piazzolla - summer in buenos aires for 8 celli · pdf fileastor piazzolla, arr. james...

34
_____________________________________ four seasons i summer ii autumn iii winter iv spring arranged for cello octet (2009) ______________________________________ score piazzolla arr. james barralet ______________________________________ Epic Music Publishing

Upload: ngonguyet

Post on 06-Feb-2018

292 views

Category:

Documents


12 download

TRANSCRIPT

Page 1: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

_____________________________________

four seasons i summer ii autumn iii winter iv spring

arranged for cello octet (2009)

______________________________________

score

piazzolla

arr. james barralet ______________________________________

Epic Music Publishing

Page 2: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

!"#$$%&&#'(')%*+',-#.%/.'

!""!#$%&'()"'*%++)')*,%,'-.'/!0%1'2!""!+%,''

3#'!4"!+'&5*,!,5)#'!#&'"%6*)07)15,5)#')('85!99)++!:1'+5;%'"%*)"&5#$1'<5,='=51'-!#&>'3""!#$%&'5#'?@@A'()"'B%++)C*,%,'301,%"&!0>'

D!*='1%!1)#'1,!#&1'!1'!'*)07)15,5)#'-.'5,1%+(>'E=51'1%,'<!1'#),'*)#*%5;%&',)'-%'7%"()"0%&',)$%,=%"'!1')#%>'

F#',=%'1+)<'1%*,5)#1G',!H%'*!"%',=!,',=%':-!*H5#$'*%++51,1:'"%0!5#'"=.,=05*!++.'1)+5&'<=5+%',=%'1)+)51,'=!1'("%%&)0')('"4-!,)>'3**%#,1'1=)4+&'-%'7+!.%&'!1'1,")#$'!#&'"=.,=05*!+'()",%'75!#)1'"!,=%"',=!#'!$$"%115;%'141,!5#%&'+)4&'#),%1>''

E),!+'&4"!,5)#'!77")I50!,%+.'??'05#4,%1>'

/!0%1'2!""!+%,'

'!"#$%&'$((!&)%%)*+$,$*"-&./&0),$-&1)%%)($"&2)-&!3&456789&

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`"%*)07)15,5)#')('+5;%'7%"()"0!#*%1'M*)005115)#%&'-.'B%++)C*,%,'301,%"&!0P'M??:P'J'\)#,%;%"&5&GL%&:F&MF%!'6'(")0':B)")#!,5)#')('8)77%!:'M*)005115)#%&'-.'N,%5"51*=%1'O!00%"0415H(%1,5;!+P'MW:P'J'a%"&5&N%)*H&M)%'#&3%!,&IFH)'M*)005115)#%&'-.'2%5b5#$'(%1,5;!+'?@UQP'MQ:Q@P'J'a%"&5&G%$(LH$&3%!,&:%)OF)")'M*)005115)#%&'-.'2%5b5#$'(%1,5;!+'?@UQP'MV:P'J'a%"&5&BO$%"L%$&3%!,&P).L''!'M*)005115)#%&'-.'2%5b5#$'(%1,5;!+'?@UQP'M_:Q@P'J'c!$#%"&D,&:%$F.#)L-'M1,4&.',)':%F-")*&L*H&D-!(H$P'M*)005115)#%&'-.'2%5b5#$'(%1,5;!+'?@UQP'MR:P'J'c!$#%"&:%QL,$'M1,4&.',)':%F-")*&L*H&D-!(H$P'M*)005115)#%&'-.'2%5b5#$'(%1,5;!+'?@UQP'MW:P'J'c!$#%"&EF$.$-"!H'M,=%'(5#!+%'!#&'*+50!I')(':%F-")*&L*H&D-!(H$P'M*)005115)#%&'-.'2%5b5#$'(%1,5;!+'?@UQP'MR:Q@P'J'c!$#%"&G%$(LH$&"!&G)%-F3)('M"%*)07)1%&P'M*)005115)#%&'-.'2%5b5#$'(%1,5;!+'?@UQP'MC:P'J'c!$#%"&:%QL,$'M1,4&.',)':%F-")*&L*H&D-!(H$P'M*)005115)#%&'-.'2%5b5#$'(%1,5;!+'?@UQP'MR:P''!"##$%*'"'%(%)+'"'%J'3"#)+&&;)-F*!&K!/)($'K',=%0%1'(")0',=%'/!0%1'2)#&'(5+0'M*)005115)#%&'-.',=%'L).!+'3*!&%0.')('\415*P'MUU:P%

!"##$%,'"'%J'a5;!+&5&;!*'$%"!&3!%&4&'$((!-&F*&N&,F*!%'MUQ:P'

!"##$%-'"'%(%&'"'%(%)+'"'%(%)*'"''J'2!"-%"'6'IH)+F!'M*)005115)#%&'-.'N,)07'\415*G'O)"%!P'MC:P'J']!"&%+'6'G!%&R*)&;).$S)'6',=%',=%0%'(")0',=%'(5+0':E"4%'d5%1:'M*)005115)#%&'-.'N,)07'\415*G'O)"%!P'MV:Q@P'J'\)#,%;%"&5'GL%&:F&MF%!'6'(")0',=%')7%"!':B)")#!,5)#')('8)77%!:'M*)005115)#%&'-.'N,)07'\415*G'O)"%!P'MW:P'J'\)#,%;%"&5'GL%&:F&MF%!'M%!15%"';%"15)#P'6'(")0',=%')7%"!':B)")#!,5)#')('8)77%!:'MW:P'J'L!;%+'1!($%!'6'(4++'+%#$,=';%"15)#'M*)005115)#%&'-.'N,)07'\415*G'O)"%!P'MUV:P'J'N*=5("5#&MF--F!*&D,T!--F.($'6',=%'W@1'!#&',=%'A@1';%"15)#'5#')#%'M*)005115)#%&'-.'N,)07'\415*G'O)"%!P'MW:P'J'E*=!5H);1H.'>$%$*)H$'M*)005115)#%&'-.'N,)07'\415*G'O)"%!P'MQU:P'J'a5;!+&5&A!L%&>$)-!*-'K')#%'1%!1)#G')#%'*%++)'1)+)51,'M*)005115)#%&'-.'N,)07'\415*G'O)"%!P'MVR:P'

.%!"##$/%012%3401$%J'S!0+51*='P!.!H/&?!$-&D"&1$""$%&U&,=%0%'(")0',=%'/!0%1'2)#&'(5+0':E=%'N7.'c=)'d);%&'\%:'MR:P'

!"##$%012%3401$'J'3#)#':I-&D&J)(<&I(!*$&I(!*+&"#$&K!)H:'6'L4115!#',"!&>'MN+)<'!#&'0)4"#(4+>']))&'%#*)"%'75%*%P'M?:P'J'3#)#'A!(<&B33C'6',"!&5,5)#!+'0415*'(")0'F#&5!G'S4#$!".'!#&'L4115!'MUC:P'

Page 3: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

!"#$%$"!"#$%&'()*++%"(,-##"#"&"'$()*+,"-./0*-*%$/)"-1$2"345467"!"#$%$"5.*/0%'(-(1"23%()*/*04-5(&"81$(/.*/$"9%):";1+*<"3=57"!"#$%$"6-773(8/"3"&"'$()*+,"-./0*-*%$/)"-1$2"3457"!">./,;+(9:(1;+2-/%-+(<-+&"#"3<%;;*++*%$20"?@"ABCC"D2<%.0+7"3=E57"!"F/.02)".*/(=+-(>-?"0-"&"-,2;2"9.%;"-,2"9*);"5G.12"H*2+5"3E5467"

!"#$%&'()*#"+"'*%,'-.$/+'!"I%J)/$0(@+(<-/'+"##(,"A(B"(<$"77"3<%;;*++*%$20"?@"-,2"K2*-:1$+-"L2+-*M/)N">2.)*$7"3=57'

!"#$%&'()*#"+"'!"F/.02)".*/(=+-(>-?"0-"&"-,2;2"9.%;"-,2"9*);"5G.12"H*2+5"3E5467"!"8/;)*+<,"C*?*43(<*"#(@A()"AA"/(D(-,2;2"9.%;"-,2"O/;2+">%$0"9*);"5G,2"AP@"Q,%"H%M20"C25"3=57"!"C%$-2M2.0*(.;/(E%(B%/*"&"9.%;"-,2"%P2./"5R%.%$/-*%$"%9"S%PP2/5"3T57"

0$*%.'1#$.'!"#$%$"5.*/0%'(-(1"23%()*/*04-5"U"81$(/.*/$"9%):";1+*<"3=57"!"R,%P*$(S%)%$/*+2">.*))/$-2"3V5467''

<%$-/<-W";/*)XY/;2+?/../)2-Z<%;"

Page 4: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

!!!!

!!!!

!!!!!!!!

Allegro (q=120)

1. Summer in Buenos Airesfor Cello8ctet Amsterdam

Astor Piazzolla, arr. James Barralet ©

Violoncello 1

Violoncello 2

Violoncello 3

Violoncello 4

Violoncello 5

Violoncello 6

Violoncello 7

Violoncello 8

!

"

" # Tap tailpiece with wood of bow#mp$ # $ # $ # $ # $ # $

" # % #very very high pizz (use

fingernail for extra 'ping')# # & #

f

%$'(

" # % #high pitched percussion cello

(flick ribs with fingernails)# #mf

%$ $ $ $'3

) # &pp

**'+ &poco a poco cresc.

,,'+

& **'+ & *'- * * * & **' *.( ,,'+

" # &pp

**'poco a poco cresc.

*.( ,,'+ & **'+ *.( **'.. & & **'+/ *.( ,,'/

" Bow down

# # #slap cello ribs

#mf

$ $ $ # $ $ $ $ $' $ $ # # # # $ $ $

" Bow down# %mf

slap cello body$ $ $ # 0 %"

mp

*'1 * */ */ *2

p

pizz.

*.' *.'poco a poco cresc.

arco

*.'1

* */ */ *2pizz.*.' *.' *.' *.' *.'/ *.' *.'

arco

*.'1

* */ *33 3 3

5

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

" # $ # $ # $ # 4ff

**'5 **/ **. # "

mp$ # $ # $ # 4

ff

**' **// **."flick ribs with

fingernails

& #mf

$( # # &f

$'( # # # $' % $' # 0

"Bow from bridge to

fingerboard straight (no

sideways motion)

IV

$ # #Bow behind the bridge on the cotton winding

of the string and press hard! (Very small

bow stroke). 'Frog croaking' sound.

#$ # $ 0 &Bow on the bridge

('air' sound)

II

$( &III

$1 0 %

) & **'+ & *'- * * * & **'+ & ,,'+

& **'+ & *'- * * * & **' *.( ,,'+

" & **'/ *.( **'+.. & & **' *.( ,,'+ & **'+ *.( **'.. & & **'+/ *.( ,,'/

" # $ $ $ $ $' $ $ #flick ribs with fingernails

# ## $$ $ $' # % %$ $ $ #

Pick up bow

0

" $ $ $ # 0 #slap ribs

# $$ $ $' # & $( # & Pick up bow$( 0 # # & $( #" *2/

pizz.*.' *.' *.' *.' *.' *.' *.'arco

*.'1

* */ */ *2pizz.

*.' *.' *.' *.' *.'/ *.' *.'arco

*.'1

* */ *33 3

&

Page 5: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

35

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

4 6- ) &mp

*' *. *. *' *. *. *' *. *. *' * * *2 *. *2 *. &dim.

*' *. *./ *' *. *. *'

) 6- &mp

*' *. *. *' *. *. *' *. *. *' * * *2 *. *2 *. &dim.

*' *. *./ *' *. *. *'

4- ) % &

mp

*. *' *. ***** * *2 * &dim.

*' *.( ,'3 3

4f'''6/ ) &

mp

*'+ & ,'+7888888888888888888

& *'+ & *'- * * *' &dim.

*'+ & ,'+7888888888888888888

) 6 &mp

**'+ & ,,'+

& **'+ & *'- * * *' &dim.

**'+ & ,,'+

" 6 &mp

**'+ &,,'+ &

**'+ &*'- * * *'

&dim.

**'+ &,,'+

" *. *( *mf

*+1 1

mp* */ */ * * * *1 * */ */ * *

dim.

* * * * */ * * *1 * */ *33 3 3

"*' * *' * * *' mp

* * * * *gliss.*

dim.

* * * * */ * * *

39

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

) *. *./ * * * *2 *. *2 *. & *' *. *. *' *. *. *' *. *. *' * * *2 *. *2 *. & *' *. *./ *' *. *. *'

) *. *./ * * * *2 *. *2 *. & *'( # *'( & & *'( # *' * * *2( & # %) & *' *.(

*'* ** * * % # # *'* ** * * *./ 1 *' *. *. * * * *3 3

) & *'+ & *'- * * *' & *' & ,' % %) & **'+ & *'- * * *' # # # "

Knock the middle of

the cello back or belly

$ $ # # $ $ # # $" &

**'+ &*'- * * *'

# & $( & $( # # & $( & $( # # & $( & $( #" */ * *( & *

+3 *

gliss.# # * *gliss. # # * * # # *

" */ *p

* * * * * * * * * * * * * * */ * * *

&

5

Page 6: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

rall.43 Lento (q=60)

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

) *. *./ * **pp

*2 *. *2 *. 6 # &espress.

%*'1*-( ,mf

,p

* *2 *) % # &

p

con sord.%*'1*( , & %*'1*( , # # # # & pizz.*(

) & *'** *.5 *.3 *'*****pp

, , 0 **** * # # # &pizz.

p

*(3 3 3

) % # & 9 "pp

*: , # & 9*: *(

p

%*1*21 * * */ * */ *. *. &pizz.

*1 * & arco

* */" $ # 0 #

con sord.

&pp

*( , # & *( , 6

" % con sord.#pp

*9 *.1 ,, # *

9 *.1 **. *1 9 *: 6

" * # 0 & con sord.

pp

*( ,. ,.& *1 , & *( 6

" */ *p

* * * * ,.mp* , & *** *5 * */ *3 * *5 , 0

3

6

47

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

) ,pp

rubato

*- ****

p

*** */ **** *. *( * * * * *5 ,p

%* ** *-* * */ * * * * *

5 5

) *. * * *. 0 # */ * * *&

pp

*1 *. * * *. 03

) * * * *0 */ * * *

# &pp

*1 * * * *0

3

" *. *. &pizz.

*1 * &arco

*/ * *./ *. &pizz.

*1 * & arco

*/ *3 *./ *. &pizz.

*1 * &arco

* *3 */3

" % % %" % % %" % % %" % % %

&

6

Page 7: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

65

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

) * *- *- * , *. *( * ***** *. *** ,5 *. *( * * * * * * *- *- *+ ,

) * *- *- * , *. *( * ***** *. *** ,5 *. *( * * * * * * *- *- *+ ,

) * *- *- * , *. *( * ***** *. *** ,5 *. *( * * * * * & *+ * * & *+( & *+(" *'/ . *'

1 * *' *'/ . *'1 * *' *'3 . *'

1 * *' *'. *'1 * *' *'/ . *'

1 * *'" *'/ . *'

1 * *' *'/ . *'1 * *' *'3 . *'

1 * *' *'. *'1 * *' *'/ . *'

1 * *'

" & * * * *( * *( & *( * *( * *( & * * * *( * *( & *( * *( * */ 1 & *+ * *&

*+( &*+(

" & * * * *( * *( & *( * *( * *( & * * * *( * *( & *( * *( * )*/ 1 & *+ * *' &2

%*/ 1*'+( & %*1*'+(

" & * * * *( * *( & *( * *( * *( & * * * *( * *( & *( * *( * )*/ 1 & *+ * *' &2

%*/ 1*'+( & %*1*'+(

70

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

) 6- %*5 *3 *( *-5( * * * * *+ & *+ * *5 * * ,. & *( * * * * * * * & *+5 *

) ,. # %*5 *3 *( *-5( * * * * *+ & *+ * *5 * * ,. & *( * * * * * * * & *+5 *

) * * *( & & ** & & %*1 *-5( * * * * *+ & *+ * *5 * * ,. & *( * * * * * * * #" *'/ . *'

1 * *'ff*'3 . *'5

1 * **' *' *'5 . *'51 * *' *

-'. *'

1 * *'" *'/ . *'

1 * *'ff

*'3 . *'51 * **' *' *'5 . *'5

1 * *' *-'. *'

1 * *'

" * * *( & & ** & &%*1 *-5( * * * * *+

& *+ * *5 * * ,. & *( * * * * * * * #

) * * * * *'. & &*-( * * * * *+

&*+5 *5 * *5 *5 ,.

& *5( * * * * * * * & *+ *

) * * * * *'. & &*-( * * * * *+

&*+5 *5 * *5 *5 ,.

& *5( * * * * * * * & *+ *

&

9

Page 8: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

74Tempo I (q=120)

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

) *' * *' * ,'5 #ff

*.5 *. *' * *5 *. * 6# *. *. *' *5 * *. *;

) *' * *' * ,'5 #ff

*.5 *. *'/ *3 *5 *./ * 6 # *. *. *' *5 * *. *

) *'5 * *' * * * #ff

00

**' ,,..Change bows freely

888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888

" *+. *1 * #

ff

00**' ,,..Change bows freely888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888

" put down bow

% slap cello ribs (with LH)#

ff

$(knock body with side of R thumb

(rotating wrist motion)

$ $ $flick ribs with fingernails (of LH)

#$ & $( # $ $ $ $ $

"put down bow

#slap body (RH)

#slap ribs (with LH)

# (ff

$' # $$#$ $$

#$ & R L R$ $ $ R L$ $ $ $ 0$ $ $ $ $ $ $$

#$

) *'5 * *' *# "

ff

*'+ *' # *' # # &**.'+5( & **.

'+( & **.

'-5(

*' # *' & *1

) *'5 * *' *# "

ff

*+'

**.'gliss. *+5 **.' *

+ *. *'+5 * *' * *' * ***.' # ***

.' #

78

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

) 6) # *.5 *. *' * *5 *. * 6# *. *. *' *5 * *. *;

) 6 # *.5 *. *'/ *3 *5 *./ * 6 # *. *. *' *5 * *. *

) 4888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888

" 4888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888888

" $ & $( # $' $ $ $ $$ & $( # $ $ $ $ $

" & $ $ $ $ $ $ $ 0$ $ $ $ $ $ $$#$ & $ $ $ $ $ $ $ 0$ $ $ $ $ $ $$

#$

" *.'*. *.5 *.

*. *' # *' #gliss. # &**.'+5( & **.

'+( & **.-(

*' # *' #

" *. *. *.5 *+.

**. **.' & **.(**.' *

+'

*.gliss. *'+5 * *' * *1 **.(***.' # ***

.'*88888888

&

10

Page 9: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

!!!!

!!

!!

!!!!!!!!

Andante mosso (q=112)

2. Autumn in Buenos Airesfor Cello8ctet Amsterdam

Astor Piazzolla, arr. James Barralet ©

Violoncello 1

Violoncello 2

Violoncello 3

Violoncello 4

Violoncello 5

Violoncello 6

Violoncello 7

Violoncello 8

!

"

" # $ $ $" # $ $ $

" #p

%%& %%'( )cresc.

%%&* %%'( ) %%&+ %%'( )%&* %* % % %' %%& %%'( ) %%&* %%'( )

" #p

%%&,* gliss.gliss. %%'-*( )

cresc.

%%&+ %%'+( ) %%&* %%'( ) %% gliss.gliss. %%'( ) %%&,* gliss.

gliss. %%'-*( ) %%&+ %%'+( )

" #p

%%&,gliss.

gliss. %%'-( )cresc.

%%&* %%'*( ) %%& %%'( ) %%&** gliss.gliss. %%'*( )

%%&,gliss.

gliss. %%'-( ) %%&* %%'*( )" behind bridge (croak)#

p

. . . . .( )cresc.

/ # . . . . . . . # . . . . .( ) /" #

footstampp%,&

#%-.& cresc.

%,&gliss. %.

&%&gliss. %.

&%&gliss. %.

&%&gliss. %.

&%&gliss. %.

&gliss.

"p%-

footstamp

%,&

#%.& cresc.

%&gliss. %.&

%&gliss. %.&

%&gliss. %.&

%&gliss. %.&

%&gliss. %.&gliss.

4 poco accel.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

" $ $ $ $" $ $ $ $

" %%&+ %%'( )%&* %* % % %'

)%& %'&

( )%& %'&( )

%' %' %0 % % % % % %&)

%& %'&( )%& %'&(

" %%&* %%'( ) %% gliss.gliss. %%'( ) ) %& %'&( ) %&* %'&( ) %' %' % % % ) %& %'&( ) %& %'&(" %%& %%'( ) %%&** gliss.

gliss. %%'*( ) ) %& %'&( ) %& %'&( ) %' %' %0 % % % % % %& ) %& %'&( ) %& %'&(" # . . . . . . . # . . . . .( ) / # . . . . . . . # . . . . .( ) /" %& %.

&%&gliss. .

&# %0 % % % % % % % %0 % % %

" %& %.&

%&gliss. %,% %* % %0 % % % % % % % %0 % $%1% %

%

Page 10: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

8

poco più mosso (q=126)

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

! " #mf cresc.

$% $ $& $%& $%'( $ $%& $% $&( # $% $ $& $%& $%'(

! " #mf cresc.

$% $ $& $% $ $& $%' $ $&' $% $ $& $% $) $& # $% $ $& $% $ $& $%'

! #$& $& $ $ $ $ $ $ $%

#mf cresc.

$% $ $& $% $ $& $%' $ $&' $% $ $& $% $) $& # $% $ $& $% $ $& $%'

! # $& $& $ $ $ $ $ $ $% $% $ $ $ $( # #$$%*'

# # $%* # $%) $%) $% +$%* $ $ $ $( # #

$$%' #! # $& $& $ $ $ $ $ $ $% $% $ $ $ $( # #

$%*'( + # $%* # $% $% $% + $%* $ $ $ $( # #$%'( +

! + , , , , , , , + $% $ $ $ $( # # $%* # # $%* # $%) $%) $% + $%* $ $ $ $( # # $% #! #$-$ $ $ $ $ $ $ $ $ $ $ $ $ $) $) $ $ $ $ $!

$ $ $ $ $ $ $ $ $ $ $ $ $ $) $) $ $ $ $ $

12

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

! $ $%& $% $&( # $% $ $&' $%& $%.( $$* $$ $) $$&% $%$$% $ $ $ $) $$&%+

$%# $%*/(

! $ $&' $% $ $& $% $) $& # $% $ $&' $%( # $& $%* $$. $$ $) $$$$%$$% $ $& # $% $' $&/ $% $ $& $%

! $ $&' $% $ $& $% $) $& # $% $ $&' # $&%* $& $% $$$$ $) $$$$%$$% $ $& # $% $' $&/ $% $ $& $%

! # $% # $%) $%) $% +$% $

( # #$%

# #$&* $& $' $ $$$$$% $% $( # #

$%#

! # $% # $% $%$% + $$%$$$$$$$$( # # $%) # # $&* $& $ $ $ $$%* $$ $$$$$$( # # $% #! # $% # $%) $%) $% + $%' $$$$( # # $% # # $&* $& $' $ $$$$$% $%*' $ $$$( # # $% #! $ $ $ $ $ $ $' $ $ $ $ $ $ $ $' $ $ $! $ $ $ $ $ $ $' $ $ $ $ $ $ $ $' $ $ $

$

2

Page 11: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

Cadenza (ad lib.)29

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

! " "

!p

#$% # # # # # # # # # # &molto accel.#' # # # # # # # # # # #

$( # # #$ ##)

#$ #( # molto rall.

*# # #) #( # # #$( #$ #$(

! " "! " "! " "

! +% "

! " "

! arco

+% "

Lento e rubato (q=60)31

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

!p

pizz.

#, #- #, #- #, #- #, #- #, #- #, #-

*p

.espress.

# #$)/ # # # # #) # # .mp

#/ #$ # #0 # #( # # # # $#( ##$/ #$0 #$( #$0 #$ #$(3

3 3 3 5

! " " "! " " "!

pizz.slow spread (bass on the beat)

p

+++%%%%% vib.+++%%%%%

+++(%%%%%

! sul pont.

ppp

&&&+

&&&+

&&&+

! sul pont.

ppp&&&+

&&&+

&&&+(

! sul pont.

ppp

&&&+ &&&+ &&&+

'

5

Page 12: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

34

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

! "# "$ "# "$ "# "$ "# "$ " " " "%

II

"$& "$' "$ "$( "$ "' ")mfI

#" ""* "*' 1""" "+ " "+ ""mp

"",", ",' ",+ "$, "$, "pp

"""""mp

" " ", ", ",20

II

3", "$",III

3

I II

3 - 3"" "&( "* "pI

2") #"+ -" "' " "" "+ "6

3

5 3 6 3 3 3 3

! . . .! . . .! ///$$$$$

///+

$$$$$

000$$$$$

000($$$$$

! %%%/

%%%/+

%%%0

%%%0

!%%%0

%%%0

%%%0(

! %%%0 %%%0

%%%0

37 rall.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

! " " " "arco

", /gliss.

1

%0"& " ",( " "( "

mf

#" "'" ", " " 1 11", " ", "( ",& #" ""2 " " "( 2",* " " " " "( " " #" "' " "'"* "+ "2 " " ", ", ",+ ", ",+ "*3 3

5 6

! . .! . .

! 000'$$$$$ ///2( $$$$$$

$ 1 %

! %%%0

%%%/ 3

! %%%0'

%%%/( 3

!%%%0 %%%/ 3

&

6

Page 13: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

44 Allegro (q=136)

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

! " "# " $p

arco

" "%

gliss.& &

' & () *"+,

*- !p" "

%gliss.

& &

' & () "+, - pizz. e vib

(on the beat)

p

""### ""%.#### & & !

! ( "# / " $(bass on the beat)

p

"""#####

""""%.

####### & &

! a tempo"0 " " "1,0

"+23più mosso"0 "# " ". " "# " "# " " "4 "0 "4 " "2 "

4. " " " " "

""4 " " " " " " " "1 1"1 "%1, 5 &10

! 6 6! 6 $ &

norm.

"2". " ".

! 6 $ &norm.

"2". " ".

46

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

! (sf

"+ " "1 "+ " " ""1 "+ " """" ". " "+ " ( "+ " "1 "+" " ""1 "+ " """" ". " "+ "

! (sf

"+ " "1 "+ " " ""1 "+0 " """" ". " "+ " ( "+ " "1 "+" " ""1 "+0 " """" ". " "+ "

!arco

(sf

"+ " "1 "+ " " ""1 "+0 " """" ". " "+ " ( "+ " "1 "+" " ""1 "+0 " """" ". " "+ "

!arco

sf

"+""""1, ( ("+2, &

"+""""1, ( ("+2, &

"+""""1, ( ("+2, &

"+""""1, ( ("+2, &

!sf

"+""""1, ( ("+2#, & "+""""1, ( ( "+2, & "+""""1, ( (

"+2#, & "+""""1, ( ( "+2, &

!sf

norm."+""""1, ( ( "+2, & "+""""1, ( ( "+2., & "+""""1, ( ( "+2, & "+""""1, ( ( "+20, &!

sf

"+ "1 "+ "1 "+ "1 " ". ". " "+ "1 "+ "1 "+ "1 " " " "

!sf

"+pizz.

"1 "+ "1 "+ "1 " ". ". " "+ "1 "+ "1 "+ "1 " " " "

$

8

Page 14: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

rall.59

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

!" # # # #

!" $ %& %& %'" % % % % % %' $ %& %& %'" % % % % % %' $ %& %& %' % % % % % %' $ %& %& %' % % % % % %'

!" $ %& %& %' % %' $ %& %& %' % %' $ %& %& %' % %' $ %& %& %' % %'!" # # # #

!" # # # #

!" $over-press

I

( ( ( ) ( $ ( ( ( ) ( $ ( ( ( ) ( $ ( ( ( ) (

!" # # # #!" %'& %'

* % %' %& %* % % %& %* % % %& %* % %

Cadenza (ad lib.)63Lento e rubato (q=60)

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

!" #ppp

sul pont.

###+

!" ,- #p

+.espress.

!" ,- #

ppp

sul pont.

###+

!" #pizz.

slow spread (bass on the beat)

pp

+++$$$$$ vib.

!" #slow spread (bass on the beat)

pizz.

pp++++

$$$$$$$

!" #ppp

sul pont.

###+

!"SOLO

$mp

rall.

%- %/ %/0 % % % %1 %-02rall.

% % %" %0 % %1 %0 %"2molto rall.

3p

%/1 %0 % %0 % %/ %/ %0,.espress.

%mf

%/" *% % %3 3

!"arco

pp,- #

% %0 %'

pizz.

p%& %' %&

&

10

Page 15: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

70 !"

!"

!"

!"

!"

!"!"

!"

meno mosso (e rubato) (q=48)""

""

""

""

""

""""

""

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

#$ ###% norm.

pp&'() *

( + + ,

#$%-

pp&'() *

( + + ,

#$ ###%- norm.

pp

&'( *( . ,

#$ %%%-

$$$$$

&&&(

$$$$$ + +arco/0

solo

mp espress.*12 &

2

II

3 0

III

0* *$ *II

0

* *31

#$%%%-

$$$$$$$

arco

pp

&'( *(.

pizz.l.v.

p vib.

* * *.

#$ ###% norm.

pp

&'( *(4 + 5p

*3

*4 *1 *1 5 pizz.*2 * 5 arco

* *4/$ *6 *3 %*2*6 *) * *) *$ *) * *'

(1 *$ *)**** *$ ** *)4 1**

( + + ,

#$ * * * *arco

pp

&'( *( + + ,

73

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

#$ , ,

#$ , ,#$ , ,

/$ *1 0ppI

*3*'

%*$ 2 %*- 2* * * * *1 *1 *1&

%*2*14 *1 *1 *1 *3 * 3

3 3* *1$ *1 *1- *1$ *1 *1$ *1 *1$ *1 *1 *1$ *1 *1$14

#$ * * *. * *- *

.#$ *1 *1 5 pizz.

*2 ***$$$ 5 arco

* *4 *1 *1- 5 pizz.

*2 ***-$$$ 5 arco

* *4/$ , ,#$ , ,

'

12

Page 16: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

75 rall. accel.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

!" # # #!" # # #!" # # #

$" %& %&' %&" %& %&" %& %&" %(%& #%' )% % %' %* % %' %* +% %*

, %- %" % % % %" % % , % % % % % %" % %14

3

!" % % %.

mf

% % %' % ,

mp

%/ % % % ,

!" %&%& 0 pizz.

%) % 0 arco

% %* ,& 1 (% %* ,& 1

$" # # #

!" # # #

(q=68)78

Allegro (q=136) (e=q)

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

!" # + 0f

%& %& %2" %3 %24 %&43 %2" % %

Shout "HOO"

,% % %21

$0 52)

!" # + 0f

%& %& %2" %3 %24 %&43 %2" % %

Shout "HOO"

,% % %21

$0 52)

!" # 0f

%& %& %2 %3 %24 %&43 %2 %

Shout "HOO"

,% % %21

$0 52)

+" %( % % % % % #%)% %

f

%&2 %&2 %&2 %&2 6* 6*1 1Shout "HOO"

1$0

78888888888888888888888888888888888888888888888888888888888888888888888888888888888852)

5

!" %)0

% % %% ,,,

*

f

arco

% % % % % % % %3

!" 4%* % %* ,

(% %*

f

%&2 %&2' %&2 %&2 % % % % % % % %$" # +

f

9 % %" %& %2& % %2 % %2 %%&3 9 % %" %& %2& % %2 % %2 0

!" # $ 9f% % %& %2

&% %2 % %2 %%&

) 9 % % %& %2&

% %2 % %2 0

%

13

Page 17: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

81

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

!" # $% $% $&" $' $&( $%(' $&" $ $ )$ $ $& #ff

$% $% $& $' $&( $%(' $& $ $ )$ $ $&* # +

&,

!" # $% $% $&" $' $&( $%(' $&" $ $ )$ $ $& #ff

$% $% $& $' $&( $%(' $& $ $ )$ $ $&* # +

&,

-" # $% $% $& $' $&( $%(' $& $ )$ $ $& #ff

$% $% $& $' $&( $%(' $& $ )$ $ $&* # +

&,

!"./ ./01111111111111111111111111111111111111111111111111111111111111111111111111

ff

./ ./* * * #011111111111111111111111111111111111111111111111111111111111111111111

+&,

-" $ $ $ $ $ $Shout "HAA"

$#

$#

ff

+&,$ $/ $ $ $ $/ $ $

-" $ $ $ $ $ $Shout "HAA"

$#

$#

ff

+&,$ $/ $ $ $ $/ $ $

!" 2$ $" $% $&% $$& $ $& $$%' 2$ $" $%

Shout "HAA"

$&% $$& $ $&$ +&

, 2ff

$$ $% $&% $$& $ $& $$%' 2$$ $% $&% $$& $ $&

#

3" 2$ $ $% $&%$$& $ $& $$%

, 2$ $ $%Shout "HAA"$

&%

$$& $ $&#

ff+&, 2$$ $

% $&% $$

& $ $& $$%, 2$$ $

% $&% $$

& $ $& #

85

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

!" # $% $% $& $' $&( $%(' $& $ $ )$ $ $&* # ///+

&, # $& $&' $' $&/ $&'

!" # $% $% $& $' $&( $%(' $& $ $ )$ $ $&* # ///+

&, # $& $&' $' $&/ $&'

-" #$% $% $& $' $&( $%(' $& $ )$ $ $&

* # ! ///+&, # $& $&' $' $&/ $&'

!"./ ./

* * * #0111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111111

///+&, # $& $&' $' $&/ $&'

-" $ $/ $ $ $ $/ $ $# ///+&,

$%& $% $%& $4&$%& $% $%& $4&

-" $ $/ $ $ $ $/ $ $# ///+&,

$&$& * $

& $& *!" 2 $ $ $% $&% $ $& $ $& $$%' 2 $ $ $% $&% $ $& $ $&

///+&, * $$&5 * $$&5

3" 2 $ $ $% $&% $ $& $ $& $$%

, 2 $ $ $% $&% $ $& $ $& ///+&

, * $$5&

* $$5&66

%

14

Page 18: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

104

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

! " slap/thud middle body#$ % #& # " #$ " # # # # #$ # # # # # # # # # # #

! # " # " # " # " # " # "

! "slap ribs (with LH)

% #'& " % #'& " % #'& " % slap body#'& #& % %knock fingerboard

with bow screw#'& " #' #'

!#$

slap body

slap ribs

R L R L# # # # #'& % ( # # # # # (very very high pizz.#' % #'& " % #'&

! "flick ribs$ # ( col legno on tailpiece

# # # % #) " # " " % #&! #& % % #& % #& # # # # % #& % #* # # # # # # # # #! " arco +++'

,$ " +++',-- " %

pizz.+&+'

" " arco +++',$ " +++'

,--

! pizz.

+ + " +- + " +'- +'" +'

% +) + + " +- + "

107

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

! #$ # #pick up bow

# # " " . arco%%+', + +* + + + + +* +'$ /

gliss.0

" " " 10+'

! # " # " . arco%% 3

+', + +* + + + + +* +'$&&&/

gliss. " " " 100++'2

! #'& % % #'& #' #' "arco

% +', + +* + + + + +* +' / gliss.0

" " "+'-

! pick up bow 3 . arco% +,'

+ +* + + + + +* +'&&&/ gliss. " " " +'

! " " %arco

.+'*

! %4444444444444 +', + +* + + + + +* +'$

&&&/ gliss. " " "

+'

! # # # % #& # " arco% +', + +* + + + + +* +'$ / gliss.0

" " " +'-

! " %pizz.+&

+'"

arco

% +,'

+ +* + + + +III

+* +'&&&/ gliss. " " " ++'

! +'- +'" +'

"arco

% +,'

+ +* + + + +III

+* +' / gliss.

0 " " " +'

'

17

Page 19: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

Andante moderato (q=69)

3. Winter in Buenos Airesfor Cello8ctet Amsterdam Astor Piazzolla, arr. James Barralet ©

Violoncello 1

Violoncello 2

Violoncello 3

Violoncello 4

Violoncello 5

Violoncello 6

Violoncello 7

Violoncello 8

!

"

!"""p

#$ #% & #$ #%# # ' ## #$ #% & #$ #%

#( # ' ## #$ #% & #$ #%# #

'#)#

*"""p

#$ #% & #$ #+ # # ' ## #$ #% & #$ #%#( # ' ## #$ #% & #$ #%

# # ' #)#

*"""p

#$ #% & #$ #+ # # ' ## #$ #% & #$ #%#( ' #% #$ #% & #$ #%

# ' #)%

*"""p

& & & # ' #% #$ #% & #$ #%#(

'#% #$ #% & #$ #%

#'#)%

*"""p

& & & # ' #% #$ #% & #$ #%#( ' #% #$ #% & #$ #%

#"'#)%

*""" , , , , , ,*"""

pizz.

p# # # # # # # # # # # # # # # # # # # # # # # #

*""" pizz.

p# # # # # # # # # # # # # # # # # # # # # # # #

accel.7 (q=88) accel.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

!""" #$ #% & -.

p

-" -/

*""" #$ #% & -p

#$" $ #% #$ #$ #$/ $ #% #$ #$

*""" #$ #% & -p

#$ $ #% #$ #$ #$ $ #% #$ #$

*""" #$ #% & -, ,

*""" #$ #% & -!

mp

#( #( #$% #( #$% #( #$0 #$0 #$) #( # # # #

*""" , , .mp

' #("+ ' #$+ # # #( # # # # ' #

0(/+ # #

0$ # # #( # gliss.

*""" # # # # # # #mf

arco

p#" # #" # #" # # # ## # #/ # # # # # #

*""" # # # # # # # # #" # # # #/ # # #

$

Page 20: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

11 (q=120)

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

.""" - -/ - -1*""" #$ #( #$ # # #$ #$/ $ #% #$ #$ #$ #% #( #( #( # #$1 $ #% #$ #$

*""" #$ $ #% #$ #$ #$ $ #% #$ #$ #$ $ #% #$ #$ #$ $ #% #$ #$

*""" , , , ,!""" #) 2 ' #(0%

#$ #$0 #( #/ #$ #$0 #$ #$0% ' #(%#$ #$ #$)% #()$ #( #$ #$01 # # #( #%

.""" #0+ ' #( # #( #+ ' #

0$ #

0$ #( #/ #$ #

0$ #( # #( #$+ # #

0$ #

0$ # # #( #$+ #

)$( #

)(1

# #$ # # #( ## ##+

*""" #" # # # #/ # #" #/ # # # #/ # # # # # # ## # #/ # # #*""" #" # # # #/ # # # # # # # #/ # # #

15

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

.""" -*""" #$ $ #% #$ #$

*""" #$ $ #% #$ #$

*""" ,!""" #( # #$ #$ # # #( #%

.""" #( # #$ #$ # # #( #+*""" ## #/ # # # #*""" # # # #

$

2

Page 21: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

Cadenza16

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

.""" #3" $*%

$)% % % % %/%3/ $

.%/ % %

%$ %1#%+%41 %4 %4 %4/ %41% % %3/ *% %/ %/ %" %" %" %/ %/ %/ %/ %" %" %1 %/ %1 %/ %" %/ %/ %/ %/

3

3 3 33 3

3 3

*""" #3$

*""" #3$

*"""

!""" #3$

.""" #3$

*""" #3" $

*"""arco

#3" $

17

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

*"""%

3" %" %/ %/ %1 %/ %" %

%".%/

%/ %/ %/ %1 %/ %3" *5666

%0/ %1 %/ %( %1 %/ %/ %(" %/ %1 %/ %(/ %1 %1 %1 %(/%" %/ %/ %(1 %/ %/ %/ &

3"5 .

3

33

3 3

3

3 3 3 33

*""" ,3 'Lento ad lib.

.%" %" %" % % % %

*""" ,3

*""" ,3

!""" ,3 *

.""" ,3 *

*""" ,3

*""" ,3

$

3

Page 22: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

42 78

78

78

787878

7878

88

88

88

888888

8888

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

*"""dim.

&$'über'-vib.

# #/ - -pp

senza vib.-0 - #3% ' 2 11

*"""dim.

&$'über'-vib.

# #/ - -pp

senza vib.

-0 - #3% ' 2 11

*"""dim.

&$'über'-vib.

# #/ -1 -pp

senza vib.-0 - #3% ' 2 11

*"""dim.

&$'über'-vib.

# #/ - -pp

senza vib.

-0 - #3% ' 2 11

*"""dim.

9$ 9% 9 9 9$ 9% 9 9 9$ 9% 9 9 , , 23mf

11# #1 #/ #"*"""

dim.

9$ 9% 9 9 9$ 9% 9 9 9$ 9% 9 9 , , ,3 11

*"""dim.

##(// % ' '##(% ' '

##(% '##/1 % ' '

##% ' '##% '

'über'-vib.-)

pp

senza vib.-0 - #3% ' 2 11

*"""dim.

#(/ $ #(+ # #( #/ $ #+# # #/ $ #+ # #

pp#/ $ #+ # # #/ $ #+# # #

3/ 2 Solo11

8888

88

888888

8888

Tempo I (q=69)48

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

*11 , , , ,

*11 , , , ,

*11 , , , ,

*11 , , , ,*11

p#

pizz.

# # # # # # #pp# # # # # # # #

*11mf

pizz.& 2 #" ## #1 #### &$ :$ ### #/ # &$ #$ # &$'

#+

*11p

pizz.

# # # 2 ; # # # 2 ;pp

# # # 2 ; # # # 2 ;*11

mf

#0 $ #% & # # # #% # # # #$ #% & # # # #% # # #3 3 3 3

$

7

Page 23: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

70(q=100)

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

. # #" # # # #ff

# # # -) 0 #) #41 ## ##4 # # # # # # 3

II

* 0# # # # # ## # # # # #

3 3

6

6

* # # #" # # # #.

ff

# # #-) 0 #

) #41 #4 # # # # # # 3

II

* 0# # # # # ## # # # # #

3 3

6

6

*##( ##$ 2

## 2f

##(1 ##$ 2## 2

&(0 & -

* ##( ##$ 2 ## 2f

##( ##$ 2 ## 2 -(0" -

* #+ # #+ # 2f

#% # #1 + # 2arco&(0 & -

* #+ # #+ # 2f

#% # #1 + # 2arco--

(0 -* #( #$ 2 # 2

f#( #$

2 # 2 --(0

& # # # #* #( #$ 2 # 2

f

#( #$2 # 2 --

(0& # # # #

rall.74

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

* #1 # # #mf

# # ### # # # # # # # # # #4 # #pp

# # #3 2 , ,3

* #1 # # #

mf

# # ### # # # # # # # # # #4 # # # # #$3 #$ #$" #$ &1 # # #$ #1 &1 # # #3

* & &p

& & & ;3pp

-1 &gliss.

;* & &

p

& & & ;3pp

- gliss. &1 ;* # # # #

p

& & & ;3pp- &1gliss. ;

* # # # #p& & & ;3

pp

-1 gliss. & ;* &1 &

p& & & ;3

pp- &1gliss.

;* &1 &

p& & & ;3

pp- &1gliss.

2 #1 #/ # #" #

$

10

Page 24: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

A tempo (q=88)79 accel. (q=96)

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

* , , , . 111ff#$ #+ &

* &$ # #1 $ #$ #0 &$ -. 111

ff#)$ #+ &

* , , , 111ff

#$ #% &

* , , , 111ff

#$ #% &

*p

##(1 ##$ ##$ ##( ##$ ##$ ##( ##$ ##(1 ##$ ##$ ##( ##$ ##$ ##( ##$ ##(1 ##$ ##$ ##( ##$ ##$ 111ff

##( ##$ ##( ##$ ##$ ##( ##$ ##$ ##( ##( ##(

*p

##( ##$ ##$ ##( ##$ ##$ ##( ##$ ##( ##$ ##$ ##( ##$ ##$ ##( ##$ ##( ##$ ##$ ##( ##$ ##$ 111ff

##( ##$ ##( ##$ ##$ ##( ##$ ##$ ##( ##( ##(

*p

#(1 #$ #$ #( #$ #$ #( #(1

#(1 #$ #$ #( #$ #$ #( #(1

#(1 #$ #$ #( #$ #$ 111#( #(##( ##$ ##$ ##( ##$ ##$ ##(

##(*

p

#(1 #$ #$ #( #$ #$ #( #(1

#(1 #$ #$ #( #$ #$ #( #(1

#(1 #$ #$ #( #$ #$ff

111#(1 #( ##( ##$ ##$ ##( ##$ ##$ ##(##(

83

accel.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

.111 #$ #+ ###( #% #$ #+ & #0$ #

0+ ###( #% #$ #% & #0 $ #0%#% # ##

.111 #$ #+ ###( #% #$ #+ & #0$ #

0+ ###( #% #$ #% & #0 $ #0%#% # ##

*111 #$ #%

###( #% #$ #% & #0 $ #0%###( #% #$ #% & #0 $ #0%

#% # ##

*111 #$ #%

###( #% #$ #% & #0 $ #0%###( #% #$ #% & #0 $ #0%

#% # ##

*111##( ##$ ##$ ##( ##$ ##$ ##(##(##( ##( ##$ ##$ ##( ##$ ##$ ##(##(##( ##( ##$ ##$ ##( ##$ ##$ ##(##(##( ##( ##$ ##$ ##( ##$ ##$ ##(##(##( ##( ##$ ##$ ##( ##$ ##$ ##(##(##(

*111##( ##$ ##$ ##( ##$ ##$ !

##(##(##( ##( ##$ ##$ ##( ##$ ##$ ##(##(##( ##( ##$ ##$ ##( ##$ ##$ ##(##(##( ##( ##$ ##$ ##( ##$ ##$ ##(##(##( ##( ##$ ##$ ##( ##$ ##$ ##(##(##(

*111 ##( ##$ ##$ ##( ##$ ##$ ##( ##( #( #$ #$ #( #$ #$ #( #( #( #$ #$ #( #$ #$ #(#( #( #$ #$ #( #$ #$ #

( #(#( #$ #$ #( #$ #$ #( #(

*111 ##( ##$ ##$ ##( ##$ ##$ ##( ##( #( #$ #$ #( #$ #$ #( #( #( #$ #$ #( #$ #$ #( #(#( #$ #$ #( #$ #$ #( #( #( #$ #$ #( #$ #$ #( #(

$

11

Page 25: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

88 (q=132)

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

.111 #$ #% & &0 $ !ff

#/ #/ # #" #( #$/ #($ ########$ #( #$1 #( # ## ## ##$

.111 #$ #% & &0 $ !ff

#/ #/ # #" #( #$/ #($ ########$ # #1 #$ ## ## ## ##$

*111#$ #% & -0

2f

##("% ' ' ##(% ' ##(% 2 ##(/% ' ' ##(% ' ##(%*111

#$ #% & -02

f

##(/% ' ' ##(% ' ##(% 2 ##(1% ' ' ##(% ' ##(%*111

##( ##$ ##$ ##( ##$ ##$ ##(##(##( #( # #$ #$f

#( # #( #$ #(" #$ #$ #( #$ #$ #(#$ #(/ #$ #$ #( #$ #$ #(

#$

!111##( ##$ ##$ ##( ##$ ##$ ##(##(##( 2 ' *#$%

f

#( # #( #$ #("#$" ' #(

+ #$% ' #(#$ #(/

#$/ ' #(+ #$% ' #(

#$

*111 #( #$ #$ #( #$ #$ #( #( #( # #$ #$ #+' 2 2 2

Behind bridge on the cotton winding of the

string and press hard! (Very small bow stroke)9 9 9 9 9 9 9% ' 9 9 9 2 9 9 9

*111 #( #$ #$ #( #$ #$ #( #( #( # #$ #$ #+' 2

Behind bridge on the cotton winding of the

string and press hard! (Very small bow stroke)9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9 9% ' 2 9 9 9

92

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

!111 :'0

'0

#) #$0 #( '$#()< # # #$ ' #$0% #(" '$

#()< *# # #$ ' #( #$0 #$0 #()$ #) #$0 #(

!111 ' #) #0 #()$ #) #$0 #( # #( # ' # # #)$ #)" #$0 #(" *# #( # ' #( #$0 #$0 #()$ #) #$0 #(

*111 2 ##(/% ' #( # ##$ ' ##( # 2 ##(1% ' #( # ##$ ' ##

( # 2 ##(% ' ' ##$0%

#( # ##$(

*111 2 ##(% ' ' ##(% ' ##(% 2 ##(1% ' ' ##(% ' ##(% 2 ##(% ' ' ##(% ' ##(%*111 #(/ #$ #$ #( #$ #$ #(

#$ #(1 #$ #$ #( #$ #$ #(#$ #( #$ #$ #( #$ #$ #(

#$

*111 #(/#$/ ' #(

+ #$% ' #(#$ #(1

#$1 ' #(+ #$% ' #(

#$ #(#$ ' #(

+ #$% ' #(#$

*111 9% ' 9 9 9 9% ' 9 9 9 9% ' 9 9 9 9% ' 9 9 9 9 9 9 9 9 9% ' 9 9 9

*111 9 9 9 9 9% ' 9 9 9 9 9 9 9 9 9 9% ' 9 9 9 9 9 9 9 9 9 9% ' 9 9 9 9 9

$

12

Page 26: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

109

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

*p

# # # # # # # #1 & 2arco

#( #(" #(/ #(" - gliss. &1 $ #/ # #" #* '

pp

##($$ ' ##($$p

&&$$#( #(1 #(1 #( -1 -& &1

! ### # # # # # ## ## # # # #% ' ' #) # ##+# # # & ' #0 ### #4 #4 #4 #1 # # # #1 #4 #$ #4 #$1 #4 #$ #4 #$3 3

! 'p

#($ ' #($ &$ #( #(1 #( #( -1 --1

. , , , ,

! , , , ,

! , , , ,

* , , , ,

113

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

*mp

#$1 #$ # #" #$ #$ # #1 #$/ #/ #1 # # #$1 #1 #/ # # #$1 #$ # #" #$ #$ #$ #$1 #)$1 mp

#)# #" #

* 'p

##(1 $$ '##($$ '

##(1 $$ ' ##($$ ' ##(1 $$ ' ##(11 $$mp

#1 #1 # # # # 2

!mp

& #1 # #1 # # #1 # ### ###$ ' #$+ # # # # # #1 # # ### #1 &1 ## ##5666666666666666 2

!p

&1 & & &1 &1 & & ##1 ##5666666666666666 2

. , , , , !

! , , , ,! , , , ,* , , , ,

$

15

Page 27: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

123

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

* #1 # # # # # #1 #1arco

#)# #" # #$1 pizz.

mp

# # # # # #1 #

* 2 ##1 ' #+##11

arco#1 #1 # # # #2

pizz.

mp

#1 # # # # # #1 #* ' #(1% # #1 #

(1 #% #(1 $ #1 # # #1 #1 # 2 2

mp

pizz.#1 #1 2 # # 2 # # 2 # #1! #$ #1% #1 $ #% &1

5666666666666666666## # #1 2 2

mp

pizz.# #1 2 ## 2 # # 2 #

#! ' #1 #1 # # # #1 # # # #1 # #$ #1 #1 2 '

pizz.

mp

#1%#1 ' #1%

# ' #% #1 ' #1% #

! : #1 #1 #1 # #/ # # #1 #1 # # # # # # #1 #1 # # # # # #1 #1 2 'pizz.#1%

# ' #%#1

' #%# ' #1%

#

! , , .mp#$ #1% # # #1 # &

* , ,mp

#$ #1% # # #1 # &

rall.127

Lento e tranquillo

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

* #1 # # # # #1 #1 2arco

!mfpp

=#($$mfpp mfpp

=#(%mfpp

=#(1%=#($$

* #1 # # # # #1 #1 2 arco!ppp

=&11 :mfpp

=#($$% 2

* 2 #1 #1 2 #1# # #1 #1 2 2

arco

mfpp

=#(11ppp

=#mfpp

=#(

! 2 #1 #1 2 *arco#1

##1 #$1 # # # #

2 'mfpp

=#($$ppp

=#1 $$mfpp

=#(%! ' #1% # 2 #1 #1 #1 # 2 .

pp

'#1 #1 # # # # #! ' #1%

#1 2 #1 #1 #1 # 2pp

#1 #1 # # # #

. # #1 &1 &1566666666666666666666666

## ## 2 !pizz.

pp

# #1 #1 # # #

* # #1 &1 &1566666666666666666666666

## ## 2pizz.

pp

#1 #1 # # # #

$

17

Page 28: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

rall.130

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

!mfpp

=#(11 $$sim.

=#(% =#(%=#($$ =#($$ =#(% =#(11 %

=#($$ *p

# # #1 # -31

!ppp

=& :mfpp

=#($$% 2ppp

=&11 :mfpp

=#($$% 2p

&1 & -31

* 2mfpp

=#(ppp

=#mfp

=#( 2mfpp

=#(11ppp

=#mfpp

=#(p

&1 & -3

* 'mfpp

=#(11 $$ppp

=#$$mfpp

=#(% 'mfpp

=#($$ppp#=11 $$

mfpp

#=(+ ;

p

&1 -31

. # # #1 # #1 # # #1 #1 # #1 # #1 #1 # #1 # #1 # # #1 *arco-31

! # # # #1 # # #1 #1 #1# # # arco

p

&15666666666666666666 &5666666666666666 ## #-3

! #1 # # # # #1 # #1 #1 #1 # # arco

p

& &5666666666666666

## # -31

* # #1 # #1 # # #1 # # #p

# # #1 #arco

-31

18

Page 29: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

!!

!!!!!!!!!!!!!!

Allegro (q=120)

4. Spring in Buenos Airesfor Cello8ctet Amsterdam

Astor Piazzolla, arr. James Barralet ©

Violoncello 1

Violoncello 2

Violoncello 3

Violoncello 4

Violoncello 5

Violoncello 6

Violoncello 7

Violoncello 8

!

"

"##solo

$%mf

$ $& $ $' $( $) $( $ $) $( * + $ $) $), $ $ $( $ $(, $)- $- $ $) $( "

"## .quasi sul pont.

mf

$(-' + $(- + $(-' $ $& $& $)# / / *1 1$, $& $ $' $(-'

+ $(-' + $(-&3

*## . . . .*## . . . ."## . . /

knock the middle

of the back of the cello +mf01 0 0 / .

"## . . 2 flick ribs with fingernails+mf

03 + 03 + 03 0 0 0 + 03"## . . . / / / slap body

mf

0 0 0"## . 2 / slap ribs+

mf

0 0 0 / 2 / / + 03 /

5

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

"## + 0$(, $) $), $ $ $ $ $(, $), $( $ $) $( * + $ $) $), $ $ $( $ $(, $), $' $ $) $( "

*## + #$' 1$( $ + / 4 $& $ $& $(+ $(' + $( 2 / $ $' $ $' $(' + $(' + $( "

*## . . . .

*## . . . ."## / /

knock the side

of the back+ 01 0 0 / / + 01 + 01 + 0 0 + 2 .

"## 0 0 0 0 0 0 0 0 + 03 0 0 0 0 0 0 0 0 0 0 0 + 03 0 0 0 / ."## . / / / .0 0 0 / + 03 0 0 0 0 0"## 0 0 0 / / +) 05 0 0 0 / + 03 / 0 0 0 / / + 0 0 03 + / 2

$

Page 30: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

9

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

"## / + $),3 + $),3 +p

$),3#$1$ $) $), $ $$$$$( $ $' $) / * $$$

() $,+ / "$,3

$& $$4

"## 4norm.$ $$$63 + $6'3 + $61 +

p

#$1$ $) $), $ $$$$$( *$ $) $ $# $ $& +$(- $)&3 $-) $ "$$ $6' $3 + /

*## .f

$( $) $(' $ $) $(& + $(- $ $) $)-3$(-) $(, $)- $(-' $ $) $&

*## .f

$(- + $(-' + $(-& + $(-3$)3 +

$- $$( $ $(, $- $$3 + $- $$ /"## . / 0 / 0 / 0 / 0 / 0 / 0

"## .

Behind bridge on the cotton

winding of the string and press hard!

(Very small bow stroke)

Frog croak

0 0 0 + 03 + 03 0 + 0 0 / / 0 0 0 0 0 0 0 0 0 0 0 0 0

"## 0 / 2 . . /slap the ribs

+ 03 +flick the ribs03 0

"## .(bow the bridge - air sound)

06 / 06 / 06 / 06 / 06 / 06 /

13

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

"## $(' $ +%

II

0

*$),3 $ $ $(

$3 $- $ $ $ $3 + +$(-3 $ $ $ $ $(# $ / " $ $ $)' $) $ $' $( $3 +

"## / *$- $ $ $ $)3 $(- $,3 $3 + $)- $) $ $ $( $ $ + $3 $ $ $(# "$ $ $ $ $ $ $3 + /$ $' $( $ $ $

*## + $(- $ $) $)- $(- $3 + $- $ $ $ $# $)3 $(-)+ $(- $ $) $)-3 $(-)

/ $$-# $$ $$ + $,3 + $,3*## + $(-3

$) $- $ $( $3 + $- $ $ $ $# $- $, $() + $(-3$) $- $ $( $

$(' / $63 + $61 +

"## / 0 / 0 / 0 / 0 / 0 / / slap the cello body+ 0 0 0 + 03 + 03"## / / / 0 0 0 0 0 0 0 0 0 0 0 + 03 0 0 0 0 2 ."## 0 + 01 / 0 + 03 + 03 0 + 03 + 03 0 2 / / / + 01

"## 06 / 06 / 06 / 06 / 06 / 06 / .

$

2

Page 31: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

17

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

"## + $)3 + $),3 + $),3p

$$$$ $($$$ $$$ $ $ $$$( + $)3$$ $$$$$( $ $ $ $$$ $($$( $ $ $$$(

"## $63 + $6'3 + $61 +p

$- $$$ $($$$ $$$ $ $), $), $- $ $' $) $# $ $& $$$$( $3 + $ $$$ $($$( $ $ $$$(

*## + $$$$$$$) $) $('p

$$$$ $(# $$ $)(& $) $( +f

$(3$3 + + $() "

p

$ $& $$ $# $$ $)& $) $( *

*## $$$$$$$$$) $) $('p

$$$$ $(# $$ $)(& $) $( / +f

$)3 $$$( $ "p

$ $& $$ $# $$ $)& $) $(

"## . *f

arco$( $) $( $ $) $( 74$$$$$$$ $( $) $( $ $) $(

"## . *f

arco

$(- + $(- +$(- 7

/ $$$) $(- + $(- + $(-

"## + 01 0) 0 0 0 + 01 / 03 01 + 01 0 + 03 / 0 0 / / + 03 + 03 + 03"## . / (knock the middle of the back)

0 / 0 / 0 / 0 / 0 / 0

21

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

"## + $)3$ $ $ $$$ $( $3 $ $ $$ $ $$ 2 $)3

$( $3$ $ $ $ $

+f

$3 $ $ $ $ $$ $( $'3

"## + $)3 $# $ $& $$ $ $( $3 $ $ $ / $ $# $( $ / + $3 $ $ $ $ $+

f

$3 $ $ $ $ $$ $( $'3

*## +f

$(3$3 + + $() "

p

$ $ $$ $# $ $ $)-3 $(-)+ $(3

$3 + +$3

$+f

$3 $ $ $ $ $' $ $( $3"## / +

f

$)3$($ $ $

p

$ $ $$ $)#3 +$- $ $( $

/ + $)3 $($ $ $ +f

$3 $ $ $ $ $' $ $( $3*## 7 4$ $ $& $ $ $ $ $(# $) $( $ $) $( $

/$ $ $(# $

" +f

$3 $ $ $ $ $$ $( $1

*## 7 4$ $ $& $ $ $ $ $(-# + $(- +$(- $

"4$ $$ $ $ $(# $ +f

$3 $ $ $ $ $$ $( $1

"## + 03 0 + 03 + 03 0 + 03 / 0) 0 0 0 + 03 2 ."## / 0 / 0 / 0 / 0 / 0 / 0 .

$

3

Page 32: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

60 Lento (q=72)

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

"## 2pizz.

p$) / . . . .

"## / pizz.

p

$) 2 . . . .

8## . . . . .

*## . . . . ."## . . . . .

"## $3 +/ 9solo

+mf

$6,3espress.

p

$$$$ $ 7 $$$$$ $ $$($ 7mp

$$6-$, $$$ 7 $ $( $$$$$ $$$) 7mf

$$, $$$$$5

63

7

"## $1 +/ 2pp

pizz.$$$&&&&

soave

$$$&&&&

$$$&&&&

$$$&&&&

$$$&&&&

$$$&&&&$$$&&&&

$$$&&&&continue spread$$$&

$$$$$$

$$$$$$#

$$$$$$

$$$

"## $1 +/ 2p$ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $

65

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

"## . . . ."## . . . .

8## . . con sord./ "p

espress.$-' $ $ $ $ $# $

*## . . . ."## . . . .

"##7 $ $ $ $ $ $ $ $ $ 7 $ $ $ $ $ $ $ 7 1$) $# $& $ $& $ 7)

6 3

"##$$$#

$$$$$$

$$$$$$&#

$$$$$$

$$$ /$$$'

$$$$$$

$$$$$$

$$$#$$$

"## $$ $$ $$ $$ $$ $$ $$ $$ $ $ $ $ $ $ $ $ $ $ $

$

8

Page 33: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

94 :!

:!

:!:!:!

:!:!:!

;

;

;

;

;

;

;

;

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

"## + $(, $) $), $ $ $( $ $ $( $) $(# $ $) $( $, $ $ $ $# $ $( $ $ $ $ $ $(& ) $# $) $( $ $) $(& $3$' $3

"## + $(3 / / 4$,# $ $ $(-

+ $(-# +$(- $, $ $ $ $# $ $( $ $ $ $ $ $(-& +

$(-+ $(- $3

$' $3

8## $$ / 2 / / /0$$( $$ / 2 . . "

8## $$ / 2 / / / 0$$(& $$ / 2 . . "

"##$$ / 2 / / / $$

(' $$ / 2 . .

"## . / / / 0( . . .

"## $ / 2 / / / $( $ / 2 . .

"## $ / 2 / / / $( $ / 2 . .

;

;

;

;

;

;

;

;

99

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

"##'

Foot stomp

/7

0 0$ $(

f

$ $$$ $( $) $( $ $) $( + $( $) $) $ $ $( + $( $) $( $ $) $('

"##'

Foot stomp

/7

0 0$ $(

f

$ $$$ $( $) $( $ $) $( + $( $) $) $ $ $( + $( $) $( $ $) $('

"##'

Foot stomp

/ /0

+0$3

f

sul pont.$ $$$ $$(3 + + $$(3 / $$(3 + 8 + $(1 + $(

1 + $(1 + "$(

1 $('3 + + $(3 / $(3 + 8

"##'

Foot stomp

/ /0

+0 $3

f

$ $$$ $ $ $ $ $ $ $ $ $ $$ $

$ $& $ $"##

'Foot stomp

/ /0

+0 $3

f

$ $$$ $ $ $ $ $ $ $ $ $ $ $ $ $ $& $ $

"##'

Foot stomp

/ /0

+0$3

sul pont.

f

$ $$$ $$(3 + + $$(3 / $$(3 + 8 + $$(1 + $$(

1 + $$(1 + "$$(

1 $$(3 + + $$(3 / $$(3 + 8

"##'

Foot stomp

/ /0

+0$3 8$ $$$ +

f

$3%$$$$$$$ $ . + $1 $ $$$$$$ $

"##'

Foot stomp

/ /0

+0$3 .$ $$$ +

f

$$$$$$ $ $' $ $ $.

$

12

Page 34: piazzolla - summer in buenos aires for 8 celli  · PDF fileAstor Piazzolla, arr. James Barralet

103

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

"## +$( $) $) $ $ $( + $( $) $( $ $) $(# +

$( $) $) $ $ $(' +

"## +$( $) $) $ $ $( + $( $) $( $ $) $(# +

$( $) $) $ $ $(' +

8## + $('3 + $(3 + $(3 + "$(3$(3 + +

$(3 /$(3 + * + $(3 + $(3 + $(3 + $(3

"## $ $ $& $& $ $$ $ $ $ $ $ $ $

$ $$ $ $ $

"## $ $ $& $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $ $8## + $$(3 + $$(3 + $$(3 + "$$(3

$$(3 + + $$(3 / $$(3 + * + $$(#3 + $$(3 + $$(3 + $$(3

8## . + %$3$ $ $ $ $ $ $ $ .

"## + $ $& $ $ $ $ $ $' $ $ $ . + $ $ $ $ $ $ $ $ $ $ $

106

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

Vc.

!

"

"## + $( $) $) $ $ $(8

$)3 $ $ $( $)3 $ $ $( $)3

$)(- + $)(- +$(- < ,gliss.

"## + $( $) $) $ $ $(8

$)3 $ $ $( $)1 $ $ $( $)3$)(- + $)(- + $(-

(((< gliss.

*## $$(3 + + $$(3 / $$(3 + $$ $$ $$ $$ 8norm.$$ $$ $$ $$ $-)( + $)(- + $

-)(1 + (((7)

An indefinite high pitch

)gliss

.0,3 +

"## $ $ $ $ $ $$ $

$ $$ $

$-)(

+ $)(- + $)(-3 + $ $ $ $ $ $ $ $"## $ $ $ $ $ $ $ $ $ $ $ $ $

-)(

+ $)(- + $)(-3 + $ $ $ $ $ $ $ $

*## $$('3 + + $$(3 / $$(3 +$$ $$ $$ $$ norm.$$ $$ $$ $$ $

-)(

+ $)(- + $)(-3 + $$(3 + + $$(3 + $$(3 + $$(3

8## + $1 $ $ $ $ $' $ $ / $- $ $ $ $ $ $) $ $ $ $ $ $ $) $)(-' + $)(- + $-)('1 +

An indefinite high pitch

(((7) )gliss.

0,3 +

"## . 8 $- $ $ $ $ $ $) $ $ $ $ $ $ $) $)(- + $)(- + $(- < ,gliss.

$

13