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****************************************************************************** ** The Ninja Warrior ** Presents: ** Poison #1 ** ****************************************************************************** THIS WILL BE A SERIES WRITTEN EVERY SO OFTEN TO INFORM YOU FUTURE NINJAS ORKILLERS OUT THERE. I WILL WRITE A SERIES OF PHILES ON THE SECRETS OF THENINJA. THIS IS NO BULLSHIT YOU SEE IN THE BOOKS IN YOUR LOCAL MARTIAL ARTSSTORE. THIS IS THE REAL SHIT. DON'T ABUSE YOUR POWERS. ***WARNING***IF YOU FOLLOW INSTRUCTIONS IN ANY OF THE SERIES AND YOU DO HARM SOMEONE BADI WILL TAKE NO BLAME FOR IT. PLEASE DON'T INTEND TO USE THESE TRICKS AS ACHILDISH JOKE. SOME OF THE THINGS I MIGHT WRITE MAY BE VERY HARMFUL...MOSTLIKELY DEADLY. BACKGROUND----------I WAS BORN IN JAPAN, RAISED AND TAUGHT THE ART OF NINJUTSU FROM MY FAMILY.I IMMIGRATED TO THE U.S. AND BECAME A U.S. CITIZEN. I'VE BEEN STUDYINGTHE ART FOR OVER 15 YEARS NOW. I AM REVEALING SOME OF THE SECRETS TO YOUSINCE MANY PEOPLE ARE WRITING BULLSHIT TO PLEASE THE KIDS, AND ALL THATBULL MAKES ME MAD. IT SEEMS LIKE THE BOOKS CAN SOMETIMES DEGRADE US, THEPRESENT NINJAS. POISON------THERE WERE MANY TYPES OF POISON USED IN THE OLD DAYS IN JAPAN. MOST OF THEPOISON WAS MADE AT HOME WITH PLANTS, HERBS, AND OTHER INGREDIENTS OBTAINABLEVERY EASILY. IN THIS SERIES I WILL DISCUSS A CERTAIN TYPE OF POISON WHICHHAS A DELAYING DEATH EFFECT. WARNING

-------THIS POISON IS DEADLY. I KNOW SOMEONE IN MY CLAN WHO HAS USED THIS TYPE OFPOISON TO KILL A PHEW PEOPLE. IT WORKED FOR A WHILE BUT EVENTUALLY HE WASCAUGHT. HE IS IN JAIL FOR A LIFE SENTENCE FOR MURDER. ======== POISON======== THIS POISON WILL KILL THE AFFECTED VICTIM WITHIN A WEEK. THE REASON FOR THETIME DELAY IS THAT THE POISON CAUSES THE VICTIM TO GET TETANUS. THIS PROCESSCAN BE FATAL, SO PLEASE BE VERY CAREFUL IN USING THIS POISON. THE POISON IS FAIRLY SIMPLE TO MAKE. USING IT TO KILL SOMEONE IS SOMEWHATCOMPLICATING. THIS IS AN INFECTIOUS POISON SO MAKE SURE YOU HAVEN'T ANY CUTS ON YOUR HANDSWHEN PREPARING THE POISON. INGREDIENTS: HORSE SHIT (EXTRACTED) HUMAN BLOOD (TYPE DEPENDS ON VICTIM) YOU CAN GET HORSE SHIT FROM MOST ANYWHERE NOWADAYS SINCE THERE ARE COPS WITHHORSES NOWADAYS. JUST WALK AROUND WHERE YOU KNOW HORSES PASS BY, AND GET ASMALL QUANTITY OF HORSE SHIT. DON'T GET A LOT CAUSE THAT SHIT STINKS. TAKE SOME HORSE SHIT PUT IT IN A TEST TUBE AND PUT A RUBBER STOPPER ON TOP.ONCE YOU OBTAIN THE HORSE SHIT, YOU MUST EXTRACT THE NECESSARY PART OF THESHIT. YOU MUST REMOVE ALL THE HAY AND OTHER GARBAGE IN THE HORSE SHIT. YOU CANREMOVE THE RUBBER STOPPER AND HEAT THE SHIT OVER A LIGHT FLAME. THE SHITSHOULD START TO MELT AND THE JUNK IS EXTRACTED OUT OF THE SHIT. WHEN THE SHIT MELTS, DUMP IT ON SOME KIND OF FILTERING SYSTEM SO YOU CANREMOVE THE JUNK. REPEAT THE PROCESS UNTIL MOST, IF POSSIBLE, ALL OF THEJUNK IS REMOVED. !!! CAUTION !!! THIS PROCESS STINKS UP THE WHOLE FUCKINGHOUSE SO DO IT OUT SIDE.

WHEN THE SHIT IS EXTRACTED, YOU MUST OBTAIN THE HUMAN BLOOD. THE TYPE OFBLOOD IS VERY IMPORTANT!!! FOR EXAMPLE...IF YOU WANT TO KILL THE VICTIM, YOU MUST USE THE BLOOD TYPEWHICH CORRESPONDS TO THE VICTIM: BLOOD TYPE A POS. NEEDS AN A POS. BLOOD INTHE POISON, AND SO FORTH. IF YOU DON'T KNOW WHAT THE INTENDED VICTIMS BLOOD TYPE IS, THAT'S OKAY.YOU CAN USE OTHER BLOOD TYPES AND MIX THEM LIKE TRANSFUSIONS OF BLOOD. BUTTHE EFFECT OF THE POISON MAY BE DELAYED OR IT MAY NOT BE FATAL. BUT ITSHOULD DO THE TRICK. GET THE EXTRACTED HORSE SHIT AND MIX THE SHIT WITH THE BLOOD. THE PROPORTIONOF THE BLOOD WITH RESPECT TO THE SHIT IS 3 TO 1, WHICH MEANS FOR EVERY 1 OZ.OF SHIT, THERE MUST BE 3 OZ. OF BLOOD, AND SO FORTH. HEAT THE MIXTURE AT A VERY LOW HEAT, AND THE MIXTURE SHOULD START BUBBLING.TRY NOT TO INHALE THE SMELL. IT'S KNOWN TO CAUSE CANCER IF YOU SMELL IT.DO NOT HEAT IT WITH A HIGH FLAME, SINCE THE BACTERIA IN THE SHIT AND THEBLOOD WILL DIE AND THE POISON WILL BECOME USELESS. HEAT THE TEST TUBE AND STIR THE CONTENT WHILE HEATING TO CREATE A BETTERMIXTURE. WHEN THE CONTENT STARTS TO CHANGE COLORS FROM RED TO BRICK BROWN ORREDDISH-BROWN, THEN REMOVE THE MIXTURE FROM THE FLAME. ALLOW THE POISON TOCOOL OFF. WHEN THE POISON COOLS OFF, THEN YOU'VE JUST MADE ONE OF THE DEADLIEST POISONSAROUND. THIS IS NOT A TYPE OF POISON WHICH YOU CAN JUST SPILL ON THE VICTIM, NOR ISIT ONE THAT YOU CAN JUST PUT INTO SOMEONES FOOD. IT HAS TO ENTER THE VICTIM'SBLOOD STREAMS. TO DO THAT YOU MUST USE A NEEDLE OR A KNIFE TO RUPTURE THESKIN IN SOME WAY IN ORDER FOR THE POISON TO WORK. THE NINJA IN THE OLDEN DAYS USED WHAT WAS CALLED FUKIYA AND FUKIBARI. THEFUKIYA IS A BLOWGUN MADE OF BAMBOO AND THE FUKIBARI WAS THE DART BLOWN OUT

OF THE BLOWGUN. WE DIPPED THE DARTS IN THIS POISON, THEN BLEW THE DART OUTOF THE GUN IMMEDIATELY. WE USUALLY STRUCK THE VICTIM AT PRESSURE POINTSWHICH MADE THE VICTIM PASS OUT. WHEN THE VICTIM PASSED OUT, WE REMOVED THEDART AND LEFT THE SCENE. THE PERSON AWAKENS WITH TETANUS, AND DIES WITHIN APHEW DAYS, NO LONGER THAN A WEEK. ANOTHER MURDER WITHOUT A TRACE. WHAT CAN BE DONE IN MODERN TIMES IS GET A NEEDLE DIPPED WITH THE STUFF ANDJUST POKE THE VICTIM. MOST LIKELY THE VICTIM THINKS YOUR CRAZY AND CONTINUETO FIGHT YOU. IF THE POISON ENTERED HIS BLOOD STREAM, HE WILL GET TETANUS.WHEN AND IF HE FINDS OUT THAT HE HAS TETANUS, AND GETS A PENICILLIN SHOT ORSOMETHING, HE WILL LIVE. BUT IF HE FINDS OUT TOO LATE OR DOESN'T FIND OUTAT ALL, HE WILL DIE. THERE ARE MANY OTHER WAYS OF GETTING THE POISON INTO THE VICTIM'S BLOODSTREAM. YOU WANTING TO BECOME THE TRUE NINJA CAN TRY MANY WAYS TO KILLWITHOUT A TRACE. I HOPE YOU WILL NEVER USE IT AS A JOKE. BE VERY CAREFULNOT TO GET THE POISON INTO YOUR BLOOD STREAM. GOOD LUCK AND HAVE A NICE DAY. DATED: 01-05-1985 PLEASE DO NOT ALTER THIS PHILE IN ANY WAY. I WANT THIS PHILE TO BE COMPLETEAND STAY COMPLETE AS IT IS OFFERED TO MANY PEOPLE. YOU MAY SHARE THIS PHILEWITH ANYONE AND EVERYONE. BUT THE BEST WAY IS TO KEEP THE SECRETS WITHINYOURSELF. NEXT SERIES: HOW TO MAKE A SMOKE SCREEN, AND ITS USES AND EFFECTS.uu

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Another file downloaded from: NIRVANAnet(tm)

& the Temple of the Screaming Electron Jeff Hunter 510-935-5845 The Salted Slug Strange 408-454-9368 Burn This Flag Zardoz 408-363-9766 realitycheck Poindexter Fortran 510-527-1662 Lies Unlimited Mick Freen 415-583-4102 Tomorrow's 0rder of Magnitude Finger_Man 415-961-9315 My Dog Bit Jesus Suzanne D'Fault 510-658-8078 New Dork Sublime Demented Pimiento 415-566-0126

Specializing in conversations, obscure information, high explosives, arcane knowledge, political extremism, diverse sexuality, insane speculation, and wild rumours. ALL-TEXT BBS SYSTEMS.

Full access for first-time callers. We don't want to know who you are, where you live, or what your phone number is. We are not Big Brother.

"Raw Data for Raw Nerves"

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****************************************************************************** ** The Ninja Warrior ** Presents: ** Shuriken ** ****************************************************************************** THIS IS THE THIRD OF THE NINJA009 SERIES. I HOPE YOU ENJOYED THE FIRST TWOBULLETINS AND I'M SURE YOU'LL ENJOY THIS ONE AS WELL... ***WARNING***IN CALIFORNIA, THERE IS A LAW THAT PROHIBITS SHURIKENS. IF YOU GET CAUGHTCONCEALING ONE IN YOUR POCKET OR ANYWHERE ELSE ON YOUR BODY IN THE STREETS,YOU WILL BE CAUGHT AND THE OBJECT WILL BE CONFISCATED. IF YOU ARE OVER 18YEARS OF AGE, YOU CAN BE FINED AND SENTENCED A FEW MONTHS IN JAIL. SO DON'TBE STUPID ABOUT THINGS. DON'T SHOW OFF WHAT YOU'VE GOT. BACKGROUND ON SHURIKENS:------------------------THE SHURIKEN OR THE THROWING STAR HAS MAINLY ONE PURPOSE TO THE NINJA. ADISTRACTION FOR ESCAPE, MUCH LIKE THE SMOKE SCREEN. THE NINJAS IN THE OLDDAYS, USED THE STAR TO CREATE A DELUSION. THE NINJA WOULD THROW THE STARIN A DIRECTION WHICH MADE A SOUND IN A TOTALLY WRONG DIRECTION SO HIS OPPO-NENT WILL BE SEARCHING YOU IN THE WRONG PLACES, THEREFORE YOU CAN ESCAPE.IN MODERN MOVIES, I HAVE SEEN THEM USE IT TO KILL AN OPPONENT. AS I HAVELEARNED FROM MY GRAND MASTER, THE SHURIKEN IS NOT ACCURATE ENOUGH TO KILLMOST LIKELY, YOU CAN ONLY DAMAGE THE PERSON HIT BY THE SHURIKEN. THEREFOREIT IS ONLY USED AS A DISTRACTION DEVICE. BUT, KNOW AS A FACT THAT SOMENINJAS, ONLY A VERY FEW, WERE EXPERTS ON SHURIKEN THROWING AND WERE ABLE TOKILL WITH IT. THERE WERE EXACTLY TWO PEOPLE IN THE HISTORY OF JAPAN WHO CANPROPERLY THROW A SHURIKEN. THEY WERE AROUND IN THE 1500-1700 A.D. I KNOWTHAT THERE IS NO ONE IN THIS WORLD, NOW, WHO CAN THROW A SHURIKEN AND ACTUAL-

LY KILL ANOTHER TRAINED NINJA. MOST MODERN NINJA HAS THE KEEN HEARING ABIL-ITIES AS THE OLD NINJA, SO THEY CAN HEAR THE SHURIKEN CUT THE WIND. SO THEYKNOW EXACTLY WHERE IT CAME FROM, AND AROUND HOW FAR AWAY IT WAS THROWN. IDON'T KNOW HOW TO TEACH METHODS OF HEARING BUT I WILL TRY MY BEST IN MY LATERSERIES. WELL...ANYWAYS... SHURIKEN--------THE OLD WAY OF BUILDING THIS WEAPON IS A VERY COMPLICATED TASK. FIRST YOUMUST BUILD A LIMESTONE FURNACE, WHICH TAKES ABOUT TWO MONTHS. THEN, YOU CANSTART BUILDING YOUR WEAPONS. YOU MUST ALSO KNOW HOW TO FORGE THE WEAPON.THEREFORE, I CANNOT REALLY TEACH YOU HOW TO MAKE IT THE OLD WAY. BUT LATER ONIN THE SERIES I SHALL TEACH YOU HOW TO BUILD A FURNACE AND HOW TO BUILD WEAPONSTHE OLD FASHIONED WAY. BUT THIS TEXT WILL TEACH YOU A SIMPLE BUT EFFECTIVEMETHOD OF BUILDING AND SHARPENING ONE. -----------------------MATERIALS AND EQUIPMENT----------------------- - A SHEET METAL OF AT LEAST 3/16" THICKNESS.- A HACKSAW OR SOME OTHER CUTTING DEVICE.- A SHARPENING STONE, HARD ( NOT SOFT ARKANSAS ).- A STEEL MALLET ( A HAMMER SHOULD DO ).- A VISE- AN ANVIL OR SOME OTHER FLAT METAL SURFACE. --------------HOW TO MAKE IT--------------IT IS QUITE SIMPLE THE MODERN WAY, IT ONLY TAKES A FEW HOURS AT MOST. FIRST,YOU MUST DRAW THE SHAPE AND SIZE OF SHURIKEN YOU WANT ON A PIEC OF PAPER.AFTER YOU HAVE CHOSEN YOUR DESIRED SHAPE, DRAW IT ONTO THE METAL WITH AN AWLOR SCREWDRIVER. THEN, CLAMP THE SHEET METAL ONTO THE VISE. CAREFULLY CUTOUT THE SHUIKEN. SOMETIMES IF YOU USE THICK SHEET METAL WITH A HACKSAW, THESAW BLADE TENDS TO GET WARM AND SOMETIMES START TO WARP, SO APPLY

SOME KINDOF LUBRICANT OIL AND IT SHOULD REDUCE THE FRICTION THAT CAUSE THE HEAT. AFTERYOU CUT OUT THE SHURIKEN, THEN YOU MUST START MAKING THE EDGES SHARP. STARTHAMMERING DOWN THE POINTS OF THE SHURIKEN. AFTER A FEW POUNDINGS, THE POINTSSHOULD BE A BIT FLATTER THAN THE CENTER OF THE SHURIKEN. THEN START WORKINGON THE SIDES OF THE POINTS. BUT REMEMBER NOT TO GO TO DEEP INTO THE CENTER OFTHE SHURIKEN SINCE THE CENTER SHOULD BE THE SAME THICKNESS AS YOU STARTED WITH.AFTER YOU START SEEING THE EDGES BECOMING GROUNDED, THEN STOP THE POUNDING.GET THE SHARPENING STONE. AT FIRST JUST GRIND THE SHURIKEN IN A CIRCULARMOTION NEAR THE TIPS OF THE POINTS. AS YOU BEGIN FEELING THE POINTS SHARPEN,WORK ON THE SIDES. KEEP WORKING ON GRINDING THE STEEL, UNTIL AN EDGE BEGINSTO FORM. MAKE SURE YOU SHARPEN BOTH SIDES EVENLY. WHEN THE EDGE BEGINS TOFORM, THEN YOU MUST SHARPEN THE SHURIKEN WITH CAREFUL STROKES. YOU MUST NOTFORCE THE SHURIKEN TO SHARPEN. YOU MUST STROKE THE SHURIKEN BACKWARDS. NEVERPUSH IT FORWARDS TO SHARPEN IT OR YOU'LL LOSE IT'S EDGE AS YOU TRY TO DEVELOPIT. STROKE IT BACK FOR A WHILE, UNTIL THE POINTS BEGIN TO GLARE. AFTER ANHOUR OF STROKING, THE BLADE SHOULD BE COMPLETE. WHEN YOU FIRST TRY TO BUILDTHIS THING, YOU MIGHT NOT GET A WELL BALANCED SHURIKEN. AS A MATTER OF FACT,WHEN I BUILT ONE THIS WAY, IT TOOK ME TEN TRIAL SHURIKENS BEFORE I GOT ADESCENTLY BALANCED ONE. ALL IT TAKES IS PRACTICE. YOU ALL PROBABLY KNOW THATPRACTICE MAKES PERFECT. -------------------THROWING TECHNIQUES-------------------I CAN WRITE A WHOLE BOOK IN TEACHING HOW TO THROW THIS THING. I WILL TEACH THEBASIC METHOD OF THROWING THIS TOOL. GRIP ONE OF THE POINTS WITH YOUR THUMB &YOUR FORE AND MIDDLE FINGERS. TO AIM IT TO THE DESIRED OBJECT, LOOK AT THEREST OF THE SHURIKEN THAT IS NOT COVERED BY YOUR GRIP. THE HALF POINT FROM THETOP TO THE BOTTOM OF YOUR VISUAL POINT, IS WHERE THE TARGET SHOULD BE FOCUSEDAT. WHEN YOU RELEASE IT, SNAP THE SHURIKEN WITH YOUR MIDDLE FINGER. IF

THESHURIKEN FLYS VERTICAL WITHOUT ROTATING HORIZONTALLY, THEN YOUR SHURIKEN ISFAIRLY BALANCED. PRACTICE THROWING THE SHURIKEN EVERYDAY, YOU CAN FIGURE OUTOTHER COMFORTABLE METHODS OF THROWING AND HITTING THE TARGET. HAVE FUN... WRITTEN BY: THE NINJA WARRIORANY QUESTIONS REGARDING THIS OR THE PREVIOUS SERIES, LEAVE E-MAIL TO:THE NINJAAT THRASHER BBS (415) 822-5630NEXT IN THE SERIES...CLIMBING TECHNIQUES./E

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Another file downloaded from: NIRVANAnet(tm)

& the Temple of the Screaming Electron Jeff Hunter 510-935-5845 The Salted Slug Strange 408-454-9368

Burn This Flag Zardoz 408-363-9766 realitycheck Poindexter Fortran 510-527-1662 Lies Unlimited Mick Freen 415-583-4102 Tomorrow's 0rder of Magnitude Finger_Man 415-961-9315 My Dog Bit Jesus Suzanne D'Fault 510-658-8078 New Dork Sublime Demented Pimiento 415-566-0126

Specializing in conversations, obscure information, high explosives, arcane knowledge, political extremism, diverse sexuality, insane speculation, and wild rumours. ALL-TEXT BBS SYSTEMS.

Full access for first-time callers. We don't want to know who you are, where you live, or what your phone number is. We are not Big Brother.

"Raw Data for Raw Nerves"

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****************************************************************************** ** The Ninja Warrior ** Presents: ** Climbing Tutorial 1 ** ****************************************************************************** THIS IS THE FOURTH OF THE NINJA009 SERIES. I HOPE YOU'VE ENJOYED THE FIRSTTHREE BULLETINS AND I'M SURE YOU'LL ENJOY THIS ONE AS WELL... BACKGROUND ON CLIMBING TECHNIQUES:----------------------------------MAY RUMORS HAVE BEEN SAID THAT NINJA'S CAN FLY OR THEY CAN CLIMB FLAT,VERTICAL WALLS, WITH NO SWEAT...BULLSHIT...I, PERSONALLY HAVE A HELL OF AWORK OUT WHEN I CLIMB WALLS, SOME TIMES I STAY STUCK TO A WALL FOR OVERAN HOUR JUST TO GET SOME REST. THE ANCIENT NINJA'S USED A VERY WELL CON-STRUCTED TOOL CALLED THE TEKAGI (HAND CLAWS), AND THE ASHIKO (LITERALLYTRANSLATED, FOOT CLAWS, LIKE ON CATS.). THE ONES YOU SEE IN THOSE MAILORDER SHITS, ARE VERY FRAGILE AND WEAK...I HAVE TESTED OVER TWENTY DIFFERENTONES, THEY ALL BROKE AFTER THE SECOND OR THE THIRD CLIMB. BUT I'LL TELLYOU ONE THING, THEY ARE HELLA GOOD FOR FIGHTING...AS A MATTER OF FACT, I KNOWTHIS GUY, ONE OF MY BROTHERS OF THE CLAN, KILLED AN ASSAULTANT WITH IT.THE ASSULTANT HAD A GUN AND HE JUST SLASHED HIS HAND APART, HE BLED TO DEATH.ANYWAYS...ENUFF OF THIS BORING STUFF. I WON'T TELL YOU HOW TO MAKE A WELL, CONSTRUCTED TEKAGI OR ASHIKO, SINCE IMYSELF STILL CANNOT MAKE IT PERFECTLY...WHICH KINDA MEANS SOMETHING.THE RULES OF WEAPONS IN THE NINJUTSU SYSTEM IS THAT, IF YOU CANNOT BUILDIT YOU CANNOT USE IT. AS MY MASTER SAYS. CLIMBING A WALL THAT IS FLAT AND VERTICAL-----------------------------------------HA! HA! YOU SAY...IMPOSSIBLE TO THE CORE...YOU SAY...WELL...IF YOU ARE WELL TRAINED, YOU CAN CLIMB A FLAT WALL AS HIGH AS20 FEET. ONE OF MY BROTHERS OF THE CLAN CAN DO IT. I CAN ONLY GET UPABOUT 15 FEET.ALL IT TAKES IS PRACTICE, WHICH I REALLY DON'T DO ANYMORE. TO BE PHYSICALLY FIT FOR THIS, YOU SHOUD DO THE FOLLOWING EXERCISES.*** WARNING ***DON'T TRY ANYTHING THAT MAY HARM YOUR HEALTH OR YOUR LIFE.DON'T OVER-EXERCISE YOURSELF...I'LL GUARANTEE YOU'LL GET BOARD OF IT.

*************** JUMP AS HIGH AS YOU CAN REPEATEDLY ( START AT 10 TIMES A DAY ) ( WORK UP TO 50 TIMES.... ) STRETCH YOUR LEGS AFTERWARDS - DO FRONT SPLITS ON YOUR RIGHT ( YOU DON'T HAVE TO GO ALL ) - DO FRONT SPLITS ON YOUR LEFT ( THE WAY DOWN ON THE SPLITS ) - DO SIDE SPLITS ( IT'LL GO DOWN EVENTUALLY.. ) OKAY AFTER YOUR EXERCISE, DRILL THE FOLLOWING 10 TIMES...NO MORE THAN 10...YOU'LL FIND OUT WHY... - LOOK FOR A WALL ABOUT 5 FEET ABOVE YOUR OWN HEIGHT. MAKE SURE IT IS A STURDY WALL...- RUN AS FAST AS YOU CAN TO THE WALL AND START CLIMBING. AS YOU CLIMB, PUT YOUR BODY AS CLOSE TO THE WALL AS POSSIBLE.- AT YOUR FIRST ATTEMPT AT THIS, YOU SHOULD BE ABLE TO STEP TWO TIMES ON THE WALL AND SLIP AND DROP TO THE GROUND.- JUST TUCK YOUR BODY AS SOON AS YOU MAKE YOUR FIRST STEP ON THE WALL. THEN YOUR OTHER STEPS WILL BECOME NATURAL.- YOU WILL KNOW WHEN YOU ARE LOSING THE GRIP ON THE WALL, THAT IS WHEN YOU REACH FOR THE TOP.- AS YOU REACH FOR THE TOP, PUSH UP OFF THE WALL.- YOU SHOULD BE ABLE TO GRAB THE TOP.- IF YOU GET TO THIS POINT OF HANGING AT THE EDGE OF THE TOP OF THE WALL, THEN CONSIDER YOURSELF ALREADY UP.- NOW ALL YOU HAVE TO DO IS USE THE ELBOW LOCK SYSTEM TO CLIMB UP TO THE TOP, OR YOU CAN KIP UP.- ( KIPPING UP ) - AS YOU HANG, PULL YOUR LEGS UP AS HIGH AS POSSIBLE. REMEMBER TO KEEP YOUR LEGS AS STRAIGHT AS POSSIBLE. WHEN YOU GET YOUR BODY TO BEND ABOUT A 90 DEGREE BEND OR LESS, THEN PUSH OFF THE WALL WITH YOUR LEGS AND AS SOON AS YOUR FEET COME OFF OF THE WALL, PULL UP WITH YOUR ARMS. ALL THIS SOUNDS SO DAMN EASY TO ANYONE...BUT IT ISN'T...I AM SORRY THAT THISIS NOT A TECHNIQUE THAT EVERYONE CAN LEARN IN A MATTER OF MONTHS. IT TOOKME 5 YEARS TO GET 15 FEET. 5 FUCKING YEARS!!! SO DON'T GET DISCOURAGED...IF YOU GET TWICE YOUR HEIGHT, YOU SHOULD BE PROUD.WORK HARD ON IT...IF YOU CAN WORK ON SOME WEIGHTS ON THE BI-CEPS AND TRI-CEPS.DON'T OVER BUILD YOUR BODY THOUGH. ALSO TRY TO DEVELOP ELBOW AND WRIST POWER.

PUSH YOURSELF IF GOT THE GUTTS...YOU MAY END UP DOING THINGS YOU ONLY DREAMTABOUT. WRITTEN BY: THE NINJA WARRIORANY QUESTIONS REGARDING THIS OR THE PREVIOUS SERIES, LEAVE E-MAIL TO:THE NINJAAT THRASHER BBS (415) 822-5630NEXT IN THE SERIES...DOOR ENTRY/LOCK PICKING TECHNIQUES.

****************************************************************************** ** The Ninja Warrior ** Presents: ** Room Entry/Lock Picking Techniques ** ****************************************************************************** THIS IS THE FIFTH OF THE NINJA009 SERIES. I HOPE YOU'VE ENJOYED THE FIRSTFOUR BULLETINS AND I'M SURE YOU'LL ENJOY THIS ONE AS WELL... ***WARNING***THERE IS A HEAVILY ENFORCED LAW ON BREAKING AND ENTRY. IF YOU GET CAUGHT FORB&E, AND YOU ARE OVER 18, YOU WILL DEFINITELY GO TO * JAIL *...IF YOU ARE UNDER AGED...STILL DON'T DO IT, SOME TIMES THE STUFF YOU DO STAYSON YOUR FUTURE RECORDS. BACKGROUND:-----------NINJA'S WERE ABLE TO WALK THRU WALLS, ENTER AND LEAVE A ROOM WITHOUT A TRACE.THIS WAS ONE OF THE STEALTH SKILLS, THAT THE NINJA'S POSSESSED. THERE WERERUMORS THAT NINJAS CAN VANISH INTO A WALL...WELL...THAT'S A LITTLE HOAX.YES WE ARE ABLE TO ENTER AND EXIT A ROOM WITHOUT A LARGE TRACE...IF YOU KNOWHOW JAPANESE HOUSES IN THE ANCIENT TIMES WERE BUILT, YOU CAN LOOK AT THESUPPORT POSTS, THEY USUALLY HAVE GRAPPLING HOOK MARKS IF A NINJA HAD WALKEDTHRU THE ROOM TO KILL A PERSON OR SOMETHING. BUT ONE HAS TO LOOK VERY, VERYCAREFULLY. --------------HOW TO DO ITS:--------------WELL...I WON'T GET INTO ANY PHILOSOPHICAL BULLSHIT OR THE ANCIENT STUFF.I'LL GIVE YOU INFO ON THE STUFF YOU CAN PUT TO MODERN USE. HOW TO PICK FILE CABINET LOCKS:-------------------------------IT'S QUITE SIMPLE TO PICK OPEN A FILE CABINET. MOST FILE CABINETS NOWADAYSHAVE A CHEAP DISK TUMBLING SYSTEM. IF THE DISK PATTERNS MATCH THE KEY SHAPE,PRESTO! IT'S OPEN.

LET ME BRIEFLY EXPLAIN WHAT DISK TUMBLERS ARE... I I I I I **** I I I ** * ****** * ----- KEY ************ * I I I I I **** ^ ^ ^ ^ ^ |--|--|--|--| EACH ONE OF THE THINGS THAT THE (^) ARROWS ARE POINTING TO ARE DISKS. ( SORRY FOR THE BAD ILLUSTRATIONS. ) IF THE KEY INSERTED THRU THE 5 DISKS, AND THE PATTERN OF THE DISKS MATCH, IT OPENS. SO TO MAKE A KEY THAT WORKS WITH MOST (ALL) CABINET LOCKS... GET A WIRE FAIRLY THICK, JUST THIS ENOUGH TO FIT THRU THE LOCKS.BEND IT IN THE FOLLOWING FASHION. +---- THE DISTANCE SHOULD EQUAL ----------/\/\/\- v FROM TOP OF THE DISTANCE /\ / THE HUMP TO ACROSS TWO ^ THE BOTTOM OF TOPS OR ^ ^ +------ THE HUMP BOTTOMS -----|--| WHEN YOU MAKE YOUR KEY, JUST INSERT IT ALL THE WAY IN. JERK IT UP AND DOWNAS FAST AS YOU CAN, AS YOU TURN THE KEY TO THE LEFT OR RIGHT, DEPENDING ONHOW THE LOCK OPENS. IF YOU GET THE HANG OF IT, YOU SHOULD BE ABLE TO OPENANY FILE CABINET LOCK IN A MATTER OF SECONDS. I USUALLY TAKE ABOUT 3 TO 5SECONDS WITH MY KEY. OPENING LOCKED DOORS:---------------------I CAN WRITE A WHOLE BOOK IN TEACHING HOW TO OPEN LOCKED DOORS. I'LL TELL YOUTHE MOST BASIC WAY OF DOING IT. THIS TECHNIQUE HAS TO BE A DOOR WITH A GAPAS WIDE AS A WIDTH OF A BUTTER KNIFE. IF YOU HAVE A BUTTER KNIFE OR A BUTTER FLY KNIFE OR EQUIVALENT, HANDY, YOU CANOPEN THESE KINDA DOORS AS THOUGH YOU HAVE THE KEY TO THEM. DOOR GAP | |

| | |-| | |---- THE SO CALLED "BOLT" OF THE DOOR. | | |-| | | | | | | BIRD'S EYE AND ENLARGED VIEW OF THIS |---------- THE KNIFE v I ---- SLIDE THE KNIFE THIS WAY FOR THIS PICTURE ____ I ______ |I _| |I/ | DOOR |/ | |___| ____| |_______ ^ |--------------- THE "BOLT" IF THE ROUND PART OF THE "BOLT" FACES YOU THEN WITH THE KNIFE, PUSH ON THEBOLT WITH THE BACK OF THE BLADE. AS YOU PUSH, SLIDE THE KNIFE TOWARDS THESIDE OF THE DOOR. (SEE ILLUSTATION FOR CLARITY). YOU WILL SLOWLY MOVE IT.AND PRESTO! THE DOOR IS OPEN. THE TRICK IS TO SLIDE THE KNIFE AND PUSHINGIT AT THE SAME TIME, AND HOLD ON TO THE DOOR KNOB. IF IT OPENS INWARDS, GETREADY TO PUSH IT AS SOON AS THE KNIFE IS THRU THE "BOLT". FOR THE OTHER CASE ( THE ROUND PART OF THE "BOLT" FACING AWAY FROM YOU ),YOU JUST PULL ON THE KNIFE AND GIVE THE SAME SLIDING MOTION. BE CAREFULNOT TO STAB YOURSELF. THE KNIFE'S CONTACT POINT IS ALWAYS THE BACK OF THEKNIFE. SINCE I HAVE A LIMIT TO THE LENGTH OF MY FILES, I WILL PUT PART 2 OF THIS ONTHE NEXT ISSUE OF THE NINJA 009 SERIES. WRITTEN BY: THE NINJA WARRIORANY QUESTIONS REGARDING THIS OR THE PREVIOUS SERIES, LEAVE E-MAIL TO:

THE NINJAAT THRASHER BBS (415) 822-5630NEXT IN THE SERIES...PART 2 OF ROOM ENTRY/LOCK PICKING TECHNIQUES

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Another file downloaded from: NIRVANAnet(tm)

& the Temple of the Screaming Electron Jeff Hunter 510-935-5845 The Salted Slug Strange 408-454-9368 Burn This Flag Zardoz 408-363-9766 realitycheck Poindexter Fortran 510-527-1662 Lies Unlimited Mick Freen 415-583-4102 Tomorrow's 0rder of Magnitude Finger_Man 415-961-9315 My Dog Bit Jesus Suzanne D'Fault 510-658-8078 New Dork Sublime Demented Pimiento 415-566-0126

Specializing in conversations, obscure information, high explosives, arcane knowledge, political extremism, diverse sexuality, insane speculation, and wild rumours. ALL-TEXT BBS SYSTEMS.

Full access for first-time callers. We don't want to know who you are, where you live, or what your phone number is. We are not Big Brother.

"Raw Data for Raw Nerves"

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Ninja Juhakei (skills)

1) SEISHIN TEKI KYOYO - spiritual refinement2) TAIJUTSU - unarmed combat

Daken Taijutsu - striking and kicking skillsJu Taijutsu - grappling skillsTaihen Jutsu - dodging and avoiding skillsKoppojutsu - bone methods skillsKosshi Jutsu - finger and muscle method skills

3) NINJA BIKENJUTSU - special ninja sword (ninja-to)4) BOJUTSU - stick and staff fighting

Hanbo - half stickJo - three quarter stickBo - full staffShikomi Zue - ninja cane

5) SHURIKEN JUTSU - blade throwing6) YARI JUTSU - spear fighting7) NAGINATA JUTSU - halberd fighting8) KUSARI GAMA - chain and sickle9) KAYAKU JUTSU - fire and explosives10) HENSO JUTSU - disguise and impersonation11) SHINOBI IRI - stealth and entering methods12) BAJUTSU - horsemanship13) SUIREN - water training14) BO RYAKU - strategy15) CHO HO - espionage16) INTON JUTSU - escape and concealment17) TEN MON - meteorology18) CHI MON - geography

Ninpoby Roy Ron

Ninpo is a group of related martial traditions that have developed in Japan since the ancient period (before the 12th century), and that have been combined in the modern period under one comprehensive martial system. This system includes the eighteen martial skills (bugei juhappan) for the common bushi(warrior), and another group of eighteen unconventional types of martial skills (ninja juhakkei) for special warfare. Another component of Ninpo, in addition to these thirty-six martial skills, is a unique world view, thought and philosophy, and esoteric practices. This world view emphasizes the defensive nature of Ninpo, and the need to have a compassionate heart.

The term "ninpo" is made of two characters. The first, "nin," literally meanspatience,perseverance, and stealth. The character itself iscomposed of two characters to have a blade placed over the heart/mind. There area number of symbolic meanings to that. One, the blade forces the heart/mind to remain stealth in order to persevere. Another meaning is that the heart/mind should beas sharp and pure as the sword. The second character, "ho," is philosophicallymore complicated thus more difficult to grasp, and has a strong Buddhistconnotation. In modern Japanese this character is used for the word "law" (as in the legal system), but in the term "ninpo" it takes on the Buddhist meaning of the universal Buddhist Law. In Sanskrit the word Dharma (Jp. Law) has a deep and complex meaning, but it essentially means factors of existence on one level,ultimate reality on another level, and the Buddhist doctrines and thought on yet another level. The result of combining it with the first character "nin" produces a term ("ninpo") that could be understood as the ultimate and eternal reality of perseverance and stealth.

However, one should not rigidly define or interpret Ninpo in one way, rather understand the depth of it in its variousmeanings.Ninjutsu. The term ninjutsuliterally means skills of perseverance, andis an historical (vis a vis historiographical) term. In the 17th century ninjutsu records (Bansenshukai, Ninpiden and Shoninki), the authors extensively use the word ninjutsu to refer to their martial tradition. Historically, ninjutsu is a general term for a variety of martial skills that share a common characteristics. These characteristics include the people who nurtured and developed ninjutsu, the combination of conventional and unconventional fighting methods, and the period when ninjutsu was most widely used, among other characteristics.

It is possible to divide ninjutsu to four fundamental categories: taijutsu, ninki (weapons), heiho, and shugyo (religious practices). Taijutsu (lit. bodyskills) is unarmed fighting techniques divided into kosshijutsu, koppojutsu,dakentaijutsu, jutaijutsu, and taihenjutsu. Ninjutsu weapons are rather numerousand include conventional weaponry such as short and long swords, naginata, and yari, among others. In addition, there is a large variety of unconventional weapons such as special bladed weapons, concealed weapons, collapsible ladders, floating devices, and many more. It is common among those who practice ninjutsuthese days to think that in medieval Japan the goal was to master all aspects and all the techniques associated with ninjutsu. In fact, it was quite the contrary. The aim was at specialization rather than an overall mastership. It is important to remember that being born in medieval or early-modern Japan meant

that one's future depended very much on the family in which one was born -- even,or especially if the family did not belong to the samurai class. Thus, those warriors who were skilled in Ninjutsu only specialized in some aspect of ninjutsu, and functioned accordingly within their family. If we look at the famous Iga and Koga regions, we see a few tens of families within which there were the majority of family members who acquired just basic skills, those who specialized in the use of certain weapons or techniques, and those who led the families and specialized in strategy.

0:00:14-->0:00:18El Maestro Takamatsu nació en el año 1889en la ciudad de Akashi, prefectura Hyogo

0:00:19-->0:00:27Entre las guerras como jefe de la federaciónde las artes marciales chinas, él atravezóa Manchuria y pegado encima de laamistad del "Ultimo Emperador de China"

0:00:29-->0:00:38Durante un período de diez años él era involucrado en actos numerosos del valor yfue sostenido en temor por sus contemporáneosque le daban el apodo de "El Tigre de Mongolia.

0:00:39-->0:00:47Él es el último ninja, el último artista marcialél aprendió nueve artes marciales de tres maestros:Toda, Ishitani y Mizuta.

0:00:49-->0:00:57Las nueve tradiciónes fueron pasadas a Hatsumi Masaakien un intensivo "uno a uno" entrenó durantequince años periodicos cuando Hatsumi era Soke

0:01:59-->0:01:

Shinobi-Jutsu

Ninja Skills

Dear reader, in ninjutsu training, there is no such section as "Shinobi-Jutsu". The reason on why the author has designed this section, was due to the confusion by students on what section does this group of skills belong to and what section that group of skills belong to. So to help students understand what are the more involved skills of physical ninjutsu training besides unarmed and armed combat, weapons training and spiritual training, the author devised a section he now uses when teaching ninjutsu, which he calls Shinobi (means ninja) Jutsu (means skill or training). This is the more modernized style of teaching ninjutsu to students today.

Shinobi Ira: Stealth and Concealment Skills

These techniques are normally only shown in training camps, to give students and idea to what ancient ninjutsu training was like. Students are exposed to camolflage skills, quiet movement, observation skills and other factors which come under this section.

Shinobi Aruki: Silent Walking Skills

Nuki Ashi - Normal WalkingYoko Ashi - Wall WalkingSuri Ashi - SweepingTsuke Ashi - RunningO-Ashi - Crane WalkKo Ashi - Small SteppingYukkuri Aruku - CrawlingKani Aruke - Crab walk

Inton Jutsu: Natural Concealment

Henzo Jutsu - Disguise techniquesGiso Jutsu - Impersonation SkillsShinobi Shozuki - Ninja Uniforms

Gotton-po: Elemental Concealment

Donton Jutsu - Ground ConcealmentSuiton Jutsu - Water ConcealmentKaton Jutsu - Fire and Smoke ConcealmentMokuton Jutsu - Use of Trees For ConcealmentKinton Jutsu - Use of Building and Structures for Concealment

Chiren Jutsu: Knowledge Training

Knowledge Training is such a diverse area of training and never can a person ever achieve every skill due to own personal reasons. Students, who have skills in one area, are encouraged to attend courses to help develop their knowledge in other areas. Not so much in the sense for training, but for there own personal development as a member of society. The skills of chiren jutsu interlock with the skills of suiren jutsu. Another way that student undertake this training, is to research books on the following disciplines and others, to increase their knowledge. We then ask the student to write an essay on the subject or a report style assignment, to which we see how in-death their research

was on the title.

MedicinesHerbal Medicine (Australia only in Aboriginal Bush Medicine)PoisonsStrategyPsychologyMusicReligionDialects / LanguagesAgricultureTradesCommerceLawPoliticsPhotography and SurveillanceActingForecasting

Suiren Jutsu: Survival Skills

These skills are only taught in camps, workshops, seminars and set lectures organised by the taught by qualified licensed instructors in that field of experience.

Urban SurvivalBush SurvivalHuntingTrappingCampingNavigation SkillsFinding WaterTrackingBush Foods (Australia only)Emergency Stress CallsMountaineeringHorsemanshipScuba DivingSky Divingetc

Ankoku Tohin Jutsu: Techniques for seeing In Darkness

The techniques used here teach the ninjutsu practitioners, the secrets of how to see clearly in the dark, when training in the night.

Shinobi Dogu: Tools used by Ancient NinjaShinobi Dogu is a knowledge based training, where students are encouraged to research about ancient ninjutsu methods used in ancient times. We ask them to write their own essay on the subjects and do a short presentation to their fellow instructor and students within their dojo, as apart of their grading.

Shinobi Kagi - Staff with hook, used for climbing.

Tobibashigo - Climbing Ladder.Kagiwara - Grappling Hook and Rope.Kasugai - Wall / Sealing Clamps. Used to support Ninja, Like a fly on the ceiling.Zukin - Long piece of material, it is laid along the ground, so it would mask a Ninja’s walking sounds.Kaiki - Door Opening ToolsTakezutsu - Bamboo Pipe, Used to hide under water to allow ninja to breath.Mizukakigeta - Webbed Sandals. Used for the purpose of swimming under water.Mizugmo - Water Spider. Tool used by ninja, to walk across water.Tojimi - Japanese Sliding Door Jammer.Kameikada - Raft made of Japanese Pots or Shells of a Sea Tortoise.

Ninjutsu Hiketsu Bun(Essence of Ninjutsu)by Toshitsugu Takamatsu

The essence of all martial arts and military strategies isself-protection and the prevention of danger. Ninjutsu epitomizes thefullest concept of self-protection of not only the physical body, but themind and spirit as well. The way of the ninja is the way of enduring,surviving, and prevailing over all that would destroy one. More than merelydelivering strikes and slashes, and deeper in significance than the simpleout-witting of an enemy; ninjutsu is the way of attaining that which we needwhile making the world a better place. The skill of the ninja is the artof winning. In the beginning study of any combative martial art, proper motivationis crucial. Without the proper frame of mind, continuous exposure tofighting techniques can lead to ruin instead of self-development. But thisfact is not different from any other beneficial practice in life carried toextremes. Medical science is dedicated to the betterment of health and therelief of suffering, and yet the misuse of drugs and the exultation of thephysician's skills can lead people to a state where an individual's healthis no longer within his or her personal control. A nutritious well-balanceddiet works to keep a person alive, vital, and healthy, but grosslyover-eating, over-drinking, or taking in too many chemicals is a sure wayto poison the body. Governments are established to oversee the harmoniousinterworking of all parts of society, but when the rulers become greedy,hungry for power, or lacking in wisdom, the country is subjected toneedless wars, disorder, or civil and economic chaos. A religion, whenbased on faith developed through experience, a broad and questing mind, andan unflagging pursuit of universal understanding, is of inspiration andcomfort to people. Once a religion loses its original focus, however, itbecomes a deadly thing with which to deceive, control, and tax the peoplethrough the manipulation of their beliefs and fears. It is the same withthe martial arts. The skills of self-protection, which should provide afeeling of inner peace and security for the marial artist, so oftendevelop without a balance in the personality and lead the lesser martialartist into warped realms of unceasing conflict and competition whicheventually consume him. If an expert in the fighting arts sincerely pursues the essence ofninjutsu, devoid of the influence of the ego's desires, the student willprogressively come to realize the ultimate secret for becominginvincible - the attainment of the 'mind and eyes of the divine.' Thecombatant who would win must be in harmony with the scheme of totality, andmust be guided by an intuitive knowledge of the playing out of fate. Intune with the providence of heaven and the impartial justice of nature, andfollowing a clear and pure heart full of trust in the inevitable, the ninjacaptures the insight that will guide him successfully into battle when hemust conquer and conceal himself protectively from hostility when he mustacquiesce. The vast universe, beautiful in its coldly impersonal totality,contains all that we call good and bad, all the answers for all theparadoxes we see around us. By opening his eyes and his mind, the ninjacan responsively follow the subtle seasons and reasons of heaven, changing

just as change is necessary, adapting always, so that in the end there isno such thing as surprise for the ninja.

C:\WINDOWS\TEMP\PM25143.TMPGuidelines for stealth walking

1. Maintain balance control by allowing your body weight to sink and be carried by deeply flexed knees.2. Remember to breathe along with your movement. Unconsciously holding your breath can unknowingly produce unneeded muscle tension, and could result in gasping release of breathe if you are startled or accidentally unbalanced.3. Stay alert to the entire scene. Do not become so engrossed in watching your feet that you do not notice other people an elements entering the surroundings.4. Use all joints for movement, emphasizing fluidity through the engagement of the ankles, knees, and hips for stepping. Avoid the lazy and dangerous habit of stiffening knees and swinging the entire leg from the hip.5. Maintain your weight and balance on your grounded leg while you move the other leg into position to bear the weight. When absolute silence is a must, avoid distributing your weight over both legs at the same time.6. If practical, allow your hands to float lightly in front of and beside your torso, one arm higher and one arm lower, to detect possible obstructions before your committed body weight encounters them.7. Pause and hold your position if you feel that you have accidentally caused too much noise. Listen for signs that you were heard, such as the movement of others or the immediate silencing of background noise following your slip. Sink a little lower on your knees to physically relax that could normally jump into your body with alarm. Take a deep breathe and release it slowly to further relax. Continue your pause for as long as you feel is necessary to regain composure and allow possible listeners to decide they did not hear anything after all.8. Be as patient as possible. If speed of travel is not important, take as much time as you can. Impatience and the resultant hasty movement that it encourages are the greatest dangers to the person who must move silently without detection.9. Keep your movement appropriate to your surroundings. Do not go to greater lengths than necessary to conceal your movement, while at the same being aware of what others entering the area may see if they cannot hear. Total silence may not be needed when moving through wooded or densely populated areas where scattered noise is a natural part of the environment. Also be aware that low profile crawling or sliding ma be the only way to move silently without being seen in some locations.

Excerpt from "The Mystic Arts of the Ninja" by Stephen K. Hayes