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 Survey of Music Technology Mark Quintero

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Page 1: Music Technology

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Survey of MusicTechnology

Mark Quintero

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Non-Traditional Student 

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Estimate of % of Non-Performers (Grade

6-12)State Performers Total Non-performers

Florida .22m 1.43m 85%

New York .46m 1.78m 74%

California .41m 3.44m 88%

Ohio .30m 1.01m 70%

Average 1.39m 7.66m 82%

Data compiled by Nathan Edwards, graduate project at Illinois State University, 2006

m=millions of students

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How popular Musicians LearnLucy Green (2002)

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Quotes from Lucy Green¶s ³How Popular 

Musicians Learn´ (2002) ³...Music educators should examine...the informal learningpractices, attitudes, and values...of popular musicians...in relationto the changing position of popular music in education over the lastforty years or so.. Otherwise, we could be deprived of the meansof acquiring the skills and knowledge of some of the very music that

is purported to be represented in formal music education; we couldcontinue to bypass those children and young people who arenonetheless highly musically motivated and committed in their livesoutside the classroom; and we could ignore a potentiallyworthwhile, accessible and inspiring repertoire of approaches tomusic learning.´ (p. 17) ³...Popular musicians rarely use music

notation, and whether they use it or not, they must be able to playwithout it, on the basis of what has been learnt through listening.´ (p. 29)

³Although...notation in one form or another plays a role in learningfor many popular musicians in the early stages , it is always heavilymixed in with aural practices, and used as a supplement rather 

than a major learning resource.´ (p. 38)

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What is a Non-Traditional Music Student?

6th-12th grades

do not participate in traditional

performing ensembles

many have a music life completely independent of school music

may or may not play and instrument (if so, likely drums,

guitar, or sing)

may or may not read music notation some unmotivated academically or discipline problems

some claim to ³hate music´

Page 7: Music Technology

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Electronic Musical Instruments

Keyboards

Controllers (Other)

Synthesizers & Samplers

Ensemble Performance Ipads, Iphones, Smartphones

 

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Digital AudioWorkstation

(D AW)Logic

Pro Tools

Mixcraft

 Ableton Live

GarageBand

 

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Benefits

Making music more accessible

Teach composing to students without traditional notationLearning both music and computer skills

Can be operated on a small budget

Create a recording label

 

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Music Notation Software

The Big Two

Free Options

Benefits of each

Built-in features that you may not have heard of 

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Noteflight 

 

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Multimedia

Web Pages

Presentations (Power Point, Keynote) Movie/DVD

Digital Image Capturing (Scanning, Still/Video Camera)

Electronic Portfolios

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Technology Assisted Learning

 

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General Music

 

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Music History

Essentials of Music

 A History of WesternMusic

Classical Score

Or«

Create your own!

 

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Theory

www.musictheory.net

http://library.thinkquest.org/15413/theory/theory.htm

http://www.teoria.com/

 

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Music Technology certification

Publications about Music Technology

Classes

Tutorials

Conferences

 

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Six areas of TI:ME competency

Electronic Musical Instruments

MusicP

roductionMusic Notation Software

Technology assisted Learning

Multimedia

Productivity Tools, Classroom, and Lab Management

 

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MembershipDetails

Hundreds of lesson plans

Informative articles and tutorials

Active online discussion groups

Grant writing advice

Help in integrating technology with your teaching

Registration discounts to the TI:ME National Conference

Discounts on publications

TI:ME Newsletter and its articles from cutting-edgeEducators

TI:ME e-blasts for up to the minute information

Students ($20)

 

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Final Thoughts

Become the user first!!

Experiment

Embrace technology

Think outside the box

Know where to look for help