point of view in the cinema | de gruyter

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Branigan, Edward Point of View in the Cinema DE GRUYTER MOUTON My Content (1) My Searches (0) (0) SEE ALL FORMATS AND PRICING TABLE OF CONTENTS Frontmatter Chapter 1 The Problem of Point of View Chapter 2 Film as System Chapter 3 Narration Chapter 4 Subjectivity Chapter 5 The Point-of-view Shot Chapter 6 Character Reflection and Projection Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film Chapter 8 Metatheory Appendix Orthodox Theories of Narration Suggested Further Reading Index Backmatter Frontmatter Pages I-XVI Chapter 1 The Problem of Point of View Pages 1-28 Chapter 2 Film as System Pages 29-40 Chapter 3 Narration Pages 39-72 Chapter 4 Subjectivity Pages 73-102 Chapter 5 The Point-of-view Shot Pages 103-121 Chapter 6 Character Reflection and Projection Pages 122-142 Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's The Story of a Man Who Left His Will on Film Pages 143-167 Chapter 8 Metatheory

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  • Branigan, Edward

    Point of View in the CinemaDE GRUYTER MOUTON

    My Content (1) My Searches (0)

    (0)

    SEE ALL FORMATS AND PRICING

    TABLE OF CONTENTS

    Frontmatter

    Chapter 1 The Problem of Point ofView

    Chapter 2 Film as System

    Chapter 3 Narration

    Chapter 4 Subjectivity

    Chapter 5 The Point-of-view Shot

    Chapter 6 Character Reflection andProjection

    Chapter 7 The Modern Text:Subjectivity under Siege fromFellini's 8 1/2 to Oshima's TheStory of a Man Who Left His Willon Film

    Chapter 8 Metatheory

    Appendix Orthodox Theories ofNarration

    Suggested Further Reading

    Index

    Backmatter

    Frontmatter

    Pages I-XVI

    Chapter 1 The Problem of Point of View

    Pages 1-28

    Chapter 2 Film as System

    Pages 29-40

    Chapter 3 Narration

    Pages 39-72

    Chapter 4 Subjectivity

    Pages 73-102

    Chapter 5 The Point-of-view Shot

    Pages 103-121

    Chapter 6 Character Reflection and Projection

    Pages 122-142

    Chapter 7 The Modern Text: Subjectivity under Siege from Fellini's 8 1/2 to Oshima's TheStory of a Man Who Left His Will on Film

    Pages 143-167

    Chapter 8 Metatheory

  • Comments (0)

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    Pages 168-189

    Appendix Orthodox Theories of Narration

    Pages 190-230

    Suggested Further Reading

    Pages 231-232

    Index

    Pages 233-246

    Backmatter