NGSSS: The Next Generation Sunshine State Standards

Prepared for DCMEA by Michelle BerraOpening of Schools Music Meeting

August 13, 2013

Let’s Get Inspired!

A teacher affects eternity:He can never tell where his influence stops.

~ Henry Adams

Questions . . .How did you learn the first language you spoke?

Were you allowed to make mistakes?

How do you think those mistakes helped you learn the language?

How do you think that relates to learning to play a musical instrument?

Think Again . . . http://blog.ted.com/2012/08/13/the-music-teacher-you-wish-you-had/

Share your opinion!

What stands out?

Do you agree? Why? Why not?

Share with a neighbor

NGSSS: Next Generation Sunshine State Standards

http://www.cpalms.org/standards/flstandardsearch.aspx

• Designed using a “Big Idea” approach with Essential Understandings in mind.

• After determining “Essential Understandings,” the benchmarks were written.

Big Idea 11. Cognition and reflection are

required to appreciate interpret, and create with artistic intent.

2. Assessing our own and others’ artistic work, using critical-thinking, problem-solving, and decision-making skills, is central to artistic growth.

3. The processes of critiquing works of art lead to development of critical- thinking skills transferable to other contexts.

CRITICAL THINKING and REFLECTION:

Critical and creative thinking, self-expression, and communication with others are central to the arts.

Big Idea 21. The arts are inherently experiential

and actively engage learners in the processes of creating, interpreting, and responding to art.

2. Development of skills, techniques, and processes in the arts strengthens our ability to remember, focus on, process, and sequence information.

3. Through purposeful practice, artists learn to manage, master, and refine simple, then complex, skills and techniques.

SKILLS, TECHNIQUES, and PROCESSES:

Through dance, music, theatre, and visual art, students learn that beginners, amateurs, and professionals benefit from working to improve and maintain skills over time.

Big Idea 31. Understanding the organizational

structure of an art form provides a foundation for appreciation of artistic works and respect for the creative process.

2. The structural rules and conventions of an art form serve as both a foundation and departure point for creativity.

3. Every art form uses its own unique language, verbal and non-verbal, to document and communicate with the world.

ORGANIZATIONAL STRUCTURE:

Works in dance, music, theatre, and visual art are organized by elements and principles that guide creators, interpreters, and responders.

Big Idea 41. Through study in the arts, we learn

about and honor others and the worlds in which they live(d).

2. The arts reflect and document cultural trends and historical events, and help explain how new directions in the arts have emerged.

3. Connections among the arts and other disciplines strengthen learning and the ability to transfer knowledge and skills to and from other fields.

HISTORICAL and GLOBAL CONNECTIONS:

Experiences in the arts foster understanding, acceptance, and enrichment among individuals, groups, and cultures from around the world and across time.

Big Idea 51. Creating, interpreting, and

responding in the arts stimulate the imagination and encourage innovation and creative risk-taking.

2. Careers in and related to the arts significantly and positively impact local and global economies.

3. The 21st-century skills necessary for success as citizens, workers, and leaders in a global economy are embedded in the study of the arts.

INNOVATION, TECHNOLOGY, and the FUTURE:

Curiosity, creativity, and the challenges of artistic problems drive innovation and adaptation of new and emerging technologies.

A Closer Look… Sample: MU.2.S.1.1

Translation:MU = Music2 = Grade LevelS = SKILLS, TECHNIQUES, and PROCESSES: 1= EU 1 “The arts are inherently experiential and

actively engage learners in the processes of creating, interpreting, and responding to art.”

1 = Standard 1, “Improvise short phrases in response to a given musical question.”

Thread for MU.S.1.1 • MU.2.S.1.1Improvise short phrases in response to a given musical question.

• MU.3.S.1.1Improvise rhythms or melodies over ostinati.

• MU.4.S.1.1 Improvise phrases, using familiar songs.

• MU.5.S.1.1 Improvise rhythmic and melodic phrases to create simple variations on familiar melodies.

• MU.68.S.1.1 Improvise rhythmic and melodic phrases to accompany familiar songs and/or standard harmonic progressions.

• MU.912.S.1.1 Improvise rhythmic and melodic phrases over harmonic progressions.

Thread for MU.O.1.1 (2)*• MU.2.O.1.1 Identify basic elements of music in a song or instrumental excerpt.• MU.2.O.1.2* Identify the form of a simple piece of music.

• MU.3.O.1.1 Identify, using correct music vocabulary, the elements in a musical work.• MU.3.O.1.2* Identify and describe the musical form of a familiar song.

• MU.4.O.1.1 Compare musical elements in different types of music, using correct music vocabulary, as a foundation for understanding the structural conventions of specific styles.

• MU.5.O.1.1 Analyze, using correct music vocabulary, the use of musical elements in various styles of music as a foundation for understanding the creative process.

• MU.68.O.1.1 Compare performances of a musical work to identify artistic choices made by performers.

• MU.912.O.1.1 Evaluate the organizational principles and conventions in musical works and discuss their effect on structure.

Where Can I Find It, Again?

• GOOGLE (CPALMS or NGSSS Music)

• http://www.cpalms.org/standards/flstandardsearch.aspx

• From there, export it to a format you can use

• Lesson Plan Templates: http://divisionoflifeskills.dadeschools.net/asp/mu_resources.asp

Remember …

"If a child is to keep alive his inborn sense of wonder, he needs the companionship of at least one adult who can share it, rediscovering with him the joy, the excitement, and the mystery of the world we live in."

--Rachel Carlson