plum blossom shimmering stillness jason l. levis doctor of...
TRANSCRIPT
Plum Blossom Warm Gentle Wind
Shimmering Stillness
for Bass Trombone and Ensemble
by
Jason L. Levis
A dissertation submitted in partial satisfaction of the requirements for the degree of
Doctor of Philosophy
in
Music
in the
Graduate Division
of the
University of California, Berkeley
Committee in charge:
Professor Cindy Cox, Chair Professor Edmund Campion
Professor Myra Melford
Fall 2012
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Abstract
Plum Blossom Warm Gentle Wind Shimmering Stillness for Bass Trombone and Ensemble
by
Jason L. Levis
Doctor of Philosophy in Music
University of California, Berkeley
Professor Cindy Cox, Chair
Plum Blossom Warm Gentle Wind Shimmering Stillness is a composition for solo bass trombone and accompanying ensemble. It is in six movements and is approximately 12 minutes long. The piece is dedicated to my grandfathers Benjamin A. Levis, and Harbert S. Gregory, who have passed away in recent years. I initially began work on concepts for the composition while studying with Professor John Thow, and then with Professor Jorge Liderman, but put it away after their untimely passing. Movement four is dedicated to both of them. The composition was written for my good friend and unparalleled bass trombonist, Marc Bolin. The title reflects my interest in haiku, and the possibility of containing in a brief statement, a moment of total clarity and harmony. While reflecting on Professor Thow’s passing, sitting on my front porch, watching the blooming plum tree in front of my house shake and stir ever so gently when the wind would pick up, I experienced one of these moments of deep quietude. Even as the title is not a haiku in its traditional form, it contains a moment for me where something brief and subtle can have a sudden impact and lasting resonance. Even though the composition is inspired by this moment, it is not an impressionistic, sonic image of the natural world. Rather, it is a metaphor for the complex relationships that make up our human experience, the impact those relationships have on us, and the lasting effects and reverberations they create. The work employs a myriad of extended techniques, engendering layers of timbral commonality. This allows the ensemble to fuse into blended “meta-instruments”, and magnify the sonic landscape of the bass trombone. The composition is influenced by my interest in the sometimes antagonistic aims of post-spectral harmony and orchestration, self-similarity modeling of the new complexity school, and large-scale architecture in improvisation. The instrumentation for Plum Blossom Warm Gentle Wind Shimmering Stillness is bass trombone, four percussionists, piano, two violins, viola, violoncello, and contrabass.
i Plum Blossom Warm Gentle Wind Shimmering Stillness (2012) for Bass Trombone and Ensemble for Marc Bolin Dedicated to my Grandfathers, Benjamin A. Levis and Harbert S. Gregory
Instrumentation
Bass Trombone (with plunger mute, straight mute, and harmon mute with stem) Four Percussionists
Piano Two Violins
Viola Violoncello Contrabass
Percussion Instrumentation Percussion 1 resting on a table, slightly muted
• Small Temple Block • Med/Small Wood Block • Medium Temple Block • Large Wood Block
(forming a single “pitch scale”)
• Medium Cowbell • Large Cowbell • Small Thai Gong • Med/Small Thai Gong
(forming a single “pitch scale”) High Bongo Low Bongo Conga Snare Drum (tuned slightly higher than perc. 4) Large Tom Marimba (shared with perc. 2)
Percussion 2 Large Suspended Cymbal with sizzles Small Cowbell Medium Cowbell Large Cowbell (forming a single “pitch scale”) Snare Drum (tuned highest) Field Snare Bass Drum (tuned slightly higher than perc. 4) Large Tam-Tam (smaller than perc. 4) Crotales (sounding 2 octaves higher than written) Marimba (shared with perc. 1) Vibraphone (shared with perc. 3, 4)
Percussion 3 Large Suspended Cymbal Bamboo Chimes 5 Temple Blocks (forming a single “pitch scale”) Log Drum Snare Drum (tuned slightly lower than perc. 2) Thunder Sheet Small Thai Gong Medium Thai Gong Large Thai Gong Medium/Large Tam-Tam (forming a single “pitch scale”) Vibraphone (shared with perc. 2, 4)
Percussion 4 Tambourine Snare Drum (tuned slightly higher than the field snare) Bass Drum (tuned slightly lower than perc. 2) Small Tam-Tam Medium Tam-Tam Large Tam-Tam (larger than perc. 2) (forming a single “pitch scale”) Vibraphone (shared with perc. 2, 3)
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Percussion I
㜠œ œ œ œ œ œ œ
Percussion II
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Percussion III
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Percussion IV
Percussion Key
LargeTom
Snare Drum Conga LowBongo
HighBongo
Medium/SmallThai Gong
Small ThaiGong
LargeCowbell
MediumCowbell
LargeWood Block
MediumTemple Block
Medium/SmallWood Block
SmallTemple Block
LargeTam-Tam
Bass Drum Field Snare Snare Drum Large Cowbell Medium Cowbell Small Cowbell Large Suspended Cymbalwith Sizzle
Medium/LargeTam-Tam
LargeThai Gong
MediumThai Gong
SmallThai Gong
ThunderSheet
Snare Drum Log Drum LargeTemple Block
Medium/LargeTemple Block
MediumTemple Block
Medium/SmallTemple Block
Small Temple Block
BambooChimes
Large SuspendedCymbal
Large Tam-Tam Medium Tam-Tam Small Tam-Tam Bass Drum Snare Drum Tambourine
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v Performance Notes and Special Markings
All Instruments
Accidentals apply only to the notes they precede with the exception of tied notes. All grace notes lead into the beat and as fast as possible. Dynamics are absolute, and will occasionally require a player to play more or less forcefully than the written dynamic to produce the proper resultant sound. For example, air sounds in the bass trombone (m. 5), left hand fingering with out the bow in the violin (m. 15), etc. No vibrato except where indicated. Tempi are consistent through meter changes.
Quarter tones ( ) ( ) Duration is approximately 12 minutes.
Bass Trombone
Mutes required: plunger, straight, and harmon with stem. blurry Extremely legato articulation so that the attack becomes as imperceptible as possible. brassy A rough, almost distorted tone. Continue in this manner for the duration indicated. Gradually change from one state to the next. Breath mark: Make a slight pause before continuing on. There should be no decrescendo, unless otherwise indicated. Small decrescendo: A slight decrescendo at the end of the sustained sound. Indicates a gentle rather than abrupt release. non-decrescendo Sustain sound at given dynamic for the entire duration indicated. Fluctuate within given dynamic range, following the graphic information. Glissando: When tied, the arrival pitch should not be re-articulated. When not tied, the arrival pitch should be articulated. Slight glissando: A short glissando leading into or falling away from the indicated pitch. Air sound: Contains all the elements of normal pitch production except for buzzing the lips. Flutter Tongue (flt): Roll the tip of the tongue as fast as possible. Glottal growl (gl.gr.): Growl in the back of the throat. Tongue stop. Wide vibrato, follow graphic information. Multiphonic: produced by lips vibrating independently at adjacent harmonics. Singing Multiphonics: Sing diamond-shaped note heads while playing normal note heads. Plunger mute remains mostly closed so as to mute the horn and allow for the voice to come forward. Bass trombone should always sound at a slightly lower dynamic than the voice. Fast glissando up the overtone series using the lips rather than the slide. I, II, III, IV, V, VI, VII: Slide positions (first, second, third, etc). valve I: First position with F-valve engaged. I-, II-: Slide pushed slightly further out than normal positioning to accommodate quarter tones.
Percussion Continue in this manner for the duration indicated. Gradually change from one state to the next. Breath mark: Make a slight pause before continuing on. There should be no decrescendo, unless otherwise indicated. Small decrescendo: A slight decrescendo at the end of the sustained sound. Indicates a gentle rather than abrupt release. non-decrescendo Sustain sound at given dynamic for the entire duration indicated. lv Let vibrate. ds Dead stroke: Leave mallet head on surface after striking, so as to partially mute the surface. secco Dry. sempre Always, continue in this manner. arco With bow. Brush in a circular motion with the indicated implement. Mute completely. Catch: Mute cymbal completely immediately after striking. Fluctuate within given dynamic range, following the graphic information. Cross stick, stick on stick: Hold one stick the drumhead, tip roughly 2/3rds of the way to the edge. Strike the shaft of this stick with the shaft of the other stick, roughly halfway down both sticks, producing a clean and heavy staccato “crack”. Depress and hold pedal for the duration of the line. Clear and immediately depress pedal. Repeat chord. Roll chords upwards or downwards according to direction of arrow. R Ricochet: The stick is made to bounce on the drumhead in a rapid unmeasured manner. Use a loose grip in such a way as to sound a group of attacks gradually increasing in density and proximity. Longer durations will by definition have to begin with a less dense group, and may need to be artificially controlled to last the entire duration indicated. The end result should be an unmeasured accelerando. Piano blurry Extremely legato articulation so that the attack becomes as imperceptible as possible. secco Dry. Depress and hold pedal for the duration of the line. Clear and immediately depress pedal. Pluck inside piano Repeat chord. Roll chords upwards or downwards according to direction of arrow. Scrape a plastic card along the ridges of the string inside the piano producing a raspy tone.
vi Performance Notes and Special Markings (con’t)
Strings ordinario (ord) Normal: play in the normal fashion, referring specifically to the placement of the bow on the strings. sul tasto (st) On the fingerboard: bow over the fingerboard, emphasizing the fundamental harmonic. sul ponticello (sp) On the bridge: bow very near to the bridge, emphasizing the higher harmonics. tratto ordinario (t.o.) Bow in the normal fashion, referring specifically to the use of the hair as opposed the wood of the bow. col legno tratto (clt) Bow with the wood of the bow. 1/2 col legno tratto (1/2clt) Bow with both the wood and hair of the bow. battuto (batt) Strike the strings with the hair of the bow. col legno battuto (clb) Strike the strings with the wood of the bow. 1/2 col legno battuto (1/2clb) Strike the strings with wood and hair of the bow. grind bow hair (grind) Grind bow hair into the strings with heavy pressure and a twisting motion in the wrist. pizzicato (pizz) Pluck string with finger. Bartok pizzicato: Pull the string away from the fingerboard so that it snaps back percussively. Bow side of bridge (bsb): Bow perpendicularly along the side of the bridge. Produces a “white noise”. Bow tailpiece (btp): Bow directly on the tailpiece. Produces a quiet, low hum-like tone. Vocal fry: Bow sul tasto with heavy bow pressure and a slow bow speed. Left hand fingering is almost muted, slightly heavier than a harmonic, and not quiet fingered. Produces a raspy, almost un-pitched tone.
Scratch : Heavy down bow stroke near the frog, leave the bow on the string. Produces a brittle, raspy percussive attack.
R Ricochet: The bow is made to bounce on the string in a rapid unmeasured manner with a
down bow stroke in such a way as to sound a group of attacks gradually increasing in density and proximity. Longer durations will by definition have to begin with a less dense group, and may
need to be artificially controlled to last the entire duration indicated. The end result should be an unmeasured accelerando. Natural harmonic: Touch lightly at the pitch indicated. Artificial harmonic: While finger the lower pitch, touch lightly at the indicated upper pitch. I, II, III, IV: String indication, highest to lowest. noisy Slightly more bow pressure than normal. distorted Add bow pressure to create a distorted tone. Continue in this manner for the duration indicated. Gradually change from one state to the next. Breath mark: Make a slight pause before continuing on. There should be no decrescendo, unless otherwise indicated. Small decrescendo: A slight decrescendo at the end of the sustained sound. Indicates a gentle rather than abrupt release. non-decrescendo Sustain sound at given dynamic for the entire duration indicated. lv Let vibrate. Wide vibrato: Follow graphic information. Brush strings in a circular motion with the bow. Mute strings completely with the left hand. Fluctuate within given dynamic range, following the graphic information. blurry Extremely legato articulation so that the attack becomes as imperceptible as possible. sempre Continue in this manner.
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sudden q»¶§""
œbæ œæµ
σ
.œæB œb
æœbæ
""
œæB œnæ ""
ϾB .Ͼ
œnæ
œæB œæµ œn
æ œ# æ œæµ
""
œb æ œbæ
œæB œæµ œæµ œæB
5:4 3 5:4 3
flutter tongue (flt)w/perc 2, perc 4
**
œœœ##ƒ
% ‰ Œ Ó . ?
æƒf
.æbdhard mallets
w/tbn, perc 4
**
# œ$
msnare drum (sn)scrub brush
˙æƒf
.˙æ
hard malletsw/tbn, perc 2
**
œœœbn.
f
% ‰ Œ Ó .
#
Ó Ó œœ$
Pm
#
% .œµ f œ .˙
***
****
#
*** "vocal fry" - bow sul tasto with heavy pressure and slow bow speed, left hand fingering is almost muted, slightly heavier than a harmonic, and not quite fingered - should produce a raspy, almost unpitched tone **** a slight decrescendo at the end of the sustained sound, indicates a gentle rather than abrupt release
ambient, breathing q»§•#
Ó œ
p!!
œ œ5:4
arco
#
.˙ Œ****
Ó Œ "
œ$
Œ3:2
medium tam-tam (m tam-tam)arcolet vibrate (lv)
#
#
#
..˙ Œ
Ó ‰ .œµ$
œ5:4
clt
Ó œµ$
œclt
Ó % .œB$
œclt
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
4
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ã
ã
ã
&?
&
&
B
?
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43
43
43
43
43
43
43
43
43
43
43
43
44
44
44
44
44
44
44
44
44
44
44
44
43
43
43
43
43
43
43
43
43
43
43
43
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
18
Ó ŒU
.œ œ#
P
œ ŒU
*
Ó ŒU
Ó ŒU
Ó ŒUP
*
Ó ŒU
Ó ŒUbow side of bridge (bsb)
Ó ŒU
˙ ŒUbow tailpiece (btp)
˙ ŒU
˙ ŒU
* a slight decrescendo at the end of the sustained sound, indicates a gentle rather than abrupt release
Œ ‰ œµØ
˙3:2
plunger almost completely closed
!
œ
"
Œ Ó
sizz cymbpush with hand, there should be no audible attacklv
wm
"
snare drum (sn)fingernails
w"
large tam-tam (l tam-tam)col legno tratto (clt) (bow continuously)
!
!
Π# .z"
Z
!
Œ ‰ zØ
Z3:2
Œ Œ!
‹"
Z3:2
bow side of bridge (bsb)
Œ ‰ . ‹"
Z5:4
bow side of bridge (bsb)
w
!
!
w
w
!
!
Z
!
Z
Z
Z
˙!
œ,
‰U
Ó ‰ ‰U
Ó ‰P
‰U
˙!
œ,‰U
˙!
œ
P‰U
Ó ‰ ‰U
Z!
z,‰U
Ó ‰ ‰U
Z!
z,‰U
Z!
‹,‰U
Z!
‹,‰U
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
5
?
&
ã
ã
ã
&?
&
&
B
?
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83
83
83
83
83
83
83
83
83
83
83
83
87
87
87
87
87
87
87
87
87
87
87
87
43
43
43
43
43
43
43
43
43
43
43
43
87
87
87
87
87
87
87
87
87
87
87
87
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
disquieting, with momentum q»•º22 œ.
F
œ.µ œ.µ œb -!
ωf
*
!
.Ͼp
fld snwooden sticks
œ œ .œ>f
snwooden sticks
" œ>
f
‰ œ>!
œ>
5:4
bdhard mallets
dead stroke (ds)
Œ œ."
œb .
"
œœœâ
7:4secco
!
" œ.P" œ- œ œb>
5:4 3:2
‰ œ.P
" œ- œ œb>
3:2
!
!
* slight glissando** cross stick, stick on stick
œ" ‰ Œ Œ ‰
œ
pœb
œ .œœœ#
œn œ œ#.œ
œ.œb
#œ œn ‰ ‰
6:4 5:4 5:4
with hands
œ>fŒ Œ ‰
!
" Ͼf
Ͼ$
Ͼ
Ͼ
‰,
blurry (no pedal)
œb -$%
œ- œb - œb - œ- œ- œn - œn - œ- œ- œb - œ- œ- œ- œ- œn -" ‰
5:4 9:8 7:8
‰œ
&
#
ΠΠ!
œB
3:2
col legno battuto (clb)let vibrate (lv) sempre
œ.œâf
"œ
&
Œ œµ ‰col legno battuto (clb)lv sempre
ϊ
f
""
œb&
‰ ‰ œB Œ ‰5:4
3:2
pizzlv sempre
œ
&
Œ Œ "œ
pizzicato (pizz)let vibrate (lv) sempre
" .œ
&
Œ Œ ‰pizzicato (pizz)let vibrate (lv) sempre
!
!
Œ Œ œ
f
" œ
F
œ>
7:4
X
sn
**
l cb
! &
œæ ‰ œæ Œ œ>
fϾ
,
$
ds
œb - œ- œb -‰ œb - œn - œ# - Œ ‰ œn œ- œb - œn -
3:2 3:2 5:4
Œœb
Œ
œµŒ Œ
‰ .œµ Œ "
œ Œ5:4
3:2
Œ Œ ".œ
‰ ‰ œB Œ Œ5:4
"œ
f
œ œb>
ƒ
Œ Œ ‰3:2
‰ œ#
f
œ œ .œ œb œ œb
p
Œ ‰3:2 3:2
œ- œ>
fŒ Œ ‰
ricochet (R)m cb
‰ œœœœ## ÿfŒ Œ ‰
vibraphone (vibes) no motormedium mallets (med mallets)
dead stroke (ds)
‰ " œæ
.Ͼ
Ͼ
Ͼ
‰,
‰ " œâ œ- .œ œb - œb - œb - œb - œn - œ- œn -‰
7:8
Π!!
ϵ
p
œ .œ
$5:4
t.o. clt
ŒœB
p
.œ
$
t.o. clt
‰ œbf
" .œbp
.œ$
t.o. clt
"œ
f
œ œ#!
œ œ#p
.œ$5:4
3:2
t.o. clt
ordinario (ord) sp
‰ . œµ
p
œ .œ
$
t.o. clt
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
6
?
ã
&
&
ã
&?
&
&
B
?
?
42
42
42
42
42
42
42
42
42
42
42
42
43
43
43
43
43
43
43
43
43
43
43
43
45
45
45
45
45
45
45
45
45
45
45
45
44
44
44
44
44
44
44
44
44
44
44
44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
~~~~~~~
ped
26
!
!
œbØ
œ!!
œb5:4
crotales (with wooden sticks)let vibrate (lv)
˙˙˙bbb
"
*
˙æØ
bd
œb -Ø
œ- œb - œ- œn - œ- œb - œ- œb - œ- œn - œn - œb - œ-
10:8 11:8
‰ #
œb
p"
œt.o.
**
Œ Œ"
œp"
3:2t.o.
**
Œ ‰.œ
p"
5:4
t.o.
**
˙#p"
t.o.
**
‰ œp"
œ3:2
t.o.
**
* roll chord downwards** fluctuate within the given dynamic range, follow the graphic information
ambient, breathing q»§•!
!
!
œœœœ # ‰ Œ Œ
œ # ‰ Œ Œ
œ # ‰ Œ Œ
.˙
.˙
.˙
.˙
.˙
!
plungero
+
Π""
œ
m
"˙ ˙
5:4
congawith seed shell rattles
(circular motion)
!
! ã
‰ œm
"
˙ ˙
3:2
scrub brush
!
!
œ‰ . Ó Ó
5:4
clt
œ # ‰ Ó Óclt
.œ# Ó Ó
clt
œ œ# ‰ Œ Ó
clt
œ Ó Óclt
Œ Œ!
œn$
œ œP3:2
w/mar
w
ΠΠ"
œ$
œ œP
3:2
marimba (mar)arcow/tbn
Œ Œ"
œ
m
"
˙3:2
snscrub brush
w
!
!
‰ .œ
p
B .˙t.o.st
Ó ‰ .œbp
œ5:4
t.o.st
wp
t.o.st
‰ œbp
.˙3:2
t.o.st
Ó ˙pB
t.o.st
.œ$
!
œP
œ œ"
ϯ
w
.œ$
"
œP
œ œ"
ϯ
wØ
w
Ø
Œœ
$
œ
œn
.œ# ˙5:4
w
P Ø
wP Ø
.œP Ø
"
œµ ˙
wP Ø
wP Ø
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
7
?
ã
&
ã
&
&?
&
&
B
?
?
45
45
45
45
45
45
45
45
45
45
45
45
87
87
87
87
87
87
87
87
87
87
87
87
45
45
45
45
45
45
45
45
45
45
45
45
83
83
83
83
83
83
83
83
83
83
83
83
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
ped
freely q»!™31
‰ œb"
œF#
œb
f
œ .œ $
P
$
%
‰7:4
&
&
&
&
&
&
&
&
Ó œb
F
..œ œ
%
mP œechoing tromboneslightly more bow pressure than normal (noisy)sp
Œ # .œbP œ ‰. Ó
echoing trombonenoisysp
&
&
œb œn œ
f
.œ $
P!
$
%œF
&
‰ .œbF
œ # œ Œ .3:2
5:4
echoing trombonemedium-hard mallets (med-hard mallets)
&
&
&
&
&
&
œ .œb>
F
œn> œ œ- œ .œ%
Pm
3:2
noisysp
‰ œb>F
œ>œ- œ .œ
%
mP
!
œ!
œ5:4
?
Œ Œ ‰ # œ
P5:4
echoing trombonenoisyvib
ambient, breathing q»§•"
œ""œn œ
f
µ .œ
ƒ
$
P
$
%
‰ œb>
p
œ
P
œb ´
f
œµ œn ´ œ# ´ œB œn ´ œæµ
ƒ#
3:2
5:3
brassy, almost no pitchflt
(no mute)
.˙m
%œ .œ
f#
grindgradually lift seed shell rattles and grind between both handsconga
‰ .œn œœb
fΠΠ#
œ#Pœ œ# .œn œn œb
fŒ
5:4
5:4
.æØ
Ͼ .Ͼ,
f#
snwooden sticks
Œœp .œb
œ œ!
œ
f
.œ#
3:2
vibeshard mallets
# .œp
œb
P
˙ .œ
œœœœœœœb#n##f
.......œœœœœœœ
#
5:4
‰ œµ
"
˙ œ .œ
f#
cltst
t.o.ord
Œ ‰ œµ"
.œ œœµ œœ ..œœ f#
cltst
t.o.ord
Ó #œB"
œ .œf#
5:4
cltst
t.o.ord
Œ ‰ œµ"
œ œ .œf#
3:2
cltst
t.o.ord
œ
F
‰,
Œ ‰ . œB
"
œ .œ
f#
5:4
cltst
t.o.ord
Π.U
Π.U
Π.U
Π.U
Π.U
Π.U
Π.U
Π.U
Π.U
Π.U
Π.U
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
8
?
ã
ã
ã
&
&?
&
&
B
?
?
167
167
167
167
167
167
167
167
167
167
167
167
44
44
44
44
44
44
44
44
44
44
44
44
42
42
42
42
42
42
42
42
42
42
42
42
43
43
43
43
43
43
43
43
43
43
43
43
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
ped
!
~~~~~~~~
~~~~~ ~~~~~ ~~
ped ped
solemn q»¢•35
"
"
"
œp‰ .
large thai gong (l gong)med-soft malletlv sempre
"
"
"
œ-
pµ ‰ .pizzicato (pizz)let vibrate (lv)
œ-pµ ‰ .pizzlv
œb -
p‰ .
pizzlv
œn -
p‰ .
pizzlv
œ-
pµ ‰ .pizzlv
*+
o
+(no mute)plunger
Œ ‚œ##
#
!
‚œP
‚œ# ‚
œ$
3:2
**
"
‰ œ
$
œ ‰ . Œ ‰ .œp3:2
5:4
l tam-tamlvl cbell
arco (bow continuously)
‰ œ$
Œ Œ ‰ .œp
3:2 5:4small thai gong (s gong) m/l tam-tam
"
‰ œœœ##
$
œœœ
œœœ
‰ ....œœœœ#
p
3:2 5:4
*** ****
"
"
"
"
"
* plunger mute remains mostly closed so as to mute the horn and allow for the voice to come forward, except where movement is indicated - bass trombone should always sound at a slightly lower dynamic than the voice.** sing diamond shaped noteheads, play normal noteheads
*** roll chord upwards **** roll chord downwards***** slight glissando
"
"hard mallets
medium/small wood block (m/s wb)medium temple block (m tb)large wood block (l wb)large cowbell (l cb)small thai gong (s gong)high bongo (h bongo)snare drum (sn) - snares off
Œ"
œ
$
œ
3:2
m cb(bow continuously)
Œ"
œ
$
% œ ‰3:2
s gongarcosus cymb
"
œœœœ!
œ
œ$
œ
œ
3:2
"
"
"
"
"
sudden q»¶§
Œ Œ ‰ % œbæf
flt
‰ . œ
fœ
œ œ .œ œœ ‰ œœ
ƒ%
7:4 3:2
medium cowbell (m cb)l cbell
œ ‰ Œ ‰œÿƒ
%
l tam-tamwith fist
&
Ó ‰ œä
f
log drum (log dr)med-soft mallet
Ó ‰œœœœ## ÿƒ
%
dead stroke (ds)
.
.
˙
˙
"
"
"
"
Ó ‰ % œ# æf
noisysp
*****
solemn q»¢•
Œ ‰ œæ$B œ
æœæ
,
f
7:4
Œ ‰œæ$
Ͼ
Ͼ
,
f
7:4
large tom (tom)
Œ!!
œbp
Œ ‰œ
5:4
3:2
crotalesarcolv sempre
l tam-tamwith fingertip
ã
œ$
‰ œp
‰ œP
3:2
medium thai gong (m gong)med-soft mallet
s gongarcom/l tam-tam
lv sempre
.˙#$
Œ Œ ‰œbP
3:2
Œ ‰œ
$
œ œ ,
F7:4
t.o.st
1/2 cltord
Œ ‰ œb
$
œ œ ,
F7:4
t.o.st
1/2 cltord
"
"
Œ ‰ œœ$
mPœœ . .. .œœ
Pœœ$
7:4
subito
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
9
?
ã
&
ã
&
&?
&
&
B
?
?
85
85
85
85
85
85
85
85
85
85
85
85
83
83
83
83
83
83
83
83
83
83
83
83
43
43
43
43
43
43
43
43
43
43
43
43
44
44
44
44
44
44
44
44
44
44
44
44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
!
ped
!
ped
plungero
+ +
40
Œ‚œbb
"
‚œP
Œ Œ ‰ ® œ .œ œ
5:4
m tbl wbm cbl cbmedium/small thai gong (m/s gong)h bongo
œ#
Œœp
l tam-tamwith fingertip
crotales arco
ã
$
..˙# -
..
..
˙˙
˙#
n
#
$
$
$
$
œœ Œ Œ
(no mute)
!‚œ ‚œ ‚œ ..‚œ#
!
‚œ"
3:25:4
B
% . œ œ .œ œ œ œ Œ ‰7:4
Œ ‰ .œ#
‰5:4
crotalesarco
&
$
$
œœ
œœ
..
..
œœ
œœ
$
$
$
$
$
‰ œ# ÿƒ
œÿœÿ œ# ÿ œ# ÿ œ# ÿ
œœÿ
11:8
( )
?
$
$
!
œfŒ
m/l tam-tamwith fist
œ#fœ œ#
‰ œ# œ œn %œb
7:4
secco
œœ
œœ
% Œ
$
$
$
$
$
plunger
‰ œFP&
' '
o
+
pedal tones, no triggers
$
‰ œ
#
œ .œ %P
‰ œF
Œ ‰. %P
l gongarco
œ œ % œœœœbbb >ƒ!!!! !!!! œœœbbb !!! !!! œœbb !! % !!
#
%
3:2 5:4
œœœ#nn >ƒ
'''
'''
'''
'''
œœ#n ''
#
''
œ
œœœ#b
b
p
œ5:4 3:2
7:4
‰œ
#
œ .œ%
sp
$
bow side of bridge (bsb)
‰ œ##
œ .œ %
st
‰ œœPm
"
œœ ..œœ %
‰ œœPm
"
œœ ..œœ %
solemn q»¢•+
' œ % Œ Œ ‚œ##"
$
Ó . . .œ#
#
œlv
$
$
.
.
˙
˙b
n
&
œ
œ
œœn
#œb
5:4
$
.Z#
z ‰ .
$
Ó . ‰ . œbØ
5:4
st
Ó . œnØ
st
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
10
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ã
ã
ã
ã
&?
&
&
B
?
?
45
45
45
45
45
45
45
45
45
45
45
45
43
43
43
43
43
43
43
43
43
43
43
43
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
!
45
‚"
!
‚œ
P
‚œ
p# ‚
œ#P
‚œ
$3:2
%
%
%
%
w
%
%
%
w
w
Ͼ
fµ œ
æ œæB œ# æ
ƒÓ Ó
5:4
gl.gr.
œœœ´
f‰ œœ
$
‰ . œ
&
Ó3:2
l wbs gongh bongo
m/s gongconga
l cb
œœ
f# ‰ Œ Ó .
m cbsn (on shell)hard mallets
Œ ‰ œ$
‰ . œ&
Ó3:2
s gongmed-soft malletslv sempre
m gong
Œ ‰ œ$
‰ . œœ&
Ó3:2
small tam-tam (s tam-tam)medium-soft mallets (med-soft mallets)lv sempre
s tam-tamm tam-tam
œ-'f œ- œ- œ# - œ
Œ ‰ # œ
p
œ œ
blurry
œ#
æ&
# ‰ Œ ‰ . œ Ó
pizzlv
œæµ
&
# ‰ ‰ œœb Ó .3:2
sppizzlv
Zp
z,Ó
btp
œœ,
fŒ Ó .
grind bow hair (grind)
œflB f# ‰ Œ Ó .
Ó #..‚œB
&
Ó ‰ œ
f
œ œ
3:2
m tbl wbm cbl cb
Œœ&
‰ œ.
f#
l tam-tam sn
Œ Œ # œ
F
."œfœ ‰
b.chimeslarge temple block(l tb)
Œ ‰ œ>p# œ.
f‰
3:2
s tam-tammallet handleon edge
bdds
œ ˙#
&
Ó # œÿƒ
P
œÿ # œœÿœœÿ
#
7:4
clb
Ó # œœÿƒ
P
‰
clb
Ó ‰ œœÿƒ
P#
col legno battuto (clb)
Ó ‰ œœ
ƒ
P œœ3:2
col legno battuto (clb)
Ó œœƒ
P# œœ ‰
5
col legno battuto (clb)
‚"
.‚
P
‚œ#
‚œ
&
œ œ œ œ œ œ œ œ œ
$
# ‰ Œ11:8 5:4
Œ œ
&
Œl cb
Œ œ&
Œm gong
#œ&
m‰ Œ ‰ .œ
p
5:4
l tam-tammallet handlelv sempre
m tam-tammed-soft mallet
œ ..œœ#
p
œœ œœ ...
œœœ#n#
F
5:4
(on keys)
%
%
%
%
%
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
11
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ã
ã
ã
&
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&
&
B
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45
45
45
45
45
45
45
45
45
45
45
45
43
43
43
43
43
43
43
43
43
43
43
43
83
83
83
83
83
83
83
83
83
83
83
83
44
44
44
44
44
44
44
44
44
44
44
44
167
167
167
167
167
167
167
167
167
167
167
167
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
~~~~~~~~~~~~~ ~~~~
49
+
Œ œO# ‚n
!
‚ .‚ ‚b
!""
œ#
P
œœ œ
"
œ
F
œ
5:4
3:25:4
3:2
"
œœ
p
Œ ‰ # ®œ
$
Œ Œ
s cbl cb m cb
œp
Œ œ # ® œœ$
Œ Œ
s gongm/l tam-taml gong
Ó œ$
Œ Œ
s tam-tam
˙˙˙
....
.
˙˙˙˙
˙
n
b
bb
P
"
"
"
"
"
.œb
.‚ ‚b ‚ ‚b
,
P
"
œn
p
œ
!
Œœ
$
œ œ !!œ œ # œ œ œ œ œ
!7:4 7:4
m tbl wbm cb
"
"
"
œœœœ
œ
˙˙˙˙
b
!
"
"
"
"
"
sudden q»¶§
!
œbæ
P$
Ͼ
pedal tone, no triggerflt
œ œ œf
# Œ
tom
"
œ
f
œ œ Œ
m/s tbmedium temple block (m tb)m/l tbtriangle beaters
.Ͼ
>
P
bdmedium mallets (med mallets)
.‹
æ
%p
scrape along string with plastic card (scrape)
"
.œ
$
1/2 clt
"
.œ$
grind
"
wæ
"
wæ
$ Ø
bddrag ridged stick on rim
Ó Œ ‰ # ®œ!
m/l tam-tamon edge lv
Ͼ
Ø
‰ Œ Ó
‹
æ
!
‰ Œ Ó
"
œ
!
‰ Œ Ó
w#$ Ø
1/2 clt
œ!
‰ Œ Ó
wn
$ Ø
1/2 clt
"
"
"
"
"
"
"
"
"
"
"
"
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
12
?
&
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ã
ã
&?
&
&
B
?
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42
42
42
42
42
42
42
42
42
42
42
42
43
43
43
43
43
43
43
43
43
43
43
43
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
!
!
54
œ-µÏ
œ# - œ-µ œ-µ œn - œb - œn - œ# - œn - œ-B œn - œ# - œ-µƒ
"
7:8
blurry
#
#
œF
.œ "
Ptswith fist
œ.
ƒ
œ. ® œ. œ. œ. œ. œ. ® œ. œ. œ. ® œ.
f
" .9:8
bdds
scrape
‹$F
.‹p
"
#
#
#
‰ . œœœœ
m
%
Pœœœœ
5:4
clt
œ-BÏ
œ-µ œ-B œb - œ-B œn - œn - œb - œ-µ œ-µ œ-Bƒ
"
6:8 5:6
blurrypizz
o
+
Œ ‰ .œ
%
B œ ,
ƒ5:4
plunger
#
#
Œ ‰ . œæ
&
Ͼ ,
f
5:4
snwooden sticks
Œ ‰ . œæ&
Ͼ
,
f5:4
#
#
Œ ‰ .œB
%
œ ,
ƒ5:4
sp
Œ ‰ .œb
%
œ ,
ƒ5:4
sp
Œ ‰ . œn%
œ ,
ƒ5:4
sp
&
....˙˙
,
#
#
œœœbb
Ï
!!!!!!!!!!!!
œœb !
!!!
®œb
%
‰ Œ3:2
mar - upper registershare with perc. 2
"œœœ#n
Ï
!!! !!! !!! !!! !!! œœ# !! !! œ# ® œ#
%
Œ3:2
mar - lower registershare with perc. 1hard mallets
#
#
œœb
ƒ
''''''
''
''
''
''''
œ .œ
%
Œ5:4 7:4 5:4
‰ "œœœœ#F
˙˙˙˙
‰‚œæf
‚œæ ‰ œb ´
ƒ® œ
œB .œb -
f
ϵ
ƒ
œB œ-B
f3:2 5:4 5:4
slightly more bow pressure than normal (noisy) sempre
stvib
sp st
*
Œ.œ-
ƒœœn ´ .œ# -
f
ϵ
ƒ‰ œ3:2
noisysp
batt
sp
st sp
‰ œ# ´
ƒ" œµ
..‚œ## -
F
‚œ.µ µ
ƒ
œn . œ-f
œ
ƒ3:2
slightly more bow pressure than normal (noisy) sempre st sp
sp
œœ>ƒœœ>
œœ>œœ>
" œœ>œœ>f
"œÿœ# ÿ .
!
ϧ
œ6:4 5:4
clbord
œœ>
P
ƒœœ> œœ>
" œœ>‰ " œœ>f
œ# ÿœ# ÿ .œß
œ7:4 5:4
clbord
#
#
#
#
#
....˙˙˙˙
.œ œB
ƒ
œn ´ œB .œn -
f
ϵ
ƒ"
œ-B
f
‚œ-µµœb ´
ƒ3:2 5:4 5:4
sp stvib
sp st ordsp
.œ# -
f
ϵ
ƒ"
œ# ´"
œµ .œn -
f
œ
ƒ
œB œB œB
7:4 3:2
ordsp st sp
‚œ.µµœb ´
" œ-BP f
". œn ´
ƒ‰
œ.µœ.
..‚œ-BB
F
‚œnn -
ƒ5:4 3:2
ord sp
battuto(batt)
ord sp
B
œ%
Œ ‰ ‹&
sp bsb
œ%
Œ ‰ œ
&
sp **
* allow for harmonic to be unstable as bow position and playing technique changes** "vocal fry" - bow sul tasto with heavy pressure and slow bow speed, left hand fingering is almost muted, slightly heavier than a harmonic, and not quite fingered - produces a raspy, almost unpitched tone
ambient, breathing q»§•#
#
#
#
#
#
#
#
#
#
.Z
.˙
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
13
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ã
ã
ã
ã
&?
&
&
B
?
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45
45
45
45
45
45
45
45
45
45
45
45
43
43
43
43
43
43
43
43
43
43
43
43
45
45
45
45
45
45
45
45
45
45
45
45
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
59
!
!
!
!
!
!
!
!
Œ Œ ‰ .œ-
"5:4
sp
Œ Œ ‰ #œb .
"
œb .spbatt
.Z
.˙
!
..˙˙m
P˙˙
conga - with seed shell rattlessn - with fingers
!
.˙m
P˙
snscrub brush
‰œP
m
˙ ˙
l tam-tamtriangle beater
!
!
œ.
"
.œ-B œ. œ. œ.B .œ# - œ# . Œ Œ Ó7:4
sp
œ..œ-B
p
œ.
"
Œ Œ Ó3:2
spvib
batt
ord
œn . œ-
p
œ.µ
"
œ. Œ Œ Œ ‰ # ® œ.µ
p5:4
ord sp
batt sp
‹,
Œ Œ Ó
œ ,Œ Œ Ó
!
..˙˙
!
.˙
.˙
!
!
# œ.B
pœ.
œn ´# Œ ‰ . œ# -
"5:4
sp
battuto(batt)
arcosp
stvib
.œ-æBp
# .œb -æ"
Œ Œ7:4
sp ord spord
œ.µ œ#æ- œ
æP
# Œ Œ3:2
ord
!
!
!
..˙
Œ Œ ‰ œæ$
bddrag ridged stick on rim
.˙
.˙
Œ Œ ‰ œœœœœb#bb$
œ œ.#
œ# - œ
p# ‰ Œ
5:4
battsp
œ.µ"
œn . œ.µ œâµ œp
# ‰ Œ3:2
sp ord sp
# œ-B"
œ.B œn .
p# ‰ Œ
spvib
st sp
Œ Œ ‰ ‹$
btp
Ó ‰ œ$
!
..˙˙ ˙non-decrescendo
.æ ænon-decrescendo
.˙ ˙non-decrescendo
.˙ ˙non-decrescendo
.....˙˙˙˙ ˙
Ó . ‰œb"
.% ϵp
3:2
spvib
distorted
*
Ó ‰ #œ-p œ
œ.µ"
œ# . #œ-p
œ."
œ# .5:4
batt batt
Ó . .œ-pœ."
œ.µ œ. œb . œ-p
3:2 3:2
stsp sp
non-decrescendo
.Z Znon-decrescendo
.˙ ˙
*glissando
non-decrescendo
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
14
?
&
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ã
ã
&
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&
&
B
?
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43
43
43
43
43
43
43
43
43
43
43
43
45
45
45
45
45
45
45
45
45
45
45
45
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
!
disquieting, with momentum q»•º64
"
"
"
.˙#
l tblkgrinding motion on (in) openingwith seed shell rattles
..˙m
#
sn - with seed shell rattlestambourine (tamb) - with ankle bells
"
"
"
"
"
"
.Z#
bsb
"
‰ œP
œ ‰.œ œ
œb.œ
$ .œ
7:8
5:4
mar - upper registershared with perc. 2with hands
‰ œ
P
Œ!
œ œ#$ .œ œ œ
œ
3:2 7:4
mar - lower registershared with perc. 1with hands
.˙ ˙
..˙ ˙
‰
œœ
œ
b
%
˙˙
˙
˙˙
˙
Œœ%
‰œ#
‰ . œ# Œ "
œ
3:23:2
a forceful fingering in left hand with out bowing
(this should be the resultant dynamic, play forcefully!)
"
"
‰‚o
p
Ó Ó
pizzlv bsb
‹ Ó Ó
"
.œ# œ#‰ . œ Œ
!
œ œn$
.œb
5:47:4
3:2
œ œ œb œb Œ!
œb œb œ œb œn œ .œb
3:2
5:4
.˙ ˙
..˙ ˙
.
.
.
˙˙
˙
˙˙
˙
‰œn
Œœb
‰ .œn
Œ"
œ
5:43:2
"
Ó . Œ ‹
#
bow side of bridge (bsb)
Ó . Œ ‹
#
"
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
15
II
?
&
?
ã
ã
&?
&
&
B
?
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44
44
44
44
44
44
44
44
44
44
44
44
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
44
44
44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
¤
67
! &
œ
!
œb œ ‰œb
‰ .œb
‰œb œ ‰ .
3:2 7:4 7:4 7:4
".œ œb
"œn œn
5:4
!
!
blurry
Ó . "œ# -#p œ-
œ- œ- ""
œ- œ-
5:3
Œ ‰ œ œb ‰ . œb Œ3:2
!
Z ,
Z ,
Ó . " ..œœp
grind
˙˙f ƒ
straight mute
( )
!
!
œœ œ œf
œ
P
snwire brushes
sus cymblv
œ>ƒŒ
l tam-tamtriangle beateron edge
œbâf" ‰ Œ
˙P F
distortedsp
!
! &
!
bsb
œœf
" ‰ Œbtp
non-decrescendo
œœf
‰( )
!
!
Œ ‰ .œ$
˙
5:4
l tblkgrinding motion on (in) openingwith seed shell rattles
Œ ‰ ..œœm
$
˙
5:4
sn with seed shell rattlestamb with ankle bells
"
.
.
œ
œb
%
$
.
.
˙
˙
œp
!
œ#$
.˙3:2
1/2 clt
Π!!
œ#
$
.˙5:4
1/2 clt
w$
1/2 clt
Œ ‰ .‹&
Z5:4
Œ ‰ .‹p
Z5:4
!
!
œ
Pœ
œ .œ œ ‰ œ3:2 5:4
non-decrescendo
‰ œ
P
œb œb!!
œ Œ!
œn œ
5:4 3:2
non-decrescendo
wnon-decrescendo
wwnon-decrescendo
œ
œ
œ
œ ‰ Ó
œ œ ‰ œp‰ œ œ
3:2
a
non-decrescendo
œ œ‰ Ó
œ œ ‰ Ó
Znon-decrescendo
Z
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
16
?
ã
ã
ã
ã
&?
&
&
&
?
?
43
43
43
43
43
43
43
43
43
43
43
43
87
87
87
87
87
87
87
87
87
87
87
87
83
83
83
83
83
83
83
83
83
83
83
83
87
87
87
87
87
87
87
87
87
87
87
87
165
165
165
165
165
165
165
165
165
165
165
165
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
pedped
propulsive q»¡º¢71
!Ͼ
f "
æ."æ
œbæ
Fœ>æ
f
5:4
straight mute (throughout entire movement)
œ œ œ œ œfŒ ‰ œ>
Œsn (w/snares)wooden sticks
X
‰ œ
f
œ !œ ‰ ‰ œ>
Œ3:2
bddsm cb
hard mallets
l cb s cb
œ
fœ œ !
!
œ œ ‰ œ> Œ3:2
b.chimeshard mallets
m tb m/s tb m/l tb
""
œ œ
F
œ> Œ!!
œ!
œ œ> Ó7:4 3:2
tambmed mallet
œ
œ
b#
$F
œœ
œb
bœn
%
.œ .˙
5:4
?
‰œ
%
.˙3:2
st
calming
‰ ..œ‚%
.·5:4
( )
st
*
calming
! œb%
.˙5:4
stcalming
œbP " .œ " œ
stclt t.o.
sp stvib
® . .œP" .œ " .œB "
5:4
t.o.spvib
t.o.sp
cltst
* allow for harmonic to be unstable, as bow position and playing technique changes
"
æœæBF
Ͼ
Ͼ
ƒ! ‰ Œ
7:4
&
&
&
&
.˙ &
&
.˙
.·
.˙
œb "æ
œbæ
>f
spdistorted
" >µ f
st spdistorted
&
Ó Œ ""
œ œf œ
h bongolow bongo (l bongo)congasn (no snares)tom
&
Ó Œ!
œ
Ó Œ""
œ
!
œ
f
&
&
.˙
'
!
œ
p
cltsp
.·'
"
‚p
cltsp
.˙'
"
œp
cltsp
œ! ‰ Œ ‰ ! ®
œF"
œ
œ ! ‰ Œ ‰ ! ®œµF"
œ
!œnƒ œ
® œ œµ œ œ® œbæ
Ï
3:2 3:2
brassy, almost no pitch flt
"
œ œ .œ ! œ
5:4
"
œ>f! .œ- ‰
5:4ds
"
œ"
œf
!œœ
f
sus cymb - handle of wooden stickl tb - hard mallet
log dr snhandle of wooden stick
&
&
&
.œ
f
vib
t.o.st
.‚ f
vib
t.o.st
.œf
t.o.st
vib
.œ f
.œ f
spacious q»¶™"æ
P Ø"æ
"æ ‰
˙m
pœ
؉
fingernails
˙p
mœ
؉
fingernails
&
&
& ?
&
&
&
&
&
&
.!
ϵ'
!
œ(mute in)
&
&
&
""
œ%
‰ ‰l tam-tamarcolv
.
.
"
œ
œ#$%
"
œ
œ
&
&
&
.!
ϵ%
!
œst1/2 clt
."
œ#%
"
œst1/2 clt
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
17
III
?
ã
&
ã
ã
?
?
&
&
B
?
?
43
43
43
43
43
43
43
43
43
43
43
43
85
85
85
85
85
85
85
85
85
85
85
85
45
45
45
45
45
45
45
45
45
45
45
45
43
43
43
43
43
43
43
43
43
43
43
43
B. Tbn.
Perc. 1Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
77
˙P
œ!
" ‰out in
Œ ‰ " œ#
œœ
œ !!
œ œ œ!!œ œ
5:4m/s wbm tbl wbm cbm/s gongl bongocongasn (snares off)l tom
wooden sticks
$
$
Œ ‰ " œæØ
Ͼ
bdhands
œ
œ
(on keys)
‰ " œœœœ#n#!%
œœœœ
$
$
$
œ œ " œµp œµ œµ " œµ " œµ œµ
7:4clb
.œ " ‰ " œœ!
œœgrind
$
$
small temple block (s tb)m/s wbm tb
$
$
Ͼ
" ‰ Œ Œ
&
œœœœ ....œœœœ" Œ
$
$
$
$
˙ œœ ‰
driving q»••æp
!
&æ
flt
œ
ƒ
œ ® œ‰ œ œ
7:4
wooden stick handles
œbƒ
œ
œ' ® œœ
5:4
marhard mallets
$ &
$
œb -#
œ- œ- œ- œb - œ- œn - œ# - œ- œ- œ- œ# - œ- œ- œ- œ# - œn -
11:8 10:8
blurry
œb>ƒ.œb œb œb œb Œ ‰
clb
$
œbƒ
œ " œ> Œ ‰3:2
œbp .œ
œ-Fœn - œ-B œ- œ-µ œn - œn - œb - œ- œ- œ- œb - œ-µ
6:4 5:4 3:2
pizzblurry
wæB œb æ
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$
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vibeshard mallets
$
œ- œb - œ- œ- œb - œb - œn - œb - œn - œb - œb - œb - œn - œ- œb - œb - œb - œn- œ# - œn - œb - œ- œn- œn - œ- œb -
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$
$
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w œ
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3:2
s tam-tam
hard malletslv sempre
m tam-tam l tam-tam
œb œ- œn- œ- œ- œ- œ- œ# - œ# - œ# - œ- œ# - œ# - œn -" Œ
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Ó œ!
Pm
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pizzlet vibrate (lv)
œb .#
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P
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p
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©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
18
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83
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165
165
165
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165
165
165
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165
165
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
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Π.U
Π.U
Π.U
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h bongocongawire brushes
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snwire brushes
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bdwire brushes
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stt.o.sp
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grind bow hair (grind)
ϵf
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t.o.st
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sizz cymbwire brushdampen gradually by running finger gently from bell to edge
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3:2
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©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
19
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42
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42
42
42
42
42
42
42
42
44
44
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44
44
44
167
167
167
167
167
167
167
167
167
167
167
167
1613
1613
1613
1613
1613
1613
1613
1613
1613
1613
1613
1613
43
43
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43
43
43
43
43
43
43
43
43
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
88
!
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!
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˙
!
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œœœœ Œ
!
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æ#
bddrag ridged stick on rim
˙
#
l tbgrinding motion on (in) openingwith seed shell rattles
œ " ‰ Œ
Œ ‰œœœœb
b
ÿp
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n
.
3:2
secco
!
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(mute in) out
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!
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w%
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* make a slight pause before continuing on, there should be no decrescendo unless otherwise indicated
$
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ϯ
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lv sempre
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Ͼ
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Ͼ
bdhands
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©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
20
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44
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45
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45
45
45
45
45
45
45
45
45
45
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
spacious q»¶™94
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out
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bdscrub brush
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wwm
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p
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marhard mallets
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ricochet (R)
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IV
spricochet
(R) vib
ord sp
batt
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!!!!!!!!!!!!!!!!œœœbb !!!
!!!!!!
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p
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p‰
6:4 5:4 3:2
!
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7:4 3:2 7:8
non-decrescendo
!
Œ œ Œ Óricochet (R)
Œ œ# Œ Óricochet (R)
‚f
Œƒ
Œ Ódistorted
.˙ œ œ ‰non-decrescendo
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
21
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44
44
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44
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44
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44
44
44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
ped
ped
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vibraphonevery slow motor, almost imperceptiblearco
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!mute (through m. 134)
!mute (through m. 134)
œ"
œ œ œØ
˙7:4
sp
mute (through m. 134)
Ó ˙B"
mute (through m. 135)
!mute (through m. 134)
!
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!
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st sp
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!!
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œ5:4 5:4
st ord
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st
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st sp
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sp
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spst
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p
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sp ord st
!
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Óm gongsoft mallet lv - sempre
!
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Œ ‰œµ#
˙
sp
!
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P
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p
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ord sp st
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
22
IVdedicated to Professors John Thow and Jorge Liderman
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42
42
42
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44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
ped
ped
104
!
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w
!
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7:4 5:4
st sp
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st
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7:4
sp ord
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sp
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sp
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soft mallets
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!
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st
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ord st ord
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ord
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marhard mallets
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st sp ord sp
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p
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sp
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lv sempre
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"
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!
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!
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3:2
st
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p
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p
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©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
23
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45
45
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46
46
46
46
46
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44
44
44
44
44
44
44
44
44
44
44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
~~~
ped
110
!
!
!
Ó ‰ œ"
Ó
m gongwire brush
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m tam-tam
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!
Ó ‰œb#
Ó
pizz - sempre
œ œ œP
œ .œ
!!
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P
7:4 7:43:2
3:2
st ord sp
.˙ ˙
p
ord
Ó . Œ
‚o
#
pizz - sempre
harmon mute, stem inleft hand covering stem
o
+
Ó œ
Ø
Óœœœb
p
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*
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3:2
s tam-tam
!
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st
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p
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3:2 3:2
ord sp
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p
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sp ord
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* roll chord upwards
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!
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!
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!!
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5:4
ord
!
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p
B œ
5:4
st
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st sp ord
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3:2
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p
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!!
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7:4 7:4
sp ord sp
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p
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5:4
sp ord
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p
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7:4 7:4
st ord sp
!
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% œB œ
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Ó
3:2
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!
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7:4
st
!
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#
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p
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5:4
sp ord spst
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p
˙ œ œ œ
#5:4 3:23:2
ord st
!
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
24
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45
45
45
45
45
45
45
45
45
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42
42
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46
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
~ ~~
ped
~~~~~
ped
ped
~ ~~
~~~
ped
115
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.
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7:4
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sp ord
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sp ord st
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sus cymbmed mallets - with handles
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P
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sp ord sp ord st
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p
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ord sp st sp ord
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P
Ó
* roll chord upwards** roll chord downwards
! ! .œB
f
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7:4
sp ord sp
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sp
"
Ó Œ ‰ œµ
$
œ
#P
Ó Œ!
œœb-
#
Ó
3:2
œœœŒ Œ "
œœœb#
˙˙˙
3:2
**
"
œP
Ó Ó
l tam-tamarco
....˙˙˙˙b
nb
P
˙˙
.ϵP
.œF
œ œµP
œ .œF
""
œ
7:4 7:4
st sp st
Ó Œ "
œb#
Ó3:2
.
"
œ$
œBp
.œ""
œbPœ œ œb œ œB
#œ œ
7:4 7:4 7:4 7:4
sp ordord
œb
p
œ œ
P
œ œ œ
$
œ
#
µ
7:4
ord sp st sp
Ó Œ !
œ
#
Ó3:2
‰ œB
Ø
œ .! ! ! !
F
!
"
...www
"
"
....wwww
ϵp
œP
˙p
œ œ œ#
.!
""
!
7:4 7:4
sp ord sp st sp
"
œ$
.œp
œ#
w
5:4
st sp
˙ œ
p
.
"
œ œ
#
µ .œ
"
œ
P
7:4
ord sp st
"
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
25
?
?
&
ã
ã
&?
&
&
B
?
?
44
44
44
44
44
44
44
44
44
44
44
44
43
43
43
43
43
43
43
43
43
43
43
43
44
44
44
44
44
44
44
44
44
44
44
44
45
45
45
45
45
45
45
45
45
45
45
45
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
~~ ~~
ped
~~~~
~~~~~~~~
~~ ~
120
!
!
œ#"
! ! !
3:2
Ó . œn œbœb œ
œ
F
hard mallets
#
Ó . œPœ œ ‰
s gongm gongl gongmed mallets
Ó .œP
m‰
l tam-tamtriangle beater
....˙˙˙œœœœœbnb
F
! ˙bP
."
œ œF
7:4
st
#
˙P
.œ!!
œ
p
.!
œ œ
F7:47:4
ord sp st
.œ œp
.˙PB
5:4
ord sp
#
! .œn
f
˙
$5:4
Œ ‰œœœbœb œnf
Œ
Œ ‰ œœœœbPœœœœ
med-hard mallets
#
Œ ‰œf
mŒ
.
....˙˙˙˙
œP
.œ""
œF
."
œ œ7:4 7:4
ord sp ord
#
œ .œ
p!
œ œB
P
œ!
ϵ
p5:4 3:2 3:2
ord sp
œ"
."
œ œbp
œP
7:4
ord sp
#
#
#
wwww
#
#
wwwww
œ"
.ϵp
œ œ œ .œBF
5:4 5:4
st ord sp
#
˙ ˙µ
F
st
""
œ œP
.˙5:4
st
#
% œ
F
œb
f
.˙
$5:4
Œ œbœbœœ œn œbF
Ó
wwwwbF
#
#
œnœb œœwb
f
."
œ œpB ˙ œ œ
Pœ
7:4 7:4
ord sp
#
œ
P
œ
F!
œ œb
p
œ
P!
œ
"3:2 3:2
ord sp ord sp
œF
œ œP
˙p
œF
7:4
sp ord sp st
#
‰ œµ
ß
œ
p
.˙
F3:2
#
˙˙˙....˙˙˙
‰ œP
Œ Ó .3:2ts
with heel of palm
#
˙ .˙
œp
.œ""
œFœ œ
pœ œP
œ7:4 7:4
ord st sp st sp
#
œ
p
œ
"
.œ .œ
P
st
.œ œp
œ ˙F
œP
5:4
sp st
#
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
26
?
?
&
ã
ã
&?
&
&
B
?
?
42
42
42
42
42
42
42
42
42
42
42
42
46
46
46
46
46
46
46
46
46
46
46
46
44
44
44
44
44
44
44
44
44
44
44
44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
~~~~~~~~
~
ped
~~~~~~~~
~~~~~~~~
125
! .œ#p
!!
œn
F3:2
"
˙˙˙
"
"
˙
.œF
"
œ#
st
"
˙
p
sp
˙F
"
˙
$
"
œ
p œb œ œ œ œ
"
"
med-hard mallets
˙
˙bp
œ œ$
œp
"
œ œ3:2
3:23:2
sp ord
œ
$
.œ œB
P5:4
ord sp
œ œ
F
œ œ
P7:4
ord st
œf
."
œb œn7:4
sp st
"
Œ œb
Ø
"
˙
ŒœPœ œ œ3:2
s gongm gongl gongm/l tam-tam
med-hard mallets
Œ œP œ œ .œ
7:4s tam-tamm tam-taml tam-tam
œ
œ
œœœœœœbnb
P
.œ#
""
œpœ
7:4
sp ord
œB
F
.œµ œ
P!!
œB
p5:4 5:4
ord sp
ϵ
F!
œp
œF3:2
sp ord sp
œ#F
""
œ œ#
5:4
ord sp
Œœb
$
st
! ! !
F
! .œ œ
P!
œb
f
œ3:2
Ó . Œ ‰ % œ
fœ œb œb œn œ
3:2
& ?
œ Œ Ó Œ œœœœœbF
Ó. Ó œF
tswith fist
"
.
.
....
wwwwww
.˙µ#
œ ."
œnP
.œ""
œpœ
7:4 7:4
st sp ord
˙ œ
P!
œ!
! œb
p
œ!
œ
F
œ3:2 3:2
3:2
ord sp ord
.˙ œ#
œ œµ
P
œ œnpœ œn
!!
œ
P7:4 7:4 5:4
st ord sp ord
.˙P
œp
""
œ .œbP
œ7:4
ord sp st
w œ œ% ‰
w
"
wwwww
"
"
œœœœœœ Œ Ó
œF
œ#
œpœn œ œµ
Pœ œ
F
7:4 7:4
sp st sp ord
œ œ
P
œ œ œµ
F
.œ!!
œ
p7:4 7:4
sp ord sp
œ!
œ œµ
#
˙3:2
st
œF
œp
.˙sp
"
œ
f
.œn
P
œµ . .œ œB
F
˙7:4
"
wwwww
"
"
"
"
.˙p
œ‚œµ µµ
#
( )
sp ord
w
œ .˙
F""
œ œFµ œ œ
Pœ .
"
œ œf
5:4 7:4
sp stord
"
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
27
?
?
&
ã
ã
&?
&
&
B
?
?
43
43
43
43
43
43
43
43
43
43
43
43
42
42
42
42
42
42
42
42
42
42
42
42
44
44
44
44
44
44
44
44
44
44
44
44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
~~~~~~~~
~~~~~
~~~~~~~~
~~ ~~~~~~~~~~
~~~~~~~~
~~~~~~~~
~~~~~~
ped
131
œ
f
œb
p
œ
P p
!
ωf
ϵ
P
3:2
(no lh, mute open)
!
œœœœœ
˙˙˙˙bP
œœœœœœnbbF
Ó . œP
l gongmed-hard mallet
Œ œp
Óm tam-tamsoft mallets
Œ Œ Œ"
œœœœœœœœb
nnb
b
F
œœœœœœœœ
3:2
œ‚œ
œ#
P
œ œ œµ œ œµ
F
œ7:4 7:4
sp
œF
œn
p
.œ œ
F
œ5:4
stord
œp
œP
"
œ œb œ"
œ3:2 3:2
sp ord
œ ˙Bp
œP
sp ord
Œ .˙"
st
.œ
F Pωf
.œ-µ
Fωf
.œµ œB œB œb œµ5:4 7:4
5:4
!
œœœœœœ
œœœœœœ
œœœœœœn
bbf
œœœœœœ
!
Œ ‰œæP œ
æl tam-tam
..
.
.....
˙˙˙˙˙˙
œB .œ œµ
P
œ5:4
ord
œ
f""
œ
F
œ# œ5:4
sp ord
œ œµ ."
œ œB7:4
sp
œ œ œF
œn œ7:4
sp ord
.!
œ œBf
œB!!
œ œµF
7:4 5:4sp
œ.œâ œ
,
ƒŒU
‰ # œ
F
œnœbœn œb œ
œb
f
ŒU
3:2
&
˙˙˙˙˙
ŒU
Ó ŒUP
æfŒUP
ŒU˙˙˙˙˙˙
ŒU
˙ ,
fŒU
˙ ,
fŒU
sp
˙ ,
fŒU
ord
˙,
fŒU
sp
˙,
fŒU
ord
freely q»$™>
%
gradually pull mute out(in)
!
!
œ%
Œm gongwith fingertip
!
˙%
!no mute
!no mute
!no mute
œ%
Œno mute
pizzlv
!no mute
& &
""
ϵ
f
œ5:4
out
!
!
!
!
w
!
!
!
!
!
œ
ƒ
œb
F
œ œ .œn œ œ
f
œ""
œ œ
3:2 3:2 5:4
(slide positions)V VI V VI
!
!
!
!
œ Œ Ó
!
!
!
!
!
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
28
?
?
?
ã
ã
&?
&
&
B
?
?
45
45
45
45
45
45
45
45
45
45
45
45
43
43
43
43
43
43
43
43
43
43
43
43
44
44
44
44
44
44
44
44
44
44
44
44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
~~~~~~
137
œ ,
ƒ! .œ>B
ß
œ œ !œâƒœ
‰œâ"
µÏ
œ‰
7:4 3:2
vibrato(vib)
II
#
#
#
#
#
#
#
#
#
#
#
solemn q»¢•‰ . œ
$
˙p
5:4
#
#
Π!
œ%
œ œ
3:2
s gongsoft malletslv sempre
m gong l gong
Œ ! .œ%
œ Œ5:4
l tam-tamlv sempre
s tam-tam
#
(on keys)
#
Œ ‰ œB
%
&.œ œb
3:2 5:4
sp
Œ Œ""
œ%
œ5:4
ord
Œ ˙%
ord
Œ Œ .œ%
!!
ϵp
7:4
sp
Œ ! œn%
œ .œbp
5:4 5:4
st ord
œ .œB$
!!
œ œBP
ϵ!
œ œBp
5:45:4 3:2
#
wwwwbnb%
marmed-soft mallets
œŒ Ó
m/l tam-tam
#
˙#$&
˙p
˙b%
3:2
œb"%
œ œ œØ
œ œb$
7:4
œ .œ
p
œn
%
œ œb œ5:4
ord sp
œ .œp
œ"
œb
F
œB œ
$
œ œB%
5:4 3:2 7:4
st sp st ord
œP
""
œ œµ$
œ ."
œb
p
œ ,
5:4 7:4
sp st sp
&
œ œ>
$"
œ œ#%
.!œ œnp
3:2 7:4ord st sp
œ œ$
!!œ œp
!!œ œnP
5:4 5:4
sp ord st
œ!
œ#$
œp
˙n$
3:2
#
#
#
#
œbF
.œ œ .œ œbp
œbP
œ œn
5:4 5:4 7:4
!!
œ œn%
œ œbp
!!
œ œP
5:4 5:4
œ
P
.ϵ
p""
œ œb
$
œ .œn
P""
œ .œb5:4 5:4 7:4
ord st
.œ""
œb œF
ϵ
p
œ œn"
œ œµ
F7:43:2
3:23:2
sp st sp
.œ
$
œµ .˙
p5:4
ord
œP
œ$
ϵP
œ œµp
st ord sp
œF
œp
!œ#$
.œ !œP
3:2
sp ord sp ord
.' œbF
œf
.œ œµP
œ5:4 5:4
vib
#
Ó œb œ
&
œœbœ
FŒ
Óœ œ œ œF
Œhard mallets
Óœœ œF
Œhard mallets
m tam-tam
œ ."
œnF
œ ˙#f
7:4
œ œ#F
!
œn œ œ .œb -3:2 5:4
œ
F"
œ
P
œ œ
f""
œb .œn
F3:2 7:4
ord sp ord sp
œ#
f
.œ œB
P
œ .œ œn
F5:4 5:4
ord sp ord
"
œ
F
ϵ
P
œ
p
œ
F"
œ
P
œ3:2 3:2
sp ord st sp
.œP
""
ϵ
p
."
œ œµ œµ
F
œ œ
pœ#P7:4 7:4 7:4
ord sp st ord
œ!!œf
ϵp
œF
œBP
5:4
sp st ord st
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
29
?
ã
?
ã
ã
&?
&
&
&
?
?
165
165
165
165
165
165
165
165
165
165
165
165
43
43
43
43
43
43
43
43
43
43
43
43
42
42
42
42
42
42
42
42
42
42
42
42
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
142
œ#F
! œn .œ!!
œbfœ ‰ œb ÿ
fœÿB œÿµ œn ÿ
œ# ÿ7:4
7:4
5:4II- I-
rip
"
"
Ó . Œ
"
."
œ œ# .œ""
œƒ œ
7:4 7:4
œnf
œ .œb!!
œ œbƒ
œbFœb œb œn œ# œ
œ5:4
5:4
˙""
œb .œB
f
œ7:4
ord
.œ"
œB
f
œ .œb""
œ œb5:4 5:4
sp
œ
f
œ œ#F
œ œpœ ˙n
f7:4 7:4
ord sp ord
œ œnF
.œ œµ
f
œ
5:4
sp
.œ!!œBfœ !œµ
Fœ œ
fœ œB
7:4 3:2 7:4
ord sp ord sp
œä œµœB
Ï#
3:2
slide
"
med-soft mallets
"
Œ""
œ>P
ƒ#
5:4
sus cymbhandle of wooden stick
catch
"
œ œ# œ#œ#
œœœœœœœ#n#
ƒ
#
5:4
œ#
ƒœµ
#
ƒ
œ #
ƒ
sp
B
œ#
ƒ
œ #
ƒ
sudden q»•º"
œ$
!!
œœ .œ œ # ‰ # œ œ
œ œ œ!!
œ œ œ œ
5:4 7:4
s gongm/s gongh bongol bongocongasn (snares off)tom
œb$
œ œ ‰ !!
œb œ œ!
œ œ7:4
3:2
"
œ
fœ ‰ Œ
sn (with snares)wooden sticksricochet (R)
"
"
‰ œBf
Œ Œ
ricochet (R)clb
# .œfB‰ œB # œB œB
Rclb
.œf œ œ ‰ œ œ!
œ3:2
Rclb
œfµ‰ ‰ œµ .œµ œµ
3:2 5:4
Rclb
œf
# .œ ‰ œ3:2
Rclb
"
Π!!
œ œ!!
œ œœ œ !!
œ .œ œ
5:4
œb œœ œ
!!
œ œ!!
œn .œ# œn œ Œ ‰ œ œ#5:4 3:2
Œ # .œf
œ ‰
sn (with snares)wooden sticksricochet (R)
Œ Œ œR
"
"
œBF
‰ œB ‰ # œB3:2
œ ‰ œB œ ‰ œB œB3:2
# .œ # œ œ!
œ œ3:2
Œ œµ ‰ # .œµ
‰ # œB œ ‰ Œ !
œB3:2
"
œ !!
œ œ!!
œ .œ œ œ œ Œœ œ œ .œ œ œ œ
6:4
‰ # œb œ œ !!
œ œb œ .œn œ# .œn œ œ œ# œ# œn6:4 5:4
Œ Œ ® . .œF
R
"
"
"
‰ œB œB ‰ ‰ œBP
Œ # .œB ‰ œB3:2
œ # œ !œ œ # œ œ3:2
‰ œµ ‰ # œb œ ‰3:2
œ ‰ ‰ œB Œ
"
œ!!
œœ œ œ œ
Œ6:4
Œ œ œ .œb œ œn œ œ œ œb
Œ Œ
#!!
œ .œ
FŒ
R
"
"
"
‰ œB # .œB
œ ‰ œ ‰
Π!
œb œ ‰3:2
# œb œb ‰ œb3:2
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
30
?
ã
?
ã
ã
&?
&
&
B
?
?
43
43
43
43
43
43
43
43
43
43
43
43
44
44
44
44
44
44
44
44
44
44
44
44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
148
!
" !!
œ œ!!
œ œ œ œ œ œ‰
œ œ œ
4:3
Œ œb œb œ œ œ œb5:4
® .œ ‰ ‰ . . œ
R R
" .œ œ ‰R
!
!
!
‰ œB ‰ œB3:2 3:2
œ ‰ ‰ œ
‰ " œbp œ ‰
ΠΠ!
ϵ3:2
!
!!
œ œ Œœ œ œ œ
!!
œ œ œ œ œ œ œ œ
m/s gongh bongol bongocongasntom
œ œn œ œ œ œb œb !!
œb!
œb ‰ œ# œn5:4
3:2
œ ‰ "!!
œ œP
œ ‰R
Œ " .œ
P
œ ‰R
!
!
!
œB Œ !
œB ‰ œB3:2
Œ " .œ#
Œ
!
‰ " œµ ‰ œµ Œ
!
!!
œ œŒ
œ œ œ œ œ!!
œ œ!!
œ œ
6:4
œb !!
œ œb œn œn ‰ .œb œb œb œn !!
œb œ
6:4 3:2
Œ ‰ !!
œ œ ‰ "!!
œ œ
R R
‰ ® .œ œ ‰ ŒR
!
!
!
Œ œB ‰ .œB$
5:4
!
!
œ Œ " .œ
!
œ œ œ œ œ œ œŒ œ œ
!!
œ œ
5:4 3:2
s gongl bongosntom
Π"!!
œb .œ œ!!
œ œn œ
œ Œ ‰ " œp
R
Œ ‰ œ
p
œR
!
!
!
!
!
!
Œ œØŒ
!
œ œ‰ Œ œ œ
œ .œ œ
7:4
Œ œb œœ !!
œ œb œ œn œ# œn!
œ ‰ . . œ3:2
œ Œ Ó
Ó ‰ " . œ œ ‰R
!
!
!
!
!
!
!
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
31
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B
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45
45
45
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45
45
45
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
153
!
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.œ œ œ œ œ œ œ œ œ œ œ œ‰ !!
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s gongm/s gongh bongol bongocongasntom
œb œb œb .œ œn !!
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5:4
‰ #!!
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$
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!
!
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!
!
!
!
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
32
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B
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44
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43
43
43
43
43
43
43
43
43
44
44
44
44
44
44
44
44
44
44
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44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
freely q»§¢157
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!
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flt vib
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Ï
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œ œb .
p
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©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
33
V
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B
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43
43
43
43
43
43
43
43
43
43
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44
44
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44
44
44
44
44
44
44
44
44
43
43
43
43
43
43
43
43
43
43
43
43
45
45
45
45
45
45
45
45
45
45
45
45
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
!
ped
162
‰ . œ
P
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F
‰!!
œµ œµ œn œµ
f
"
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ϾBP3:2
5:4
flt
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FϾϾBP
#
.œn,
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7:4 7:4
vib fltblurry
"
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$
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BF
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5:4
valve Iflt
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turbulent q»¡ºº
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flt
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!!!!!!œœb !
!!!
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mar - upper registershared with perc. 2hard mallets
œœœœ##n
ƒ
!!!! !!!! œœœ# !!! !!! #œœ#
$
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mar - lower registershared with perc. 1med-hard mallets
Œ˙$
m/l tam-tamsuper balllv sempre
Œ˙
m
$
l tam-tamtriangle beaterlv sempre
œ
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&
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.
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ä &&&
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5:43:2
‰ .œ
F
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$
t.o.sp
mute
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mutet.o.sp
˙#F
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mutet.o.sp
‰ œ# f œ œ$
3:2
Œ ‰ .œ#P
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5:4
mutet.o.sp
calm q»•¢!!
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Ͼ
.Ͼ
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Ͼ
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œ.# œ# . #
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œ.® ® œ. ® œb .
œb .œb .
œ. œ# . ‰ Œ
11:8 9:8
secco
.˙ ˙
.˙ ˙
..˙ ˙
.˙ ˙
.˙ ˙
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
34
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&
&
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B
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43
43
43
43
43
43
43
43
43
43
43
43
85
85
85
85
85
85
85
85
85
85
85
85
43
43
43
43
43
43
43
43
43
43
43
43
B. Tbn.
Perc. 1Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
~~~ ~~~
ped
! !
167
Ͼ
Ͼ
œ. œb . œæµ œ
æ˙næ
5:4
flt
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4:3 5:4
secco
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.˙ ˙
.˙ ˙
turbulent q»¡ººŒ
œb>pœ> œ> .œ>µ œ>µ
5:4 5:4
(articulate arrival pitches)
‰ œ#
œ Œ œ œ œ œ $5:4
wire brushesl cowbells gongm/s gongh bongol bongoconga
Œœb#
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®œ‰ œn
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wire brushes
‰ œØ
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cltst
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‰ œ#p
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cltst
clb
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p
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5:4
clb
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p‰ œ œ ‰ Œ ‰
7:4
clb no mute
Œ œœ#p
$ ‰ œœ# ‰5:4
clb no mute
Œ ‰ œ#p$ ‰ $ œ# œ#
7:4clb
œ# Œ ‰no mute btp
œ>P œ#> œ>B œb> .œn> œn> .œ>B œ>B
3:2 5:4
Œ Œ œ œ œ $ œ ® œP®
11:8
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tap with fingernails (not a circular brushing motion)
.m
&p
"
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#
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battspvib
noisy
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calm q»•¢"
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strike with fingertiplv
Ó ‰ œæ&
hands
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no mute
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©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
35
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ã
&
&
ã
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&
&
B
?
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45
45
45
45
45
45
45
45
45
45
45
45
87
87
87
87
87
87
87
87
87
87
87
87
44
44
44
44
44
44
44
44
44
44
44
44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
!
!
172
"
‰ œœ
m
#˙˙ ˙˙
l bongoconga
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˙æ
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‰ œœœœ
m
#
P˙˙
˙˙
‰ œœœœ
m
#
P˙˙
˙˙
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˙˙
‰ z#
Z Zbsb
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Z Z
bsb
turbulent q»¡ºº"
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,Œ Œ ‰
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‰med-hard malletsgentle sempre
Œ Œ!
œ-
$
Œ ‰3:2
vibesno motormed-hard mallets
gentle sempre
Ͼ
, Œ Œ ‰
œœœœœf
œœœœ
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p
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$
‰3:2 3:2
gentle sempre
œœœœ"
œÿƒ
œÿBœÿµ % œÿµ % œn ÿ œÿµp
% ‰3:2
noisysp
"œœœœœƒ
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p‰ . ‰
5:4 3:2 5:4
noisysp
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ƒ
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% œä ‰ œµ œn ´
p
‰ ‰5:4 3:2
noisysp ord
lvsp
& B
z,ΠΠ.
z,ΠΠ.
calm q»•¢"
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#
Œ
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3:2
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˙
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tom
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p
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$
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m.˙
3:2
l tam-tamwire brushes
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$
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©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
36
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&
&
ã
ã
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&
&
B
?
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82
82
82
82
82
82
82
82
82
82
82
82
43
43
43
43
43
43
43
43
43
43
43
43
45
45
45
45
45
45
45
45
45
45
45
45
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
177
Œ
œ
grind brushes into drum head
!
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Œ
!
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!
turbulent q»¡ººŒ ‰
œb -f
7:4
blurry
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,
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!!!!
!
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‰ " œœœœœœ#b$f (no pedal)
‰ " œf
spvibnoisy
!
‰ " ® œ>
f
noisybatt
‰ " œÿfœb
noisy sp
!
œ- œ# - œn - œb - œ-B œ-B œ-B œ-B œn - œb - œ-µ œn - œ# -F
‰5:4 6:4
!
!!!!
!!!!
!!!!
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!!!!
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%3:2 3
" .Ͼm
fϾ
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snwire brushes
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m
fϾ
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%
bd
### œœ ## ## œP
Ó3:2
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œµ œÿµ .œæB œÿµ œµ" œn
p.œn œÿµ f .œ
æ,
B
3:2 5:4 7:4
cltst
1/2 cltspvib
t.o.
Œ!!
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'
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œ#
5:4 7:4
1/2 cltst sp
œæBœ# ´ œB œµ ""
œœ- œ-B œB œn ´ œ
æB œB
5:4 5:4
spvib
" œ. ‰ .œµ ® œ. œB œ.B ® œb- # œæB œ.µ œÿµ" œB
7:4 9:8vib
1/2 clt t.o.
‰ . œb'
œb .œb .œb œb œb7:4 5:4 5:4
1/2 cltst sp
calm q»•¢Ó ‰ "
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F
œ.
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!
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3:2
pizz
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5:45:4
st sp
!
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f
pizz
.œ œb .œb œ œb œb .œb "
7:4st sp
turbulent q»¡ººœb ÿƒ
œb -f
œ- œ- œn - œb - œn - œ- œn - ."
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7:4
blurry
œ>
f
œ œ œ
F" Ó Œ œ
'
m
5:4
s tbm/s wbm tbl wb
hard mallets
h bongofingernails
œœ## œn
œ# ""
œ œ# œ" Ó Ó
3:2
.˙'
m˙
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Ͼ
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%
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6:4
1/2 clt1/2 clb
œ
f
.œµ œµ " Ó Ópizz
œœ ‰ Ó Ó3:2
œb%
‰ " œb œb œb œb œb Œ""
œb ‰ . œb œb .œb œb .œb œb'
5:4 33:2 5:4
7:4 5:3
1/2 clt1/2 clb
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
37
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&
&
B
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44
44
44
44
44
44
44
44
44
44
44
44
43
43
43
43
43
43
43
43
43
43
43
43
44
44
44
44
44
44
44
44
44
44
44
44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
calm q»•¢182
ŒœbæF
!æ
!æ .œb æ
5:4
flt
˙ Ó
Œ œœœbb>
f
"œœœ ‰ "
œœœ
#
‰ Œ5:4
w
Œ .˙æ#
bd
Œ œb -$p œ- œn - œ- œb - œ- œn - œ œ- œ- œb -
‰ " œn - œ# -
9:8 7:8
blurry
%
˙ œ œ#
#
œ#
p
œ œ#
#
œ#
p3:2
batt ord batt ord
%
Œ .˙p
˙ œb#
.œb œb œb œb œb5:4
33:2
battuto(batt)
!æ .!æ œn æ
Œ
%
%
æ#
œ&
msn
.˙m
&
œ- œb - œ- œn - œb - œb - œb - œb - œn - œn - œb - œ-Œ
11:8 5:4
Ó œœœ#
Pm
œ ‚œn
Ø
‚œ ‚œ ..‚œ ‚œ ..‚œ ..‚œ ‚œ ‚œ
5:4 5:4 5:4
%
˙ Œ
.œb œb œbp
.œ œb#
œb œb œb œbp
7:4 5:4 3
ord batt ord
%
%
%
˙ .œ œP
grind brushes into drum head
˙ .œ œ
P
grind brushes into drum head
%
%
˙˙
...œœœ
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grind
‚œ ..‚œ ..‚œ!!
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5:47:4
%
%
œ œb œ œb#
œb œb5:4
batt
%
%
%
˙ œm
&
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&
%
%
˙ œœ&
m
‰œ#
p
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&7:4
clt
%
%
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5:4
ord batt clt
!b
&
! !
P
!
#
%
%
w
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%
%
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stclb clt clb clt
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cltst
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cltst
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œb œ œ ‰5:4
©JaLevMusic 2012
plumb blossom warm gentle wind shimmering stillness
38
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ã
ã
ã
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&
&
B
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43
43
43
43
43
43
43
43
43
43
43
43
83
83
83
83
83
83
83
83
83
83
83
83
167
167
167
167
167
167
167
167
167
167
167
167
85
85
85
85
85
85
85
85
85
85
85
85
44
44
44
44
44
44
44
44
44
44
44
44
B. Tbn.
Perc. 1
Perc. 2
Perc. 3
Perc. 4
Vln. 1
Vln. 2
Vla.
Vlc.
Cb.
Pno.
ped
!
ped ped
187
"
"
"
"
"
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bow tail piece (btp)
..˙
..˙
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"
œn -F
œ-µ œb - œ-B œ-µ œ-B# ‰
œ-B fœb - œb - œb - œ- œ-µ
5:4 6:4
blurry
wooden sticks
sus cymbs cbm cbl cbfld snbd
sus cymbb. chimesm/s tbm tbm/l tbl tblog drsnl gongm/l tam-tam
œœœœœœ##$F
œœœœœœ# ‰ œœœœœœb#n## f
‹ Œ Œ
..˙
%
t.o.sp
..˙%
t.o.sp
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t.o.sp
"
driving q»••œb- œ
f
œB œ œnœƒB
‰3
‰ !!
œ .œÏ œ œ
5:4
m/s wbm tbl wbm cbl cbs gongm/s gongh bongol bongocongasntom
‰ œæÏ
œ œ
7:4
wooden sticks
‰ ‰Ï
!!
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3:23:2
wooden sticks
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7:4
tambsnbdm tam-tam
wooden sticks
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sp
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plumb blossom warm gentle wind shimmering stillness
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plumb blossom warm gentle wind shimmering stillness
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B. Tbn.
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plumb blossom warm gentle wind shimmering stillness
43
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