pre-historic/ancient near east. pre-historic civilizations the paleolithic period – 30,000 b.c.e....
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Pre-Historic/Ancient Near East
Pre-Historic Civilizations
The Paleolithic Period – 30,000 B.C.E. to 10,000 B.C.E.
Pre-Historic Civilization (Cont.)
Earliest examples of creativity of mankind
Visual Arts – Sculptures and Cave
Painting
Painting – The Cave of Lascaux
France
Characteristics of Cave Paintings
• Animal Images in Profile• Black Outlines• Limited Colors (Red, Yellow,
Ochre, Brown, Black)• Attempt at Naturalism and
Realism• Purpose: Ritual (Hunting)
Human Figures in Cave Paintings
• No attempt at naturalism• More stick-like in appearance
Not creating realistic images of humans is probably from superstitions/beliefs in powers of images.
These beliefs are still present in some cultures today.
How Were Prehistoric Cave Pictures Painted?
Using sea-shells as paint containers and working by candlelight, Stone Age artists employed a
wide variety of painting methods. Initially, they painted with their fingers; before switching to
lumpy pigment crayons, pads of moss, or brushes made of animal hair or vegetable fiber. They
even employed spray painting techniques using reeds or specially hollowed bones. They employed foreshortening and shadowing
techniques. Each era introduced new cave painting methods, and caves decorated over
many generations exhibit numerous styles - at Lascaux, for instance, archeologists have
identified over a dozen different painting styles.
Sculpture
• Human and Animal Sculptures-Most common human figures
were fertility figures and “Venus” figures.
• Most sculptures were “found objects” that required very little manipulation
• Used for Ritual Purposes
Bison Licking Its Flanks ca. 14,000 BC
Dordogne, France
Venus of Willendorf
c. 24,000-22,000 BCE Oolitic limestone 4 3/8 inches (11.1 cm) high
Architecture
• Post and Lintel Construction• Use of Megalithic Stones• Purpose: Ritual
Stonehenge between 3000 and 1700 B.C.E.
•Built in three stages
•Circular Arrangement
•Post and Lintel Construction
Stonehengehttps://www.english-heritage.org.uk/daysout/properties/stonehenge/discover/virtual-tour/
Music, Dance, and Drama
Minimal Physical Evidence
• Footprints in dance-like patterns on cave floors (Dance)
• Objects possible used as instruments found in caves (Music)
• Images of masked figures (Drama/Storytelling)
Purpose: Ritual
Mesopotamia
The Fertile Crescent/The Cradle of
Civilization
Earliest Civilizations in area between Tigris and
Euphrates Rivers
Known Civilizations of this Region (in Chronological Order):
Sumerian AssyrianAkkadian Neo-BabylonianNeo-Sumarian PersianBabylonian
Cuneiform – Writing System
Writing with Wedge-Shaped Characters on Clay Tablets created by
Sumerians
http://www.penn.museum/cgi/cuneiform.cgi
How cuneiform changed over 3,000 years
Sumerian Visual Art Examples
• Sculpture• Ceramics• Jewelry
Tell Asmar Sculptures
• Free-Standing Sculptures of Human Figures
• Large Eyes (Windows to the Soul)• Posed Frontal, Stiff and Formal• Size Shows Rank or Importance• Beards and Pleated Skirts Symbols of
Power• Hands Clasped as if Praying, Looking
Upward• Purpose - Ritual
Tell Asmar Statues
RepetionSimplification (every gender looks the same)Hierarchy shown in size of statues
Sumerian Sculpture
Use of Image of a Bull Common in Sumerian and other cultures
Symbolic of Power and Strength
Ceramics Exampleca. 3100-2900 B.C. Baked clay, painted
17.2 cm H, 23.5 cm W
The potter’s
wheel was created in
Meso. around
6,000 and 4,000 BC.
Jewelry ExamplePuabi's headdress ca. 2550–2400
B.C
http://sumerianshakespeare.com/117701/118101.html
Architecture - ZigguratsTemples in the form of Stepped
Mounds of earth and brick.
Symbolic of man reaching toward the gods in heaven.
In ancient Sumer, in the center of each town, was
the Ziggurat. The Ziggurat was a temple. The ancient
Sumerians believed that the gods lived in the sky. In
order for the gods to hear better, you needed to get closer to them. Ziggurats
were huge and built in steps, with a wide base, narrowing to a flat top.
Ziggurat of Ur c. 2100 B.C.E.
built by the king
Ur-Nammu
Sumerian Musical Instrument
Bull-Headed Lyre - Lyre of Queen Puabi, Ur, c. 2685 BCE
Dance and Drama
• Evidence of Singing and Dancing in Written Sumerian Texts and on Relief Sculptures – Usually Religious in Nature.
• Dance by both Men and Women in Religious Ceremonies and for Social Purposes in Assyrian Culture
• Babylonians had Religious Dance where Dancers Performed in a Ring around a Sacred Sculpture
Egyptian Civilization
3100 B.C.E. – 322 B.C.E
• 3 Kingdoms – Old, Middle, and New
• Kingdoms divided into Dynasties – a Single Family in Power
• Following Last of Dynasties, Ruled by Hellenistic Greece
• 30 B.C.E – Egypt becomes a province of Rome
Egyptian Culture
• Dependence on the Nile River• Life and Culture Centered on Religion• Belief in Life After Death• Pharoah (ruler) a God on Earth• Ka (soul) reborn after death to join
the gods in the afterlife• Body preserved to house the ka
(mummification and pyramid burial)
Egyptian Painting
• Most for Tombs and Temples• Scenes First Carved in Low Relief into
Limestone Walls, then Painted in Bright Colors on Top of a Layer of Dry Plaster.
• Scenes Reflected Egyptian Dieties and Daily Life – Necessary to Ease the Journey to the Land of the Dead and to Provide for them in the Afterlife
Painting Rules
• Body in Correct Proportion• Faces and Legs in Profile• Eyes, Shoulder, and Torso from Front• Pharaohs and Nobles in Stiff Poses, Standing
or Sitting on Lines Representing the Ground• Persons of Less Importance in Comfortable
Movement and Natural Poses.• Flesh of Men – Dark Red or Brown• Flesh of Women – Yellow, White, or Pale
Brown
Egyptian Painting (cont.)
Paintings from the tomb of UnsuNew Kingdom, 18th Dynasty
Sculpture
• Commemorate a Person or Event or Substitute for a real person
• Huge in Scale• Stone and Wooden Statues placed in
tombs to represent the dead• Relief carvings and model figures of
daily life or activities of the dead in the next world
Old Kingdom Sculpture
• Pharaohs – Seated with hands on knees or Standing, one leg forward, arms at side or crossed in front.
• Stiff, Formal, and Solemn• Size to show social order:
Pharaohs larger than life Scribes and Court Officials life-sized Workers/Peasants smallest, always
shown working• Statues of Gods as Animals reflecting
their personalities
Khafre!
Middle Kingdom
New Kingdom
The Great Sphinx
Facts about the Sphinx
• Head of Sphinx carved in about 2500 BC Face is that of the Pharaoh Khafre, measures 4.1 m wide . Body of a lion
• Sphinx is 73 m long, 20 m high. Carved from the rock, different layers eroding at different rates. Head cut from harder strata than the lower body.
• Guards Khafre’s Pyramid
Egyptian Architecture
• Primary focus was creation of temples and tombs
• Most famous tombs, the pyramids, were built to protect the bodies of Pharoahs for the afterlife and to serve as a symbol of the pharoah’s power.
Development of Pyramids: Phase One
Developed from Mastabas which were flat roofed, single story buildings with sloping sides.
“Cities of the dead”
Phase Two– Stepped Pyramids
MostCommonlyhad four or six steps
Stepped Pyramid of Djoser, 2600 B.C.E.
Designed by Imhotep
Phase Three – True Pyramids
The Great Pyramids at Giza (Menkaure, Khufu, Khafre – left to right)
Inside Khufu’s Pyramid
Egyptian Dance, Drama, and Music
• Egyptians the first great culture to make music and dance a part of life for all social classes
• Music and Dance also used for religious/ritual purposes
• Tomb and Temple paintings show evidence of music and dance, but no written music survives.
Egyptian Drama, Dance, and Music (cont.)
• Egyptian music based on Pentatonic scale of 5 whole steps (no half steps)
• Choreography of Egyptian dance appears to consist of complex range of movements from acrobatics (splits, cartwheels, and backbends) to slow, elegant, and more formal dance steps.
• Drama – religious performances of drama and Satirical plays
Evidence of Music in Egyptian Art Works
Resources
• http://www.culture.fr/culture/arcnat/lascaux/en/• http://witcombe.sbc.edu/willendorf/willendorfdiscovery.htm
l
• http://w3.salemstate.edu/~ckramer/bison.html• http://www.activemind.com/Mysterious/Topics/Stonehenge/pic
_sunset1.html
• http://www.upennmuseum.com/cuneiform.cgi• http://www.coconino.edu/apetersen/_ART201/
sumeria.htm• http://www.coconino.edu/apetersen/_ART201/
sumeria.htm• http://www.geocities.com/Athens/Academy/7357/mesoart1.htm
• http://www.metmuseum.org/explore/First_Cities/clothing_mesosyria_object_61ae.asp
Resources (cont.)• http://www.multimedialibrary.com/FramesML/IM4/
IM4page6.asp• http://www.multimedialibrary.com/FramesML/IM4/
IM4page11.asp• http://www.louvre.fr/llv/oeuvres/detail_notice.jsp?CONTENT
%3C%3Ecnt_id=10134198673393291&CURRENT_LLV_NOTICE%3C%3Ecnt_id=10134198673393291&FOLDER%3C%3Efolder_id=9852723696500807&fromDept=false&baseIndex=28&bmUID=1150823291644&bmLocale=en
• http://www.egyptarchive.co.uk/html/sphinx_02.html• Images from Collection of Melisa Gano
• http://www.genuineafrica.com/