mag_nº 7 artist

Jill Greenberg

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Editor: José Manuel Bejarano_

Director: Isidre Estévez_

Editor gráfico y maquetación: Óscar ferrer_

Jefe de Redacción_Rubén Romero._

Redacción: Jordi Muro_

Sílvia Micolau_

Colaboradores: Adrián de Alfonso_

Albert Duat_

Antonio Baños_

Boko_

Carles Riu_

Chabela Díaz _

Christian Barranco_

Cristian Campos_

Cristina Ros_

Desirée de Fez_

El Negociador_

Federico Navarro_

Ferran Llauradó_

Gonzalo del Castillo_

Guido Reyna_

Guillem Clua_

Half Nelson_

Íñigo M. Möller_

Iban del Campo_

Iván Caparrós_

Jaime Casas_José Sánchez_

Laura Folguera _

Laura Sales_

Luis Escudero_

Marc Prades_

Marc Piñol_

Matías Corea_

Marga Durá_

Mónica Artigas_Noemí Zapata_

Oriol Rossell_

Óscar del Pozo_

Quim Pérez_

Ramón Vendrell_

Rubén Mayoral_

Rubén Romero_

Salvador Santó_

Sebastià Roig_

Sylvia Patterson_Valentín Roma_

Vicenç Batalla_

Xavi Ayén_

Fotografía: Ángela Bonadiés_

Anna Ripoll_

Biel Capllonch_

Cès DeVilallonga_

Corinne Day_

Daniel Riera_

Darius Dombek_

Jack Ristol_

José Manuel Bejarano_

Jack Ristol_

Julian Broad_

Julio Garcia_

Kevin Westenberg_

Marc Goodwin_

Misha Kominek_

Nacho Juárez_

Natalia_

Nico_

Onofre Bachiller_

Ronnie Black_Simbolek_

Tristan Macherel_

Udo Hess_

Xevi Muntané_

Ilustración: Bernat Lliteras_

Berto Martínez_

J. Carrasco_

Jordi Ferrera_

Juanjo Sáez_

Informática:

David Portillo_

agradecimientos: Rubén Bruque _Montserrat Fernández de Arroyabe _

Lali Almonacid_Mati Barbero_Isa Isla_Carmen Frutos_ Marc Salinas_

Misha Kominek_ Mónica Cuende _Toni López_

Susana Baldó_

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Jill Greenberg

jillgreenberg.com

Jill Greenberg (born July 1967) is an American photographer and artist. She is known for her portraits and fine art work.

Since the age of 10, Jill Greenberg has staged photographs and created characters using the mediums of drawing, painting, sculpture, film and photography. She is known worldwide for her uniquely human animal portraits, which intentionally anthropomorphize her subjects, as well as her infamous series, “End Times” which struck a nerve in its exploration of religious, political, and environmental themes exploiting the raw emotion of toddlers in distress. Her newest work marks a return to the postmodern feminist theory that inspired her senior thesis, “The Female Object” as an art student at RISD in the 80’s: “The discipli-nary project of femininity” and the predetermined failure of all women who attempt to “succeed” at it.As a working photographer she travails to straddle the line between assignment work and her own perso-nal work. On one notable occasion, a conflict arose when she was assigned to photograph the Republican candidate for presidency in the summer 2008, at the height of his popularity; after delivering the assign-ment exactly as requested, she chose to speak out in the form of agit-prop outtakes on her own website, which she was legally allowed and morally compelled to do. The violent backlash from her political art has informed this return to the question of what is tolerated by women in our culture.

T I M E O N Y O U R S I D E

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T I M E O N Y O U R S I D E

Hermes.com