mplp & av

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MPLP & AV More Product, Less Process & Audiovisuals Siobhan C. Hagan Audiovisual Archivist University of Baltimore>Langsdale Library>Special Collections

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This is the PPT of my presentation for the Arizona Archives Summit held at the Arizona Historical Society on January 31, 2014. I introduced the audience to identifying various audiovisual formats, degradation red flags, and minimal required metadata to create preservation priorities and to efficiently and effectively process archival collections with audiovisual materials.

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Page 1: MPLP & AV

MPLP & AV More Product, Less Process & Audiovisuals

Siobhan C. Hagan Audiovisual Archivist

University of Baltimore>Langsdale Library>Special Collections

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Audio. Video. Disco.

•  Wavelengths with varying frequencies

•  Wavelengths as signals •  Analog: info is recorded as analogous to the original

•  Digital: info is recorded as 1’s and 0’s

•  Record onto lots of different types of physical media

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AV Processing Problems

•  Sparse information

•  Incorrect identification of formats

•  Poor housing and storage

•  Adding/subtracting boxes

•  Inefficiently enhancing finding aids

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Sparse Finding Aid

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Sparse Finding Aid

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MPLP

•  Box/Shelf ? •  Absolute minimum: impossible?

•  Access vs. preservation

•  Reinventing wheel •  Waste of time

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Incorrect Identification

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Incorrect Identification

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Training to ID

•  Media Type

•  Format

•  Size

•  Speed

•  Generation

 Red flags! •  Mold

•  Degradation

•  Etc.

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Media Type

•  Film

•  Video

•  Audio

•  Optical

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Format

•  Film •  8mm •  Super8mm

•  Regular 8mm

•  16mm •  Full coat magnetic soundtrack

•  35mm •  Full coat magnetic soundtrack

•  70mm

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Full coat mag

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Format

•  Video •  2” Quadruplex open reel video

•  1” open reel video

•  1/2” open reel

•  3/4” Umatic (SP)

•  Betamax

•  VHS

•  Betacam (SP)

•  Video8

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2” Quad Open Reel Video

Photo: Robert Rex Jackson Photo: videointerchange.com

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1” Open Reel Video

Photo: Wikipedia

Photo: labguysworld.com

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½ inch Open Reel Video

Photo: Indiana University - Bloomington Photo: Sony.net

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¾ inch U-Matic (SP)

Photo: Ebay

Photo: Preservingvideo.blogspot.com

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Betamax

Photo: Simplydv.biz Photo: Ibenimagaes.com

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VHS

Photo: Photos-public-domain.com Photo: Themovethemove.wordpress.com

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Betacam (SP)

Photo: Datastores.co.uk Photo: verrents.com

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Video8

Photo: Wikipedia Photo: Ebay

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Format

•  Video (cont’d) •  Hi8

•  Digital8

•  Digital Betacam (Digibeta)

•  MiniDV

•  DVCAM

•  DVCPRO

•  HDCAM (SR)

•  Etc.

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Hi8

Photo: Amazon.com Photo: Ebay

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Digital8

Photo: Cameratim.com

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Digital Betacam (Digibeta)

Photo: Professionalmedia.hu Photo: Highwayhv.com

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MiniDV

Photo: dvdyourmemories.com Photo: Bladeforums.com

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DVCAM

Photo: Professioalmedia.hu Photo: Alan Gordon

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DVCPRO

Photo: Geniusdv.com Photo: Creativeplanetnetwork.com

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HDCAM (SR)

Photo: Professionalmedia.hu

Photo: Creativeplanetnetwork.com

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Format

•  Audio •  Open reel tape: width ranging from ¼ inch to 2 inches •  Typically ¼ inch

•  8-Track •  Compact Cassette •  Microcassette •  DAT •  Record disc •  Wire •  Dictabelt •  Etc.

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¼ - 2 inch open reel audio tape

Photo: Audiokarma.org Photo: ja.wikipedia.org

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8-Track

Photo: fieldwoodhs.ednet.ns.ca

Photo: Fineartamerica.com

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Compact cassette

Photo: collectiondiscovery.blogspot.com Photo: blog.phonographic.com

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Microcassette

Photo: Wikipedia

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DAT (Digital Audio Tape)

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Record Disc

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Wire

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Dictabelt

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Format

•  Optical •  LaserDisc

•  MiniDisc

•  CD

•  DVD

•  Blu-ray

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Laserdisc

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Minidisc

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Compact Disc (CD)

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DVD

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Blu-Ray

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Red flags

•  Film •  Mold

•  Vinegary smell

•  “Nitrate”

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Mold

Photo: AZ Digital Transfers

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Vinegar syndrome

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Nitrate

Photo: George Eastman House

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Red flags

•  Video •  Mold

Photo: Video Recovery & Restoration

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Red flags

•  Audio •  Mold

Photo: Chace Audio

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Red flags

•  Audio •  Vinegary smell

Photo: Rascher Archive Blog

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Red flags

•  Optical •  Separation of the layers, warping, and cracking

Photo: Pvenda Photography

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Proper Storage Orientation

•  Film •  Flat

•  Video •  Vertical

•  Audio •  Also vertical

•  Optical •  Oh, also vertical

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Proper storage

•  Archival Boxes, Paper and Plastics

Photo: Tuscan Corp.

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Poor Housing

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Poor Storage

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Preservation Re-housing

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Preservation Re-housing…

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…and Storage?

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MPLP Influenced

•  DecisionsPolicy •  Collection-ish Level

•  Item-ish Level

•  UCLA Library •  Special Collections: Box-ish Level

•  Preservation: Item Level (more training needed)

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Levels of Processing

•  Special Collections: Box-ish Level (recommended minimum) •  Numbers of formats

•  Date range of content

•  Proper storage orientation

•  Red flags!

•  Preservation Processing: Item Level •  TMI

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Minimum Finding Aid

•  Container List •  Media Type •  Format •  # of items

(guesstimate, rounding up); date range

•  Box 212 •  Film •  16mm •  5 reels; 1962

•  9 reels; 1967-1969

•  Video •  Hi8 •  14 cassettes;

1985-1987 •  2 cassettes; 1988;

mold detected.

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Level-Up: Item-ish

•  Max size/length

•  Speed

•  Duplicate vs. original

•  Content key words

•  Box 212 •  Film •  16mm

•  Masters •  5 reels; 1962; 400 feet;

18fps; Football film

•  9 reels; 1967-1969; 800 feet; home movies

•  Video •  Home movies

•  Hi8; •  10 cassettes; 1985-1987;

120 minutes; Originals

•  4 cassettes; 1985; 120 minutes; duplicates

•  2 cassettes; 1988; mold detected.

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Max Size/Length

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Max Size/Length

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Max Size/Length

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Duplicate vs. Original

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What to do with this information?

•  Intellectual control •  Patron-requested reformatting

•  Preservation priorities (need pro input) •  Umatics before Kodachrome

•  DATs before record discs

•  Quotes for grants/funds •  5 boxes of Umatic Masters from 1980s

•  Round up!

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Summary

 Minimal Box-ish Level •  Numbers of formats •  Date range of content •  Proper storage orientation

•  Vertical vs. Flat •  Plastic bags, rubber bands, etc.

•  Red flags!

 Bonus item-ish •  Max size/length •  Speed •  Duplicate vs. Original •  Content key words

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Summary (cont’d)

 Access and Preservation Priorities  Patron requests  Grant proposals  Internal funds prioritized

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Thank you!

Siobhan C. Hagan [email protected] @AV_DiscoTech