PAINTING PART 2

COLOUR

WAYS OF SEEING

Means and methods of colour:

Cold-Warm slide 1 slide 2Advancing/Receding

Naturalistic/Non-naturalistic slide 1 slide 2The creation of mood and atmosphere

Brush strokes and marks

Means and methods of colour: Cold-Warm

PABLO PICASSO CAMILLE PISSARRO CLAUDE MONET

PATRICK HERON GEORGIA O’KEEFEDAVID HOCKNEY

Means and methods of colour: Cold-Warm

IAN MCKEEVER VINCENT VAN GOGH TRACEY EMIN

EDOUARD MANET NANCY SPEROPIERRE-AUGUSTE RENOIR

Means and methods of colour: Advancing/Receding

PAUL CEZANNE

RAPHAELEGON SCHIELE

PAUL NASH

SALVADOR DALI

• Muted• Darker colours in foreground, softer and brighter

colours in background• Colours recede towards background• Tree advances owing to warmer and brighter colours• Palette is limited to ranges of purple hues• Colours used in patches, almost pattern-like• Patches of bright light in foreground advance• Colours applied in horizontal bands to contrast with thin

verticals of trees• Trees provide a connection between foreground and

background though colour use• Complementary colours of yellow values in sky and

purple values in land, also orange of tree leaves and purple of land

• Earthy colours• Non-representational, but not overly exaggerated, still

organic

EGON SCHIELE

LANDSCAPE WITH TREES

Means and methods of colour: Naturalistic/Non-naturalistic

VINCENT VAN GOGH

INGRES JENNY SAVILLEHENRI MATISSE VERMEER

JOHN CONSTABLE

Means and methods of colour: Naturalistic/Non-naturalistic

YVES KLEIN

REMBRANDT EDWARD HOPPERERNST KIRCHNER

WASSILY KANDINSKYWALTER SICKERT

Means and methods of colour: Mood and Atmosphere

TURNERMARK ROTHKO

JOHN SINGER SARGENT PETER DOIG

Means and methods of colour: brush strokes and marks

LUCIAN FREUD ANDRE DERAINALBERTO GIACOMETTI

GEORGES BRAQUE PABLO PICASSOVINCENT VAN GOGH