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www.thecentrefordrawingual.com Drawing Out: 2012

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Wednesday 28th March 2012 AM 1000‐ 1030

National Gallery, London, Sainsbury Wing Lecture Theatre, Trafalgar Square, London WC2N 5DN Drawing Out 2012 conference delegates to register by 10.20am coffee will be served

1030‐ 1040 Introductory remarks: Nicholas Penny (Director, National Gallery)

1040‐ 1050 1050‐1100

Introductory remarks: Nigel Carrington (Rector, University of the Arts) Introductory remarks: Professor Margaret Gardner AO Vice Chancellor and President of RMIT University

1100‐ 1200 1100 ‐ 1115 1115 – 1130 1130 – 1145 1145 – 1200

‘What is a good drawing?’ Four artists’ talks chaired by Colin Wiggins: Michael Craig‐Martin Stephen Farthing Grayson Perry Katherine Stout

1215‐100

‘What is a good drawing?’ Round table discussion chaired by Colin Wiggins (National Gallery)

1300 ‐ 1415 Lunch Break – Lunch not provided

1415‐ 1500

‘Drawing conclusions’. Michael Landy and Kelly Chorpening, in conversation with Colin Wiggins

1500 – 1510 Stephen Farthing ‐ Conclusion

Day one Conference Ends

VENUE CHANGE: Central Saint Martins, Lethaby Gallery, Granary Building, 1 Granary Square, King's Cross, London, N1C 4AA 1800 – 1930

Exhibition opening of Conscious Collective ‐ Drawing on cultural knowledge and creative art practices and book launch of Drawing – in and outside – writing by Kelly Chorpening, Ans Nys and Rebecca Fortnum

1830

Speeches: Annie Cooper (CSM) and Vivien Allimonos, Public Affairs Manager. Australian High Commission


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0900 ‐ 0920

Thursday 29th March 2012 AM Chelsea College of Art and Design, enter through 45 Millbank entrance, SW1P 4JU Arrive, registration, coffee

0920 – 0925 0925 ‐ 0935

Banqueting Hall George Blacklock, Dean of Chelsea – Welcome to Chelsea Stephen Farthing Intro, housekeeping

0935‐ 1000 Keynote Georg Gartner, Emotional Mapping – Banqueting Hall

1010 – 1040 1040 – 1110

Drawing, Recording, Discovery Banqueting Hall 1 Elizabeth Grierson Drawing Out TRUST as a public good for resilient communities: RMIT Design Research Institute award winning project DRD 2 Gemma Anderson Drawing and Discovery: A case study of Zoological drawing of microscopic type specimens at the Natural History Museum and an Artist's view.

Drawing and Notation Red Room 1 Catherine Baker ‐ Drawing as a notational process for mapping the physical movements of the artist. 2 Paul Cureton Motive Forces: design ecologies and the drawings of Lawrence Halprin (1916‐2009)

Drawing and Writing Billiard Room 1 Brad Jackel – Cartoons and Linguistic Context 2 Ian Thompson/Chris Koning Developing student's creative professional identities through writing about drawing

1110 – 1130 Break

1130 – 1200 1230 ‐ 1300

3 Lynn Imperatore Drawing on a Dream 4 Angela Brew/Stephen Oliver – Eye‐Catching – Reading Drawings, Drawing Drawings

3 Eirini Boukla Drawing on the condition of not seeing 4 Robert Luzar A Trace From A Point... (Without Reference)

3 Ray Lucas ‐ The Temporality of Inscriptive Practice 4 Maree Clark – Drawing on cultural and historical knowledge – turning research into art

1300 – 1400 Lunch Break – Lunch will be provided – onsite, 45 Millbank, Green Room 1400 ‐ 1405

Banqueting Hall Stephen Farthing ‐ Welcome back

1405 ‐ 1430 Keynote John Harding – Drawing as Discovery – Banqueting Hall 1440 – 1510 1510 – 1540 1540 – 1610 1610 – 1640

Drawing, Recording, Discovery Banqueting Hall 1 Miguel Duarte The sketch ‐ function and expression 2 Daria Filatova Visual narrative as research technique: Drawing as an external aid in the process of mediated memorizing of the environment 3 Deborah Harty drawing through touch ‐ a phenomenological approach 4 Amanda Thomson walking as markmaking

Drawing and Notation Red Room 1 Kate Baker, Suna Imre and Belinda Mitchell ‐ Marking Presence 2 John Stell ‐ Discovering Notation / Notating Discovery 3 Carali McCall – Out of Running 4 Angela Hodgson‐Teall ‐ Double‐blind drawing and Bimanual Palpation, drawing on the Nature of Empathy

Drawing and Writing Billiard Room 1 Kelly Chorpening Drawing‐ in and outside‐ writing: An in‐depth study of when the creative acts of drawing and writing are most closely related 2 Guy Harries Embodied Subjectivity and Audience Engagement via Drawing in the Project Shadowgraphs 3 Bruce Mutard Writing With Images: Exploring how images speak louder than words in the graphic novel 4 Emma Barrow Drawing as intervention: site specific art and the translation of meaning

1640 ‐ 1700 Break – Onsite, 45 Millbank, Green Room 1700 ‐ 1800 Plenary Session Chaired by George Blacklock with Elizabeth Grierson, Georg Gartner, John Harding, Kelly Chorpening 1800 END of first day


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0900 ‐ 0920

Friday 30th March 2012 AM, Wimbledon College of Art and Design, 49 Merton Hall Road, London, Greater London SW19 3PR, follow signs for entry Arrive, registration, coffee

0920 – 0925 0925 ‐ 0935

Simon Betts, Dean of Wimbledon – Welcome to WImbledon Stephen Farthing ‐ Intro, housekeeping

0935‐ 1000 Keynote Mark Burry, Drawing Out the Model, Lecture Theatre

1010 – 1040 1040 – 1110

Drawing, Recording, Discovery Lecture Theatre 1 Perry Kulper Strategic Plotting 2 Judith Dobler Sketching. The act of drawing as epistemic process

Drawing and Notation Room 118 1 Martine Corompt – Three Fingers and White Gloves 2 Brian McKinnon ‐ Could there be an alternative beginning?

1110 – 1130 Break ‐ Canteen

1130 – 1200 1230 ‐ 1300

Lecture Theatre 3 Jane Grisewood LINE BETWEEN: becoming drawing 4 Ana Bigio ‐ Drawing for learning, registration and communication in Natural Science Education

1300 – 1400 Lunch Break – Lunch will be provided in the canteen 1400 ‐1410 Stephen Farthing Welcome back – Lecture theatre 1410 ‐ 1440 Keynote Janet McKenzie – Drawing as Discovery, lecture theatre

1440 – 1510

Lecture Theatre 1 Russell Tytler /James McCardle Learning through drawing in art and science

1515– 1545

Change of Venue – Wimbledon Gallery Dr Irene Barberis‐Page ‐ A Parallel Paper and GALLERY: Contemporary Australian Drawing; Drawing as notation, Text and Discovery

1545 ‐ 1600 Break ‐ canteen 1600 ‐ 1800 Plenary Session Chaired by Stephen Farthing with Simon Betts, Janet Mckenzie, Mark Burry, William Cartwright 1800 END of conference 1800‐ 1930 1815

Closing conference event, private view of Contemporary Australian Drawing 2 and Eduard Imhof, Artist, Engineer, Cartographer and book launch of Contemporary Australian Drawing Vol. 1 at Wimbledon Gallery, SW19 3PR Speeches– Simon Betts (Head of College) and Vivien Allimonos, Public Affairs Manager. Australian High Commission


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national gallery, london, sainsbury wing lecture theatre ...€¦ · national gallery, london,...

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