portfolio kazuya uchida

Kazuya Uchida

works

Address. Spaarstraat 19,1000 BRUSSEL

Tel. +32(0)483458975

Email.　 [email protected]　　　 06.07.1989 in Saitama, Japan

内田　和也Kazuya Uchida

Dancing topography－topography and history, elements for adding spice－

Diploma in Chiba University 2/2012 “Excellent prize”

Address. Spaarstraat 19,1000 BRUSSEL

Tel. +32(0)483458975

Email.　 [email protected]　　　 06.07.1989 in Saitama, Japan

内田　和也Kazuya Uchida

ground floor GL-2000~01st floor GL0~30008th floor GL38000~39500

7th floor GL32000~38500 4th floor GL9000~170005th floor GL20500~24000

LibraryGL 0

Reading roomGL-2000

InformationGL 0

Fashion shopGL0

InformationGL +3000

GymGL+39500

Changing roomGL+39500

Heated poolGL+38000

Hot bathGL+39200

Stone saunaGL+39500

ParkGL+32000~38500

ExhibitionGL+32000~38500

TerraceGL+32000~38500

SeatGL+9000~13000　

TheaterGL+9000

CatwalkGL+13000

ExhibitionGL+24000

TerraceGL+20500

Concert hallGL+20500

PresentーstoreJomon periodーbath Edo periodーpark Syowa periodーmini theaterTaisyo periodーconcert hall Futureーlibrary

Vertical Boulevard

connected elevation

The building composed by slope will produce the vertical sidewalk continuing with the city. Changing angle of the view,

surrounding buildings,

represented by the red and purple

in the diagram at the bottom right

Dougenn Street Bunn

kam

ura

Stre

et

Public bath City Park TheaterConcert Hall Store Library

Plot plan 1:3000

I think the slope makes shibuya attractive.

And in this building, the form is continuously changing due to the function which was extracted from

the history of Shibuya.

Visitors to this facility, tour the history of Shibuya from present to the past as walking this building.

This is an archive of history. And the attraction of shibuya is represented in this facility.

Archive of history

Respect for the power of land

Memory of ground Hidden history Dig up

□respect for tpografy

□dig up the history　　

“slope”

“history of Shibuya”→ superimpose past on present

stucking history like slopes

かつての岬。

太古の昔、東京の低地の

大部分は海に沈んでいた。

明治新政府により武家屋敷が

桑畑や茶畑へと変貌する。

さらに新しい農業•牧畜のための

官用地が設けられていく。

パルコ劇場を中心とし、渋谷公会堂や

小劇場ジャンジャンへの来客があり、

駅から離れたところにまで活気が

広がる。

QFRONT やマークシティにより

再度中心が駅へと向かう。

震災の復興によりできた百軒店。

数々のジャズ喫茶•ロック喫茶が

軒を連ねる。

Theater

Parco theater

Concert hall

NHK hall

Superimpose history on the elements scattering in Shibuya now

Fashion

１０９

Tableland Valley

Yoyogi park

Jomon transgression

Station

Cultural Map at Shibuya

Showaーmini theater

Presentーstore

Futureーlibrary

Jomonーbath

Taisyoーconcert hall

Edoーpark

8th floor GL38000~39500

4th floor GL9000~17000

7th floor GL32000~38500

1st floor GL0~3000

ground floor GL-2000~0

5th floor GL20500~24000

Buildings standing like forest with concealing the groundRespect of the history only around its footDuplication of typical planI have doubts about that sort of thing all the time.How can we add spice to a building which looks expressionless?

ground floor GL-2000~01st floor GL0~30008th floor GL38000~39500

7th floor GL32000~38500 4th floor GL9000~170005th floor GL20500~24000

LibraryGL 0

Reading roomGL-2000

InformationGL 0

Fashion shopGL0

InformationGL +3000

GymGL+39500

Changing roomGL+39500

Heated poolGL+38000

Hot bathGL+39200

Stone saunaGL+39500

ParkGL+32000~38500

ExhibitionGL+32000~38500

TerraceGL+32000~38500

SeatGL+9000~13000　

TheaterGL+9000

CatwalkGL+13000

ExhibitionGL+24000

TerraceGL+20500

Concert hallGL+20500

PresentーstoreJomon periodーbath Edo periodーpark Syowa periodーmini theaterTaisyo periodーconcert hall Futureーlibrary

Vertical Boulevard

connected elevation

The building composed by slope will produce the vertical sidewalk continuing with the city. Changing angle of the view,

surrounding buildings,

represented by the red and purple

in the diagram at the bottom right

Dougenn Street Bunn

kam

ura

Stre

et

Public bath City Park TheaterConcert Hall Store Library

T h e a i m o f t h i s p r o p o s a l i s t o c r e a t e a 3 - d i m e n t i o n a l n e t w o r k o f b o t h h u m a n b e i n g s a n d u r b a n e n v i r o n m e n t i n N Y C , w h e r e t h e b u i l d i n g s a n d g r o u n d a r e s e p a r a t e d b e c a u s e o f t h e h i s t o r i c a l u r b a n s t r a t e g y c a l l e d G R I D S Y S T E M . T h i s i s a n a r c h i t e c t u r a l i n t e r v e n t i o n b y u s i n g “ 3 - D I M E N T I O N A L W O O D E N G R I D ” , w h i c h m a k e s t h e m o s t o f e x i s t i n g u r b a n s t r u c t u r e a n d a t t e m p t s t o c r e a t e t h e i m a g e o f “ f u t u r e c i t y t h a t i m b u e d w i t h h i s t o r y ” .

3-dimentional wooden Urban-scape

NEW YORK CITYVISION COMPETITION 6/2012 “Honorable Mentions”

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■BACKGROUND

In 1811, the government of NYC enacted the “GRID SYSTEM” that has permanently realized the concept of “vertical growth” and “open space on the ground” . It is an attractive outline of NYC toward future. On the other hand, it also restricts the further growth of City structure. And then, at the present time, the ground and skyscrapers are completely separated. There is no way to figure out what is happening inside those buildings unless they are similar to the ground level. Can we overturn this situation to a new network by the architectural intervention?

FRESH AIR

detailed section

2250

SKELTON MODULOR INTERCHANGERABLE IN FILL

■3-DIMENTIONAL WOODEN GRID

■3-DIMENTIONAL WOODEN CITYWe insert the system of “3-DIMENTIONAL WOODEN GRID” multi-directionally in skyscrapers in NYC and create the unprecedented network of human beings and urban environment. “3-DIMENTIONAL WOODEN GRID” takes off the opaque skins of the existing buildings and connects adjacent buildings. That operation helps people to observe the inner parts of buildings and to create new relationships among the isolated buildings.

“3-DIMENTIONAL WOODEN GRID”, which consist of “Modular”, gives “human scale” to the scale out Skyscraper, create voids penetrating spirally into buildings, and connect isolated buildings as a bridge as well.In addition, the unit of “WOODEN GRID” is interchangeable, which means that people can easily do an enlargement of a building.

FRESH AIR

detailed section

2250

SKELTON MODULOR INTERCHANGERABLE IN FILL

■3-DIMENTIONAL WOODEN GRID

■3-DIMENTIONAL WOODEN CITYWe insert the system of “3-DIMENTIONAL WOODEN GRID” multi-directionally in skyscrapers in NYC and create the unprecedented network of human beings and urban environment. “3-DIMENTIONAL WOODEN GRID” takes off the opaque skins of the existing buildings and connects adjacent buildings. That operation helps people to observe the inner parts of buildings and to create new relationships among the isolated buildings.

“3-DIMENTIONAL WOODEN GRID”, which consist of “Modular”, gives “human scale” to the scale out Skyscraper, create voids penetrating spirally into buildings, and connect isolated buildings as a bridge as well.In addition, the unit of “WOODEN GRID” is interchangeable, which means that people can easily do an enlargement of a building.

OFFICEOFFICE

OFFICECOMMERCE

OFFICE

OFFICEOFFICEOFFICE

OFFICEOFFICEOFFICEOFFICEOFFICE

HOUSING

HOTELHOTELHOTELHOTEL

COMMERCE

COMMERCE

COMMERCE

RESTAURANT

Heat exhange system

Housing,Commerce, Office

EXPLORE SKYSCRAPER!!

section S=1:400

EXTRACT the activity hidden inside the building COMBINE the buildings with wooden grid buildings and ground are separated

■INSERTION

“3-DIMENTIONAL WOODEN GRID” enables people not only to climb the Skyscraper , but also to communicate through out building layer and adjacent buildings. Furthermore, several function such as commercial, offices, and housing might be mixed and that cause people having multi-work life balance.

It can also replace the buildings’ facilities which are difficult to renew. The Voids provide natural ventilation while the Bridges provide heat exchange system. In other words, it generates sustainable urban-scape.

Renovation project in Toride, Japan 5‒11/2011

art－OS

Renovation project in Toride, Japan 5‒11/2011

art－OS

before

working

after

TAP :TORIDE ART PROJECT(art NPO)取手市を中心に活動する NPO 法人 TAP。

以前使っていた事務所が東日本大震災の影響により使えなくなる。

その新事務所として取手駅西口近くのかつて塾として使われていた物件が選ばれた。

今回、老朽化したこの物件を事務所として使用するための改修計画の提案、そして施行を行った。

１階は現代美術家の活動拠点、２階は TAP のオフィスとイベントスペースとして計画した。

－2 strategy for renovation－

Separating space

Relationship of seeing and showing

Separating spaces by finishing, we created the two areas for events and daily use.

Creating openings in the boundary, we connected inside and outside of the building, sacred and secular.

art×open space

Big Window opening to the town

駅に近い立地、市民へ開いたイベントスペース、ギャラリー、

バーを活かす為に積極的に外へ開く。

木造の物件であることの利点を活かし、開口を開けていく。

この開口は部屋同士、建物の内側と外側に見る見られるの

関係をつくりだす。

昼間はイベントの様子、夜はバーへ誘う光が街へと流れていく。

Two Faces of spaces

ギャラリーとイベントスペースをコアと考える。

コアの内側と外側の壁面に異なる操作を行う。

内側：既存の壁に石工ボードを貼り白くきれいに仕上げ、

展示やプロジェクターなどの為のホワイトキューブをつくる。

外側：既存の壁をはがし、柱の間に棚をつくる。

オフィスやイベントスペースの為の収蔵空間。800

4100

200

700

700

1520

1820

1820

1215

6375

285 1820 1820 910 1820 1820 1820 455 1100

11850

285 1820 1820 910 1820 1820 1820 455 1100

11850

窓枠：堅木OP

窓枠：既存OP

窓枠：既存OP

窓枠：既存OP

壁面収納

収納

蹴込

壁：石膏ボードOP

新規枠：堅木OP

床：既存長尺シートクリーニング

収納内部：既存のまま

壁面収納柱•筋交：既存現し

外壁：既存サイディング高圧洗浄のうえ塗装

階段：既存クリーニングOSCL

bargallery

entrancekitchen

wc

corridor-1shipping door

Making shipping door by creating an opening in the boundary, we shortened the distance between the inside and outside of building.

Making shipping door by creating an opening in the boundary, we shortened the distance between the inside and out-side of building.

Taking advantage that it is a wooden building, we widened openings to show the situation of inside of building to outside.

Putting plaster board to the existing wall and paintingwhite, we created white cube suitable as the exhibition room.

Peeling off the ceiling, We took large floor height.And lighting of bar was took place using the revealed beams.

Ground FloorComtemporary Artist

800

4100

200

700

700

1520

1820

1820

1215

6375

285 1820 1820 910 1820 1820 1820 455 1100

11850

285 1820 1820 910 1820 1820 1820 455 1100

11850

窓枠：堅木OP

窓枠：既存OP

窓枠：既存OP

窓枠：既存OP

壁面収納

収納

蹴込


新規枠：堅木OP

床：既存長尺シートクリーニング

収納内部：既存のまま



階段：既存クリーニングOSCL

bargallery

entrancekitchen

wc

corridor-1shipping door

Making shipping door by creating an opening in the boundary, we shortened the distance between the inside and outside of building.

Making shipping door by creating an opening in the boundary, we shortened the distance between the inside and out-side of building.

Taking advantage that it is a wooden building, we widened openings to show the situation of inside of building to outside.

Putting plaster board to the existing wall and paintingwhite, we created white cube suitable as the exhibition room.

Peeling off the ceiling, We took large floor height.And lighting of bar was took place using the revealed beams.

Ground FloorComtemporary Artist

6375

910

910

910

1820

1215

610

6375

285 1820 1820 910 1820 1820 1820 455 1100

11850

窓枠：既存OP

新規開口

打合せ

コピー機

新規机

棚

プリンタ壁：石膏ボードOP


新規枠：堅木OP床：既存長尺シートクリーニング

窓枠：堅木OP

窓枠：堅木OP 窓枠：堅木OP壁面収納柱•筋交：既存現し


壁面収納筋交：既存現し

窓枠：堅木OP


event spaceoffice

corridor-2

We repaired outer wallwith widening openings.

Representing braces by peeling off the existing wall, we made a storage space by making a shelves between the braces.

Representing braces by peeling off the existing wall, we made a storage space by making a shelves between the braces.

Putting plaster board to the existing wall and painting white, at the time of the event, it is also used as a projection surface.

Creating openings in the boundary, we connected rooms together.

Creating openings in the boundary, it became possible to show the situation of inside when they have event.

1st FloorTAP-NPO

Relationship for Future TownProposal for Wenduine, Belgium 9‒1/2013

garage for atelierback garden back gardenpocket space pocket spaceroadshare garden share garden

garage for o�ce

garage for atelier pocket space pocket spacegarage for o�ce

E�ect of sunlight angleVisible townBy Pocket space, Share garden, some changes will happen

in housing, garage and window. Main purpose of this

intervention is changing housings more visible one and

reveal character of this town.

Gradual ChangingSpace will be continuous one. From road to share garden

and to pocket space, because road is carved one, eyes go to

these space naturally. And they have eye connection outside

to housing. Because there is visible garage, may be it express

residents’ characteristic and living most clearly.

Space will be continuous one. From road to share garden and to pocket space, because road is carved one, eyes go to these space naturally. And they have eye connect ion out s ide to housing. Because there is visible garage, m a y b e i t e x p r e s s r e s i d e n t s ’ characteristic and living most clearly.

Public

Semi-Public

Private

Semi-Private

Analysis Public-Private3step for Communication

Pocket space

Share garden

Renovation works on garage

New visible functions

Di�erent sca l eSame operation

S-scaleM-scale

About WenduineWenduine situated on the Flemish coast and this area has some problem because of its character,

touristic and aging society. Many housing are used as a “second residence” for holidays.

To sustain this city, promoting young people to move here as new residents and putting new

elements are needed. It means not only promoting young people but also making new

relationship. Local residents will hate young without relationship because of di�erent generation

of culture.

My key word should be relationship

3.changing in housing

0.existing situation 1.introduceparatransit 2.improve residence area

4.new relationship

car map

location

isolation area

bus map

tram map

After Great Tohoku earthquake “3.11” , we must recall the idea of former TAKAGETA.

From now on we need a flexible modest renovation idea such as TAKAGETA, rather than large-scale re-development suppressing nature.

Suggesting urban development to coexist with nature, we will hand over scenery of ordinary town as precious things.

TAKAGETA town

Architectural Institute of Japan competition 6/2012 “Honorable mention prize”

After Great Tohoku earthquake “3.11” , we must recall the idea of former TAKAGETA.

From now on we need a flexible modest renovation idea such as TAKAGETA, rather than large-scale re-development suppressing nature.

Suggesting urban development to coexist with nature, we will hand over scenery of ordinary town as precious things.

TAKAGETA town

Architectural Institute of Japan competition 6/2012 “Honorable mention prize”

not Severance but Inheritance

Learn from TAKAGETA

Severance of community by huge bank

既存の街並みを一掃し、大量の盛土をすることで水害に強い街をつくる計画。

建物だけでなく、コミュニティを初めからつくり直さなければならない。

new ground

Inheritance of community with TAKAGETA

既存の街並みを維持しながら、足場を組んでいく。

小規模な建築行為を繰り返すことで、かけがえのない街の風景と

コミュニティを維持しながら、災害に強い街を形成していく。

new ground level

foothold for 3D alley

敷地は東京都江戸川区、北小岩地区。この敷地及び周辺地域は江戸時代以降、東京湾を埋め立てることで

居住地を拡大してきた。また、海抜が低いため、豪雨や河川の氾濫などによって度々、洪水に見舞われている。

Low sea level area

0.5~1.0m未満

0.5m未満

1.0~2.0m未満

2.0~5.0m未満

地域防災区域

Huge bank

事業完了

事業中

事業化準備中

江戸川、荒川、中川のスーパ＝堤防の範囲

旧江戸川、新中川のスーパー堤防の範囲

Problem of disaster prevention

地域防災区域

避難経路

Kitakoiwa in Tokyo

±0m

1.0

1.0

2.0

2.0

3.0

3.0

3.0

4.0

4.0

4.0

5.0

対象地

TAKAGETA are traditional Japanese footwear with an elevated

wooden base to keep the foot well above the ground. Sometimes

TAKAGETA are worn in rain or snow to keep the feet dry, due to

their extra height.

Instead of changing the ground to asphalt, by a modest device,

we've accepted and coexisted with nature.

空家となった住宅が、取り残されることを防ぐため、防災拠点及び地域のコミュニティ空間としての利用を考える。

空家になった建物が行政側の事業展開によって壊される。

事業予算を、空家の改修に充てることで、地域の防災拠点とコミュニティースペースを確保する。

歯抜けになってしまった空地に、地域の防災拠点を設ける。日常では地域のコミュニティーの拠点として機能する。

立体的路地は避難経路、そして町を再認識し、新たなコミュニティーや、人々の行動を誘発する役割を持つ。

地域のコミュニティー拠点の場所が、水害や震災時には避難場所として使われる。

＋

地域住民

スーパー堤防事業計画により、行政側の土地の買収が行われ、長年住んでいた人たちが引っ越す。

Land purchase

空家を取り壊す時、排出された建材を同地域で避難経路に再利用する。

スーパー堤防事業の中断により、町中に空地や空家が散在し歯抜けの町になる。

Intervention for vacant lands and alleys Shelter for disaster

空地、及び空家に防災拠点（コミュニティスペース）を設け、それらを木造の立体路地でつないでいくことで、迅速な避難と街並みの保全を可能にしていく。

Connection of Shelters with 3D alleys

Based on flood control alternative to huge bank, ensuring shelter, outflow of local residents, problem of increasing vacant

houses and spaces, our proposal is aiming to keep scenery of town and community by continuing modest architectural

interventions, rather than large-scale re-development.

TAKAGETA town planing

空家となった住宅が、取り残されることを防ぐため、防災拠点及び地域のコミュニティ空間としての利用を考える。

空家になった建物が行政側の事業展開によって壊される。

事業予算を、空家の改修に充てることで、地域の防災拠点とコミュニティースペースを確保する。

歯抜けになってしまった空地に、地域の防災拠点を設ける。日常では地域のコミュニティーの拠点として機能する。

立体的路地は避難経路、そして町を再認識し、新たなコミュニティーや、人々の行動を誘発する役割を持つ。

地域のコミュニティー拠点の場所が、水害や震災時には避難場所として使われる。

＋

地域住民

スーパー堤防事業計画により、行政側の土地の買収が行われ、長年住んでいた人たちが引っ越す。

Land purchase

空家を取り壊す時、排出された建材を同地域で避難経路に再利用する。

スーパー堤防事業の中断により、町中に空地や空家が散在し歯抜けの町になる。

Intervention for vacant lands and alleys Shelter for disaster

空地、及び空家に防災拠点（コミュニティスペース）を設け、それらを木造の立体路地でつないでいくことで、迅速な避難と街並みの保全を可能にしていく。

Connection of Shelters with 3D alleys

Based on flood control alternative to huge bank, ensuring shelter, outflow of local residents, problem of increasing vacant

houses and spaces, our proposal is aiming to keep scenery of town and community by continuing modest architectural

interventions, rather than large-scale re-development.

TAKAGETA town planing

屋根が寄り集まる路地では立体街路は少し幅を

広げ、路地を横断し町をつなげていく。

Connect alleys道幅の狭い路地では立体街路は幅を狭め、ひさ

しのような機能を持ちながら、建物同士をつな

げる。

Connect buildings町にできた歯抜けの空き地では立体街路は上へ

伸び、浸水時の避難場所をつくる。

立体街路は空き家にも侵入し公共空間をつくる。

Modest renovation立体街路は建物のアクティビティを外へ溢れ出

させる。そのアクティビティは路地に広がり町

の活気となる。

Create activities立体街路に上ることで人々は町並みを新しい視

点から眺めることで町の見方を変える。その視

線の先には堤防で隠され始めた川が見える。

Create new view points

vertical circulatio and view points to town

2500

～30

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1000 ～ 1500

2500

～30

00

1000

2500

～30

00

1000 ～ 2000

2500

～30

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2500 ～

木デッキ：t=30

柱：105 角

束石

横架材：50×100

斜材：50×100

１ｍ

２ｍ

３ｍ

４ｍ

５ｍ

1：400

Nflood level and floor level

Bank level

New ground level

Ground level

CHIBA University design faculty building renovation competition 8/2010 “Second prize”

Display of Design faculty

CHIBA University design faculty building renovation competition 8/2010 “Second prize”

Display of Design faculty

5300

2650

1560

1090

5300

2050

600

1560

1090

500

500

1st Floor Plan

2nd Floor PlanFuturePast

Portfolio of graduates

Design books

Installation

Display of excellent worksEvent, Competition

Flyer, Poster

800

120048006000 1500 500 4000 3800

1100

2700

2700

200

200

500

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040

040

035

0

order Circulation and solve Dead Space

混雑していたエントランス、誰にも使われない一階奥、二階の全体の空間。

使っていないスペースが無いように、それぞれにしっかりと役割を与えることで空間全体を活かす。

Conversation space

入り口、教室側を向いて座るソファを設置し、

一人でも気軽に座りやすく、目線的、

動線的にも不安感を少なくできる。

先輩、卒業生のポートフォリオがコース

ごとに分類されて置かれていてデザイン

学科生徒は参考にでき、他学科の生徒は

デザイン学科をより知ることができる。

Control circulations

今までこの位置、複数動線の交点上で、

立ち話、混雑が多く発生してしまっていた

のを解消する柱。

柱により空間を談話スペースと動線に整理

する。

また最も目に入りやすい位置なのでサイン、

展示、姿見など様々に利用することができる。

Space for idea

吹き抜けを見おろせるようにテーブルと椅子

を配置し、読書、ノートパソコンなどを使い

ゆっくりとアイデアを考えられる。

一階のわいわいした談話スペースとは違った

使い方を想定。

人の流れの多いエントランスが作品をみる

ことができて飽きない空間となる。

Connection between floors

吹き抜けを設けることでエントランスを明るく

生まれ変わらせる。

閉塞感があり、薄暗かった空間が採光と

ライトで一新する。さらに吹き抜けは見る

見られるの関係をつくり、上下をつなぐ。

また、高さを利用した、インスタレーション

や作品集の展示も計画する。

Entrance of Design faculty building, it is the face of of it.

Two approach of "showing" the face,

we show the "designed" and "designing".

Display “designed”Providing entrance with light by making atrium at the entrance, create exhibition space.

Display “designing”Exhibit daily activities by creating work space and conversation space.

Changing display

デザイン学科の作品が動線上で時間軸に

沿って感じられる。

Out▶In：Pileing of Design

In▶Out：Desing from past to future

250

850

200

380

520

300

West Elevation

East Elevation

“Display of Design faculty”

portfolio kazuya uchida

Documents