on€¦ · pre-production putting your ideas on paper 3/17/18 7 . quote filmmaking centers around...
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THE PRODUCTION PROCESS FROM IDEA TO SCREEN
How do I record my
ideas?
What is a script?
What steps are in
the process?
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DISCUSSION Why is pre-production important for filmmaking?
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QUOTE
“If you would ask me what my ideal process is, I would say long pre-production, long production and long post production.”
- Park Chan-wook, Director *Oldboy, Snowpiercer
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UNIT LEARNING TARGETS u Students will learn each step in the production
process and how it builds toward a finished film. u Students will learn how to pitch and sell a story idea
to the class. u Students will practice each step in the production
process to craft a finished film.
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PRE-PRO OUTLINE u Brainstorming u Pitching
u Green lighting u The Outline
u The Story Arc u The Treatment u The Script
u Storyboard u The Shot List
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PRE-PRODUCTION
PRODUCTION
POST PRODUCTION 3/17/18 6
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PRE-PRODUCTION PUTTING YOUR IDEAS ON PAPER
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QUOTE Filmmaking centers around planning. If you don’t plan, you will have no idea where you will end up.
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THE PRE-PRODUCTION PROCESS
u Pitch u Outline u Script u Storyboard u Shot List
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THE ART OF THE PITCH
SELLING YOUR IDEA
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THE PITCH u Your elevator pitch. u Should summarize story, characters, setting as
quickly as possible. u Lays out story arc. u Sells your story to your audience. u Key question: Why is this story worth telling?
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VIDEO CRASH COURSE: PITCHING YOUR MOVIE CAN BE HARD
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LOG LINE A brief, one sentence summary of your film that states the
central conflict, characters and setting of your story.
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Charlie Brown is finally invited to a Halloween party; Snoopy engages the Red Baron in a dog fight; and Linus
waits patiently in the pumpkin patch for the Great Pumpkin.
-It’s The Great Pumpkin Charlie Brown
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RJFS: HOW TO WRITE A LOGLINE
VIDEO
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VIDEO THE ART OF A GOOD PITCH
BY THE DIRECTORS OF TRIBECA FILM FESTIVAL
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SUCCESSFUL PITCHING STRATEGIES
u Starting your pitch with a question: u “What if everything you knew about your life turned
out to be a lie? u It engages the listener from the start!
u Create a cliffhanger - Bring the listener to an interesting or mysterious part of the story then switch to another portion.
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SUCCESSFUL PITCHING STRATEGIES u Speak openly about what drew you to the story.
u Be open to feedback. Even if it does not, at first seem like a good idea.
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KEEP IN MIND u Who is your audience?
u What’s the message of your film?
u What is the genre of your film?
u What is your story arc?
u What is the setup?
u What is the conflict?
u What is the resolution?
u It’s blank meets blank…
u If your movie was two movies, what would those be?
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GREEN LIGHT
The permission to go ahead and move forward with a project.
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Strong Idea! 3
Okay Idea! 2
Needs more Work 1
Idea is well developed. Has identifiable characters, setting, story arc. Fulfills project requirements and goals. Is makeable with time and resources.
Idea could use more development. Seems to have a story and characters. Needs slight revision to fulfill assignment goals and requirements. Might not be makeable with time and resources.
Idea is not developed enough to green light. Doesn’t have a story arc. Story and characters are confusing. Does not fulfill assignment goals and requirements. Is not achievable with time and resources available. G
reen
Lig
ht S
cori
ng C
ard
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GREEN LIGHTING u Everyone votes to Green, Yellow, Red light a
project.
u Automatically green lighting a project doesn’t do a favor to the group presenting.
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FEEDBACK IS KEY u Honest, constructive feedback helps everyone learn
and make better films.
u Would you want people to not give you honest advice?
u Think critically about the feedback you received and
if it can be incorporated.
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CHARRETTE PROTOCOL CHARRETTE PROTOCOL TIME
PRESENTATION Presenter Presents their project idea & pitch to a partner. The partner listens.
2 min
FRAMING QUESTION Presenter asks a question to frame the feedback. Ex – “What can I make better about…?” “How can I improve…?”
1 min
FEEDBACK Partner gives suggestions. Presenter listens. Make your feedback helpful, specific & kind.
2 min
OPEN DISCUSSION Presenter and partner have a dialogue about the suggestions/feedback.
2 min
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THE OUTLINE CRAFTING EACH STEP
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THE OUTLINE u The Paradigm – a.k.a. “The story arc” u Act I,II,III – The skeleton
u Act I – Introduce characters, setting, story u Act II – Plot thickens, characters must overcome
challenges. u Act III – Characters overcome greatest obstacle and return
home. The “twist” happens. u Map out scenes – index cards. u Figure out the chain of events.
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THE STORY ARC
Act 1 Beginning
Act II Middle
Act III End
Climax
Crisis
Inciting Incident
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THE SCRIPT THE BLUEPRINT
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THE SCRIPT u The final written form of the story. u 2-column AV script. vs. screenplay u Written according to strict guidelines u Involves action, characters, dialog, parentheticals u Get feedback, re-draft
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STORYBOARDING PRE-VISUALIZATION
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STORYBOARDING u Visualize the script u Map out your shot framing, angles, movement u Storyboarding – A cartoon rendering of all of the
scenes in the script. u Animatic – A storyboard in motion.
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SHOT LIST THE SHOPPING LIST
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SHOT LIST u The “grocery list” of shots. u Determines what framing/angles/movements are
needed in the shots. u Shot lists are crafted from the script by the director. u Shot lists are to be prepared BEFORE ever
stepping foot on set. u Not being prepared wastes EVERYONES time.
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SHOT LIST DEMO
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PRE-PRO SUMMARY u Students have learned each step in the pre-
production process. u Students have learned how to pitch and sell a story
idea to the class. u Students have learned why each step in the
process is essential to the entire production. u Students will create their first pre-production
paperwork for their project.
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PRODUCTION LIGHTS, CAMERA, ACTION!
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LEARNING TARGETS u Students will learn the outline of the steps in
principal photography. u Students will be introduced to the concepts of
blocking and pre-lighting. u Students will learn the importance of continuity. u Students will learn the protocol of shooting a take.
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