ALL THAT SHE WANTSMAY 2010 / ISSUE 78

2010 WeAct iv is tsSHOT BY

CHERYL DUNNwww.wesc.com

[L IFE AFTER SKATE]

2010 WeAct iv is tsSHOT BY

CHERYL DUNNwww.wesc.com

[L IFE AFTER SKATE]

FASHION/MUSIC/

ART/INSANITY.

IndexEditorial...4

Unforgettable...6Backstage...8

Coco Before Chanel...10Album Reviews...12

Noises...14Charlie le Mindu...16

Art Agenda...20All That She Wants...22

Ismini Papavlasopoulou...24Mina Orfanou...26

Etten...28Margarita Michelakou...30Nelly Andrikopoulou...32

Imitation of Christ...34Teen Photographers...38

Penny Martin...46Spectre...48

And The Day Had Just Begun...52She Is Going To Get You...60

New Faces...68Fashion News...72

Beauty...74Trends...76

Zurich Special Report...78Nieves Publishing House...80

Eva Presenhuber...81My Heart Belongs...82 Kinki Magazine...83

Eva Afuhs...84Verena Formanek...86Finger Magazine...87

Olaf Breuning...88Irini Miga...89

Ben Weinberg...90Gallery BolteLang...91

Freitag...92Points Directory...93

P.L.US....96

OZON!"#$% 2010 / &'()$% 78, *+,-./. 012'", 340$5+ / 67896!"#$%&':-;2<$% ='>3?+%()*+,-.%/"%)+0@.,"+ @2.<1,3. info@ozonweb.comCreative Art DirectorA",$% A.B.,.<-;C$D art@ozonweb.com1+2-34.%)+0 1+0567+,&'E?+ FD*B'2$B$(>$D sales@ozonweb.com1+2-34.%)+0 Marketing & Communications=/4. =D2-.4"4$D ad@ozonweb.comDirect MarketG/*$% !-).>HB$D>$% simos@ozonweb.comFinance ManagerI.5/>+% G$(2C+%Digital DirectorJ2+% =.2.C.2"4+% web@ozonweb.comInternational CoordinatorJanosch Boesche international@ozonweb.comFashion Department!.2-",K+ L.CM+4/0+ fashion@ozonweb.comBeauty Editor!.2/. A.B.0$B$(>$DOZONWEB Content ManagerI",-. !/).Editorial Intern=D2-.4N - 9C$*3,-4. L.,02"Fashion InternsODCD)/. =$D2$(5+ / O>3,+ !.>"*+8-.2)9/%2'!.,;>+% =2.,"4+%, 9.C"55. A.B.)2N5C$D, @"?,+ 6,35C+, Artville, !.2/. J,C'>*.,, !",$% 9$*-4H%, Black Athena, I.<<3>+% =.*.2"4+%, :-;2<$% GC.*4HB$D>$%, F$D4"% !3P+%, I-Q-",. !+>-.235+, G",C2.-O,C'C =DB2-1C"4+, 6,C;,+% =.C5$(2+%, GBN>-$% :-.,,.4HB$D>$%, 6>'P",02. A'C5'C"4+, Janosch Boesche, Oliver Arlt, Matthew Zorpas, :-;2<$% 9/4.%, 6,023.% @+*HB$D>$%:;%<9)/5<+Jolijn Snijders, =;5C.% 6D<$(>+%, Cristina Capucci !"2-$% =.>.*"2+%, :-;2<$% !.>'4"4+%, 9-4H>.% I',C$D2"4+%, :-;2<$% =.B>.,/0+%, Eisuke Negishi, 7",$% &5"41,.%, A",$% @"Q-$%, J>4+5C-% &5-C$(2+, O>/,. :-$D,.,>N, Anouk Morgan, Quentin de Briey, Akio, Ascari Luca, Jovanka Savic,RKrzysiek Kozanowski,L"2+% =DB2-.,$((=$#<,& ,2 !>>&.+"// (99>+"/A.,0;2. :-.*.>/0$D1+0.<76distribution@ozonweb.com,R?#+<"%&,@0- 1+243-.,&:-;2<$% ='>3?+% – O40H5'-% Contempo, I.>C'C5-$( 50-52, 106 81, 6KN,.&: 210 3634008 F: 210 3634008E: info@ozonweb.comwww.ozonweb.comtwitter.com/ozonmagazinemyspace.com/ozonmagazinefacebook.com/ozonmag

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OZONMay 2010 / &'()$% 78, monthly publication / ATHENSPublisherYorgos Kelefis Editor in ChiefDanai Dragonea | info@ozonweb.comCreative Art DirectorPanos Papanagiotou | art@ozonweb.com Advertising DirectorEfi Lymperopoulou | sales@ozonweb.com Marketing Director & CommunicationsKika Kyriakakou | ad@ozonweb.com Direct MarketSimos Michalopoulos | simos@ozonweb.com Finance ManagerVasilis SourtisDigital DirectorAris Karatarakis | web@ozonweb.com International CoordinatorJanosch Boesche international@ozonweb.comFashion DepartmentMarianthi Chatzikidi fashion@ozonweb.comBeauty EditorMaria Papadopoulou, London OZONWEB Content ManagerVania MichaEditorial InternKiriaki - Domenika ChandraFashion InternsEftihia Kourousi / Eleni MalamiContributorsManolis Kranakis, Natasha Papachristou,Dafni Anesti, Maria Antelman, Manos Nomikos, Artville, Vagelis Kamarakis,Yorgos Stamkopoulos,Loukas Mexis,Viviana Miliaresi, Sandra-Odette Kypriotaki, Antonis Katsouris, Alexandra Petsetakis, Spilios Gianakopoulos,Black Athena, Janosch Boesche, Oliver Arlt, Matthew Zorpas, George Nikas, Andreas DimopoulosPhotographersJolijn Snijders, Costas Avgoulis, Cristina CapucciYiorgos Malekakis, Nikolas Ventourakis, Panos Davios,Thanos Tsakonas, Marios Kalamaris, Alkistis Tsitouri, Elina Giounanli, Eisuke Negishi, Anouk Morgan, Quentin de Briey, Akio, Ascari Luca, Jovanka Savic, Krzysiek Kozanowski, Harris KyprianouEnglish/Greek AdaptationPandora Giamalidou Distributiondistribution@ozonweb.com AddressYorgos Kelefis - Contempo Publications, 50-52 Valtetsiou St., 10681 Athens, Gr, T: 210 3634009, F: 210 3634008, E: info@ozonweb.com, www.ozonweb.comtwitter.com/ozonmagazinemyspace.com/ozonmagazinefacebook.com/ozonmag

This magazine cannot be republished or reproduced without the permission of the publisher.

Co!er Credits

PHOTOGRAPHY ANOUK MORGAN | MODEL ISMINI PAPAVLASOPOULOU (ACE MODELS)HAIR & MAKE-UP LISET GARZA // ISMINI WEARS T-SHIRT H&M

8

EDITORIAL

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What’s that, she asks. Before I manage to answer, she screams ‘wow’ and her eyes goggle. She is sitting next to me and I am certain she is not even 18. A postman’s bag is hanging from her left arm, her hair is black and short and a long wisp is clearly shadowing her left eye. GPS, she still sounds excited, so you know where we are she concluded, her sentence missing the question-mark. I think I know, I answer surprised by her immediacy. She starts commenting on the route, that the next stop is named such and such, that the bus is passing again from Grigoriou Lampraki street, that she knows where I should get off, somewhere near the schools, she goes every day. And suddenly she goes back to her silence and she keeps on typing her message in her old Nokia cell phone. I feel uncomfortable, I turn my gaze to the screen of my own phone, I get lost in the small paths and the names of the lighting screen. She stands up and my eyes follow her. I feel impressed that she doesn’t say bye, she pushes the button for the stop, the doors open and she gets lost in the night.

!"#$%&'()*+, () -$(.'(/+$ ' 01"-&23 41#/+,5,3', 6(21&)3 7$%8&.%)3 (9%):;()" 24, <)8=>.-&) / Thanks to 'Sweet Alchemies', Stelios Parliaros (24 Irodotou Str, Kolonaki, Athens)

10

UNFORGETTABLEACE OF BASE INTERVIEW WITH JENNY

DANAI ALASKA / JOSEPHINE CAMITZ

TEXT96&6GG6 A6A6LS8G&TU | NATASHA PAPACHRISTOU

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In the beginning there was ABBA. A few years later Swedish music scene reveals another export-able product, Roxette, while at the beginning of the 90s Ace Of Base make a grand appearance. The story of Ace Of Base is, like other related band members, a family affair coming to surface thanks to one song: 'All that she wants'. What followed was definetely not in the group's best in-tentions. Protagonists of the story, the three Berggren siblings; Jonas, Malin and Jenny, together with their friend Ulf Ekberg. Ever since the release of their first single, the four-piece band became frustrated with their birthplace and decided to move to Denmark. Although the 'Wheel of Fortune' didn't bring them the fortune they had wished for, it was their neighbouring country that provided the right place for their efforts to flourish. It all happened with 'Mr Ace', their second single, under a different name. 'Mr Ace' was renamed to ‘All That She Wants’ and such was the name of their album. All they ever wanted was to release an album -and so they did- all they ever wanted was to become famous -and they really succeed in that too. Their triumph literally spread around the world making it the most commercial debut album in history with even Britney Spears recording a cover version. After all, 'All That She Wants' is about girls who know how to assert, girls without limits who enjoy each moment and who eventually get what they want. These are the girls who stand out of the crowd, who charm, come dominant but... are alone. And yes they do stay late at night, but no girl wants to be alone. The first member who left the group was a girl. Three albums onwards Malin leaves while the two remaining members tour, release a 'best of' and stay together till 2009 when they finally realise themselves that their time was out. However the two boys still insist on the same recipe, creating a new group with two more female singers. Jenny on the other hand has gone solo while Malin -the frontwoman- 'leads a lonely life' away from the public eye. She probably knows better and maybe this is all that she wants.

JENNY FROM ACE OF BASE GOES SOLO &T TVT9 O9&TAWGO &89 !OF6LSW98 &S6:TU@WG&SW6 &X9 ACE OF BASE, JENNY BERGGREN =6W &8G O=69O T=&X OSX&8GOWG :W6 TF6 6U&6 ATU 6U&8 7OFOW.OZON TRACED JENNY BERGGREN, ACE OF BASE BRUNETTE SINGER AND ASKED EIGHT QUESTIONS ABOUT ALL THAT SHE WANTS.A+0%@ 0=<5/,+,2' .0 "/.2+' ,$>< "0)+B)0; YC., C$ H,'-2$ *$D .BH CHC' B$D P'4/,+5. 1% C2.<$D0/5C2-. *' C$D% Ace of Base, 4.- 'B-C3>$D% </,'C.- B2.<*.C-4HC+C.!C;' 30 =2)+B9)052' %< "0+.<4)9+< ,<- />7=<-7; A$B 4.- B$B! 6DCN C+ ?$2" '/*.- '>'(K'2+ ,. 4",1 .DCH B$D K3>1 )12/% H2-.. UB"2)'- 0D,.CN .>>" 4.- '>.?2-" *$D5-4N 4.- .,DB$*$,; ,. 0'/P1 C$ .B$C3>'5*. 5C$, 4H5*$.C;' .+D32+' =<- <+ Ace of Base =)<,B>0E0. #-< "0+.<4)9+2' %)09<-#@,%)+2'; T- Ace $f Base N*.5C., '*'/%, C. .2)-4" C2/. *3>+. &$ ,3$ B2HCM'4C B$D 0$D>'($D, C;2. $ Ulf 4.- $ Joans '/,.- 5)'0H, C$ /0-$ ',0-.?32$, *' C$ 0-4H *$D.C<+0 2@.0+ & 090=&7B.& ,<- #+0,"2-6 %<- ‘All that she wants’; @', P321… + 0-4N *$D;F+ ,<- >2@=2+ =2)+,,$%2)< 0=$ %0 *)$.+0 =<- <+ Ace of Base 6%0. %< 7290>4%2)< =<= 50+.$72.<; &$ 4H44-,$ ).>/. 65C'-'($*.-, *$D >'/B$D, $- ?.,% *$D.F+ 3B>2+ B.0 "<)@%,+ 0=$ B.0 =<= %)09<4#+; 73>'- ,. '*B,'D5C'/, ,. ,-;5'- HC- B'C"'-.F+ B*2+' 0=<"<7@,2+ 0=$ %&. 27=2+)@0 ,<- 72 %<-' Ace of Base; !$D 3015., '*B'-2/. 5C$ );2$ 4.- C;2. .,DB$*$,; ,. 5D,')/51 B.2.B32.. 6>>" .DCH B$D P321 5/<$D2. '/,.- HC- + 0-.5+*HC+C. 'P.?.,/M'C.- 5., 3,. *B.>H,- 5C$, .32.. !$,"). $- *-423% .P/'% 5C+ M1N *'C2",'. C<+B' 2@.0+ <+ 5+><#<G@2' ,<- ,672)0 ;' ,$>< "0>>+%B*.&' ,2 ,49")+,& 72 %<. "0+)$ =<- 6,<-. ,%<-' Ace of Base; GN*'2. '/*.- ).2$(*',+ <-' .DC" B$D 3)1 4.C.?32'-. &HC' N*$D, .24'C" C2$*$42.C+*3,+…

Why did you decided to go solo? It has been a dream since I first started out as a singer in Ace of Base and it is finally coming true!How would you describe your upcoming album? Pop and Pop. I am stretching the boarders this time and I am free to do what I want. Some harder music and some softer: I can t́ wait to show it to the world.How do you feel about Ace Of Base hiring two new female singers? Ace Of Base are by law only us three original members, and the new project that Ulf and Joans are working with is almost as exiting as mine.Which is your favourite cover of ‘All that she wants’? I don't know.. My own?What do you miss most from those great times, where Ace of Base was the biggest pop phenomenon? The red carpets, no I miss seeing my fans.What does a girl want from a pop song? She needs to be enlight-ened. She wants air under her feet.What have you brought with you from the experience with Ace of Base? Now I have got some experience of this business and I am longing to get some more. But what I do know is that fame disappears like a flying balloon in the air. Its only the real things, the small values in life that counts.What are your future visions today as a solo artist compared to back in the days when you were with Ace of Base? Today I am happy for what I have got and what I have achieved. Back then I guess I was sort of petrified...

JENNYBERGGREN.NET

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IN THE BEGINNING THERE WAS ABBA. A FEW YEARS LATER SWEDISH MUSIC SCENE REVEALS ANOTHER EXPORTABLE PRODUCT, ROXETTE, WHILE AT THE BEGINNING OF THE 90s ACE OF BASE MAKE A GRAND APPEARANCE. THE STORY OF ACE OF BASE IS, LIKE OTHER RELATED BAND MEMBERS, A FAMILY AFFAIR COMING TO SURFACE THANKS TO ONE SONG: 'ALL THAT SHE WANTS'. WHAT FOLLOWED WAS DEFINETELY NOT IN THE GROUP'S BEST INTENTIONS.

12

BACKSTAGE

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I am looking at you. Trying to stand still. I remember you told me once I look better when I stand still. I haven't moved an inch since and now it starts to hurt. My mouth is half open. Look at me, I am posing. I could scream, be surprised, angry. But it's not me who decide. I can hardly see you; secure and protected. I'm trying to balance on the stool and you say we miss on tension. Someone messes with my hair and I am laughing. Usually they mess with our heads, and that is not funny at all. When I stop posing, I go out in town, I smoke, I dance and I grow old. Lately you say silly things about my clothes that look too colourful and you think of me in black and white, just like an x-ray.

PHOTOGRAPHYJOVANKA SAVIC

TEXTDANAI ALASKA

!"# $% editorial 'She is going to get you' , &$% '()*+% | Taken during the 'She is going to get you' editorial, at Milan.

levi.com

14

A WOMAN ON SCREEN

COCO BEFORE CHANEL

8 =W98!6&T:S6\W=8 IWT:S6\W6 &8G G8!69&W=T&OS8G GLO@W6G&SW6G !T@6G TFX9 &X9 OATLX9 !ATSOW 96 G&6!6&6OW 6=SWIXG O=OW ATU @O9 ASOAOW, 6FF6 ASTF6I6W9OW 96 OZ8:8GOW AXG &T G&WF OW96W, ASW9 6AT T&W@8AT&O, O96G &STATG VX8G.

THE FILM BIOGRAPHY OF THE MOST IMPORTANT FASHION DESIGNER OF ALL TIMES MIGHT STOP RIGHT WHERE IT SHOULDN'T BUT STILL LEAVES ENOUGH TIME TO EXPLAIN HOW STYLE, ABOVE ALL, IS A WAY OF LIFE.

&$ 'Coco Before Chanel' C+% Anne Fontaine '/,.- .42-Q;% .DCH B$D >3'- $ C/C>$% C$D: 8 M1N C+% Coco Chanel B2-, .DCN 4.C.4CN5'- C$, 4H5*$ C+% *H0.% 4.- *'/,'- 5C+, -5C$2/. 1% + <D,./4. B$D 'B+23.5' 4.K$2-5C-4" C$, 20$ .-;,. HB1% C$, <,12/M$D*'. I.5-5*3,$ 5C$ $*;,D*$ Q-Q>/$ – B$C.*H, C+% <-. )2H,-. 0-'DK(,C2-.% C+% <.>>-4N% Vogue Edmond Charles-Roux B$D <2"?C+4' C$ 1974, C$ ?->* C+% Fontaine 'B->3<'- C+ *$2?N *-.% 5D*Q.C-4N% Q-$<2.?/.% B$D P'4-,"'- .BH C. B.-0-4" )2H,-. C+% Gabrielle Chanel, C+, '.BH02.5+' C+% .BH C$ *$,.5CN2- 5C$ $B$/$ *'<">15', C+, *'C$,$*.5/. C+% 5' Coco, C+ 5)35+ C+% *' C+, .<.B+*3,+ C+% .0'2?N, C$, '2)$*H C+% 5C$ A.2/5-, C$D% B2;C$D% .B$CD)+*3,$D% 321C'% C+% M1N% C+% 4.- C+, B2;C+ C+% 'B.?N *' C$, 4H5*$ C+% *H0.%. 6,C-5D*Q.C-4N, -0-$?DN%, ?'*-,/5C2-., '2*+C-4" 4>'-5CN 5C$, '.DCH C+%, C.>.,C$(). 4.- 'B.,.5C"C2-., + Fontaine 'B->3<'- 15CH5$ B'-5*.C-4" *-. 'P $>$4>N2$D .,C/K'C+% ?->$5$?/.% 4-,+*.C$<2"?+5+ <-. ,. .?+<+K'/ C+, *$,.)-4N 0-.02$*N C+% +21/0.% C+%. 6BH ?HQ$; 6BH 03$%; Y C'>-4" .BH C+, 5D,'-0+C$B$/+5+ B1% *'2-43% M13% '/,.- B-$ 5D,.2B.5C-43% .BH H5$ K. *B$2$(5' B$C3 ,. C-% .B$CDB;5'- + 4-,+*.C$<2.?-4N 4"*'2.; &$ Q"2$% B3?C'- .,.BH?'D4C. 5C+, Audrey Tautou, + $B$/. .B.>>.<*3,+ –'B-C3>$D%– .BH C+, B'25H,. C+% '6*'>/' B'CD)./,'- *H,+ C+% ,. *'C.?32'- B$>>" B'2-55HC'2. <-. C+, B2$51B-4HC+C. *-.% <D,./4.% B$D B">'^' <-. ,. 0-.C+2N5'- C+ 0-.?$2'C-4HC+C" C+% 4.- 0$(>'^' 54>+2" <-. ,. 'B-Q">>'- C$ 5C-> C+% 5' 3,., 4H5*$ 4.- *-. 'B$)N B$D 0(54$>. K. *B$2$(5' ,. 0')K'/ *-. <D,./4. ,CD*3,+ *' C$, C2HB$ C1, .,02;,. &$ 0-.B'2.5C-4H, K>-**3,$ .>>" 4.- .B$?.5-5C-4H Q>3**. C+% Tautou '/,.- C$ *H,$ B$D *'C.?32'- 5C$, K'.CN C+, DB$^/. B1% B/51 .BH C+ ?-<$(2. *-.% 'P1C'2-4" .5N*.,C+% 4$B3>.% - B$D NP'2' B1% ,. MN5'- .>>" 3B2'B' ,. B.>3^'- <-’.DCH - 42DQHC., 3,.% .BH C$D% *'<.>(C'2$D% *(K$D% C$D 20$D .-;,..

:- 'Coco Before Chanel' ;2 ,/-<9==1*2$ 5*$' 1==3)$%0' 26;-.51' 2,& *$' 6 >-.)6-..

'Coco Before Chanel' by Anne Fontaine is exactly what the title says: the life of Coco Chanel before she conquered the world of fashion and went down in history as the woman who had a decisive influence on the 20th century as we know it. Based on the same titled and lengthy book written in 1974 by French Vogue editor Edmond Charles-Roux, Fontaine's film chooses the manner of a conventional biography. It begins with Gabrielle Chanel's childhood, followed by her 'escape' from the monastery she was raised, her name change to 'Coco', her relationship with her beloved sister, her move to Paris, the first unsuccessful love affairs and her first contact with the world of fashion. Unconventional, ingenious, feminist, introvert, talented and revolutionary, Fontaine willfully chooses an entirely contrasting filming?philosophy to tell the lonely journey of her heroine. Could it be out of?fear? Or maybe awe? Or even due to the realization that some people's lives are more exciting than ever captured on film? Inevitably the burden falls on Audrey Tautou, who -finally- liberated from her 'Amelie'?persona, manages to carry a lot more of the personality of a woman who fought to preserve diversity; a woman who worked hard to impose her style?in a world and at a time when it was to difficult to accept a female dressed in a man's way. Tautou's intense, melancholic but sharp gaze shifts the viewer into suspecting that behind the image of an insignificant girl - who had to fight for living life her way- one of the biggest myths of the 20th?century was hiding.

TEXT!69XF8G =S696=8G | MANOLIS KRANAKIS

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L_SS10_Cerbrus_235x295.indd 1 4/12/10 5:45:16 PM

16

ALBUM REVIEWSA GIRL AND HER MUSIC TEXT

:WXS:TG 9W=6G | GEORGE NIKAS

MGMTCONGRATULATIONS (COLUMBIA)

6, 0-.Q"M'-% .DCH C$ "2K2$ 'B'-0N )H2'^'% C$ 'Kids' N C2.<$(0+5'% C$ 'Electric Feel', <(2,. 5'>/0.. ])- .B>" 0', DB"2)$D, C3C$-'% 5C-<*3% 5C$ 0'(C'2$ ">*B$D* C1, MGMT, .>>" $(C' 4., .B$CD)+*3,'% B2$5B"K'-'% ,. .,C-<2"^$D, 4$**"C-. 5., .DC". :-.C/ C'>-4" .DC$/ '/,.- B2.<*.C-4" 4.- H)- $- C(B$- B$D .B34C+5., 5D*QH>.-$ *' B$>D'K,-4N 4.- .,.<4"5C+4., ,. 4D4>$?$2N5$D, *-. pop '40$)N C$D '.DC$( C$D%. @', 42(Q$D, C+, .<"B+ C$D% <-. C+, ^D)'0'>-4N <',-" C+%

0'4.'C/.% C$D '60 4.- )$2'($D, <D*,$/ DBH C+, 'BN2'-. ^D)$C2HB1, $D5-;,. A.C$(, C$ 4$D*B/ C+% .DC$4.C.5C2$?N% 4.- C$ <'<$,H% HC- 0', .DC$4C$,$(, .B$0'-4,('- HC- 3)$D, C.>3,C$. GD<).2+CN2-..

If the reason you are reading this article is 'Kids' and 'Electric Feel', then you better turn over the page. There are no such moments in MGMT's second album, not even unsuccessful attempts to copying songs like these. At the end of the day, this is who they truly are; not some guys with a commercial contract forced to releasing a pop version of themselves. In their current work, they are open about their love for the 60s psychedelia. They push the self-destruction button, but the fact they are still around, proves their talent. Congratulations.

SHE & HIMVOLUME TWO (MERGE)

6), C- 12./'% 'B$)3%… !' "21*. <-.5'*-$( 4.- <'(5+ ,$5C.></.%. 8 P3<,$-.5C+ 'B$)N C+% '?+Q-4N% .K1HC+C.%, 3,. .32-,$ >$D>$D0"C$ ?H2'*., 3,. B-",$, $ .,$-P-"C-4$% N>-$%, 321C'%, 2.,C'Q$D0"4-. 5C$ B"24$, '4'/,$ C$ B.<4"4-, C$ .DC$4/,+C$ C$D *B.*B" B$D B./M'- *H,$ 4.53C'%, + ,$5C.></. C$D 4.>$4.-2-,$( 321C.… A/51 5C+ <+. T Phil Spector '/,.- 5C+ ?D>.4N <-. C$ ?H,$ C+% Clarkson. 9.- >$-BH,. 6K1HC+C. C3>$% .BH C$, B21C$*"5C$2" C+%. =.- B$-$% K3>'-

B-. ,. *->"'- <-. 321C'%; 8 <>D4(C.C+ +K$B$-H% Zooey Deschanel 4.- $ folk C2$Q.0$(2$% M. Ward, .DCN 4.- .DCH% .4H*. Q>3B$D, 0-50-"5C.C'% C.-,/'% 4.- *">-5C. 5' drive-in.

Such lovely times... scented with jasmine and a hint of nostalgia. A carefree era of innocent adolescence, an airy flowery dress, a piano, spring-time sun and love; sneaking in the park, memories of summer love ... Now back to reality. Phil Spector is jailed for murdering Clarkson; the death of innocence by its lead craftsman. Is there anyone willing to talk of love anymore? Sweetheart actress Zooey Deschanel and folk singer M.Ward, are. She and he are still watching 2d movies in drive-ins.

SHARON JONES AND THE DAP-KINGSI LEARNED THE HARD WAY (DAPTONE)

8 Sharon Jones 0', '/,.- .B>;% C+% B.>-"% 5)$>N%. O/,.- 5)$>N .BH *H,+ C+%. O/,.- + *.(2+ *$D5-4N 5C$ 4.>(C'2H C+% B2H51B$. 6DK',C-4N, '->-42-,N%, .>+K-,N soul *$D5-4N .BH C+ 93. UH24+ *' .<"B+. 8 4D2/. Jones 3*.K' B2.<*.C-4" *' C$, 54>+2H C2HB$ B;% ,. ?C"5'- 5' .DCH C$ 5+*'/$ 4.- C+% BN2' 5)'0H, 50 )2H,-. <-. ,. .,.<,12-5C'/ 4.- ,. 4.K-'21K'/ 5' *-. 54+,N B$D B>3$, '/,.- 4"C- 5., B2$5C.C'DH*',$% 02D*H%. ]C., $0+<'/% >$-BH, 5C+, *B$C->-.2-5*3,+ 6KN,. *' 35

Q.K*$(% ='>5/$D , 4>'/5' C$ 4>-*.C-5C-4H, Q<">' C$ )32- 3P1 4.- ?.,C"5$D HC- B21C.<1,-5C'/% 5' Blaxploitation C.-,/. 4.- $ *H,$% >H<$% ,. Q-.5C'/% '/,.- <-.C/ + Cleopatra Jones 0', *B$2'/ ,. B'2-*3,'-.

Sharon Jones is not just old school, she herself? is a whole school. She is black music at its best; authentic, honest, true soul music from New York with love.?Ms. Jones reached this point the hard way taking her almost 50 years to establish herself in a? impenetrable?scene. So when driving in congested Athens under 35 degrees, shut the air-conditioning and let the window wide open, imagine that you are starring in a?Blaxploitation movie and the only reason to hurry up is Cleopatra Jones.

KATE NASHIYOU ARE MY BEST FRIEND (GEFFEN)

!. C- 4$2/C5- '/,.- .DCN + *-42N W2>.,03M.; G' +>-4/. B$D C. ">>. 4$2-C5"4-. ).M$<'>$(5., 5C$ 0-"02$*$ C$D 4$>>'</$D *' C. 4$DC5$*B$>-" C1, B21C$'C;,, .DCN 4D4>$?$2$(5' N0+ C$ B2;C$ C+% ">*B$D* 4.- <D2,$(5' C$, 4H5*$ 4",$,C.% B'2-$0'/'%. =.- C;2. + '-4$5-C2-")2$,+ B-. Kate *' C$ B-",$ C+%, C+, .B/5C'DC+ 5C-)$D2<-4N 'D?2"0'-. 4.- .DCN, C+, 'K-5C-4N B2$?$2" Q2N4' C$, 4.>(C'2H C+% ?/>$, $ $B$/$% '/,.- *">>$, B-$ 2$4 .BH C$, B2$+<$(*',$ 4.-

'B+2'"5C+4' >/<$ B.2.B",1. O/,.- H*1% =.24/,$% 4.- + 'D.-5K+5/. 0', 42(Q'C.-. EC5- 0', K. 3)'- 4.- 4.*/. ?$Q/. ,. )"5'- C$ 2.0-$?1,-4H airplay B$D *3)2- C;2. .B$>"*Q.,'.

What a mighty Irish girl! During the age when girls usually spend time hanging around giggling, she was already releasing her first album and holding world tours. Now it appears that the twenty-three year old Kate with her piano, her incredible lyrics and her addictive accent has managed to find her 'best friend' who is somewhat more rock than previously. However she is a Cancerian herself and sensitivity is hard to hide while her airtime success will definitely live on.

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18

JOY ORBINSON (DOLDRUMS RECS)MYSPACE.COM/JOYORBISON

To 'D2(C'2$ *$D5-4H '/0$% B$D 3)'- 'B-42.CN5'- ,. .B$4.>'/C.- 'dubstep' '/,.- .,.*?/Q$>. *-. .BH C-% *'<.>(C'2'% .4$D5C-43% ?$(54'% C+% 'B$)N% *.%. 6DCH Q3Q.-. 0', 5+*./,'- HC- 0', *B$2'/ 4",'-% *35. 5C$ 512H ,. .,.4.>(^'- 42D**3,. 0-.*.,C"4-.. E,. .BH .DC" '/,.- 5/<$D2. $ 23 )2$,$% Peter O’Grady, .BH C$ Croydon C+% !'<">+% I2'C.,/.% B$D +)$<2.?'/ 4.- 4D4>$?$2'/ *$D5-4N B/51 .BH C$ ^'D0;,D*$ 'Joy Orbinson'. To 'Hyph Mngo' C+% B'25-,N% )2$,-"%, 5D*B'2->N?K+4' 5' B>NK$% >-5C;, *' C. 4.>(C'2. tracks C$D 2009 4.- $ /0-$% K'12'/C.- 3,.% .BH C$D% 4.>>-C3),'% B$D .,.*3,'C.- ,. 4",$D, C$ *'<">$ QN*. C$ 2010. &- 4",'- C$, 4(2-$ O’Grady P')12-5CH; !">>$, C$ <'<$,H% HC- B.2" C$ ,'.2H C+% +>-4/.% C$D, $ Joy Orbinson 3)'- *'>'CN5'- 5' Q"K$% 4.- 3)'- 4.C.,$N5'- B>N21% C-% ?H2*'% C$D 4>.5-4$( house 4.- C$D UK Garage. &-% *'>10/'% .DC3% '/,.- B$D B.,C2'('- *' 'D?",C.5C. 2step beats 4.- 515CN B.2.<1<N 4.- C$ C'>-4H .B$C3>'5*. C$, Q2/54'- 3,. QN*. *B2$5C" .BH 5)'0H, 4"K' ">>$ B.2.B>N5-$ 4.>>-C3),+ C+% <',-"% C$D.

Without a doubt, the music genre known as 'dubstep' is one of the greatest bubbles in recent music history. However, this does not exclude some hidden gems; one of them is Peter O'Grady, a 23-year old from Croydon UK whose work is released under the pseudonym?'Joy Orbinson'. Last year's 'Hyph Mngo' was included in numerous 'best of' track lists for 2009 and he is now considered an artist to keep an eye on for 2010. But what is it that makes O’Grady special? Probably the fact that regardless his young age, Joy Orbinson has an in depth understanding of all expansions of classic house and UK Garage and he manages to combine such melodies with ingenious 2step beats under a good production. The final result is what puts him a step ahead from any other similar artist of his generation.

THE SWISS (MODULAR)MYSPACE.COM/THESWISSPAGE!

T- 'Swiss' '/,.- + ,3. B2$5?$2" C+% .D5C2.>-.,N% 54+,N% 5C$, Crossover dance/indie/disco N)$. &$ single C$D% 'Iubblebath' 3)'- B.-)C'/ 4.- )$2'DC'/ H5$ >/<. 4$**"C-. *35. 5C$ 2010 4.- 3)'- DB$5C+2-)C'/ .BH 5)'0H, 4"K' dj B$D B./M'- *$D5-4N B$D Q.5/M'C.- 5' 2DK*H 4/4, *' C+, 'P./2'5+ /51% H51, B./M$D, 54>+2H techno. &$ .4H*. B-$ ',0-.?32$, '/,.- HC- $- 'Swiss' 0', '/,.- .B>" 0($-C2'/% C(B$- B/51 .BH 0($ laptop 4.- *-. 4$,5H>., .>>" *-. C'C2.*'>N% full band B$D B./M'- C+, disco *$D5-4N C+% live 4.- C+, B./M'- 4.>". E)$,C.% N0+ 0+*-$D2<N5'- KH2DQ$ 5C+, NB'-2$ C$D%, $- 'Swiss' 'P$2*$(, C$ 4.>$4./2- ;5C' ,. 4.C.4CN5$D, 4.- C+, OD2;B+ ',; .,.*3,$,C.- $- 'BH*','% 4D4>$?$2/'% C$D%. 8 B.2$D5/. C$D% 5C$ 2H5C'2 C+% 'C.-2/.% B$D *.% 3)'- 5D5CN5'- 5)'0H, HC- 4.>H 3)$D*' .4$(5'- .BH C+, 6D5C2.>/. C+, C'>'DC./. B',C.'C/. (Cut Copy, Ladyhawke, Tame Impala, Canyons etc), C+% Modular Records, B2$#0'"M'- HC- C. 4.>(C'2. 32)$,C.-.

'Swiss' is the latest emergence from Australia in?dance/indie/disco?crossover. Their '@ubblebath' single has been listened and danced to, like no other in 2010, supported by almost every 4/4 rhythm dj, with the exception perhaps of hard techno. What is interesting is that 'Swiss' is not a couple of guys behind laptops and consoles but a four-piece band playing their disco music live and doing it good. Having already created a name for themselves in their continent, Swiss are coming to take on Europe at summer time while their new releases are under way. Their appearance at Modular Records' roster -same record company for the best out of Australia in the last five years (Cut Copy, Ladyhawke, Tame Impala, Canyons etc)- hints that the best is yet to come.

JOALZ(NTROP RECORDINGS)JOALZ.NET

!$,/*1% <42-,-"M$D*' (4.- *">>$, $2K;%) HC- + '>>+,-4N 54+,N 5C'2'/C.- 5)+*"C1, B$D *B$2$(, ,. 5C.K$(, .P-$B2'B;% CH5$ 5C$ 5C'2'$?1,-4H *.% H5$ 4.- live. T- Joalz *$-"M$D, ,. '/,.- .BH C$D% >/<$D% B$D 4-,$(,C.- B2$% C+ 515CN 4.C'(KD,5+. &$ 4.-,$(2<-$ C$D% BH,+*. $,H*.C- Monkshood, 0'(C'2$ album C$D 5)N*.C$% 4.- 5D,"*. + 34C+ 4D4>$?$2/. C+% '<);2-.% Ntrop recs 0', '/,.- $ B-$ '(4$>$% 0/54$% B$D 3)'C' .4$(5'- .>>" 5/<$D2. B.2$D5-"M'- ',0-.?32$,. 624'C" 54$C'-,H, *' B2$?.,'/% C-% ambient, kraut, noise .4H*. 4.- post .,.?$23%, C$ Monkshood 4'20/M'- *' C$ D^+>H 'B/B'0$ C+% B.2"<1<N% C$D 4.- C-% ',0-.?32$D5'% 5D,'2<.5/'% 5' B$>>" .BH C. tracks C$D. T- Joalz 3)$D, B.2$D5-"5'- 0'/<*.C. C+% 0$D>'-" C$D% C. C'>'DC./. )2H,-. 5' 0-"?$2$D% .K+,.#4$(% 5D,.D>-.4$(% -4.- H)- *H,$- );2$D% 4.- + 4D4>$?$2/. C$D 4.-,$(2<-$D 0/54$D '/,.- 3,.D5*. <-. ,. C$D% .4$(*' 5D),HC'2..

We often complain (and probably correctly) that Greek scene is devoid of groups able to stand with dignity both in our stereo as well as live. ''Joalz seem to be one of the few, moving towards the right direction. Monkshood, their new venture and second album -sixth release for greek Ntrop recs- is not the easiest to listen but definitely a very interesting one. In dark tones, with obvious ambient, kraut, noise, ever post references, Monkshood is a winner on the high production quality and the intriguing collaborations in many of its tracks. 'Joalz' have presented examples of their work in various athenian venues and now the release of their new record gives us a good motive to listen more of them.

SHE IS ELECTRIC

NOISES!"#!I6::OF8G =6!6S6=8G | VANGELIS KAMARAKIS

20

GIRLS IN WIGS

CHARLIE LE MINDU

T 23LST9TG :6FFTG =T!!X&8G =6W DESIGNER CHARLIE LE MINDU OLOW 8@8 6AT=&8GOW O96 ‘\69&6G!6:TSW=T_AOF6&TFT:WT G&T TATWT \W:TUS6STU9 =6FFW&OL9W@OG TAXG 8 GRACE JONES, 8 DIAMANDA GALLAS =6W 8 LADY GAGA. G&T IOSTFW9T O=69O &8 9UL&OSW98 G=898 &8G ATF8G AWT O9@W6\OSTUG6 =67XG OA6WS9O [6FW@W6 G&6 CLUB =6W !O&6!TS\X9O &T9 =TG!T ATU LTSOUO, O9X G&8 FT9@SOVW=8 OI@T!6@6 !T@6G A6STUGW6GO !W6 GOWS6 6AT ‘A6S6FT:OG’ AOSTU=OG. T CHARLIE LE MINDU ISWG=O&6W G&89 O=7OG8 &OL98G ART ATHINA !O G=TAT 96 !6G O97TUGW6GOW !O OF=UG&W=6 GU:LST96 &OS6&6 \&W6:!O96 6AT=FOWG&W=6 6AT 697SXAW96 !6FFW6, =6FOG!O9TG 6AT &T9 ATFW&WG&W=T TS:69WG!T ATOPOS.

THE 23 YEAR OLD FRENCH BORN, HAIRDRESSER AND DESIGNER CHARLIE LE MINDU ALREADY HAS AN EXTRAORDINARY CLIENTELE AMONG WHICH ARE SOME OF THE GREATEST PERFORMERS OF OUR TIMES SUCH AS GRACE JONES, DIAMANDA GALLAS AND LADY GAGA. IN BERLIN HE TURNED PARTIES INTO AVANT-GARDE PERFORMANCES BY TRANSFORMING THE DANCING CLUB KIDS AND DURING LONDON FASHION WEEK HE PRESENTED A SERIES OF ‘IRRATIONAL’ WIGS. CHARLIE LE MINDU TAKES PART AT ART ATHINA EXHIBITION, INVITED BY ATOPOS CULTURAL ORGANISATION, AND HIS GOAL IS TO IMPRESS US WITH EROTIC MODERN MONSTERS CREATED BY REAL HUMAN HAIR.

!$ "$%&$ "%& ‘POP UP SALON’; '()*"$+ %& '&+ '$,-+"$+ .$& !$+ %/#!"*$%"+ "0)*'-+"$+ +)/ +!) 1"*),$%) )!&% "(&$*%"+ '&2$ +)/ 3&,$4$& 5&$ #!"%"+ '"+& +!& CLUB;Pop up Salon 5+*./,'- ,. </,'5.- .DKH2*+C$%. @+*-$(2<+5. 3,. Pop up Salon 5C$ I'2$>/,$ 4D2/1% 'B'-0N 4$-*H*$D, 4.C" C+ 0-"24'-. C+% +*32.%. Z'4-,$(5. 5C-% 3,C'4. ,. 4",1 styling 5' *.>>-" 4.- C'>'/1,. 5C-% B3,C' C$ B21/. O/). B'2/B$D '/4$5- B'>"C'% C$ Q2"0D. E*$-.M' 5., C.-,/. C$D John Waters. Z'4/,+5. 5' 3,. dark room, .>>" 5C+ 5D,3)'-., 4.K;% <-,H*$D, H>$ 4.- B-$ <,15CH%, C. club .B$?"5-5., ,. *$D 0;5$D, 3,., $>H0-4H *$D );2$. ()+) #*)%) #*"$&2"+&$ .$& %& 6!$&0"$+ '$& ("*)/5&;!B$2'/ ,. )2'-.5C; .BH 034. >'BC" *3)2- 4.- 3P- *N,'%. GD,NK1% <-. 3,. 4$**"C- B.5.23>.% )2'-"M$*.- 0($ 'Q0$*"0'%. T- *-423% B'2$(4'% '/,.- '(4$>'% 4.- B$>>3% B>$(5-'% 4D2/'% C-% 'B->3<$D,. A-$ $<4;0'-% 0+*-$D2</'% C.-2-"M$D, B'2-55HC'2$ 5' 5D>>$<3% *$D5'/1,.7& -7","+ %& '&+ '$,-+"$+ .$& !O (*)!2"5! ‘ATOPIC BODIES [ONE]: MR & MRS MYTH, AKA THE MYTHS’ +!& (,&$+$& !-+ "57"+-+ !"#%-+ ART ATHINA;O/,.- */. *'<">+ 34B>+P+. 7. 4",1 0($ M1,C.,3% B.2.5C"5'-% 4.- K. 0+*-$D2<N51 3,. 4.-,$(2<-$ 4$**"C-. T 4H5*$% 5C+, Art Athina K. *B$2'/ ,. *' B.2.4$>$DK'/ 4.K;% K. 0$D>'(1.!$ ‘#&*&5!-*"+’ "($7/'"$+ %& (&*)/+$&+"$+;9$*/M1 B1% C. *$,C3>. B$D ?$2",' C-% B'2$(4'% *$D *$-"M$D, *' '21C'(5-*. C32.C.. I2/541 0-.54'0.5C-4H C$ ,. KD*/M$D, ?2-4-", .>>" )12/% ,. )",$D, C+ K+>D4HC+C" C$D%. :-. '*3,. C$ B.2"P',$ '/,.- '21C-4H."$4&'" !) SHOW +)/ +!) ,)%4$%) +" "%& &+6/5!$5& ."'&!) #8*) 5&$ +&% ')/+$5- "(","0"+ -#)/+ &() "55,-+$&+!$5"+ 5&'(&%"+ 5&$ (&*&%)95& .",$&. - #"$'"*$%- +)/ +/,,).- "$%&$ "0&$*"!$5& ($) +5)!"$%- &() &/!- ()/ (&*)/+$&2"$+ +!-% &7-%&.&$ H,$*. C+% 5D>>$<N% NC., ‘RELIGION SEX BULLSHIT LUCIFER’. YK'>. ,. 0'/P1 B1% + K2+54'/. *B$2'/ ,. '/,.- Q2;*-4+ 4.- ,. '4*'C.>>'('C.- C$D% .,K2;B$D%. :-. .DCH C$ >H<$ 34.,. */. 5D>>$<N *' Q"5+ C$ *.(2$ )2;*.. G4$BH% NC., $- 0+*-$D2</'% *$D ,. KD*/M$D,, .-5K+C-4" C$D>")-5C$,, */. ./2'5+. ()+)+ #8*)+ /(&*#"$ .$& 4-'$)/*.$5- /("*1),- +!) +-'"*$%) )$5)%)'$5& ‘.5*$2)’ 5,$'&;A-5C'(1 B1% $- 5)'0-.5C3% B23B'- ,. .?N,$,C.- '>'(K'2$- 5C+, DB'2Q$>N. G' .DCH C$ 4>/*. B$D Q2-54H*.5C' $- ",K21B$- K3>$D, ,. 02.B'C'($D, .BH C+, 4.K+*'2-,N M1N 4.- ,. *'C.?32$,C.- 4"B$D .>>$(. &$ ,. 'B-0-;4'- 4.,'/% ,. </,'- '*B$2-4H% 5N*'2. '/,.- C23>.. ]C., B.% 5' */. 'B/0'-P+ *H0.% N 5' 3,. $B$-$0NB$C' ">>$ show, K3>'-% ,. ',CDB15-.5C'/% 4.- H)- ,. 54'?C'/% C- K. *B$2$(5'% ,. .<$2"5'-%. ()$& "$%&$ - +#"+- +)/ '" !)/+ /(),)$()/+ %")/+ +#"4$&+!"+ !)/ ,)%4$%)/; 9$*/M1 B1% C$ F$,0/,$ 5?(M'- .BH 0+*-$D2<-4HC+C.. A2$% C$ B.2H, '/*.5C' */. 4.>N $*"0..48+" '&+ ("%!" ,).)/+ .$& !)/+ )()$)/+ "%& 5)*$!+$ 7& -7"," %& 6)*"+"$ '$& &() !$+ ("*)/5"+ +)/.OB'-0N '/,.- .,.C2'BC-43% / OB'-0N C$D% .235$D, C. *.>>-" / OB'-0N K3>$D, ,. ,-;K$D, '21C-43% / :-. ,. *B$2$(, ,. 42(Q$,C.- / OB'-0N '/,.- *$,.0-43%.

WHAT IS A ‘POP UP SALON’? CAN YOU TELL US ABOUT YOUR WILD NIGHTS IN BERLIN WHEN YOU USED TO BRING SCISSORS AND COMBS IN CLUBS? A pop up Salon is about being spontaneous! The idea for Berlin's pop up salon came to me simply because I was sleeping during the day. Berlin is beauti-ful but at daytime there is not much to do apart from sleeping. I would start at 11pm and finish styling at 5 am, doing about 20 heads a night. It was so cool almost like a John Water movie. I started in a darkroom, where I met Peaches, but the concept soon became so big that clubs started giving me a room to myself to do hair. HOW MUCH TIME DO YOU SPEND PREPARING A WIG?It really depends. It can go from ten minutes to six months but for a catwalk showpiece, around two weeks for each. Small wigs are easy to prepare and lots of old rich ladies want them to look glamorous. The big ones are more suit-able for museums. TELL US ABOUT THE ‘ATOPIC BODIES [ONE]: MR & MRS MYTH, AKA THE MYTHS’ PERFORMANCE AT ART ATHINA EXHIBITION? It is a big surprise! I will be doing two live shows and creating a completely new piece of work. Everyone at Art Athina will be able to see me creating the work. WHAT KIND OF ‘CHARACTERS’ DO YOU WISH TO CREATE WITH YOUR WIGS?I think models wearing my wigs look like sensual monsters. I can make them look like freaks but at the same time try to maintain their femininity. For me someone weird is sexy. WE WATCHED YOUR SHOW IN LONDON IN A PACKED VENUE UNDER THE SOUNDS OF RELIGIOUS MUSIC AND OF MANIACAL LAUGHS, TELL US ABOUT YOUR AUTUMN-WINTER 2010 COLLECTION WHICH IS MUCH DARKER THAN THE ONE YOU ARE PRESENTING IN ATHENS. The name of the collection was ‘RELIGION SEX BULLSHIT LUCIFER’. I wanted to show that religion can be very dirty, people are exploited by religion. This is the reason why the collection is dark, resembling a cult. HOW MUCH SPACE IS THERE FOR CREATIVE EXAGGERATION IN THE CURRENT GLOOMY ECONOMIC CLIMATE?I think people should go crazy with their ideas because in this climate, we want to be removed from everyday life and be taken somewhere else. Going commercial with work right now doesn’t seem to be the wise choice. Nowadays when you go to a catwalk show, or any kind of show, you want to be impressed not caring if you can buy the stuff or not. WHAT IS YOUR RELATIONSHIP WITH THE REST OF THE YOUNG LONDON BASED DESIGNERS? I think London is blooming with creative talent, we are a rather good team at the moment. GIVE ME FIVE REASONS WHY A GIRL MAY WANT TO WEAR ONE OF YOUR WIGS Because they are dirty / Because they like hair / Because they want to feel sexy. / Because they can hide / Because they look unique.

INTERVIEWDANAI ALASKA

ZOE PROKAKIS WHITEROOM48 LENOMAN STREET, 10 444, ATHENS, GREECET: +30 2105133 203, +30 210 5133 223 / F: +30 210 5133 124INFO@ZOEPROKAKISWHITEROOM.GRWWW.ZOEPROKAKISWHITEROOM.GR

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8 Religion <',,NK+4' 5C-% .2)3% C1, 90s 5' Q2'C.,-4" '0"?+, "*'5. 5D,0'H*',+ *' C+ ,3. CHC' 4$D>C$(2. C1, 4>.*B 4.- C+% 23-Q. 6,$/<$,C.% C. *.<.M-" C+% 5C$ .,.C$>-4H F$,0/,$, 'B+2'"M'C.- .BH C+, .C*H5?.-2. C+% B'2-$)N%. @-.C+2'/ 3,., P')12-5CH ).2.4CN2., '*B,'D5*3,$ .BH C+ *$D5-4N, C$D% >D2-4$(% 5C/)$D% 4.- C-% *$(5'% C+%, DB$5C+2/M$,C.% C+, 4>+2$,$*-" C+% B.C2/0.% C+%. @' ?$Q"C.- B$C3 ,. B'-2.*.C-5C'/ *' C'),-43%, D>-4" 4.- 5)N*.C., 5C$)'($,C.% 5' 3,. '>4D5C-4H 2$4 look. O/01>. C+% *H0.% HB1% + Agyness Deyn 4.- + Kate Moss 3)$D, 'B->3P'- C+ Religion <-. C+ <4.2,C.2H*B. C$D%. 6DCH C$ 4.>$4./2- + 5)'0-.5C-4N $*"0. C+% 'C.-2'/.% B.2$D5-"M'- */. 5D>>$<N <'*"C+ ,'.,-4N ?2'54"0. *' 2$4 0-"K'5+ 4.- K+>D4HC+C., *' 'B-22$3% .BH C. 80s 4.- C+, D^+>N 2.BC-4N. \K.2*3,. CM-, *' P'Q"*.C. 4.- .?-,/2-5C. C'>'-;*.C., 0'2*"C-,. jackets 5' Q-4C$2-.,H 4H^-*$ 4.- 4$2-C5/5C-4. ?$D5C",-. *' 3*?.5+ 5C+ >'BC$*32'-., 42$53, 42H5-. 4.- 4>15C3%. !'C.>>-4" 5C$>/0-. 4.- >'BC" 4$**3,$ M325'# .B$C'>$(, Q.5-4" 5C$-)'/. C$D look 5D,$0'DH*',. .BH *-. M1,C.,N B.>3C. 5' 4$2.>/, .,$-)CH B2"5-,$ 4.- *B>' C$D 4$Q.>C/$D 4.K;% 4.- P'K12-.5*3,$ *.(2$ 4.- "C$,$ >'D4H.

Religion, a British brand born in the early 90s deeply connected with the early club culture. Establishing its stores in East London and getting affected by the atmosphere of the area, they support an individual style, they get inspired by music, its lyrics and its muses, and they are influenced by the heritage of their country. The brand is never afraid to experiment with techniques, materials and shapes, always aiming for an edgy rock look. Fashion icons such as Agyness Deyn and Kate Moss have chosen Religion garments for their wardrobe. This summer, the designing team presents a youthfully fresh collection with rock energy, femme fatale attitude and influences from the 80s and the couture. Worn out denims with bleaching effects and row edges, Victorian cut leather jackets and girly dresses with emphasis on details, crochet stitching, fringes and tassels. Studs and shredded jersey are key elements of the look combined with a vivid palette of coral, lime green and cobalt blue as well as calm winter white and washed black.

6B$4>'-5C-4N 0-"K'5+ C+% Religion: SHOP & TRADEExclusive distribution of Religion: SHOP & TRADE

shopandtrade.gr&: 210 3408400

=D01,-;, 1 & A'-2.-;% 222, &.(2$%1 Kidonion & 222 Piraeus st., Tavros, Athens

RELIGIONSHE ROCKS

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24

ART AGENDAALL SHE NEEDS IS ART

.BH5C$>$% <-.<-",,$% / apostolos yayannos@ <4.>'2/ titanium yiayiannos / titanium yiayiannos gallery05.05.10 – 07.06.10Q.%. 41,5C.,C/,$D 44, .KN,. / 44 vas. konstantinou str., athens C: +30 210 7297644

0N*+C2. '2*'/0$D, -1",,. ?1C-"0$D / dimitra ermeidou, ioanna fotiadou @ kalfayan galleries27.04.10 – 29.05.10B2$P3,$D 4$2$*+>" 43, K'55.>$,/4+ / 43 proxenou koromila str., thessalonikiC: +30 2310 225523

$*.0-4N 34K'5+ ‘austria la vista, baby’ / group exhibition ‘austria la vista, baby’@ taf, the art foundation11.05.10 – 13.06.10,$2*.,$( 5, *$,.5C+2"4-, .KN,. / 5 normanou str., monastiraki, athensC: +30 210 3238757

>/M+ 4.>>-<". *'C$/4+5-% / lizzie calligas. metoikesis.@ 43,C2$ 5(<)2$,+% C3),+% K'55.>$,/4+% / thessaloniki center of contemporary art24.04.10 – 06.06.10.B$KN4+ Q1, >-*",-, K'55.>$,/4+ / warehouse b1, port, thessaloniki C: +30 2310 546683

$*.0-4N 34K'5+ ‘sensitivity questioned’ / group exhibition ‘sensitivity questioned’@ 43,C2$ 5(<)2$,+% C3),+% ->'",. C$(,C. / ileana tounta contemporary art center 06.05.10 – 03.07.10.2*.C$>;, & 4>'?C;, 48, .KN,. / 48 armatolon & klephton str., athensC: +30 210 6439466

?;C+% B')>-Q.,/0+%, 3>',. )2/5C$D / fotis pechlivanidis, elena christou@ ./K$D5. C3),+% .5C2$>"Q$% 0'P.*',N / astrolavos dexameni art space29.04.10 – 29.05.10P.,K/BB$D 11, 4$>1,"4-, .KN,. / 11 xanthippou str., kolonaki, athensC: +30 210 7294342

0-.*.,CN% .#0/,+% / diamantis aidinis@ <4.>'2/ M$D*B$D>"4+ / zoumboulakis galleries06.05.10 – 05.06.10B>.C'/. 4$>1,.4/$D 20, .KN,. / 20 kolonaki square, athensC: +30 210 3608278

louise bourgeois / sarah lucas@ *$D5'/$ 4D4>.0-4N% C3),+% / museum of cycladic art12.05.10 – 19.09.10,'$?(C$D 0$(4. 4, .KN,. / 4 neofitou douka str., athensC: +30 210 7228321-3

$*.0-4N 34K'5+ ‘space is the place’ / group exhibition ‘space is the place’@ B$>-C-5C-4H% );2$% about/ cultural space about 26.04.10 - 28.05.10*-.$(>+ 18, ^D22N, .KN,. / 18 miaouli str., psirri, athens C: +30 210 3314480

20 x2H,-. art studio ‘est’ / 20 years art studio ‘est’@ *$D5'/$ <. <$D,.2$B$(>$D / museum g. gounaropoulou21.04.10 – 29.05.10<$D,.2$B$(>$D 6, ",1 ->/5-., .KN,. / 6 gounaropoulou str., ano ilissia, athensC: +30 210 7487657

.>3P.,02$% <'12</$D / alexandros georgiou@ <4.>'2/ '>3,+ 4$21,./$D / eleni koroneou gallery07.05.10 – 06.06.100+*$?;,C$% 30 & K$2-4/1, 7, .KN,. / dimofontos 30 & thorikion 7, athens C: +30 210 3411748

4.C'2/,. M.?'-2$B$(>$D / katerina zafeiropoulou@ );2$% C3),+% ‘24’ / ‘24’ art space06.05.10 – 12.06.105B'D5/BB$D 38, 4$>1,"4-, .KN,. / 38 spefsippou str., kolonaki, athensC: +30 210 7217897

!"#$% &'#()*%+ &,-./'# 0"#$% 12(./,%$2*- *%)3%#( 3% "#( */2#4 $)$5/: All that she wantsFive women write five different texts under the same title: All that she wants.

TEXT DANAI ALASKA

28

IsminiPapavlasopoulou

!"#$ %& '($ )* "%& &*+,(-.%, '* (+,,+/)'0 1.(,/, '"+,2 (,3 4*% "5$ *(/)1*67*8 9&%. )7, (&+*-:0%. ;* (*+/,5"2 '&1+/. &(0 '*<&-,3(0#*/2. =& (.$ )* '"+> 0($2 7, Machu Picchu )7, ?*+,@, ,/ 1&7&++.57*2 Iguazu )7& )@%,+& '*7&9@ A+&B/-8&2 1&/ C+<*%7/%D2, > ,+,)*/+. Annapurna )7, =*(.#, )* %>)/. 7+,(/1. )7> =07/& C)8&. =& '(-*57E )* 1,3-7,@+*2 4/&6,+*7/1"2, 1&/%,@+</*2 */10%*2 1&/ *'(*/+8*2 '* &%:+E(,32 (,3 &10'& 4*% "5$ <%$+8)*/. =& (*+%.$ 7, 5F0%, ',3 '* *1*8%,32 (,3 &<&(E, (,3 <8%,'&/ ‘,'.4&’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orothea Lange, 6$7,+*(0+7*+ 7,3 (*+&)'"%,3 &/E%&, </& 7/2 */10%*2 (,3 (&+,3)8&)* '")& &(0 7, Great Depression D 7> Janis Joplin, > ,(,8& 1&7.6*+* %& *8%&/ '8& &(0 7/2 -8<*2 <3%&/1*8*2 6$%"2 (,3 9*5E+/)&% 07&% > +,1 ',3)/1D D7&% &%4+,1+&7,@'*%>. Q* *%73($)/.B*/ 7, (E2 9*18%>)* 7>% 1&+/"+& 7>2 > Annie LeiboRitz, > ,(,8& &1,-,@:>)* 7,32 Rolling Stones )7>% (*+/,4*8& 7,3 '75 </& 7, (*+/,4/10 Rolling Stone, *%E )3<1/%,@'&/ '* 7>% Patty Smith 1&/ 7,% 7+0(, (,3 '*7&7+"(*/ 7>% (,8>)> )* ',3)/1D. P*% ',3 &+")*/ %& 1.%$ 7& 84/& (+.<'&7& </& (,-@ 1&/+0. A&+/"'&/ 1&/ '(&8%$ )* +,378%& 1&/ 7> +,378%& 7> 6,I.'&/ (*+/))07*+, &(0 7& 1*%. &"+,2. !"#$ %& &-#.B$ (&+&)7.)*/2, %& <%$+8B$ 1&/%,@+</& (+.<'&7& 1&/ %& (&+&'"%$ *%:,3)/&)'"%>.S I want to enter an airplane and travel to a place I've never been before. In places away from big cities; like Machu Picchu in Peru, Iguazu waterfalls between Brazil and Argentina, Annapurna sierra in Nepal, in tropical islands in south Asia. To mix with different cultures, see new things and people I haven't yet met. Spend my time with those I loRe, those I bond with, becoming a team. Travelling constantly means being far away from those I wish I had near me and I try to make the most of our time together. When I am far, I go discoRering; a museum in Berlin, London's river, the entire New York. Cinema, theatre, concerts, all in different languages. Travelling gives me a sense of security, a departure is always followed by a return. Returning to everything familiar and then another departure to discoRer what remains unknown. It is important to be able to survive. It is a great freedom being independent and modelling has offered me that. Camera, click, shooting. I feel like an actress, every time turning into something new, taking on board a different role. Silently. My body and moRement are the tools of expression. I don't admire people but the result of their work. I don't even like the word 'role model'. I do however, have great respect for women who managed to influence at times more difficult than ours. Dorothea Lange for example, a photographer of previous century, for her representation of the Great Depression or Janis Joplin who is one of the few female Roices in a male dominated rock scene. I am impressed by the way Annie LeiboRitz begun her career, following Rolling Stones for Rolling Stone magazine on their '75 tour. I am touched by the way Patty Smith turns poetry into music. I don't like doing the same things for too long. I am bored and I get into a routine and I am scared of routine more than air turbulence. I like changing scenery, seeing new things, maintaining my enthusiasm.

B*2) ,1/,2*9 3 >547)3 C2,2<=25-,-+=-. 5*3) ,252/0=2 4-$9D1$ )2 -#3816 *2 .,&=-$,2 %-/6*5$2, 0E1$ *3) ,$- 5"5*7 0%F/253 %2$ 41 %9)1$ )2 */0E" 5*2 ,2/25%7)$2 8$2 )2 *3' ," 4,/9<-. G)"/$5*7%241 ,/H*3 F-/9 51 %9,-$- backstage 5*- I-)#6)-, )-46D" 5*- show *-. Bora Aksu, %2$ ,2/&=- ,-. 16)2$ ,-=+ J3=7 %2$ ,-=+ &4-/F3, #1) 04-$2D1 %2;&=-. */-42%*$%7. K >547)3 0%*-*1 0E1$ F"*-8/2F3;16 8$2 #$1;)7 ,1/$-#$%9, 0E1$ ,9/1$ 40/-' 51 1<#-49#1' 4&#2' 2)9 *-) %&54- %2$ 5.)1E6D1$ )2 *2L$#1+1$ %2$ )2 #16E)1$ 7/143 4052 5*-) 2,&=.*- ,2)$%&. M.M.

When Ismini Papavlasopoulou strides on the catwalk, it looks as if she is leading the rest of the girls forward, she has the right expression and she moves me in such a way that I have to go backstage and congratulate her. We met in London, I think it was backstage after the Bora Aksu show and despite her being very tall and very beautiful I remember that she didn't look intimidating. Ismini has since been photographed for international magazines, was been on catwalks around the world and keeps on traveling and looking cool when there is panic all around her. D.D

,%+$-.% / model

29

PHOTOGRAPHY ANOUK MORGAN

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I need a good reason to go out in barbarian Athens. I prefer strolling near where I live. Once you're out there you meet all kinds of nutters, myself included. My main feature is that I'm strange, both in speech and appearance. People tell me so when they speak to me. Now it is me who says it. A good day for me is any routine day. Kallithea-home-paintings. I paint with music. I am a quiet person. I don't need fairy tales, they are for those who need them. I choose reality and it is only when life slaps me in the face that I moRe forward. A miserable routine is having no friends, being alone. There is however cure to loneliness; we are responsible for creating it, just like we do for happiness. The truth is I am happy so far. I wouldn't change my image. A woman is always a woman. I can't understand the ones who don't take care of themselRes, who can't appreciate nature's gift to them. My dream was always to become a woman, a beautiful one. I have met many repressed girls. They smoke in secret and come to my house to change their cloths; to replace a long skirt for a mini one just to go out at night. This oppression could start with something small, like a cigarette or could be bigger. There is a counter effect to oppression, the person might go on and do everything opposite. All at once. And when you do it all simultaneously, you go mad. I feel free when I am sleeping. People like me are usually identified with a peculiar image; paid sex, drugs and seclusion. I don't feel I belong on the sidelines. Whatever I do, I do it in moderation; proRocation is not my intention. I don't allow myself the right to get in trouble. The choice I made in life, has not upset me. It didn't change my mind, nor my soul. My looks have only changed. It was a choice that came naturally and your choices show who you are. I believe in God but in my own way. God is just a word, goddess is also a beautiful woman walking down the street. I am 28 and I feel exactly that. Let's not have illusions. I feel 28, because I am 28 and this is a fact you can't change. I laugh with my face, my style. I can't recall my previous life. I giggle nicely.

MinaOrfanou

30

:3 N6)2 O/F2)-+ *3) ,/"*-8)H/$52 &*2) 42' *3) 0F1/1 5*2 8/2F162 *-. OPOQ - 5%3)-;0*3' C9)-' !-+*/2' =68-.' 47)1' ,/$) L1%$)751$ *2 8./6542*2 *3' ‘R*/0==2'’. K N6)2 7*2) 3 2,&=.*3 *2/2E7 1%16)- *- 2,&81.42, 4$2 1%;24<"*$%7 guest star ,/$) 86)1$ 5*2/. S.4942$ 41 0<2=1 )2 *3' .,-5E1;H ,"' %9,-$2 40/2 ;2 *3' %9)-.41 5.)0)*1.L3 5*- ,1/$-#$%&. I681' 40/1' ,/$) *3' 2,-)143;16 *- </2<16- A' G.)2$%16-. /&=-. 2,& *3) A%2#3462 !$)342*-8/9F-., *3' D7*352 )2 42' ,1$ 4&)3 *3' 2.*9 ,-. ;0=1$ )2 ,1$. G.!.

I first met Mina Orfanou when she visited our offices together with the director Panos Koutras. That was a few months before shooting for 'Strella' begun. That evening was marked with Mina's presence; a dazzling guest star right before becoming a proper star. I remember she made me promise we would feature her interview one day. Just a few days before she won Best Acress Award from Film Academy, I asked her to tell us what she had to say in her own words. T.!.

/0%"%(#1 / actress

PHOTOGRAPHY H(IJK?L( M!N / CAROLINA MEY | STYLING M(I?(LON P(FQNH?1N / MARIANTHI CHATZIKIDI | MAKE-UP M(?IN :(H?LJR / MAIRY FAKINOU

31

Etten

32

$234%567&$2(3 / singer

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K (=0)3 :D2<9/2, 8)"5*7 %2==$*1E)$%9 "' Etten, 16)2$ 65"' 3 %2=+*1/3 (==3)6#2 ,-, */28-.#65*/$2 ,-. #$2;0*1$ 5741/2 2.*7 3 EH/2. C/"*-5.5*7;3%1 #$5%-8/2F$%9 "' 3 <25$%7 F")7 *3' 4,9)*2' *") Film 1)H ,/&5F2*2 2%-=-+;351 5&=- %2/$0/2 ,-. *3' ,91$ ,-=+. R*3) ,/&5F2*3 ,2/-.56253 *-. )0-. #65%-. *-. Michael Delta 41 *6*=- ‘Tech Me Away’ 5*- Bios 0%=1J1 *3) ,2/95*253 41 *3) 1/43)162 *3', 1)H - ,/-5",$%&' *3' #65%-' ‘i know you 're behind me but i'm not scared’ 2%-+81*2$ .,0/-E2 5*- 5*- ipod 42'. G$2 *- OPOQ, 2,-F95$51 )2 8/9J1$ 0)2 ,2/24+;$ 8149*- ,-=+E/"41' F-+5%1' G.!.

Eleni Tzavara, known as Etten, is probably today's best Greek pop singer. Her initiation to discography happened as the lead vocals for group Film, while recently she is pursuing a well suited solo career. In the recent presentation of 'Tech Me Away' in Bios, the new album by Michael Delta, she gave a?breathtaking performance and her first album?‘i know you 're behind me but i'm not scared’ sounds amazing on our ipod. She decided to dedicate to OZON a fairy tale full of colorful bubbles. Y.K.

33

PHOTOGRAPHY H(IJK?L( M!N / CAROLINA MEY | MAKE-UP M(?IN :(H?LJR / MAIRY FAKINOU

FACEBOOK.COM/ETTENMUSIC | MYSPACE.COM/ELENITZAVARA

MargaritaMichelakou

34

G, )E'& 7>2 Elle, 7& '&-#/. 7>2 Gisele, 7, )7/- 7>2 Alexa Chung, 7, 5/,@',+ 7>2 Gina Fey, 7,% .%4+& 7>2 Vanessa Paradis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atsy &(0 7, Ab Fab, "%&% <1"/ 68#, (,3 &<&(.*/ 7& make-,vers, .%4+& &6*%7/10, <3%&81& (+$:3(,3+<0, %& 5&B*@*/ 5$+82 7@N*/2, %& &(,)3+:*8 '* 5.+> 0($2 > Madonna, (,-#. 4*%7+.1/&, %& '>% (*/%.%* 7& (&/4.1/&, %& "5,3% '/& B*)7D 6$-/. 0#& 7& B$.1/&, %& &%.I*/ , :*+',)86$%&2 '* 7>-*(.:*/&, %& 7>2 '(*/ 7, 7B/% (,3 60+&<* )5,-*8,, %& '>% 7>% *%,5-,@% 07&% I#"(*/ Glee, %& 4*85%*/ 0',+6> '* I+*<'"%& '&-#/., %& '>% 7/2 &-#.B,3% :")> )7& '(/'(*-0, %& '>% 7>% +$7.%* (0), 5F,%E% *8%&/, %& I+*/ 7, '"/1 &( (,3 (.*/ )7>% *(/4*+'84& 7>2, %& 10N*/ 7, 1.(%/)'&, %& '>% &%&1&7*@,%7&/ )7& (04/& 7>2, %& 7>% "5,3% &%.<1>, %& 7>% &<&(.%*.

The body of Elle, the hair of Gisele, the style of Alexa Chung, the humour of Tina Fey, Vanessa Paradis' man, a man who would die for her, a man who makes her suffer, a father who spoils her, a mother who never calls, an ex who never got over her, a mate with whom there is always something in the air, immortal plants, no one starring when she puts on make up, three kilos less, taking baths, growing just brow hair, knowing how to cook gourmet food with leftoRers, a dog who sleeps on his bed, a cat who hates plants, a sexy personal trainer, a sympathetic cleaner, a fantastic beautician she discoRered and will only let her friends know, having coffee everyday with girlfriends, a girl-mate like Patsy out of Ab Fab, a gay friend who loRes make-overs, a male boss, a female president, wasting time without guilt, retiring in style like Madonna, trees everywhere, no hungry children, a warm nest for all animals, telepathically switching heaters, entering her high school jeans, watching Glee uninterrupted, looking beautiful in wet hair, no one changing position to her stuff, nobody asking her age, finding the right make up for her complexion, quit smoking, no one troubling her, being needed, being loRed.

T3 N2/82/6*2 N$E1=9%-. *3 8)"/6D-.41 %2$ *3 #$2<9D-.41 1#H %2$ ,-==9 E/&)$2, 1)6-*1 *3) ,1*.E26)-.41 %2$ 5*2 4,2/ *3' 81$*-)$9'. (6)2$ &,*$ *2 %1641)9 *3': )*&4,/2 %2$ 2=3;$)7. N0E/$ ,/$) =681' 1<#-49#1' %/2*-+51 *- *$4&)$ *-. 1==3)$%-+ Marie Claire. R+)*-42 ;2 42' -#38751$ 4052 2,& *2 %1641)9 *3' 51 9==2 4-)-,9*$2. I683 .,-4-)7 </1 2#1/F0, &,"' ;2 0=181 %2$ 3 6#$2. G.!.

Margarita Michelakou is a familiar figure of many years. As well as reading her articles we occasionally run into her in local bars. She is what her texts are: true and forward. Until a few weeks ago, she held the helm of Marie Claire in Greece. Soon she is about to guide us to different trails through her writing. Just be patient mate, as she would say. T.!.

6/,%&(%42*8%1 / journalist

35

PHOTOGRAPHY H(IJK?L( M!N / CAROLINA MEY | MAKE-UP M(?IN :(H?LJR / MAIRY FAKINOU

NellyAndrikopoulou

36

?0), '’ .+*)* %& 5,+*@$, 07&% D',3% '/1+D! G/2 %@57*2 (,3 *+507&% > !.#*/& 1/ "(&/B* (/.%,, .6>%& 7, 1+*I.7/ ',3 1&/ 50+*3& )&% 7+*-D. G, 7).+-*)7,% (,3 ',3 *85* '.:*/. O.(,7* , '(&'(.2 &+<,@)* 7, I+.43. Q"5F/ %& ‘+:*/, > '&'. "(&/B* (/.%, – 7,% ;,("% 1/ 0#& 7’.##&, &37. (,3 &<&(,@)&. Q*<&-E%,%7&2 1.7$ &(’ 7, Q("5)7&X%, </%0',3% (/&%8)7&. Q* )1-.I$%* > ',3)/1D. U$<+.6,2 :& </%0',3% "7)/ 1&/ &-#/E2. O/ 07&% ',3 5.+/)&% 7, 1011/%, I/I#8, '* 7& 5F3). <+.''&7&, *8(& :& 4/&I.)$ 0#& 7& I/I#8& 7,3 10)',3. P* :& ‘5&%& I"I&/& 7,% 1&/+0 ',3 )7>% 1,3B8%&, &6,@ (.%7& 7, 6&<>70 D7&% $+&8, – *1702 07&% *85&'* )(&%.1/, 63)/1.! C##. ,@7* 1&/ 7& (+.<'&7. ',3 :& 7& )3<@+/B& – (.%7& :& I+/)107&% 1.(,/,2 .##,2 %& 7, 1.%*/. C% 7& )3<@+/B* > '&'., :’ &+<,@)& %& 7& 9&%&I+E... P* I&+/")&/. !& ‘5&%& "%& -*(70. ...1/ &3702 , "+$7&2, 7/ 6,I*+0! G, %& ‘)&/ )3%"5*/& *+$7*3'"%>! O&/ <.7,2 &% (*+%,@)* )7, 4+0',, :& 7,% *+$7*30',3%. Y48$2 &% *85* <1+8B& '&-#/. 1&/ <&-.B/& '.7/&, 0($2 *1*8%,2 , 1@+/,2. H'$2 4*% :& 7,-',@)& %& 7,% 1,/7.9$. PD:*% &4/.6,+>, :& 1,/7,@)& &-#,@. J(+*(*, 0'$2, "(+*(* %& *+$7*37E 7+*-.. O.(,/,% (,3 :& </%0'&)7&% "%&. J%&. H7&% -"<&'* 'D#,, :& D7&% 7, 'D#,. !& 7&9/4*@&'* '&B8. J7+*5&, "7+*5&. Q* 7, )705, '(+,)7. ',3, "+/5%& )7> B$D 1-*67"2 '&7/"2, (+,)(*+%E%7&2. J1-&/<* D <*-,@)*, (.%7& 7>% "I#*(& (+,68#. H7&% "(&N& %& 7+"5$, *85* (.+*/ 7,% 0<1, 7>2, *85* &(,17D)*/ I.:,2. Z7&% 4/1D ',3! M8'&)7* &%6.2, &%"16+&)7*2, *%E(/,2 *%$(8$. J)13N*, ',3 7& *8(* 0#&. W/& 7, %,3, </& 7>% 1&+4/., </& 7/2 ("%7* &/):D)*/2. W/& 1*8%*2 7/2 (-.%*2. O&/ </& ,+.'&7&, </& *-*3:*+8*2... W/& 7/2 5*/+&<$<D)*/2, 7/2 ,/1,<*%*/&1"2, 7/2 1,/%$%/1"2, 7/2 (,-/7/1"2. W/& 7, !*0, 1&/ </& 7> 67E5*/&, 7/2 &++E)7/*2. W/& 7>% 1&18& '&2. W/& 7/2 (&+&%,D)*/2, 7/2 )1->F"2 '&7&/E)*/2. H7&% ',3 "#*<* </& 7>% (/1+8&, 6@)>9* , .%*',2. H7&% '8#>)* </& 7>% 7@5> "43* , D#/,2. O.7/ ',3+',@+/)* </& 7> 6/-8&. G> ',%&9/.. W/& 7& <*+.'&7&. ;7& I+.5/& 48(-& '&2, ,/ &)604*-,/ .%:/B&%. Ever since I was a child, I loRed dancing. At nights when Thalia was over at mine, she would play the piano and I would jump off the bed and start dancing like mad to Charleston she had taught me. The nights when dad was late from work, mum played the piano until his return -Sopen and the rest, I loRed them all. Growing up underSa Bechstein, I was meant to become a pianist. I was engrossed by music, but becoming a painter was another certainty. When I was given a red book with golden engravings, I decided I would read all the books in the world. I wouldn't spend my time cooking since food was always delicious -expect from spinach of course! I wouldn't waste time tidying up -somebody would always do that. When mum did it, my stuff changed places but it didn't really matter, it wouldn't take a moment to put back. …and as far as that thing called loRe, incredible! Being constantly in loRe! Even with a street cat, especially if the cat had grey hair and blue eyes. Like that man had. But I would refuse to look at him. I' d pretend to be indifferent, looking somewhere else. Although I was determined to madly fall in loRe. There would be someone with whom we would become one. One; talk the same language, travel together. And so I started running and running. I had an aim and just glance at life passing by. She cried or laughed. I would always look at her in profile. Once I stopped running, she had acquired Rolume and depth. She was mine at last! We stood across from each other, face to face. She leaned and said it all. She talked about the mind and heart, the five senses. About illusions and visions, freedom… About manipulations from family, society, politics. About God and misery, illness. About our worst side. Our paranoias and fears, our hardest regrets. When she talked about sorrow, the wind was blowing. When she talked about loRe, the sun was setting. She mumbled something about friendship, growing old. The rocks next to us, where filled with blossoming daffodils.

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Nelly hangs out only with young people. I am able to see her only when she's got the time and imagine that she lives just a floor above me. I met her five years ago and every time that she invites me at her living room with the black piano, the paintings and the millions of books she tells me a story. From Nelly I found out about Athens in the 30's, for Mataroa's journey, for her friends, which, before I came to know her, I only knew as characters in books that I had read, bust most importantly I learned how to call her just Nelly. D.D.

&544238-31 / writer

37

PHOTOGRAPHY H(IJK?L( M!N / CAROLINA MEY | MAKE-UP M(?IN :(H?LJR / MAIRY FAKINOU

IMITATION OF CHRIST

38

A girl under the sun by Nikolas Ventourakis

! "#$%& Imitation of Christ '() Tara Subkoff, *+$,# $-$./'#%. +,0"'1 +$. '. show '() 234 *53$.6., 2#%$""7'#%3 5# 8.9:$'#;,$8*) performance 2.%& 5# #2$-#/<#$) 57-.). ! ";#-$&"'%$& #2$8#,'%=>(8# "'3 ,. #%#4,1"#$ '( ";*"( 57-.) 8.$ '*;,() "'$) .%;*) '34 2000,

*;3,'.) 0) ?&"( +$. '3 2#/%.5. .4'7 '( @*. A7%8(. ! Imitation of Christ 2.%34"$&"'(8# 2%7"B.'. "'3 29./"$3 '() #2#'#$.81) *8>#"() ‘Celebration’ +$. '. -*8. ;%7,$. '34 Hydra School Projects.

The brand Imitation of Christ by Tara Subkoff, became particularly known for its shows which were artistic performances rather than fashion shows. The designer aimed to inRestigate the relationship between fashion and art at the beginning of 2000, having New York as the base for this experiment. Imitation of Christ was presented recently in ‘Celebration’, an anniversary exhibition celebrating ten years of Hydra School

Projects.

TEXT DANAI ALASKA

IMITATION OF CHRIST RESORT COUTURE DESIGNED BY TARA SUBKOFF FOR HYDRA SCHOOL PROJECTS, 2004

PHOTOGRAPHY NIKOLAS VENTOURAKIS | MAKE-UP STELLA MAVRODI (D-TALES) | COORDINATION EFTIHIA KOUROUSI | MODEL NIKI ERMI (VN MODELS)

39

40

41

42

GIRLS WITH A CAMERA

TEEN PHOTOGRAPHERS

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A VISIT AT THE VARIOUS INTERNET EXHIBITIONS OF BLOGS AND WEBSITES PROVED TO BE RATHER FASCINATING. TOUNG PHOTOGRAPHERS CONSTRUCT OR WAIT FOR THE PERFECT MOMENT, DIGITALLY OR ON FILM, THEY MAKE POLAROIDS OF THEIR FRIENDS OR SHOOT MODELS IN FARAWAY LANDSCAPES, THEY LOOK THE WORLD THROUGH THEIR CAMERAS OR STAND IN FRONT OF THE LENS. ONE IS FOR SURE: EVERY MOMENT AND IN SO MANY DIFFERENT PLACES YOUNG GIRLS PUSH BEAUTIFUL CLICKS.

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CAMERA. SHE MAINTAINS A BLOG, WHERE SHE EXHIBITS HIS WORK.

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WHO ARE THE PEOPLE IN YOUR PICTURES, YOUR MODELS? When it comes to something-like-fashion-portraits, I used to work with girls from polish model agencies, which proved to be nerve-wracking, so now I mainly shoot with my friends, my friends' friends etc. All other portraits are a whole different story. Sometimes I photograph my family, friends, and sometimes people I don't know, that caught my eye on the streets. DO YOU REMEMBER THE FIRST PICTURE YOU TOOK? Answering that question requires going way back and I'm not exactly sure how much truth there is in my memories. I have a very clear one, though, of a very close portrait of my mum's mouth, which I have taken when I was barely able to hold the camera in my hands. IN YOUR WORK THERE ARE PORTRAITS, LANDSCAPES, FASHION PICTURES, REPORTAGE IMAGES, DO YOU IDENTIFY MORE WITH A CERTAIN KIND OF PHOTOGRAPHY? I'm really just searching for my own way to express myself, experimenting, trying things I've never done before. I'm a people person though, so that would be portraits, generally. WHERE DO YOU SEE YOURSELF IN THE FUTURE, WHAT ARE YOUR PLANS? My dream is to be able to be an artist. I'm not sure if I have the faintest chance for it to work for me, maybe this dream will remain a dream, but maybe...

I know I would like to be free, to travel, to be with people.

INTERVIEWS@6\98 69OG&8 | DAFNI ANESTI

YULIA WILAM juliawilam.blogspot.com

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HOW AND WHEN DID YOU START TAKING PICTURES? I started taking pictures two years ago, when my dad brought a camera back from Iraq. YOU ARE QUITE YOUNG BUT YOUR PICTURES HAVE A SENSE OF MATURITY AND MELANCHOLY. DO YOU AGREE?WHAT ARE YOU THINKING ABOUT WHEN YOU PHOTOGRAPH? I guess I do agree, and I have always been different from other kids my age, so I don't really notice it as often. I don't think when I take photographs, I just have the tight happy feeling in my stomach. WHAT DO YOU LOVE TAKING PICTURES OF? People!!! I've only taken self portraits but I hope I can move onto models soon. YOU HAVE A LOVE FOR ANTIQUES AND SOMETIMES YOUR PICTURES REMIND ME OF OLDER TIMES. HOW COME? My mother has always decorated with antiques, and I guess since it's around me all the time, I've grown to love it and it's easy just to go downstairs and not even set up anything for a photo, I just take it. WHO ARE YOUR FAVORITE PHOTOGRAPHERS? Oh lord, I have so many, but some of favorites are Paolo Roversi, Marlene Marino, Frenchie-Jane, Lauren Poor, Ella Bailey, Mohammed Taheri, Olivia Bee, and so many others that I can't remember! WHAT CAMERA DO YOU USE? I use a nikon d40, or I use a disposable film camera sometimes. WHAT WILL YOU BE WHEN YOU GROW UP? I'm not sure, I don't like to put labels on things but I' d love to make films, and be a photographer, and really anything that deals with art.

AMBER ROSE ORTOLANO shuttermade.com/amberrose

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CRISSIE WHITE IS 16 YEARS OLD, LIVES IN SEATTLE, WASHINGHTON AND IS CURRENTLY A HIGHSCHOOL STUDENT. SHE WORKS FOR DESIGNERS, MUSICIANS, MAGAZINES AND INDEPENDENT FILMS. BESIDES PHOTOGRAPHY SHE TAKES BALLET AND ICE SKATING LESSONS

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WHAT DRAWS YOU IN PHOTOGRAPHY? I love being able to show things to people, I can't draw, paint, or sculpt so naturally, photography is a good way to express myself. However I think it's unfortunate how the camera is like a portable window... I've noticed that once you put it up to your face you isolate yourself from the situation and instead of being part of it, you become an observer. I often joke about how I never enjoy anything because i'm never a part of it. Often I will put my camera aside and refuse to be a photographer for that day. IN MANY OF YOUR PICTURES THERE IS A STRONG SURREAL AND MAGIC ELEMENT. HOW DO YOU DEFINE YOUR RELATION WITH REALITY IN YOUR PHOTOGRAPHY? I like to twist reality in many of my photographs such as my "dreams" series, it's fun for me as a photographer to create stories. I would love to make films for this reason, it's so interesting to me that you can take a normal place and make it look so different in a picture or movie. Besides twisting reality however, I like to try and expose it as well. I'm constantly taking candid photographs of people or photographs of places around me of things that remind me of how raw and peculiar our world is. ARE YOUR PICTURES DARK OR ROMANTIC, $ CAN'T REALLY DECIDE. I hope my pictures are both dark and romantic! Naybe even a little bit quirky. WHAT ARE YOU CURRENTLY WORKING ON? I am Currently working on doing fashion-oriented photoshoots over the next several weeks so I have more variety to my portfolio for marketing and things like that. I'm also going to start a project soon called "24" exposures, and this project is going to be shot using all 35mm b&w film, and each roll of film will be telling a (faux) story about a character I create. I'm doing this to expand my creativity skills and to work on seeing things clearly so that they translate perfectly in one picture. WHAT ARE YOUR FUTURE PLANS? Short-term I am planning on going to a pre-college program in New York for The School of Visual Arts, and developing my portfolio further. Long term I hope to move to New York for a few years, get my feet on the ground, and then travel as much as I can. I hope to make a career out of photography or something related like set design, prop styling, or creative directing.

CRISSIE WHITE chrissiewhite.com

www.loisjeans.com THE PREMIUM GIFTS LTD 210 6147 480 | info@premium-brands.gr

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ANNETTE PEHRSSON IS 21 YEARS OLD CURRENTLY LIVING ON THE WEST COAST OF SWEDEN. SHE HAS STUDIED PHOTOGRAPHY FOR TWO YEARS IN UPPER SECONDARY SCHOOL AND SINCE THEN HAS BEEN EXPERIMENTING ON HER OWN.

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HOW DID YOU START TAKING PICTURES? I got my first camera when I was seven, and ever since then I've loved everything about it. When I was little I mostly took photos of places around our house, on vacations and our cats. WHAT DO YOU LOVE PHOTOGRAPHING? Mostly portraits and landscapes or indoor locations, preferably combining portraits with either one of those. But basically, anything. IN YOUR PORTFOLIO I SAW MANY SELF PORTRAITS. HOW DO YOU EXPERIENCE THIS PROCESS? I've always found self-portraits to be a great way of learning, and through the years I think this has made me develop a style I probably wouldn't have found otherwise. But, I almost never see my self-portraits as pictures of myself, and the reason for often appearing in my own photographs is simply because I'm always around. That way I don't have to put my ideas aside just because there's no other model around at the time I feel inspired to shoot. THERE IS A LOT OF SENSUALITY IN YOUR PICTURES. IS IT BY CHOICE OR BY INSTINCT? I guess I always try to make my photographs look a certain way, but I think it's mostly by an underlying instinct. I try not to think too much when I'm behind (or in front of) the camera, if I over-analyze everything it never comes out good. WHAT ARE YOUR FUTURE PLANS? Continuing

with my own projects, hopefully evolve a little bit more and maybe start studying photography again on a higher level.

ANNETTE PEHRSSON annettepehrsson.se

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A WOMAN’S VIEW

50

8 6\WZ8 &8G ATFU696!O9T!O98G 78FU=8G O=@TL8G &TU FANTASTIC MAN OAW&OFTUG =U=FT\TSOW. TO OZON GU969&6 &89 6SLWGU9&6=&SW6 &TU AOSWT@W=TU THE GENTLEWOMAN, PENNY MARTIN, G&T FT9@W9T :W6 96 GUV8&8GTU9 :W6 GU!A&XGOWG, &89 !AFT:=TG\6WS6 =6W &89 AS6:!6&W=8 :U96W=6 AWGX 6AT &8 !T9&OS96 GENTLEWOMAN.

THE LONG-AWAITED ARRIVAL OF THE FEMALE EQUIVALENT OF THE SLICK FANTASTIC MAN HAS FINALLY LAUNCHED. OZON MEETS WITH THE EDITOR OF THE GENTLEWOMAN MAGAZINE, PENNY MARTIN IN LONDON TO DISCUSS SYNONYMS THE BLOGOSPHERE AND THE TRUE NATURE BEHIND THE MODERN GENTLEWOMAN.

INTERVIEW6FOZ69@S6 AO&GO&6=8 | ALEXANDRA PETSETAKIS

WHAT IS THE ESSENCE OF THE GENTLEWOMAN?An ambitious, substantial magazine for women with an intelligent sartorial take on fashion.

WITH NUMEROUS MAGAZINES AND PUBLICATIONS ONLINE AND IN PRINT WAS THERE A GAP IN THE INDUSTRY THAT YOU FELT NEEDED THE GENTLEWOMAN? Well, a gap in the market speaks of market research and I can’t say that that’s the approach we took. It was not purely to do with the kind of market but the desire for the type of magazine with a visual style. So it was not only about our audience but about our subject, this kind of rather dry and stylish art direction, which is usually associated with men’s magazines.

THERE IS AN EARLY 20TH CENTURY BRITISH HOME MAGAZINE TITLED THE GENTLEWOMAN; IS THERE ANY CONNECTION OR IS IT JUST AN EPONYMOUS COINCIDENCE?It is not purely a coincidence, because when we were thinking about the magazine’s name and whether it should be called Fantastic Woman. I came out with a whole load of titles that I could remember from when I used to work at the woman’s library and Jop van Bennekom and Gert Jonkers (founders of Fantastic Man) were intrigued with its translation The lack of familiarity they had with the term word made them think what a gentlewoman would be. And we got so intrigued by the subject that it started to conjure a kind of notion of a very styled personality. So no, we didn’t lift the art direction or the contents from that magazine, I think it was more of a linguistic thing.

SO THE DEFINITION OF A ‘GENTLEWOMAN’ BEING A WOMAN OF NOBLE BIRTH WITH STANDARDS OF PROPER BEHAVIOUR AND MANNERS COULD TRANSLATE INTO THE CHARACTER OF THE MAGAZINE?I think it is more a question of what the modern gentlewoman would be. Because we associate the gentlewoman with a very specific period in the 18th and 19th century, a woman of middle class from a very particular background and education. Our question was that if we can imagine what a modern gentleman is and we can’t imagine what a gentlewoman is, then we have a bit of exploring to do. It wasn’t meant to be an etiquette manual. But I think we do have a sense

of what we think is a compelling kind of graceful chic and funny woman, but unfortunately that doesn’t seem to be represented in a lot of print magazines at the moment.

THE GENTLEWOMAN PROJECTS A COLLECTION OF A MORE GROWN-UP, MATURE WOMEN RATHER THAN THE PROVOCATIVE, SEXED IMAGERY WE SEE IN OTHER EDITORIALS. Yes, the word ‘maturity’ is definitely one that’s applied. I love women with personalities and I adopt a story before I write a big profile. It gives you something to write about, rather than what happened in the hotel room when the interviewer went to meet them. I think it’s directed towards a woman with grown up aspirations, I don’t think they need to be of a certain age or indeed an income bracket; towards women that are living really interesting lives.

YOU RECENTLY GAVE AN INAUGURAL LECTURE AT THE LONDON COLLEGE OF FASHION ON THE DEBATE OF ONLINE VERSUS PRINT MEDIA. DO YOU THINK THE HYPE OF BLOGS IS THE NEW WAVE OF INSTANT JOURNALISM, THAT FASHION CAN NOW BE ACCESSIBLE TO EVERYONE?I’ve got no problem with access. When I was at SHOWstudio, we were the first company to ever take a mobile phone into a fashion show. It’s not about keeping people out. I think that my concern is more that the standard of journalism and critique is maintained. At the moment we’re fetishizing the method of delivery. We are hung up on whether it is a blog or if it is a website, a live transmission, mobile phone broadcast, when in fact we should be worrying about what is being written, if it is a journalistic response and report and if there’s a sense of expertise.

‘ALL THAT SHE WANTS’ FOR THE SECOND ISSUE, OF THE GENTLEWOMAN FOR FALL 2010.Well, if we finally manage to nail down the cover star we’re talking to then that’s all I want.

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A fashion shoot at Villa Noailles by René Habermacher

TEXT ","%- '&,&'- / ELENI MALAMI

PHOTOGRAPHER RENÉ HABERMACHER | STYLIST YOKO MIYAKE | HAIR STYLIST NICOLAS ELDIN@ARTLIST | MAKE-UP ADIREN PINAULT @CALLISTE | MODELS ELLI WESTON@MARILYN AGENCY / ANTONINO RUSSO@ SUCCESS / FLORIAN BOURDILA@ FORD | PHOTOGRAPH ASSISTANT FABIEN CAMPOVERDE | STYLIST ASSISTANT FARRAH HAMMADOU | DIGITAL RETOUCHING DIMITRIS RIGAS

RENEHABERMACHER.COM

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! ,$81'%$. '() Hyères 2010 "'3 -$.+0,$"57 57-.), #/,.$ ( Alexandra Verschueren .27 '3 L*:+$3.

53

(ELLI WEARS) A6F&T / COAT: JEAN-PAUL L‘ESPAGNARD | =TFWO / NECKLACE: DRIES VAN NOTEN

René Habermacher, a Swiss fashion photographer who has collaborated with Numero Paris and Vogue, got inspired by the Villa Noailles in Hyères, captures these scenes and along with some more shots he presents the exhibition ‘Spectre’. In ‘Spectre’ his figures play the role of characters, ghostlike protagonists of a dark but still glowing story.

The photo shoot took place in the villa that used to have more than 15 guestrooms which would host personalities such as Jean Cocteau, Pablo Picasso, Luis Bunuel, Henri Matisse and many more. This bauhaus creation of the French architect Robert Mallet Stevens today hosts the International Festival of Fashion and Photography in Hyères.

A festival - competition where professional people meet young talents face to face, on equal terms. This year’s jury is formed by many successful specialists among others the designer Dries Van Notes and the journalists Sarah Mower and Olivier Lalanne.

The Hyères 2010 fashion design winner is Alexandra Verschueren from Belgium.

54

FROM LEFT TO RIGHT / ACO AU>R:(UA CUOR :A M(V>A(ANTONINO WEARS) ATU=6!WGT / SHIRT: JUNN J | A69&OFT9W / TROUSERS: MICHAEL BASTIAN@COLETTE | A6AATU&GW6 / SHOES: ROMAIN KREMER FOR CAMPER

(FLORIAN WEARS) T-SHIRT & A69&OFT9W / T-SHIRT & TROUSERS: YVES SAINT LAURENT | A6ATU&GW6 / SHOES MODEL’S OWN(ELLIE WEARS) GTU&WO9 & A69&OFT9W / BRA AND TROUSERS: BLOUSON NOIR | &TA & G69@6FW6 / TOP & SANDALES: AZZEDINE ALAÏA | G=TUF6SW=W6 / EARINGS: SCOTT WILSON

(ELLIE WEARS) ATUFTIOS / PULL: SANDRA BACKLUND | =TF69 / LEGGINGS WUNDERKIND | VX98 / BELT: AZZEDINE ALAÏA(OPPOSITE PAGE)

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BODYSUIT TWENTY8TWELVE BY S.MILLER (SHOP) | VINTAGE =TFWO / VINTAGE NECKLACE (PRELOVED)

!AFTUV6 / HOODIE RERE PAPA | VINTAGE VX98 / VINTAGE BELT (PRELOVED) | GTS&G6=W / SHORTS CRIMINAL DEPT

(OPPOSITE PAGE) G6FTAO&6 / VINTAGE BODYSUIT LEVI'S

VI9TAGE \TSO!6 / VINTAGE DRESS (PRELOVED) | A6ATU&GW6 / SNEAKERS ASICS (ASC MAP) | &VW9 !ATU\69 / JEAN JACKET 7FORALLMANKIND (FENA FRESH)

TOP BODY TALK | A69&OFT9W / PANTS HUMANOID (SHOP) | V6=O&6 / CARDIGAN STYLIST'S OWN | A6ATU&GW6 SHOES CONVERSE (ELMEC)

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GIRL: T-SHIRT WRANGLER (VF HELLAS) | OGXSTULT / BRASSIERE LIPSTICK VINTAGE &VW9 / JEANS LEVI'S (LEVI'S HELLAS)=6F&GOG /SOCKS MARKET A6ATU&GW6 / SHOES VIVIENNE WESTWOOD & MELISSA (SHOP)

BOY: ATU=6!WGT / SHIRT GIULIANO FUJIWARA | &VW9 / JEANS LEE (VF HELLAS) | :U6FW6 / SUNGLASSES LIPSTICK VINTAGEGIRL: T-SHIRT A-LAB MILANO | A6AW:WT9 / PAPILLON H&M | &VW9 / JEANS ANGELOS FRENTZOS | =TG!8!6&6 / JEWELLERY SCHIELD :U6FW6 /

SUNGLASSES SUPER (PRIME TIMERS)

BOY: TOTAL LOOK VIVIENNE WESTWOOD (FENA FRESH) | VINTAGE SUNGLASSES GIRL: CAZAL \TSO!6 / DRESS AMERICAN APPAREL | =6F&GOG / SOCKS HELLO KITTY | A6ATU&GW6 / SHOES DAVID WYATT

GIRL: \TSO!6 & =TF69 / DRESS & LEGGING AMERICAN APPAREL | STFTa / WATCH TIMEX 80 (PRIME TIMERS) SUNGLASSES SUPER (PRIME TIMERS) :: BOY: V6=O&6 / CARDIGAN AMERICAN APPAREL | T-SHIRT VIVIENNE WESTWOOD (FENA FRESH)

(OPPOSITE PAGE) VOSGOb / JERSEY NICOLAS & MARK | SHORTS AMERICAN APPAREL | STFTa / WATCH TIMEX 80 (PRIME TIMERS) 6=TUG&W=T &8FO\X9TU / PHONE HULGER PENELOPE PHONE | G&O=6 / HAIRBAND CAMOMILLA

NEW GIRLS IN TOWN

72

NEW FACES

E)'-% 4"B$-$ B2HCDB$;S*+.&- '()'5.-;F0 =/.%0.&- 5' 4",'- ,. ,-;K'-% K+>D4N;F0 5<)B70%0 "0+ <+ 5<4,%2'.

Do you have a role model?No.What do you wish for?Everything.Do you have something that makes you feel feminine?Dresses and skirts.

TOP LAK. (LAKIS GAVALAS S.A.) JACKET PAUL & JOE SISTER (FENA FRESH) &VW9 / JEANS VIVIENNE WESTWOOD FOR LEE (ZOE PROKAKIS WHITEROOM) A6ATU&GW6 / SHOES JEREMY SCOTT FOR ADIDAS (ADIDAS HELLAS)

KARLA /20 - BRAZIL (ACE MODELS)

PHOTOGRAPHY9W=TG =6&G6STG | NIKOS KATSAROS

INTERVIEWSOU&ULW6 =TUSTUG8 | EFTIHIA KOUROUSI

73

E)'-% 4"B$-$ B2HCDB$;F& Gisele Bundchen.

&- '()'5.-;L0 ,-772%/,*; ,2 7@0 ,&70.%+"6 "07=/.+0.

&- 5' 4",'- ,. ,-;K'-% K+>D4N;F0 5<)B70%0.

Do you have a role model?Yes, Gisele Bundchen.

What do you wish for?To book an important campaign.

Do you have something that makes you feel feminine?Dresses.

TOP LACOSTE (NOTOS.COM) | GTS&G / SHORTS WeSC (PRIME TIMERS) &G69&6 / BAG ATTRATTIVO

CHRISTIANE /18 - BRAZIL (ACE MODELS)

E)'-% 4"B$-$ B2HCDB$;S*+.

&- '()'5.-;F@=<%0.

&- 5' 4",'- ,. ,-;K'-% K+>D4N;N 7<-,+"6.

Do you have a role model?No.

What do you wish for?Nothing.

Do you have something that makes you feel feminine?Music.

ATU=6!WGT/SHIRT LOIS (PREMIUM GIFTS) TFTGX!8 \TS!6/BODYSUIT JOHN RICHMOND (FENA FRESH)

JELENA /20 - LATVIA (ACE MODELS)

E)'-% 4"B$-$ B2HCDB$; K0%)24; %&. Patty Smith.

&- '()'5.-;L0 %0G+#BT; ,2 $>< %<. "$,7< "0+ .0 #; $,< =2)+,,$%2)0 =)/970%0 7=<)D.

&- 5' 4",'- ,. ,-;K'-% K+>D4N;U.0 "$""+.< ")09+$..

Do you have a role model?I love Patty Smith.

What do you wish for?To travel all over the world and see as much as I can.

Do you have something that makes you feel feminine?A red lipstick.

E)'-% 4"B$-$ B2HCDB$;F&. Isabeli Fontana.

&- '()'5.-;L0 2@70+ "0>/.

&- 5' 4",'- ,. ,-;K'-% K+>D4N;F< "0><"0@)+.

Do you have a role model?Isabeli Fontana.

What do you wish for?Be well.

Do you have something that makes you feel feminine?Summer.

\TSO!6 / DRESS RINGSPUN (PRIME TIMERS) | JACKET STAFF (STAFF JEANS & CO) A6ATU&GW6 / SHOES KILLAH (SIXTY HELLAS)

IDA /20 - SWEDEN (ACTION MANAGEMENT)

!6:WT/ SWIMSUIT DESPI (MONOI) | IW=W9W DIESEL (DIESEL HELLAS) | JACKET STELLA McCARTNEY FOR ADIDAS (ADIDAS HELLAS) | =TF69 / LEGGINGS DIESEL (DIESEL HELLAS)

NALJA /21 - BRAZIL (ACE MODELS)

74

30.4.–1.8.2010 MUSEUM

BELLERIVE

ZURICH

WWW.MUSEUM-

BELLERIVE.CH

IN CO-OPERATION WITH

ATOPOS CULTURAL

ORGANIZATION

ATHENS

76

FASHION NEWSALL THAT WE WANT

3 GUYS COMPETITION3GUYS.GR210 2846440

T 0-.<1,-5*H% C+% 3 GUYS <-. ,3$D% 5)'0-.5C3% 5D,')/M'C.- *3)2- C-% 31 !.c$D. 8 3 GUYS 0/,'- C+, 'D4.-2/. 5C$D% DB$^N?/$D% ,. 0+*-$D2<N5$D, C. 0-4" C$D% &-shirts <-. C$ ?'C-,H 4.>$4./2-. T. 5)30-. <-. C$ 0-.<1,-5*H *B$2$(, ,. 5C.>$(, 5C$Rinfo@3guys.gr N 5C+ 0-'(KD,5+ 3Guys, F-Q.0'-"% 7,RT.K.14452, !'C.*H2?15+. T- 3 ,-4+C3% K. 0$D, C. 5)30-" C$D% ,. </,$,C.- .>+K-," T-shirts 4.- ,. ?1C$<2.?/M$,C.- .BH C$ Ozon!R

3 GUYS competition for young designers is still on until the 31st of May. 3 GUYS gives the chance to the participants to create their own &-shirt for this summer. Designs should be sent atRinfo@3guys.gr or at the addressR3Guys, Livadias 7,RT.K.14452, !etamorfosi. The 3 winning designs will become real &-shirts of the summer collection and will be photographed by Ozon!

UGG AUSTRALIAUGGAUSTRALIA.COM210 9699300

8 B$>( <,15CN 'C.-2/. UGG Australia )CDB" <-. .4H*+ *-. ?$2" C+, .<$2" *' .,.,'1*3,. 5)30-. B2$5.2*$5*3,. 5C-% 4.>$4.-2-,3% K'2*$42.5/'%. &$ 4.K-'21*3,$ sheepskin )21*.C/M'C.- *' .,$-P-"C-4+ 0-"K'5+ ',; 5D,0D"M'C.- *' (?.5*., 032*. 4.- ?'>H. !.% ',CDB15/.5., $- -0-./C'2'% Q.*Q.4'23% *BHC'% *' C+ 2-<3 'B3,0D5+.

The well known UGG Australia hits the market once more, this time with updated designs adjusted to summer temperatures. The established sheepskin gets coloured with the spring mood while it is mixed with fabric, leather and cork. The cotton boots with the stripy inside part stand out creating a cool, fresh look.

ACTIPIS SEA PEBBLE JEWELLERYACTIPIS.COM210 3236907 / 6945494787

L'-2$B$/+C. 4$5*N*.C. .BH ?D5-4" QHC5.>., 'B->'<*3,. .BH C$, /0-$ C$, 4.>>-C3),+, 03,$,C.- *' .5N*- 4.- ">>. ?D5-4" D>-4". W0-./C'2. 4$>-3, 54$D>.2/4-., Q2.)-H>-., 0.4CD>/0-., *',C.<-H, B$D *B$2'/ ,. C. Q2'- 4.,'/% 5C. B1>+CN2-. C1, *$D5'/1, !B',"4+ (A'-2.-;%) 4.- =D4>.0-4N% &3),+%. OB/5+%, .BH C$ !"-$ C. actipis C.P-0'($D, 5C+ !(4$,$, ',; C$D% )'-*'2-,$(% *N,'% 'B-5C23?$D, 5C$ G(,C.<*..

Hand made jewellery with natural sea pebbles, picked up by the artist himself, combined with silver and other natural materials. One of a kind necklaces, earrings, bracelets, rings which can be found in the stores of Benaki (Piraios) and Cycladic Art museums. In May, actipis jewellery travel to Mykonos, while during the winter they will be back in Athens’ centre.

HANNE BLOCHHANNE-BLOCH.COM210 3408400

8 Hanne Bloch 5D,'2<.MHC., <-. *'<">$ )2$,-4H 0-"5C+*. *' C$, $/4$ Missoni, *3)2- B$D .B$?"5-5' ,. 0+*-$D2<N5'- C+ 0-4N C+% 'C.-2/. ).2"M$,C.% P')12-5CN B$2'/.. EC5- C$ 2008 B.2$D5/.5' <-. B2;C+ ?$2" C+, B2$51B-4N C+% "B$^+ B",1 5C$ <D,.-4'/$ design. :-. ?3C$% P')12/5.*' C. 4',C+C" *B-4/,- .>>" 4.- C. -0-./C'2. B>'4C".

Hanne Bloch used to work for Missoni for a long time, until she decided to create her own company, ‘drawing’ her distinctive line. In 2008 she presented for the first time her personal opinion on women’s design. This year the embroidered bikinis and her unique knit pieces stand out.

SUPERSTAR BY ADIDAS ORIGINALSADIDAS.COM/ORIGINALS/GR/210 6837837

&$ 1969 $ Adi Dassler 0+*-$(2<+5' C$ K2D>-4H *$,C3>$ Superstar C1, adidas Originals, C$ B2;C$ ).*+>H 0'2*"C-,$ *B.54'C-4H B.B$(C5-. GC. *35. C+% 0'4.'C/.% C$D ’70, $- B'2-55HC'2$- B./4C'% C$D 9BA .<1,/M$,C., B>3$, *' C. B21C$B$2-.4" <-. C+, 'B$)N basket shoes C1, adidas Originals. &. Superstar 5(,C$*. 4.K-'2;K+4., 4.- '4CH% C1, <+B301, 4.- B.2.*3,$D, *3)2- 5N*'2. .BH C. B-$ B$>D.<.B+*3,., 4>.5-4" 4.- 0-.)2$,-4" street wear DB$0N*.C..

In 1969 Adi Dassler created the iconic model Superstar of adidas Originals, the first flat leather shoes for basketball. In the mid 70s most players of NBA would play wearing the innovative at that time basket shoes by adidas Originals. Superstars became quickly popular and outside the basketball courts and they are still one of the most beloved, classic and diachronic street wear shoes.

OSKLENOSKLEN.COM2310 257447

Osklen, */. Q2.M->-",-4+ ?1,N 5C$ );2$ C+% *H0.%. To brand C$D Oskar Metsavaht '/,.- ,'.,-4H, 5(<)2$,$ 4.- C$ 4D2-HC'2$, ?->-4H B2$% C$, B>.,NC+ *.%. A21CHCDB. 5)N*.C., 2/<'% 4.- *B.<-3C'% <-. C$ ?'C-,H 4.>$4./2-, 0+*-$D2<$(, 4$2-C5/5C-4'% ?-<$(2'% *' .,.?$2" 5C+ BH>+ 4.- B.2">>+>. 5C+ ?(5+.

Osklen, a Brazilian voice in the fashion world. Oskar Metsavaht’s brand is young, modern and the most important, environmental friendly. Innovative shapes, stripes and sequins for this summer create girly figures with reference in urban spaces in parallel with nature.

FORNARINAFORNARINA.COM210 9635000

H Fornarina B.2$D5-"M'- 5C+, 4.>$4.-2-,N C+% 5'-2" *' K+>D43% .>>" 4.- '>4D5C-43% ?-<$(2'%. A$-4->/. CM-,, */,- ?$23*.C. 4.- ?-H<4$- 5' .B$)2;5'-% C$D 2$M 4.- C$D *B>'. GD,$0'($,C.- .BH */. <$+C'DC-4N 5'-2" B.B$DC5-;, *' ^+>$C"4$D,. B30->. 4.- *B.>.2/,'%.

Fornarina presents her summer collection with feminine and elegant silhouettes. A variety of denim designs, mini dresses and bows, in the shades of pink and blue. The outfits get completed with an attractive line of shoes with high heeled sandals and girly ballerinas.

CARHARTTCARHARTT-STREETWEAR.COM210 9859685

8 Carhartt, + 4$2D?./. *"24. street wear B$D DB$5C+2/M'- 0-.24;% C-% C3),'% 4.- C+ *$D5-4N, 0-.C+2'/ C$, -0-./C'2$ ).2.4CN2. C+% *' ).2-C1*3,. 4.2H ?$23*.C., cool ,"->$, *B$D?.,"4-. *' 4$D4$(>'% 4.- 4>.5-4" B>'4C" *' v->.-*H4$^+. :-. .DCH C$ 4.>$4./2- + 'C.-2/. B2$C'/,'- C$ <42/M$ 4.- C-% .B$)2;5'-% C$D 4.K;% 4.- >'BC$*32-'% 5' 4H44-,$D% 4.- *B>' CH,$D%.

Carhartt, the leading street wear brand that constantly supports art and music, preserves its distinctive character with cute checked dresses, cool nylon hooded jackets and classic v-neck knitwear pieces. For this summer they go for several grey coloured tones with hints of reds and blues.

BODYTALKBODYTALK.GR210 3400000

8 IODYTALK 0-$2<.,;,'- C$ 4.>$4.-2-,H bazaar C+% .BH C-% 13 31% 4.- C-% 23 !.c$D. S$(). 4.- .P'5$D"2 *' 5B$2 ).2.4CN2. <-. H>'% C-% B2$C-*N5'-% *' 34BC15+ *3)2- 4.- 70d. OB-54'?C'/C' C$ 5C-% 4',C2-43% '<4.C.5C"5'-% C+% BODYTALK 5C$, &.(2$, F'1?H2$ O-2N,+% 36.

BODYTALK organises its summer bazaar from the 13th until the 23rd of May. Clothes and accessories with sporty character for all kind of tastes with reductions up to 70%. Visit the sale in the main building of the company in Tauros, 36 Eirinis Avenue

CRIMINAL DEPARTMENTCRIMINALDEPARTMENT.COM210 3222060

8 ,3. 5D>>$<N C+% CRIMINAL DEPARTMENT, ?1C$<2.?+*3,+ 5C$D% B"<$D% '/,.- '*B,'D5*3,+ .BH C+, punk 4.- C+ rock *$D5-4N 4.- .BH C$ clubbing lifestyle. Shorts, tops, &-shirts, Q'2*$(0'%, ?$23*.C. 4.- .P'5$D"2, '/,.- *H,$ *'2-43% .BH C-% B2$C"5'-% C+% 5)'0-.5C-4N% $*"0.% C+% CRIMINAL DEPARTMENT <-. C+, ",$-P+ 4.- C$ 4.>$4./2- C$D 2010.

The new collection of CRIMINAL DEPARTMENT was shot in ice and was inspired by the punk and rock music scene as well as by the clubbing lifestyle. Shorts, tops, t-shirts, dresses and accessories are only some of the suggestions of the CRIMINAL DEPARTMENT design team for this spring and summer.LOIS

LOISJEANS.COM 210 6147480

]C., $- .0'2?$/ Saez Merino ",$-P., C$ 4>15C$e?.,C$D2<'/$ C$D% 5C-% .2)3% C+% 0'4.'C/.% C$D ‘60, 3?C-.),., CM-, <-. C$D% /0-$D% 4.- 4D2/1% <-. C+, '2<.C-4N C"P+. GC.0-.4" H*1% C. Lois </,$,C.- *H0.. :-. C$ ?'C-,H 4.>$4./2- 5)'0-"M$D, CM-, 4D2/1% 5' .,$-)CH)21*'% .B$)2;5'-% 5D,0D.5*3,. *' ?>$2"> 4.- ">>. CDB;*.C. '*B,'D5*3,. .BH C+, C2$B-4N ?(5+.R

When the Saez Merino brothers opened their cloth mill in the early 60’s they would make jeans for themselves and for people of the labour class. Gradually though Lois jeans are becoming fashion. For this summer they design jeans mainly in light colours combined with floral and other prints inspired by the tropical nature.

BEAUTYA GIRL AND HER LIPSTICK

T K2D>-4H% $/4$% Coco Chanel B.2$D5-"M'- C$ Rouge Coco, C$ -5C$2-4H lipstick, B2$5.2*$5*3,$ 5C-% 4.-,$C$*/'% C+% 'B$)N%. &$ 3PC2. ',D0.C-4H 5(*B>'<*., + .4C-,$Q$>/. C1, )21*"C1, 4.- C$ ?2.*B$D"M "21*" C$D, '/,.- C. *$,.0-4" ).2.4C+2-5C-4" C$D Rouge Coco. &. )2;*.C. C$D B$>DC'>$(% lipstick '/,.- *B'M, 2$M, 4H44-,$ 4.- 4.?3, 5' 3,. 5(,$>$ 30 .B$)2;5'1,, ',; B2$5?32'C.- 5C+, 4>.5-4N Chanel 5D54'D.5/. *' C+ *.(2+ KN4+ 4.- C$ )2D5H 0.)CD>/0-.

Coco Channel, the legendary brand introduces the Rouge Coco, the historic lipstick which is adopted to the technical innovations of the time. Its hydra-tender complex, the radiance of the colour and its fruity raspberry fragrance are the unique elements of the Rouge Coco. The pallet of this luxurious lipstick ranges from beige, pink, red and brown, in a total of 30 shades, while it comes in the iconic Chanel packaging, the black case with the gold ring around it.

Lipstick, Rouge Coco, Chanel (Sephora)

Primer Base Lumiere, Foundation Pro Lumier No. 10 Nude, Concealer Estompe Eclat No. 10. Beige Clair, Powder Poudre Universelle Libre No.20 Clair and Blush Les Tissages De Chanel, No.10 Tweed Pink,Chanel (Sephora)

EYESEye Shadow Les 4 Ombres, No.18 Kaska Beige and Mascara Inimitable No.05 Noir Obscur, Chanel (Sephora)

LIPSTreatment Soin Tendre Levres and Lipstick Rouge Coco, No.05 Mademoiselle, Chanel (Sephora)

PHOTOGRAPHERVICKI CHURCHILL

TEXTOU&ULW6 =TUSTUG8 | EFTIHIA KOUROUSI

MAKE UP AND STYLINGMARIA PAPADOPOULOUHAIR STYLISTAKIKO KAWASAKI USING L' OREAL PROFESSIONNEL PRODUCTSMODELKATERINA SMUTOK (PREMIER)

80

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01. 2ORBYYAT (SHOP) | 02. ADIDAS (ADIDAS HELLAS) | 03. ADIDAS (ADIDAS HELLAS) | 04. ASICS WHIZZER (ASC MAP) | 05. ASICS AARON (ASC MAP) | 06. BEARBRICK (NUMBER3) 07. BODY TALK | 08. BODY TALK | 09. SUBA (SHOP) | 10. BOXFRESH (BOARDSPORTS) | 11. ELKEKRA (SHOP) | 12. CRIMINAL DEPT | 13. CRIMINAL DEPT | 14. EZEKIEL (NEW CULT) 15. EZEKIEL (NEW CULT) | 16. ASICS ULTIMATE 81 (ASC MAP) | 17. FORNARINA (FASHION DISTRIBUTION) | 18. FORNARINA (FASHION DISTRIBUTION) | 19. FORNARINA (FASHION DISTRIBUTION) | 20. HELSINKI (SHOP) | 21. LACOSTE (NOTOS COM) | 22. LACOSTE (NOTOS COM) | 23. LEVI'S (LEVI'S HELLAS) | 24. LEVI'S (LEVI'S HELLAS) | 25. SANUK (BOARD TECH) 26. STUSSY (BOARDSPORTS) | 27. STUSSY (BOARDSPORTS) | 28. VIVIENNE WESTWOOD | 29. VIVIENNE WESTWOOD | 30. WeSC (PRIME TIMERS) | 31. WeSC (PRIME TIMERS) | 32. WOOD WOOD (SHOP)

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27 ?.>53/ M#9"/34, N*52'( .27+#45. 8.$ 7:( ( 27:( 53$&6#$ ,. .%&6#$ "'$) 7;>#) '() 9/5,(). J$. #$87,. 7;$ '7"3 "4,(>$"5*,( +$. '( O4%/;( 8.$ "/+34%. .,'/>#'( .27 '3 ;$3,$"5*,3 ."'$87 '32/3 8.$ '3, 2&+3 8.'& '(, '#9#4'./. 5.) #2/"8#P( '3, 2#%."5*,3 @3*5?%$3 5# .B3%51 '(, '#9#'1 .23,351) '0, Swiss Textiles Awards. M$ 750) ( #9?#'$81 5('%7239( -#, #/,.$ 2.%& 5$. 5$8%35*+.9( 27:( +#5&'( .,'$>*"#$), *,. 50".Q87 239$'$"5=, 8.$ 83$,0,$8=, '&<#0, 234 #,.%53,/63,'.$ 8.$ "45?$=,34, #$%(,$8& 8&'0 .27 '(, 1%#5( ."B&:#$. #,7) 5*;%$ 2%7"B.'. .,*2.B34 '%.2#6$83E "4"'15.'3). M.$ #8#/ 234 7:. 523%#/ ,. 53$&634, ";#-7, ?.%#'&, ( 27:( B./,#'.$ ,. <42,&#$ "'3, 5*;%$

2%7"B.'. .2.+3%#45*,3 -%753 '() Langstrasse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ellerive, Eva Afuhs, .23B."/".5# ,. +,0%/"345# .27 83,'& .,>%=234) 234 -/,34, '3 -$87 '34) "'/+5. "'. -%=5#,. '() 27:() 8.$ ,. "'34) 2.%34"$&"345# 5*". .27 *,. 5$8%7 .B$*%05. "'(, -(5$34%+$81 "8(,1 '(). G8.9#%/"'#), -(53"$3+%&B3$, 5&,.'6#% $-$./'#%0, brands, #$8."'$83/, -$#4>4,'*) 534"#/0,, #8-7'#) zines 8.$ 534"$8& "4+8%3'15.'. "# *,. "45248,05*,3 portfolio '() 27:()-*829(<(). 6 27 degrees Celsius on a Thursday afternoon and the whole city seems to relax on the banks of the lake. An unusual image for Zurich and a contrasting one against the snowy urban landscape and ice during our last visit in NoRember for the ceremony of the Swiss Textiles Awards. Yet the Swiss metropolis is a middle-sized city full of contrasts; a mosaic of cultures and social classes living in peace and harmony beneath the peaceful security of an, until recently, intact banking system. And at the moment where it could all become almost boring, the city wakes up to a previously dodgy Langstrasse street, the centre disturbed by clashes between police and youth on May Day and an illegal party lasting till morning. Zurich lives her own unique way, not so London, not so Germany, not so Athens. Trams cut the city into numerous pieces, people are smiling at you and

culture is a part of the everyday life in a society that knows about global economic crisis, but is unsure whether it is under it. OZON realised that Zurich is not yet another boring city in the middle of Europe. For that reason and at the behest of Vassilis Zidianakis from cultural organisation ATOPOS as well as the director of Bellerive Museum, Eva Afuhs, we decided to get to know the people behind the city's cultural life and introduce them through a small tribute to its creative scene. Gallery owners, journalists, managers of exceptional brands, artists, museum directors, publishers and music bands in a concentrated portfolio of surprise-city.

T Benjamin Sommerhalder '*B,'D5CN% 4.- 0+*-$D2<H% C+% Nieves 'P3015' 5' +>-4/. 22 )2$,;, C$ B2;C$ C$D B'2-$0-4H, 'B$,$*.MH*',$ 1% ‘Zoo’. 8 'B-KD*/. C$D ,. '40;5'- B'2-55HC'2$ D>-4H .B$C3>'5' C+, 4-,+CN2-$ 0(,.*+ B$D C$, $0N<+5' 5C$ ,. CDB;5'- C$ B2;C$ Q-Q>/$ 4.- *35. 5' >/<. )2H,-. ,. 4",'- C+ Nieves 3,., .BH C$D% 5+*.,C-4HC'2$D% '40$C-4$(% $/4$D% B.<4$5*/1% 5' 5)35+ *' C+, 340$5+ zines. ]5$, .?$2" 5C+, 'B->$<N C1, 4.>>-C'),;, <-. C. zines, C. $B$/. $ /0-$% '40/0'-, .DCN Q.5/M'C.- 5' 4.K.2" B2$51B-4" C$D 42-CN2-.. GC+, B'2/BC15+ .DCN o Ienjamin 32)'C.- 5' 'B.?N *.M/ C$D%, B2$5?32'- 5D<4'42-*3,'% 'B->$<3% 5' 5)35+ *' C-% B2$0-.<2.?3% C+% 340$5+% (0-.5C"5'-% 4.- C(B$- ).2C-$() .,"*'5. 5C-% $B$/'% *B$2'/ ,. 'B->3P'- $ 4.>>-C3),+% N 0+*-$D2<H%. H Nieves '40/0'- 30 31% 40 C/C>$D% .," 3C$% 4.- 4"K' *-42N 340$5+ B'2->.*Q",'- <(21

5C. 150 C'()+/.,C/CDB. C. $B$/. *351 C$D 0-'K,$(% 0/4CD$D 0-.,$*N% B$D 3)'- .,.BC(P'- .>>" 4.- *35. .BH C$ on line 4.C"5C+*" C$D 'P.,C>$(,C.- 5' 5(,C$*$ )2$,-4H 0-"5C+*.. T Benjamin 0', 3)'- </,'- B>$(5-$% .BH C+, 0$D>'-" .DCN 4.- 0', 3)'- B.2" *H,$ 0($ 5D,'2<"C'% 4.- 3,., intern <-. C+ >'-C$D2</. C+% H*$2?+% 'B-)'/2+5N% C$D. =.- ?.,C"M'- 5)'0H, 2$*.,C-4H ,. C$, Q>3B'-% ,. ',K$D5-"M'C.- 4"K' ?$2" B$D >.*Q",'- *-. 4.-,$(2-. '40$C-4N B2HC.5+, '4'/ 5C$ H*$2?$ <2.?'/$ C$D, B'2-4D4>1*3,$% .BH '4.C$,C"0'% zines 4.- 4.C.>H<$D%. 7. *B$2$(5' ,. .<.B"'- C$ &H4D$ .B_ HB$D *H>-% 'B35C2'^', K. C$D NC., '(4$>$ ,. *'C.4$*/5'- C-% '40H5'-% C$D 5C$ F$,0/,$, C$ A.2/5- N C+ 93. UH24+. =- H*1% 0+>;,'- B'-5*.C-4" B1% C$ 5B/C- C$D '/,.- + VD2/)+ 4.- B1% C$ .<.B+*3,$ C$D *32$% 5C$, 4H5*$ Q2/54'C.- 4"B$D 5C$ B$C"*- Sihl B$D 0-.5)/M'- C+, BH>+.

Benjamin Sommerhalder, who conceptu-alised and materialised Nieves, printed in the age of 22 his first magazine entitled ‘Zoo’. His desire to publish even more things was the motivation for issuing the first book and making his house in a short period of time one of the biggest houses in-ternationally in terms of zines. As far as the choice of artists for his zines is concerned, he is using clearly his personal criteria. In case that he likes them he comes in con-tact with them, offering a particular choice of publishing specifications (dimensions and quality of paper) among which the artist or the creator can choose. Nieves prints 30 to 40 titles per year and every small edition includes around 150 issues/ copies, which are gone very quickly via his successful international distribution and the online store. Benjamin is not rich by his job and he only has two colleagues and one intern for the function of his beautiful

company. And it seems almost romantic to see his enthusiasm every time that he gets a new publication offer in his nice office, encircled by hundreds of zines and cata-logs. He could love Tokyo, from where he just returned, he could easily move his edi-tions in London, Paris or New York. How-ever, he claims strongly that his house is Zurich and his favorite place in the world is situated somewhere on the river Sihl that crosses the city.

NIEVES NIEVES.CHTEXT=USW6=8 - 9&T!O9W=6 L69@S6 | KIRIAKI - DOMENIKA CHANDRA

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IN THE CENTRE OF ZURICH ALONG AND AROUND LANGSTRASSE STREET AN UPCOMING AREA HAS BEEN CREATED THE LAST FEW YEARS, NOTICEABLE NOT ONLY FOR ITS ARTISTIC SCENE BUT FOR THE ENTERTAINMENT TOO. THE PICTURE OF THE AREA IS COMPOSED BY A RISING NUMBER OF GALLERIES, NEW ARTISTS, BOOKSTORES, ALTERNATIVE COFFEE SHOPS AND BARS. IT IS THIS AREA THAT THE INDEPENDENT PUBLISHING HOUSE NIEVES CHOSE FOR GET-TING ESTABLISHED, A HOUSE THAT IS OCCUPIED WITH THE PUBLISHING OF BOOKS OF ILLUSTRATORS AND ARTISTS AS WELL AS ZINES.

/ BOOKS WE LOVE

84

'Z'4-,; .B>;% 4$-C;,C.% C$ B.2'>KH,. A.2H>$ B$D + O>Q'C/. '/,.- */. *-42N );2. 3)'- .,.0'/P'- 3,. 5+*.,C-4H .2-K*H *'<">1, 4.>>-C'),;, 5C$ B32.5*. C$D )2H,$D. 6BH C$D% Ferdinand Hodler, Giovanni Segantini, Alberto Giacometti, Dieter Roth 4.- John M. Armleder *3)2- 4.- C$D% Peter Fischli & David Weiss, Ugo Rondinone, Urs Fischer 4.- Valentin Car-ron *'C.P( ">>1,. EC5- 4.,'/% .2)/M'- .*351% ,. 0-'21C"C.- B;% + O>Q'C/. 3)'- CH5$ 5D,'BN ).2.4CN2. 5C+, B$-HC+C. 4.- C+, .P/. C1, 4.>>-C'),;, B$D B2$Q">'-. A$>>$/ K'12$(, HC- .BH -5C$2-4N% "B$^+% C$ <'<$,H% HC- + );2. 0', 5D**'C'/)' 5' 4.,3,., B.<4H5*-$ BH>'*$ 'B3C2'^' C+ 0+*-$D2</. 5+*.,C-4;, 5D>>$<;,. OB/5+%, + .BH>DC. 0+*$42.C-4N 4DQ32,+5+ 3)'- 5C+2/P'- C+ 0-"0$5+ C+% 4$D>C$(2.%, 5)'0H, 4"K' BH>+ 5C+ );2. 3)'- C$ 0-4H C+% *$D5'/$. 64H*. 4.- *-42HC'2'% B'2-$)3%, HB1% C. Glarus, St. Gallen N 4.- Aarau 3)$D, 'P.-2'C-4" *$D5'/., C. $B$/. 4.K-5C$(, C+, O>Q'C/. *-. 0D,.*-4N, H5$, .?$2" C. '-4.5C-4", );2.. @'(C'2$,, + 'B-22$N C1, *$D5'/1, $2<.,1*3,1, .BH 'B-*'>+C3%, HB1% $ Jean-Christophe Ammann 4.- $ Harald Szeemann, '/,.- '*?.,N% 5C+ 5+*'2-,N 4.C"5C.5+. A23B'- ,. C$,/51 HC- $-

4.>>-C'),-4$/ 'B-*'>+C3% 5' .DCN, C+ );2. 3)$D, DB$5C+2/P'- 0D,.*-4" C$D% O>Q'C$(% 4.>>-C3),'%. :-. B.2"0'-<*., + Beatrix Ruf, 'B-*'>NC2-. C+% Kunsthalle Zurich, 3)'- C2.QNP'- C$ ',0-.?32$, C$D 4$-,$( *' C-% '4K35'-% C+% B2$1K;,C.% ,CHB-$D% 4.>>-C3),'%. OB/5+% $ Heike Munder, $ ,3$% 0-'DKD,CN% C$D Migros Museum für Gegenwartskunst 5C+ VD2/)+ .BH C$ 2001, 3)'- $2<.,;5'- 'P3)$D5'% '4K35'-% ',; B.2">>+>. '2<"M'C.- 5C+, 'B34C.5+ C+% 5D>>$<N% C$D *$D5'/$D.&2/Co,, $ 5+*.,C-4H% 2H>$% C1, '*BH21,, HB1% $ Ernst Beyeler 4.- $ Bruno Bischof-berger 4.K;% 4.- C1, 5D>>'4C;,, HB1% $ Emmanuel Hoffman, + $-4$<3,'-. Bech-tler, 4.- $- 5D>>$<3% ‘The Ringier’ 4.- ‘The Burger Collection’ B",C$C' Q$+K$(5., 5C+2/M$,C.% 4.- B-5C'($,C.% 5C$D% ,CHB-$D% 4.>>-C3),'% C1, ,'HC'21, <',';,.&3C.2C$,, + B$-HC+C. C+% B.-0'/.% 5C+, O>Q'C/. 4.- + 5+*.5/. C1, 5)$>;, 4.>;, C'),;,, HB1% + V8dK C+% VD2/)+% 4.- + Ecal C+% F$M",+% DBH C+ 0-'(KD,5+ C$D Pierre Keller, B$D B.23)$D, 5C$D% ?$-C+C3% 3,. D^+>H 'B/B'0$ '4B./0'D5+%. OB/5+%, '0; $- *.K+C3%, 03)$,C.- .BH ,12/% B$>>" 4.>>-C'),-4" '2'K/5*.C. 4.K;% 3/)., B",C. C+ 0D,.CHC+C. ,. B.2.4$>$DKN5$D, '4K35'-% 4.- 4.>>-C'),-4" 02;*',. 5C+ );2. C$D% )12/% ,. )2'-"M'C.- ,. C.P-03^$D, 5C$ 'P1C'2-4H.&3>$%, B-5C'(1 B1% 'P/5$D 4.C.>DC-4H 2H>$ 5C+, 4.>>-C'),-4N 0D,.*-4HC+C. C+% O>Q'C/.% B./M'- C$ ‘Art Basel’. &$ 0-'K,3% ?'5C-Q"> C3),+%, 5C$ $B$/$ 5D*B'2->.*Q",$,C.- 32<. D^+>$( 4.>>-C'),-4$( ',0-.?32$,C$%, C2.Q"'- C+, B2$5$)N 5+*.,C-4;, 5D>>'4C;,, 'B-*'>+C;,, 4.>>-C'),;,, '*BH21, 4.- <',-4HC'2. K.D*.5C;, C+% C3),+%. 8 I.5->'/. *'C.C23B'C.- 5' CHB$ 5D,",C+5+% <-. */. $>H4>+2+ 'Q0$*"0., HB$D 4.>>-C3),'% 4.- 'B-543BC'%

.,C.>>"55$D, -03'% 4.- .BH^'-%. \D5-4" 4.,'/% 0', *B$2'/ ,. .^+?/5'- C+ 5D,'-5?$2" C1, Bice Curiger, Jacque-line Burckhardt 4.- Dieter Von Graffenried -02DC3% C$D ‘Parkett’, C$ $B$/$ ',/5)D5' C+, '-4H,. C+% O>Q'C/.% 5' 0-'K,3% 'B/B'0$, -0-./C'2. 5C-% 0'4.'C/'% C$D '80 4.- C$D '90'.

'I can start by just looking back. Despite the fact that Switzerland is a small coun-try, it has produced a number of highly influential artists over the years; from Fer-dinand Hodler, Giovanni Segantini, Al-berto Giacometti, Dieter Roth and John M. Armleder to Peter Fischli & David Weiss, Ugo Rondinone, Urs Fischer and Valentin Carron amongst others. Therefore one can immediately begin questioning, why Swit-zerland has been so consistent in the qual-ity and caliber of artists that emerge from this part of the world. One could say that historically the fact that Switzerland didn’t participate in any world war allowed for important collections to materialize; and since it’s thoroughly democratic, govern-ment has been for years very supportive in promoting culture, almost every city in the country has its own museum. Even smaller places like Glarus, St. Gallen or Aarau have exceptional museums, which make Switzerland a powerful artistic country.

Secondly, the impact of museums run by curators like Jean-Christophe Ammann and Harald Szeemann contributed enor-mously to the current situation. I must point out that curators in this country have generally been very proactive at support-ing Swiss artists; for instance Beatrix Ruf, the curator of Kunsthalle Zurich, has been very influential with her exhibitions and support of national artists; addition-ally, Heike Munder, the new director of the Migros Museum für Gegenwartskunst in Zurich since 2001, is organizing excep-

tional shows there and is also playing an important role in extending the collection of this institution.Thirdly, the important role of dealers like Ernst Beyeler and Bruno Bischofberger and private collectors like Emmanuel Hoff-man, The Bechtler family, The Ringier as well as The Burger Collection which have always been very supportive by believ-ing and promoting national artists of the younger generations.Fourthly, the quality of education in this country and the importance of art schools like Zurich’s ZHdK and Lausanne’s Ecal under the direction of Pierre Keller give students a high level of schooling. Moreo-ver, students here have always had the exposure and opportunity to visit amazing shows in their country without the need of traveling abroad.I equally believe that one of the catalysts of Switzerland’s intensified power in the art world is the colossal impact of ‘Art Basel’. This international art fair showing top - level art, annually attracts an influ-ential global network of collectors, cura-tors, artists, dealers and all kinds of art enthusiasts to Basel for a week’s time and this, in its own right creates a tremendous synergy and exchange of ideas between artists and their followers. Additionally, how could one forget the invaluable role played by Bice Curiger, Jacqueline Burck-hardt and Dieter Von Graffenried founders of ‘Parkett’, which assisted Switzerland’s world visibility specially in the decades of the 80s and 90s'.

EVA PRESENHUBER

85

PRESENTATIONOWS898 !U:6 | IRINI MIGA PRESENHUBER.COMPHOTOGRAPHY

OWS898 !U:6 | IRINI MIGA/ ON SWISS ART

8 EVA PRESENHUBER, @WO79XG 696:9XSWG!O98 W@WT=&8&SW6 :=6FOSW !O O@S6 &8 VUSWL8, !6G 696FUOW &TUG FT:TUG :W6 &TUG TATWTUG 8 OFIO&W6 ISWG=O&6W G&89 ASX&8 :S6!!8 !W6G O97TUGWX@TUG =6W 69OSLT!O98G 9O69W=8G =6FFW&OL9W=8G G=898G. OAWG8G !6G !WF6 :W6 &T STFT &X9 OAW!OF8&X9, &X9 O!ATSX9, &X9 :=6FOSW =6W &X9 GUFFO=&X9 G&6 &TAW=6 =6FFW&OL9W=6 =U=FX!6&6.

EVA PRESENHUBER, INTERNATIONALLY RENOWNED ZURICH BASED GALLERIST WILL ANALYZE WHY SWITZERLAND IS ON THE FRONT-HEAD OF AN EBULLIENT AND DEVELOPING YOUNG ART SCENE; AS WELL AS GIVING US AN INSIGHT ON THE ROLE OF CURATORS, DEALERS, GALLERIES AND COLLECTORS IN THE LOCAL ART CIRCUITS.

Ugo Rondinone, Twel!e Sunsets, Twenty Nine Dawns, All in One. Galerie Eva Presenhuber, Zürich 2008

(8+ 0"5$%-+&!" !) +/.5*)!-'& !) 2006;Thom: @$(>'D. *' C$, Gerber 5' 3,. K'.C2-4H 32<$ 4.- M+CN5.*' .BH C+, Betty, C+, $B$/. NP'2. .BH 3?+Q$%, ,. 5D**'C"5)'- 1% C2.<$D0/5C2-..Betty: Z'4-,N5.*' ,. B./M$D*' *.M/ *$D5-4N 4.- .BH CHC' 0', *B$235.*' ,. 5C.*.CN5$D*'.

!$ 5&$%)/*.$) %$87"!" )!$ "#"$ %& 48+"$ - ')/+$5- +&+;Thom: GD,.-5KN*.C.. 6DCH '/,.- B",C. 4"C- 4.-,$(2<-$.

4" 6&$%"!&$ %& &%!$'"!8($2"!" 4$,-''&!& &%&'"+& +!) ROCK, !) INDIE 5&$ !-% POP. %)'$28 "#"!" 5&!&6"*"$ %& 1*"$!" '$& !","$& $+)**)($& &%&'"+& +!& "$4-. Betty: ]>$- *.% 3)$D*' 0-.?$2'C-4H *$D5-4H DBHQ.K2$ .>>" .DCH B$D *.% 5D,03'- '/,.- + .<"B+ <-. 3,. B2.<*.C-4" H*$2?$ C2.<$(0- 4.- C$ ,. B./M$D*' H*$2?. C2.<$(0-. '/,.- $ *H,$% *.% 5CH)$%.

()$& - 7"+- +&+ +!-% &%"0&*!-!- ')/+$5- +5-%- !-+ 2/*$#-+; (8+ "$%&$ - ",1"!$5- ')/+$5- (*&.'&!$5)!-!&;Thom: @', .,N4$D*' 5' 4.*/. 54+,N.Kusi: G' 034. )2H,-. .BH C;2. + '>Q'C-4N *$D5-4N K. 4D2-.2)N5'- 5C$, 4H5*$. 7D*+K'/C' *'.

.$& ()$& (*&.'&!& %$87"!" ("*$++)!"*) !-% &%&.5- %& .*&3"!" ')/+$5-;Thom: ]C., 4"C- 5' C2$*"M'- '/,.- 4.>(C'2. ,. C$ ^"),'-% 4.- *'2-43% 543^'-% 4.- B2"<*.C. '*'C2;,C.-' 4.>(C'2. *35. .BH C+ *$D5-4N.

0"*8 )!$ 4"% ,"!" (),,& (&%8 +!) 7"'&, &,,& '-(8+ 7& '()*)/+&!" %& &()5&,/3"!" )()$&4-()!" (,-*)6)*$& +#"!$5& '" !-% !&/!)!-!& 5&$ !& $#%- !-+ CECILIA WINTER;Thom: 8 C.DCHC+C" C+% B23B'- ,. B.2.*'/,'- 42D?N, .>>" K. C+, .,.4.>(^'-% ., B2.<*.C-4" C$ K3>'-%. J4$D5' C$ 0/54$ P.,". J4$D53 C$, B2$5'4C-4".

()$& "$%&$ !& "()'"%& +#"4$& +&+ 8+ .5*)/(;Thom: 9. 'P.,C>+K$(*' 5C-% 5D,.D>/'%. 9. +)$<2.?N5$D*' 3,. 0'(C'2$ 0/54$. 9. Q2$(*' C+, .>+K-,N .<"B+. 9. Q2$(*' C. 4>'-0-" C$D =H5*$D. 9. *'K(5$D*' 4.- ,. )"5$D*' C. 4>'-0-" 5' 4"B$-$ *B.2.

HOW DID YOU FIRST COME TOGETHER AS A BAND IN 2006?Thom: Gerber and I worked on a theatre play, and we asked Betty, whom I know since teenage days to be in the piece, as a singer.Betty: We started to play music together and couldn’t stop ever since.

WHAT NEW DO YOU FEEL THAT YOUR MUSIC BRINGS ONTO THE TABLE?Thom: Feelings. That’s always new.

YOU DON’T SEEM TO FACE ANY DILEMMA AMONG ROCK, INDIE AND POP. I THINK YOU HAVE MANAGED TO MAKE A PERFECT BALANCE BETWEEN THESE GENRES.Betty: We all have a different musical background- but what connects us is the love for a truly beautiful song. And to play beautiful songs is our only aim.

HOW DO YOU SEE YOURSELVES IN THE INDIE MUSIC SCENE OF ZURICH? WHAT ‘S THE SWISS MUSIC REALITY?Thom: We are in no scene. Kusi: Ten years from now, Swiss Music will rule the world. Mark my words.

WHAT DO YOU MOSTLY FEEL THE NEED TO WRITE MUSIC ABOUT?Thom: When something frightens you, it’s better to measure it. And some feelings and thoughts are best measured through music.

I KNOW YOU DON’T SAY A LOT ON THE MATTER BUT COULD YOU DISCLOSE ANY INFOR-MATION ABOUT CECILIA’S WINTER IDENTITY AND WHEREABOUTS?Thom: Her identity must remain undisclosed. But you’ll find out, if you really want. Listen to the album again. Listen closely.

WHAT IS NEXT FOR ‘MY HEART BELONGS TO CECILIA WINTER’? Thom: Touring our butts off. Record a second Album. Find true Love. Find the keys to the World. Get drunk, lose the keys in a bar.

INTERVIEW@6\98 69OG&8 | DAFNI ANESTI MYSPACE.COM/CECILIAWINTER

OW TOM LUZ, BETTY FISCHER =6W KUSI GERBER GL8!6&WG69 &89 !A69&6 &TUG &T 2006 G&8 VUSWL8 !O !T96@W=T G=TAT, 96 :S6\TU9 T!TS\6 &S6:TU@W6. =6W 6U&T O=6969. TW ‘MY HEART BELONGS TO CECILIA WINTER’ O::UX9&6W AXG 8 OZ8:8G8 :W6 &T 6W9W:!6&W=T &TUG T9T!6 ISWG=O&6W G&6 &S6:TU@W6 &TUG.

TOM LUZ, BETTY FISCHER AND KUSI GERBER FORMED THEIR BAND IN ZURICH IN 2006 WITH ONE AND ONLY PURPOSE: TO WRITE BEAUTIFUL SONGS. AND THAT IS EXACTLY WHAT THEY DID. THE GROUP ‘MY HEART BELONGS TO CECILIA WINTER’ GUARANTEES THAT THE ANSWER TO THEIR ENIGMATIC NAME LIES IN THEIR SONGS.

MY HEART BELONGS/ TO CECILIA WINTER

86

kinki

nr. 24 apr/mai 2010 chf 6.– 4.–

TEXT@6\98 69OG&8 | DAFNI ANESTI KINKIMAG.COM

G&6 OZX\UFF6 &TU OLTU9 \W:TUS6SOW POP :S6\WG&W=OG \W:TUSOG, CLOSE UPS \WFWX9 !O PIERCING, T!TS\6 6:TSW6 =6W =TSW&GW6 GO 6GU987WG&OG ATVOG, =6W VTU!OS6 =T==W96 LOWF8. 6AT &T 2008 T&69 ZO=W98GO &T :OS!69T\X9T AOSWT@W=T =INKI G&89 OFIO&W6 OLOW @W69UGOW ATFU @ST!T.RTO MOTTO &TU: ‘STATE YOUR OPTIONS’.

ITS COVER HAS HOSTED POP FIGURES, CLOSE UPS OF KISSES WITH PIERCED LIPS, HANDSOME BOYS AND GIRLS POSING IN UNUSUAL WAYS AS WELL AS JUICY RED LIPS. SINCE 2008, WHEN KINKI WAS FIRST PUBLISHED IN SWITZERLAND, THE GERMAN-SPEAKING MAGAZINE HAS ACHIEVED A LOT. ITS MOTTO: ‘STATE YOUR OPTIONS’.

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A32. .BH C+, 3,CDB+ *$2?N C$D C$ B'2-$0-4H DB"2)'- 4.- online 4.- Q.5/M'C.- 5C+, -03. *-.% M1,C.,N% 0+*-$D2</.% B$D 5D,K3C'- H>. C. 0-.K35-*. 'B-4$-,1,-.4" *35.: website, 0-.0-4CD.4N 4$-,HC+C., blog 4.K;% 4.- 0-$2<",15+ 4.>>-C'),-4;, events 4.- parties. &$ 0/4CD$ B$D )C/M'C.- <(21 .BH C$ B'2-$0-4H, *' 0-.24;% 'P'>-55H*','% BCD)3% .B$C'>'/ 3,. ',0-.?32$, 4.- 5D,.2B.5C-4H B>./5-$ HB$D $- '4?",5'-% C$D B'2-$0-4$( 5C$ 5(,$>H C$D% .,C.B$42/,$,C.- 5C-% .,"<4'% 4.- C-% B2$50$4/'% C$D 4$-,$( C$D.

In terms of aesthetics and thematology Kinki is dealing with music, fashion, art and generally all things odd and unusual. Behind the magazine there is a dynamic editorial team as well as talented photographers, writers and graphic designers that work with the maximum possible artistic freedom. It usually researches extreme socio-political matters , while its monochromatic pages highlight its design. Their aim, according to editor in charge Rainer Brenner, is: ‘to take a look behind the obvious, to express a comment for the world from a different perspective’.

Kinki came to fill in a gap in the world of magazines in Switzerland, at a time when most of the independent publications had already closed. As an independent publication, it responded to the challenge of creating a new language in terms of form and content. With diversity, good aesthetics, playful mood, curiosity and optimism the magazine aims at young, open-minded and creative people interested in contemporary culture and social issues. Despite the fact that the magazine is based in Zurich it goes beyond the city’s boundaries, it is part of Swiss’ reality. Distributed all over the country as well as in many locations in Germany, it insists on being a Swiss magazine with interests at an international level.

Besides its printed edition the magazine is available online and is based on the concept of one live creation that combines all avail-able communication media: website, web community, blog as well as art events and parties. The network around Kinki -already established and constantly developing- is of an interesting and fascinating nature while the magazine's final result and expression, reciprocates the needs and expectations of its public.

KINKI MAGAZINE/ MAGAZINES ON TOP

87

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INTERVIEW:WXS:TG =OFO\8G | YORGOS KELEFIS

MUSEUM-BELLERIVE.CH

James Sterling, Paper Fashion Ltd., Robert Kennedy Electoral Campaign, paper dress, USA 1968Photo: Panos Davios © ATOPOS collection, Athens

EVA AFUHS / ON THE EDGE OF ARTS & CRAFTS

8 EVA AFUHS OW96W 8 @WOU7U9&SW6 &TU !TUGOWTU BELLERIVE G&8 VUSWL8 ATU 6AT &T 1968 G&O:6VOW &8 GUFFT:8RO\6S!TG!O9X9 &OL9X9 &TURZÜRICHRMUSEUM OF DESIGN.R@W6&8SX9&6G &T O9@W6\OST9 &8G :W6 OS:6 ATU ASX&TATSTU9 G&T9 &T!O6 &8G LOWST&OL9W6G, \WFTZO9OW G&T !TUGOWT BELLERIVE &89 O=7OG8 !T@6G 6AT L6S&WRRRRIPP!!! PAPER FASHION =6W !WF6 G&T TVT9 :W6 &89 OZOFWZ8 G&T LXST &X9 &OL9X9.

EVA AFUHS IS THE DIRECTOR OF THE MUSEUM BELLERIVE IN ZURICH, HOME OF THE APPLIED ARTS COLLECTION OF THE ZÜRICH MUSEUM OF DESIGN SINCE 1968. MAINTAING HER FASCINATION WITH PROJECTS THAT STAND RIGHT ON THE EDGE OF ARTS AND CRAFTS SHE HOSTS AT MUSEUM BELLERIVE RRRIPP!!! PAPER FASHION EXHIBITION AND SHE TALKS TO OZON ABOUT EMERGING NEEDS IN THE ART FIELD.

HOW DID YOU GET IN TOUCH WITH VAS-SILIS ZIDIANAKIS AND HOW DID YOU DE-CIDE TO DO A PAPER FASHION EXHIBI-TION AT THE MUSEUM BELLERIVE?My husband was in Antwerp and he vis-ited the museum of fashion that held the RRRIPP!!! Paper Fashion exhibition at the time. He was impressed by the collection and suggested it to me. Also during this period I had a colleague who is actually the owner of the Helmut Lang paper dress so she already knew Vassilis and when I brought up the idea of hosting RRRIPP!!! she made the initial contact. So basically it was by mouth propaganda by my hus-band and a happy coincidence.

WHAT ARE THE ELEMENTS THAT MAKE THIS EXHIBITION IDEAL FOR THE MUSEUM BELLERIVE?First of all Museum Bellerive has a focus in arts and crafts exhibitions. Fashion is something in between. Handcrafted gar-ments for me are pieces of art. And of course the whole section of the 60s with the mixture of pop art and dresses is also on the edge between a dress and a work of art, in this sense I thought it would fit here. At the same time we have a very big in-house fashion collection. We had sev-eral fashion exhibitions since the Bellerive existed since 1968, and now we decided to host something else than the museum’s own collection especially when it is an ex-hibition that deals with a material such as paper.Paper is in such a big field of focus at the moment in architecture, fashion or design.

DO YOU THINK THAT GOING BACK TO CRAFTSMANSHIP IS THE BIG NEW TREND IN THE FASHION WORLD?I believe it is more than a trend, it is an urge. Working with a material, doing unique things by hand, going back to craftsmanship and mixing it with con-temporary tools is something that people seem to appreciate all over again.

HOW DO YOU EXPLAIN THAT THIS URGE SEEMS MORE RELEVANT NOW?I think in the last 20 years with all the pos-sibilities of the new technologies and all the new tools that emerged, maybe people finally got a bit exhausted. This exhaustion came not only because we were working too much but also because we lost the link to the materials. Especially our gen-eration who is now at the pick of their power to produce things has this feeling that something on the way was lost.

WHAT ARE THE DIFFICULTIES IN MAIN-TAINING OR EXPANDING THE MUSEUM IN SWITZERLAND?On one hand it is very easy and joyful and creative. It is so because the Swiss so-ciety is interested in arts and culture and has a lot of sympathy towards the crea-tive world, imagine in Switzerland you can find the biggest home collections of art in the world. On the other side, the amount of money which is getting into this fields is not equally divided in all the fields of art. At the moment the focus is shifting towards the design which is great for us.

WHAT IS YOUR MAIN CONCERN FOR YOUR EVERYDAY JOB?The main concern, is the same with every other cultural organisation: money, or more specifically the lack of it.

IS THE CRISIS OVER HERE?I cannot say if it is over or not. Depends what happens with Greece and Portugal this is all connected now through globali-sation, I mean if Greece is going bankrupt now we cannot be certain of what is hap-pening in the rest of Europe and Switzer-land is in the middle of it.

CAN YOU GIVE US A CLUE ABOUT YOUR UPCOMING EXHIBITION?Next year will be an exhibition about per-fume. The starting point will be the old theme of perfume and we will take it all the way up to the contemporary scene and the design of the bottles.We are try-ing to find a way to show that a perfume itself is already a design piece.

Diane Steverlynck, Cardboard co!ering, BE 2001–07, worn cardboard boxes, 142 x 185 cm. © Diane Steverlynck

Pap(i)er Fashion Museum Bellerive (part of the applied arts collection of the ZurichMuseum of Design) - 30.04.2010 - 01.08.2010

89

INTERVIEW=USW6=8 - 9&T!O9W=6 L69@S6 | KIRIAKI - DOMENIKA CHANDRA

PHOTOGRAPHYEVERY THING DESIGN f DIE SAMMLUNGEN DES MUSEUM FÜR GESTALTUNG ZÜRICH“, MUSEUM FÜR GESTALTUNG ZÜRICH, 3. APRIL BIS 19. JULI 2009, FOTO: BETTY FLECK, STUDIO PUBLIKATION © ZHDK

8 VERENA FORMANEK, :O998!O98 G&89 6UG&SW6, OW96W DESIGNER =6W OW=6G&W=8 OAW!OF8&SW6. 7OXSOW &89 &OL98 G&6G8 VX8G. W@SUGO &89 :=6FOSW V & V, OS:6G&8=O G&T !TUGOWT MAK &8G IWO998G, G&T W@SU!6 BEYELER G&8 I6GWFOW6 &8G OFIO&W6G, G&T !O!6 G&8 9O6 UTS=8 =6W G&T !TUGOWT MUSEUM FÜR GESTALTUNG &8G VUSWL8G. OAWG8G, GU9OS:6VO&6W !O &T9 GLO@W6G&8 !T@6G HELMUT LANG :W6 AOSWGGT&OST 6AT 20 LST9W6.

VERENA FORMANEK, BORN IN AUSTRIA, IS A DESIGNER AND CURATOR OF EXHIBITIONS AND COLLECTIONS. SHE THINKS ART IS A LIFE STATEMENT. SHE ESTABLISHED THE V & V GALLERY, SHE WORKED FOR THE MAK MUSEUM IN VIENNA, FOR THE BEYELER FOUNDATION IN BASEL, FOR MOMA IN NEW YORK AND THE MUSEUM FÜR GESTALTUNG IN ZURICH. SHE HAS ALSO BEEN WORKING WITH THE DESIGNER HELMUT LANG FOR MORE THAN 20 YEARS.

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(8+ (*)"5/3" - +/%"*.&+$& +)/ '" !)% (),$!$+!$5) )*.&%$+') ATOPOS ()/ "4*"/"$ +!-% &7-%&;:,;2-5. C$, I.5/>+ V-0-.,"4+ C+% ATOPOS *351 C$D Helmut Lang. 62<HC'2. $ I.5/>+% 'B-543?C+4' C+ VD2/)+ <-. ,. B.2$D5-"5'- C$ B2HCM'4C RRRIPP!!! Pa-per Fashion. !' ',CDB15/.5' *' C+, .5C'/2'DC+ 0+*-$D2<-4HC+C" C$D 4.- 5C+, B2.<*.C-4HC+C. .BH CHC' Q2-54H*.5C' 5' 0-.24N 'B-4$-,1,/.. 7'12; HC- $ A$>-C-5C-4H% T2<.,-5*H% ATOPOS 3)'- 3,., ',0-.?32$,C. 02H*$ ,. 0-.,(5'- 4.- N0+ 3)$D, 02$*$>$<+K'/ ,3'% -03'%.

HOW DID YOU DECIDE TO GET INVOLVED WITH ART? I think this just happens. You cannot control it.

SINCE LAST YEAR YOU WERE WORKING AT THE MUSEUM FÜR GESTALTUNG IN ZURICH. WE WOULD LIKE TO KNOW WHAT IS THIS THAT YOU MISS THE MOST WHEN YOU ARE NOT THERE.Zurich is a city that I love, mostly because of the quality of life. The afternoon you go for a quick plunge in the lake and in the evening you can enjoy a drink there. People are always friendly and open. I will miss living there, the mountain of Zürichberg, the sound of the Liebfrauenkirche church’s bell, which every night looks like a tower of Toscane and the view of the lake where tram’s line 4 terminates.

YOU WILL WORK NOW AS THE HEAD PROJECT MANAGER IN ABU DHABI, IN UNITED AR-ABIC EMIRATES IN ORDER TO HELP WITH THE CREATION OF THE NEW GUGGENHEIM MUSEUM THERE. HOW DO YOU FEEL THAT YOU WILL TAKE PART IN A PROJECT WITH SO MANY REQUIREMENTS? Art has partially moved from Europe and has an important role in India, China and UAE. I was impressed by the creation of a ‘cultural island’, like the Saadiyat Island, as well as the project itself which is very innovative. The idea of a foreign country makes me very excited.

HOW DID YOU HAPPEN TO COLLABORATE WITH THE CULTURAL ORGANIZATION ATOPOS THAT IS BASED IN ATHENS?Helmut Lang introduced me to Vassilis Zidianakis of ATOPOS, Cultural Organisation. Later on Vassilis visited Zurich in order to present the project RRRIPP!!! Paper Fashion. I was impressed by his ceaseless creativity and actually since then we are in constant communication. I believe ATOPOS has interesting future and perspectives and several new ideas have been planned.

VERENA FORMANEK/ ART IS HER WAY OF LIFE

90

TEXT:WXS:TG =OFO\8G | YORGOS KELEFIS FINGERMAG.COM

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ADRIAN STARTED PUBLISHING THE MAGAZINE FINGER WITH HIS FRIEND TO EXPRESS IN PUBLIC THEIR COMMON PASSION FOR MUSIC. SINCE 2005 THEY HAVE HOST IN THEIR PAGES HUNDREDS OF BANDS, MUSICIANS AND DJS FROM ALL OVER THE WORLD WHO HAVE TALKED ABOUT THEIR OWN FAVORITES.

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The area of Wiedikon is situated about ten stops from the central train station of Zurich. It is friendly, quite with beautiful shops and coffee places, a neighborhood full of youths sitting relaxed in nice squares. We met Adrian there, in Idaplatz, at the café Piazza, on the first of May while in the centre of the city several incidents where taking place due to the Mayday. He arrived holding in his arms around ten Finger issues and he started explaining immediately that the concept behind Finger might be the most obvious for a music magazine. According to the editor of Finger, what we really want to listen from our favorite bands and artists is what their favorite is. So, in his magazines’ pages we can find out the likes of the musicians that we appreciate by several questions related to their beloved disk, band, concert, book, film, song, destination or even recipe. ‘We send emails to those that we like and we ask them for what they like and afterwards we publish it, it is that simple’, Adrian says. Both he and his colleague work in the field of advertising, fact that helps them with finding advertisements in order to fund the printing. Adrian’s dream is to manage to upload on Finger’s website all the interviews and in collaboration with spotify.com to offer to readers links with relative information and music. As far as the music scene of the city, Adrian seems reluctant. ‘Until recently there weren’t important bands, it is difficult to overcome the Swiss borders. Today, with the economic crisis and the limited budget there is more attention paid to the local music and as a result something seems to be about to happen’, Adrian comments. Before the sunset, we discuss about the city of Zurich and the reasons why they keep Finger there. ‘Berlin might work better as the music basis of the magazine but the truth is I would never leave Zurich. It’s the lake, cycling everywhere with the bicycle, near nature, I go to good concerts in a city that doesn’t make me tired with its size and its society is constantly looking for the quality’. We probably agree with him and somehow like that, we say goodbye.

FINGER MAGAZINE/ 'OUR FAVORITES' FAVORITES'

91

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WHAT WAS THAT ATTRACTED AT FIRST YOUR ATTENTION TO PHOTOGRAPHY?Pure coincidence. My father gave me a camera when I was a teenager. I am happy he did not give me a knife otherwise I would be a butcher today.R DO YOU THINK THAT YOUR STUDIES IN PHOTOGRAPHY HAVE AFFECTED YOUR EVOLUTION AS AN ARTIST AS WELL AS THE WAY THAT YOU EXPLORE OTHER FORMS OF ART?I could also have studied painting or sculpture or whatever; W think the most important result of studying was to be forced to care about art history and speak about your own work with other students and teachers. Just to collect a lot of experience.R

DO YOU BELIEVE THAT LIVING AND STUDYING IN ZURICH WAS IMPORTANT FOR YOU AND YOUR WORK? It was definitely a very interesting experience.RI had a lot of freedom and structure at the same time. When W see art schools here in USA I am happy that had the chance to study in Switzerland. It was less conservative, more open to new things.

TELL US A FEW WORDS ABOUT YOUR COLLABORATION WITH:BECK CONCERNING BECK.COM:AND THE ‘IDIOTS’ T-SHIRT.He likes my work and his management asked me if he can publish some of my work on his homepage. And we also printed a t-shirt with a drawing of mine.RI always liked his music so, W was happy to do that.

INTERVIEWOFO98 !6F6!8 | ELENI MALAMI

PHOTOGRAPHYRUBY SKY STILER

OLAFBREUNING.COM

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HIS CHILDISH SKETCHES AND HIS COLOURFUL? INSTALLATIONS? HIDE AN UNEXPECTED SERIOUSNESS. GROTESQUE AND HUMOROUS, COOL AND THOUGHTFUL,? OLAF BREUNING IS ONE OF THE MOST SUCCESSFUL?SWISS?ARTISTS, EDUCATED IN ZURICH, LIVING IN NEW YORK. USING ANY NECESSARY MEANS, SCULPTING, PHOTOGRAPHING, PAINTING OR FILMING, HE EXPLORES THE HUMAN?EXISTENCE?AND LIFE.

OLAF BREUNING/ ART ATTACK

92

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IRINI MIGA STUDIED IN ATHENS SCHOOL OF FINE ARTS AND IN CENTRAL SAINT MARTIN’S IN LONDON BUT FOR THE LAST YEAR LIVED IN ZURICH. NUMEROUS EXHIBITIONS, BOTH HERE IN GREECE AND EUROPE, HAVE FEATURED HER WORK IN ADDITION TO SOLO SHOWS IN TOKYO AND THE BREEDER IN ATHENS. SOME OF HER PIECES ARE INCLUDED IN THE DAKIS IOANNOU COLLECTION WHILE IN A FEW MONTHS SHE GOES BACK TO STUDYING. THIS TIME IN NEW YORK.

INTERVIEW69@SO6G @8!TATUFTG | ANDREAS DIMOPOULOS

Resemblance to Rainyessence | 2009 ?&+&5E+>)> The Breeder / Courtesy The Breeder, Athens

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IN WHAT WAY DOES THE ART SCENE IN:ZURICH DIFFERS FROM THE ONE IN ATHENS? Both cities' scenes are way different; not only in circumstances and context but also in people's outlook. In Zurich everything is calm. Switzerland is known for its neutral political stand, a powerful economy and an excellent organisation across all operations. Athens, and Greece in general, carries the load of history and the idea of Greece within a complex of sociopolitical and economic hardships. All these make it alive. All these make the heartbeat pulsate throughout the centuries making artists strong willed and with particular expression.

WHY WOULD A YOUNG ARTIST CHOSE TO BASE IN ZURICH AND HOW DO THEY -BOTH SWISS AND INTERNATIONAL ARTISTS- RESPOND TO THE WEIGHT OF DADAISM AND SWISS ART TRADITION IN GENERAL? Cabaret Voltair, where dadaism was born, is active for some years now hosting exhibitions, various projects and conferences promoting contemporary discourse. Also Zurich Arts Club, a small community of artists has been created here and this activity brings to mind other historical shiftings based on the city.

WHAT INFLUENCES YOUR WORK? EVERY PIECE SEEMS TO NARRATE A STORY WHILE I SENSE A HINT OF SARCASM AND A MIXTURE OF TECHNIQUES, SOURCES AND REFERENCES, ESPECIALLY IN YOUR PAINTINGS. I grew up in Larissa and my local environment had a tremendous influence in my work. Thessaly is a region rich in traditions and ancient myths. My grandma's embroidery, the fairytales, my grandpa's farming tools and the way these experiences were brewed inside me, created a certain material.

IRINI MIGA/ A GIRL ABROAD

93

INTERVIEW / PHOTOGRAPHYOWS898 !U:6 | IRINI MIGA

WEINBERG.CH

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HOW DID YOU START YOUR COLLECTION AND WHAT DOES COLLECTING ART MEANS FOR YOU?I consider collecting art as a privilege. Not only because I’m able to buying art. The interest in art has led me to many exciting places, discussions, considerations, friendships. Art is enriching my life and adds to it an additional dimension.

WHAT IS THAT SPECIAL INGREDIENT THAT MAKES A COLLECTION UNIQUE?I believe that we find the answers in describing serious collectors. A ‘real’ collector is very knowledgeable. He spends a lot of time with research and reading. He trains his eyes in visiting exhibitions, artist studios, and art fairs. He buys according to his personal criteria’s and is constantly aware of what is going on within his ‘network’. A collection put together by a serious collector always reflects his personality. I would describe this as ‘authentic’. There is like a red line going through the collection. A ‘real’ collector often knows stories connected to one or the other piece.

SPEAKING ALSO AS AN OWNER OF FASHION STORES DO YOU BELIEVE THAT THERE ARE CONNECTIONS BETWEEN FASHION AND ART?There is obviously a lot in common between fashion and art. Designers are like artists. They are able to find new answers of how a style should look like. As a fashion retailer you find yourself in a similar position as a gallery. Your job is to put together a selection of brands and designers that makes your store unique. Like in art this requires a permanent research and networking.

BEN WEINBERG/ SHOPPING AND ART

94

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'What is happening at the moment is a generational change. Zurich has a great number of well known established galleries that have existed for many years. Löwenbräuareal, the Kunsthalle Zurich and Migros Museum have been the focus of Zurich’s contemporary art scene for more than a decade. Slowly this focus is broadening to other parts of the city, new

galleries and more alternative spaces are opening up and new young curators at institutions are keen to show the art of their generation. Zurich has attracted a great number of foreigners over the last years. There is also an increasing number of foreign artists moving to Zurich to study here or for residencies and eventually they stay. Having said that, high living costs are still a problem and there need to be more low cost studio spaces for local and international artists. Most of the artists we represent we have known for quite a while. We like to take our time before we decide to work with someone long term. We usually do a show first to give the artist and us the opportunity to understand how we work and whether we work well together. We are careful not to follow trends and hope to build a well-balanced and considered program of national and international artists with whom we hope to grow together.'

PHOTOGRAPHYPORTAIT: IRINI MIGAWORKS: INSTALLATION VIEWRALICE CHANNER, DAGMAR HEPPNER, ALICJA KWADE & MARIA ZAHLE,RBOLTELANG, ZURICH

BOTH IMAGES ARE 'COURTESY THE ARTISTS AND BOLTELANG, ZURICH

PRESENTATIONOWS898 !U:6 | IRINI MIGA

BOLTELANG.COM

TW ANNA BOLTE =6W CHAJA LANG OW96W TW W@WT=&8&SWOG !W6G 6AT &WG AWT 9OOG 69OSLT!O9OG :=6FOSW &8G VUSWL8G. !O GATU@OG G&T SOTHEBY’S INSTITUTE =6W O!AOWSW6 G&89 OAW!OFOW6 =6W G&8 @WOU7U9G8 :=6FOSW GO FT9@W9T =6W 9O6 UTS=8, O9XG69 &89 6:6A8 &TUG :W6 &89 &OL98 =6W @8!WTUS:8G69 &89 :=6FOSW BOLTELANG &T 2008. @WTS:69X9TU9 GOWSOG T!WFWX9, AST&VO=& &UAX!6&TG =6W GU9@WTS:69X9TU9 !O 6FFOG &OGGOSWG 9O69W=OG :=6FOSW &8G VUSWL8G &8 GU969&8G8 ‘RENDEZ VIEW’ G&89 6SL8 =67O GOVT9. 6U&8 &89 AOSWT@T \WFTZO9TU9 &T AST&VO=& ‘THE CORRIDOR’ =6W !WFTU9 G&T OZON :W6 &89 =6W9TUS:W6 =6FFW&OL9W=8 G=898 &8G VUSWL8G.

ANNA BOLTE AND CHAJA LANG ARE THE OWNERS OF ONE OF THE MOST PROMISING YOUNG GALLERIES OF ZURICH. BOTH WITH LONG INTEREST IN ART, STUDIES AT SOTHEBY’S INSTITUTE AND EXPERIENCE IN CURATING AND GALLERY MANAGEMENT IN RENOWNED GALLERIES AND INSTITUTES OF LONDON AND NEW YORK THEY MERGED THEIR PASSION FOR ART AND CREATED THEIR GALLERY ‘BOLTELANG’ IN 2008. THEY ORGANIZE LECTURES SERIES, PRINTING PROJECTS, CO-ORGANIZED THE WEEKEND GALLERY INVITATION ‘RENDEZ VIEW’ BEGINNING OF THE SEASON WITH OTHER FOUR ZURICH BASED YOUNG GALLERIES; AT THE MOMENT THEY ARE RUNNING THEIR PROJECT SPACE ‘THE CORRIDOR’. THEY TALK TO OZON ABOUT ZURICH’S NEW ART SCENE.

GALLERY BOLTELANG/ TWO GIRLS AND A GALLERY

95

\$-C+C3% <2.?-5C-4N% 4.- >"C2'-% C$D B$0+>"C$D N C$D ‘velo’, HB1% $,$*"M'C.- 5C+, '>Q'C-4N 0-">'4C$, $- .0'>?$/ Freitag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reitag '/,.- 4D2-$>'4C-4" *$,.0-4H .?$( 0', DB"2)'- ">>$ /0-$ 4.K;% )2+5-*$B$-$(,C.- 0-.?$2'C-4$/ *$D5.*"0'% *' P')12-5C" )2;*.C. 4.- 5)30-. 4"K' ?$2". OB-B>3$, *351 C$D B2$<2"**.C$% F-Cut B2$5?32'C.- + 0D,.CHC+C. ,. 0+*-$D2<N5'- 4"B$-$%, 0-.0-4CD.4", C+ 0-4N C$D C5",C. *' Q"5+ C-% B2$C-*N5'-% C$D. GN*. 4.C.C'K3, <-. C+ *"24. Freitag '/,.- C$ 4.C"5C+*" C+% B$D Q2/54'C.- 5C$ Q-$*+).,-4H 4$**"C- C+% VD2/)+%, 5C$ 5C.K*H Hardbrücke. &$ C'>'DC./$ '/,.- 4.C.54'D.5*3,$ .BH 17 B.>-" 4$,C3-,'2 B>$/1,. ]C., Q2/54'C.- 4"B$-$% 5C+, 4$2D?N, 5C.

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As graphic design students and fanatics of bicycle or ‘velo’, as named in Swiss dialect, they needed a comfortable bag, easy to use and protective for their drawings from the often rains. As far as choice of materials is concerned, it happened while watching outside the window of their student apartment towards a busy motorway with many trucks. As a result the idea to use recycled materials from the streets and return them as something new, came to them. This specific concept is the basis of their originality. Freitag bags are made from used tarpaulin out of trucks, safety belts

from retired cars, worn out bicycle tires and recycled Airbags and today it has become a brand that travels beyond Swiss borders. Every Freitag product is literally unique; there aren’t two identical bags, each made out of different tarpaulins with various colours and designs. Furthermore, the F-Cut online program gives the opportunity to create a bag of preference. Freitag's trademark is the Hardbrücke station store located in the industrial part of Zurich and built out of 17 old shipping containers. When sat on top, at 26 meters height with view towards the centre of Zurich, the lake and the train station, one too gazes at the highway where the raw material for the bags comes from: the passing trucks. Freitag's fabrication unit is situated a few meters next door; a friendly and particularly pleasant factory of 2,600 square meters. During our visit we met young and smiley staff, we saw timber recycling containers of all materials, knifes and numerous organised, archived and stored tarpaulin rolls ready to be cut. Sascha Koglmeier, brand manager, took us on a tour throughout the manufacturing line of all forty different Freitag products. And it is a fact that all two thousand pieces produced yearly, are cut there by hand!

C/-W&)*2 *3' Freitag ;2 </16*1 5*3) (==9#2 5*- %2*95*342 SHOP, E/4-+ 112A.

Freitag products are available in Greece at SHOP, Ermou St. 112A.

TEXT=USW6=8-9&T!O9W=6 L69@S6 | KIRIAKI-DOMENIKA CHANDRA FREITAG.CH

8 ASX&8 &G69&6 FREITAG =6&6G=OU6G&8=O &T 1993 G&8 VUSWL8 6AT &TUG 6@OF\TUG DANIEL =6W MARKUS FREITAG. &T ASX&T GLO@WT 8&69 !W6 &G69&6 GO GL8!6 ‘&6LU@ST!TU’. AFOT9 8 FREITAG OLOW 6AT=&8GOW @WO798 \8!8 =6W OLOW GU!AOSWF8\7OW GO O=7OGOWG &TU !TUGOWTU MOMA G&8 9O6 UTS=8 =6W &TU !TUGOWTU MUSEUM FÜR GESTALTUNG &8G VUSWL8G.

THE FIRST FREITAG BAG WAS MADE IN 1993 BY THE BROTHERS DANIEL AND MARKUS FREITAG WHILE THEY WERE STILL STUDYING. THE FIRST DESIGN THEY CAME UP WITH, HAD THE SHAPE OF A MESSENGER BAG. THE BAG HAS NOW ACCLAIMED INTERNATIONAL FAME; INCLUDED IN EXHIBITIONS AT MOMA IN NEW YORK AND THE MUSEUM FÜR GESTALTUNG IN ZURICH.

FREITAG/ HAND MADE IN ZURICH

96

POINTS DIRECTORY

67896 Booze Cooperativa, Hell’s Kitchen, !.<4.M3, Pepe Jeans, Pop, Baba Au Rum, Café 46, It, Costa Coffee, Six Dogs, Pairi Daeza, A2/M., Use Bar, Higgs, Icon, Staff Jeans+Co, Levis Store, Discobole, Art Hotel, Art Tower =TFX96=W Costa Coffee, =$**1CN2-$ Gino, Circus, Janetto’s, I2.4/, Tribeca, Rosebud, Siran, !$D2>$4$(4$D, G4$D?"4-, Be Seen, It, 6>'., Underground, Sotris, Freeshop, Miss Sixty/Onergie, Antonios Markos, Heel, Parthenis, Catalogue, Cop.Copine, Carla G, .Lak, Art Wear Dimitriadis, Pepe Jeans, Nine Below, Diesel, Embassy Filmnet Odeon, 65C2$>"Q$% Artlife, Kartell, 65C2$>"Q$%, Lena Katsanidou, S"C4., 6*.>/. 6D<32+, Prime Cut, Preview, Number 3, Lillypute, Koukoutsi, `M+*., Mommy, Christos Costarellos, =$., I-Q>-$B1>'/$, Rere Papa, L+*'/$, Ifa !T96G&8S6=W/AF6=6 Shop 112A, Sublime, Diesel, Prime Timers, Bench, Red Light District, Inoteka (T-,$KN4+), Taf, Fnac, Staff Jeans & Co GU9&6:!6/A69OAWG&8!WT 6*B"2-M., 9-4+% Café, Staff Jeans & Co, It, Obi, Orfanidis, Elevensouls, Joe Weider, Chroma, Capu Bar, Bartesera, Diesel & More, Evergreen, W.,H%, Odeon ]B'2. [USS8 Still Café, Xippas, 64C$ I-Q>-$KN4+, !ofu, Occhi, Philipp, AMP, Abused, Soul, Formika Design, Scanner, Color, Lazy Dayz, Yoga Bala, A.Antonopoulou. Art, 6@, Central Hair Company OZ6SLOW6 Skiadopoulos, Play House, Floral, A21C$B$2/., Vinyl Microstore, =H44$- Café, \.5H>-, L"2C'%, `,C2-<4., Wunderbar, Barbara’s Food Company, Cheap Art, Tube, \.5H>- :=6VW The Hive, Hoxton, 9+B-.<1<'/$, Mamaca’s, Mayo, Tapas, Fantaseed, Blue Train, Meli Meli, Swing Bar, Prosopa =OS6!OW=TG/!O&6ZTUS:OWT Bios, Nixon, Belafonte, Rebecca Camhi Gallery :FU\6@6 Costa Cofee, !iss Sixty & Energie, Prime Timers, Slick Bitch, Free Shop, Carla G, Phat Sole, Diesel, New Cult-Undergound, New Cult-Fashion, New Cult-Extreme, Miss Sixty, =$**1CN2-$ Gino, Gym Tonic, .Lak, &2-BCD)$, Fornarina, Petros C, Best O A6:=S6&W Diesel & More, Prime Timers, Petrohair, Staff Jeans & Co, Frozen Wave, 64.0+*/. \1C$<2.?/.%, Andreas Hasiotis Hair Style 78GOWT Loop, Bernier/Eliades, =.?','/$ 7+5'/$, GC.(>$% !6STUGW Frozen Wave - The Mall, Costa Coffee, Kartell, Viale, Frozen Wave, 6didas Golden Hall, Diesel & More, Prime Timers, Diesel - Golden Hall, Staff Jeans & Co- The Mall, Diesel - The Mall, Levi’s - The Mall, Fnac - The Mall, Paul Frank - The Mall, Animal - The Mall =8\WGW6 Parthenis, Diesel, 21 The Fashion Market, Semiramis, 21 Kifisia, Carla G, Paul Frank, Sublime, Miss Sixty & Energie, Kix A6&8GWX9 Bado, Diesel. L6F69@SW Frock & Roll, Cake, Be Seen, Diesel, Prime Timers, .Lak, Best O. AF6&OW6 !6IWF8 Paloma Negra, !B2/4- =TU=6=W Microcosmos 9O6 WX9W6 `02D*. @OG&O =U[OF8 The Apartment, Select BT&69W=TG 6K+,.-% KTFX9TG Bado 8FWTUATF8 Dressing Bar :6F6&GW Diesel 6!AOFT=8ATW A$C$B1>'/$, W>'",. &$(,C. AOSWG&OSW Prime Timers, Sempre, Cake, Best O 9OT 8S6=FOWT Essence Cafe, Coffee House

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ADIDAS ORIGINALS - T: 210 6837837ATHANASSOPOULOS - &: 22950 22625-7(NTONIOS MARKOS - &: 210 7218712ASC MAP - T: 210 9870970ATTRATTIVO - T: 210 2853813BOARDSPORTS - T: 210 9859685BOARD TECH - T: 210 9739384BODY TALK - T: 210 3400000BSB - T: 210 2509000CRIMINAL DEPT - T: 210 3222060DIESEL - T: 210 6021900 DRAGOSTA - T. 210 2236290ELMEC SPORT - T: 210 9699300FASHION DISTRIBUTION - T: 210 9635000FENA FRESH - T: 2310 257447FENA FRESH MED.COSMOS - T: 2310 474032 FREE SHOP - T: 210 3641308JOHN ENZZO - T: 2310 951616LEVI'S HELLAS - T: 210 6873500LYC SAC - T: 210 2817528MICRO X TREME - T: 2310 240832/210 9220939MONOV PROJECT DISTRIBUTION &: 210 8943336NEW CULT - T: 210 9601018-9NIKE HELLAS - T: 210 9464400NOTOS COM - T: 210 8007300PREMIUM GIFTS (LOIS) - T: 210 6147480

PRIME TIMERS - T: 210 5765920PRO-RAD - T: 210 9950891RADICAL FASHION - T: 210 2526888REEBOK GREECE - T: 210 8930800SKIADOPOULOS - T: 210 38183013GUYS - T: 210 2846440SHOP - T: 210 3231683SHOP & TRADE - T: 210 3408400SIXTY HELLAS - T: 210 3402000SCOTCH & SODA HELLAS - T: 210 5773344SOTRIS - T: 210 3610662SPORTSERVICE - T: 210 8955213STAFF JEANS & CO. - T: 210 2514800STRATIGOS - T: 210 3250915TERRA - T: 210 2755790TOP TRENDS - T: 210 9689120-2V DAY LTD (GORILLA) - T: 210 5131300VALLIS & VALLIS - T: 210 2236290VETO SA- T: 210 4839480VF HELLAS - T: 210 6198650W8 STORE - T: 22410 35218ZOE PROKAKIS WHITEROOM - T: 210 51332232XM - T: 210 807972655DSL - T: 210 6021900

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She leads a lonely life 6 She leads a lonely life 6 When she woke up late in the morning light 6 And the day had just begun 6 She opened up her eyes and thought 6 Oh what a morning 6 It's not a day for work 6 It's a day for catching tan 6 Just lying on the beach and having fun 6 She's going to get you 6 All that she wants is another baby 6 She's gone tomorrow boy 6 All that she wants is another baby 6 All that she wants is another baby 6 She's gone tomorrow boy 6 All that she wants is another baby 6 All that she wants - all that she wants 6 So if you are in sight and the day is right 6 She's the hunter you're the fox 6 The gentle 7oice that talks to you won't talk forever 6 It is a night for passion 6 But the morning means goodbye 6 Beware of what is flashing in her eyes 6 She's going to get you 6 All that she wants is another baby 6 She's gone tomorrow boy 6 All that she wants is another baby 6 All that she wants is another baby 6 She's gone tomorrow boy 6 All that she wants is another baby 6 All that she wants is another baby 6 She's gone tomorrow boy 6 All that she wants is another baby 6 All that she wants is another baby 6 She's gone tomorrow boy 6 All that she wants is another baby 6 All that she wants - all that

she wants.Single by Ace of Base 6 from the album Happy Nation /The Sign 6 Released 1993

100

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PHOTOGRAPHS=USW6=8 - 9&T!O9W=6 L69@S6 | KIRIAKI - DOMENIKA CHANDRA