mozart21 e kl

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1/16Breitkopf & Hrtel G. Henle Verlag

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I place great value on Urtext editions

based on the current state of research.

To me, the most recent Henle and

Breitkopf editions (Mozart 21) are

the gold standard for Mozart.I present my thanks and a wholehearted

recommendation!

LARS VOGT Pianist

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THE NEW EDITIONS.

Mozarts music is eternally young

and stimulating, and is approached

in a new way by each new generation.Todays musicians have the choice

between countless editions older

and newer ones.

Our 21st-century Mozart editions

reflect the most recent state of

international Mozart scholarship

Urtext editions for our time,

prepared by experienced editors and

endorsed by world-famous artists.

Breitkopf & Hrtel G.HenleVerlag

Mozart 21 is an inestimably important

project for me and for all who want

an up-to-the-minute performance-quality

Mozart Urtext. I can warmly recommend

the many Breitkopf and Henle editions

that I know. And thanks to their in-depthcommentaries, they even spare one

the examination of the original sources.

REN JACOBS Conductor

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PIANO MUSIC

Critically revised and reprinted: proven Urtext classics The early violin sonatas in the alternative versions for piano solo authorized by Mozart

PIANO SOLO

Piano Sonata D major K. 284 (205b)New Edition, revised by Ernst Herttrich (2012)

Fingering by Hans-Martin Theopold

HN 1063

Piano Sonata C major K. 309 (284b)New Edition, revised by Ernst Herttrich (2012)

Fingering by Hans-Martin Theopold

HN 1065

Piano PiecesFrom Nannerl Music Book K. 1af, 25, 9a (5a), 68;

Londoner Music Book K. 15a15qq; Piano Piece F majorK. 33B; Fugues G major, D major K. 154a (Anh. A 61/62)

and g minor K. 401 (375e); Preludes K. deest (Anh. C

15.11), C major K. 395 (300g); Prelude (Fantasy) and

Fugue C major K. 394 (383a); Sonata Movement B flat

major K. 400 (372a) and g minor K. 312 (590d);

Fantasies c minor K. 396 (385f) and d minor K. 397 (385g);

Fragment of a Suite C major K. 399 (385i); Marche funbre

c minor K. 453a; Rondos D major K. 485 and a minor

K. 511; Adagio b minor K. 540; Gigue G major K. 574;

Andantino E flat major K. 236 (588b); Andante for a

Musical Clock F major K. 616; Adagio for Glass Harmonica

C major K. 356 (617a); Menuets D major K. 355 (576b)and K. 103 (61d), C major K. 61gII, D major K. 94 (73h),

K. 176, K. 315a (315g); Kontretnze K. deest (269b)

and from The Thunderstorm K. 534; Marcia C major

K. 408/1 (383e); 6 German Dances K. 509

Appendix: K. Anh. 20a (626b/25); K. Anh. 207

(Anh. C27.06); K. Anh. 135 (547a); Fragments from

K. 9b (5b), K. 15nn, K. 15rr, K. 15ss, K. 399 (385i)

New Edition, revised by Ullrich Scheideler (2006)

Fingering by Walther Lampe and

Andreas Groethuysen

Paperbound

HN 22Clothbound HN 23

Wunderkind-Sonatas

Edition for Piano soloedited by Wolf-Dieter Seiffert (2013)

Fingering by Ariane Haering

Volume ISonatas K. 69 HN 1094

Volume IISonatas K. 1015 HN 1095

Volume IIISonatas K. 2631 HN 1096

The early violin sonatas in the alternative versions

for piano solo authorized by Mozart

(Vol. I and III are first editions)

PIANO FOUR-HANDSWorks for Piano Four-handsPiano Sonatas D major K. 381 (123a), B flat major K. 358

(186c), F major K. 497, C major K. 521, C major K. 19d;

Andante with Variations G major K. 501; Allegro

K. 357 (497a) and Andante K. 357 (500a) G major;

Fugue g minor K. 401 (375e); Piece for a Musical Clock

f minor K. 594; Piece for a Musical Clock f minor K. 608

New Edition, revised by Peter Jost (2011)Fingering by Andreas Groethuysen

Paperbound HN 932

Clothbound HN 933

Sole complete edition to reflect the current state

of research

Contains the Fugue K. 401 (written for piano or

organ)

Features the presumably inauthentic Sonata

K. 19d in the Appendix

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SOLO INSTRUMENT AND PIANO

TWO PIANOS FOUR-HANDS

Piano Concerto (No. 9) E flat major K. 271Jenamyedited by Cliff Eisen and

Robert D. Levin (2001)

Cadenzas by Cliff Eisen and Robert D. Levin

Edition for 2 Pianos

Piano Reduction by Walter Heinz Bernstein

EB 8640

Piano Concerto (No. 17) G major K. 453edited by Stephan Hrner (2008)

Cadenzas by Wolfgang Amadeus Mozart

Edition for 2 PianosPiano Reduction and Fingering by Andrs Schiff

HN 765 EB 10765

This piano reduction is perfectly suited for sight-

reading and does not feel cluttered at any moment.

(Piano News)

Piano Concerto (No. 21) C major K. 467edited by Norbert Gertsch (2007)


Piano Reduction, Cadenzas and Fingering

by Andrs Schiff

HN 766 EB 10766

Piano Concerto (No. 23) A major K. 488edited by Ernst-Gnter Heinemann (2008)

Cadenza by Wolfgang Amadeus Mozart


Piano Reduction and Fingering by Andrs Schiff

HN 767 EB 10767

Piano Concerto (No. 25) C major K. 503edited by Ernst Herttrich (2011)

Edition for 2 PianosPiano Reduction, Cadenzas and Fingering

by Andrs Schiff

HN 825 EB 10825

New source evaluation gives more weight to the

first edition of 1797

Piano reductions made by great performers and experienced arrangers Piano reductions that are easy on the fingers and rewarding to the ear

Concertos with refreshingly new cadenzas in the Mozart style Publications with asterisk (*) contain two solo parts: one with fingerings/bowings and one without

VIOLIN AND PIANO

Single Movements K. 216, 269 and 373for Violin and Orchestra

edited by Wolf-Dieter Seiffert (2002)

Edition for Violin and Piano

Piano Reduction by Siegfried Petrenz,

Cadenzas and Fingering by Kurt Guntner

HN 707 *

Violin Concerto (No. 1) B flat major K. 207edited by Wolf-Dieter Seiffert (2003)



Cadenzas and Fingering by Kurt Guntner HN 706 *

Violin Concerto (No. 2) D major K. 211edited by Wolf-Dieter Seiffert (2003)




HN 705 *

Violin Concerto (No. 3) G major K. 216edited by Cliff Eisen (2002)

Edition for Violin and PianoPiano Reduction by Werner Breig,

Cadenzas and Lead-ins by Andrew Manze

EB 8737

Violin Concerto (No. 3) G major K. 216edited by Wolf-Dieter Seiffert (2002)




HN 688 *

Violin Concerto (No. 4) D major K. 218edited by Cliff Eisen (2003)


Piano Reduction by Werner Breig,


EB 8738

Violin Concerto (No. 4) D major K. 218edited by Wolf-Dieter Seiffert (2001)




HN 680 *

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Violin Concerto (No. 5) A major K. 219

edited by Cliff Eisen (2004)Edition for Violin and Piano



EB 8739

Violin Concerto (No. 5) A major K. 219edited by Wolf-Dieter Seiffert (2000)




HN 679

Wunderkind-Sonatasfor Violin and Piano


Fingering by Benjamin Schmid [Violin]

and Ariane Haering [Piano]

Volume ISonatas K. 69 HN 1077 *

Volume IISonatas K. 1015 HN 1078 *

Volume III

Sonatas K. 2631 HN 1079 *

VIOLIN, VIOL A AND PIANO

Sinfonia concertante E flat major K. 364 (320d)for Violin, Viola and Orchestra


Cadenzas by Wolfgang Amadeus Mozart

Edition for Violin, Viola and Piano


Fingering and Bowing by Frank Peter Zimmermann

and Tabea Zimmermann

HN 798 * EB 10798 *

First correct source evaluation gives rise to a great

quantity of improvements

Viola part in scordatura notation (D major, as

in the sources) as well as in E flat major (modern

practice)


Piano reductions made by great performers and experienced arrangers Piano reductions that are easy on the fingers and rewarding to the ear Concertos with refreshingly new cadenzas in the Mozart style Publications with asterisk (*) contain two solo parts: one with fingerings/bowings and one without

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FLUTE AND PIANO

Andante C major K. 315 (285e)for Flute and Orchestra

edited by Henrik Wiese (2005)

Edition for Flute and Piano

Piano Reduction by Jan Philip Schulze,

Cadenzas by Robert D. Levin

HN 675 EB 10675

Flute Concerto G major K. 313 (285c)edited by Henrik Wiese (2006)



Cadenzas and Lead-ins by Henrik Wiese EB 8644

Includes a facsimile of the solo part of the first edition

Includes cadenzas from the earliest handwritten

sources

Flute Concerto G major K. 313 (285c)edited by Andrs Adorjn (2000)




HN 673

Flute Concerto D major K. 314 (285d)edited by Henrik Wiese (2009)



Cadenzas and Lead-ins by Henrik Wiese

EB 8047

Flute Concerto D major K. 314 (285d)edited by Andrs Adorjn (2000)


Piano Reduction by Siegfried Petrenz,Cadenzas by Robert D. Levin

HN 674

FLUTE, HARP AND PIANOConcerto C major K. 299 (297c)for Flute, Harp and Orchestra

edited by Andrs Adorjn (2004)

Edition for Flute, Harp and Piano



HN 768

OBOE AND PIANO

Both editions of K. 314 offer the synoptical printingof the divergently transmitted solo part: from Breitkopf

as a study part after the performance part, and

from Henle in a meticulously prepared supplement

Oboe Concerto C major K. 314 (285d)edited by Henrik Wiese (2009)




EB 8048

Oboe Concerto C major K. 314 (285d)edited and with an additional booklet

by Ingo Goritzki (2001)

Edition for Oboe and Piano


Cadenzas by Robert Levin

HN 695

CLARINET AND PIANOClarinet Concerto A major K. 622

edited by Henrik Wiese (2003)Edition for Clarinet and Piano

Piano Reduction by Jan Philip Schulze

HN 729

Henle doesnt believe in skimping: An informative

preface listing all sources and commentaries on the

reconstruction of the bass-clarinet part enhances the

piano reduction which is supplied with footnotes

as well as the two individual parts.

(Schweizer Musikzeitung)

Clarinet Quintet A major K. 581edited by Werner Breig (2005)

Edition for Clarinet [A] and Piano

Piano Reduction by Werner Breig

EB 8784

In a painstaking work cycle and argumentational

procedure, Breig has inasmuch as this is possible

successfully produced a version that is so convincing

that one feels it must have been exactly like this

in Mozarts autograph as well.

(Acta Mozartiana)


Piano reductions made by great performers and experienced arrangers Piano reductions that are easy on the fingers and rewarding to the ear

Concertos with refreshingly new cadenzas in the Mozart style

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BASSOON AND PIANO

Bassoon Concerto B flat major K. 191 (186e)edited by Ernst Herttrich (2006)

Edition for Bassoon and Piano



HN 801 EB 10801

The edition of the Bassoon Concerto fosters

the sincerest hope for further Hessian-Bavarian

coproductions.

(Acta Mozartiana)

HORN AND PIANO

Horn Concerto E flat major K. 370b+371edited by Robert D. Levin (2003)

Edition for Horn and Piano

Piano Reduction by Christian Rudolf Riedel,

Cadenzas and Lead-ins by Robert D. Levin

EB 8697

Horn Concerto (No. 1) D major K. 412/514with Smayr Rondo K. 514 and Rondofragment

K. 412, completed by Henrik Wiese



Piano Reduction by Jan Philip Schulze HN 701

Horn Concerto (No. 2) E flat major K. 417edited by Henrik Wiese (2002)


Piano Reduction by Jan Philip Schulze

HN 702



Piano Reduction by Jan Philip Schulze,Cadenzas by Robert D. Levin

HN 703

Whoever cannot or does not want to rely on his

or her improvisational talent can use this material

without reservation.

(Acta Mozartiana)



Piano Reduction by Jan Philip Schulze,Cadenzas by Robert D. Levin

HN 704

Horn part in four-color printing as in Mozarts

autograph color notation

Piano reductions made by great performers and experienced arrangers Piano reductions that are easy on the fingers and rewarding to the ear Concertos with refreshingly new cadenzas in the Mozart style

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CHAMBER MUSIC

Adagio and Rondo K. 617

for Glass Harmonica (Piano), Flute, Oboe, Viola andVioloncello


Parts complete

HN 677

Divertimenti for 2 Oboes, 2 Horns and2 BassoonsDivertimenti F major K. 213, B flat major K. 240,

E flat major K. 252 (240a), F major K. 253 and

B flat major K. 270

edited by Felix Loy (2013)

Parts complete HN 1191

Divertimento K. 525 A Little NightMusicedited by Wolf-Dieter Seiffert (2010)

Partitur and Parts complete

HN 1005

Additional Parts: Violin 1, Violin 2,

Viola, Violoncello/Basso

HN 10061009

Gran Partita B flat major K. 361 (370a)for 2 Oboes, 2 Clarinets, 2 Basset Horns, 4 Horns,

2 Bassoons and Double Bass


Parts complete

HN 809

Horn Quintet E flat major K. 407 (386c)for Horn, Violin, 2 Violas and Violoncello

edited by Henrik Wiese and Norbert Mllemann (2010)

Parts complete

HN 826

Clarinet Quintet A major K. 581for Clarinet, 2 Violins, Viola and Violoncello

edited by Werner Breig (2005)

Score and Parts

KM 2289

Edition for Clarinet [A] and Piano

Pianoauszug by Werner Breig

EB 8784

Includes a conjectured reconstruction of the non-

transmitted original version for basset clarinet

and an additional part for this instrument, which is

now available again today thanks to the production

of new instruments of this type

Many editions feature fold-out pages to avoid page turns

Clarinet Quintet A major K. 581

and Fragment K. Anh. 91 (516c)for Clarinet, 2 Violins, Viola and Violoncelloedited by Henrik Wiese (2005)

Parts complete

HN 769

Piano TriosDivertimento B flat major K. 254, Trios G major K. 496,

E flat major K. 498 Kegelstatt-Trio, B flat major K. 502,

E major K. 542, C major K. 548 and G major K. 564

New Edition, revised by Ernst Herttrich (2006)

Parts complete

HN 247

Oboe Quartet F major K. 370 (368b)for Oboe, Violin, Viola and Violoncello

edited by Ernst Herttrich (2005)

Parts complete

HN 794

Quintet E flat major K. 452for Piano, Oboe, Clarinet, Horn and Bassoon


Parts complete

HN 665 First movement with many corrections of previously

falsely transmitted notes

First printing of last movement to feature authentic close

without (false) ossia

Serenade E flat major K. 375for 2 Clarinets, 2 Horns and 2 Bassoons


Parts complete

HN 795

Serenade E flat major K. 375for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons


Parts complete

HN 796

Serenade c minor K. 388 (384a)for 2 Oboes, 2 Clarinets, 2 Horns and 2 Bassoons


Parts complete

HN 797

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CHAMBER MUSIC

Sonata B flat major K. 292 (196c)

for Bassoon and Violoncelloedited by Henrik Wiese (2010)

Score and Parts

Figured Bass Realization by Wolfgang Kostujak

HN 827

String Quintets IString Quintet B flat major K. 174 with early versions

for 2 Violins, 2 Violas and Violoncello


Parts complete

HN 777

Its Henle, its heaven sent. Everything thats neededfor chamber music playing at any level is here. Clarity

of presentation, totally trustworthy scholarship, bar

numbers (at the start of each stave!), excellent quality

paper; you get the feeling you can play the music

immaculately even before you have tuned your

instrument. If only these editions had been available

when I was a student.

(News & Views)

String Quintets II

String Quintets c minor K. 406 (516b), C major K. 515and g minor K. 516

for 2 Violins, 2 Violas and Violoncello


Parts complete

HN 778

K. 515 and K. 516: Previously unknown Mozart

corrections taken into consideration here for the

first time

String Quintets IIIString Quintets D major K. 593 and E flat major K. 614

for 2 Violins, 2 Violas and Violoncelloedited by Wolf-Dieter Seiffert (2010)

Parts complete

HN 779

K. 593, 4th movement: First ossia printing of the

autograph and (divergent) reading of the first edition

K. 614, 1stmovement: First printing of the authentic

music text of the primary theme (without trills at

many passages)

Many editions feature fold-out pages to avoid page turns

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CONCERT ARIAS

Concert Arias for Soprano

edited by Franz Beyer (19992002)with Cadenzas by Juliane Banse

Edition for Soprano and Piano

Piano Reductions by Franz Beyer, Wolfgang Amadeus

Mozart, Christian Rudolf Riedel and Julius Rietz

Volume 1

Conservati fedele K. 23

Cara, se le mie pene K.6 deest

A Berenice Sol nascente K. 70 (61c)

Per piet, bell idol mio K. 78 (73b)

Fra cento affanni K. 88 (73c)

Oh, temerario Arbace! Per quel paterno amplesso

K. 79 (73d)Misero me! Misero pargoletto K. 77 (73e)

Se ardire e speranza K. 82 (73o)

Se tutti i mali miei K. 83 (73p)

Non caro laffetto K. 74b

Der Liebe himmlisches Gefhl K. 119 (382h)

EB 8671

Volume 2

Ridente la calma K. 152 (210a)

Ah! spiegarti, oh Dio K. 178 (417c)

Voi avete un cor fedele K. 217

Ah, lo previdi! Ah, tinvola Deh, non varcar K. 272Alcandro, lo confesso Non s donde viene K. 294

Basta, vincesti Ah non lasciarmi, no K.486a (295a)

Popoli di Tessaglia! Io non chiedo, eterni Dei

K. 316 (400h)

Ma che vi fece, o stelle Sperai vicino il lido K. 368

Misera! dove son Ah! non son io che parlo K. 369

A questo seno deh vieni Or che il cielo a me ti rende

K. 374

Nehmt meinen Dank, ihr holden Gnner! K. 383

Mia speranza adorata! Ah non sai qual pena sia K. 416

EB 8672

Volume 3

Vorrei spiegarvi, oh Dio! K. 418

No, che non sei capace K. 419

Chio mi scordi di te? Non temer, amato bene K. 505

Bella mia fiamma, addio Resta, oh cara K. 528

Ah se in ciel, benigne stelle K. 548

Al desio di chi tadora K. 577

Alma grande e nobil core K. 578

Un moto di gioia K. 579

Schon lacht der holde Frhling K. 580

Chi s, chi s, qual sia K. 582

Vado, ma dove? oh Dei! K. 583

EB 8673

Includes many first editions In-depth prefaces provide historical and musical backgroand information

Information on vocal performance practice and a list of contemporary instructional works Complete aria texts in German and English translations

Suggestions by distinguished Mozart interpreters for cadenzas, lead-ins and embellishments

Concert Arias for Tenor

Va, dal furor portata K. 21 (19c)Or che il dover Tali e cotanti sono K. 36 (33i)

Si mostra la sorte K. 209

Con ossequio, con rispetto K. 210

Clarice cara mia sposa K. 256

Se al labbro mio non credi K. 295

Per piet, non ricercate K. 420

Misero! O sogno Aura, che intorno spiri K. 431 (425b)

Msst ich auch durch tausend Drachen K. 435 (416b)

Dove mai trovar quel ciglio?, aus K. 430 (424a)

Non temer, amato bene, aus K. 490

edited by Franz Beyer (2005)

Cadenzas and Lead-ins by Christoph PrgardienEdition for Tenor and Piano

Piano Reductions by Franz Beyer, Christian Rudolf Riedel

and Julius Rietz

EB 8778

Concert Arias for BassIo ti lascio, oh cara, addio K. Anh. 245 (621a)

Cosi dunque tradisci Aspri rimorsi atroci K. 432 (421a)

Mnner suchen stets zu naschen K. 433 (416c)

Alcandro lo confesso Non s donde viene K. 512

Mentre ti lascio, oh figlia K. 513Ich mchte wohl der Kaiser sein K. 539

Un bacio di mano K. 541

Rivolgete a lui lo sguardo K. 584

Per questa bella mano K. 612

edited by Franz Beyer (2008)

with Embellishments by Robert Holl

Edition for Bass and Piano

Piano Reductions by Franz Beyer and

Christian Rudolf Riedel

EB 8798

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SOLO CONCERTOS

PIANO AND ORCHESTRA

Piano Concerto (No. 9) E flat major K. 271Jenamyedited by Cliff Eisen and Robert D. Levin (2001)

Score PB 5300

Orchestral parts OB 5300


Piano Reduction by Walter Heinz Bernstein,

Cadenzas by Cliff Eisen and Robert D. Levin

EB 8640

Piano Concerto (No. 17) G major K. 453edited by Stephan Hrner (2008)

Cadenzas by Wolfgang Amadeus MozartScore PB 15108




HN 765 EB 10765


Score PB 15106



Piano Reduction, Fingering and Cadenzasby Andrs Schiff

HN 766 EB 10766


Cadenza by Wolfgang Amadeus Mozart

Score PB 15107




HN 767 EB 10767

Piano Concerto (No. 25) C major K. 503edited by Ernst Herttrich (2011)

Score PB 15123



Piano Reduction, Fingering and Cadenzas

by Andrs Schiff

HN 825 EB 10825

New source evaluation gives more weight to the

first edition of 1797

VIOLIN AND ORCHESTR A

All who purchase these editions can rest assuredthat they have acquired the most authentic

musical texts by Mozart available.

(Acta Mozartiana)

Violin Concerto (No. 3) G major K. 216edited by Cliff Eisen (2002)

Score PB 5369





EB 8737

Violin Concerto (No. 4) D major K. 218edited by Cliff Eisen (2003)

Score PB 5370





EB 8738

Violin Concerto (No. 5) A major K. 219edited by Cliff Eisen (2004)

Score PB 5371





EB 8739

VIOLIN, VIOL A AND ORCHESTR ASinfonia concertante E flat major K. 364 (320d)edited by Wolf-Dieter Seiffert (2006)

Cadenzas by Wolfgang Amadeus MozartScore PB 15102


Edition for Violin, Viola and Klavier


Fingering and Bowing by Frank Peter Zimmermann

and Tabea Zimmermann

HN 798 EB 10798

First correct source evaluation gives rise to a great

quantity of improvements

Urtext material coordinated for performance practice:Score with Critical Report and clearly marked editorial additions Orchestral parts with clearly presented musical text, without ifs or buts Piano reductions made in collaboration with leading Mozart performers

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SOLO CONCERTOS

FLUTE AND ORCHESTRA

Andante C major K. 315 (285e)edited by Henrik Wiese (2005)

Score PB 15101





HN 675 EB 10785

Flute Concerto G major K. 313 (285c)edited by Henrik Wiese (2006)

Score PB 5295

Orchestral parts OB 5295Edition for Flute and Piano



EB 8644

Includes a facsimile of the solo part of the first edition

Includes cadenzas from the earliest handwritten

sources

Flute Concerto D major K. 314 (285c)edited by Henrik Wiese (2009)

Score PB 5308





EB 8047

Urtext material coordinated for performance practice:Score with Critical Report and clearly marked editorial additions

Orchestral parts with clearly presented musical text, without ifs or buts Piano reductions made in collaboration with leading Mozart performers

OBOE AND ORCHESTRA

Oboe Concerto C major K. 314 (285d)edited by Henrik Wiese (2009)

Score PB 5309


Edition for Oboe and Piano



EB 8048

BASSOON AND ORCHESTRA

Bassoon Concerto B flat major K. 191 (186e)edited by Ernst Herttrich (2006)Score PB 15103


Edition for Bassoon and Piano



HN 801 EB 10801

HORN AND ORCHESTRAHorn Concerto E flat major K. 370b+371

edited by Robert D. Levin (2003)Score PB 5357



Piano Reduction by Christian Rudolf Riedel,

Cadenzas and Lead-ins by Robert D. Levin

EB 8697

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SYMPHONIES

Urtext material coordinated for performance practice:Score with Critical Report and clearly marked editorial additions Orchestral parts with clearly presented musical text, without ifs or buts In the Critical Report, highlighting of major differences between earlier editions through bold type

Symphony (No. 13) F major K. 112

edited by Cliff Eisen (2002)Score PB 5372


Symphony (No. 35) D major K. 385 Hafneredited by Henrik Wiese (2013)

Score PB 5373


First edition that allows the performance of all three

versions of the Hafner Music:

Serenade with the March K. 408/2 (385a), as

performed in the summer of 1782 for the ennoblement

of Sigmund Hafner Four-movement symphony without flutes and

clarinets, as in the first printing of 1785

Four-movement symphony with the flute and clarinet

parts added by Mozart (Symphony K. 385)

Symphony (No. 38) D major K. 504 Prague

edited by Cliff Eisen (2002)Score PB 5254


Symphony (No. 39) E flat major K. 543edited by Cliff Eisen (2011)

Score PB 5296


The musical text closely follows Mozarts manuscript,

and the idiosyncratic grouping of beams and stems

was generally maintained. With the aid of sparse

but plausible interventions, Eisen demonstrates his

scholarly expertise, especially with respect to thecontroversial articulation markings.

(neue musikzeitung)

Symphony (No. 41) C major K. 551 Jupiteredited by Cliff Eisen (2006)

Score PB 5292


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STUDY SCORES

Musical text of the performance-practical Urtext editions in reduced dimensions (for study) Critical Reports available for downloading (pdf files) on the Internet

PIANO MUSIC

Piano PiecesNew Edition, revised by Ullrich Scheideler (2006)

HN 9022

Piano TriosNew Edition, revised by Ernst Herttrich (2006)

HN 9247

CHAMBER MUSICClarinet Quintet A major K. 581and Fragment K. Anh. 91 (516c)edited by Henrik Wiese (2005)

HN 9769

Divertimenti for 2 Oboes, 2 Hornsand 2 Bassoonsedited by Felix Loy (2013)

HN 7191

Divertimento K. 525A Little Night Musicedited by Wolf-Dieter Seiffert (2010)

HN 7005

Gran Partita B flat major K. 361 (370a)edited by Henrik Wiese (2005)

HN 9809

Horn Quintet E flat major K. 407 (386c)edited by Henrik Wiese

and Norbert Mllemann (2010)

HN 9826

Oboe Quartet F major K. 370 (368b)edited by Ernst Herttrich (2005)

HN 9794

Piano Quintet E flat major K. 452 Harmonica Quintet K. 617edited by Wolf-Dieter Seiffert

and Henrik Wiese (2000/2001)

HN 9665

Serenade E flat major K. 375 for Wind Sextetedited by Henrik Wiese (2005)

HN 9795

Serenade E flat major K. 375 for Wind Octetedited by Henrik Wiese (2005)

HN 9796

Serenade c minor K. 388 (384a)

for Wind Octetedited by Henrik Wiese (2005) HN 9797

String Quintets Iedited by Wolf-Dieter Seiffert (2008)

HN 9777

String Quintets IIedited by Wolf-Dieter Seiffert (2006)

HN 9778

String Quintets IIIedited by Wolf-Dieter Seiffert (2010)

HN 9779

SOLO CONCERTOSAndante C major K. 315 (285e)for Flute and Orchestraedited by Henrik Wiese (2000)

PB 15104

Bassoon Concerto B flat major

K. 191 (186e)edited by Ernst Herttrich (2006)

PB 15105


PB 15110


PB 15111

Sinfonia concertante E flat major K. 364for Violin, Viola and Orchestraedited by Wolf-Dieter Seiffert (2006)

PB 15109

SYMPHONIESSymphony (No. 38) D major K. 504 Pragueedited by Cliff Eisen (2002)

PB 5513

Symphony (No. 41) C major K. 551Jupiteredited by Cliff Eisen (2006)

PB 5298

8/10/2019 Mozart21 e Kl

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16

CONTENTS

PIANO MUSIC 4

Piano soloPiano Four-hands

SOLO INSTRUMENT AND PIANO 5Two Pianos Four-handsViolin and PianoViolin, Viola and PianoFlute and PianoFlute, Harp and PianoOboe and PianoClarinet and PianoBassoon and Piano

Horn and Piano

CHAMBER MUSIC 9

CONCERT ARIAS 11

SOLO CONCERTOS 12Piano and OrchestraViolin and OrchestraViolin, Viola and OrchestraFlute and OrchestraOboe and Orchestra

Bassoon and OrchestraHorn and Orchestra

SYMPHONIES 14

STUDY SCORES 15Piano MusicChamber MusicSolo ConcertosSymphonies

available through

This brochure is a joint production of the independent

music publishers Breitkopf & Hrtel, Wiesbaden, andG. Henle Verlag, Munich. It features the complete Mozart

Urtext editions of both publishers released since 2000.

Some of these editions were made as coproductions

between the two firms.

Breitkopf editions are marked in red and Henle in blue .

Publication date: 1 March 2013.

Breitkopf & Hrtel and G. Henle Verlag regularly issue

new Urtext editions of Mozarts works. Keep yourself

informed and up-to-date about the valid retail prices

as well by consulting the joint website in English

and German:www.mozart21.com

Or scan the QR code to visit directly our website:

Order Number:

99 00128 00 (Breitkopf), E-019 (Henle)

Photos: Astrid Karger, Saarbrcken, and Emile Ducke,

Munich (page 2)

Layout: Marion Schrder, Wiesbaden

Printed in Germany 3/13

mozart21 e kl

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