nicolas dillon

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Nicolas Dillon 19 November - 14 December 2011 milford galleries queenstown 9A Earl Street Tel (03) 442 6896 [email protected] www.milfordgalleries.co.nz Birds - from Central to the Coast

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Birds - from Central to the Coast / 19 November - 14 December 2011 / Exhibition Catalogue / milford galleries queenstown / www.milfordgalleries.co.nz

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Page 1: NICOLAS DILLON

Nicolas Dillon19 November - 14 December 2011

milford galleries queenstown9A Earl Street Tel (03) 442 6896 [email protected]

www.milfordgalleries.co.nz

Birds - f rom Central to the Coast

Page 2: NICOLAS DILLON

1. The Wind in Winter (2010)

oil on linen, stretcher (v x h x d): 800 x 1202 x 38 mm

2. Alpine Rest (2010)

oil on linen, stretcher (v x h x d): 802 x 1200 x 38 mm

Page 3: NICOLAS DILLON

1. The Wind in Winter (2010) DETAIL VIEW

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3. Eye of the Schist (2011)

oil on linen, stretcher (v x h x d): 800 x 1204 x 38 mm

4. Mackenzie Fog (2011)

oil on linen, stretcher (v x h x d): 802 x 1204 x 38 mm

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4. Mackenzie Fog (2011) DETAIL VIEW

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5. Early Spring Snow (2011) oil on linen, stretcher

Page 7: NICOLAS DILLON

oil on linen, stretcher (v x h x d): 800 x 1200 x 38 mm

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6. In Reflection (2011)oil on linen, stretcher (v x h x d): 455 x 607 x 38 mm

7. Along the Coast (2011)oil on linen, stretcher (v x h x d): 450 x 603 x 38 mm

Page 10: NICOLAS DILLON

8. Between Land and Sea (2011)oil on linen, stretcher (v x h x d): 455 x 607 x 38 mm

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9. The Eye (2011)oil on linen, stretcher (v x h x d): 455 x 607 x 38 mm

10. In Matagouri (2011)

oil on linen, stretcher (v x h x d): 453 x 607 x 38 mm

Page 12: NICOLAS DILLON

Nicolas Dillon is “one of New Zealand’s leading wildlife painters” demonstrating in his work an “extraordinary empathy with nature” and “a curious combination of arrested motion and intense energy” presenting his subjects in their broad natural environment. Dillon’s artistic goal (and success) is to combine place specific naturalism and narrative realism plus mood and atmosphere whilst capturing the life-force and animated character of the birds observed. He works from life, drawing in the field, using a high powered spotting scope to view and build a “connection between artist and subject … so strong you can almost feel it vibrating.” (1) “Many of the paintings for this exhibition were made after a trip through the Mackenzie Country and Central Otago.” The Mackenzie was foggy where as at the Sutton Salt Lake near Middlemarch soft light played upon a NZ Falcon and the schist outcrops. In “The Wind in Winter” Dillon’s broad pictorial concerns reveal “as much about the wind and the patterns of winter” (2) as the place the Black Swans occupy in it. Dillon’s intention (like Bruno Liljefors, Swedish artist, considered the grandfather of wildlife art) is “first to combine the bird/animal and landscape as one.” (3) In (for example) “The Eye,” “Early Spring Snow” and “Alpine Rest” we see not simply the completeness of an arrested moment and the place but come to ask – given the significantly important role the gaze of the bird performs – what is being looked at by the bird, and why: what is it we can not see? We encounter the birds, and their active presence, in their environment. Dillon’s approach to his subjects is delivered with soft focus. Light is rendered with subtlety and much more complexity than the normal unquestioning depictive use of NZ’s (almost clichéd) harsh (as in bright) light. Dillon is a masterful painter – not an illustrator – of birds (and their presence) in the landscape. He uses a restricted and restrained palette with real authority - see “In Matagouri”. Each painting has a distinguishing mood and atmosphere, and painterly flourishes which reveal his work as being deeply considered observations of nature and the environment.

(1) Sarah Quigley, “Being There,” North & South, November 2009

(2) Artist Notes on the paintings, 20 October 2011

(3) Nicolas Dillon, A Study Trip to Spain and Sweden (November 2010), 20 October 2011

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All prices are NZD and include GST; Prices are current at the time of the exhibition

E X H I B I T I O N P R I C E L I S T 1 The Wind in Winter (2010) 12,000

2 Alpine Rest (2010) 12,000

3 Eye of the Schist (2011) 12,000

4 Mackenzie Fog (2011) 12,000

5 Early Spring Snow (2011) 12,000

6 In Reflection (2011) 5,000

7 Along the Coast (2011) 5,000

8 Between Land and Sea (2011) 5,000

9 The Eye (2011) 5,000

10 In Matagouri (2011) 5,000

Page 14: NICOLAS DILLON

Nicolas Dillon 2011 CV milford galleries queenstown www.milfordgalleries.co.nz

P a g e | 1

NICOLAS DILLON b. 1966, lives Marlborough

Tussle - Keas (2010)

“The subtle light and gently rippling textures found in many of the paintings elevate them high

above purely ornithological illustration. There's even a hint of Rembrandt and Vermeer in

Dillon's light-infused portraits of the birds that hover over our lives. These paintings establish an

enduring link with the natural world.” (1) "Dillon successfully blends the two often mutually exclusive positions of scientific observer and

artistic aesthete. The emphasis in these paintings is not so much on the personal expression or

theoretical concept but a deliberate and traditional courting of historical artistic values and

the sentimental elation many people still feel about nature." (2) Nicolas Dillon, born in Blenheim, lives in Marlborough. He has been exhibiting paintings of birds

and wildlife from the age of 18. He has exhibited internationally at galleries and museums

including The Leigh Yawkey Woodeon Art Museum in Wasau, Wisconsin. He has also exhibited

in the Society of Wildlife Artists in London, and The Wildlife Art Gallery in Lavenham, Suffolk.

1. Christopher Moore, The Christchurch Press, May 2008

2. Paul Wood, Quoted in ‘A Rare Kiwi Bird Painter’, The Christchurch Press, April 2008

Page 15: NICOLAS DILLON

Nicolas Dillon 2011 CV milford galleries queenstown www.milfordgalleries.co.nz

P a g e | 2

NICOLAS DILLON b. 1966, lives Marlborough

SELECTED SOLO EXHIBITIONS

2011 Birds - from Central to the Coast, milford galleries queenstown

2009 Recent Paintings, George Perry Gallery, Tauranga

New Paintings, Brooke Gifford Gallery, Christchurch

2008 Light Reflections, Brooke Gifford Gallery, Christchurch

The Studio, Blenheim

2007 Paintings, The Studio, Blenheim

2006 Recent Paintings, George Perry Gallery, Tauranga

2005 Paintings, The Studio, Blenheim

2004 Natural Reflections, Millennium Public Art Gallery, Blenheim

1999 Paintings and Drawings, Attic Gallery, Redcliffs, Christchurch

1998 Recent Paintings, Bealey Gallery, Christchurch

1991 Paintings and Drawings, Wildlife Art Gallery, Lavenham, England

1989 Recent Paintings, Bealey Gallery, Christchurch

Paintings and Drawings, Grove Mill Wines, Blenheim

1987 Bird Paintings, Peppertree Restaurant, Blenheim

1985 Recent Paintings, Bealey Gallery, Christchurch

SELECTED GROUP EXHIBITIONS

2010 Art at Spy, Spy Valley Wines, Blenheim

Flora and Fauna, Millennium Art Gallery, Blenheim

2004 Judith Anderson Gallery, Hawkes Bay

2002 Gourmet Province Art Award, Marlborough Gallery, Blenheim

2001 Realist Paintings, Studio Of Contemporary Art, Auckland

1997 Wild in Nature, Doorwerth Castle, The Netherlands

1992 Birds in Art, Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin, U.S.A

1989 Birds in Art, Leigh Yawkey Woodson Art Museum, Wausau, Wisconsin, U.S.A

1988 Society of Wildlife Artists, The Mall Galleries, London, UK

Autumn Exhibition, Wildlife Art Gallery, Lavenham, England

BIBLIOGRAPHY

2009 Quigley, Sarah, ‘Being There’, North and South Magazine, November 2009

2008 Moore, Christopher, ‘A Rare Kiwi Bird Painter’, The Christchurch Press, April 30 2008

Pied Oystercatcher (2010)