Papers, articles, book chaptersMusic Business Research Article DatabaseAuthorYearTitleSourceMain keywordAdditional keywordsAchterberg Peter, Johan Heilbron, Dick Houtman, Stef Aupers2011A Cultural Globalization of Popular Music? American, Dutch, French, and German Popular Music from 1965 to 2006American Behavioral Scientist, vol. 55, 2011: 519-524economics of musicglobalization, chartsAguiar Luis, Bertin Martens2013Digital Music Consumption on the Internet: Evidence from Clickstream DataJRC Technical Reports. Institutes for Prospective Technological Studies. Digital Economy Working Paper 2013/04economics of musicdigital music consumption, filesharing, p2p, streaming, sampling, substitution effectAhn Illtae, Kiho Yoon2009On the Impact of Digital Music DistributionCESifo Economic Studies, vol. 55(2), 2009: 306-325economics of musicmusic distributionAhn Illtae, Kiho Yoon2007On the Impact of Digital Music DistributionTechnical Report Department of Economics, Korea University, 2007economics of musicmusic distributionAhn Illtae, Shin Ilsoon2010On the Optimal Level of Protection in DRMInformation Economics and Policy, vol. 22(4): 341353economics of musicDRM, digital products, digital rights management, copyright enforcementAlbini SteveThe Problem with Musicwww.negativland.com/albini.htmlmusic industryrevenue shares, artists' income, contractsAlcala, Francisco, Gonzalez-Maestre, Miguel2010Copying, Superstars, and Artistic CreationInformation Economics and Policy, vol. 22(4): 365378economics of musicsuperstars, artist creation, private copy, levies, copyright exemptionAlexander Peter J.1994New Technology and Market Structure: Evidence from the Music Recording IndustryJournal of Cultural Economics, 18(2), 1994: 113-123music industrytechnology, innovationAlexander Peter J.1996Entropy and Popular Culture: Product diversity in the popular music recording industryAmerican Sociological Review, vol. 61(1), 1996: 171-174music industryproduct diversityAlexander Peter J.1997Product Variety and Market Structure: A New Measure and a Simple TestJournal of Economic Behavior & Organization, Vol. 32, 1997: 207-214music industryrecording industry, market structureAllain Marie-Laure, Waelbroeck Patrick2006Music Variety and Retail ConcentrationWorking Papers in Economics and Social Sciences, April 2006music industryvariety, diversity, music retail, concentration ratioAltig Ulrike2007Die media control Chartsin: Stefan Weinacht, Beate Schneider (eds), Musikwirtschaft und Medien. Mrkte - Unternehmen - Strategien: 161-170music industrymedia control, music sales, music market, chartAltig Ulrike, Michel Clement2005Marktbersicht und Marktentwicklung der Musikindustriein: Michel Clement, Oliver Schusser (eds), konomie der Musikindustrie. Deutscher Universittsverlag, pp 15-24music industrymusic market, recorded music marketAtkinson Peter2011The Beatles on BBC Radio in 1963: The Scouse Inflection and a Politics of Sound in the Rise of the Mersey BeatJournal of Popular Music and Society, vol. 34(2), 2011, pp 163-175mediaBBC, radio, broadcasting, mersey beat, BeatlesAndersen Brigitte, Vanus James, Zeljka Kozul, Richard Kozul-Wright2000Copyrights and Competition: Towards Policy Implications for Music Business DevelopmentCRIC Discussion Paper No 33, January 2000lawcompetition policyAndersen Brigitte, Marion Frenz2007The Impact of Music Downloads and the P2P File-Sharing on the Purchase of MusicA Study for Industry Canadaeconomics of musicfile sharing, substitution effect, sampling effect, music salesAndersen Brigitte, Marion Frenz2010Dont Blame the P2P File-Sharers: The Impact of Free Music Downloads on the Purchase of Music CDs in CanadaJournal of Evolutionay Economics, vol. 20: 715-740economics of musicfile sharing, substitution effect, sampling effect, music salesArewa Olufunmilayo2010Youtube, UGC, and Digital Music: Competing Business and Cultural Models in the Internet AgeNorthwestern University Law Review, Vol. 104, No. 2, 2010lawYouTube, user generated content, music user, peer-to-peer, cultural industryArewa Olufunmilayo2011Youtube, UGC, and Digital Music: Competing Business and Cultural Models in the Internet AgeUC Irvine School of Law Research Paper No. 2011-27lawYouTube, user generated content, music user, peer-to-peer, cultural industryAsai Sumiko2011Demand analysis of hit music in JapanJournal of Cultural Economics, vol. 35(2). 101-117economics of musiccharts, music consumptionBacache Maya, Marc Bourreau, Franois Moreau2012Piracy and Creation: The Case of the Music IndustryUniversit Telecom ParisTech Working Paper, February 7, 2012economics of musicartist income, royalties, live concert, infringement, file sharingBacache Maya, Marc Bourreau, Franois Moreau2011Portrait des musiciens l'heure du numriqueCollection du centre pour la recherche conomique et ses applications, no. 22, Editions de la rue d'Ulm, April 2011economics of musicartist income, royalties, priracy, file sharingBacache Maya, Marc Bourreau, Michel Gensollen, Franois Moreau2009Les musiciens dans la rvolution numrique. Inquitude et enthousiasmeCentre d'information et des ressources pour les musiques actuelles (IRMA), December 1, 2009economics of musicartist income, royalties, priracy, file sharingBaker Alan J.1991A Model of Competition and Monopoly in the Record IndustryJournal of Cultural Economics, 15(1), 1991: 29-54music industrycompetition policy, monopolyBakker Gerben2006The Making of a Music Multinational: PolyGram's International Businesses 1945-1998Business History Review, vol. 80, Spring 2006: 81-123label and company historyrecord company, PolyGramBakker Gerben2003The Making of a Music Multinational: PolyGram's International Businesses 1945-1998AFM Working Paper Nr. 12, Department of Accounting, Finance and Management, University of Essex, 2003label and company historyrecord company, PolyGramBalzer Stephan2007Knstler als Werbetrgerin: Stefan Weinacht, Beate Schneider (eds), Musikwirtschaft und Medien. Mrkte - Unternehmen - Strategien: 171-182music industryartist, branding, marketing, advertisingBanerjee, Dyuti,Ishita Chatterjee2010The impact of piracy on innovation in the presence of technological and market uncertaintyInformation Economics and Policy, vol. 22(4): 391-397economics of musicpiracy, P2P, file sharing, innovation, market uncertainty, R&D raceBaraz/Diaconu/Fartacek/Fellner2000Skizze einer Anatomie des Musikanten-StadlsWittgenstein 2000 Working Papers Band 13, 2005mediaMusikanten-StadlBarker George R.2012Assessing the Economic Impact of Copyright Law: Evidence of the Effect of Free Music Downloads on the Purchase of Music CDsANU College of Law Working Paper No. 2 2012lawfile sharing, peer-to-peer, CD, substitution effect, sampling effect, downloadBaumol William J., Hilda Baumol1994On the Economics of Musical Composition in Mozart's ViennaJournal of Cultural Economics, 18(2), 1994: 171-198history of music businessWolfgang Amadeus MozartBayaan Ibrahiim2004Technology and the Music Industry. Effects on Profits, Variety and WelfareWorking Paper, Emory Universityeconomics of musicfile sharing, peer-to-peer, music sales, social welfareBecker Jan U., Michel Clement, Oliver Schusser2005Peer-to-Peer-Netzwerke und die Generation Napsterin: Michel Clement, Oliver Schusser (eds), konomie der Musikindustrie. Deutscher Universittsverlag, pp 201-214music industrypeer-to-peer, file sharing, piracy, user behavior, NapsterBecker Michael2008Am Anfang war einmal das Wort Aktuelle Trends in der Produktpolitik der Kultur-Radiosin: Stefan Weinacht, Helmut Scherer (eds), Wissenschaftliche Perspektiven auf Musik und Medien: 57-64mediaproduct policy, radio, broadcasting, programmingBeer David2005Reflecting on the Digit(al)isation of Musicfirst Monday, vol 10(8), 9 February 2005music industrydigital cultureBelleflamme Paul, Martin Peitz2010Digital Piracy: TheoryCESifo Working Paper Series No. 3222economics of musicpiracy, peer-to-peer, information good, musicBenyovszky Karl1934Hummel als Vorkmpfer des deutschen Urheberrechtsin: J.N. Hummel. Der Mensch und Knstler. EOS-Verlag, Bratislava, 1934: 130-138history of music businessJohann Nepomuk HummelBhattacharjee Sudip, Ram D. Gopal, Kaveepan Lertwachara, James R. Marsden2006Impact of Legal Threats on Online Music Sharing Activity: An Analysis of Music Industry Legal ActionsJournal of Law & Economics, vol. 49(1): 91-114economics of musicfile sharing, peer-to-peer, music salesBhattacharjee Sudip, Ram D. Gopal, Kaveepan Lertwachara, James R. Marsden, Rahul Telang2005The Effect of P2P File Sharing on Music Markets: A Survival Analysis of Albums on Ranking ChartsNET Institute Working Paper #05-26, October 2005economics of musicfile sharing, peer-to-peer, survival test, chartsBhattacharjee Sudip, Ram D. Gopal, Kaveepan Lertwachara, James R. Marsden2007Stochastic Dynamics of Music Album Lifecycle: An Analysis of the New Market LandscapeInternational Journal of Human-Computer Studies, vol. 65: 85-93economics of musicalbum charts, album lifecycle, IPR, copyright, ranking chartsBhattacharjee Sudip, Ram D. Gopal, Kaveepan Lertwachara, James R. Marsden, Rahul Telang2007The Effect of Digital Sharing Technologies on Music Markets: A Survival Analysis of Albums on Ranking ChartsManagement Science, vol. 53(9): 13591374economics of musicfile sharing, peer-to-peer, survival test, chartsBlack Grant C., Mark A. Fox, Paul Kochanowski2007Concert Tour Success in North America: An Examination of the Top 100 Tours from 1997 to 2005Journal of Popular Music and Society, vol. 30(2), 2007, 149-172music industryconcert tours, live business, USA, Canada, successBlackburn David2004On-line Piracy and Recorded Music SalesWorking paper, Harvard University, December 2004economics of musicfile sharing, peer-to-peer, music sales, album sales, superstarsBoorstin Eric S.2004Music Sales in the Age of File SharingWorking paper, Princeton University, April 7, 2004economics of musicfile sharing, peer-to-peer, survival test, chartsBorowiecki Karol J.2011Geographic Clustering and Productivity: An Instrumental Variable Approach for Classical ComposersTrinity Economics Papers No. 0611history of music businessclassic music, composer, 18th century, 19th century, urban history, clusteringBorowiecki Karol J.2011Conflict-induced Migration of Composers: An Individual-level StudyTrinity Economics Papers No. 0511history of music businessclassic music, composer, 19th century, migration, clusteringBorowiecki Karol J.2011War and Creativity: Solving the War-Art Puzzle for Classical Music CompositionTrinity Economics Papers No. 0711history of music businessclassic music, composer, 19th century, innovation, warBorowiecki Karol J.2012Are composers different? Historical Evidence on Conflict-Induced Migration (1816-1997)European Review in Economic History, forthcominghistory of music businessclassical music, composer, migration, 19th century, 20th centuryBorowiecki Karol J., Georgios Kavetsos2011Does Competition Kill? The Case of Classical ComposersTrinity Economics Papers No. 1111history of music businessclassical music, composer, migration, 19th century, 20th century, mortalityBorowiecki Karol J., John O'Hagan2011War and Individual Creativity: Tentative Evidence in Relation to ComposersTrinity Economics Papers No. 1711history of music businessclassic music, composer, 19th century, innovation, warBorowiecki Karol J., John O'Hagan2012Historical Patterns Based on Automatically Extracted Data: the Case of Classical ComposersHistorical Social Research (Section Cliometrics), forthcominghistory of music businessclassic music, composer, clusteringBorowiecki Karol J., John O'Hagan2010Birth Location, Migration and Clustering of Important Composers: Historical PatternsHistorical Methods: A Journal of Quantitative and Interdisciplinary History, 2010, vol. 43(2): 81-90history of music businessclassic music, composer, clustering, migrationBounie, David, Marc Bourreau, Patrick Waelbroeck2005Pirates or Explorers? Analysis of Music Consumption in French Graduate SchoolsWorking paper, Ecole Nationale Suprieure des Tlcommunications Paris.economics of musicfile sharing, peer-to-peer, music consumption, FranceBounie, David, Marc Bourreau, Patrick Waelbroeck2007Pirates or Explorers? Analysis of Music Consumption in French Graduate SchoolsBrussels Economic Review, vol. 50(2): 167-192economics of musicfile sharing, peer-to-peer, music consumption, FranceBourreau Marc, Benjamin Labarthe-Piol2004Le peer-to-peer et la crise de l'industrie du disque: une perspective historiqueWorking Paper Universit Tlecom ParisTech, August 2004economics of musicpeer-to-peer, file sharing, piracy, download, digital music marketBourreau Marc, Benjamin Labarthe-Piol2005Crise des ventes de disques et tlechargements sur les rseaux peer-to-peer: le cas du march franaisWorking Paper Universit Tlecom ParisTech, September 2005economics of musicpeer-to-peer, file sharing, piracy, download, digital music marketBourreau Marc2005Discussion of Peitz and Waelbroeck's "An Economist's Guide to Digital Music"CESifo Economic Studies, vol. 51: 433-437economics of musicpeer-to-peer, file sharing, piracy, download, digital music marketBourreau Marc, Michel Gensollen2006L'impact d'Internet et des Technologies de l'Information et de la Communication sur l'Industrie de la Musique EnregistreRevue d'Economie Industrielle, no. 116: 31-70economics of musicdisruptive innovation, digitization, piracy, ICTBourreau Marc, Michel Gensollen, Franois Moreau2007Musique enregistre et numrique: quels scnarios dvolution de la filire?culture prospective, no.1, 2007economics of musicstatisticsBowery Kathy, Matthew Rimmer2005Rip, Mix, Burn: The Politics of Peer to Peer and Copyright Lawfirst Monday, special issue #1, 4 July 2005lawfile sharingBrandes Leif, Egon P. Franck, Stephan Nesch2011Selling the Drama: Death-Related Publicity and its Impact on Music SalesWorking Paper University of Zurich, June 21, 2011economics of musicmusic sales, death effect, publicityBriegmann Frank, Hubert Jakob2005Management der Wertschpfungskettein: Michel Clement, Oliver Schusser (eds), konomie der Musikindustrie. Deutscher Universittsverlag, pp 83-94music managementvalue-added chainBrooks Arthur C., Roland Kushner2000The One-Man Band by Quick Lunch Stand: Modelling Audience Response to Street PerformancesJournal of Cultural Economics, 24(1), 2000: 65-77music industrystreet musiciansBruhn Herbert2008Musikrezeption aus Sicht der Musikwirkungsforschungin: Gensch, Stckler, Tschmuck (eds), Musikrezeption, Musikdistribution und Musikproduktion, Gabler, pp 57-82music industrymusic psychology, consumption, impact studiesBuhse Willms, Dirk Gnnewig2005Digital Rights Managementin: Michel Clement, Oliver Schusser (eds), konomie der Musikindustrie. Deutscher Universittsverlag, pp 115-228lawDRM, digital rights management, piracyBurke Andrew E.1996How Effective Are International Copyright Conventions in the Music Industry?Journal of Cultural Economics, 20(1), 1996: 25-50lawcopyright conventionsBurke Andrew E.1994The Demand for Vinyl L.P.s 1975-1988Journal of Cultural Economics, 18(1), 1994: 41-64economics of musicvinyl, LPBurke Andrew E.1996The Dynamics of Product Differentiation in the British Record IndustryJournal of Cultural Economics, 20, 1996: 145-164economics of musicproduct differentiationBurke Andrew E.1997Small Firm Start-up by Composers in the Recording IndustrySmall Business Economics, 9, 1997: 463-471.economics of musicmusic start up company, composerBurnett Robert1993The Popular Music Industry in TransitionPopular Music and Society, 17, 1993: 87-114music industrypopular music industryBurnett Robert1996The Popular Music Industry in Transitionin: Alan Wells & Ernest A. Hakanen (eds): Mass Media & Society. London: JAI Press.music industrypopular music industryBuxmann Peter, Gerrit Pohl, Patrick Johnscher, Jochen Strube2005Strategien fr den digitalen Musikmarkt: Preissetzung und Effektivitt von Manahmen gegen Raubkopienwww.zukunftsmusik.neteconomics of musicpricing, digital rights management, DRM, digital goodsBuxmann Peter, Gerrit Pohl, Patrick Johnscher, Jochen Strube, Hans-Dieter Groffmann2005Strategies for Digital Music Markets: Pricing and the Effectiveness of Measures against Pirate Copies - Results of an empirical studywww.zukunftsmusik.neteconomics of musicpricing, digital rights management, DRM, digital goodsBuxmann Peter, Jochen Strube, Gerrit Pohl2007Cooperative Pricing in Digital Value Chains - The Case of Online MusicJournal of Electronic Commerce Research, 8(1): 32-40economics of musicsubscription, pricing, online musicCameron Samuel, Allen Collins1997Transaction Costs and Partnerships: The Case of Rock BandsJournal of Economic Behavior & Organization, Vol.32, 1997: 171-183economics of musicrock music businessCaspar Mirko, Peter Mucha2005Managing Vertriebin: Michel Clement, Oliver Schusser (eds), konomie der Musikindustrie. 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Deutscher Universittsverlag, pp 41-54music industrylife cycle, network effects, music marketClement Michel, Oliver Schusser2005Herausforderungen in der Musikindustriein: Michel Clement, Oliver Schusser (eds), konomie der Musikindustrie. Deutscher Universittsverlag, pp 1-12economics of musicmusic industry, business model, music marketCollins John2003The 'Folkloric Copyright Tax' Problem in Ghanawww.wacc.orglawGhana, Africa, copright tax, levyColonna Carl M., Patricia M. Kearns, John E. Anderson1993Electronically Produced Music and Its Economic Effects on the Performing Musician and Music IndustryJournal of Cultural Economics, 17(2), 1993: 69-75music industryelectronic music, composerConnolly Marie, Alan B. Krueger2006Rockonomics: The Economics of Popular MusicHandbook of the Economics of Art and Culture, Vol. 1 (Hg. Victor Ginsburgh und David Throsby), Elsevier: 667-719economics of musiclive music business, concerts, rock musicConnolly Marie, Alan B. 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February 9, 2005economics of musicfile sharing, peer-to-peer, music sales, FranceCurien, Nicolas, Franois Moreau2005Investir les marchs induits de la musique: une voie de sortie de crise pour les majors du disque face au piratage?Revue Tlcom, n 136, 2005: 47-51economics of musicfile sharing, peer-to-peer, music sales, FranceCurien, Nicolas, Franois Moreau2006L'industrie du disque l'heure de la convergence Tlcoms-Mdias-Internetin: Xavier Greffe (ed.), Cration et diversit au miroir des industries culturelles. La Documentation Franaise.economics of musicrecorded music industry, digitization, media, telecommunicationCurien, Nicolas, Franois Moreau2007The Convergence between Content and Access: Internalizing the Market ComplementarityReview of Network Economics, vol. 6(2): 161-174economics of musicconvergence, digitization, piracy, externalityCurien, Nicolas, Franois Moreau2009The Music Industry in the Digital Era: Towards New Contracts?Journal of Media Economics, vol. 22: 102-113economics of musicfile sharing, peer-to-peer, music sales, FranceCurien, Nicolas, Franois Moreau2009Maisons de disque et artistes: convergence ou conflit d'intrts face au dveloppement numrique?Annales d'Economie et de Statistique, 2009, 93/94: 207-232music industryfile sharing, peer-to-peer, music sales, FranceDanaher Brett, Michael D. Smith, Rahul Telang, Siwen Chen2012The Effect of Graduated Response Anti-Piracy Laws on Music Sales: Evidence from an Event Study in FranceWorking Paper Wellesley College, January 21, 2012lawgraduaded response measures, HADOPI, music salesDanay Robert2006Copyright vs. Free Expression: The Case of Peer-to-Peer File-Sharing of Music in the United KingdomYale Journal of Law and Technology 2005-2006: 32-62lawfile sharingDangNguyen Godefroy, Sylvain Dejean, Francois Moreau2012Are streaming and other music consumptions modes substitutes or complements?Working Paper, Telecom Bretagneeconomics of musicmusic streaming, filesharing, p2p, substitution, complements, sampling, France, BretagneDejean Sylvain2008What can we learn from empirical studies about piracy?CESifo Working paper, Facult des Sciences Economiques, University of Rennes 1economics of musicfile sharing, peer-to-peer, literature reviewDeters Michael2001MP3, Napster und die Folgenhttp://www.inprekorr.delawmp3, NapsterDewenter Ralf, Justus Haucap, Tobias Wenzel2011On File Sharing with Indirect Network Effects Between Concert Ticket Sales and Music RecordingsDiscussion Paper No. 28, Dsseldorf Institute for Competition Economicseconomics of musicfile sharing, network effects, concert market, ticket sales, recording industry, peer-to-peerDobusch Leonhard, Sigrid Quack2012Framing Standards, Mobilizing Users: Copyright Versus Fair Use in Transnational RegulationReview of International Political Economy 2012, iFirst: 1-37lawIPR, copyright, legal standards, mobilzation, framingDolan Daniel P.2000The Big Bumpy Shift: Digital Music via Mobile Internetfirst Monday, vol 5(12), 4 December 2000music industrydigital music, mobile musicDolfsma Wilfred2000How Will the Music Industry Weather the Globalization Storm?first Monday, vol 5(5), 1 May 2000music industryglobalizationDolfsma Wilfred1999The Consumption of Music and the Expression of Values: A Social Economic Explanation for the Advent of Pop MusicAmerican Journal of Economics and Sociology, 58(4), 1999: 1019-1046music industrypopular music industryDowd Timothy J.2003Structural Power and the Construction of Markets: The Case of Rhythm & BluesComparative Social Research, vol. 21, 2003: 147-201music industryrhythm & bluesDowd Timothy J.2004Concentration and Diversity Revisited: Production Logics and U.S. Mainstream Recording Market, 1940-1990Social Forces, vol. 82(4), 2004: 1411-1455history of music businessrecorded music market, diversity, concentrationDowd Timothy J., Kathleen Liddle, Maureen Blyler2005Charting Gender: The Success of Female Acts in the U.S. Mainstream Recording Market, 1940-1990in Candace Jones and Patricia H. 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