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Piano GRADE 4

SCALES AND ARPEGGIOS*: see also p. 8 Scales (similar motion)

B, Bb, Eb, Ab, Db majors hands together and separately 2 octaves C#, G#, C, F minors (harmonic or melodic at candidate’s choice)

Contrary-motion scalesF, Eb majors hands beginning on the key-note 2 octavesD, C harmonic minors (unison)

Chromatic scales beginning on any black key named by hands together and separately 2 octaves the examiner

ArpeggiosB, Bb, Eb, Ab, Db majors hands together and separately 2 octaves C#, G#, C, F minors

THREE PIECES: one chosen by the candidate from each of the three Lists, A, B and C:LIST A1 Hummel Tempo di Menuetto: No. 3 from Six pièces très faciles, Op. 522 Kirnberger La lutine (The Mischievous Sprite) (observing 1st repeat) Piano Exam Pieces 2015 & 2016,

3 Stölzel Bourrée: 3rd movt from Partita in G minor

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Grade 4 (ABRSM)

4 J. S. Bach Invention No. 1 in C, BWV 772. J. S. Bach Two-part Inventions (ABRSM) or P. 12 from J. S. Bach Inventions & Sinfonias (ABRSM) or No. 6 from A Keyboard Anthology, 2nd Series, Book 2 (ABRSM)

5 Haydn Allegro in F. No. 2 from Haydn 12 Easy Pieces (Universal UE 157) or Emotions (Schott ED 9045) 6 J. L. Krebs Klavierstück (Allegro) in Eb. No. 2 from Bärenreiter Sonatina Album, Vol. 1 (Bärenreiter BA 6545) or

No. 13 from Kleine leichte Clavierstücke (Simple Short Piano Pieces) (Schott ED 2425)

LIST B 1 Estévez Canción para dormir una muñeca (Lullaby for a Doll): No. 7 from 17 piezas infantiles Piano Exam Pieces2 Rybicki Hej, znam ja łączkę (I Know of a Pleasant Meadow): from Ten nasz ogródeczek, Op. 58 2015 & 2016, 3 Schumann Jägerliedchen (Huntsman’s Song): No. 7 from Album für die Jugend, Op. 68

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4 Bortkiewicz Russian Peasant Girl: No. 1 from Marionettes, Op. 54 (Simrock EE 3434) 5 Czerny Exercise in Bb: No. 60 from The Young Pianist, Op. 823 (Alfred 590) 6 Fuchs Morgenlied (Morning Song), Op. 32 No. 1. Fuchs Children’s Pieces (ABRSM)

LIST C 1 D. C. Glover Indian Pony Race 2 Mike Cornick In the Shed (observing repeat): from Piano Repertoire, Level 2

Piano Exam Pieces 2015 & 2016,

3 Prokofiev Progulka (Promenade): No. 2 from Musiques d’enfants, Op. 65

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Grade 4 (ABRSM)

4 Bartók Der Stampfer (Topogó; Pe loc): No. 3 from Rumänische Volkstänze (Romanian Folk Dances) (Universal UE 5802)

5 Brian Chapple Parade: No. 3 from On the Cool Side (Chester CH 59436)6 Slavický A Czech Song (from Piano and Youth). Studio 21, 2nd Series, Vol. 3 (Universal UE 18793)

SIGHT-READING*: a piece of around eight bars in length, time and key signatures as Grade 3, with the addition of 6

8 . Anacrusis and occasional chromatic notes, pause signs and tenuto may be encountered. See also p. 9.

AURAL TESTS FOR THE GRADE*: see pp. 22 and 24

* Published by ABRSM (Scale requirements, Specimen Sight-Reading Tests, Specimen Aural Tests)

2015 & 2016

© 2014 by The Associated Board of the Royal Schools of Music

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Aural Tests GRADE 3A To clap the pulse of a piece played by the examiner, and to identify whether it is in two time, three

time or four time. The examiner will start playing the passage, and the candidate should join in as soon as possible, clapping in time and giving a louder clap on the strong beats. The examiner will then ask whether the music is in two time, three time or four time. The candidate is not required to state the time signature.

B To sing as ‘echoes’ three phrases played by the examiner. The phrases will be two bars long, in a major or minor key, and within the range of an octave. First the examiner will play the key-chord and the starting note and then count in two bars. After the examiner has played each phrase, the candidate should sing back the echo without a pause, keeping in time.

C To identify a change in either pitch or rhythm during a phrase played by the examiner. The phrase will be up to four bars long, in a major or minor key. First the examiner will play the key-chord and the tonic and then count in two bars. The examiner will play the phrase twice, making the change in the second playing, after which the candidate should identify the change by describing it, or singing/ clapping. If necessary, the examiner will play both versions of the phrase again (although this will affect the assessment).

D To answer questions about two features of a piece played by the examiner. Before playing, the examiner will tell the candidate which two features the questions will be about. The first will be one of the following: dynamics (loud/quiet, or sudden/gradual changes), articulation (smooth/detached), tempo (becoming slower/faster, or staying the same); the second will be tonality (major/minor key).

Aural Tests GRADE 4A To sing or play from memory a melody played twice by the examiner. The melody will be within the

range of an octave, in a major or minor key with up to three sharps or flats. First the examiner will play the key-chord and the starting note and then count in two bars. (If the candidate chooses to play, the examiner will also name the key-chord and the starting note, as appropriate for the instrument.) If necessary, the examiner will play the melody again and allow a second attempt (although this will affect the assessment).

B To sing five notes from score in free time. The candidate may choose to sing from treble or bass clef. The notes will be within the range of a third above and below the tonic in the key of C, F or G major. The test will begin and end on the tonic and will not contain intervals greater than a third. First the examiner will name and play the key-chord and the starting note. If necessary, the examiner will help the candidate by playing and identifying the correct note if any note is sung at the wrong pitch.

C (i) To answer questions about two features of a piece played by the examiner. Before playing, the examiner will tell the candidate which two features the questions will be about. The first will be one of the following: dynamics, articulation, tempo, tonality; the second will be character.

(ii) To clap the rhythm of the notes in an extract from the same piece, and to identify whether it is in two time, three time or four time. The examiner will play the extract twice (unharmonized), after which the candidate should clap back the rhythm. The examiner will then ask whether the music is in two time, three time or four time. The candidate is not required to state the time signature.