nagel auktionen gmbh - the-saleroom
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NAGEL AUKTIONEN GmbH
790 | Alte Kunst, Antiquitäten & Schmuck
Started 10 Dec 2020 10:00 CET (09:00 GMT)
Neckarstraße 189
Stuttgart
70190
Germany
Lot Description
2000
ROMANESQUE VIRGIN AND CHILD ENTHRONED, 13th century. Probably poplarwood, carved with deeply hollowed back. Figure
covered with canvas, later polychromy. Right hands/arm of Virgin and Child missing, restoration. Provenance: Important Bavarian
Private Collection. Acquired between 1955 and 1989.
2001
MASTER OF THE RELIQUARY STATUE OF SAINT FLORUS BISHOP, French, Auvergne, worked 2nd quarter of 14th century (attr.).
Bishop Saint Enthroned, c. 1325/50. Walnut, carved in full round, a quadrangular hole for relics at the back. The polychromy removed,
remnants of old polychromy. Left hand missing, fi ...[more]
2002
MASTER OF THE IMBERG ALTAR, Kempten/Allgäu, c. 1500. The John Evangelist. Swiss pine, carved with deeply hollowed back, the
original polychromy overpainted, the original polychromy once with rich brocate pattern. Minor restorations and traces of age.
Provenance: Important Bavarian Private Collection ...[more]
2003
MURMANN, CHRISTOPH the Jounger (Augsburg, c. 1600/1610, attr.). Virgin and Child on the Crescent Moon. Limewood, carved with
deeply hollowed back. Old gold and silver polychromy and flesh colours with some retouches, minor damages due to age. Provenance:
Important Bavarian Private Collection, acquir ...[more]
2004
A FRANCONIAN RELIEF CARVED GROUP OF FOUR MALE HALF FIGURES, probably Bamberg, c. 1510/20. Depicting most likely St.
Joseph and the three husbands of St. Anne, Joachim, Cleophas ans Salomas from a Holy Kinship. Limewood, relief carving in three
pieces with flattened back. Mostly original polychromy, ...[more]
2005
"A FLEMISH GOTHIC SCULPTURE GROUP DEPICTING A PREACHING ST. BISHOP AND EIGHT AUDITORS, Brussels, last Third of
15th century. Walnut, full round carved figures in the lower part; relief carved figures with flattened back in the upper part. At the back
the hammer mark (drijfhammer) of the Brussels gui ...[more]
2006ST. JOHN EVANGELIST (?), Mid-German/Thuringia, c. 1500. Limewood, carved with slightly hollowed back. Later polychromy on
remnants of old polychromy. Additions to stand, hand with book added, minor restorations. Property of an old Munich private collection
2007ST. JOSEPH, probably North German, c. 1700. Oakwood, carved with flattened back. Later polychromy. Hands missing, minor additions
to feet and base. Minor restorations and damages due to age.
2008
A NICE SOUTHGERMAN GOTHIC WINGED ANGEL WITH BANNER "GLORIA IN ESCELSIS DEO", probably Nuremberg, c. 1480/90.
Limewood, carved with slightly flattened back, original gilding overpainted, flesh colours and hair polychromy mostly original. Left wing
later. Minor restorations. Provenance: Important Bava ...[more]
2009
VIRGIN AND CHILD ENTHRONED. Thuringia, c. 1500. Sitting figure of St. Mary in a richly gilt coat with blue undercoat, the Christ Child
in half sitting position above her right knee. Hardwood, carved with flattened back in two steps, later polychromy, small restorations and
traces of age. Provenance: ...[more]
2010
HARDER, HANS (workshop/attr.). Sterzing/South Tyrol, c. 1480. Christ as the Man of Sorrows between Two Angels. A group of 3 half
figures, swiss pine, carved in two pieces with flattened back. Seperately carved softwood base. Old polychromy with overpaintings,
overpaintings parcially removed, some re ...[more]
2011
MAASTER OF SEEON (circle), Salzburg, c. 1450. Holy Bishop. Standing figure of the Saint with book and chalice fragment attribute.
Limewood, carved in full round. Original polychromy, gilding and silvering overpainted in parts. Right hand missing, left hand and
attributes added, damages due to age. P ...[more]
2012GOD THE FATHER, Austria, probably Salzburg, late 15th century. Limewood, carved with flattened back. Later polychromy. Few
remnants of old polychromy. Hands missing, crown points missing, a part of the base part missing, traces of age.
2013A NICE GOTHIC FLYING ANGEL WITH LYRA, South German, c. 1500. Limewood, mostly original polychromy and gilding with smaller
retouches. Minor additions. Min. traces of age. Provenance: Important Bavarian Private Collection. Acquired between 1955 and 1989.
2014
FERRUCCIO, ROMOLO named "Del Tadda" (Fiesole 1544 - 1621 Florence, attr.). FLORENCE, c. 1600/1620. Arenite Head of a Wild
Cat. Damages due to age. Provenance: Ex-Collection of Carlo de Carlo, Florence. With an Expertise by Giancarlo Gentilini in Italian
language, 27. Febr. 2014. Romolo Ferrucci dett ...[more]
2015
A FINE ITALIAN BRONZE PROBABLY LIFE-CAST OF A FROG AND A LIZARD, Padua, 16th/19th century. Later lid on underside,
minor restoration. Provenance: Hermann Lockner, Wurzburg. German private collection until 2019. The present bronze is close to a fine
inkwell with a crab attacking a frog in the Nationa ...[more]
2016
A RARE SPANISH PAINTED AND GILT WOOD BASE OF A RELIC, late 16th/early 17th century. Softwood, the top gilt and polychromy
painted with four round medals depicting the pelican and her young. The four sides with fine and detailed grisaille paintings, depicting
scenes of the Passion of Christ: Entry in ...[more]
2017A MECHELEN ALABASTER RELIEF OF ZEUS AND ASTERIA, early 17th century. Relief cut alabaster with remnants of gilding.
Framed. Damages due to age.
2018
MOURNING VIRGIN FROM A CRUCIFIXTION GROUP, probably Spanish, 17th/18th century. Ivory, carved in full round, on an
octagonal black and mottled dark-red marble base. Minor traces of age. Provenance: Don Torellò, Barcelona and thence by family
descent until 2020. (Information by the previous owner).
2019AN ITALIAN OR SPANISH RELIC BUST, 18th/19th century. Hardwood, carved with base in full round with polychromy and gilding.
Some retouches, worn.
2020
THE CORONATION OF THE VIRGIN, South German or Austrian, 1st half of 18th century. Fruitwood, carved as one piece, back slightly
flattened, the cross worked seperately. Mostly original polychromy, gilding and silvering, overpainted in parts. Minor additions and
restorations Old label at the bottom. P ...[more]
2021 A DOUBLE SIDED CARVED IVORY MEMENTO MORI depicting Christ Crowned with Thornes and a scull, probably 18th century.
2022
"A SOUTH NETHERLANDISH OR FRENCH CARVED BONE CASKET with courtly figures, hunting scenes, the Tree of Life and a
peacock. Bone, remnants of gilding and polychromy, on oak core, lined with linen. Brass mounts, chessboard pattern at the bottom.
Minor restorations, traces of age. Provenance: Noble fami ...[more]
2023
A RARE "KÖNIGSBERGER" CARVED SPINDLE WOOD CRIB, Egerland Region (today Cheb), late 19th/early 20th century. Half round
carved four level cave, on the 1st flor the Holy Family surrounded by The Magi and the Herdsmen. Small carved figures, animals and
plants in and in front of a rocky cave landscape w ...[more]
2024 A FINELY CARVED STANDING CROSS FROM MOUNT ATHOS, Greece, wood with metal setting, 19th ct. Very minor traces of age.
2025A FINELY CARVED STANDING CROSS FROM MOUNT ATHOS, Greece, wood with silver setting and coral beads, 19th ct. Damages
due to age.
2026
IMPRESSIVE GOTHIC STYLE CARVED TRIPTYCH, Francisco Pallás y Puig, Valencia, late 19th century. Comprising a large and
impressive Pseudo-Late Gothic parcel gilt and painted bone, ebony and inlaid wood triptych depicting the Life of the Virgin Mary. The
upper margins with relief carved Renaissance-sty ...[more]
2027
A BIG INDO-COLONIAL SILVER MOUNTED IVORY, TORTOISE SHELL AND WOOD CASKET, 18th century. Rectangular with turn up
lid, wooden body decorated with tortoise shell and invory plaques. Mounts, clasp cartouche and handles made of silver. Minor
restorations and minor damages due to age.
2028
LARGE FRENCH/BELGIAN EBONIZED WOOD AND TORTOISE-SHELL MOUNTED BOULLE STYLE CRUCIFIX, Body of Christ made
of silver, marked Mons/Belgium, 2nd half of 18th century. C. 377 g. Memento Mori and chased silver decorations at the crossbeam
heads. Minor traces of age, minor restorations.
2029
MOURNING ST. JOHN FROM A CRUCIFICTION GROUP, South German, 2nd half of 17th century. Hardwood, carved in full round,
original white polychromy and gilding, partially overpainted. Finger probably added, minor damages due to age. Later softwood base.
Provenance: Important Bavarian Private Collection. ...[more]
2030
TAUBENSCHMID, ZACHAEUS (attr.), worked at Hechingen, early 17th century. Virgin and Child on the Crescent. Hardwood, carved
with deeply hollowed back. New polychromy, restorations and additions. Later base. Provenance: Private property in Hechingen since
many generations. The Virgin and Child was pl ...[more]
2031
BABEL, NIKOLAUS (circle). (Pfronten, 1643-1728). South Germany, early 18th century. St. George and the Dragon. Life size figure of
the Saint with the dragon by his feet. Limewood, carved with flattened back, later polychromy, few remnants of old polychromy.
Additions, minor restorations and damages ...[more]
2032
"STAINED GLASS WINDOW WITH ST. SCOLASTICA, German, probably 16th century and later. Yellow stained and painted in black
with retouches. Scratches on surface, retouches, some restorations. Provenance: Charles van der Heyden, Rotterdam, until 1994; and
thence by family descent, until 2020."
2033
"A PAIR OF STAINED GLASS ROUNDELS OF THE STEHELIN FAMILY. Colourless glass with vitreous paint. The Samaritian woman:
"Das Samaritisch Weib soll Hic Zü trincken geben / dem Herzen sein bemüst ihr heimlih (sic) thün und leben / Johannis IV. - Frau
Barbara Gbellin Heren Haubtman ünd Stabhalter Georg S ...[more]
2034
"TWO VITREOUS PAINT AND SILVER STAINED GLASS WINDOWS: Inscribed: "Jorgen Gattkamp Bürger zu Tecklenbürg Aleke Sein
hüssfrowe 1618" and colourless glass with vitreous paint inscribed: "Cornet Jo:Börg Köenberger hochfürste: St: Gallischer Pfaltz Rath,
der Zeit Amptman dises Löbe: Gotts hüses Fraü An B ...[more]
2035
"STAINED GLASS WINDOW WITH COAT OF ARMS AND THE RIDERS OF THE APOCALYPSE, probably Swiss, 16th-19th century.
Colourless glass with vitreous paint and silver stain. At the bottom glass inscribed: "Fr. Underzugherr Frey. Rann.. Senesser der sein
Lands..Bürrn und Triengen und Fraun Marie Erinbeth Schim ...[more]
2036
A PAIR OF STAINED GLASS ROUNDELS with the coat of arms of "Anna Fraw Freyin Sörgerin Geborne Hoffmänin" and "Carl Sörger
Freyherr Auff Kreüsnach PONDERANDO", both with homonymous inscription and dated 1608. Middle Rhenish. One with restored
break, additions, minor rest., worn. Provenance: Charles va ...[more]
2037
A SPLENDID PARCEL GILT GERMAN GOTHIC STYLE RELIC BOX WITH CRUCIFIX AND A PAIR OF MATCHING CANDLESTICKS,
Hanau, Neresheimer or maybe Schlingloff, c. 1900. Sarcophagus shaped box on 4 feet of winged angels, in 14 ogive fields the Stations
of the Cross, roof shaped lid crowned by the cross with Body of ...[more]
2038A BAROQUE ENAMELLED COPPER SNUFF BOX with the view of Weissenau abbey near Ravensburg, painted by Andreas Bechdolff,
Ellwangen, third 3rd of 18th century. Minor damages due to age.
2039
A RARE AUGSBURG SILVER-GILT TANKARD WITH "VEXIER" HANDLE by Cornelius Erb, c. 1586/90. On circular spreading foot, the
body embossed with grotesque masks and scrolling cartouches, fruits and foliage. On the lid a bacchus with barrel and shield, the
handle with eagle head spout of the small Vexier pi ...[more]
2040
A FINE AUGSBURG SILVER-GILT LADY'S TANKARD, Abraham I Riederer, c. 1576/90. Fully hallmarked at the bottom and with an
engraved coat of arms and inscribed "MIGAEL DER ...KANDL". Embossed and flat-chased body with grotesque mask, fruit and
strapwork. C. 287g. Minor traces of age. Provenance: South Ge ...[more]
2041
RARE GERMAN PARCEL-GILT CHASED SILVER BEAKER by Hans Jakob Simons I or II, Hanau, 2nd half of 17th century. Chased
scroll- and strapwork, mascarons, fruits and foliage. Hanau hallmark at the bottom, maker's mark of J.S. Simons I or II (I noted since
1636, dec. 1690, II becomes "citizen" in 1681). C. ...[more]
2042
A FINELY CARVED RENAISSANCE "KUNSTKAMMER" WOOD BEAKER, probably South German, 2nd half of 16th century. Probably
boxwood, decorated with typical Renaissance relief carved scroll- and strapwork, mascarons of putti and lions, fruits and foliage in the
manner of the Nuremberg silver and goldsmiths in t ...[more]
2043
A PAIR OF AUGSBURG PARCEL-GILT SILVER BAROQUE CANDLESTICKS, c. 1725/30 by Abraham Müller. Chased and engraved
silver, decorated with scollwork, volutes and foliage. Hallmarked at the stand. Minor restoration to bottom, minor dents. Tog.c. 742 g.
Provenance: Collection of Baron de Clara (1929-2016), ...[more]
2044A FINE AUGSBURG "SCHLANGENHAUT" PATTERN VERMEIL TANKARD, c. 1655 by Daniel Zech. Fully hallmarked at the bottom. C.
721 g. Minor wear. Provenance: South German Private Collection.
2045A PAIR OF CHASED ROCOCO SILVER CANDLESTICKS, Berlin, c. 1779/85. Berlin hallmark with "F", maker's mark BGE, maybe
Elffrath, Gottlieb Benjamin. Tog.c. 644 g. Minor restorations.
2046
A RARE PLATED CHASED AND ENGRAVED METAL WALL CLOCK, Johann Frauenpreis, Dresden, late 17th century. Circular
silvered dial, engraved with noble couples in a park landscape. Verge escapement with 1 day movement and 1/1 hour striking on bell,
clockwork on both sides signed "Johan Frauenpreis" and "Joh ...[more]
2047A GERMAN BRASSGILT MOUNTED CARVED IVORY CUP with game animals and a castle in a wood landscape, 19th century. Full
round carved dog on the lid. Minor traces of age.
2048AN IVORY RELIEF CARVED SCENE OF CHRIST IN GARDEN OF GETHSEMANE, 18th/19th century. Several seperate pieces carved
in full-round and with flattened back or as high-relief. Bone frame. Minor damages due to age and minor restoration.
2049 A CARVED IVORY NAVETTE SHAPED CUP AND COVER, decorated with game animals, 18th/19th century. Minor traces of age.
2050A SPLENDID CARVED IVORY TANKARD WITH LION HUNT SCENE, 2nd half of 19th century. Relief carved scene all around the
body, a full plastic lion on top of lid. Min. rest. - Provenance: Property of a German Industrialist before 1980
2051
ZICK, STEPHAN (Nuremberg 1639-1715, and his workshop), Nuremberg, late 17th century. Anatomical model of a pregnant woman.
Ivory, carved in full round, movable arms. The removable breastplate offers a view on the internal organs: heart, liver, intestines, uterus
and the unborn child that was fixed w ...[more]
2052
TAISTEN, SIMON VON (c.1450/55-c.1530). The Stoning of St. Stephen. Oil/panel - Provenance: Important Bavarian private collection,
assembled between 1950 and 1989. With an expert report by Prof. Dr. Alfred Stange, Tutzing 1965. David Schönherr was the first to
draw attention to a hitherto unknown pai ...[more]
2053
MASTER OF SIGMARINGEN (Active c. 1500-1530). The Virgin with Child. Oil/cradled panel. Fragment from a Holy Kinship. At the
upper margin added. Provenance: Neumeister, Munich (Sale 206), December 9/10 1981, lot 1201, attributed to the Meister von
Sigmaringen. This attribution confirmed by Dr. Bernd ...[more]
2054
CIMA DA CONEGLIANO, GIOVANNI BATTISTA (circle, 1460-1517). The Virgin with Christ Child and Cherubim. In the background a
river landscape with a fortified city. Oil/panel. The present type of Madonna follows Cima's pictorial inventions on this theme and has
stronger references to the depictions in P ...[more]
2055
WAUTIER, CHARLES (attr., 1609-1703). Portrait historié of a bearded man as a shepherd in front of a rocky landscape. In the upper
right inscribed after 1. Mose 29: RAHEL VAUT BIEN LA PEINE. Oil/canvas, relined. We are grateful to Prof. Dr. Christopher Brown,
Oxford, for suggesting an attribution to ...[more]
2056
MIEREVELT, MICHIEL JANSZ. VAN (attr., 1566-1641). Half-length portrait of a gentleman, probably George Villiers, 1st Duke of
Buckingham (1592-1628) in three quarter view to the right. Oil/canvas, relined, in the upper left hardly legible inscribed Anno 1626 (or
1620).
2057
NAPLES (18th ct.). The philosopher Diogenes von Sinope. Oil/canvas, relined. The philosopher is engrossed in a tome. Next to him on
the edge of the picture is a lantern as a reference to the legend that in broad daylight he walked across Athens market with one in his
hand because he wanted to look f ...[more]
2058GREBBER PIETER FRANSZ. DE (attr., c.1595-c.1652). Portrait of a lady in a lilac dress in profile to the right. Oil/panel, monogrammed
and dated 1649 at the right, verso old lacquer seal with coat of arms, probably of the Brett (Brett of Esher) family.
2059BOUCHER, FRANCOIS (after, 1703-1770). Portrait of a lady with a muff. Oil/canvas. After the painting now held at Musée du Louvre,
Paris.
2060 LAZZARINI, GREGORIO (attr., 1655-1730). Lucretia (fragment). Oil/canvas, relined.
2061ZAMPIERI DOMENICO CALLED DOMENICHINO (after, 1581-1641). The Cumaean Sibyl. Oil/canvas, relined. After Domenichino's
painting from 1616 now held at Galleria Borghese, Rome. Rest.
2062 NAPLES (17th ct.). Saint Joseph. Oil/canvas, relined.
2063 FLEMISH SCHOOL (17th ct.). Portrait of a bearded man. Oil/panel, verso mark of the Antwerp panel maker Lambrecht Steen.
2064SCHALCKEN, GODFRIED (follower, 1643-1706). A young maidservant with an oil lamp in a cellar storeroom. Oil/panel. Published in
Thierry Beherman, Godfried Schalcken, Paris 1988, p. 353, no. 315 with fig.
2065 FLEMISH SCHOOL (17th ct.). Mary Magdalene (fragment). Oil/canvas/cardboard.
2066 QUELLINUS, ERASMUS II (attr., 1607-1678). The Virgin with Christ Child. Oil/canvas, relined.
2067STALBEMT, ADRIAEN VAN (1582-1662). The Penitent Magdalene. Oil/panel. With an expert report by Dr. Klaus Ertz, March 2020.
Provenance: Old Southern German private collection.
2068
VERBEECK, FRANS XAVER (1686-1755). A company making music on a terrace in front of a park landscape. Oil/canvas, relined, on
the right side signed and dated 1722. With an expert report by Walther Bernt, Munich 1958. Provenance: Important Bavarian private
collection, acquired before 1989.
2069 WOUTERS, FRANS (circle, 1612-1659). Diana's hunt. Oil/canvas, relined. Provenance: Southern German private collection.
2070BRIL, PAUL (c.1554-1626). Extensive river landscape with peasants and travellers. Gouache/Papier, unten mittig signiert. With an
expert report by Dr. Klaus Ertz, Lingen 2019. Provenance: Old Southern German family property.
2071 FRANCE (18th ct.). Allegory of Music. Oil/canvas, relined.
2072 FRANCE (18th ct.). An elegant company in a park as an allegory of autumn. Oil/canvas/canvas. Rest.
2073 DUTCH SCHOOL (17th ct.). Three gentlemen playing trick-track. Oil/panel.
2074 MIERIS, FRANS VAN (after, 1635-1681). The Charlatan. Oil/canvas/panel.
2075 HONTHORST, GERRIT VAN (follower, 1592-1656). A lute player. Oil/canvas/panel. Provenance: Old Southern German family property.
2076 GERMANY (17th ct.). Kitchen still life with pasty, crayfishes, bread roll, fruits and a cabbage. Oil/canvas, relined.
2077 DUTCH SCHOOL (17th ct.). Still life with oysters, fruits, nautilus, glass and a faience jug. Oil/canvas, relined.
2078 DUTCH SCHOOL (17th ct.). Still life of roses and tulips in a glass vase. Oil/canvas. relined.
2079GERMANY (17th ct.). Still life by candlelight with a print showing the Nativity, pieces of jewelry, an opened psaltery, fruits and an
overturned glass. Oil/canvas.
2080
FALCH, JOHANN (1687-1727). Forest floor with a lizard, snail and butterflies. Oil/canvas, signed lower right. After two years of
apprenticeship with Johann Christoph Beyschlag, Falch became a master in Augsburg in 1709 and from then on, like the Augsburg
court painter Carl Wilhelm von Hamilton, devo ...[more]
2081
LUYCKX, CARSTIAEN (1623-c.1670). A hunting still life of partridges and a hare grouped together with a gyrfalcon and dogs around a
musket and hunting gear. Oil/canvas/canvas. Provenance: Important Bavarian private collection. Though scarcely known to a wider
public today, this versatile artist was s ...[more]
2082 ADRIAENSSEN, ALEXANDER (attr., 1587-1661). Two still lifes with flowers, fruits and wild birds. A pair. Oil/canvas, relined. Rest.
2083BLOEMEN, PIETER VAN (attr., 1657-1720). Horsemen resting at a blacksmith's shop. Oil/canvas, relined. Provenance: Southern
German private collection.
2084
GOYEN, JAN VAN (1596-1656). River landscape with a view to Leiden and the Hooglandse Kerk. Oil/panel, monogrammed and dated
1643. Downscaled version of the painting now held at Alte Pinakothek, Munich (inventory no. 4892). A characteristic work of van Goyen,
one of the main exponents of tonal painti ...[more]
2085RUISDAEL, JACOB VAN (c. 1628/29-1682). A small hill with trees and a farmhouse with staffage figures on a path. Oil/canvas, relined,
lower left inscribed. A horizontal copy after the painting by Ruisdael now held in the National Gallery, London (inventory no. 988).
2086 FLEMISH SCHOOL (17th ct.). Extensive river landscape with villages and staffage figures. Oil/canvas, relined.
2087 DUTCH SCHOOL (17th ct.). Extensive river landscape with peasants. Oil/partly cradled panel.
2088FLEMISH SCHOOL (17th ct.). Mountainous landscape with a flock of sheep and herdsmen playing cards. Oil/canvas, relined, inscribed
lower right.
2089 HEEREMANS, THOMAS (attr., c.1641-1699). Farmstead in a wintry landscape. Oil/canvas, inscribed and dated 1681 lower left.
2090
PLATZER, JOHANN GEORG (1704-1761). Antiochus and Stratonice. Oil/copper. Provenance: Important Bavarian private collection,
acquired before 1989. - Antiochus (324-261 BC, King of the Asian Diadochian Empire since 281) fell ill because of his secret love for his
young stepmother Stratonike, which the ...[more]
2091SOUTHERN GERMANY (18th ct.). Liberation of St. Peter. St. Peter in the house of Mary, mother of John Mark. A pair. Oil/canvas,
relined.
2092 FLEMISH SCHOOL (17th ct.). Salomon's idolatry. Oil/canvas, relined.
2093 MONALDI, PAOLO (attr., 1725-1780). Peasants with a musician at an archway. Oil/canvas, relined.
2094GUARDI, GIACOMO (follower, 1764-1835). Venetian lagoon capriccio with arched buildings at a small dock. Venetian lagoon capriccio
with an arch bridge at a boundary wall. A pair. Oil/canvas.
2095DÜRER, ALBRECHT (1471-1528). Landschaft mit Kanone (Die große Kanone; Die Kanone). Iron etching, 1518. B. 99; Meder 96,
probably d; Schoch/Mende/Scherbaum 85. Watermark Double Eagle.
2096
DÜRER, ALBRECHT (1471-1526). St. Eustachius. Copper engraving, c. 1500/15002. B. 57; Meder 60, probably b or c (of k);
Schoch/Mende/Scherbaum 32. Watermark 20 (High Crown).- Provenance: Southern German private collection - Upper left corner add.
Saint Eustachius surpasses all of Dürer's other copper ...[more]
2097REMBRANDT, HARMENSZ. VAN RIJN (1606-1669). The Death of the Virgin. Etching and drypoint, 1639. B. 99, New Hollstein 173,
state 4 or 5 (of V). Provenance: From a Württemberg private collection.
2098REMBRANDT, HARMENSZ. VAN RIJN (1606-1669). The Descent from the Cross by Torchlight. Etching and drypoint, 1654. B. 83,
New Hollstein 286, state 3 or 4 (of IV). Provenance: From a Württemberg private collection.
2099
SCHONGAUER, MARTIN (1448-1491). The Angel of St. Matthew. Copper engraving, verso collector's annotations in pencil and
collector's mark of Joseph Daniel Böhm (Lugt 1442). Hollstein 72. From the series of the four Evangelist's symbols, Hollstein 72-75;
Lehrs 72.
2100 ITALY (probably 18th ct.). Scene from the Old Testament. Chalk, grey wash/paper. Traces due to age.
2101 BOLOGNA (17th ct.). The Virgin with Saint Joseph and St. John the Baptist. Red chalk/paper.
2102 BLAUER, R. (first mentioned 1601). The death of Cato the Younger. Tempera/paper, signed and dated 1656.
2103 ITALIAN (?) SCHOOL (c.1800). Studies of two heads and study of a camel. Pencil, blue wash/coloured paper, mounted on laid paper.
2104
REMBRANDT, HARMENSZ. VAN RIJN (follower, 1606-1669). Hera, Io and Argos. Pen in brown and black, brown wash/paper. A
slightly varied and downsized version of a drawing by Rembrandt now held at Berlin's Museum of Prints and Drawings. Provenance:
Max Graff Collection (Lugt 1157b).
2105FLEMISH SCHOOL (17th ct.). Lot's Flight from Sodom. Pen, grey wash/paper. The drawing follows a composition by Peter Paul Rubens
which has also been replicated by his student Victor Wolvoet II.
2106
SOUTHERN GERMANY OR AUSTRIA (18th ct.). Saint Glyceria refuses to pay tribute to the stone statue of Jupiter and it breaks. Pen in
black, grey wash/paper, at the lower margin inscribed, lower right and verso collector's mark of Wilhelm König (Lugt 2653b) and old
attribution to Matthäus Günther.
2107ITALY (17/18th ct.). Christ at the Column. Male nude with a bowl. Two studies. Red chalk/paper, verso on the framing old label in
handwriting by the art dealer Daisy Mei, Florence 1972.
2108 GERMANY (18th ct.). River landscape with a bridge. Pen in grey, grey wash/paper. Provenance: Max Graff Collection (Lugt 1157b).
2109DUTCH SCHOOL (17th. ct.). Shoreland with trees and staffage figure. Chalk/paper, lower right collector's mark of Boguslaw Jolles (Lugt
381), verso collector's mark of Max Graff (Lugt 1157b), on the passe-partout old attribution to Jan van Goyen.
2110VELDE, ADRIAEN VAN DE (attr., 1636-1672). River landscape with cattle and herdsmen. Chalk/paper, brown wash, verso collector's
mark of Max Graff (Lugt 1157b). Provenance: Max Graff Collection (Lugt 1157b).
2111
CARUS, CARL GUSTAV (attr., 1789-1869). A window in the ruined castle of Tharandt near Dresden. Watercolour and pencil/paper. The
present watercolour shows a window in the castle ruins of Tharandt, a village 13 km southwest of Dresden. Carus has apparently been
in Tharandt several times and has made ...[more]
2112
SPRINGER, CORNELIS (1817-1891). Townscape of Zaltbommel with the house of Maarten van Rossum. Charcoal/paper, laid on
masonite, signed and dated 1860 lower left. The work can be seen as a preparatory drawing to the painting by Springer, sold at
Christie's Amsterdam in November 2014 (lot 218, _ 100.0 ...[more]
2113MARIESCHI, MICHELE (1710-1743). Regata on the Grand Canal between Palazzi Balbi and Foscari (Regata in Volta di Canal).
Etching, 1741. Succi A 24, 1st state (of IV).
2114 MARIESCHI, MICHELE (1710-1743). Campo San Rocco. Etching, 1741. Succi A 17, 4th state (of V).
2115
MANN, JOHANN GOTTLIEB. Deutschlands wildwachsende Arzney-Pflanzen und deren gewöhnliche Verwechslung. 2 vol. Fol. With 1
lithogr. portrait and 1 lithogr. title and 186 coloured plates. Stuttgart 1828. Half leather bound. Along with: idem, Die ausländischen
Arzney-Pflanzen. 1 vol. Title replaced by a ...[more]
2116 HEIDELOFF, VICTOR (attr., 1757-1817). Figures in a vaulted hall. Watercolour and pencil/paper, verso inscribed.
2117
PALAGI, PELAGIO (attr., 1775-1860). Capriccio with ancient architecture. Oil/canvas. The set-like architecture with accentuated light-
dark effect shows Palagi's preoccupation with the works of Ferdinando Galli da Bibiena (1656-1743) and Giovanni Battista Piranesi
(1720-1778) and with the latter in p ...[more]
2118
COROT, JEAN-BAPTISTE-CAMILLE (1796-1875). Le Chevrier (Souvenir d'Italie). Oil/canvas, relined, signed lower left. With a
certificate by Martin Dieterle and Claire Lebeau, Paris 2020. Published in Alfred Robaut, L'oeuvre de Corot, éd. Floury, Paris 1905, vol.
3, p. 346/347, no. 2265 with fig. Proven ...[more]
2119KELLER, CARL URBAN (1772-1844). Extensive Italian landscape with stone pines and a peasant family on a bridge. Oil/canvas,
relined, signed lower left.
2120 HILVERDINK, JOHANNES (attr., 1813-1902). Wooded river landscape with a farmhouse. Oil/cradled panel, monogrammed lower left.
2121KOEKKOEK, MARINUS ADRIANUS (attr., 1807-1868). River landscape with wanderers, in the background a church village. Oil/panel,
inscribed and dated 1849 lower right.
2122 ROOSENBOOM, NICOLAAS JOHANNES (1805-1880). Overlooking a wide landscape with villages. Oil/panel, signed lower left.
2123 FINES, EUGENE FRANCOIS (1826-1884). Dressing in a festive costume in a farmhouse parlour. Oil/canvas, relined, signed.
2124EPP, RUDOLF (1834-1910). In a tavern. Oil/canvas, signed lower right. The painting is recorded in the online catalogue raisonné of
Rudolf-Epp-Forum Heidelberg as no. EW 0378.
2125
MEYERHEIM, FRIEDRICH EDUARD (1808-1879). Churchgoing. A young couple helping their mother at the steps of the church square.
Oil/canvas, relined, signed and dated 1850 lower right. Provenance: Southern German private collection. Lit.: Friedrich von Boetticher,
Malerwerke des neunzehnten Jahrhunderts ...[more]
2126
RUTHS, VALENTIN (1825-1905). Landscape by approaching thunderstorm. Oil/panel, signed and dated 1875 lower left, verso on the
panel on an old label in handwriting inscribed, on the frame old numbering 157. Cf. Friedrich von Boetticher, Malerwerke des
neunzehnten Jahrhunderts, vol. II,1 p. 501, s.v. ...[more]
2127DUPRE, VICTOR (1816-1879). "Les Vaches à l'Abreuvoir". Summery landscape with cows at a watering place. Oil/panel, signed lower
right and dated 1854, verso label of Kunsthaus Bühler, Stuttgart with titling.
2128VERBOECKHOVEN, EUGENE (attr., 1791-1881). Sheep at a meadow fence. Oil/panel, inscribed and dated 1851 lower left.
Provenance: Southern German private collection.
2129 VERHOESEN, ALBERTUS (1806-1881). A herd of cows on a meadow at the village outskirts. Oil/canvas, relined, signed lower left.
2130ROUSSEAU, THEODORE (attr., 1812-1867). Landscape in the evening light. Oil/paper/cardboard, monogrammed lower left, verso
inscribed. Provenance: Southern German private collection.
2131
DIAZ DE LA PENA, NARCISSE VIRGILIO (1807-1876). Woods inside with a pond and a woman collecting brushwood.
Oil/Canvas/cardboard, signed lower left, verso on an old label inscribed "Bequest of Judge and Mrs. Daniel Beecher, 07". Provenance:
Acquired by the father of the present owner in 1977 at Wesch ...[more]
2132
SPITZWEG, CARL (1808-1885). A wooded dingle with three gypsies. Oil/panel, monogrammed lower right, verso estate stamp.
Published in Siegfried Wichmann, Carl Spitzweg, Verzeichnis der Werke, Gemälde und Aquarelle, Stuttgart 2002, p. 543 catalogue
raisonné no. 1509 with fig.
2133SCHWARTZE, THERESE (attr., 1851-1918). Portrait of a girl in a red velvet coat with fur trimming. Oil/canvas, verso on the stretcher
old label of Galerie Heinemann, Munich with numbering 14554.
2134
MÜLLER, MARIE (1847-1935). An Oriental with a stringed instrument. Oil/canvas, relined, signed lower left, verso on the frame old label
of the Viennese gilder Rudolf Bauer, Plankengasse 3. Cf. Friedrich von Boetticher, Malerwerke des neunzehnten Jahrhunderts, vol. II,1
p. 104, s.v. Müller, Marie no. ...[more]
2135 STYKA, ADAM (1890-1959). An Oriental couple in front of a landscape. Oil/canvas, signed.
2136PREYER, ERNEST (1842-1917). A magnificent still life of flowers with a carpet in front of a terraced park landscape. Öil/canvas, signed
lower left, verso on the canvas dated 3. März 1898 and 30. Juli 1902. Provenance: From the artist's family.
2137PREYER, ERNEST (1842-1917). Ruins of a derelict villa at sunset. Oil/canvas, signed lower right, verso on the canvas dated 19. Dec.
1890. Provenance: From the artist's family.
2138PREYER, ERNEST (1842-1917). Still life of flowers on a stone pedestal in front of a lake landscape, Oil/canvas, signed and dated 1896
lower left, verso on the canvas dated 1896. Provenance: From the artist's family.
2139PREYER, ERNEST (1842-1917). Portrait of Adele Preyer as full-figure with roses in a dark dress on a terrace in front of a landscape.
Oil/canvas, relined, signed lower left and dated 1875. Provenance: From the artist's family.
2140PREYER, ERNEST (1842-1917). Portrait of the artist's wife Agnes in a period dress at a balustrade in front of a lake landscape.
Oil/canvas, signed and dated 1877, verso inscribed. Provenance: From the artist's family.
2141PREYER, ERNEST (1842-1917). Extensive lake landscape in front of a mountain backdrop with a garland of flowers and fruits.
Oil/canvas, signed and dated 1896 upper right at the garland. Provenance: From the artist's family.
2142PREYER, ERNEST (1842-1917). Summery lake landscape with a ruined castle. Oil/canvas, relined, signed lower right and dated 1897.
Provenance: From the artist's family.
2143MALI, CHRISTIAN (1832-1906). A bouquet of field flowers in a glass vase on a tabletop. Oil/canvas, relined, signed and dated 1897
lower left and a (difficult to read) dedication lower right.
2144MARKO, KAROLY THE YOUNGER (attr., 1822-1891). Wooded landscape with two peasant women on the roadside. Mountain
landscape with a peasant couple on a wall. A pair. Oil/cardboard, the first signed and dated 1863 lower right.
2145 SCHÖNLEBER, GUSTAV (1851-1917). Fishing boats (La Panne). Oil/canvas, relined, signed and dated 1875 lower right.
2146SAFONOV, PAVEL ILYCH (Russia, 1896-1934). A sleigh in a Russian town in Winter. Watercolour and pencil/paper, signed lower left,
verso dedication from Valentine Shoostoff to Dr. Ruth Boss, Tientsin June 1932.
2147CARABAIN, JACQUES (1834-1892). Street scene in Narni with peasants and a blacksmith. Oil/canvas, relined, verso on the stretcher
old label in handwriting with inscription by the artist. Provenance: Southern German private collection.
2148 AN OCTAGONAL BAROQUE EBONISED BRASS AND STONE INLAID MIRROR, Italy, 17th century. Add. Signs of aging.
2149A SOUTH GERMAN WALNUT AND FRUITWOOD MIRROR, second quarter of 18th Century, the later plate within a moulded bastion
shaped frame. Minor rest. and traces of age.
2150A SPLENDID ITALIAN GILT METAL MOUNTED ROSEWOOD, EBONY AND IVORY MARQUETRIED CABINET, with carneol, lapis
lazuli and agate inlay, Florence, 17th century. Minor restorations and additions, minor damages due to age.
2151 A PAIR OF RENAISSANCE CARVED WALNUT ARMCHAIRS, probably Genua, 17th ct. Rest. Minor damages.
2152A RENAISSANCE/EARLY BAROQUE BRASS MOUNTED CARVED OAKWOOD AND OTHERS CABINET CUPBOARD, French, 17th
century. Minor restorations, additions, minor damages due to age.
2153A PAIR OF ENGLISH CARVED OAK GRIFFINS, 19th century. Each winged lion sitting on a rectangular plinth. Minor rest. and traces of
age. Plinth later.
2154
AN EARLY IRON MOUNTED CARVED FRUITWOOD CHEST, South German or Alpine, late 15th/early 16th Century. Decorated overal
with carved floral ornaments, unusual fine detailed dovetails and a marquetry fish ornament to the left corner, the rectangular hinged lid
enclosing a plain interior with one hinged c ...[more]
2155
A LARGE FANKFURT WALNUT AND OTHERS BAROQUE CUPBOARD, Frankfurt on the Main, c. 1740. Double-leaf body on 5 ball
feet, the front flanked by two columns with Corinthian capitals, engraved brass mounts, blued and engraved steel lock. Restorations and
damages due to age. Provenance: Villa at the Victori ...[more]
2156A "VERDURE" TAPESTRY, wool and silk, Flemish, 1st half 18th century. Restored and repairs. Provenance: From the Villa at the
Victoria Park Kronberg/Taunus. In familiar property since at least 1917 - Size reduced, minor damages and restoration due to age
2157A NORTH GERMAN BAROQUE OAKWOOD CUPBOARD - SO-CALLED HAMBURGER SCHAPP, 1st half of 18th century. Carved
wood applications of fruits, putti and winged putto heads. One drawer above the sockle. Minor restorations, damages due to age.
2158
AN ELABORATE RUSSIAN BRASS MOUNTED PALISANDER AND OTHERS FLOWER MARQUETRIED TABLE-A-ROGNON, third
quarter of 18th century. Lyra schaped feet, frieze drawer. On the top a central medaillon with trophy marquetry, flanked by two lush
bouquets of flowers. Minor restorations and some damages due to age.
2159
FINE DUTCH BAROQUE LONGCASE CLOCK WITH MOON PHASE AND DATE, the dial signed W. (Willem) Bramer, Zwolle, 18th
century. Walnut with rich floral marquetry. Brass dial with Four Seasons pattern, finely painted moon phase and date. Brass anchor
escapement with 8 day movement and half hour striking on 2 b ...[more]
2160
AN EXCELLENT BRONZE MOUNTED AND MARQUETRIED WALNUT, BOG OAK, PLUM AND OTHERS SECRETAIRE-A-TROIS-
CORPS, SO-CALLED "CANTOURGEN", Mainz, c. 1740/50. Commode part with two drawers, ornitological and floral marquetry, with c-
shaped carvings, central part with hinged writing desk, on the front a rich marq ...[more]
2161
A SOUTH GERMAN LOUIS XVI BRASS MOUNTED WALNUT AND FRUITWOOD MINIATURE COMMODE, dated 1784. Removable
vase and laurel crest with secret mechanism. Provenance: Important Bavarian private collection, assembled prior 1989 - Very minor
restorations and signes of aging.
2162A PROBABLY SWEDISH ROCOCO BRONZE MOUNTED ASH WOOD AND OTHERS BUREAU DE PENTE, c. 1760. Verso in Black
inscribed "c.F.D. No. IV arborga hinsberg". Minor restorations, traces of age.
2163A MID-GERMAN BRONZE MOUNTED WALNUT AND OTHERS ROCOCO COMMODE, maybe Rhenish, c. 1760. Carved base on 4
feet, waltnut wood with engraved pattern. Minor restorations, traces of age.
2164
A FINE ROCOCO WALNUT, PLUM AND OTHERS ENGRAVED AND SHADED TRANSFORMABLE GAMES TABLE, middle of 18th
century. Movable table top with turnable inlaid centre for game of chess and nine men's morris, bird marquetry on the opposite side.
Backgammon board inside. Minor restorations and damages due to age.
2165A LATE LOUIS-XVI BRASS MOUNTED WALNUT, CHERRYWOOD AND OTHERS COMMODE with dado pattern marquetry and
monogrammed top, probably French, c. 1800. Minor restorations, traces of age.
2166A SOUTH GERMAN LOUIS XVI BRASS MOUNTED WALNUT, PLUM AND OTHERS BUREAU A CYLINDRE, late 18th century. Minor
damages due to age, minor restorations.
2167
A FINE LOUIS XVI ORMOLU MOUNTED PALISANDER AND OTHERS SECRETAIRE A ABATTANT, Paris, stamped by Martin
Ohneberg, last quarter of 18th century. Double doors at lower part with removable casket inside, hinged leather-lined writing desk, rich
cabinet with 4 drawers, upper rim and drawer with gilt fluted ...[more]
2168
A FINE NORTH ITALIAN POLYCHROME PAINTED, LACQUERED AND PARCEL-GILT LOUIS XVI AMEUBLEMENT, comprising six
chairs and two fauteuils, c. 1800. Finely painted grape and laurel leaf pattern on gilt ground. With old inscribed labels at the bottom.
Minor rest. - Provenance: South German private collection.
2169A DECORATIVE BAROQUE CARVED PAINTED AND GILT WOOD FRAME WITH 3 WINDOWS, South German, middle of 18th
century - Minor restorations and retouches.
2170A PAIR OF ITALIAN ROCOCO GILT WOOD MIRRORS, mid 18th century. Gilding overpainted, minor rest., minor add., traces of age.
Old mirror glass.
2171A DUTCH CARVED GILTWOOD MIRROR, mid 18th Century. The rectangular plate within a moulded frame, carved with C-scrolls,
roquailles and foliage. Minor rest. and traces of age.
2172A FINELY CARVED AND GILT WOOD MIRROR WITH 6 SMALL BRACKETS FOR FIGURINES OR VASES, 19th century. Rest., traces
of age.
2173
A SOUTH GERMAN POLYCHROME PAINTED AND PARCEL-GILT ROCOCO MIRROR, Ansbach, circa 1765. The rectangular plate
within a moulded and richely carved frame with C-scrolls and foliage, surmounted by a clasp issuing a HoHo bird with its nest with eggs.
Minor restorations and traces of age.
2174A DUTCH GILT EMBOSSED AND POLYCHROME PAINTED LEATHER FOUR LEAF SCREEN, the leather panels 17th Century, the
screen later. Minor damages due to age.
2175
A FRENCH TRANSITION PALISANDER, MAHOGANY AND OTHERS SECRETAIRE-A-ABATTANT, c. 1780. Rich marquetry of urn
vases, lush bouquets of flowers and a central flower basket, engravings and remnants of green colours. Later gray marble top. Minor
rest., additions, damages due to age.
2176
TWO FRENCH RED AND GREEN TOOLED LEATHER PORTFOLIOS, 19th century. Each with concertina folds to one side, and lidded
compartment enclosing white metal and porcelain ink wel, one with gilt embossed inscription in capital letters 'Hélie de Fayolle' (André
Alain 'Helié' de Fayolle, Marquis de Fayolle, ...[more]
2177
A LATE LOUIS XVI BRASS BANDED MAHOGANY AND CHERRYWOOD ARCHITECT'S TRANSFORMATION TABLE, early 19th
century. The moulded rounded rectangular top with green leather lined double hinged writing surface, both sides opening to reveal a
fitted interior with open compartments, with inlaid initials "M" and ...[more]
2178
A RARE CLASSICAL BRASS MOUNTED MAHOGANY BRACKED CLOCK WITH SELF-RELEASING CYLINDER MUSIC WORK,
German, late 19th century. Pyramid shaped, front cartouche with gilt pattern glass. White enamel dial, big anchor work with 4/4 striking
on two bells, spring bracket, self-releasing music mechanism with wo ...[more]
2179
AN IMPRESSIVE FRENCH ORMOLU PENDULE "ORPHEUS AND EURYDICE", Paris, c. 1820. Large rectangular firegilt bronze case
on 4 knobbed feet, relief pattern Myhtological scenes of the Orpheus saga. Standing full plastic figure of Orpheus beside a column and
the urn of Eurydice. White enamelled dial with Rom ...[more]
2180A PAIR OF FRENCH LOUIS-XVI ORMOLU AND WROUGHT IRON VASE SHAPED AND FOLIAGE PATTERN ANDIRONS, late 18th
century. Rest., additions, damges due to age. Rel. Lit. Ottomeyer/Pröschel, Vergoldete Bronzen, Vol. 1, fig. 4.11.10.
2181
A PAIR OF EMPIRE GILT AND PATINATED BRONZE CANDELABRA, French, 19th century. Winged amor standing on a ball holding
the five-light flambeau top in his left or in his right hand. Balustre shaped, flooted base with Acanthus and palm leaf pattern. Traces of
age. Rel. Lit. Ottomeyer/Pröschel, Vergoldete ...[more]
2182A FRENCH GILT BRASS AND PATINATED BRONZE PENDULE WITH AMOR, 19th century. White enamel dial signed "Hartingue
Paris", Paris reck escapement with 8 day movement. Rest., additions, minor damages due to age. Functionality not inspected.
2183A PAIR OF FRENCH CLASSICAL GILT AND PATINATED BRONZE BRULE PARFUM VASES, c. 1820/40. Krater shaped with
openwork top and two handles with faun heads. Damages due to age.
2184
A FRENCH ORMOLU AND PATINATED BRONZE MANTLE CLOCK "Le King Charles Saveur", c. 1810. On a rectangular base a bed
shaped body, on top a figural scene with a small dog saving a baby boy from a snake. White enamel dial signed "LeClerk à Bruxelles".
Anchor escapement with 8 day movement and half hour st ...[more]
2185A FRENCH EMPIRE TABLE CLOCK, signed Epenoy Horologer de la Maison Jm. le Napoleon A St. DENIS, France, c. 1810. Parisian
movement, 8-day-going, half hour strike on bell. Minor restorations, signs of aging. Functionality not examined.
2186
A RESTORATION ORMOLU AND PATINATED BRONZE SUNFLOWER TABLE CLOCK, French/Paris, c. 1820/30. Sunflower case
with firegilt verge escapement with 1 day going, white enamelled dial (min. chips). Min. dent to stand. Functionality not examined. A
watercolour of a virtually identical timepiece in C. Plante ...[more]
2187 A PAIR OF LOUIS XV STYLE GILT BRONZE FOUR LIGHT CANDELABRA, probably French, 19th century. Minor wear.
2188 A PAIR OF REGENCE GILT-BRONZE THREE LIGHT CANDELABRA with removable top, French, c. 1720. Minor wear.
2189 A PAIR OF GREEN BLACK SERPENTINE BUSTS of a woman and a man with hat, 19th century. Min. chips.
2190MARBLE BUST OF ROMAN EMPEROR NERO, Italy, 20th century. Porphyry head, body of Brescia Italian violet and white marble, the
base of wihte marble. Some chips.
2191A VIENNA MOTHER OF PEARL AND BRASS INKWELL WITH TWO GLASS LINERS, 1820/25 ca. Mother of pearl plaque on top with
engraved floral pattern and broken.
2192FRENCH PATINATED AND GILT BLACKAMOOR CANDLESTICK, 1st half of 19th century. Bone and bronze mounted wooden base.
Minor wear and traces of age.
2193
A LOUIS-XVI ORMOLU MOUNTED WHITE BLACK MARBLE "PORTICO" PENDULE, French, 2nd Half of 18th century. Decorated with
biscuit porcelain plaques, porcelain flowers and bronze eagle on top. White dial, Paris anchor escapement with 8 day movement and
half hour striking on bell. Restorations, additions, dam ...[more]
2194
A FINE FRENCH ORMOLU MOUNTED MAHOGANY EMPIRE MANTLE CLOCK, late 18th century. Enamelled dial with Osman ciffres
for the Oriental marked. Anchor escapement with 8 day movement and half hour striking on bell - Provenance: South German private
collection - Minor restorations and very minor damages due ...[more]
2195A FRENCH EMPIRE BRONZE MOUNTED MAHOGANY CONSOLE TABLE with Belgian granite top and mirror in the rear, c. 1820.
Very minor restorations and traces of age.
2196SOUTH GERMAN BIEDERMEIER CHERRY WOOD MIRROW with relief carved and gilt hunting scene, c. 1820. Original mirror glass.
Very minor restorations.
2197A FINE FRENCH ORMOLU MOUNTED MAHOGANY COMMODE, c. 1810/20. Fine gilt bronze mounts of foliage, rosettes and a figural
frieze on upper drawer. Belgian granite top. Original locks. Very minor restorations and traces of age. Matching to following lot.
2198
A FINE FRENCH ORMOLU MOUNTED MAHOGANY EMPIRE SECRETAIRE-A-ABATTANT, c. 1810/20. Fine gilt bronze mounts of
foliage, rosettes and a figural frieze on upper drawer, leather-lined writing desk. Belgian granite top. Original locks. Very minor
restorations and traces of age. Matching to preceding lot.
2199A PAIR OF FRENCH NEOCLASSICAL WHITE PAINTED AND PARCEL-GILT STOOLS, 19th century. Each with square padded green
velvet upholstery and squab cushion, on X-shaped legs, ending in paw feet. Minor traces of age.
2200
A NEOCLASSICAL GRAY PAINTED AND CARVED GUERIDON WITH AMETHYST VENEERED TABLE TOP. The circular top above a
tripod base, carved with lion heads ending in paw feet. Minor traces of use. This splendid carved and painted center table is closely
related to a Roman design, shown in Koeppen & Breuer, V ...[more]
2201A MONUMENTAL CHARLES X MAHOGANY, EBONIZED AND BRASS INLAID CONSOLE MIRROR, c. 1840. Big rectangular mirror
with two columns, gilt capitels, white marble top on base flanked by circular gueridons. Minor restorations, some damages due to age.
2202A BRONZE AND GLASS TWELVE-LIGHT CHANDELIER, probably French, 2nd half 19th ct. Minor restorations, minor damages of
aging. Later electrified.
2203A FINE BIEDERMEIER MAHOGANY CENTRE TABLE, Vienna, c. 1825/30. Design possibly by Joseph Ulrich Danhauser. Tilting top
with original spring locking. Eightfold hollowed base and fluted shaft. Minor damages due to age.
2204A FRENCH EMPIRE ORMOLU MOUNTED MAHOGANY DRESSING CONSOLE WITH MARBLE TOP AND WRITING DRAWER, 1st
third 19th century. Rest., traces of age.
2205A PAIR OF SOUTH EUROPEAN ORMOLU MOUNTED TULIPWOOD LOUIS XVI STYLE SIDE TABLES with Breche d'Alep marble
tops above a plain frieze with a drawer to one side, on square tapering feet and conforming stretcher, 20th century. Minor traces of age.
2206A SERIES OF SIX PROBABLY DUNCAN PHYFE MAHOGANY CHAIRS, USA, c. 1830. Fruit pattern carved back, decorative coverings.
Old owner's labels on bottom side. Minor restorations, traces of age.
2207A BIG ENGLISH BRASS MOUNTED MAHOGANY DEMI-LUNE SHAPED SIDEBOARD ON SIX FEET, c. 1780. Geometrical marquetry.
Minor rest., traces of age.
2208A FINE PICTURE CLOCK, showing Dresden and the river Elbe, Germany, 19th ct. Pocket watch verge movement. Minor restorations,
singes of use and aging. Functionality not examined.
2209
A REGENCY BRASS BANDED MAHOGANY AND CHERRYWOOD ARCHITECT'S TRANSFORMATION TABLE, early 19th century.
The moulded rounded square top, double hinged writing surface, both sides opening to reveal a fitted interior with open compartments,
leather lined writing desk and two extendible tablets, four feet ...[more]
2210AN EARLY 19TH CENTURY FRENCH TERRACOTTA CHINOISERIE GROUP of two woman with flower baskets and a Chinese boy
with umbrella in front of palm leaves on an oval base. Minor chips and min. restorations. Provenance: Dutch Collection.
2211
DANNECKER, JOHANN HEINRICH (Stuttgart 1758-1841). Terracotta clock case with the Three Fates, c. 1793. Rectangular base with
Mythological relief figures, the three fullround figure of the Fates beside and on top of the removable clock case. Some minor
restorations and additions. Provenance: Once pro ...[more]
2212
A PAIR OF FRENCH BISCUIT PORCELAIN GROUPS EMBLEMATIC OF LOVE, Paris, Locré & Russinger, probably c. 1785.
Allegorical figures of Venus and Amor. Incised crossed torches marks with letter ".A.". Some minor restorations. Provenance: Old
Belgian Private Collection.
2213A NYMPHENBURG WHITE PORCELAIN GROUP OF FLORA AND POMONA, after a Frankenthal model by A. Bauer, Nymphenburg
manufactory mark in paste with numerals 71/1, blue CT-mark with "1951". Minimally chipped.
2214
A VERY FINE AND RARE BISCUIT PORCELAIN CENTREPIECE by Coussac-Bonneval, Limoges, c. 1829. Two kneeling Classical
female figures on a green painted cushion with gold etched flowers, blue and gold pattern base, relief shaped ornaments, large
openwork baset on the top, the bottom side decorated with wh ...[more]
2215
A RARE SET OF FOUR LOUIS XVI ORMOLU CANDLESTICKS AFTER A MODEL ATTRIBUTED TO JEAN-DEMOSTENE
DUGOURG, Paris, c. 1785. Each with a candlenozzle in the form of a gadrooned urn on lion monopodia, the stem with four addorsed
female caryatids draped with floral and fruiting garlands and festons, on circul ...[more]
2216
A PAIR OF LOUIS XVI ORMOLU CANDLESTICKS AFTER A MODEL ATTRIBUTED TO JEAN-DEMOSTENE DUGOURG, Paris, early
19th century. Each with a candlenozzle in the form of a gadrooned urn on lion monopodia, the stem with four addorsed female caryatids
draped with floral and fruiting garlands and festons, on circ ...[more]
2217A FURSTENBERG PORCELAIN GROUP OF A COUPLE OF SHEPHERDERS with dog, bird's nest and birdcage, c. 1770/80.
Polychromy painted and gilt. Blue F- mark and the bottom and in paste "F/3". Chipped, minor losses.
2218A DECORATIVE COBALT BLUE FOND PORCELAIN AND GILT BRONZE TABLE LAMP, 19th century. Porcelain vase, probably
China, bronze probably French, both late 19th. Later electrified. Retouches. Traces of age.
2219 A PAIR OF FRENCH EMPIRE ORMOLU CANDLESTICKS, early 19th century. Minor wear.
2220
AN EXCELLENT PAIR OF FRENCH EMPIRE ORMOLU CANDLESTICKS WITH HUNTING SCENES, early 19th century. Original fire
gilding. Minim. wear. Provenance: South German Private Collection. Collection of J.J. Ludwig, Regensburg. With Nagel Auktionen,
auction 27./28. February 2008, lot 703.
2221
A PAIR OF SWEDISH NEOCLASSICAL STYLE white and black painted gesso and simulated porphyry console tables, late 19th/early
20th Century. Each with rectangular plate within a scale-shaped frieze, on conforming baluster legs and stepped plinth. Minor traces of
age, minor restorations.
2222
A FINE CHINOISERIE PATTERN BLACK LACQUERED, GOLD AND POLYCHROME PAINTED CABINET ON STAND, VENICE (?),
19th century. Floral pattern and Chinese people in Asian landscapes. Double-leaf cabinet with eight drawers and brass mounts. Some
restorations, additions, traces of age.
2223A TEFZET CARPET WITH AUBUSSON DESIGN, 2nd quarter 20th ct. - Provenance: Former old German noble collection - Few very
small damages due to age
2224
A PAIR OF FRENCH NEOCLASSICAL BRONZE MOUNTED PALISANDER, SATIN WOOD AND OTHERS LOW CUPBOARDS WITH
PORCELAIN PLAQUES, late 19th century. Rich marquetry, bronze mounts, the porcelain plaques painted with a lady and a gentleman
in a park landscape, monogrammed "J.B.". Traces of age, minor rest.
2225
A BIG CLASSICAL BELGIAN SILVER COFFEE POT, Liège, c. 1815/30. Foliage pattern, harpy head spout and a Sphinx double bust on
top of lid. Belgian marks for 833/1000 silver, maker's mark of Henry Joseph Lambermont (1765-1831, active in Liege from 1798 to
1831). C. 1476 g. Minor wear.
2226A NEOCLASSICAL PARCEL GILT SILVER MILK POT, Nuremberg, Johann Samuel Schoenberg, c. 1815/25. C. 191 g. Minor wear.
Provenance: Wurttemberg private collection - prior Collection Kleykamp, Vienna.
2227
A PAIR OF NUREMBERG CLASSICAL SILVER POTS by Johann Samuel Schoenberg, c. 1815/25. Decorated with wooden handles
with eagle heads, butterflies, acanthus foliage, medusaeheads and the engraved coat-of-arms of the von Gemmingen or von
Massenbach family. Nuremberg townmark, "13" dgt. standard, maker's ...[more]
2228
A BELGIAN FOUR PIECE NEOCLASSICAL SILVER COFFEE AND TEA SERVICE, teapot and milkpot marked with Belgian control
marks and maker's mark of the Brussels silversmith Joseph Germain Dutalis, c. 1832, coffeepot marked "900" and "BEGUIN", sugar
bowl with unreadable marks. Minor restoration and minor dents ...[more]
2229BIG BAROQUE PARCEL GILT SILVER COFFEE POT, German, middle of 18th century. 12-lot. standard mark, maker's mark IGW,
Austrian Import marks, C. 847g. Minor wear.
2230AN AUGSBURG SILVER ROCOCO TEAPOT by Johann Georg Kloss(e), 1763/65. Chased and partly gilt silver, wooden handle. C. 336
g. Min. dents.
2231A PAIR OF VIENNA SILVER MOCCA POTS, 1775 and 1783. Chased silver with later wood handles. Town mark with date and 13 dgt.
standard, maker's mark of Lorenz Reinhart. Tog.c. 681 g. Min. dents to stand.
2232A PAIR OF NEOCLASSICAL SILVER CANDLESTICKS, Vienna, c. 1900. Maker's mark of Mandl, Leopold & Ludwig. Tog.c. 790 g.
Minor dents.
2233 A PARCEL GILT BAROQUE STYLE SILVER SAILING SHIP on 4 wheels, Germany, c. 1900. Marked 835 standard, c. 528 g.
2234A BIG GEORGIAN URN SHAPED SILVER VASE WITH A COAT OF ARMS ON THE FRONT SIDE, London, 1759/69. Maker's mark of
Elisabeth Godfrey. C. 2577 gr. Minor restorations, very small dents. - Provenance: South German private collection.
2235
A MONUMENTAL AND IMPRESSIVE PARCEL GILT SILVER CENTREPIECE, probably German, 20th century. Long oval and
quatrefoil shaped pedastal with Neoclassical pattern on scrolled feet, large central repoussé bowl issuing two smaller bowls flanked by
two figural groups of music making Maenads and putti beside ...[more]
2236A ROCAILLE PATTERN MONOGRAM ENGRAVED SILVER CUTLERY FOR 12 PEOPLE by Bruckmann & Soehne, Heilbronn, late
19th century. Hallmarked. 800 Standard. Silver weight without knives c. 4385 g., knives tog.c. 2280 g. Traces of use.
2237A NUMEROUS GERMAN SILVER CUTLERY FOR 12 PEOPLE by Lutz & Weiss, Pforzheim. Marked. 800 standard, total silver weight
without knives c. 5258 g., knives tog.c. 1490 g. Minor traces of use.
2238A SILVER FRUIT STAND WITH GLASS BOWL, Gebrueder Friedländer, Berlin, late 19th century. 800 standard, c. 812 g. Min. dents,
glass with min. chips.
2239GERMAN SILVER COFFEE AND TEA SERVICE, Wilkens & Soehne AND A TRAY by Emil Hermann. Both Sterling 925 Standard.
Tog.c. 3170g. Traces of use.
2240A BIG SHEFFIELD ENGRAVED SILVER TRAY by James Deakin & Sons, date letter mark "u" for 1912. Total weight c. 4800 g. Minor
traces of use.
2241A LUDWIGSBURG PURPLE RED FLORAL PATTERN AND GILT COFFEE AND TEA SERVICE, 20th century. Blue manufactory
marks, painters marks. Minor wear.
2242A MEISSEN "TISCHCHENMUSTER" PATTERN DINNER SERVICE FOR 10-12 PEOPLE, 1st third of 20th century. 1st choice. Marked.
Minor wear.
2243
A SPLENDID BAROQUE STYLE EBONIZED WOOD, GILT BRONZE, BRASS AND ENAMEL CABINET CASE, Vienna, late 19th
century. Case mounted with enamelled copper plaques painted with Mythological scenes and landscapes, eagle crowned top with
secret compartment and four porticos with bronze caryatides. Minor damages ...[more]
2244 ALLEGORY OF PAINTING, Meissen porcelain figurine, model by Johann J. Kaendler. Blue sword mark. Min. damages and min. rest.
2245 A PAIR OF SEVRES FLORAL AND GOLD PATTERN BALUSTRE VASES, 1864. Marked "N" with 66 and S64. One rim cracked.
2246
A PAIR OF TWO FRANKENTHAL PORCELAIN BUSTS depicting Spring and Summer on rectangular floral pattern bases, c. 1770.
Models by Konrad Link. One bust marked in blue with crowned CT-mark, the other bust bottom filled with gesso. Bases marked in paste
"N3". Chipped, min. rest.
2247A MEISSEN FIGURINE OF A PEASANT WITH BAGPIPE AND DOG, c. 1755/60. Model by J.J. Kaendler from 1752. Blue sword marks
lower left. Minor restoration.
2248 A MEISSEN PORCELAIN CUPID WITH WIG, 3rd quarter of 18th century.
2249 TWO MEISSEN PORCELAIN CUPIDS, 3rd quarter of 18th century. Blue sword marks. Minor rest. and chipped.
2250 AN ITALIAN ALBARELLO PHARMACY JAR with episcopalian coat of arms, Rome/Lazio, dated 1637. Spout restored, min. cracks.
2251A BIG RHENISH BROWN SALT-GLAZED STONEWEAR "BARTMANNS" JUG with coat of arms, Frechen, 2nd half of 17th century.
Minor kiln faults.
2252 A RARE PEWTER MOUNTED RUBY RED "NAVEL" GLASS BOTTLE, Alpine Countries or Bohemia, 17th/18th century.
2253A RARE DARK BROWN GLASS FLACON WITH COMBED MILK GLASS PATTERN, Alpine Countries/probably Switzerland, 17th/18th
century.
2254 A RARE PEWTER MOUNTED MILKGLASS BOTTLE, decorated with combed blue glass pattern, Alpine Countries, 17th/18th century.
2255A RARE MONUMENTAL MICHAEL POWOLNY (1871-1954) CERAMIC TROMPE-D'OEIL VASE, desiged c. 1916 by Wienerberger
Keramik manufactory. Red clay, glazed in blue and white with blue pattern. Minor chips.
2256GIO PONTI - A MAIOLICA VASE FROM THE "GRAFFITI" SERIES MADE BY RICHARD-GINORI, Doccia, c. 1929. Marked "673-3182",
Ginori with crown and "ITALIA". Min. glaze chip to rim.
2257 A MULTICOLOUR BALUSTRE SHAPED GLASS VASE, Archimede Seguso, Murano. Etched signature at the bottom.
2258MEISSEN ROE AND ROEBUCK of the "Reineke Fuchs" centre piece, 1924-34. Model of Max Esser 1923. Blue sword marks, marks in
paste, model no. H249 and H250.
2259FRIEDRICH GOLDSCHEIDER VIENNA GREEN PAINTED CERAMIC VASE with thistle pattern, c. 1895. Base marked
"GOLDSCHEIDER WIEN GESETZTLICH GESCHÜTZT" and 661 14gk.
2260 A MOSER "PAULA" CUT AND GILT GLASS SERVICE for 6 people. With 1 original box. Marked at the bottom.
2261 SCHLIPF, EUGEN (1869-1943). Fanfare player. Bronze, patinated. Signed and dated 1898. Minor damage.
2262WALDMÜLLER, FRANZ (1894-1966), Vienna, c. 1922/24. Pacing Nude Boy with upraised arms. Bronze, patinated. Signed at the left
side of the base "F. Waldmüller", foundry's signature at the opposite side "WE.KUNSTERZG AG ARSENAL". Damages due to age.
2263
A FINE ITALIAN ANIMAL HEAD PATTERN POWDER MAKE-UP BOX, c. 1950ies/70ies. 750 yellow gold, the head with black opaque
enamal stripes and blue enamelled eyes, chased nose, relief pattern hair, front, eyes and clasp set in white gold with c. 65 8/8-cut and 2
marquise cut diamonds (tog.c. 1 ct.). Inside ...[more]
2264
A FINE GOLD AND ENAMEL TABATIERE, probably Swiss, 19th century. Rectangular 18ct yellow gold box. Sides and bottom chased
and enamelled opaque Royal blue and with gold paillons, the sides with borders in opaque black enamel and engraved. The lid with
painted Mytholocigal scene of the Olympus framed ...[more]
2265A FINE GOLD SNUFF BOX WITH A PORTRAIT MINIATURE OF A ROCOCO LADY, 1st half of 20th century. 750 yellow gold, gouache
miniature painting on ivory, signed lower right "Guérard". Marked "750" and "EB". Total weight c. 63,5 g. Glass on miniature scratched.
2266
FINE YELLOW GOLD AND ENAMEL SNUFF BOX, probably Swiss, 18th/19th century. Oval shaped 18ct yellow gold box, enamelled
translucent royal blue over engine-turned rill pattern surrounded by white opaque enamel waves, the borders enriched with opalescent
enamel beads and green enamel leaves. Later mount ...[more]
2267
FINE GOLD AND ENAMEL TABATIERE, 19th century. Oval body, 18ct. yellow gold, white opaque enamel with floral shaped gold
paillons between rhombs, engraved and blue enamelled borders. On the lid a polychrome painted figural scene on royal blue
translucient enamel over engine turned ground. Marked "R" ...[more]
2268
FINE DOUBLE LIDDED YELLOW GOLD AND ENAMEL SNUFF BOX, Swiss, probably late 18th century. Oval shaped 18ct yellow gold
box, enamelled translucent royal blue over engine-turned rill pattern and decorated with gold paillons, the chased borders enriched with
opalescent enamel beads. French style prestige ...[more]
2269A SHELL SHAPED BROWNISH-RED MARBLED GOLD MOUNTED STONE TABATIERE. 20th century. Cut and polished stone,
probably agate. 585 yellow gold mounted, marked "585" and "O.S.". Total weight c. 83,5 g.
2270A FINE GOLD-MOUNTED MOTHER-OF-PEARL TABATIERE, 18th/19th century. Oval shaped, grooved 18ct yellow gold mounting, 5
gold relief busts on the cover. Total weight c. 46 g. Tiny hairline cracks.
2271A FINE AGATE AND GOLD CIGARETTE CASE. 20th century. 750 matted yellow gold mounting, brownish-white amethyst plaques as
cover and bottom, gold clasp set with a cabouchon cut amethyst and 12 small emeralds. Total weight. c. 129 g. Min. hairline crack.
2272
AN EDWARDIAN GOLD AND PEARL NECKLACE AND TIARA WITH THE ORIGINAL CASE, The Goldsmiths and Silversmiths
Company London, by appointment to the King, early 20th century. 15ct yellow gold, set with numerous pearls. Removable side parts of
the necklace, the central part can be mounted as a tiara on the o ...[more]
2273A FINE AUSTRIAN NEPHRITE, ROCK CRYSTAL, BAKELITE, ENAMELLED AND SILVER MOUNTED UMBRELLA HANDLE, Vienna,
early 20th century. Maker's mark of Karl Reinegger. Min. loss of enamel.
2274A FINE ROCK CRYSTALL, SILVER MOUNTED WOOD AND ENAMELLED UMBRELLA HANDLE, Vienna, 1900 ca. Maker's mark of
Georg Adam Scheid. Set with small rubies and pearls.
2275 A FINE MALACHITE AND IVORY WALKING STICK, probably Russian, 1st quarter of 20th century. Minor repairs and additions.
2276
A RUSSIAN SNAKE SHAPED ENAMEL AND DIAMOND BANGLE, St. Petersburg, c. 1860. 18ct. yellow gold (72 zolotnik standard).
Blue translucient enamel, floral engravings. The head set with 35 old-cut and rose-cut diamonds, tog.c. 3 ct. St. Petersburg town mark,
"72" zolotnik and unreadable maker's mark. C. 6 ...[more]
2277A PAIR OF GOLD AND PLATINUM EARRINGS, each set with 13 old-cut diamonds and a small pearl, screw hooks, late 19th/early 20th
century. Diamonds tog.c. 3 cts. C. 6,2 g.
2278A PAIR OF DIAMOND EARRINGS. 14kt white gold, each earring set with 9 old-cut diamonds, 3 rectangular-cut diamonds and 4 half-
round-cut diamonds (each earring tog.c. 2,1 ct.). Tog.c. 8,9 g.
2279 A PAIR OF SILVERGILT PEARL AND CRYSTAL STONE EARRINGS, Middle East, 18th/19th century. Traces of age.
2280 A PAIR OF ITALIAN GOLD FILIGREE WORK AND SEED PEARL EARRINGS, Naples, 18th/19th century. C. 10 g. Min. traces of age.
2281 A PAIR OF BAROQUE SILVER AND ROSE-CUT DIAMOND EARRINGS, 18th century. Min. repair.
2282 A PAIR OF ITALIAN ETRURIAN STYLE 21CT GOLD EARRINGS, 2nd half of 19th century. C. 19,7g. Minor traces of age.
2283A PAIR OF DUTCH CORAL AND FILIGREE WORK GOLD EARRINGS, early 19th century. 8ct. gold. Min. traces of age and one small
pendant missing.
2284A PAIR OF ITALIAN OR DUTCH GOLD AND CORAL EARRINGS, removable gold-mounted pendant, cut corals. 19th century. Minor
traces of age.
2285A GOLD AND RED-CHALCEDONY INTAGLIO NECKLACE. 585 yellow gold, 5 oval cut red-chalcedony intaglios with Oriental signs. C.
35 g.
2286 A PAIR OF RED CHALCEDONY AND GOLD CUFF-LINKS AND A RING with Oriental intalgios. 585 yellow gold, tog.c. 17,5 g.
2287 A PAIR OF BIEDERMEIER GOLD LEAF EARRINGS, c. 1830. Minor restoration.
2288A FINE GOLD AND BLACK ENAMEL BRACELET WITH FIGURAL AND HUNTING SCENES. 14ct. yellow gold, c. 44g. Marked. Min.
damage to enamel.
2289 A PAIR OF FILIGREE WORK AND CHASED GOLD EARRINGS, Netherlands, middle of 19th century. C. 4,5 g. Minor repair.
2290A COLLIER-DE-CHIEN NECKLACE, probably England, 19th century. 8-14ct. yellow gold, set with agate and jasper stones. Total weight
c. 59 gr. Slightly worn.
2291 A PAIR OF TRADITIONAL DUTCH GILT SILVER FILIGREE EARRINGS, Netherlands, 19th century. Min. traces of age.
2292A GREEN-BROWN LEAF CUT TOURMALINE BROOCH, 14ct. yellow and white gold, 1 old-cut diamond of c. 0,7 ct., 9 8/8-cut
diamonds tog.c. 0,2 ct. C. 15,4 g. Min. chips.
2293A "FABERGE" GOLD AND ENAMEL EGG PENDANT BY VICTOR MAYER PFORZHEIM. 750 yellow gold, translucient enamel, 7
diamonds, tog.c. 0,2 ct. With a 750 yg-necklace. Tog.c. 18,5 g.
2294A PAIR OF SOUTH ITALIAN GOLDFOIL AND FILIGREE WORK EARRINGS, 1st half of 19th century. 14ct. yellow and red gold, c. 17
g. Min. rep.
2295 FOUR STRASS AND GLASS STONE SET VINTAGE JEWELS, 19th/20th century. Two pendants, chatelaine and a ring. Silver/metal.
2296 A BAROQUE CROSS GOLD AND RED STONE PENDANT, 18th century. C. 10,7 g. Hanging added, some damages due to age.
2297 A BAROQUE GOLD AND DIAMOND PENDANT, 18th/19th century. 14ct. red gold, 35 rose-cut diamonds, c. 10,8 g. Hanging added.
2298 A PAIR OF BAROQUE PEARL AND DIAMOND EARRINGS, 18th century. 14ct. yellow gold and silver, c. 12,5 g. Additions.
2299 A BAROQUE BLACK ENAMEL AND DIAMOND SET GOLD PENDANT, 18th century. C. 12,8 g. Hanging repaired.
2300A RARE FRENCH CELTIC KILT PIN, Bretagne, 18th/19th century. Upper part with silver front, set with rose-cut diamonds, yellow gold
at the bottom and pin with French hallmarks. C. 18,2g. Minor restoration.
2301A FINE SAPPHIRE AND DIAMOND SET DRAGONFLY BROOCH, 19th/20th century. Rose-cut diamonds, oval cut sapphires, two small
pearls. C. 14,2 g. Removable pin.
2302A FRENCH BUTTERFLY BROOCH, late 19th century. 18kt gold pin, marked. Red gold, front side silver, set with c. 85 rose-cut
diamonds, an oval cut sapphire (c. 5,4x5,6 mm, chipped) and 2 more small sapphires and 6 rubies. Total weight c. 17,8 g.
2303A RARE AND FINE STAR SHAPED DIAMOND BROOCH, 2nd half of 19th century. 14kt yellow gold and silver, set with 60 old-cut and
rose-cut diamonds, central stone c. 0,9 ct., other stones tog.c. 4 ct. C. 13g. Removable pin.
2304A FIVE PIECE WHITE OPAL AND DIAMOND PARURE, Jacobi/Stuttgart, 1990ies. 750 yellow gold, tog.c. 106,5 g. Comprising a
necklace, a bracelet, a brooch, a ring and a pair of ear-clips. White opal cabochons and diamonds. With certificates.
2305
AN EXCEPTIONAL EMERALD AND DIAMOND PENDANT. 750 white gold, openwork pear-shaped pendant with a star-cut/pear-
shaped emerald of c. 17,5 ct. (c. 22,6x16,1x9,6 cm, Natural Beryl/Emerald, Indications of minor clarity enhancement). 6 old-cut
diamonds (tog.c. 1,5 ct.) and c. 115 old-cut and rose-cut diam ...[more]
2306 AN OPAL AND DIAMOND BROOCH/PENDANT. 585 red gold/silver. 2 white opal cabouchons, rose-cut diamonds. C. 6 g.
2307 A PAIR OF ART-DECO SILVERGILT EARRINGS by Theodor Fahrner, Pforzheim, c. 1930. Signed.
2308 A BIEDERMEIER GOLD LEAF NECKLACE, middle of 19th century. C. 20g. Set with glass-stones. Min. repairs and traces of age.
2309A MARQUISE SHAPED DIAMOND RING, probably England, 19th century. 14ct red gold, set with 22 old-cut diamonds, tog.c. 1,3 ct. C.
3 g.
2310 A FRENCH RUBY AND GOLD BROOCH, c. 1940. Marked. C. 11,5 g.
2311 A FINE PEARL AND GOLD BRACELET, late 19th/early 20th century. 14ct. yellow gold, c. 13,3 g.
2312
A FINE EMERALD AND DIAMOND NECKLACE. 750 yellow gold set with over 170 brilliants and 35 triangular cut diamonds. A central
pendant, set with an oval cut emerald of c. 11 ct. surrounded by 22 other ciruclar cut diamonds (all diamonds tog.c. 8,8 ct.). Total weight
c. 52 g.
2313
A FINE SAPPHIRE AND DIAMOND GOLD NECKLACE. 750 yellow gold, total weight 131,53 g. Oval cut natural sapphire
(13,35x9,9x7,13 mm, c. 8,92 ct., TE) with a DSEF Test Report, no. KSB4863, 31.7.2020. Beside the sapphire 6 pricess cut diamonds,
tog.c. 0,63 ct. Provenance: German private property, acquired ...[more]
2314
A FINE FLORAL STYLED CUSTOM-MADE INDIVIDUAL GOLD, PEARL AND DIAMOND NECKLACE by Atelier Ehinger-Schwarz, Ulm,
1986 with sketch and certificate. 750 yellow gold, fresh-water cultured peals and 16 champagne-coloured brilliants (tog.c. 0,56 ct.). C.
115,7 g. One small pearl missing.
2315A HANDMADE FLORAL STYLED GOLD PARURE by Ehinger-Schwarz, Ulm. Comprising a necklace, a ring and a bangle. 585 yg/tog.c.
55,2 g. Ring and bangle set with 3 small diamonds.
2316 A HANDMADE 750 YELLOW GOLD BANGLE BY Ehinger-Schwarz, Ulm. C. 32,5 g.
2317A HANDMADE BROOCH AND A RING WITH BOULDER OPALS AND DIAMONDS, individual pieces of the Ehinger-Schwarz studio,
Ulm, 1982. 585 yellow gold, tog.c. 21,4g., set with 5/3 diamonds (0,22/0,1 ct.). Tog.c. 21,4 g.
2318A BROOCH, A PIN AND A PAIR OF EARRINGS BY Ehinger-Schwarz, Ulm. Pin and earrings 950 yg/pt, with 4 diamonds, c. 16,8g. Leaf
shaped brooch 585 yg., 7 diamonds, c. 13,2 g.
2319A 15-ROW FRESH WATER CULTURED PEARL NECKLACE WITH A HANDMADE 750 GOLD FOLIAGE PATTERN CLASP by
Ehinger-Schwarz, Ulm, c. 1980ies. Gold leaves partially enamelled.
2320A FRED FORCE 10 GOLD AND STEEL BRACELET AND A MATCHING PAIR OF EARCLIPS. Fred/Paris. Errings with tog. 20 brilliants
(tog.c. 0,4ct.). French marks, bracelet signed FRED FRANCE FORCE 10 OR/ACIER. Tog.c. 27,6 gr.
2321 A DIAMOND RING, 14ct. white gold, set with c. 90 brilliants and 8/8-cut diamonds, tog.c. 3,1 ct. C. 7,6 g. RM 53.
2322 AN 18CT GOLD AND DIAMOND RING. C. 120 diamonds, tog.c. 2,7-3 ct. C. 13,3 g.
2323A PAIR OF CARTIER DIAMOND HALF CREOLE EARCLIPS. 750 yg. On each earring 22 brilliants (all tog.c. 1,5 ct.). C. 10,5 g. French
marks, signed "Cartier", c1993, C63566. Case.
2324 A 585 YELLOW GOLD CROSS PENDANT AND NECKLACE, set with 45 diamonds (tog.c. 0,5 ct.). Tog.c. 29,5 g.
2325 A 585 GOLD AND DIAMOND HEART PENDANT AND NECKLACE, set with c. 54 brilliants (tog.c. 1,2 ct.). Tog.c. 14 g.
2326TWO ROW CULUTURED PEARL NECKLACE, diamond set white gold clasp and a pair of pearl and diamond earclips. 750 white gold,
diamonds tog.c. 1 ct. Tog.c 85g.
2327 A PAIR OF DIAMOND SET 585 WHITE GOLD CUFFLINKS. C. 9,5g.
2328 A RING WITH TOURMALINES, AQUAMARINE, CITRINE AND A SMALL DIAMOND. 750 white gold.
2329"A FOUR PIECE EYE OF TIGER, DIAMOND AND GOLD PARURE comprising a pair of ear clips, a brooch/pendant and a ring. 750
yellow gold, tog.c. 35,7 g. Stones c. 7,2/17,02/17,3 ct.; 8/8-cut diamonds tog.c. 143 stones, tog.c. 2,72 ct."
2330 A TAHITI CULTURED PEARL NECKLACE (d. of pearls 11-14,5 mm) with a 750 yellow gold ball clasp.
2331 A GOLD, ONYX AND DIAMOND LADY'S WATCH. 1950/60ies. 585 yellow gold. Swiss anchor work. C. 25g. Functionality not checked.
2332A HANDMADE GOLD AND PLATINUM NECKLACE AND A RING by Ehinger-Schwarz, Ulm, 1980ies. Set with diamonds and a
meteorite. Tog.c. 35,3 g.
2333A HANDMADE 750 GOLD AND DIAMOND NECKLACE AND A RING by Ehinger-Schwarz, Ulm, 1980. Both items set with a meteorite
and a diamond (c. 0,17/0,23 ct.). Tog.c. 71g. With invoice.
2334A HANDMADE 900 FINE GOLD AND ONYX SET COMPRISING A PENDANT AND A PAIR OF EARCLIPS by Dresander, Bingen, c.
1994. Pendant with 2 diamonds (tog.c. 0,23 ct.). Total weigt c. 30g. Min. loss.
2335A SAPPHIRE AND DIAMOND RING. 750 yellow gold and platinum, an oval cut sapphire of c. 1,7 ct., 10 old-cut diamonds, tog.c. 1 ct.
C. 5,7g.
2336AN ART-DECO DIAMOND BRACELET. 14ct. white gold, 4 small sapphires, 6 old-cut diamonds (tog.c. 0,6 ct.) and 16 8/8-diamonds
(tog.c. 0,8 ct.). C. 14,7g.
2337A SAPPHIRE AND DIAMOND BRACELET, c. 1970ies. 750 white gold, 5 oval cut sapphires (tog.c. 5 ct./1 stone with min. chip), 14
brilliants and 14 marquise cut diamonds, tog.c. 1,82 ct. C. 17,8 g.
2338A DIAMOND AND SAPPHIRE NECKLACE AND A BROOCH. 750 white gold, tog.c. 46,7 g. Brooch set with 7 marquise cut sapphires, 7
marquise cut diamonds and 13 brilliants (tog.c. 0,7 ct.), necklace with 8 sapphires and 22 brilliants (tog.c. 1,3 ct.).
2339 A DIAMOND RING. 14kt yellow gold/platinum. Diamonds tog.c. 0,61 ct. C. 4,1 g.
2340AN IMPRESSIVE DIAMOND SET OPENWORK OVAL BROOCH/PENDANT. 18kt yellow gold and platinum. Central old-cut diamond c.
0,5 ct., 110 old-cut and rose-cut diamonds tog.c. 3,5 ct. C. 27 g.
2341SINGLE STONE - BRILLIANT. 2,26 ct., 8,55-8,61x4,97 mm, VVS1, M, slight fluorescence. Diamond certificate La Pie/Antwerp, no.
20191210872. Stone foil-wrapped.
2342SINGLE STONE - BRILLIANT. 2,15 ct., 8,39-8,49x5,03 mm, VVS1, L, slight fluorescence. Diamond certificate La Pie/Antwerp, no.
20191210873. Stone foil-wrapped.
2343 A RING WITH A BRILLIANT OF ca. 1,6 ct. (slightly tinted white (K), P1), 750 yellow gold and platinum. C. 7 g.
2344AN EMERALD CUT DIAMOND SET IN A 585 WHITE GOLD RING. The stone 1,04 ct./E/vvs1. 5,7x5,25x4,14 mm. Certificate HRD
Antwerp no. 13021295001, 11. July 2013.
2345DIAMOND SOLITAIRE RING set with a Transition Cut Diamond of c. 2,6 ct. (8,74x8,72x5,53 mm, slightly tinted white, c. K, good clarity
- c. cf/vvsi). 750 white gold.
2346 A THREE ROW SAPPHIRE NACKLACE. 585 yg-clasp. C. 41 g.
2347 A MULTICOLOUR FIVE-ROW TOURMALINE NECKLACE. 9ct. yg-clasp. C. 60,9 g.
2348 A TWO ROW RUBY NECKLACE. 585 yg clasp. C. 34 g.
2349 A TWO ROW EMERALD NECKLACE. 14kt yg-clasp. C. 24g.
2350 A FINE RUBY NECKLACE. 15 rows of cut ruby balls. 750 yellow gold clasp and links. Tog. over 120 g.
2351
A VERY FINE BREGUET "CLASSIC" GENTLEMAN'S AUTOMATIC AND PERPETAL-CALENDER WHRISTWATCH with Moon-Phases
and Power-Rerserve Indicator, Water-Resistant, 750 Rose Gold, Leather Bracelet with Original Rootwood Box and Certificate of Origin.
Funktionality not examined.
2352
A TIFFANY & CO. TESORO QUARTZ GOLD AND DIAMOND LADY'S WATCH. 750 yellow gold. On dial inscribed "TIFFANY & CO.".
Ciffres set with diamonds, watch set with c. 110 brilliants (tog.c. 1,2 ct.). On back inscribed "TIFFANY & CO. TESORO SWISS MADE
L0133 59-098 US PATENT No.D303504-18K-WATER RE ...[more]
2353AN ART-DECO PLATINUM WATCH, set with diamonds. C. 1910/20. Swiss anchor work. Later leather bracelet. Rest., erg. Functionality
not checked.
2354A FINE JAEGER-LE-COULTRE GENTLEMAN'S GOLD WATCH. Swiss. 750 yellow gold, white dial with date, second indicator,
automatic clock work, leather bracelet. Original case and guarantee card. Worn. Functionality not checked.
2355PIAGET BLUE LAPIS DIAL 18CT GOLD LADY'S WATCH, c. 1970ies/80ies. Anchor work. No. 99122 286172 CP. Blue leather bracelet.
Used. Functionality not checked.
2356AN ORIS STEEL LADY'S WATCH, Switzerland. Dial with diamonds, automatic work, leather bracelet, original case and papers. Worn.
Functionality not checked.
2357A CHRONOSWISS GENTLEMAN'S STEEL WATCH. Steel with black dial, Swiss automatic work, leather bracelet, original case and
papers. Functionality not checked.
2358A SMALL HEREKE PRAYER RUG, West Turkey, 20th century, well preserved. - Property from the estate of an important Stuttgart
private collection of a carpet dealer during the 1950'-90's
2359A LARGE "PETAG" TABRIZ CARPET, North Persia, early 20th century, signed Petag (three cintamani motifs in one corner) -
Provenance: Old Berlin private collection - Slightly stained and low pile area
2360
A CURIOUS PICTORIAL RUG ILLUSTRATING A MAP OF THE ANTIQUE PERSIAN EMPIRE WITH INSCRIBED NAMES OF THE
VARIOUS CITIES, Southern Persia, Kirman, ca. 1900 - Provenance: Old South German private collection - Small areas of repair and
restoring.
2361 A NAIN CARPET, Central Persia, 20th century - Provenance: Old South German private collection - Slightly stained, well preserved
2362A GROUP OF FOUR SMALL 'PUSHTI' RUGS, possibly Tabriz, North-Persia, ca. 1950 - Property from the estate of an important
Stuttgart private collection of a carpet dealer during the 1950'-90's - Very small damages to the sides, over all well preserved
2363 A YOMUD YOLAMI, Turcoman, late 19th ct. Small stains and damages, good condition.
2364AN ALL-OVER PATTERNED KASHAN CARPET, Central Persia, 2nd half 20th century - Provenance: Old Stuttgart private collection -
Well preserved
2365A KASHAN MEDAILLON CARPET, Central Persia, 2nd half 20th century - Provenance: South German priavte collection - Well
preserved, few small stains
2366A SEMI-ANTIQUE KASHAN CARPET, Central Persia - Provenance: Property from an old South German private collection - Minor
traces of use, slightly chipped
2367 A KASHAN CARPET, Central Persia, c. 1930. - Provenance: South German estate of an old private collection - Overall well preserved
2368A SEMNAN RUG, Central Persia, 20th century, signature - Provenance: South German private collection - Two ends slightly fraying,
over all well preserved
2369A FINELY WOVEN SILK PRAYER RUG with gold threads, probably Hereke, Turkey. Signed - Property from a South German private
collection - Good condition
2370 A SAROUK RUG, Central Persia, 20th century - Provenance: Old private collection Esslingen - Traces of age
2371A LARGE MASHED CARPET, Northeast Persia, 1930 ca. - Provenance: Old South German family collection - Minor traces of usage,
overall well preserved
2372A RUG WITH ALL OVER PATTERN, China, early 20th ct. - Provenance: Property from an old South German private collection - Very
minor traces of age
2373 A CHINESE/TIBETIAN RUG, early 20th century - Provenance: Old South German private collection - Very minor traces of age
2374A PEKING CARPET, North Cina, late Qing Dynasty, c. 1900. - Provenance: From the estate of an old Berlin private collection - Traces
of use and minor restorations.
2375A PEKING CARPET, North China, late Qing Dynasty, early 20th century - Property from the estate of an old Berlin private collection -
Traces of usage and some repiling