poetry class introduction aiden yeh, ph.d. wenzao ursuline college of languages

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Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

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Page 1: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Poetry ClassIntroduction

Aiden Yeh, Ph.D.Wenzao Ursuline College of Languages

Page 2: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Lesson Outline

What Poetry is and what it is not: An Introduction

How to write poetry How to read poetry How to memorize poetry Workshop: Creating individual blogs

Page 3: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Becoming a poet

http://www.cartoonstock.com/directory/w/writing_poetry.asp

Page 4: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

http://24.media.tumblr.com/tumblr_m8d5tiNmDK1rt7wb5o1_1280.jpg

Page 5: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

What is Poetry?

Poetry is not a turning loose of emotion, but an escape from emotion; it is not the expression of personality, but an escape from personality. But, of course, only those who have personality and emotions know what it means to want to escape from these things. T.S. Eliot

Page 6: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Can everyone write poetry?

Most people ignore most poetry because most poetry ignores most people. 

Adrian Mitchell

Page 7: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Can you force it on people?

Ordering a man to write a poem is like commanding a pregnant woman to give birth

to a red-headed child. Carl Sandburg

Page 8: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

What’s the Catalyst?

At the touch of love everyone becomes a poet. Plato

Page 9: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Can you write it?

Poetry is a deal of joy and pain and wonder, with a dash of the dictionary. Kahlil Gibran

Page 10: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Can you make a living out of poetry?

There's no money in poetry, but there's no poetry in money, either. Robert Graves

Page 11: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Indeed…

Poetry is not a profession, it is a destiny. Mikhail Dudan

Poetry isn’t a profession, it’s a way of life. It’s an empty basket; you put your life into it and

make something out of that. Mary Oliver

Page 12: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

So why write poetry?

We don't read and write poetry because it's cute.  We read and write poetry because we are members of the human race.  And the human race is filled with passion.  And medicine, law, business, engineering, these are noble pursuits and necessary to sustain life.  But poetry, beauty, romance, love, these are what we stay alive for.  

from Dead Poet's Society

Page 13: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Poetry is all that is worth remembering in life. William Hazlitt 

 

Page 14: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

How do you write poetry

Poetry, unlike other literary forms, focuses most sharply on language itself. The music of words, how they sound, how their sounds flow and mix and form musical patterns are vital to poetry.  

Page 15: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

How do you write poetry

Writer A.S. Rosenthal said, “Far from being incidental, qualities of sound and rhythm give a poetic work its organic body.”

Page 16: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

A Silly Poem

Said Hamlet to Ophelia,I'll draw a sketch of thee,

What kind of pencil shall I use?2B or not 2B? 

Spike Milligan

http://www.poemhunter.com/poem/a-silly-poem/

Page 17: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

How do you write poetry

Poets must use all the physical attributes of words: their sound, size, shape, and rhythms.

Page 18: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Imagery

If the music of poetry is its life-blood, images give poetry its soul.

Page 19: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Although you can write a successive poem without imagery, the best poems come alive with simile, metaphor, symbolism, and use of personification.

Page 20: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Imagery

Keep in mind that imagery is the language of dreams.

When you write with imagery you bring the magic and mystery of dreamscapes to your writing.

As poet, William Greenway, said “images can communicate the unsayable, so show don’t tell.” 

Page 21: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

http://b.vimeocdn.com/ts/275/710/275710786_640.jpg

Page 22: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Rhythm Rhythm can be defined as the flow of stressed and

unstressed syllables to create oral patterns. To achieve rhythm, English poets have traditionally counted three things: 

1. the number of syllables in a line 

2. the number of stressed or accented syllables 

3. the number of individual units of both stressed and unstressed syllables. 

Page 23: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Rhyme According to Webster’s Dictionary, rhyme is “ a regular recurrence of

corresponding sounds” which occurs usually at the end of a line. There are three main types of end-rhymes: 

1. True rhyme (also called masculine) occurs exactly on one stressed syllable.EX. car, far 

2. Feminine rhyme uses words of more than one syllable and occurs when the accented syllable rhymes.EX. buckle, knuckle 

3. Off-rhyme or Slant Rhyme occurs when words sound very similar but do not correspond in sound exactlyEX. down, noon 

From: http://www.bloomington.in.us/~dory/creative/class5.html Additional Reference: http://www.electpress.com/loveandromance/page100.htm 

Page 24: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

THE VEGGIE LION BY SPIKE MILLIGAN

I’m a vegetarian Lion,I’ve given up all meat,

I’ve given up all roaringAll I do is go tweet-tweet.

I never ever sink my clawsInto some animal’s skin,

It only lets the blood run outAnd lets the germs rush in.

I used to be ferocious,I even tried to kill!

But the sight of all the bloodmade me feel quite ill.

I once attacked an ElephantI sprang straight at his head.

I woke up three days laterIn a Jungle hospital bed.

Now I just eat carrots,They’re easy to kill,

‘Cos when I pounce upon them,They all remain quite still!

Page 25: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

6 Traits of Poetry Writing

1. The Idea – the heart of your poem, point of your message 

2. The Organization – the internal structure

3. The Voice – evidence of the writer behind the message 

4. The Word Choice – the vocabulary or terminology used

5. The Fluency – the rhythm and flow - how it plays to the ear 

6. The Form – the mechanical structure and correctness there of 

Page 26: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

1. A poem should flow naturally - be flowing and easy reading

2. It should have rhythmic symmetry – there should be a correspondence rhythm with in the poem

3. Effective rhyming add to overall beauty and quality of poem – finding the correct corresponding rhyme makes for a better poem 

Page 27: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

http://amydot90.files.wordpress.com/2012/03/20120318-173650.jpg

Page 28: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Get down on it!

Page 29: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

The Subject

http://www.buzzle.com/articles/writing-poetry-how-to-write-a-poem.html

Page 30: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

The Feeling

http://www.buzzle.com/articles/writing-poetry-how-to-write-a-poem.html

Page 31: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

The Mood

http://www.buzzle.com/articles/writing-poetry-how-to-write-a-poem.html

Page 32: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

The Style

Page 33: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

The Audience

Page 34: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Helpful Tips

Page 35: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Helpful Weblinks

http://www.rhymezone.com/ http://thesaurus.com/ http://www.forvo.com/ (pronunciation of diffic

ult words)

Page 36: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Get down on it!Aiden Yeh

Procrastinate!That’s what I do.When things get blurryI don’t know what to do-Making me feel totally inadequate!

How do I write poetryWhen words escape me,running off the millLeaving me with nothingBut a brain that’s empty.

To write or not to write,Perhaps, I’d better stop and call it a night.There’s no point of feeling uptight.Tomorrow may be a better day to get down on it,And finally do it right!

12:27Kaohsiung

Page 37: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Read it out loud Read the poem slowly. Most adolescents speak

rapidly, and a nervous reader will tend to do the same in order to get the reading over with. Reading a poem slowly is the best way to ensure that the poem will be read clearly and understood by its listeners. Learning to read a poem slowly will not just make the poem easier to hear; it will underscore the importance in poetry of each and every word. A poem cannot be read too slowly, and a good way for a reader to set an easy pace is to pause for a few seconds between the title and the poem's first line.

http://www.loc.gov/poetry/180/p180-howtoread.html

Page 38: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Read in a normal, relaxed tone of voice. It is not necessary to give any of these poems a dramatic reading as if from a stage. Read in a natural and colloquial style. Let the words of the poem do the work. Just speak clearly and slowly.

http://www.loc.gov/poetry/180/p180-howtoread.html

Page 39: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Use a dictionary to look up unfamiliar words and hard-to-pronounce words. To read with conviction, a reader needs to know at least the dictionary sense of every word. In some cases, a reader might want to write out a word phonetically as a reminder of how it should sound. It should be emphasized that learning to read a poem out loud is a way of coming to a full understanding of that poem, perhaps a better way than writing a paper on the subject.

http://www.loc.gov/poetry/180/p180-howtoread.html

Page 40: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Read it more than once. Listen to your voice, to the sounds the words make. Do you notice any special effects? Do any of the words rhyme? Is there a cluster of sounds that seem the same or similar? Is there a section of the poem that seems to have a rhythm that’s distinct from the rest of the poem? Don’t worry about why the poem might use these effects. The first step is to hear what’s going on. If you find your own voice distracting, have a friend read the poem to you.

http://www.poets.org/viewmedia.php/prmMID/19882

Page 41: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

What determines where a line stops in poetry?

Lines are often determined by meaning, sound and rhythm, breath, or typography. 

The relationship between meaning, sound, and movement intended by the poet is sometimes hard to recognize, but there is an interplay between the grammar of a line, the breath of a line, and the way lines are broken out in the poem—this is called lineation. 

http://www.poets.org/viewmedia.php/prmMID/19882

Page 42: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Lines that end with punctuation, called end-stopped lines, are fairly simple.

In that case, the punctuation and the lineation, and perhaps even breathing, coincide to make the reading familiar and even predictable.

Page 43: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

But lines that are not end-stopped present different challenges for readers because they either end with an incomplete phrase or sentence or they break before the first punctuation mark is reached.

The most natural approach is to pay strict attention to the grammar and punctuation. Reading to the end of a phrase or sentence, even if it carries over one or several lines, is the best way to retain the grammatical sense of a poem.

Page 44: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Talking back to a poem Who is the speaker? What circumstances gave rise to the poem? What situation is presented? Who or what is the audience? What is the tone? What form, if any, does the poem take? How is form related to content? Is sound an important, active element of the poem? Does the poem spring from an identifiable historical moment? Does the poem speak from a specific culture? Does the poem have its own vernacular? Does the poem use imagery to achieve a particular effect? What kind of figurative language, if any, does the poem use? If the poem is a question, what is the answer? If the poem is an answer, what is the question? What does the title suggest? Does the poem use unusual words or use words in an unusual way?

Page 45: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

http://www.englishcompanion.com/pdfDocs/howtoreadpoem.pdf

Page 46: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Shel Silverstein

Page 47: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Reading Practice

http://www.poets.org/viewmedia.php/prmMID/19883http://acerminaro.blogspot.tw/2012/01/red-wheelbarrow.html

Page 48: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

1759-1796

http://www.poetryfoundation.org/poem/173068

http://www.youtube.com/watch?v=jggPFamB9Ok

Page 49: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

How to memorize poems Read and say the poem over, slowly, aloud. With an index card, cover everything but the first line of the

poem. Read it. Look away, see the line in air, and say it. Look back. Repeat until you’ve “got it.”

Uncover the second line. Learn it as you did the first line, but also add second line to first, until you’ve got the two.

Then it’s on to three. Always repeat the first line on down, till the whole poem sings.

With the poem now internalized, you are freed to perform it. This is to find the voice(s) of the poem, to find yourself there, and the poet, and to relate to the audience.

http://poetry.about.com/cs/textarchives/ht/howmemorizepoem.htm

Page 50: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Task: Try Memorizing

‘Mask’ by Shel Silverstein

Page 51: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

Tasks

Create a blog account: blogger.com On your blog, try writing a short poem about

the following themes: Difficulty in writing Writing poetry Feelings toward this course Or on something relevant to what we discussed

in class

Page 52: Poetry Class Introduction Aiden Yeh, Ph.D. Wenzao Ursuline College of Languages

References Basic Elements of Poetry : Rhythm, Rhyme and Imagery,

http://www.poems-and-quotes.com/article.html?id=398 Quotes about poetry,

http://www.educationoasis.com/curriculum/Lang_Arts/quotes/quotes_about_poetry.htm

50 definitions of poetry, http://poetinthecity.wordpress.com/2011/03/16/what-is-poetry-50-definitions-and-counting/

http://www.buzzle.com/articles/writing-poetry-how-to-write-a-poem.html Literary Analysis: http://writing.wisc.edu/Handbook/ReadingPoetry.html http://www.poetryfoundation.org/learning/article/245464 http://www.poets.org/viewmedia.php/prmMID/19882 http://www.englishcompanion.com/pdfDocs/howtoreadpoem.pdf (fun to read: http://www.shmoop.com/poetry/how-to-read-poem/how-to-

read.html )