new version of the visual essay

1
Alma Pihl brooch, ‘Ice flower’, c.1913 Essentially Finnish Jewelry Design Jorma Laine Pendant, ‘untitled’, 1973 Finland first became internationaly known for thier jewlers at the turn of the century. Restrained elegance, symmetry, geometry, and nonrepresentational imagery are some of the most notable qualities consistently seen in Finnish pieces from the 1900 to today. Eric O. W. Ehrstrom brooch, ‘Untitled’, 1932 Timo Mustajarvi Necklace, ‘untitled’, 2004 Borje Rajalin Necklace, ‘untitled’, 1983 Kirsti Ilvessalo bracelet, ‘untitled’, c. 1954

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Page 1: New version of the visual essay

Alma Pihlbrooch, ‘Ice flower’,c.1913

Essentially Finnish

Jewelry Design

Jorma LainePendant, ‘untitled’,1973

Finland first became internationaly

known for thier jewlers at the

turn of the century. Restrained

elegance, symmetry, geometry, and

nonrepresentational imagery are

some of the most notable qualities

consistently seen in Finnish pieces

from the 1900 to today.

Eric O. W. Ehrstrom brooch, ‘Untitled’,1932

Timo MustajarviNecklace, ‘untitled’,2004

Borje RajalinNecklace, ‘untitled’,1983

Kirsti Ilvessalobracelet, ‘untitled’,c. 1954