moroso at home 2
DESCRIPTION
Moroso Italy CatalogTRANSCRIPT
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N. 02ANNO 2014MOROSOITALY
at homewww.moroso.it
moroso
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www.moroso.it
N. 02-
AT
HOME
Anno-
2014
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004-
Gentry
009-
Fjord
012-
Fishbone
020-
Gentry
030-
Byobu
038-
Net Tables
042-
Biknit
054-
Impossible Wood
058-
Terreria
064-
Take A Line For A Walk
068-
Little Albert
071-
Bull
074-
Moon Chair
089-
Banjooli
092-
Shadowy
098-
Misfits
100-
Witch Chair
107-
3 Nuns
110-
Z-Shelf
116-
Memory
124-
Bikini Island
130-
Take A Line For A Walk
139-
Talma
144-
Heel
153-
Mathilda
158-
Wood Bikini
172-
M.A.S.S.A.S.
188-
Panna Chair
195-
Cloud
198-
Anomaly
203-
Blur
208-
Tv-Chair
212-
Coat
218-
Saruyama Island
229-
Highlands
230-
Tropicalia
238-
Lowland
246-
Tia Maria
256-
Mafalda
264-
Oasis
277-
Paper planes
283-
Technical Pages
299-
Contacts & Credits
At Home-
INDEX
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GENTRY-
by Patricia Urquiola
Gentilezza promossa a canone progettuale: un progetto nato dalla ricerca di una comodità misurata, contenitiva ma con un accenno di deformazione.
Finesse becomes part of the design canon: a project whose origins lie in the search for well-balanced comfort, restrained yet with a nod to exaggeration.
-Fabrics:
GE0626-GE0627: People for Gentry 1 A5621 - 115 / Tokyo 652 A1067GE0599: People for Gentry 4 A5225 - 115GE00D3: People for Gentry 4 A5224 - 115GE0C51: People for Gentry 4 A5222 - 115
GE0626 GE00D3
GE0627
GE0C51
GE0599
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FJORD-
by Patricia Urquiola
La forma spezzata, da concetto astratto, si trasforma in oggetto di design.
Its broken form and abstract concept together become anobject of design.
-Fabrics:
FJ03K: Oil Ciré Leather B0211, African fabric / Dark Brown Leather B0251, African fabricFJ017: Dark Brown Leather B0251, African fabric / Oil Ciré Leather B0211, African fabric
FJ214: Blush Ciré Leather B0218, Matrix 252 A7514 / Magic 831 A4883, Grass Ciré Leather B0216 / Chartreuse Ciré Leather B0214, Matrix 522 A7519
FJ03K
FJ077
FJ017FJ214
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FISHBONE-
by Patricia Urquiola
Fishbone interpreta in chiave contemporanea la tecnica dell’intarsio, esaltando le diverse finiture ed i diversi colori di
una resina acrilica decorativa.
Fishbone gives a modern reading to inlay technique thatenhances the various finishes and colours of the decorative
acrylic resin chosen.
FB0T37
FB0T40 FB0T39
FB0T38
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At Home-
www.moroso.it
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GENTRY-
by Patricia Urquiola
Gentilezza promossa a canone progettuale: un progetto nato dalla ricerca di una comodità misurata, contenitiva ma con un accenno di deformazione.
Finesse becomes part of the design canon: a project whose origins lie in the search for well-balanced comfort, restrained yet with a nod to exaggeration.
-Fabrics:
GE0626-GE0627: Tokyo 652 A1067GE0599: People for Gentry 4 A5225 - 115
GE0626 GE00D3
GE0627
GE0C51
GE0599
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At Home-
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BYOBU-
by Nendo
Un tavolino tondo ed uno rettangolare i cui piani sono sostenuti da un telaio quadrato che si piega come un
paravento giapponese, un byobu appunto.
One round table, and one rectangular table whose surfaces are supported by a square frame that bends like a “byobu”
Japanese screen.
BY0T34BY0T35
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NET TABLES-
by Benjamin Hubert
A seconda del punto di vista, lascia passare oppure blocca lo sguardo, appare leggero o massiccio, si confonde o si stacca
dal contesto.
Depending on the observer’s perspective it can either block the gaze or let it through, seem light or solid, blend into its surroundings or
stand out.
NE106INE106U
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BIKNIT-
by Patricia Urquiola
Un’estetica dilatata e intensa che trasforma l’intreccio in un segno visibile e spettacolare.
Exaggerated aesthetic which renders the knitted stitch spectacularly visible.
-Fabrics:
BG0698: Ash / ShineBG0001: Blur White-Yellow A7186 , Yellow Turquoise
BG0698BG0001
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At Home-
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IM00FV IM00FU
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IMPOSSIBLE WOOD-
by Nipa Doshi & Jonathan Levien
Un processo di re-invenzione concettuale, una struttura in legno curvato irrealizzabile se non tramite stampaggio a
iniezione in plastica.
A process of conceptual reinvention, a curved wooden framewhich would be impossible to produce if not through a elastic
injection moulding.
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TERRERIA-
by Archea Associati
La libreria è il raccoglitore della memoria: solitamente di legno, di metallo, di vetro, mai di terra. Terreria rende uno spazio contemporaneamente nuovo e antico, urbano e campestre. Un sistema aperto che, attraverso la flessibilità combinatoria dei moduli
permette di ottenere un disegno e un’immagine sempre diversa.
The bookcase is the holder of our memories and is most commonly made in wood, metal, or glass but never clay. Terreria creates a space which can be simultaneously new and old, urban and rustic. It is an open system, and the flexibility to assemble different combinations means
that no single design or look is ever quite the same.
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TAKE A LINE FOR A WALK-
by Alfredo Häberli
Un guscio avvolgente, comodo e protettivo, per appoggiare il capo, riposare o isolarsi dall’ambiente circostante.
A wraparound shell, which comforts and protects, a place to relax, rest your head, cut yourself off from the outside world.
-Fabrics:
TK00V6: Magia Ruggine Leather B0193TK0389: Talma Edgy Graphite A4366, Divina MD 343 A5861 / Canvas 244 A7279,
Waterborn 753 A0994 / Plot 853 A5680, Highfield 634 A7544 / Field 642 A7221, Divina MD 653 A5856 / Plot 423 A5660, Waterborn 363 A1020
TK00V6 TK0389 + TK0340
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LITTLE ALBERT-
by Ron Arad
Un movimento di continuità collega il divano Victoria & Albert alla poltroncina, segnando l’inizio di una nuova dimensione nel
contatto inedito con la matericità della plastica.
The chair, related to Victoria & Albert in the continuous movement of its lines, marks the dawn of new modes of interaction in the
innovative physicality of the plastic.
VA161
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BULL-
by Tomek Rygalik
Bull è uno sgabello di forte carattere; realizzato in acciaio verniciato, ha due gambe e un elemento di intersezione che
funge sia da poggiapiedi che da supporto posteriore.
Bull is a stool with resolute character. Built in painted steel, it has two legs and an intersecting element that serves both as footrest
and provides support for the back.
BU1020
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MOON CHAIR-
by Tokujin Yoshioka
Il linguaggio universale della bellezza: linee fluide restituiscono al profilo un’evanescenza materica che assorbe e
diffonde una luce tenue e rarefatta.
The universal language of beauty: flowing lines give the chair a profile which seems evanescent rather than solid, absorbing and
diffusing a faint, refined glow.
MU0042
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BANJOOLI-
by Sebastian Herkner
La forma della sedia, è ispirata alla danza nuziale che il maschio dello struzzo – banjooli in lingua wolof – esegue per
corteggiare la femmina, allargando le ali per esaltarnela bellezza.
The shape of the chair is inspired by the mating dance of male ostriches –banjooli in the Wolof language- who stretch out their
wings to show off their beauty to the female.
BJ0001
BJ0061
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SHADOWY-
by Tord Boontje
Le sedute da spiaggia anni ’20, tipiche del mare del nord Europa, sono rese contemporanee dai pattern colorati, digitalizzati e realizzati da maestri artigiani africani,
intrecciando coloratissimi fili di plastica.
1920s northern European seaside chairs brought up to date with digitally designed colour patterns woven by master craftsmen in
Africa using brightly coloured plastic yarns.
SW001
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At Home-
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MISFITS-
by Ron Arad
Il designer modella, scava, taglia, si sostituisce alla forza della natura. L’intenzione è quella di creare un insieme di sedute componibili; la condotta però è libera.
Ogni singolo modulo è indipendente; nell’accostamento, deliberatamente, non c’è ricercata la corrispondenza.
The designer models, hollows, and cuts, doing all Nature’s work. The intention is to create a modular seating system, but free choice is allowed. Each piece can stand alone or in
combinations; any matching effect achieved is unintended.
-Fabrics:
MF270-271-272-273-274-275: Divina 3 623 A0867 - 111
MF275
MF272
MF271MF270
MF274
MF273
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WITCH CHAIR-
by Tord Boontje
Tord Boontje mette in scena una fiaba gotica vittoriana, un sogno delicato e inquietante al tempo stesso, intervenendo
come un mago, creando un mondo dalle atmosfere ammalianti e noir.
Tord Boontje stages a gothic Victorian fairytale, a delicate yet unsettling dream, manipulating the scene like a wizard, create a
dark world with an enchanting atmosphere.
-Fabrics:
TB132: Black Magic Class Leather B0250, Divina 3 623 A0867 - 111
TB132
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At Home-
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3 NUNS-
by Ron Arad
Semplici ed essenziali bande in acciaio temprato, fissate tra loro con dei bulloni a farfalla, sfruttano l’elasticità e la
naturale plasticità del metallo per conferire resistenza e flessibilità alla seduta.
Simple, unadorned strips of tempered steel fixed together using wing bolts exploit the elasticity and malleability of metal to create
a resilient and flexible stool.
NU0020
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Z-SHELF-
by Ron Arad
Un foglio di metallo tagliato e piegato, essenziale, privo di qualunque elemento decorativo. Il valore è nella
composizione, nella libertà di accostamento. L’esito è una griglia interrotta, spezzata da continui tagli che ne
allegeriscono la percezione.
A cut and folded sheet of metal, bare, free from decoration.It distinguishes itself in composition, in the freedom of combination. The result is an incomplete grille, broken up by cuts which lighten
the perception.
ZF002S ZF002T
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MEMORY-
by Tokujin Yoshioka
Un oggetto delicato e alterabile, dotato di un’estetica flessibile e mutante, dove l’importanza del gesto costruttivo istituisce
un legame fisico nel momento stesso dell’uso.
An object which is delicate and can be changed, and whose appearance is flexible and shifting. The creative act thus forms a
physical connection with the moment of use.
MM0061
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BIKINI ISLAND-
by Werner Aisslinger
Progettare le relazioni, disegnare traiettorie per appropriarsi degli spazi che l’attualità dispone. Bikini è un paesaggio
figlio del tempo e della società che lo esprime. Aree d’attesa, ambiente domestico, flessibilità componitiva.
Designing interactions, trajectories to take over the space available. Bikini is a landscape which is a child of its times and the society
it represents. Whether used in waiting areas or homes, the seating system is absolutely flexible.
DAYBED MODULE
SEATING MODULE
SEATING MODULE
DAYBED MODULESINGLE TABLE
SINGLE SEATING MODULE
SEATING MODULE
SCREEN MODULE
SEATING MODULE
STORAGE COVERED MODULEPLANT BOX
STORAGE COVERED MODULESHELF
SEATING MODULE
BACKREST MODULE
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TAKE A LINE FOR A WALK-
by Alfredo Häberli
Un guscio avvolgente, comodo e protettivo, per appoggiare il capo, riposare o isolarsi dall’ambiente circostante.
A wraparound shell, which comforts and protects, a place to relax, rest your head, cut yourself off from the outside world.
-Fabrics:
TK00V6: Magia Ruggine Leather B0193TK0389: Talma Edgy Graphite A4366, Divina MD 343 A5861 / Canvas 244 A7279,
Waterborn 753 A0994 / Plot 853 A5680, Highfield 634 A7544 / Field 642 A7221, Divina MD 653 A5856 / Plot 423 A5660, Waterborn 363 A1020
TK00V6 TK0389 + TK0340
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TALMA-
by Benjamin Hubert
L’idea è semplice: avvolgere una struttura metallica con un mantello imbottito e trasformarla in qualcosa d’altro.
Il rivestimento diventa abito.
The idea is simple: cover a metal frame with a padded overcoat and turn it into something else. The upholstery becomes clothing.
-Fabrics:
TA1061: Talma Edgy Graphite A4366 / Talma Edgy Linen A4369
TA1061
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HEEL-
by Nendo
Heel mantiene la memoria di una rottura accettata, di una manomissione nella continuità lineare del telaio.
Heel carries the trace of an accepted fracture, an interruption of the frame’s continuous line.
HE1475
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MATHILDA-
by Patricia Urquiola
Un oggetto d’uso quotidiano, una forma conosciuta acquisita dalla memoria collettiva, della quale porta l’aspetto familiare.
An everyday object, an easily recognized shape from our collective memory, that is why it feels familiar.
MA305T
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WOOD BIKINI-
by Werner Aisslinger
Una sedia per il ristorante Bikini di Berlino che diventa anche la sedia per il tavolo da pranzo o per l’Home office.
This chair designed for Berlin’s Bikini restuarant fits equally well at your own dining table or home office.
-Fabrics:
WB002A: Blur White-Black A7187 / Divina MD 813 A5852
WB002BWB002A
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M.A.S.S.A.S.-
by Patricia Urquiola
Moroso Asymmetric Sofa System Adorably Stitched: un sistema componibile dove ogni elemento mantiene
indipendente il carattere, per funzione e presenza scultorea, come perfettamente descritto nell’acronimo del nome.
The Moroso Asymmetric Sofa System Adorably Stitched is a modular system in which each component keeps its own distinctive character in both use and sculptural feel, as is amply described in
the acronym of the name.
-Fabrics:
MA1A20: Canvas 614 A7296 - 117MA1A10: Remix 2 682 A5941 - 117
MA1C30: Land 721 A7440MA1061: Units 3 Uniforms A7391 - 120MA1001: Units 3 Uniforms A7390 - 120
MA1A20
MA1A10
MA1C30
MA1061
MA1001
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PANNA CHAIR-
by Tokujin Yoshioka
Il nome, il materiale, le cuciture, le goffrature, la morbidezza, lo spessore, il colore sono messaggi che comunicano l’anima
della poltrona, il senso appropriato che riesce a donare.
The name, material, stitching, embossing, softness, thickness and colour all tell the soul of the armchair and the properly sense which
it communicates.
-Fabrics:
PC0001: People for Gentry 3 A5234 - 115 / People for Gentry 3 A5231 - 115
PC0001
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CLOUD-
by Nendo
L’ispirazione nasce dall’osservazione delle nuvole, dal loro rincorrersi e accavallarsi e dall’alternarsi della loro
ombra proiettata sulla terra. Tre tavoli da disporre in libere composizioni, da sovrapporre, accostare.
Inspiration is drawn from the clouds, from the way they chase and overtake one another, their shadows following one after the other on the ground. Three tables to be arranged as you please, next to or on
top of one another.
CL0T62CL0T61 CL0T60
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ANOMALY-
by Front
Creature dall’identità delicatamente inquietante, docili e innocue. Presenze domestiche amabili quanto inattese, trasfigurazione fantastica di un mondo fiabesco, talvolta
surreale, che riunisce in un solo oggetto la funzione pratica e quella emotiva del gioco.
Creatures which are slightly unsettling yet docile and harmless. Household creatures which are as lovable as they are surprising, a transfiguration from a fairytale, almost surreal, world which
combines in one object practicality and playful excitement.
AN1017
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BLUR-
by Marc Thorpe
Blur è uno studio sull’invisibilità architettonica. Un’alterazione della densità che rende incerta la percezione delle reali dimensioni di scala, strategia dell’invisibilità resa
possibile grazie all’utilizzo di una particolare tecnicadi tessitura.
Blur is a study in architectural invisibility. By using a change in density the observer’s perception of the true size of the piece becomes uncertain, a device for invisibility made possible by a
particular fabric production technique.
-Fabrics:
BL1001: Blur White-Yellow A7186BL1018: Blur White-Black A7187
BL1001 BL1018
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TV-CHAIR-
by Marc Newson
Il nome rievoca un passato non ancora remoto; Il mondo non si osserva dalla sedia, ma attraverso di essa, come fosse essa
stessa un monitor.
The name evokes a not yet remote past. The world is not observed from the chair but through it, as if it were a screen.
-Fabrics:
TW0050: Blur White-Yellow A7186 / Blur White-Black A7187 / Divina 3 922 A0872
TW0050
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COAT-
by Sebastian Herkner
Poltrone pratiche e prive di sostegni, poggiate saldamente a terra; l’imbottitura è manto rimovibile soffice che avvolge e veste la seduta.
Practical chairs without feet that sit firmly on the floor; the padded upholstery is a soft removable coat that envelops and clothes the seat.
-Fabrics:
CO0001: Remix 823 A4140, Hallingdal 166 A5639 / Steelcut Trio 515 A5542, Willow 542 A4014 - 116
CO0001
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SARUYAMA
ISLAND-
by Toshiyuki Kita
Saruyama Islands, mini-strutture abitabili che ampliano l’orizzonte delle sue possibili configurazioni spaziali.
Un arcipelago di isole colorate e indipendenti composto da piccole sedute e chaise longue.
Saruyama Islands: mini-structures fit for habitation that expand the horizon of the spatial configurations possible.
An archipelago of colourful separate islands composed of small seats and chaise longue.
-Fabrics:
S40078: Divina 3 676 A0933S40001: Divina 3 826 A0875 / Divina 3 793 A0913
S40214-S40076: Divina 3 793 A0913
S40078
S40001 S40214 S40076
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HIGHLANDS-
by Patricia Urquiola
L’elemento centrale di Highlands è il movimento, la possibile verticalità connaturata alle caratteristiche dei braccioli e degli
schienali. Due possibili posizioni, un movimento sinuoso.
The central theme of Highlands is movement, the innate potential for verticality of the backrest and armrests. Two possible positions,
movement which is never mechanical.
-Fabrics:
HL0013-HL0012 : People for Gentry 4 A5226 - 115
HL0013 HL0012
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TROPICALIA-
by Patricia Urquiola
La struttura è in tubolare di acciaio; l’intreccio è giocoso con la plastica dei cordoncini lavorata a due o tre colori, raffinato
se monocromatico, elegante con il cuoio.
The structure is in stainless steel tube; the weave of the strings in two or three colours is playful; the single-colour look is refined;
elegance is added by leather.
TR0459 TR0461
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LOWLAND-
by Patricia Urquiola
Un divano, un paesaggio variabile costituito da forme elementari in rapporto dinamico l’una con l’altra;
componibilità con prospettiva orizzontale.
A sofa, a changing landscape made from elemental shapeswhich dynamically interact with one another;
flexible horizontal compositions.
-Fabrics:
LL0CA3: Hot 542 A3937
LL0CA3
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TIA MARIA-
by Enrico Franzolini
Il nome, citazione di un liquore caraibico a base di caffè e rhum, svela la doppia identità, l’allusione al gioco dei contrari.
Postura formale e informale, simmetria e asimmetria dei braccioli, linearità e sinuosità del telaio.
The name, taken from the Caribbean liqueur made from coffee and rum, is about double identity, an allusion to a game of opposites.
Posture which is both formal and informal, the symmetry and asymmetry of the armrests, the angularity and curvaceousness of
the frame.
-Fabrics:
TI00FA: Reserve Cioccolato Leather B0275TI00FC: Reserve Cioccolato Leather B0275 / Blush Ciré Leather B0218
TI00FC TI00FA
SIDETABLELOWTABLE
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MAFALDA-
by Patricia Urquiola
Mafalda reinterpreta la morfologia delle sedute in legno con una nuova visione dell’imbottito che, in contrasto con la
geometria del legno, da vita ad una scocca dal designmorbido e “ondulato”.
Mafalda re-reads the shape of the wooden chair and takes a new look at upholstery, which in juxtaposition with the geometry of the
wood enlivens the frame with a gently curving design.
-Fabrics:
MA2061: Europost Welded W40 4063 63072 A4414MA2050: Europost Welded W40 4063 62061
MA2061MA2050
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OASIS-
by Atelier Oï
La linea del telaio, come il tratto di una scrittura, rivela un esercizio concettuale che trasforma il gesto in ripetizione e un’idea di composizione in un sistema articolato e coerente.
The outline of the frame, like handwriting, reveals a conceptual exercise where the penstroke is repeated and the notion of composition becomes a complete, coherent seating system.
-Fabrics:
OA007B: Blur Acquatic/Orange A7191OA007D: Blur Prune/Walnut A7190
OA007B OA007D
OA007GOA007F
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PAPER PLANES-
by Nipa Doshi & Jonathan Levien
Una seduta da lettura avvolgente e confortevole, resistente ma nel contempo leggera, sospesa come a sconfiggere la gravità.
Comfortable and welcoming seating which is both durable and light, and seemingly gravity-defying.
-Fabrics:
PP0368: Hallingdal 65-840 A5640, Tan Ciré Leather B0213 / Hallingdal 65-407 A5630, Bone White Leather B0212
PP0366: Jacquard Coral Pink / Jacquard Mauve
PP0368PP0366
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At Home-
TECHNICAL INFO
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3 NunsAnomalyBanjooli
BasksBikini Island
BiknitBlurBull
ByobuCapitello
CloudCoatDew
Fergana Fishbone
FjordGentry
HeelHighlands
Impossible woodKub
LowlandM’Afrique collection
MafaldaMark tableM.A.S.S.A.S.
MathildaMemoryMisfitsMoon
Net tableOasis
Panna chairPaper planes
PhoenixRipple chair
RogerSaruyama Island
Shanghai Tip Spring collection
Take a line for a walkTalma
TerreriaTia MariaTropicaliaTv chair
Victoria and AlbertWitch chairWood Bikini
Z-shelf
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At Home-
CONTACTS & CREDITS
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Moroso spavia Nazionale, 60
33010 Cavalicco/Udine/Italy T +39 0432 577 111F +39 0432 570 761
[email protected] www.moroso.it
Moroso Showroom MilanoVia Pontaccio 8/1020121 Milano/ItalyT +39 02 7201 6336F +39 02 7200 6684
Moroso Usaand Showroom in New York
146 Greene StreetNew York/NY 10012/USA
T +1 800 7056 863F +1 212 334 7223
Moroso Ltdand Showroom in London
7-15 Rosebery AvenueLondon EC1R 4SP
T +44 (0)20 3328 3560F +44 (0)20 7278 [email protected]
Moroso Showroom in KölnDesign Post
Deutz-Mülheimer-Straße 22AD-50679 Köln/Germany
T +49 221 690 650F +49 221 690 65 100
Moroso Showroom in AmsterdamCruquiusweg, 109 R1019 AG Amsterdam
The NetherlandsT +31 (0)20 694 64 00F +31 (0)20 463 53 45
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art directionMarco Viola
photographyAlessandro Paderni
(Studio Eye)
graphic designMarco Viola Studio
layoutAndrea Battello
(Marco Viola Studio)
color separationLucegroup
printed in Italy byChinchio Industria Grafica Srl
paintings byby Abdou Salam Gaye
photographic artworkby Touré Mandémory
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www.moroso.it