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MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

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Page 1: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

MUSIC: Alicia de Larrocha, Piano

THE ART OF ALICIA DE LARROCHA

Performances 1972-1981

Disc 1: Music of Johann Sebastian Bach

& Joseph Hadyn

Page 2: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Review Problem 6G (Rice)

Ramp as “Reasonable Modification” Need to Show:

•Necessary to enjoyment of unit•Reasonable•Financial Means to Restore if restoration reasonable (escrow or otherwise)

Page 3: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Review Problem 6G (Rice)

Ramp as “Reasonable Modification” Need to Show: Necessary

•Likely not difficult question•Use of front door requires 2 people to assist•Use of rear door requires long trek: downhill + uphill through dark alley + heavy doors + long carpeted hallway

Page 4: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Review Problem 6G (Rice)

Ramp as “Reasonable Modification” Need to Show: Reasonable

Arguments re Reasonableness of CC’s Proposed Ramp?

•Quality Needed?•Her Proposal re Representation & Z Board?

Page 5: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Review Problem 6G (Rice)

Ramp as “Reasonable Modification” Need to Show: Financial Means to Restore

if restoration reasonable.•Assume C & T could afford escrow.•Should restoration (i.e., removing ramp) be required?

Page 6: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

PROBLEM 7G: CORN

Page 7: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

(7G): “To my only son, Larry, for life, then to Larry's children and their

heirs." Larry has two children, Moe and Curly.

Larry?

Page 8: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

(7G): “To my only son, Larry, for life, then to Larry's children and their heirs." Larry

has two children, Moe and Curly.

Larry: Life EstateMoe & Curly?

Page 9: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

(7G): “To my only son, Larry, for life, then to Larry's children and their heirs." Larry has two

children, Moe and Curly.

Larry: Life EstateMoe & Curly: Vested Remainders

(in F.S.) Subject to OpenUse of “subject to open” makes clear that interest is not as certain as a vested remainder usually is. We don’t use phrase with contingent remainder, which is always uncertain.

Page 10: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

(7G): “To my only son, Larry, for life, then to Larry's children and their heirs." Larry

has two children, Moe and Curly.

Larry: Life EstateMoe & Curly: Vested Remainders (in F.S.) Subject to Open

Larry has another child, Stella. Stella has?

Page 11: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

(7G): “To my only son, Larry, for life, then to Larry's children and their heirs.“

Larry: Life EstateMoe & Curly & Stella: Vested Remainders (in F.S.) Subject to Open

Curly (C) dies, leaving his wife, Noreen, and a child, Orrin; C's will devises all property to Noreen. What happens to C’s interest?

Page 12: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

(7G): “To my only son, Larry, for life, then to Larry's children and their heirs."

Larry: Life Estate

Moe & Noreen & Stella: Vested Remainders (in F.S.) Subject to Open

Larry dies. State of the title?

Page 13: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

(7G): “To my only son, Larry, for life, then to Larry's children and their heirs."

Larry dies. State of the title?

Moe & Noreen & Stella share fee simple absolute (tenants in common).For this course, only need to know that they’d share; don’t need to know term “tenants in common” or what it means.

Page 14: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

DEFEASIBLE FEES

Page 15: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

DEFEASIBLE FEESTwo Relevant Distinctions

1. Automatic termination v. Needs action by future interest holder

2. Who holds future interest?: Grantor v. Grantee

Page 16: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

DEFEASIBLE FEESRestatement Terms

•FEE SIMPLE DETERMINABLE

•FEE SIMPLE ON CONDITION SUBSEQUENT

•FEE SIMPLE ON EXECUTORY LIMITATION

Page 17: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE DETERMINABLE

• OPERATION: Self-Executing (= Automatic Termination)

Page 18: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE DETERMINABLE

• OPERATION: Self-Executing• KEY LANGUAGE: “So long as”, “While”,

“Until”

Page 19: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE DETERMINABLE

• OPERATION: Self-Executing• KEY LANGUAGE: “So long as”, “While”, “Until”

• FUTURE INTEREST: “Possibility of Reverter” (in GRANTOR)

Page 20: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE DETERMINABLE

EXAMPLE: To Estelle and her heirs so long as asparagus is not grown on the property.

Page 21: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE ON CONDITION SUBSEQUENT

• OPERATION: Grantor must act

Page 22: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE ON CONDITION SUBSEQUENT

• OPERATION: Grantor must act• KEY LANGUAGE: – “But if”, “provided that if”, “on condition that if”

PLUS– “O may [re]enter and [re]claim the land”

Page 23: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE ON CONDITION SUBSEQUENT

• OPERATION: Grantor must act• KEY LANGUAGE: “But if”, “provided that if”, “on

condition that if” PLUS “O may [re]enter and [re]claim the land”

• FUTURE INTEREST: Right of [Re]Entry (in GRANTOR)

Page 24: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE ON CONDITION SUBSEQUENT

EXAMPLE: To Estelle and her heirs, but if asparagus is grown on the property, I can reenter and claim the land

Page 25: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE ON EXECUTORY LIMITATION

• OPERATION: Either self-executing or grantee has to act.

Page 26: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Warning: Inconsistency• Textbook says Fee Simple on Executory Limitation

terminates automatically (P580)• For our purposes, assume that sometimes, a Fee

Simple on Executory Limitation can operate like a Fee Simple on Condition Subsequent

• “To Sonny & his heirs, but if Sonny ever runs for Congress, Cher may enter and take the land.”

Page 27: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE ON EXECUTORY LIMITATION

• OPERATION: Either self-executing or grantee has to act.

• KEY LANGUAGE: Creates interest in 3d party if condition violated

Page 28: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE ON EXECUTORY LIMITATION

• OPERATION: Either self-executing or grantee has to act.

• KEY LANGUAGE: Creates interest in 3d party if condition violated

• FUTURE INTEREST: Executory Interest (in 3d party grantee)

Page 29: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE ON EXECUTORY LIMITATION: EXAMPLES

• To Estelle and her heirs so long as asparagus is not grown on the property, otherwise to Bob

Page 30: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FEE SIMPLE ON EXECUTORY LIMITATION: EXAMPLES

• To Estelle and her heirs so long as asparagus is not grown on the property, otherwise to Bob

• To Estelle and her heirs, but if asparagus is grown on the property, Bob can reenter and claim the land

Page 31: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

DEFEASIBLE FEES: Restatement Terms

•FEE SIMPLE DETERMINABLE (to grantor; automatic)

•F.S. ON CONDITION SUBSEQUENT (to grantor; must act)

•F.S. ON EXECUTORY LIMITATION (to grantee; either way)

Page 32: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Accessorizing: Defeasible Fees & Matching Future Interests

FEE SIMPLE DETERMINABLE & POSSIBILITY OF REVERTER

F.S. ON CONDITION SUBSEQUENT & RIGHT OF ENTRY

F.S. ON EXECUTORY LIMITATION & EXECUTORY INTEREST

Page 33: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Defeasible Finite Estates: Examples

Term of Years on Condition Subsequent:“To Joshua for 20 years, but if he ever passes

the bar exam, my heirs can enter & retake.”

Life Estate on Executory Limitation“To Richard for life, but to Chris & his heirs if

Chris ever passes the bar exam.”

Page 34: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Back to CORN:

(7H): Thelma conveys "to Louise for 99 years if Louise so long live."

Louise?

Page 35: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

(7H): Thelma conveys "to Louise for 99 years if Louise so long live."

Louise: Term of years determinable.•Most likely to operate as a life estate, but L might live 99 years. •Used where there is some legal or tax reason to avoid life estate.

Page 36: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

(7H): Thelma conveys "to Louise for 99 years if Louise so long live."

Louise: Term of years determinable.

What other interests are there?

Page 37: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

(7H): Thelma conveys "to Louise for 99 years if Louise so long live."

Louise: Term of years determinable.Thelma: Possibility of Reverter plus

Reversion =Reversion (Merger)

Page 38: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

DOCTRINE OF MERGERIf one person becomes the owner of two

contiguous interests, the interests will “merge”

Page 39: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

DOCTRINE OF MERGERIf one person becomes the owner of two contiguous

interests, the interests will merge.Example: Eric has a life estate. Katie holds the reversion that follows it. If Eric purchases the

reversion from Katie, it merges with his life estate and he will have a fee simple absolute.

Page 40: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

DOCTRINE OF MERGERIf one person becomes the owner of two contiguous

interests, the interests will merge.

Page 41: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County BoardDQ 115: Barley

Page 42: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Once Again: IGNORE THE JACQMAINS

1. Delete last paragraph on P581.2. Delete last complete paragraph on P582. 3. Pretend you never heard of the Jacqmains.

Page 43: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board MAJOR EVENTS

• 3/51: Grant to SD#1• 2/69: Mrs.H dies intestate; HH sole heir• 5/73: Property used for storage only• 5/77: HH conveys interest to Ms• 9/77: HH releases interest to SD#1

Page 44: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board DQ115: MAJOR EVENTS: FSD +PR

• 3/51: Grant to SD#1: SD-FSD Hs-PR• 2/69: Mrs.H dies intestate; HH sole heir?• 5/73: Property used for storage only• 5/77: HH conveys interest to Ms• 9/77: HH releases interest to SD#1

Page 45: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board DQ115: MAJOR EVENTS: FSD +PR

• 2/69: Mrs.H dies intestate; HH sole heir SD-FSD HH-PR

• 5/73: Property used for storage only?(2 Possibilities: Violation or Not)

• 5/77: HH conveys interest to Ms• 9/77: HH releases interest to SD#1

Page 46: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board DQ115: MAJOR EVENTS: FSD

+PR2/69: SD-FSD HH-PR

GRANT VIOLATEDHH-FEE SIMPLE

ABSOLUTE5/77 HH --> Ms?

NO VIOLATIONSD-FSD HH-PR

5/77 HH --> Ms?

Page 47: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board DQ115: MAJOR EVENTS: FSD

+PRGRANT VIOLATEDHH-FS ABSOLUTE5/77 HH --> Ms?Ms-FS Absolute

9/77 HH release to SD?

NO VIOLATIONSD-FSD HH-PR5/77 HH --> Ms?

SD-FSD HH-PR9/77 HH release to SD?

Page 48: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board DQ115: MAJOR EVENTS: FSD

+PR

GRANT VIOLATEDMs-FS Absolute

9/77 HH release to SD?

Ms - FS Absolute

NO VIOLATIONSD-FSD HH-PR

9/77 HH release to SD?

SD - FS Absolute

Page 49: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board DQ115: MAJOR EVENTS: FSCS

+RE

• 3/51: Grant to SD#1: SD-FSCS Hs-RE• 2/69: Mrs.H dies intestate; HH sole heir?• 5/73: Property used for storage only• 5/77: HH conveys interest to Ms• 9/77: HH releases interest to SD#1

Page 50: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board DQ115: MAJOR EVENTS: FSCS

+RE• 2/69: Mrs.H dies intestate; HH sole heir SD-

FSCS HH-RE• 5/73: Property used for storage only?

(2 Possibilities: Violation or Not)

• 5/77: HH conveys interest to Ms• 9/77: HH releases interest to SD#1

Page 51: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board DQ115: MAJOR EVENTS: FSCS

+RE2/69: SD-FSCS HH-REGRANT VIOLATED

SD-FSCS HH-RE5/77 HH --> Ms?

NO VIOLATIONSD-FSCS HH-RE5/77 HH --> Ms?

Page 52: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board DQ115: MAJOR EVENTS: FSCS

+REGRANT VIOLATEDSD-FSCS HH-RE5/77 HH --> Ms?SD-FSCS HH-RE

9/77 HH release to SD?

NO VIOLATIONSD-FSCS HH-RE

5/77 HH --> Ms?SD-FSCS HH-RE

9/77 HH release to SD?

Page 53: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board DQ115: MAJOR EVENTS: FSCS

+REGRANT VIOLATEDSD-FSCS HH-RE

9/77 HH release to SD?

SD - FS Absolute

NO VIOLATIONSD-FSCS HH-RE

9/77 HH release to SD?

SD - FS Absolute

Page 54: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz: Summary of PossibilitiesFSD/PR FSCS/RE

Violation Mahrenholzes School District

No Violation School District School District

Page 55: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board

DQs 116-18: Distinguishing Fee Simple Determinable Fee Simple Determinable from

Fee Simple on Condition Subsequent Fee Simple on Condition Subsequent (More Barley)(More Barley)

Page 56: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board

The court says (Top para. P583) : “The type of interest held governs the mode of

reinvestment with title if reinvestment is to occur.”

DQ116. What does the court mean by

“reinvestment” ?

Page 57: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

DQ117: (P584, 3d full para.) “In Northwestern Univ. …, a conveyance was ‘made upon the ex-press condition that… Wesley Hospital… shall erect a hospital building on said lot … and that on the failure of … Wesley Hospital to carry out these conditions the title shall revert to North-western University.’ This language cannot be interpreted as creating anything but a fee simple subject to a condition subsequent…” WHY?

Page 58: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

DQ118: In a deleted passage in its discuss-ion of McElvain, the court says that “as an action in ejectment was brought…, the dif-ference between a fee simple determinable and a fee simple subject to a condition sub-sequent would have no practical effect ….”

Why does it believe this?

Page 59: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz P583: “[A] grantor should give a FSD if he intends to give property for so long as it is needed for the purposes for which it is given and no longer, but he should employ a FSCS if he intends to compel compliance with a condition by penalty of a forfeiture.” - Pretty fine distinction- Court is describing idealized use of the forms- Can use to argue a grant is FSD or FSCS

Page 60: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Use a FSD “to give property for so long as it is needed for the purposes for which it is

given and no longer”• To Xavier, so long as he operates his dental practice on

the premises.• To Yolanda, so long as she doesn’t remarry.• To Zebulon University, so long as it is used as a research

laboratory.

Page 61: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Use a FSCS “to compel compliance with a condition by penalty of a forfeiture.”

• To Xavier, but if the property is ever used for commercial purposes …

• To Yolanda, but if alcohol is ever used on the premises …• To Zebulon University for construction of a science

building, but if the building is not completed within 5 years or if it ever ceases to be used for educational purposes …

Page 62: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

DQ119-122 (OATS)

Page 63: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County BoardTo the Trustees of School District No.

1:

"to be used for school purpose only; otherwise to revert to

Grantors herein.”DQ119: Fee Simple Determinable DQ119: Fee Simple Determinable or

Fee Simple on Condition Subsequent?Fee Simple on Condition Subsequent?

Arguments for FSD?Arguments for FSD?

Page 64: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

"to be used for school purpose only; otherwise to revert to Grantors

herein.”: FSD• “only” suggests automatic• condition in 1st clause• “to revert” (v. “may re-enter”) suggests automatic• similar grants held FSD

Arguments for FSCS?Arguments for FSCS?

Page 65: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

"to be used for school purpose only; otherwise to revert to Grantors

herein.” FSCS:• 2 clauses usually used for FSCS• No time words• Most states presume FSCS

Page 66: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

Mahrenholz v. County Board

DQ120: Under what circumstances might the distinction between a fee

simple determinable and a fee simple on condition subsequent

be significant?

Page 67: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FSD v. FSCS: Consequences

• Transferability after breach (Mahrenholz)

Page 68: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FSD v. FSCS: Consequences

• Transferability after breach

• Adverse Possession

Page 69: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FSD v. FSCS: Consequences• Transferability after breach

• Adverse Possession

• Income from land after breach (to grantor if FSD)

Page 70: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

FSD v. FSCS: Consequences• Transferability after breach

• Adverse Possession

• Income from land after breach

• Waiver/Estoppel by future interest holder (possible if FSCS)

Page 71: MUSIC: Alicia de Larrocha, Piano THE ART OF ALICIA DE LARROCHA Performances 1972-1981 Disc 1: Music of Johann Sebastian Bach & Joseph Hadyn

DQ120: Why do so many grants fail to

indicate clearly which interest is intended?