portfolio theodora sakellariadi (optimised)

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1 THEODORA SAKELLARIADI ARCHITECTURE PORTFOLIO

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Page 1: Portfolio theodora sakellariadi (optimised)

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T H E O D O R A S A K E L L A R I A D I

ARCHITECTUREPORTFOLIO

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PLAN VIEWpart of land survey project of the Cyprus Chamber of Fine Arts (EKATE) - summer 2010

0 2 _ 0 30 4 _ 1 3

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T A B L E O F C O N T E N T SR E G A I N I N G T H E P U B L I C S PA C E :U R B A N G Y M O F N I C O S I A[ t h e s i s p r o j e c t ]C O M E T O G E T H E R : T H E L I B R A R Y O F N I C O S I A[ u r b a n p l a n n i n g ] A G I A PA R A S K E V I C H U R C H[ u r b a n p l a n n i n g ]T H E A R C H I T E C T ’ S H O U S E[ a r c h i t e c t u r e ]T H E S H E LT E R [ s t a t i c s ] T H E S W I N G [ s t a t i c s ]

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4THESIS PROJECT

REGAINING THE PUBLIC SPACE URBAN GYM OF

NICOSIASocrates saying “sound body makes for a sound mind” is the key pointi and

main focus of the thesis project.The inhabitants of the capital city of Cyprus are in need of an urban park/gym/meeting point (as a result of the survey analysis, fi rst part of the thesis project)

and what better than use a historic space which circulates the capital.As a part of a bigger masterplanning attempt, micro-planning focus is given on the Podocataro bastion, in the walled part of the city, which as part of a fortifi ca-

tion monument, is being neglected.Therefore, the increase of importance and the improvement in quality, value

and extent of it became of high signifi cance during the design process.Walking around the monument, as an experience circle, is the fi rst attempt to

achieve the key point.The requirement for exercise of the body and the soul, exercise for all, regard-

less of the age, lead to the creation of the architectural programme.

fall 2012

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INWARDS/OUTWARDS(LEFT)creating pathways by using a sequence of the main roads of the capital GREEN SPACES(RIGHT, UP)record and conservationEXISTING BUILDINGS(RIGHT, UP)record and conservationUNIFICATION(RIGHT, DOWN)fi nal masterplan combining the main route, pathways, green spaces and buildings

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IDENTIFYING THE LANDSCAPEaerial photos and rough section sketches of the proposed land PLAN VIEW - UPPER LEVEL(RIGHT)1_elevator2_amphitheatre3_mosque4_botanical garden5_relaxing & sunbathing area6_open-air cinema7_upper level square

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1_pedestrians ramp (4%)2_cars ramp (5%)3_not covered dining area4_bar5_kitchen6_coffee shop/ restaurant7_multi-activities area8_cleaning storing room9_toilets10_information desk11_dancing area12_theatre club

13_gym area14_parking area 15_chess club16_seminar room17_toilets18_information desk19_seasonal exhibitions area20_studying area21_toilets22_cleaning storing room23_changing rooms24_library

3D RENDERviews of the botanical garden, open’air cinema, routes and pathways PLAN VIEW - UPPER LEVEL

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3D RENDER VIEWphotorealistic approach of the inside of the gym

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SECTION B (UP) & SECTION A (DOWN)

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DIAGRAMMS OF THE SURROUNDING AREA (UP)existing architectural fi ngerprint of the noise levels,

circulation of vehicles, building uses and building heights PANORAMIC COLLAGE OF THE EXISTING VIEW (DOWN)

noise circulation vegetation usesparking spacehousingshopping

heightsup to 3mup to 6mup to 9mmore than 9m

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TOPOGRAPHIC VIEW (FAR LEFT)FIRST IDEA SKETCHES (LEFT)3D RENDERS (RIGHT)views of the amphitheatre, reading area & restaurant PLAN VIEW - GROUND FLOOR

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PLAN VIEW - 1ST FLOOR (LEFT)PLAN VIEW - BASEMENT (UP)

ON THE RIGHT PAGE:3D RENDER (UP)

NORTHERN VIEW (MIDDLE)WESTERN VIEW (DOWN)

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25“Freedom” and origami technique later led to form-ing the general shape of the plan view as the “God’s eye”. This strategy gave as a designing result a more organic approach that would embrace the old church (by circling the old building) and also create an inner yard for the believers to meet after the cere-mony and catch up. So, in a sense, the feeling of the old neighborhood habbits wanted to be maintained.The designing process of the new church was guid-ed by interpreting the term “new” and the study of the light. Christian church architecture handles light with restraint. Minimum openings, mostly at the upper part of the building allows light to enter the

church with caution.Moving on to the new building, ground fl oor con-tains the uses of the Byzantine painting and music, the big multi-purpose room and the coff ee shop/ restaurant. The layout of the fl oor plan is treated as an open plan that could welcome diff erent activities and gatherings. The building’s entrance faces the new church and the big yard. There is also a smaller lodge, this of the priests, where the appropriate pri-

vacy is given.First fl oor includes a Byzantine library, a seating and reading area, one more classroom and the ad-

ministration offi ces.The “economy” of design includes the one of the materials. The concrete, washed (in fl oors and outer courtyard) or fair-face ,that adornes the facades of the buildings, follows the same color palette inten-tionally. Color appears only in the courtyard area,

where red marble tiles create organic motifs. Planting also has not followed a waste-ful strategy. Clumps of trees and bushes develop around the site and allows pedestrians and the users

themselves of rest and fresh air.

PLAN VIEW - GROUND FLOOR (LEFT)PLAN VIEW - FIRST FLOOR (UP) PLAN VIEW- 1ST BASEMENT (MIDDLE)PLAN VIEW- 2ND BASEMENT (DOWN)

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BIOCLIMATIC DESIGN PROCESSESTHE ARCHITECT’S

HOUSE The project focuses on the analysis and design of a small architect’s house at the mountains of Limassol, Cyprus. Green architecture features are to be added

on the design process.

ARCHITECTURE

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EAST VIEW (LEFT)PLAN VIEW (UP)SECTION A-A (RIGHT) & NATURAL LIGHTING ANALYSIS THROUGHOUT THE YEAR

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FRONT VIEW (UP) PLAN VIEW (DOWN)

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32 covered by a semi-translucent Per-spex sheet (18mm)

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3D RENDER VIEWSphotorealistic approach of the constructural details

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IDEA SKETCHES (UP & DOWN)3D RENDER (LEFT)

photorealist views of the details

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e f c h a r i s t óe f c h a r i s t óe f c h a r i s t ó _ e f c h a r i s t ó_ e f c h a r i s t ó(THANK YOU)