clips

are immediaely available or ediing in Adobe Premiere Pro wihou he need o re-capure rom

ape.

OnLocaion can even be used as a pre-producion ool. Pre-load i wih inormaion abou shos

you plan o record and link ha meadaa o he acual shos as hey are capured during he shoo.

All o he pre-producion meadaa is sored wih he recorded clip and is passed on hroughouhe pos-producion process.

Adobe OnLocaion suppors boh AVI and Quickime® recording ile ormas on a Windows

plaorm. I suppors only he Quickime orma on a Mac OS.

OnLocaion can immediaely play back ooage you record o your hard drive. his eliminaes he

need o rewind your camera’s ape o check ooage and he possibiliy o damaging or recording

over ooage. Aer recording o he hard drive, you can mark your bes akes in he ield—when

he perormances and judgemens are resh. he marked ooage expors as meadaa and lows

direcly o he edior when impored ino Adobe Premiere Pro.

Fooage recorded in OnLocaion can be assigned o a speciic older on your drive. I is wise o

creae a locaion ha will be easy o ind and is on a hard-drive o suicien speed o record and

analyzing apeless ooage in Adobe OnLocaion.

Analyzing tapeless camera footage in Adobe OnLocationIn addiion o using he powerul logging ools in Adobe OnLocaion wih apeless cameras, you

can use he comprehensive soware waveorm monior and vecorscope as well as he audio VU

Meers o ideniy image and audio problems during live recording o hard disk. And you can use

ha same aler sysem o analyze impored iles by quickly scanning your ooage or audio pops,

clipping, and video overbrighs.

To analyze imported footage for audio pops, clipping, and video overbrights:

. In he Projec panel, double-click on a clip and load i ino he Field Monior.

2. Choose Projec > Generae Alers And Audio Peaks For Seleced Clips. Te humbnail and ex

or seleced clip changes o indicae i is being analyzed.

3. When he analysis is complee, he humbnail reurns o normal. Click he Play buton in he

Field Monior panel or press he spacebar o play he clip.

Noice ha audio plays back as you play, scrub, or sep hrough clips. he resuls o he analysis are

displayed along wih he audio waveorm in he Field Monior. In he image below, he dark area on

he le indicaes he porion o he clip deined by In and Ou poins se in he Field Monior.

he yellow ick marks ha appear above and below he cenerline o he audio waveorm display

are audio popping alers. hey ideniy sudden surges in sound ha aren’ loud enough o cause

audio clipping, bu are likely o creae unpleasan and possibly unusable audio. A plosive sound a

he beginning or end o a word is a common source o such pops.When video brighness exceeds a speciied level, area, and duraion, video alers appear as broad

whie bands in he waveorm. Similarly, when sound exceeds he ampliude range o he curren

audio bi deph, audio clipping alers appear as red ick marks above and below he cenerline o

he audio waveorm. Brie audio clipping may no be audible on locaion, bu i produces disorion

ha can cause problems when ediing. he audio alers above he cenerline are or he le

channel; alers below are or he righ.




Importing/exporting images, graphics and special effectsMany o he special eecs and graphics you will be imporing in Adobe Premiere Pro will have

been creaed wih oher Adobe soware such as Phooshop, Illusraor or Aer E ecs. here is an

advanage o using Adobe Premiere Pro when working wih muliple Adobe applicaions because

o is lexibiliy. For example, when you wish o impor speciic layers rom a Phooshop ile, Adobe

Premiere Pro gives you a variey o ways o do so and reains Phooshop blending modes.

To import a layered Photoshop file into Adobe Premiere Pro:

. Choose File > Impor.

2. Browse o a muli-layered Phooshop le.3. Selec a le and hen click Impor, or double-click he le. Tis

opens he Impor Layered File dialog box. Te Impor As menu gives

you our opions:

Merge All Layers: Creaes a single laened ile rom all layer

Merge Layers: Flaens only he layers ha you selec in he Impor As

dialog box

Individual Layers: Impors only he speciic layers you selec in a bin,

wih each layer as is own source.

Sequence: Impors seleced layers as a separae clip, bu creaes a

sequence wih he layers sacked ino a sequence ha you can hen cu

in o your maser sequence.4. Choose an opion, and hen click OK o impor he chosen layers.

You can also impor naive Adobe Illusraor iles direcly ino Adobe Premiere Pro. Vecor ar will

be raserized in Adobe Premiere Pro, and empy areas will be convered ino an alpha channel.

Importing/exporting via Adobe Dynamic Linkhere are numerous imesaving ediing beneis when ediing wih Adobe Premiere Pro, bu one o

he greaes advanages over Final Cu Pro is is igh inegraion wih he oher producion

componens o Creaive Suie 5 Producion Premium.

Using Dynamic Link in Adobe Premiere Pro, you can send sequences o Encore CS5 o creae

Blu-ray Discs and searchable web pages ha conain rich media conen wihou inermediae

rendering. When you insall Adobe Premiere Pro as a componen o Producion Premium, Dynamic

Link is expanded o include Aer Eecs as well.

Adobe Premiere Pro and Aer Eecs inegraion saves you ime wih he abiliy o drag and drop

or copy and pase clips rom one applicaion o anoher. When you expor an Adobe Premiere Pro

projec o Aer Eec s, bins, edis, markers, keyramed eecs, nesed sequences, ransiions, and

more are preserved. Dynamic Link les you use sequences rom Adobe Premiere Pro as layers in

Aer Eecs composiions wihou rendering. Any changes you make o he sequence in Adobe

Premiere Pro are auomaically releced in your Aer Eecs comps. You can also use Dynamic

Link o send Aer Eecs composiions o an Adobe Premiere Pro projec, where he comps look

and ac jus like any oher clip. However, when you make changes in Aer Eecs, hey’re

auomaically releced in he Adobe Premiere Pro sequence. Similarly, you can dynamically link

Aer Eecs composiions o Encore projecs.

To build an effect in After Effects based on a segment in the timeline:

. Selec he segmen and choose File > Dynamic Link > Replace Wih Aer Efecs Composiion.

Tis will launch Aer Efecs and creae a composiion wih he segmen’s video as he base

layer o he composiion.

2. Add any efecs and addiional media o he segmen in Aer Efecs . When you’re done, save

he efec and reurn o Adobe Premiere Pro. I is no necessary o render he efec in Aer

Efecs. Te composiion will appear in Adobe Premiere Pro wih no urher linking, exporing,

or imporing. Evenually, he efec will need o be rendered beore expor, bu you can play

and scrub hrough mos efecs done wih Dynamic Link wihou rendering.

With Dynamic Link, eliminate

intermediate rendering when making

changes to assets — whether editing

a sequence o clips in Adobe Premiere

Pro, changing a composition in AterEfects, or rening a project in Encore.

Control how Photoshop les look

when imported into Adobe Premiere

Pro. Preview all layers, choose which

layers to import, and then choosehow to import the layers—as

individual layers, merged, or as a

sequence.




Par 4: ranserring Final Cu Pro projecs ino Adobe Premiere ProMoving media and sequences beween ools made by dieren companies in complex producion

pipelines oen requires orma conversion, specialized plug-ins, edious workarounds, or a lo o

manual work o recreae elemens ha don’ survive he ranser process. Ineroperabiliy beween

Adobe Premiere Pro and Final Cu Pro, as well as beween Adobe Premiere Pro and Avid NLEs such

as Media Composer, means you can share iles and imelines wihou conversion or rendering,

preserving commonly used eecs and ransiions, saving valuable producion ime. In addiion o

imporing projecs rom Final Cu Pro, in Adobe Premiere Pro CS5 you can expor a projec as a

Final Cu Pro XML ile (File > Expor > Final Cu XML) as well as an AAF ile or Avid NLEs.

To import a Final Cut Pro sequence into Adobe Premiere Pro:

. In Final Cu Pro, selec a sequence and click File > Expor XML.

2. In he Expor XML dialog box, selec Apple XML Inerchange orma version 5. (Version 4 will

also work or older versions o Final Cu Pro.) Ten click OK.

3. Name your expored sequence, browse o a locaion o save i, and hen click Save.

4. In Adobe Premiere Pro, creae a new projec rom he Welcome screen by clicking he New

Projec buton, or choose File > New > Projec (Opion+Command+N).

5. Click OK. Te New Sequence Dialog box will appear.

. Click Cancel. (Tis cancels he creaion o a new blank sequence.)

7. In Adobe Premiere Pro, choose File > Impor. In he dialog box, browse o he XML le gener-

aed by Final Cu Pro, and click Impor. Adobe Premiere Pro will impor he sequence and all

necessary source media. An Impor progress bar appears, bu i may ake a minue or longer

beore you will see evidence ha anyhing is

happening. During his apparen pause, Adobe

Premiere Pro is creaing a ranslaion repor.

When he repor is complee, anoher dialog

box advises you o check he repor or

possible conversion issues.

Selec any o he clips in he imeline by clicking on hem. Press Shi+5 o pu ocus on he Eecs

Conrols panel where inormaion abou he eecs and ransiions applied o each clip is

displayed. he ranslaion Repor provides deails, such as when eecs such as color correcion

had o be approximaed. I Adobe Premiere Pro and Final Cu Pro are running on he same sysem, all media should link up

auomaically. I, however, you are moving rom one compuer o anoher, Adobe Premiere Pro will

promp you or he locaion o he source media. I moving rom a Mac o a PC, be aware ha

cerain Quickime codecs have no been released or he PC, and he source media in hose

ormas will no play on he PC. his includes, or example, Quickime iles ha use ProRes. I you

experience problems wih Quickime media in Adobe Premiere Pro, check o see i he source

media will play correcly in Quickime Player on he PC irs beore roubleshooing in Adobe

Premiere Pro.

Par 5: Finding mediahe Adobe Premiere Pro Projec panel is similar o he one in Final Cu Pro. You can righ-click o

add new bins inside he panel, as well as drag and drop clips ino he bins o organize hem. Binscan be kep in he Projec panel or be double-clicked o become separae loaing windows, jus as

in Final Cu Pro. You can also nes bins.

he Find eaure is always available in he Projec panel. he resuls o your search are updaed in

real ime as you ype, and Adobe Premiere Pro allows you o search all meadaa—no jus he clip

name. For more deailed soring and siing o ooage, use one o hese mehods:

• ype in he Find ex box a he op o he Projec panel. Noe ha resuls are updaed in he

Projec panel as you ype.




• Click he magniying glass icon a he boom o he Projec panel or press Command+F. he

Find dialog box ha appears allows you o do high-level Boolean searches and sis. he

resuling clip or clips are highlighed in he Projec panel. his is similar o he behavior o he

Find command in Final Cu Pro.

Par : Basic ediing using he imelineBecause here are so many ways o edi in Final Cu Pro and Adobe Premiere Pro, his secion

examines hree dieren ediing mehods: ediing wih he source and program monior (Viewer

and Canvas in Final Cu Pro), ediing wih keysrokes, and ediing in he imeline.

Source and program monitor editingFundamenally, ediing in Final Cu Pro and Adobe Premiere Pro is very similar. Mosly i’s a maer

o becoming accusomed o he dieren icons hey use. One easy way o do his is o use he ool

ips ha are available by hovering over an icon or a buon ha you are unsure o.

Almos every buon and menu in Final Cu Pro Viewer or he Canvas window has a corresponding

buon or uncion in he Source and Program panels in Adobe Premiere Pro. For an annoaed

illusraion o hese icons, see “Par 2: Adobe Premiere Pro user inerace.”

Basic ediing begins wih opening a clip in he Source monior. o do so, simply double-click i in a

bin, or drag i o he monior, jus as you would in Final Cu Pro. Jogging, shuling, or playing

hrough a clip is also he same as in Final Cu Pro. You can use he I and O keys o se Ins and Ous,

or use he <> and <> icons.I you are accusomed o ediing wih he Overlay buons in he Final Cu Pro Canvas monior, you

can do somehing similar in Adobe Premiere Pro. For an overwrie edi, simply drag he clip rom

he Source panel o he Program panel and hen release. For an inser edi, hold down he

Command key while dragging.

Keyboard editingEvery power user knows ha one o he bes ways o work eicienly in a program is o know he

keyboard and mouse shorcus. Since you already know he Final Cu Pro keyboard, you can simply

assign Final Cu Pro’s shorcus in Adobe Premiere Pro.

To assign Final Cut Pro shortcuts in Adobe Premiere Pro:

. Choose Edi > Keyboard Cusomizaion.2. From he Se pop-up menu in he Keyboard Cusomizaion dialog box, choose Shorcus For

Final Cu Pro 4.0.

he ive mos imporan keyboard shorcus in Final Cu Pro and Adobe Premiere Pro are idenical:

J, K, L, I, and O. Oher idenical keyboard shorcus beween he wo sysems include hose or he

Pen ool (P), he Hand ool (H), he Zoom ool (Z), he Razor Blade ool (B), Inser (F9), and

Overwrie (F0). However, noe ha Adobe Premiere Pro les you edi any keyboard shorcu or

assign a shorcu o any o he several hundred eaures ha don’ have a deaul shorcu.

To customize your keyboard to add additional

shortcuts:

. Choose Edi > Keyboard Cusomizaion.

2. In he Keyboard Cusomizaion dialog box, spin

down he caegories o commands (File, Edi,

Projec, and so on), click he shorcu or a uncion

on he righ side o he lis, and hen press your

desired key or key combinaion.

3. Click Save As.

4. In he Name Keyse dialog box, name your new

keyboard seting and hen click Save.




If you would like to learn Adobe Premiere Pro’s shortcuts, here are the most useful ones:

Feature Final Cut Pro Premiere Pro

Trim in and out point E mappable

Roll edit R N

Mark in I or / I

Mark out O or num* O

Pen tool P P Trim back [ or , Option+let

Trim orward ] or . Option+right

Arrow tool A V

Slip slide S Y

Matchrame F M

Hand tool H H

Reverse J J

Pause K K

Forward L L

Previous edit ; Page up

Next edit ‘ Page down

Feature Final Cut Pro Premiere Pro

Zoom tool Z Z

Mark clip X Shit+A

Razor blade B B

Snapping N S

Marker ~ or M Num*Insert F9 F9

Overwrite/overlay F10 F10

Replace F11 Option-drag

Clear in Option+I D

Clear out Option+O F

Clear in and out Option+X G

Lit ;

Extract ‘

Timeline zoom in Command+= =

Timeline zoom out Command+- -

Zoom to sequence/zoom in or out

Shit+Z \

Timeline editingMany Final Cu Pro ediors preer o edi using he inuiive imeline mehod. Adobe Premiere Pro

is also well suied o his approach. Paching racks or ediing is done in much he same way in

boh Adobe Premiere Pro and Final Cu Pro. Alhough imeline icons are dieren in he wo

applicaions, hey have idenical uncionaliy.

Dragging clips around in a imeline o rearrange hem is similar in Final Cu Pro and Adobe

Premiere Pro, wih a ew dierences. Jus as in Final Cu Pro, dragging a clip rom one spo in he

imeline o anoher in Adobe Premiere Pro lis i (leaving a gap) rom is original locaion and

overwries i o he new locaion. Command-dragging a clip in Adobe Premiere Pro exracs he

clip (rippling he gap) rom is original locaion and insers i, sliding all clips o he righ o ha

poin o laer in he edi. his is similar o he Opion-drag behavior in Final Cu Pro.

Deleing a clip in he imeline and rippling he sequence works a bi dierenly in Final Cu Pro and

Adobe Premiere Pro. Boh allow you o selec a segmen in he imeline and press he Delee key,

leaving a gap in your sequence. In Final Cu Pro, you can eliminae he gap and ripple he res o he

sequence by selecing he segmen and pressing Shi+Delee. o do his in Adobe Premiere Pro,

delee he segmen wih he Delee key, and hen righ-click or Conrol-click on he gap and choose

Ripple Delee.

rimming in he imeline is also a similar procedure in boh applicaions. Hover over a ransiion,

and hen when he cursor changes o a red bracke icon, you can drag o rim eiher side o he

ransiion. his will leave a gap beween he clips equal o he amoun you dragged. I you wan o

ripple he rim in Adobe Premiere Pro (closing he gap auomaically), simply Command-drag. his

is similar o using he Ripple ool (rr) in Final Cu Pro.

TrimmingIn addiion o rimming shos in he imeline described previously, you can use he rim window in

Final Cu Pro and he rim panel in Adobe Premiere Pro. his allows you o see he changes in he

ougoing and incoming rames on eiher side o he ransiion. In Final Cu Pro, he rim window is

accessed by righ-clicking or Conrol-clicking he ransiion and choosing rim. In Adobe Premiere

Pro, he rim panel is accessed by pressing . Once you are in his panel, he behavior o Adobe




Premiere Pro will be he same as ha o Final Cu Pro. Jus use he keyboard shorcu able o

deermine he proper shorcus or he speciic rim ool you wan o use.

Oher ools or rimming, including he ripple, roll, slip, and slide ools, work similarly. Use he

keyboard shorcu able o choose he righ ool rom he keyboard. he uncions o each ool

operae he same in boh applicaions—only he keysrokes o access hem are dieren.

AudioAgain, here he similariies beween Final Cu Pro and Adobe Premiere Pro are greaer han he

dierences. Even he keyboard shorcu o open he Audio mixer is he same in boh applicaions:

Opion+. In he mixer, he icons are airly sel-explanaory and similar o hose in Final Cu Pro.

One small dierence is ha i you wan o record auomaic keyrames and adjusmens, insead o

using he small Record Audio Keyrames buon as in Final Cu Pro, Adobe Premiere Pro allows you

o enable recording on speciic racks in speciic ways. hese are accessed rom he Auomaion

Mode pull-down menus below he rack names or each ader. here are several choices:

• Read (default): Adjuss a rack opion (such as volume) aecing he enire rack uniormly.

• Write: Wries auomaion as soon as playback sars wihou waiing or a seing o change.

• Latch: Idenical o Wrie, excep ha auomaion doesn’ sar unil you begin adjusing a

propery. he iniial propery seings are rom he previous adjusmen.

• Touch: Idenical o Lach, excep ha when you sop adjusing a propery, is opion seings

reurn o heir sae beore he curren auomaed changes were recorded.

• Off : Ignores he rack’s sored seings during playback. his choice allows emporary changesin levels, bu each ime you replay, he seings are reurned o he deaul levels.

Many Final Cu Pro users preer o adjus levels by rubber banding in he imeline. I’s basically he

same in Adobe Premiere Pro, wih a ew dierences:

. Expand an audio rack’s view by clicking he riangle nex o he audio rack name.

2. Adjus he overall level o he rack by dragging he yellow line in he audio rack o he clip up

or down.

3. o add keyrames, click on he small diamond icon in he audio rack’s header (rack paching

ino area), and hen selec one o he ollowing opions rom he pull-down menu.

• Show Clip Keyframes: Animaes audio parameers or a clip, including volume level.

• Show Clip Volume: Changes only a clip’s volume level.

• Show Track Keyframes: Animaes audio rack parameers, including volume, mue, and

balance.

• Show Track Volume: Changes only a rack’s volume level.

Insead o Opion-clicking o add a keyrame, Adobe Premiere Pro uses Command-click. o adjus

he volume, drag up and down. o change he iming o a keyrame, Opion-drag le or righ.

TitlingOne o he major dierences beween Final Cu Pro and Adobe Premiere Pro is he ile ool. he

ile ool in Adobe Premiere Pro delivers WYSYWIG placemen o complex iles over video. he

inerace is very inuiive and oers a lo o power.

To add a title in Adobe Premiere Pro:

. Choose ile Menu > New ile.

2. Selec rom he opions in he pull-down menu: Deaul sill, Deaul Roll, Deaul crawl, or

Based on Curren ile. You can choose o creae a ile rom a emplae. Adobe Premiere Pro

comes wih a wide range o beauiully designed emplaes rom which o choose. You can also

cusomize and save emplaes o your own.

3. Te New ile dialog box appears. Se he ormating opions. Name he ile. Click OK.

Designing iles rom scrach is airly easy. he ile Main panel in he ile ool allows you o see

your ile as you design i. Mos o he ools are o he le, in he ile ools panel. Various prebuil




on syles are below he ile main panel, and o he righ is he ile Properies panel, providing

inormaion abou and parameers or seleced ons or graphics. You can change colors, gradiens,

opaciy; add exures, borders, shadows; and more.

You can also add logos to your title designs:

. Choose ile Menu > Logos > Inser Logo.

2. Scrub hrough he background video o see wha he ile will look like agains a dieren par

o he same sho or even a dieren clip in he sequence. Drag over he yellow imecode

numbers in he upper righ corner o he ile window. Jus above he numbers is anoher icon

where you can oggle o he video display o see he ile wih he sandard “checkerboard”

alpha channel background.

3. Save he ile by closing he ile window wih he Close Window buon in he upper le. Saved

iles are added o he Projec panel.

4. o apply a ile, drag i rom he Projec panel o he imeline. I i is dragged o a video rack or a

space above a video rack in he imeline, i will be keyed over ha video using he alpha

channel inormaion in he ile.

Par 7: Faser ediing wih he Mercury Playback Engine

Adobe Premiere Pro CS5 ses a new sandard in high-perormance, responsive ediing by allowing

you o work dramaically aser hanks o he new, compleely redesigned playback engine ha is

naive 4-bi, mulicore, and GPU-acceleraed. he Mercury Playback Engine provides rock-solid

perormance and sabiliy so you can work smoohly all he way up o 4K and higher resoluions

while experiencing dramaic improvemens in perormance and sabiliy. Open projecs aser,

scrub hrough HD and higher resoluion projecs luidly, and handle long-orm conen and

eecs-heavy sequences reliably. Play hrough common ransiions and e ecs wihou rendering

and render or inal oupu much aser.

Adobe Premiere Pro CS5 requires a 4-bi operaing sysem and works hand-in-hand wih NVIDIA® CUDA™ echnology. he Mercury Playback Engine uses NVIDIA GPU cards o provide a GPU-

acceleraed 32-bi color pipeline, and mos popular eecs have been rewrien o run on i — or

example, eecs like color correcion, he Ulra keyer, and moion conrol all run in real ime.

he Mercury Playback Engine has wo real-ime modes: he soware-only mode which uilizes all

CPU cores in your compuer, and he hardware-assis mode which leverages he CPU in your

compuer and he GPU o your graphics card* or even greaer produciviy. he soware-only

mode provides excellen playback on a MacBook Pro lapop while he hardware-assis mode gives

Final Cu users equipped wih a suppored NVIDIA® card an addiional perormance boos.

The Adobe Premiere Pro

Title tool provides

intuitive WYSIWYG

titling directly over

video. You can even

import and include

logos and other graphics

in your title designs.




How to enable GPU acceleration* for real-time effects:

. Choose Projec > Setings > General.

2. In he Video Rendering secion, choose CUDA Acceleraed Renderer rom he Renderer menu.

Wih GPU-acceleraed efecs enabled, a yellow render bar appears when efecs are applied o

clips in a sequence wih maching ooage setings. Noe: Tis uncion is available only when a

suppored GPU-acceleraed graphics card is insalled.

I you’re working on a compuer or lapop ediing challenging ooage such as high resoluion 4K

RED iles or sequences wih a large number o eecs, he Mercury Playback Engine gives you he

abiliy o adjus he playback resoluion o your video in he Source Monior or Program Monior.Separae Playback and Pause resoluions give you more conrol over monioring. Wih high-

resoluion ooage, you can se playback resoluion o ½ or smooh viewing. Seing Pause

resoluion o Full allows you o quickly check he qualiy o ocus or edge deails when playback is

paused—useul or when you don’ have he luxury o an on-se HD monior. When working wih

higher resoluions, such as RED 4K ooage, you can se playback resoluion o ½, ¼, ⅛, or /16 or

smooh viewing.

To adjust the Playback and Pause resolution in the Source Monitor or Program Monitor

. Click he panel menu icon in he upper righ

corner o eiher he Source Monior or

Program Monior panel in Adobe Premiere

Pro.

2. In he pull-down menu, choose Playback

Resoluion.

3. Choose ½ resoluion.

4. Repea sep , and hen se Paused Resolu-

ion o Full.

5. Play and hen pause he sequence.

When playback is paused, you can easily check

he qualiy o ocus and examine edge deails by

dragging he scroll bars in he Program Monior

o he view areas o ineres.

Keying with UltraUlra is a powerul high-perormance keyer in Adobe Premiere Pro CS5. I les you achieve as,

accurae keying on even he mos challenging DV and HD ooage—ooage sho under real-world

condiions ypically ound in producion ha include uneven lighing, wrinkled backgrounds, and

rizzy hair. Ulra preserves shadows and can achieve complex keys on smoke, liquids, and

ransparen objecs. he GPU-acceleraed Mercury Playback Engine dramaically increases

rendering speeds, usually resuling in real-ime HD keying.

To use the Ultra Keyer:

. Use he eyedropper conrol o choose he green or blue background color. Find an area o he

background ha bes represens he overall background color and no, or example, he middle

o a lighing ho spo or shadow.

2. For geing he bes possible key, you may wan o use he dieren Oupu viewing modes or

he Ulra keyer. In paricular, he Alpha Channel oupu is useul or deecing unwaned

ransparency.

3. here are 3 preses available - Deaul, Relaxed, and Aggressive. ry hese irs beore playing

wih he sliders - many imes one o hese preses are enough o pull a clean key.

4. I you need o weak urher, here are 4 main ses o sliders wihin he Ulra Keyer eec:

• Matte Generation: he Mae Generaion slider should be used irs o ge he bes possible

resuls. All o hese sliders are how he color is being analyzed and removed. I shadows are

* Mercury brings performance gains

on all of the GPUs supported today

in CS5. If you’re upgrading your

system today and want to get the

most out of your conguration, the

following NVIDIA graphics cards

oer signicant additional

acceleration by the Mercury

Playback Engine:

• Quadro CX (Windows)

• Quadro FX 3800 (Windows)• Quadro FX 4800 (Windows

and Mac)

• Quadro FX 5800 (Windows)

• GeForce GTX 285 (Windows

and Mac)

Adobe is planning to support

additional cards in the future,

including some of the new NVIDIA

solutions based on the upcoming

Fermi parallel computing

architecture.

Please see www.NVIDIA.com

for system requirements

and compatibility.e list of graphics cards compatible

with Adobe Premiere Pro CS5 is

updated on a regular basis. For an

up-to-date list of supported cards,

please see www.adobe.com/

go/64bitsupport.




presen, use he Shadows slider o keep or remove he shadows. Use he olerance and

Pedesal sliders o adjus he curve o he keyer.

• Matte Cleanup: Use he Mae Cleanup sliders o clean up he key urher. hese apply a

universal adjusmen o he edges o he key, so use hem sparingly.

• Spill Suppression: he Spill Suppression sliders help remove unwaned color spill rom he

blue or green screen background. his works by adding in he opposie color rom he

background. So, in he case o green spill, a magena color will be added ino he image. he

rick is o add he color only ino he areas ha need i, and only enough o cancel ou he

green. I his is proving ricky, ry boosing he Spill slider o 00%, hen play wih he Range

slider unil you see Magena in he areas ha previously had green spill. hen, dial back he

Spill slider unil he magena ades.

• Color Correction: he inal se o sliders are he Color Correcion sliders. hese perorm a

uniorm layer o color correcion, pos-key. hey are someimes useul or maching he

subjec ino he background. Keep in mind ha more color correcion can be added simply

by sacking one o he many color correcion eecs below he Ulra Keyer eec in he Eec

Conrols panel.

5. o ge sared using he Ulra keyer, you may wan o also use a Crop or Garbage Mae eec o

remove any non-blue or non-green pars o he image. he Ulra keyer eec sacks jus like

any oher eec in Adobe Premiere Pro—eecs lised above Ulra keyer ake place beore he

key is applied, and any eecs below Ulra keyer will be applied aer he key.

In producion, you could coninue o reine he key by using he inuiive conrols in Ulra—seinghe Program Monior zoom o 00%, he Pause resoluion o Full, and dragging he scroll bars les

you beer view he deails around he edges o he image and examine areas o ineres. his

allows you o, or example, see ine deails around he acor’s hair.

Par 8: Expor opions and meadaa conrols in Adobe Media EncoderAdobe Media Encoder is a separae, 4-bi soware applicaion ha les you oupu your video

projec in all o he major video ormas using a lexible bach lis. Bach encoding akes place in he

background, reeing you o ocus on creaive work. Is user inerace provides more visual eedback

o help you work aser and has he abiliy o sar he encoding process immediaely rom wihin

Adobe Premiere Pro.

When bach encoding, you can use any combinaion o sequences and clips as sources, and encode

o a wide variey o video ormas, including FLV, F4V, Quickime, and oher popular codecs such

as MPEG-2, MPEG-4, and H.24.




To export media directly from Adobe Premiere Pro without adding it to the Adobe Media

Encoder queue:

. In Adobe Premiere Pro CS5, open one o he sequences in he imeline panel.

2. Choose File > Expor > Media.

3. In he Adobe Media Encoder dialog box, choose he desired oupu setings, or selec he new

Mach o Sequence Setings opion.

4. Click Expor.

Noice ha you can sill add clips o he

Adobe Media Encoder queue by clickingQueue in he Expor Seings dialog box.

he progress bar a he boom o he

Adobe Media Encoder inerace les you

see a a glance he elapsed and he

remaining ime or he encoding process.

In addiion, source and encoding

inormaion are displayed, and he video

ha’s being encoded plays in he corner.

When oupuing ooage o FLV, F4V,

H.24 Blu-ray Disc, and MPEG-2 Blu-ray

Disc ormas, anoher Adobe Media

Encoder eaure les you se he bi rae based on rame dimensions.

To set bit rate based on frame dimensions:

. In eiher he Adobe Premiere Pro imeline panel or

Projec panel, click a single media clip o selec i.

2. Choose File > Expor > Media.

3. In he Expor Setings dialog box, choose Expor

Setings > Forma, and use he pull-down menu o

choose H.24 Blu-ray as he encoding orma.

4. Use he pull-down menu o choose an oupu prese.

Noice ha using he wo Mach Source Aribues preses auomaically bases he V Sandard,

Frame Rae, Field Order, and PAR (Pixel Aspec Raio) seings o he source, urher sreamlining

he encoding process.

Embedded F4V or FLV cue pointsNew meadaa oupu opions give you added conrol over he daa conained in F4V or FLV source

iles. For example, a preerence seing conrols wheher cue poins in source iles are embedded in

he daa sream o expored F4V iles. Adobe Media Encoder sores cue poin inormaion in he

expored ile and can be used o generae callbacks—programming uncions ha can

auomaically rigger various acions, such as loading a video, in cusom Flash video players.

Par 9: Creaing DVDs, Blu-ray Discs and web DVDs in Encore

Adobe Encore is a versaile, ineracive auhoring ool ha allows you o deliver your projecs onDVD, Blu-ray Disc, and web DVDs—ineracive SWF iles ha can be viewed in Adobe Flash Player.

Web DVDs replicae he behavior o heir DVD or Blu-ray Disc counerpars, complee wih

ineracive menus and subiles, as well as pop-up menus and high-resoluion video or hose

based on Blu-ray Disc projecs. Wih Encore, you can easily urn your DVD and Blu-ray Disc projecs

ino web DVDs ha include a search inerace.

When your projec is complee and you’re ready o deliver hem on DVD, Blu-ray Disc, or as a

web DVD, Dynamic Link les you open he Adobe Premiere Pro sequences direcly in Encore

wihou rendering.




To use Dynamic Link to drag and drop an Adobe Premiere Pro sequence into Encore:

. Posiion he Adobe Premiere Pro workspace so he Encore Projec panel is visible beneah i.

2. Drag and drop he sequence rom he Projec panel in Adobe Premiere Pro o he Projec panel

in Encore.

To test and build Encore projects

. Click he Build ab.

2. Click Check Projec .

3. Click Sar in he dialog box.4. A number o issues are repored ha in producion you would need o address beore oupu-

ing your projec—or example, linking media o he diferen language butons in he pop-up

menu.

5. Close he Check Projec window.

. Back in he Build panel, noice ha you can choose among ormas: DVD, Blu-ray Disc,

and Flash.

7. Experimen by choosing each o he hree ormas, and noice how he Build panel changes

according o each.

ake some ime o explore he res o he Build panel. Noice ha here is a wide variey o prese

screen sizes o choose rom, and ha when you oupu your projecs or viewing using Adobe Flash

echnology, you can choose Keep Wih Flash SWF o deliver your projec as a progressivedownload or se up your expor or sreaming wih Flash Media Server 3.5 using he Upload o

Server buon.

To export your project as a web DVD (SWF file)

. In he Build panel, choose Forma > Flash. Tis

auomaically ses Oupu o Flash (SWF).

2. Se he desinaion or he oupu les o your

deskop.

3. Under Setings, name he oupu.

4. Selec he 280x720 High Qualiy prese.

Normally, you would click Build in he upper righ oencode he projec—Encore builds supporing iles, and

creaes a cusomizable playback inerace ha operaes

similarly o a Blu-ray Disc remoe.




Par 0: Adobe Premiere Pro CS5 resourcesAdobe Premiere Pro has an exensive communiy o service providers you can ap ino or

suppor, including rainers, plug-in developers, sys ems inegraors, and ohers.

More information and help:

• Adobe’s website: (http:// www.adobe.com/products/ premiere) includes a wealh o inorma-

ion abou Adobe Premiere Pro. You’ll ind links o produc inormaion, cusomer sories,

reviews, awards, evens, seminars, and relaed downloads, as well as several

suppor- and raining-relaed links.

• Adobe Community Help: (http://community.adobe.com/help/index.html ) is an online service

or insrucion, inspiraion, and suppor ha enables you o ind answers o your Adobe

Premiere Pro quesions.

• The Adobe Premiere Pro Help and Support page on Adobe’s websie (http://www.adobe.

com/support/premiere/ ) includes links o op suppor issues, uorials, suppor-relaed

announcemens, and user orums.

• he Adobe Support User to User Forums home page (www.adobe.com/support/forums)

includes links o user orums or all Adobe producs, including Adobe Premiere Pro and

Adobe Creaive Suie 5 Producion Premium.

• Follow Adobe Premiere Pro on Facebook: http://www.facebook.com/premierepro

Training and tutorials:• Check ou Adobe TV (http://tv.adobe.com/product/premiere-pro/ ), a ree online video

resource wih exper insrucion and inspiraion or Adobe Premiere Pro and oher Creaive

Suie producs.

• he Adobe Premiere Pro CS5 Classroom in a Book® conains a series o sel-paced, projec-

based lessons. For inormaion, visi he Adobe Press websie (www.adobepress.com).

• Total Training (www.totaltraining.com) provides comprehensive Adobe Premiere Pro CS5

raining videos so you can ge up o speed quickly and easily.

• Lynda.com (www.lynda.com) oers several Adobe Premiere Pro CS5 raining videos as par o

is online raining library.

• he Adobe Premiere Pro CS5 Training Resources page (http://www.adobe.com/support/

training/products/premiere.html ) oers a variey o raining resources.• Third-party plug-ins or Adobe Premiere Pro CS5 (http://www.adobe.com/products/plugins/

premiere/ ) add even more capabiliy o your soware.

http://www.adobe.com/products/indesign

http://community.adobe.com/help/index.html

http://www.adobe.com/support/forums

http://www.adobepress.com/

http://www.totaltraining.com/

http://www.lynda.com/

http://www.lynda.com/

http://www.totaltraining.com/

http://www.adobepress.com/

http://www.adobe.com/support/forums

http://community.adobe.com/help/index.html

http://www.adobe.com/products/indesign



Adobe Systems Incorporated345 Park AvenueSan Jose, CA 950-2704USA

Adobe, he Adobe logo, Adobe OnLocaion, Adobe Premiere, Aer Efecs, Creaive Suie, Encore, Flash, Illusraor, Phooshop, Soundbooh, and Ulra areeiher regisered rademarks or rademarks o Adobe Sysems Incorporaed in he Unied Saes andor oher counries. AMD Ahlon and AMD Phenom arerademarks or regisered rademarks o Advanced Micro Devices, Inc. Apple, Mac, and Mac OS are rademarks o Apple, Inc ., regisered in he U. S. and ohercounries. Avid and Media Composer are rademarks o Avid echnology, Inc., regisered in he U.S. and oher counries. Inel, Inel Core, and Penium arerademarks o Inel Corporaion in he U. S. and oher counries. PowerPC is a rademark o Inernaional Bu siness Machines Corporaion in he Unied Saes,

h i b h Mi W i d Wi d S d Wi d Vi ih i d d k d k Mi C i i

premiere pro cs5 for final cut pro

Documents