multi-cam multi cam 5
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I will doing multi-cam live event. It is a year 8 school production.It is called the pop project, it consists of 12 bands selected whichis one from each form to be in the final and there is judging panelto decide which band is the best. The event will take place 21st of July and will on during period 5 and 6.
My target audience for this multi-cam live event would be aimedat the years
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Floor Manager - The floor manager represents the director in the studio and makes sure that the 'talent'and crew know what they are doing. She/he is also there to sort out any problems there may be on thestudio floor, and to state clearly what the director wants crew members and 'talent' to do.
Assistant Floor Manager - An assistant floor manager helps the floor manager with their duties and makessure that the 'talent' have everything they need.
Camera Ops - Camera Operators operate the cameras during the show and try to get a variety of shots thatthey have been told to get by the director.
Camera Assistant - Camera Assistants help the Camera Ops to move their camera during filming and alsohold the cables out of the way so that noon trips on them.
Talent - The 'talent' are guests on the live TV show, so their job is to answer the questions and make theshow as entertaining as possible. The presenter also counts as 'talent' and his/her job is to deliver thequestions clearly and keep the show upbeat as well as being able to focus the contestants if they side-trackfrom the questions.
Sound Op - A Sound Op operates the Audio mixing desk, and makes sure that all the microphones areworking before the show.
Vision Mixer - A Vision Mixer, cuts from one shot to the next using the visual mixing desk and can also use
various wipes and transactions to go from the titles into the studio.
DVD Op - a DVD Operator operates the DVD player and makes sure that the clips are played at the correcttime.
Lighting Op - The Lighting Operator operates the lighting desk and makes sure that the lights go on/off oncue from the director.
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Judgestable
Boommic
Vision mixer
Onstagemic
cameraon Dolly
Cameraon tripod
Cameraon jib
CameraonShoulder
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Here is where the judging panel sit,could use a camera on a dolly.
View of audience, could use jib to recordthis area.
Here is a view of the stage, this is an
area for a camera on a tripod to film
Here is the view of the whole stage
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The main consideration is to make sure all wires from the equipment aretaped down to allow people to walk over them without tripping and so theequipment like the dolly can go over them relatively easier. Also make surethe equipment is away from the audience and the equipment on stage toprevent injuries and equipment damage. The last consideration is forpeople participating in a multi cam event need be hydrated to prevent
problems with health due to lots of electrical equipment can make the roomhot and it is important all members of the team are 100% focused.
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Band Vision mixer Communication Cameras
9e2 band Tom Montgomery Alex caple Alan,joe,sam,
Swag Nans Tom Montgomery Alex caple Alan,sam,joe
Jarz Alex caple Tom Montgomery Alan,sam,joe
Soul girls Sam Innes George Alex Joe tom
Smile George reay Sam Innes Alex Joe tom
Girlz next door Alan reading Joe kowalski Tom Alex Sam
ForeverJoe kowalski Alan reading Tom Alex Sam
Only exception Tom Montgomery Alex caple Alan,sam,joe
Soundproof Alex caple Tom Montgomery Alan,sam,joe
Sons of God George reay Sam Innes Alex Joe tom
The miracle Makers Sam Innes George Reay Alex Joe tom
Enigma tom Montgomery Alex caple Alan,sam,joe
The lipsys Alex caple Tom Montgomery Alan,sam,joe
Identity Sam Innes Geor e Rea Alex tom Joe
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band Vision mixer Communication camerasScarlett George reay Sam Innes Alex Joe tom
The reckless Saints Alan reading Joe kowalski Tom Alex Sam
The fallen angels Joe kowalski Alan reading Tom Alex Sam
Staff band Billy askew Alan reading Tom Alex Sam
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4 hd cameras
4 tapes
One dolly
One jib
4 tripods
Vision mixer
Up loader
laptops with chargers
Script
Tally lights with microphone
Extension leads
Back up camera
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Title: Year 8 pop project
Production Date:21/7/2011 Date of Risk Assessment Risk Assessment conducted by: Joe Kowalski
Hazard Persons who
may be
harmed
Property which
may be
damaged
Risk controls
already in place Risk Assessment
LOW,
MODERATE,
HIGH,
EXTREME (see table)
Further action
required to
control risk
***
Equipment inthe way
crew andaudience
Other equipmentto do withpop project
make sure equipment
isn't near music
equipment
moderate Before the multi-cam showmake sureequipment isset up
Tripping overwires
crew andaudience
equipment Make sure wires areout of the way
from audience
moderate Tape the wiresdown so
people can seethem and soequipment cango over them
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For multi-cam events 3 or more camera’s are used and they are all linked tovision mixer and they are all shown up on the vision mixer. Multi-cam sets upsuse a variety of different cameras, the normal cameras used Sony hdv which areput on tripods and have a steady shot. There are also other camera set ups likea dolly where there a wheels on the bottom of the tripod that allows the tripod tomove around an area with the camera still. There is also a jib where you put acamera on top of a pole and you control the camera by moving the pole up anddown. This is best used to get footage of a crowd at a live event like a concert.Another type is a wire camera and it is attached to a long wire and is controlledby a controller for the camera to move along the wire to capture the live actionthis is frequently used in live sports events like football and rugby. The lastcamera set up is a blimp balloon and this is normally a big hot air balloon in thesky with a camera on it, this is used frequently to get views in the sportsstadiums. Sky sports use the blimp often to get a whole view of a footballstadium.
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Live sound mixing is the art of combining and processing a number ofaudio signals together to create a "mix" that the audience or performers ata live show hear. There can be a variety of different mixes required,depending on the performance requirements. Three types are: Front ofHouse which is primarily for the audience; monitor, which is exclusively forthe performer(s); and recording or broadcast (cue), for special purposes