postmodernist architecture modernist architecture postmodernist architecture “less is more.”...

27
POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

Upload: kenneth-armstrong

Post on 22-Dec-2015

251 views

Category:

Documents


7 download

TRANSCRIPT

Page 1: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

MODERNIST ARCHITECTURE

POSTMODERNIST ARCHITECTURE

“Less is MORE.”

“Less is A BORE.”

Page 2: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Swiss architect Charles-Eduoard Jenneret, best known as Le Corbusier, promoted the International Style that the Bauhaus school helped to make popular. His designs for buildings include geometric shapes, maximum use of space, and a lack of ornamentation. Le Corbusier referred to his style as Purism because it relied on pure geometric shapes.

Villa Savoye is a country house he designed supports his belief that a home should not need load-bearing walls – the steel beams support the structure, giving it much more space.Le Corbusier, Villa Savoye, 1929.

MODERNIST ARCHITECTURE(International Style)

Page 3: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Le Corbusier, Villa Savoye, 1929. MODERNISM (International Style)

Page 4: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

“A house is a machine for living.”Le Corbusier

Page 5: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Le Corbusier, Villa Savoye, 1929. MODERNISM (International Style)

Page 6: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Le Corbusier, Chapel of Nôtre Dame du Haut, 1955. MODERNIST ARCHITECTURE

Page 7: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE Le Corbusier, Chapel of Nôtre Dame du Haut, 1955.

Page 8: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE Le Corbusier, Chapel of Nôtre Dame du Haut, 1955.

Page 9: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Phillip Johnson in 1978 with model of AT&T building

AT & T Building

Phillip Johnson

Phillip Johnson helped Mies van der Rohe design the Seagram Building in the 1950s, but in the ’70s he did the opposite with the AT&T Building (now called the Sony Building)

Page 10: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Instead of a building made of sleek glass and metal, this building is

predominantly masonry (only 30% of the outside is glass) and revives a

classical architectural vocabulary…

Johnson & his associates divided the building into three parts,

reminiscent of the three elevations of a Greek temple – base, column

and pediment.

Phillip Johnson, the AT&T Building (New York), 1984. POSTMODERN

Page 11: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

The top slopes down like a pediment, including a space in the middle known as an orbiculum (similar to the look of

18th century dressers)

Phillip Johnson, the AT&T Building (New York), 1984. POSTMODERN

Thin strips of masonry that make up the center resembles the fluting of columns

Page 12: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

The entrance includes a massive round arch, similar to a triumphal arch

or a Romanesque portal.

(Please note the modern-day looking ‘coffers’ and ‘rose window’)

Phillip Johnson, the AT&T Building (New York), 1984. POSTMODERN

Page 13: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Page 14: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Michael Graves,

Portland Public Services Building, 1982.

POSTMODERN

Page 15: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Michael Graves,

Portland Public Services Building, 1982.

POSTMODERN

Page 16: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Page 17: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE Home Design by Michael Graves

Page 18: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Michael Graves, Team Disney – The Eisner Building, 1991. POSTMODERN

Page 19: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Page 20: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

The Pompidou Centre is a multipurpose structure. It contains a public library, France’s National Museum of Modern Art, a theatre and numerous halls. It was named after the French President Georges Pompidou.

Note that the building appears to look “inside out”. All of the pipes and supports are exposed, but color is used with a purpose: for example, green indicates water, blue indicates air conditioning while the elevators and escalators are red.

It demonstrates MODERNIST architecture with its steel support beams and functionality, but it’s mixture of influences and lack of decoration and make it POSTMODERNIST.

Page 21: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Richard Rodgers and Renzo Piano, The Pompidou Centre, 1977. POSTMODERN

Page 22: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE Rodgers and Piano, The Pompidou Centre, 1977

Page 23: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE Rodgers and Piano, The Pompidou Centre, 1977

Page 24: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE Rodgers and Piano, The Pompidou Centre, 1977

Page 25: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Frank Gehry, Guggenheim Museum, Bilbao, 1997. DECONSTRUCTIVISM

Page 26: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE

Frank Gehry used titanium on the outside to imply fish scales since fishing is a part of bilbao’s economy. (Note the long ship-like form of the building, too.) This type of work is often considered deconstructivist since it’s goal is to eliminate continuous lines and normal shapes.

Page 27: POSTMODERNIST ARCHITECTURE MODERNIST ARCHITECTURE POSTMODERNIST ARCHITECTURE “Less is MORE.” “Less is A BORE.”

POSTMODERNIST ARCHITECTURE