painting posthumous portraits with digital detritus: future 15 talk at sxsw interactive 2013
DESCRIPTION
Big data may be the hot topic of the decade, but fifty years from now as these personal records become public, open to researchers, genealogists, social anthropologists and your decedents, how will the information be used to portray you? This talk explores the more personal and sentimental side of big data. Holograms of Holocaust survivors are being generated by researchers at the University of Southern California, broadcast into open space, allowing people to approach and interact with the hologram just as they would a real person. This technology today means people fifty years from now could interact with you based on an algorithmic model using passively and actively generated data such as health records, biometric feedback, digital voice records, facial recognition, behavior, geolocation and social patterns. Augmented reality could place your hologram in settings you really lived in. A Google-glass-like interface may allow people to serendipitously stumble upon information about you geotagged at a physical location. Will you have the choice of being forgotten? This talk was quoted in the WSJ http://online.wsj.com/article/SB10001424127887324096404578356234197514670.html (subscription may be required).TRANSCRIPT
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Charlene Zvolanek @char74Director of Experience DesignTeam One USA#rememberme
1Tuesday, March 19, 2013
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Who do we remember?
Friends, family, the famous, the infamous, idols, our younger selves...
2Tuesday, March 19, 2013
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Why do we reminisce?
http://dml.ucdavis.edu/images/DMLgroup.jpg
3Tuesday, March 19, 2013
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Bequeathment is a way we help people remember.
Trigger memory to strengthen and deepen our attachments.
4Tuesday, March 19, 2013
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first screen name
5Tuesday, March 19, 2013
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patterns in your data identify noteworthy periods and activities in your life
• what you saw.
• what you said.
• how you looked.
• who was pregnant
• when you had the flu
• what you’ve done.
• where you’ve gone.
• how you got there.
• who you were with.
• what you bought.
And your friends. And theirs.
6Tuesday, March 19, 2013
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http://www.ekosystem.org/0_Images/Street3/scandinavia/aaa_cctv_norway_osloxl.jpg
Opting out is getting harder
7Tuesday, March 19, 2013
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But who would ever compile all that data?
The NSA. In their Utah Data Center.
http://www.wired.com/threatlevel/2012/03/ff_nsadatacenter/
8Tuesday, March 19, 2013
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Imagine that 50 years after death your data is added to an "open record" and people are allowed to request full copies...
What story will it tell?
http://www.niemanlab.org/2013/02/a-proposed-florida-law-targets-mugshot-sites-but-hits-journalists-first-amendment-rights/
http://www.niemanlab.org/2013/02/a-proposed-florida-law-targets-mugshot-sites-but-hits-journalists-first-amendment-rights/
9Tuesday, March 19, 2013
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...or to understand themselves better?
Will it help people understand you?
10Tuesday, March 19, 2013
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How do you want to be remembered?
What is your legacy?
What does legacy mean to you?#legacyMeans@LastingMarks
http://youtu.be/AYURxfaTdpY
11Tuesday, March 19, 2013
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We want to be remembered differently by different people.
12Tuesday, March 19, 2013
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How different are those stories?
How do we keep them separate?
13Tuesday, March 19, 2013
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And can we hide anything from the big data pool?
http://www.quora.com/How-does-a-Puli-see
14Tuesday, March 19, 2013
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You can influence the stories your data tells by participating in the curation at creation.
But some system or person will inevitably put them in a new order.
15Tuesday, March 19, 2013
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http://mvz.berkeley.edu/DoingNaturalHistory/herpspath.html
16Tuesday, March 19, 2013
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17Tuesday, March 19, 2013
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How can we prepare objects for curation?
How can we help others tell better stories about us?
Tag your data. Attach emotional metadata attach to objects.
:)
18Tuesday, March 19, 2013
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emulation shows how we organized ourselves
http://www.inventinginteractive.com/2010/03/16/salman-rushdies-macintosh/
19Tuesday, March 19, 2013
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http://www.standandstare.com/theatre-jukebox/
projected interfaces
20Tuesday, March 19, 2013
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http://www.meso.net
interactive sufaces
21Tuesday, March 19, 2013
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http://www.pocket-lint.com/news-gallery/23928/microsoft-demo-future-possible-surface/5
collaborative collections stored on furniture
22Tuesday, March 19, 2013
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projected interfaces
http://research.microsoft.com/en-us/projects/heirlooms/
automatic archives
23Tuesday, March 19, 2013
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http://www.hectorserrano.com
3D printed heirlooms
24Tuesday, March 19, 2013
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Disney Research
gloveless textured objects
25Tuesday, March 19, 2013
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immersive rooms
http://www.liveforfilms.com/wp-content/uploads/2012/12/ROOM-IMMERSIVE-3D-02-COPYRIGHT-DASSAULT-SYSTEMES.jpg
26Tuesday, March 19, 2013
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immersive rooms
http://www.liveforfilms.com/wp-content/uploads/2012/12/ROOM-IMMERSIVE-3D-01-COPYRIGHT-DASSAULT-SYSTEMES.jpg
27Tuesday, March 19, 2013
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http://www.standandstare.com/theatre-jukebox/http://ict.usc.edu/prototypes/new-dimensions-in-testimony/
interactive holograms
28Tuesday, March 19, 2013
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just can’t get enough holograms
http://www.youtube.com/watch?v=E4A_u67EKnUscottgairdner.com
29Tuesday, March 19, 2013
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AR can serendipitously or intentionally reunite you with people in the spaces they occupied through geotagged digital artifacts
geotagged messages and data
30Tuesday, March 19, 2013
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Takeaways:
Consider sentimental uses of big data
Design systems for curation at creation
Consider the long-term use of your data
Build serendipitous discovery methods into your projects
Make plans to pass along your data, accounts and tech assets
31Tuesday, March 19, 2013
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Thank you.
Charlene Zvolanek @char74Director of Experience Design #rememberme
The Legacy Project asks: what does legacy mean to you? #LegacyMeans @LastingMarks
32Tuesday, March 19, 2013