moog modular 15 - ziggomembers.ziggo.nl/eajwust/publiek/moogmodular15appuserguide.pdf · the moog...

28-05-2016

MOOGMODEL15APPLICATIONVersion1.0.2

USERGUIDE

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INTRODUCTIONANDHISTORY...................................................................................................................................4

MODULARSYNTHESISOVERVIEW..................................................................................................................4

ABRIEFHISTORYOFTHEMOOGMODEL15..............................................................................................5

INSTALLATIONNOTES....................................................................................................................................................6

COMPATIBLEIOSDEVICES..................................................................................................................................6

SETUPNOTES.............................................................................................................................................................6

NAVIGATINGTHEMOOGMODEL15.........................................................................................................................7

THEFRONTPANEL..................................................................................................................................................7

PINCHZOOMANDPANGESTURES..................................................................................................................7

MODULEZOOM.........................................................................................................................................................7

TURNINGAKNOB....................................................................................................................................................7

FLIPPINGASWITCH................................................................................................................................................8

PUSHINGABUTTON...............................................................................................................................................8

CREATING&CONNECTINGPATCHCABLES................................................................................................8

NAVIGATINGNOTES...............................................................................................................................................9

USINGTHETOPBARTABS..........................................................................................................................................10

BANK&PRESETINFORMATION.....................................................................................................................10

TEMPO.........................................................................................................................................................................10

UNDO&REDO..........................................................................................................................................................10

STORE..........................................................................................................................................................................10

SETTINGS...................................................................................................................................................................11

BATTERY....................................................................................................................................................................11

CHOOSINGACONTROLLERFROMTHESIDEBAR............................................................................................12

KEYS[KEYBOARD].................................................................................................................................................12

ANIMOOG...................................................................................................................................................................14

ARP(ARPEGGIATOR)...........................................................................................................................................16

RIBBON.......................................................................................................................................................................20

PRESETS...............................................................................................................................................................................22

OVERVIEW.................................................................................................................................................................22

SELECTING&PLAYINGPRESETS...................................................................................................................22

WORKINGWITHPRESETS.................................................................................................................................23

SETTINGS.............................................................................................................................................................................25

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OVERVIEW.................................................................................................................................................................25

AUDIO..........................................................................................................................................................................25

INTERFACE................................................................................................................................................................26

KNOBS.........................................................................................................................................................................26

CONTROLLERS.........................................................................................................................................................26

MIDI..............................................................................................................................................................................27

SHARE..........................................................................................................................................................................30

SCALES........................................................................................................................................................................31

MANUAL.....................................................................................................................................................................31

ABOUT.........................................................................................................................................................................31

MODULES.............................................................................................................................................................................32

CONTROLPANELCP-15B...................................................................................................................................32

OSCILLATORS(VCOS)...........................................................................................................................................35

FILTERS......................................................................................................................................................................37

AMPLIFIERS..............................................................................................................................................................39

911ENVELOPEGENERATORS.........................................................................................................................40

ATTENUATORS........................................................................................................................................................40

AUDIOBRIDGE&MIDIBRIDGE.......................................................................................................................41

DELAYEFFECTMODULE....................................................................................................................................43

RECORDERMODULE.............................................................................................................................................43

SHARINGDATAWITHOTHERUSERS.....................................................................................................................46

IMPORTINGSHAREDDATA...............................................................................................................................47

KEYBOARDCOMMANDS...............................................................................................................................................48

NOTECOMMANDS.................................................................................................................................................49

SUPPORT..............................................................................................................................................................................51

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INTRODUCTIONANDHISTORYTheModel15isadigitalrecreationoftheMoogModel15AnalogModularSynthesizer.AsaniOSApp,theModel15enhancestheoriginalfunctionalitywithpowerfulnewfeatures,including:

• Programmability• Four-VoicePolyphony• Ping-PongDelayModule• ArpeggiatorModule• Realtime,overdubbingrecorder• AbletonLinkcompatibility• Uploadingandsharingofdata• ExtensiveMIDIsupport

InadditiontothetraditionalMoog952keyboardandanon-screenrecreationoftheoriginalMoogModel1150RibbonController,theModel15alsoincludesanewiterationoftheAnimoogkeyboardforextendedperformanceexpressionpossibilities.

TheModel15isMIDIcompatible,andeachknobandswitchcanbeassignedaMIDICC#toallowforexternalcontrolfromanyMIDIdevice.MIDIBridgeallowsMIDIvaluestobesenttoandreceivedfromotherapps,whileAudioBridgeallowstheModel15tooperateasanInter-AppAudioinstrumentoreffectprocessor,capableofaddingdynamicfilteringtoatrackinanotherapplication,forexample.

MODULARSYNTHESISOVERVIEW

Longbeforetherewerekeyboardworkstations,samplers,digitalaudio,andgroove-boxes,themodularsynthesizerwastheinstrumentthatputelectronicaudiocreationonthemap.Asthenamesuggests,theseinstrumentswerecollectionofwell-chosenmodules.Eachtaskinthecreationofelectronicmusic(generatingasound,sculptingthetone,controllingthevolume,etc.)requiredaspecific,dedicatedmodule.Groupsofmodules(Oscillators,Filters,EnvelopeGenerators,etc.)couldbeinstalledintoasinglecabinetsharingastablepowersupplytocreateasynthesizersystemsuchastheoriginalMoogModel15.Withnearlynoexistingorpre-wiredphysicalconnectionbetweeneachmodule,externalpatchcableswereusedtoallowaudio,control,andtriggersignalstomovefreelyfrommoduletomodule.ThisabilitytohaveonemoduledeliveraControlVoltage(CV)signaltoanothermoduleisthefoundationoftheVoltageControlledsynthesizer,includingVoltageControlledOscillators(VCOs),VoltageControlledFilters(VCFs),andVoltageControlledAmplifiers(VCAs).Theonlypre-wiredexceptionweretheedge-connectorsusedtoconnecttheoriginal921AOscillatorDrivertothetwo921BOscillators.Inrecentyears,theemergenceoftheEurorackformatandthepopularityofcompactsemi-modularhardwareinstruments(includingtheMoogMother-32)haveusheredinarenaissanceintheopen-endeddesignofthemodularsynthesizer.

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ABRIEFHISTORYOFTHEMOOGMODEL15

In1973,Moogreleasedanumberofmodularsynthesizersystemsdesignedformaximumversatilityandequippedwiththelatest921SeriesOscillators,whichwerehailedfortheirstabilitywhencomparedtotheoriginal901Series.WhilethelargerSystem35andSystem55camehousedinafinishedwalnutcabinet,themuchmoreportableModel15featuredalatchingcoverforthecontrolpanel,andcamecladintheblackvinylwraptypicalofguitarampsandspeakercabinets.TheinnovativeModel15—alongwithitsmatching952keyboard—allowedfortwo-voiceoperation.TheModel15wentoutofproductionintheearly1980s,butwasreintroducedinahighly-limitedproductionof150piecesbyMoogin2015.Thefollowingyear—2016—sawtheintroductionofthisModel15App.

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INSTALLATIONNOTES

COMPATIBLEIOSDEVICES

TheMoogModel15requiresiOS9.3orhigherandhasbeendesignedtorunon64-bitdevicesonly:iPadPro,iPadAir,iPadMini2,iPodTouch6,andiPhone5Sornewer.ThedisplaywillautomaticallyadjusttomakethebestuseoftheavailablescreenspaceinbothPortraitandLandscapemodes.

SETUPNOTES

TheMoogModel15functionsasastandaloneapplication;youcanalsoaccessextendedfeaturesandconnectivitybyusingaMIDIand/oraudiointerfacewithyouriOSdevice.MIDI,Audio,andothersettingscanbeaccessedviatheSETTINGStab.TIP:ToachieveoptimumperformancewithyourModel15,disabletheWiFiconnectionoractivatetheAirplaneMode.PleasealsorefertotheMinimaliOSSignalProcessingoptionundertheSETTINGSsectionofthismanual.

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NAVIGATINGTHEMOOGMODEL15

THEFRONTPANEL

Thefrontpanelhasbeendesignedforintuitive,immediatecontrol.Takeafewminutestogetfamiliarwiththefeatures,functions,andoperationsdescribedinthissection.

PINCHZOOMANDPANGESTURES

Thetwo-fingeredpinchandstretchgesturewillallowyoutozoominandout,respectively,onthefrontpanel.Youcanalsousetwofingerstopanaroundandnavigatethefrontpanelforfocusonspecificcontrols.

TIP:Thesepangesturescanbe“flicked”tomovewithgreateragility.

MODULEZOOM

Double-taponanindividualmodule—usingasinglefinger—tozoominoroutonthatparticularmodule.

NOTE:Besuretotaponanemptyareaofthemodule;tappingonaknob,switch,orpatchpointmaycauseavaluechangeorinitiateanewpatchcable.

TURNINGAKNOB

Toturnaknob,touchtheknobandslideyourfingerupanddown,orleftandright,tochangethevalue.ThisisthedefaultLinearmode.

NOTE:IntheSettingssection,underConfiguration/Knobs,youcanchoosetheCircularmode,wheretouchingtheknobandmovingyourfingerarounditinanarcwillchangethevalue.

• KNOBS–TOOLTIPS

Youcanseethecurrentvalueofanyknoborswitchbyholdingyourfingeronit.ThevaluewillappearinplaceoftheBankandPresetinformationintheTopBar.

NOTE:YoucanturnoffTooltipsbygoingtotheSettings>Configuration>KnobsMenuanddeselectingTOOLTIPS.

• PRECISECONTROLUSINGASECONDFINGER

Whenturningaknob,placeasecondfingeronthescreentoadjustthevaluewithafinerresolution.Itmaybeeasiertouseasecondfingerfromyourotherhand.

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• RESTORINGAKNOBTOITSORIGINALVALUE

Double-tapanyknobtorestoreittoitsoriginallysavedvalue.

FLIPPINGASWITCH

Tochangethesettingofanyswitch,tapitwithyourfinger.Youcanalsoswipetheswitchwithasinglefinger.

PUSHINGABUTTON

Tochangethesettingofanyswitch,tapitwithyourfinger.Youcanalsoswipetheswitchwithasinglefinger.

CREATING&CONNECTINGPATCHCABLES

Patchcablesservethreefunctions:

AudioJack

Carryingaudiosignalsfrommoduletomodule.

ControlJack

Carryingcontrolsignals(alsoknownasControlVoltages)frommoduleto

module.

TriggerJack

Carryinggate/triggersignalsfrommoduleto

module.

Inaddition,patchcablescanbecolorcodedtohelpkeeptrackofyourpatching.Ifyouarenewtomodularsynthesis,don’tworry,theModel15makesiteasytousepatchcablescorrectly.

• MAKINGACONNECTION

Beginbytouchingajackanddraggingyourfingerslightly.Apatchcablewillappearconnectedtothejack.Nowslideyourfingertoanewjackandliftyourfingertoconnectthecable.Onlythejackseligibleforthispatchcablewillbehighlighted;everythingelsewillbegrayedout.

TIP:Whenpatching,youcanuseasecondfingertonavigatethefrontpanelatthesametime.

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Youcanalsodouble-tapajacktoinitiateapatchcable,andthendouble-tapthedestinationjacktocompletethepatch.Onceyouhavestartedapatchcableinthismanner,youcanuseeasilypanaroundthefrontpanel.

• CABLECOLORSELECTION

Patchcablesappearwiththecolorrandomlyselected,butyoucanalsoselectthecablecoloryourself.Todothis,touchandholdajackanddragyourfingerslightly;amulti-colorarcwillappeararoundthetopofyourfinger.Chooseacolorforyourpatchcablebydraggingittooneofthecoloredareasandholdingitthereuntilthenewcolorisselected;thendragyourcabletothedestinationjack.

• CHANGINGAPATCHCABLECONNECTION

Onceyouhavecreatedapatchcableconnection,youcaneasilychangewhichjacksitconnectsto;justplaceyourfingeroneitherendofthepatchcableandslideittoaneweligiblejack.

• DISCONNECTINGAPATCHCABLE

Todisconnectapatchcable,toucheitherendofthecable,dragitawayfromthejacktoanemptyarea,andliftyourfingeroffthedisplay.Thepatchcablewilldisappear.

• MAKINGTHEPATCHCABLETRANSLUCENT

Atwo-fingereddouble-taponthescreenwillmakeallofthepatchcablestranslucentforeasierviewingofandaccesstothefrontpanel.Thesameactionwillreturnthepatchcablestotheiroriginalstate.

NAVIGATINGNOTES

CertainiOSfeatureswillinterferewithModel15navigationandperformancetools.Usethetipsbelowtoavoidanyconflicts.

• DISABLINGCONTROLCENTERACCESSWITHINAPPS

TopreventtheiOSControlCenterfromopeningduringaperformance,gotoSETTINGSonyouriOSdevice,selectCONTROLCENTERanddisableAccessWithinApps.

• DISABLINGMULTITASKINGGESTURES

Topreventfourandfive-fingermultitaskingconflictswithiOS,gotoSETTINGSonyouriOSdevice,selectGENERAL,selectMULTITASKINGandthendisabletheGesturessetting.

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USINGTHETOPBARTABS

BANK&PRESETINFORMATION

ThisTabdisplaysthenameofthecurrentPreset,andtheBankthatthePresetisassignedto.The◄and►buttonsallowyoutoquicklymovebetweenPresetswithinthecurrentBank.

TEMPO

CertainfeaturesoftheModel15App(Delay,Arp,etc.)aretempodependent.

ThecurrenttempoisdisplayedinBPM(BeatsPerMinute).Tochangethetempo,touchtheBPMvalueandslideyourfingerleftorrighttoeditthevalue.YoucanalsorepeatedlytaptheconcentriccirclestotherightoftheBPMtosetthetempothroughTap-Tempo.

NOTE:Byslidingupordown,youcansetthetempousingafinerresolution.

TIP:TappingtheBPMnumberwillopenthelargerBPMandTap-Tempodisplay.Tapping

UNDO&REDO

PressingtheUNDObuttonwillundothemostrecentchangetoasound.Pressingitagainwillundothechangemadebeforethat,andso-on.

TheREDObuttonwillundotheeffectofanUndooperation.

NOTE:YoucanperformmanyUndoandRedooperations,however,UndoandRedohistoryislimitedbyyourdevice’savailablememory.

WARNING:TheUndoandRedohistoryisclearedeachtimetheModel15Appisre-launched

STORE

PressingtheSTOREbuttonallowsyoutoviewtheavailablePresetlibrarypacks.

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SETTINGS

TheMoogModel15Appprovidesaccesstoanumberoffeaturesandsettingsforoptimalperformanceandsystemintegration.TolearnmoreabouttheMoogModel15settings,visittheSETTINGSsectionofthismanual.

BATTERY

ThisicondisplaysthecurrentbatterylevelofyourAppledevice.

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CHOOSINGACONTROLLERFROMTHESIDEBAR

TheSideBarbuttonsaccessthevariousmethodsavailableforplayingyourModel15App.

NOTE:YourModel15canalsobeplayedfromanexternalMIDIkeyboardorcontroller.

Tappingoneofthesebuttonswillopenthecontrollerwindowinthelowerportionofthescreen.Tappingthebuttonasecondtimewillclosethecontroller.Youcanalsoswipe-leftfromtherightscreenedgeofacontrollertohideit,andswipe-rightfromtheleftscreenedgetoshowit.

KEYS[KEYBOARD]

ThisbuttonwillopenaclassicMoog952-stylekeyboardwithaddedfunctions.

• KEYS&KEYAREA

Notallkeyscanbedisplayedatthesametime,sodirectlyabovethekeyboardisascrollbarwithsliderforselectingthekeyboard’splayablearea.Touchanddragthesliderleftorrighttoadjustyourplayingrange.Youcanalsotapeithersideofthescrollbartomovetheslideroneoctaveatatime.

• PITCHWHEEL

UndertheCONTROLLEROUTPUTSsection,therearethreePITCHoutputsthatallowyoutosendinformation(voltage)fromthePITCHwheeltoanycontrolvoltageinputjackyouchoose.ThePITCHwheelinformation(voltage)isautomaticallyaddedto

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thepitchoftheModel15921AOscillatorDriverwhentheCONTROLSTOOSCILLATORSswitchisOn.

• MODULATIONWHEEL

UndertheCONTROLLEROUTPUTSsection,therearethreeMODULATIONoutputsthatallowyoutosendinformation(voltage)fromtheMODwheeltoanycontrolvoltageinputjackyouchoose.

• VELOCITY

Thelocationwhereyouinitiallytouchakey(fromthefrontedgetotheback)willdeterminethevelocityofthenoteplayed.UndertheCONTROLLEROUTPUTSsection,therearethreeVELOCITYoutputsthatallowyoutosendtheVELOCITYoutputsignal(voltage)toanycontrolvoltageinputjackyouchoose.

• AFTERTOUCH

Slidingyourfingerfurtherbackonakeywilldeterminetheamountofpressureappliedtoanote.UndertheCONTROLLEROUTPUTSsection,therearethreeAFTERTOUCHoutputsthatallowyoutosendtheAFTERTOUCHoutputsignal(voltage)toanycontrolvoltageinputjackyouchoose.

NOTE:Activatingthe[VERTICALSLIDESASMODULATION]featureunderSETTINGS>CONFIGURATION>CONTROLLERScausesthismotiontoinsteadbesentoutoftheMODULATIONControllerOutputs.

TIP:iOSuserswith3DTouchequippeddevicescanuse3DTouchasAftertouch.Toenablethisfunctionality,gototheModel15SETTINGS>CONFIGURATION>CONTROLLERS.Thisfeatureisnotvisibleondevicesthatdonotsupport3DTouch.

TIP2:iOSdevicesthatsupporttheApplePencilcanuseitspressurecapabilitiesasAftertouch.Thisdoesn'tneedtobeenabledinthesettings.

• VOLUME

TheVOLUMEknobonthekeyboardwillcontroltheoverallvolumeoftheModel15.ThiscontrolisfortheaudioTrunkLines.

NOTE:Thiscontrolallowsyoutosaturatetheoutputoftheinstrument—whichmayormaynotbedesired.

• GLIDE

Glideprovidesacontinuouschangeinpitchbetweennotes.TheGLIDEknobcontrolsthetimingoftheglideeffect.OntheModel15,thetimingisrelative.Thismeansthatitwilltakelongertoglidetoapitchfurtherawaythantoglidetoanearbypitch.

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• HOLD

WhenOn,theHOLDswitchcausesnotestocontinuetosoundevenafteryou’veremovedyourfingersfromthekeyboard.ThisisusefulfordronesandworkingwiththeArpeggiator.

• ARP(ARPEGGIATOR)

TheARPSwitchactivatestheArpeggiator,playingthroughthenotesinarhythmicpatterndeterminedbythecurrentArpeggiatorsettings.

ANIMOOG

TheAnimoogkeyboardaddsaseriesofexpressiveplayingfeaturestotheModel15firstintroducedintheAnimoogApp,includingcustomscales,pitchcorrectionforbendingnotes,andpolyphoniclegato.

• KEYS&KEYAREA

Notallkeyscanbedisplayedatthesametime,sodirectlyabovethekeyboardisascrollbarwithsliderforselectingthekeyboard’splayablearea.Touchanddragthesliderleftorrighttoadjustyourplayingrange.Youcanalsotouchanddrageitherendoftheslidertoadjustkeyspacing.

TIP:Tapeithersideofthescrollbartoshiftthekeyboardupordownoneoctaveatatime.

• PITCHWHEEL

UndertheCONTROLLEROUTPUTSsection,therearethreePITCHoutputsthatallowyoutosendinformation(voltage)fromthePITCHwheeltoanycontrolvoltageinputjackyouchoose.ThePITCHwheelinformation(voltage)isautomaticallyaddedto

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thepitchoftheModel15921AOscillatorDriverwhentheCONTROLSTOOSCILLATORswitchisOn.

• MODULATIONWHEEL

UndertheCONTROLLEROUTPUTSsection,therearethreeMODULATIONoutputsthatallowyoutosendinformation(voltage)fromtheMODwheeltoanycontrolvoltageinputjackyouchoose.

• CORRECTIONKNOB[CORR.]

TheAnimoogkeyscansensetheside-to-sidemotionofyourfingertiponthekey.TheCorrectionknobdetermineshowmuchpitchvariationcanoccuronasinglekeybeforetriggeringanewnote.Italsodefinesthesmoothnessbetweennoteswhenslidingafingerfromonekeytoanother.

• VELOCITY

Thelocationwhereyouinitiallytouchakey(fromthefrontedgetotheback)willdeterminethevelocityofthenoteplayed.UndertheCONTROLLEROUTPUTSsection,therearethreeVELOCITYoutputsthatallowyoutosendtheVelocityoutputsignal(voltage)toanycontrolvoltageinputjackyouchoose.

• AFTERTOUCH

Slidingyourfingerfurtherbackonakeywillincreasetheamountofpressureappliedtoanote.UndertheCONTROLLEROUTPUTSsection,therearethreeAFTERTOUCHoutputsthatallowyoutosendtheAftertouchoutputsignal(voltage)toanycontrolvoltageinputjackyouchoose.

NOTE:Activatingthe[VERTICALSLIDESASMODULATION]featureunderSETTINGS>CONFIGURATION>CONTROLLERScausesthismotiontoinsteadbesentoutoftheMODULATIONControllerOutputs.

TIP:iOSuserswith3DTouchequippeddevicescanuse3DTouchasAftertouch.Toenablethisfunctionality,gototheModel15SETTINGS>CONFIGURATION>CONTROLLERS.Thisfeatureisnotvisibleondevicesthatdonotsupport3DTouch.

TIP2:iOSdevicesthatsupporttheApplePencilcanuseitspressurecapabilitiesasAftertouch.Thisdoesn'tneedtobeenabledinthesettings.

• VOLUME

TheVOLUMEknobonthekeyboardwillcontroltheoverallvolumeoftheModel15.ThiscontrolisfortheaudioTRUNKLINES.

NOTE:Thiscontrolallowsyoutosaturatetheoutputoftheinstrument—whichmayormaynotbedesired.

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• GLIDE

Glideprovidesacontinuouschangeinpitchbetweennotes.TheGLIDEknobcontrolsthetimingoftheglideeffect.OntheModel15,thetimingisrelative.Thismeansthatitwilltakelongertoglidetoapitchfurtherawaythantoglidetoanearbypitch.

• KBSCALE

TheAnimoogkeyboardallowsyoutochoosefromanumberofscalesandthenplaytheminanykey.PressingtheKBSCALEbuttontogglestheSCALESpagewheretheSCALEandROOTNOTEcanbeselected.IndividualnotesinascalecanbeturnedOnorOffhereaswell.

• HOLD

WhenOn,theHOLDswitchcausesnotestocontinuetosoundevenafteryou’veremovedyourfingersfromthekeyboard.ThisisusefulfordronesandworkingwiththeArpeggiator.

• ARP(ARPEGGIATOR)

TheARPSwitchactivatestheArpeggiator,playingthroughthenotesinarhythmicpatterndeterminedbythecurrentArpeggiatorsettings.

ARP(ARPEGGIATOR)

AnArpeggiatorisawayofautomaticallyplayingthenotesheldonakeyboardinarhythmicpattern.PatternscanbesavedandloadedindependentlyfromaPreset,sothatyoucanusethesamepatternwithdifferentsounds.

Touchthe[+/-]boxtoopenorclosetheadditionalARPparameters.

TIP:TheArpiteratesthroughallvoiceswhentheModel15isinPolyphonicmode.ThiscausespatternstosoundverydifferentfromMonophonicmode.Experimentwithboth.

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• MASTERCONTROLS

TheMastercontrolsfortheArpincludeanOn/Offswitch,aLATCHbutton,aRETRIGGERbutton,andtheMasterGATELENGTHknob.

ON/OFFSWITCH

YoucanturntheArpeggiatorOnorOffusingthisswitchwhichreplicatesthefunctionoftheARPOn/OffswitchfoundontheKeyboardandAnimoogcontrollers.

LATCHBUTTON

TheLATCHbuttonprovidesaseparatefunctionfromtheHOLDswitchonthecontroller.WhentheHOLDswitchisengaged,eachnewnotewillbecontinuallyaddedtothepattern.Bycontrast,theLATCHbuttonwillalsoallowyoutoaddnewnotestothepattern,butwillresetthenotesinthepatternonceyouhaveremovedallfingersfromthecontrollerandtoucheditonceagain.Thismakesitsimpletoarpeggiatechangingchords.

RETRIGGERBUTTON

Normally,theArpeggiatorwillcontinuetocyclethroughtheentirelengthoftheArpPattern(seePatternLengthbelow).WhentheRETRIGGERbuttonisOn,theArpPatternwillresettothefirststepifplayanewnoteafterfirstremovingallyourfingersfromthecontroller.

GATELENGTHKNOB

TheMasterGATELENGTHknobdeterminesthearticulation,ornotelength,ofeachstep.SettingtheGATELENGTHtoalowervaluewillcreateamorestaccatoeffect;settingtheGATELENGTHtoaveryhighvaluewillcreatealegatotransition,preventingenvelopesfrombeingre-triggered.

• LOAD

TappingtheLoadiconwillopenalistofavailableArpeggiatorpatterns.Tapthenameofapatterntoloadit.TapoutsidetheLoadDialogueboxorpressDONEtocancel.SwipingleftonanyArpeggiopatternrevealsthreeicons:

SHARE/SEND

TaptosharetheselectedArpeggiowithotherusersviaAirdrop,Mail,Message,etc.

EDIT/RENAME

TaptoeditorrenametheselectedArpeggio.

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DELETE

TaptodeletetheselectedArpeggio.IfyouaccidentallydeleteanArpeggio,simplypressUNDOtorestoreit.

• SAVE

TappingtheSaveiconwillallowyoutonameandsaveacurrentArpeggio.Onceyouarefinished,taptoSAVEorCANCELtheoperation.

• LOCK

TappingtheLockiconwillretainthecurrentArpeggiatorsettingsasyoumovefromPresettoPreset.

• PATTERNLENGTH

TappingthePATTERNLENGTHboxwillallowyoutoselectthenumberofsteps(1-8)yourArpeggiatorwillproduce.

• OCTAVERANGE

TappingtheOCTAVERANGEboxwillallowyoutoselectthenumberofoctavesyourArpeggiatorwillplayaboveorbelowaheldnote.OctaveRanges:0,0..1,0..1..2,0..1..2..3and-1..

• STEPSIZE

TappingtheSTEPSIZEboxwillallowyoutodeterminewhichdivisionofthemasterTempo(BPM)theArpeggiatorwilluse.StepSizes:1/4.,1/4,1/8.,1/4T,1/8,1/16.,1/8T,1/16,1/16Tand1/32

• DIRECTION

TappingtheDIRECTIONboxwillallowyoutoselectthedirectioninwhichheldnotesareplayedbackbythearpeggiator.

DirectionOptions:UP,DOWN,UP/DOWN,UP/DOWN2,DOWN/UP,DOWN/UP2,andRANDOM.

NOTE:WhenUP/DOWN2orDOWN/UP2isselected,thenotesattheextremeendsofthepatternarerepeatedasthepatternchangesdirection.Forexample,holdingdownC,E,F,andGonthekeyboardwithUP/DOWN2selectedwillplaythenotesas:CEFGGFECCEetc.

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• VELOCITYMODE

TappingtheVELOCITYMODEboxallowsyoutospecifyavelocitylevelforeachnoteinapattern.Thevelocitylevelforindividualnotescanbepreserved(EACHNOTE),ortheoverallVelocityofallnotescanbedeterminedbyoneofthefollowing;

• FIRSTNOTEorLASTNOTEplayed.• MAXIMUM,MINIMUMorAVERAGEvelocityofallnotesplayed.• ZEROVelocity(VelocityisbasedonlyontheArpeggiator’sVELOCITYOFFSET

knobpositions)• RANDOMVelocity(UsefulcreatingSample&Hold-likeeffects.)

• SORTORDER

TappingtheSORTORDERboxallowsyoutospecifytheorderinwhichheldnotesareplayedbytheArpeggiator.TheArpeggiatorcansortnotesintheorderthattheywereplayed(orthereverseorder);fromthelowestnotetothehighestnote(orfromhightolow);andbythevelocityatwhicheachkeywasplayed—eitherfromlowestvelocitytothehighest,orfromthehighestvelocitytothelowest.

• INDIVIDUALSTEPCONTROLS

Inordertoachievegreaterrhythmicdiversity,eachstepintheArpeggiatormaybeindividuallyturnedOnorOff.Presstheindividualstepbuttontochangeitsstatus.Onlyilluminatedstepswillsound.

• GATEOFFSET

TheIndividualGATEOFFSETknobscaneitherlengthenorshortenthenote-lengthofeachstepinapattern.TheoffsetisbasedonthepositionofMasterGATELENGTHcontrolknob.

• VELOCITYOFFSET

TheIndividualVELOCITYknobsallowspecificnotestobeplayedmorestronglyormoresoftlyinrelationtoothernotesinthepattern.

TIP:PatchingoutofaVELOCITYCONTROLLEROUTPUTintoaCONTROLINPUTonthe904FILTERwillallowyoutoadjustthepositionoftheCutoffwiththeArpeggiatorper-step.

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RIBBON

ThisisarecreationofavintageMoogModel1150RibbonController.Unlikeatraditionalkeyboardwithdiscreetpitches,aRibbonismoreakintoafretlessbass,providingaplayingsurfacethatcanswoopandslidebetweenpitches.

NOTE:The1150RibbonistheonlyModel15controllerthatMUSTbepatchedinordertowork.

• PATCHINGINTHERIBBONFORUSE

TousetheRibbonasabasiccontrollerinapreset,simplycreateapatchcableattheMAINRIBBONoutputintheCONTROLLEROUTPUTSsectionandconnectittotheControlinputofanymodule.ThemostcommonaretheFrequencyinputofthe921AandtheControlInputsonthe904A.

• ON/OFFSWITCH

TheControlVoltagesectionoftheRibboncontrollerisactivatedbytheOn/Offswitchattheleftendoftheplayingsurface.TheTriggerstripoftheRibboncontrollerisalwaysactive.

• PLAYINGTHERIBBON

TouchtheTriggerstripinthemiddleofthe1150controllertogenerateasound(triggersignal).WhileholdingtheTriggerstrip,takeanotherfingerandslideitleftorrightontheribbonitselftochangethepitch(oroutputvoltage)oftheRibboncontroller.

NOTE:Whenmultiplefingersareheldontheribbon,thefingerfurthesttotherighttakespriority.

• SWITCH1/2

Switchposition1isthewidesetting,providingapitchrangeofovertenoctaves.Switchposition2isthenarrowsetting,whichprovides25%oftherangeavailablewhenusingsetting1.

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• AUXCONTROL

ThissliderprovidesasecondcontinuouslyvariablecontrolvoltagesignalthatismadeavailableforpatchingattheRIBBONAUXoutputintheCONTROLLEROUTPUTSsection.

NOTE:WhentheMainRibbonorAuxControllerisreleased,eachcanretainitscurrentvalue,orresettozero.Tosetthisbehavior,gotoSETTINGS>CONFIGURATION>CONTROLLERS.

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PRESETS

OVERVIEW

TheModel15canquicklychangesoundswithouttheneedtore-patchanycablesorchangeanyknobsettings.ThereareanumberofPresetsavailabletogetyoustarted.EachPresetcanbeeditedtoyourliking,oryoucancreatenewsoundsfromscratch.

SELECTING&PLAYINGPRESETS

BeginbytappingtheBANK/PRESETTab.

AwindowwillopenwiththecurrentCategoryandPresethighlighted.ScrollthroughthelistofBanksandtaponanyonetoexploreitsavailablePresets.TaponanyPresettoselectit.Youcanalsousethe◄and►buttonstostepthroughthePresetsinthecurrentBank.TouchtheXicontoexit.

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WORKINGWITHPRESETS

OnceyouhavetappedtheBank/PresetTabtoopenthePresetWindow,fourbuttonswillappear.

• NEWPRESET

Pressthisbuttontoopenablank,un-patchedpresetforcreatingyourowncustomsounds.Ifyouareuncomfortablestartingfromthebeginning,youcanalsotweakandcustomizeanyexistingsoundtomakeitallyourown.

• SAVEPRESET

BeforesavingaPreset,youmustfirstselecttheBankwhereyouwanttosaveit;thenpresstheSAVEPRESETbutton.ThiswillpromptyoutogiveyourPresetaname.Onceyouarefinished,pressSavetosaveyourPreset,oryoucanchoosetoCancel.

• DELETEPRESET

ThiscommandwillerasethecurrentlyselectedPreset.Ifyouaccidentallydeleteapreset,simplypressUNDO.

• SWIPELEFTCOMMANDS

SwipingleftonanyPresetorBankwillrevealthreeicons:

• Share/Send:ChoosingthisoptionallowsyoutosharetheselectedPresetorBankwithyourfriendsorotherusersviaAirdrop,Mail,Message,etc.

• Edit/Rename:ChoosethisoptiontorenametheselectedPresetorBank.• Delete:SelectthisoptiontodeletetheselectedPresetorBank.Ifyou

accidentallydeleteaPresetorBank,simplypressUNDOtorestoreit.

• MOVINGPRESETS

Pressandholdthenameofapresettomoveit;youcanthendragittoanewlocationwithinthecurrentBank,ordraganddropittoanewBankaltogether.

• NEWBANK

PressthisbuttontocreateanewpresetBank.YouwillbepromptedtogiveyournewBankaname.Onceyouarefinished,pressSavetocreatetheBank,orpressCanceltoendtheoperation.

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• PRESETDESCRIPTIONS&NOTES

PressthisboxtotogglebetweentheBank/PresetTabandthePresetDescriptionarea.Hereyoucanfindnotesfrompresetdesignersabouthowtouseapreset,ortricksusedinthedesignofasound.YoucanalsoenteryourownnotesbytouchingthePresetDescriptionbox.

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SETTINGS

OVERVIEW

TaptheSETTINGStabintheTopBartoopentheSettingsmenu.Here,youcansetglobalparametersfortheModel15includingAudioandMIDIsettings,knobcontrolpreferences,manual,tutorials,andmore.TaptheXtoexittheSETTINGSTab.

AUDIO

YoumayneedtoadjusttheseparametersinorderforyourModel15toworkwithotheraudioequipmentortoachievepeakperformance.

• BACKGROUNDAUDIO

WhenOn,theModel15willcontinuetomakesound,andconsumebatterypowerwhileitisrunninginthebackground.

• RECORDERBEEP

WhenusingtheRECORDERmodule,thisfeaturewillproduceanaudiblebeeponeachbeatoftheinitialrecording.Afour-countwillbeheardbeforerecordingbegins.

NOTE:Thereisnobeepwhenrecordingoverdubs.

• MINIMALIOSSIGNALPROCESSING

ThisoptionimprovestheaudioqualityofyourModel15byminimizingtheamountofsignalprocessinginthehostdevice,suchastheautomaticgaincontrol(AGC).ThismaycausetheApptosoundmuchquieteronyourdevice.

NOTE:ThissettingisalsoknownasMeasurementModeinotheriOSapplications.

• ECOMODE

UsingtheECOMODEreducestheCPUloadandimprovesbatterylifebyonlyprocessingthemodulesthatareactiveinthecurrentPreset.WithEcomodeoff,theModel15generatesaconstantCPUloadandavoidsiOSlags.

NOTE:WhenintheECOMODE,switchingfromaPresetwithfewactivemodulestoanewPresetwithmanyactivemodules,theCPUmaytakeamomenttocomeuptospeed,andaudiocracklingmayoccurbriefly.

• ABLETONLINKDISABLE/ENABLE

AbletonLinkallowstheModel15tomatchtheBeatandTempoofAbletonLiveorotherAbletonLinkenabledapps.AbletonLinkenabledprogramscanadjustthe

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tempoononedevice,andtheotherlinkedapplicationswillfollow.Playerscandropout,stoptheirperformance,restartandfallbackin—andstillbeinsync.

INTERFACE

ThesecommandsdeterminehowyouandyourModel15willinteract.

• CABLEMOTION

Whenselected,thepatchcableswillmoveslightlyasyouriOSdeviceismoved.Whenthisfeatureisnotselected,thecableswillremainstaticatalltimes.

• LEFTHANDED

SelectingLEFTHANDEDoperationmovestheSideBarnavigationandcontrollertabsfromtherightedgeofthescreentotheleftedgeofthescreen.Thismodealsoreversestheswipetoshow/hidebehaviorforallcontrollers.

KNOBS

ThissectionallowsyoutospecifyhowknobsontheModel15behave,andwhatinformationisdisplayedwhenaknoborswitchistouched.

• TOOLTIPS

WhenTooltipsisactivated,operatinganyknoborswitchcausestheparameternameandvaluetobedisplayedmomentarilyintheBank/PresetTab.

• LINEAR

InLINEARmode(default),thevalueofaknobischangedbytouchingitanddraggingyourfingerupanddownorleftandright.

• CIRCULAR

InCIRCULARmode,thevalueofaknobischangedbytouchingitanddraggingyourfingeraroundtheknobinacircularmotion.

CONTROLLERS

ThesefunctionsdeterminethebehavioroftheModel1150RibbonControllerandtheAnimoogkeyboard.

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• RIBBONMAINRETURNSTOZERO

Whenselected,thevalueoftheRibbonControllerwillreturntozerowhenreleased.Whennotselected,theRibbonControllerwilllatchtoitslastheldvalueaftertheribbonisreleased.

• RIBBONAUXRETURNSTOZERO

Whenselected,thevalueoftheAuxRibbonControllerwillreturntozerowhenreleased.Whennotselected,theAuxRibbonControllerwilllatchtoitslastheldvalueaftertheribbonisreleased.

• VERTICALSLIDESASMODULATION

Whenthisfeatureisactive,movingyourfingerverticallyonakeyproducesacontrolvoltage,availableviatheMODULATIONjacksinCONTROLLEROUTPUTS.

• 3DTOUCHASAFTERTOUCH

3DTouch-equippediOSdevicescanuse3DTouchtocreateanaftertouchsignal.ThiscanfreeuptheVerticalSlidesmotionforsendingothermodulationinformation.

NOTE:Thisoptionisonlyvisibleat3DTouchenableddevices.

MIDI

InadditiontosimpletaskssuchasMIDIchannelselection,advancedMIDICCmappingprovidesextensivereal-timecontrolofvariousModel15featuresandcontrols.

• MIDIINPUT

TheINPUTCHANNELTaballowsyoutosettheMIDIinputchannelforyourModel15.YoucanalsoselecttheMIDIdevice(s)beingusedtocontrolitinthewindowbelowit.InOMNImode,theModel15willrespondtoallincomingMIDIchannelsatonce.InMPEmode,theModel15willproperlyreceiveper-notepitchbend,pressureandmodulationsignalsfromadvancedMIDIVoice-Per-Channelcontrollers.

• MIDIOUTPUT

TheOUTPUTCHANNELTaballowsyoutosettheMIDIoutputchannelfortheModel15.YoucanalsospecifywhichMIDIdevice(s)theModel15willcommunicatewithinthewindowbelowit.

• PANIC!

Pressthisbuttontoinstantlysendan“AllNotesOff”commandoneveryMIDIchanneltoclearanyringingnotesorhungcommandsinyourMIDIsetup.

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• BLUETOOTHMIDI

SelectingthisoptionwillinitiateasearchforavailableBluetoothMIDIdevices.Whenlocated,availabledeviceswillappearintheMIDIINPUTandOUTPUTlist.

• PITCHBEND

TheamountofPitchBendRangeupordownisspecifiedhere.Thiscanbesavedasaglobalvalue,orrecalledper-Preset.

TIP:WhenoperatingtheModel15fromaVoice-Per-Channelcontroller,itisimportanttohavethePitchBendrangeoftheModel15setequaltothePitchBendrangeofthecontrollerformusicalapplicationssuchaspolyphonicGlissandi,etc.

RANGE

TapthePitchBendRANGEbox,andscrollupordowntospecifyaGlobalPitchBendvalue.

LOADFROMPRESET

WhensettoOn,thePitchBendRANGEglobalvalueisignored,andthePitchBendvaluesavedwiththeactivePresetwillbeusedinstead.WhensettoOff,theGlobalPitchBendValueisusedforeveryPreset.

• SENDNOTES

Bydefault,MIDInotedataistransmittedwhentheModel15isinuse.Topreventnotedatafrombeingtransmitted,simplyturnthisfeatureOff.AllotherMIDIdatawillbetransmittednormally.

• SENDPOLYPRESSURE,CHANNELPRESSURE,&KNOBS/SWITCHES

SelectinganyoftheseoptionsallowsyoutodeterminewhatMIDIdatatheModel15controllers,knobsandswitcheswilltransmit.

NOTE:Theseoptionsdonotaffecttheinternalsounds.

• CCMAPPING

MIDICCMappingisusefulwhenusingaMIDIcontrollertoplaytheModel15.BycreatingandsavingaMIDICC(ContinuousController)Map,youcanspecifywhichMIDICCnumberswillaffectwhichknobsandfeaturesontheModel15.ThesemapsarerecalledindependentlyofPresets.

MAPCC'S

SelectingthisoptionwillshowapanelmapofMIDICCassignments.IfnoMIDICCisassigned,thevaluedisplayedwillbe[--].TomakeaMIDICCassignment,tapaknob

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orswitch,andthenoperatethecorrespondingknoborswitchonyourMIDIcontroller.ThefirstMIDICCnumberthattheModel15detectswillbeassignedtothatparameter.Repeatthisprocessforotherknobsandswitches.TomanuallyenteraMIDICCwhileinthismode,double-tapanyknoborswitch.NowenteraMIDICCandpressSettoassigntheMIDICC.

NOTE:TheModel15needstoseetwoincomingMIDICCmessagestocorrectlydetect7-bitor14-bitMIDICCoperation.Theword“14-bit”willappearabovetheCCnumber;theLSBvaluewillbeequaltotheMIDICCnumber,andtheMSBvaluewillbe32numbershigher.TheMake14-bitoptionprovidescompatibilitywithdevicesusing14-bitMIDIcontrol.

SAVE/LOADCCMAP

TherearefiveoptionsavailableintheSAVE/LOADCCMAPmenu.

• Clear:TaptheClearbuttontoremoveallcurrentMIDICCassignments.• Load:ToLoadanexistingCCMap,selectitfromtheMIDICCMAPSlistandpress

Load.• Save:OnceyouhavemadeallofthenecessaryMIDICCassignments,tapSAVE.You

willbepromptedtonameyourCCMap.Onceyouarefinished,tapSavetosaveyourCCMap,orchooseCancel.

• Delete:PressDeletetoremovetheselectedMIDICCMAPfromthelist.• Cancel:ToExittheSAVE/LOADCCMAPpanelwithoutmakinganychanges,press

CANCEL.

TIP:IfyouselectaMIDICCMAPfromthelistandswipeleft,youcanchoose[Share/Send]{icon}tosharetheselectedCCMapwithotherusersviaAirdrop,Mail,

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Message,etc.;choose[Editicon]torenameyourMIDICCMap;orchoosetheDelete{icon}toremoveitfromthelist.

• BUILT-INMIDICCS

Model15hasanumberofMIDICCsthathavefixedbehaviors.ThesecanalsobeusedforMIDICCmapping,butwillalwayscontinuetotriggertheirbuilt-infunctionality.

Thistablelistallthebuilt-inMIDICCs.

ControlParameter MidiCC# CCValueRange

MODWHEEL 1[MSB],33[LSB] 0-127[MSB],0-16383[MSB,LSB]MIDIBridgeFrom/To1 16[MSB],48[LSB] 0-127[MSB],0-16383[MSB,LSB]MIDIBridgeFrom/To2 17[MSB],48[LSB] 0-127[MSB],0-16383[MSB,LSB]MIDIBridgeFrom/To3 18[MSB],48[LSB] 0-127[MSB],0-16383[MSB,LSB]MIDIBridgeFrom/To4 19[MSB],48[LSB] 0-127[MSB],0-16383[MSB,LSB]MIDIBridgeFrom/To5 20[MSB],48[LSB] 0-127[MSB],0-16383[MSB,LSB]MIDIBridgeFrom/To6 21[MSB],48[LSB] 0-127[MSB],0-16383[MSB,LSB]POLYLEGATONOTENUMBER 84 0-127

SHARE

TheparametersforsharingAudiodataarelocatedinthissection,aswellasthecommandsforsharingthecurrentlyactivedataintheModel15—whetherithasbeensavedornot.

• AUDIOTRANSFER

ThesesettingsaffecttheSharefeatureintheRecordermodule.WhenchoosingUSEAUDIOSHAREorUSEAUDIOCOPY,CDQUALITY(44.1kHz/16-bit)canbeselected.USEAUDIOSHAREalsoallowsyoutoselectHighestQuality.ThisoptionallowsAudioSharetousethecurrentlyactivesamplerateofthedevice.

• PRESETS

FromhereyoucansharePresetinformationviaAirdrop,Mail,iMessage,etc.

• ShareCurrentPatch:TaptosharethecurrentlyselectedPreset.• ShareCurrentBank:TaptosharethecurrentlyselectedBank.• ShareCurrentArpeggio:TaptosharethecurrentlyselectedArpeggio.• ShareCurrentCCMap:TaptosharethecurrentlyselectedMIDICCMap.

NOTE:Theinformationsharedhereisthecurrentdata,whethersavedornot.Forexample,ifyouloadaPresetandtweakthefilterabit,itwillbetheunsavedversionthatisshared.

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SCALES

TheAnimoogkeyboardcanbesettoplayinanyof22musicalscales,andinanymusicalkey.IndividualkeyscanbemutedorremovedfromanyscaletocreatecustomscalesthatcanbesavedaspartofaPreset.

• SCALE

Thereare22MusicalScalestochoosefrom.TapyourfingerontheScaleboxandscrolltoselectascalefromthelist.

• ROOTNOTE(KEY)

Anyofthe12musicalnotescanbechosenastheRootNoteforascale.TaptheRootNoteboxandselectaKeyfromthelist.

• LOCK

WhenOn,theScaleLockfunctionallowsyoutoretainthecurrentlyselectedSCALEandROOTNOTEwhenchangingPresets,regardlessoftheScalesavedwithinaPreset.

MANUAL

SelectthisoptiontoviewtheModel15MANUALandQUICKSTARTGUIDE.

ABOUT

SelectthisoptiontoviewthecurrentsoftwareversionandinformationregardingtheModel15App.

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MODULES

CONTROLPANELCP-15B

TheCP-15BControlpanelcontainsamodifiedversionoftheoriginalCP-15foundontheoriginalMoogModel15ModularSynthesizer.

• POWER

WhenyoulaunchtheModel15,theredlampindicatesthatthepowerisOn.TurnthepowerswitchtoOffifyouwishtotemporarilymutetheoutputoftheapplicationwithouthavingtochangeanyknobsorconnections

• TRUNKLINES

IntheModel15App,TrunkLinescarryaudiosignalsfromyourModel15totheaudiooutputofyouriOSdevice.

NOTE:TheDelayandRecordermodulearelocatedaftertheTrunkLineconnectionsintheaudiochain.

NOTE2:IfonlyoneTrunkLineisconnected,thesignalwillbesenttobothchannels.IfbothTrunkLinesareconnected,TrunkLine1willcarrytheLeftsignal,andTrunkLine2willcarrytheRightsignal.

• CONTROLSTOOSCILLATORS&CONTROLSTOENVELOPES

TheseswitcheshavebeenaddedtominimizepatchingbetweenakeyboardcontrollerandtheModel15itself.

ControlsToOscillator[Redswitch]:WhenOn,thisswitchpatchesthekeyboard’sPitchControlVoltageOutputtotheFrequencyControlInputofthe921AOscillatorDriver.Thisallowsboth921Boscillatorstobeplayedinpitchwithoutpatching.

ControlsToEnvelopes[Blueswitch]:WhenOn,thisswitchautomaticallypatchesthekeyboard’sTriggersignalsfromtheTRIGGEROutputsonthepaneltotheTriggerinputsonboth911EnvelopeGenerators.

Tobypasstheseinternalconnections,simplyturnthecorrespondingswitchtoOff.

NOTE:TheModel1150RibbonControllerdoesnotfeatureanyhard-wiredconnections,andmustbepatchedfromtheRIBBONMAINandRIBBONAUXCONTROLLEROUTPUTSinordertofunction

• CONTROLLEROUTPUTS

Traditionally,pressingakey(ortouchingtheribbon)onamodularsynthesizercreatesaControlVoltagethatcanbeusedtodeterminethepitchofanoteplayed,

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plusaTriggersignalthatcanbeusedtotriggerenvelopegenerators.ThissectionhasbeenupdatedtoprovideControlVoltageandTriggeroutputsfromtheKeyboard,AnimoogKeyboard,andRibboncontroller.Multipleoutputsareprovided,soyoucansendthesamecontrolsignaltomultiplelocations.

NOTE:FormoreinformationonhowtheMoogKeyboard,AnimoogKeyboard,andModel1150RibbonControllergeneratethevarioussignalslistedbelow,pleaserefertotheControllersSectionofthismanual.

• PITCHCONTROLVOLTAGE

ThesethreePITCHCONTROLVOLTAGEjackseachoutputaControlVoltagebasedonanoteheldonthekeyboard.ThisvoltagecanbeusedtocontrolthePitchofOscillators,oritcanbepatchedtoothermodules.Thisallowsthekeybeingplayedtoadjustthingssuchasfilterfrequency,rectangularwavepulse-width,andmore.Inaddition,threeTRIGGERjacksareprovidedwhichallowyoutotriggerenvelopeswhennewnotesareplayed.

• MODULATIONCONTROLVOLTAGE

WhilethePitchwheelispermanentlyassignedtoPitchBend,theModulationWheelcanbeusedtocontrolnearlyanymodule.ThesethreeMODULATIONjackseachoutputaControlVoltagebasedonthepositionoftheModWheel.Thissignalcanbeusedtoopenthefilter,changethedelaytime,orchangethespeedofamodulationoscillator,etc.

NOTE:IncomingMIDICC1messagesalsoappearhere.

• VELOCITYCONTROLVOLTAGE

ThesethreeVELOCITYjackseachoutputacontrolvoltagebasedonKeyVelocity.ThissignalcanbeusedtoaddemphasistotheVCAandVCF,ortochangeotherparametersincludingDELAYFEEDBACK,etc.

NOTE:IncomingMIDIVelocitymessagesalsoappearhere.

• AFTERTOUCHCONTROLVOLTAGE

ThesethreeAFTERTOUCHjackseachoutputaControlVoltagebasedonAftertouch(pressure).Dependingonthemodulethissignalispatchedto,Aftertouchcanbeusedtocontrolfilterbrightness,oscillatorpitch,etc.

NOTE:IncomingMIDIChannelAftertouchandPolyAftertouchmessagesalsoappearhere.

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• POLYPHONICSWITCH

TheoriginalModel15wasbyandlargeamonophonicinstrumentwithduophoniccapabilities.WiththePolyphonicswitchsettoOn,theModel15Applicationprovidesfour-voicepolyphony—essentiallyallowingyoutoplayfourModel15synthesizersfromonecontroller.WhensettoOff,theModel15performsmonophonically,justastheoriginal.

NOTE:Asinglevoiceplayedinmonophonicmodewillalwaysbelouderthananindividualvoiceplayedinpolyphonicmode.Inpolyphonicmode,allfourvoicesaresummedtogether,andthevolumeofeachindividualvoiceisloweredtopreventclippingoftheaudiosignal.

• RIBBONMAIN

TheRibbonControllerfeaturestwoindependentcontrollers.TheRibbonitselffeaturesacontinuousControlVoltageoutputdeterminedbyfingerpositiononthebeigecoloredupperstrip,andalightgreylowerstrip,whichsendsaTriggerwhenpressed.

• RIBBONAUX

TheRibbonControlleralsofeaturesanAUXCONTROLsliderthatsendsasecondControlVoltagesignalavailableattheRibbonAuxoutput.

NOTE:TheRibbonMainandRibbonAuxTriggeroutputarebothderivedfromthelowertriggerstripontheRibbonController

• MIXER

This4-channelMixercanbeusedwithaudioorcontrolsignals.Whenusingaudiosignals,themixercanbeplacedanywhereinthesignalchain.Mixingcontrolsignalsallowsyoutousedifferentlevelsofcontrolfrommultiplesourcestoprovideprecisecontrolofanymodule.Therearetwosetsofoutputs.Theprimaryoutputs[+]arenormal;thesecondset[–]isphasereversed,orinvertedby180degrees.

NOTE:ThegaincontrolsontheMixercanbeusedtooverdrivetheinputofthemixeritself,ortooverdriveothermoduleslikethe904AFilter.

• REVERSIBLEATTENUATOR

TheReversibleAttenuatorcandecreaseand/orphaseinvertsignallevel.Withtheknobatcenterposition,noattenuationisbeingprovided.Rightofcenter,attenuationisappliedtoasignalalluntiltheknobisplacedat+10.Leftofcenter,thephaseofasignalisreversedandattenuationisappliedtoasignaluntiltheknobisplacedat-10.

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• MULTIPLES

TwoclustersofMultiplejacksareprovided.Eachoneconsistsoffourjackswiredtogether.TheseMultiplesallowyoutoinsertasignalintoanyonejackandhaveitoutputattheotherthree.Inaddition,eachmultiplecanallowsignalstobe“summed”togetherintoone,althoughthereisnoindividualgaincontrolforeachinput.

TIP:UseaMultipletodoubleacontrolsignal,bysplittingitandthensendingittwicetothesamedestination.

OSCILLATORS(VCOS)

OscillatorsaretheprimarysoundsourceoftheModel15.Theoctaverange,semitone,andtuningcontrolswilldeterminethefrequencyoftheoscillator,whilethewaveformisresponsiblefortheoverallharmoniccontentoftheoscillatoroutput.Oscillatorscanalsobeusedasmodulationsources,especiallyforotheroscillators.

TIP:Changingthepulsewidth(duty-cycle)oftheRectangularwavefromnarrowtowidecandramaticallychangeitsharmoniccontent.Controlinputsallowthepulsewidthtobemodulatedbyacontrolsignal,creatingPWM(PulseWidthModulation)effects.

• 921OSCILLATOR

SCALESWITCH

TheScaleswitchdeterminestherangeoftheFrequencyknob.WiththeScaleswitchinthe[±6OCT.]position,theFrequencyknobsweepstheOscillator’spitch±6Octaves.Withtheswitchinthe[±12SEMI.]position,theFrequencyknobsweepstheOscillator’spitch±12Semitones.

COURSERANGESWITCH

ThisswitchselectsbetweenSUB-AUDIOandAUDIOsettings,makingthe921idealaseitheranaudiooscillator(VCO)oralow-frequencyoscillator(LFO).InadditiontotheFrequencyknobsetting,thepitchofthe921Oscillatorisfurthercontrolledbythesix-positionRangedial.

FREQUENCYCONTROLINPUTS

ControlsignalsconnectedtothesethreeinputswilldeterminethepitchoftheOscillatorinresponsetoakeybeingplayedorfromamodulationsource.Theinputsareinternallysummedintoonesignal.

WIDTHCONTROLINPUTS

ControlsignalsconnectedtothesetwoWIDTHCONTROLINinputswillaffectthewidthoftheRectangularwave,andcancreatePWM(PulseWidthModulation)

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oscillatoreffects.TheRectangularWidthknobmanuallysetsthedefaultwidthoftheRectangularWave.

CLAMPTRIGINPUT

TheClampingPointknobisusedtodeterminetheretriggerpointofthewavecycle,inthepresenceofatriggerinput,whichcanprovidemanyinterestingandexoticeffects.

AUXILIARYOUTSECTION

TheAuxiliaryoutputsectionfeaturesasix-positionAUXOUTWAVEFORMselectiondial,withadedicatedAuxOutLevelknob,makingiteasytousethe921asamodulationsource.AlthoughthetwoAuxiliaryoutputslookidentical,they’renot;thewaveformofthe+jackisnormal,whilethe–outputisinvertedby180degrees.

WAVEOUTPUTS

The921hasdedicatedSINE,TRIANGULAR,SAWTOOTH,andRECTANGULARoutputjacks,withallofthewavesavailablesimultaneously.

• 921AOSCILLATORDRIVER

The921Ahasnooutputjacks.Instead,itisinternallyconnectedtothetwo921BOscillators,providingmastertuningandpulse-widthcontrol.

SEMITONE/OCTAVESWITCH

ThisswitchdirectlyaffectstherangeoftheFrequencyknob.WiththeswitchintheSemitoneposition,theFrequencyknobsweeps±12Semitones.WiththeswitchintheOctaveposition,theFrequencyknobsweeps±6Octaves.

FREQUENCYKNOB

ThisknobfunctionsasamasterFrequencycontrolforboth921Boscillators.It’srangeisdeterminedbytheSemitone/Octaveswitch.

WIDTHKNOB

Thisknobfunctionsasamasterpulsewidthcontrolforboth921Boscillators.

WIDTH(CONTROLINPUT)

ControlsignalsconnectedtothesetwoWIDTHinputswillaffectthepulsewidthoftheRectangularwave,andcancreatePWM(PulseWidthModulation)effects.TheWIDTHOFRECTANGULARWAVEknobmanuallysetsthedefaultwidthoftheRectangularWave.

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FREQUENCY(CONTROLINPUT)

ControlsignalsconnectedtothesethreeFREQUENCYinputswilldeterminethepitchoftheOscillatorsinresponsetoakeybeingplayed,orfromamodulationsource.Theinputsareinternallysummedintoonesignal,butpreservetherelativestrengthofeachsignal.

• 921BOSCILLATOR

Eachofthe921Boscillatorsfeaturefourindividualoutputs,oneforeachWaveform.

FREQUENCYKNOB

Thiscontrolisusedtooffsetthepitchofanoscillatorbyupto±12semitonesfromthe921AOscillatorDriversetting.

RANGEDIAL

Thisisafive-octaveselectorswitchwithasixthposition(LO)forusingthe921BasaLowFrequencyOscillator(LFO).

SYNCHWEAK-STRONGSWITCH

BecausePitchstabilityisnotanissueintheModel15app,twonewsynchalgorithmshavebeenadded.SYNCHWEAKisinspiredbytheoriginalPhaseLockedLoopbehavior.EverydifferenceinphasefromtheSYNCHINjackwillcausetheOscillatortotrytograduallymatchuptoitsownphase,thuspreservingitsownoriginalwaveform.SYNCHSTRONGimplementsatraditionalhardsynch,suchthattheOscillatorwaveformsareresetateachzero-crossingoftheinputsynchsignal.Theresultisacomplex,hard-edgedsoundwithashiftingharmoniccontent.

NOTE:InorderfortheSYNCHWEAK-STRONGswitchtohaveaneffect,youwillneedtopatchanywaveshapeoutputfromone921BoscillatorintotheSYNCHINjackonanother921B.

A.C.MODULATE&D.C.MODULATEINPUTS

TheseinputsallowforoscillatorFrequencyModulation.Bothinputsbehavesimilarly,howevertheeffectofmodulationontheD.C.MODULATEinputisfargreater.

FILTERS

TherearetwotypesoffiltersintheModel15.ThefirstisaVoltageControlledFilter(VCF),wheretheCutoffFrequencycanbecontrolledbyanothermodulatingsource.Thesecondtypeisastaticfilterthatusessettingsthatremainconstantthroughoutthedurationofasound.

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• 904AVOLTAGECONTROLLEDLOWPASSFILTER(VCF)

Thisisthelegendary24dB-per-octave,4-pole“Ladder”filter,developedbyDr.RobertMoog,thathelpedtogivetheoriginalModel15itsclassicsound.

FIXEDCONTROLVOLTAGEKNOB

ThiscontrolisusedtodeterminetheCutoffFrequencyoftheLowPassfilter.

FREQUENCYRANGEKNOB

ThisknobspecifiesthefrequencyrangeoftheFIXEDCONTROLVOLTAGEknob:

1. 1Hz~5kHz2. 4Hz~20kHz3. 16Hz~80kHz

REGENERATION(RESONANCE)KNOB

Thiscontrolre-introducesaportionofthefilteredsoundbackintotheFiltertocreateanemphasispeakattheFilter’sCutoffFrequency.Sethighenough,REGENERATIONcancausetheFiltertoself-oscillate,producingausablesinewavesoundsource.


Thesethreeinternally-summedCONTROLINPUTjacksallowthemanualsettingoftheFIXEDCONTROLVOLTAGE(CutoffFrequency)knobtobemodulatedorcontrolledbyothermodules,oftenoneofthe911EnvelopeGenerators.

• 923FILTERS

The923featurestwoindependentfilters;aLOWPASSfilterandaHIGHPASSfilter.Eachfilterisequippedwithafrequencycutoffknobofferinga10Hzto10kHzrange.Bothfiltersprovidea6dB/Octaveroll-offeitherabove(HIGHPASS)orbelow(LOWPASS)thecutofffrequency.

Locatedatthebottomofthe923FilterModulearetheNoiseSourceoutputs.Noiseisusefulbothasanaudioormodulationsource.WHITENoiseisbrightandidealforcreatingwindandpitchedpercussioneffects,whilePINKNoiseisdarkerandidealforcreatingwaterfalls,thunder,anddeeppercussioneffects.

• 907AFIXEDFILTERBANK

TheFixedFilterBankprovidestheabilitytosculptthetonalsignatureofasoundacrosstheentireaudiorange.Inananalog907Amodule,eachoftheeightbandsaretiedtoanindividually-woundinductorcoil,providingeachbandwithauniquetone.TheadditionofaLOWPASSandHIGHPASSfilterprovidesadditionaltonecontrol.

NOTE:Ifallofthecontrolsareturneddown,NOSOUNDwillpassthroughthe907A.

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TIP:TheFixedFilterBankcannotbeVoltageControlledinthesamewayasthe904AVoltageControlledFilter.However,usingthetwofilterstogether—eitherinseriesorinparallel—canproduceoutstandingresults.

NOTE:ALLoftheFIXEDFILTERBANKknobscanbeassignedtouniqueMIDICCnumbers.

AMPLIFIERS

Amplifiersareusedtoboostorattenuatethelevelofanaudioorcontrolsignal.

• 902VOLTAGECONTROLLEDAMPLIFIER(VCA)

TheVoltageControlledAmplifier(VCA)isadifferential(non-summing)amplifierusedtoboostorattenuatethelevelofasoundbeforeitexitsthesynthesizer.


Thisknobdeterminestheamountofgainappliedbytheamplifiertoasignal.

CONTROLMODESWITCH

ThisswitchchooseswhetherthevoltagecontrolcurveoftheamplifierisLinearorExponential.Thesettingappliesbothtothecontrolinputs,andtotheFIXEDCONTROLVOLTAGEaftertheyhavebeensummed.

CONTROLINPUTS

TheseinternallysummedCONTROLINPUTSallowthegainlevelofthe902tobedynamicallycontrolledbyanothermodule,mostoftenoneofthe911EnvelopeGenerators.

TIP:VCAmodulescanbeusedtoprovideachanginglevelforanysignalpassingthroughthem.TrypatchingtheSINEwaveoutputfromanOscillatorinLFOmode(LOorSUBAUDIO)intotheControlInputofa902tocreatetremoloeffects.

NOTE:ThesignalconnectedtotheupperSignalInputjackwillappear180degreesoutofphaseontheupperSignalOutputjack,andnormalonthelowerSignalOutputjack.TheoppositeistrueforthelowerSignalInputJack—theupperSignalOutputjackisnormal,andthelowerSignalOutputjackwillbeoutofphaseby180degrees.

• AMPLIFIERS(EXTENSIONCABINET)

Thisbonusmodulecontainstwosummingamplifiersdesignedtoboostthelevelofanaudioorcontrolsignalbyupto6times(muchhigherthanthe902output).EachamplifierisequippedwithtwoSIGNALINPUTS,twoSIGNALOUTPUTS,andalevelknob.

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NOTE:Contrarytothe902VCAs,thesameprocessedsignalispresentonbothSIGNALOUTPUTjacks,makingtheseamplifiersusefulasMultipleswhenthelevelknobissetto1.

911ENVELOPEGENERATORS

ReactingtoaTriggerfromthekeyboardorothersource,theEnvelopeGeneratorcreatesacontrolsignalwhosecontourorshapeisdefinedbyfourcontrols.

T1(ATTACKKNOB)

ThefirstEnvelopestagedeterminestheamountoftimeittakesforasignaltogofromzerotoitsmaximumvalueafteranoteispressed

T2(DECAYKNOB)

ThesecondEnvelopestagedeterminestheamountoftimeittakesforasignaltogofromitsmaximumvaluetotheSustainlevelwhenanoteisheld.

T3(RELEASEKNOB)

ThisfinalEnvelopestagedeterminestheamountoftimeittakesforasignaltoreturntozeroafteranoteisreleased.

ESUS(SUSTAINKNOB)

UnliketheotherthreeEnvelopestages,whicharetimebased,{they'renotdependingontime,they'rebasedontime}thiscontrolsetstheconstantsignalleveloutputoftheenvelopewhileanoteisheld.

EnvelopeGeneratorsareoftenusedtoprovideachangingcontrolsignaltotheVCAand/ortheVCFtoaddarticulationtoasoundbeingplayed.

ATTENUATORS

Attenuatorsallowyoutolowerthelevelofanyaudioorcontrolsignal.Byloweringtheknobvalue,youcanapplytherightamountofcontrolchangetoanymoduleorfunction—orlimitthelevelofanyaudiosource.

• 955ATTENUATORS

Thismodulecontainsthreeindividualattenuators,eachwithanINandanOUT.SettingtheAttenuationknobto10willallowsignaltopassatfullstrength.RotatetheAttenuationknobtothelefttoattenuatethesignal.NOTE:IfanAttenuatorissetto0,NOSIGNALwillpass.

TIP:Thethreeattenuatorsinthismoduleare“normalized”inadescendingorder.Forexample,thesignalarrivingattheINjackofthefirst(top)attenuatorissenttothe

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OUTjacksofallremainingattenuators—unlessitisblockedbyasignalconnectedtotheINjackofoneoftheotherAttenuators.

• REVERSIBLEATTENUATOR(CP-15B)

Thismodulecontainsthreeindividualattenuators,eachwithanINandanOUT.SettingtheAttenuationknobto10willallowsignaltopassatfullstrength.RotatetheAttenuationknobtothelefttoattenuatethesignal.NOTE:IfanAttenuatorissetto0,NOSIGNALwillpass.

TIP:Thethreeattenuatorsinthismoduleare“normalized”inadescendingorder.Forexample,thesignalarrivingattheINjackofthefirst(top)attenuatorissenttotheOUTjacksofallremainingattenuators—unlessitisblockedbyasignalconnectedtotheINjackofoneoftheotherAttenuators.

• VOLTAGECONTROLLEDREVERSINGATTENUATORS(INEXTENSIONCABINET)

ThisbonusmoduleissimilartoastandardReversibleAttenuator(describedabove),butwiththeadditionofaControlinputjackallowingmodulationoftheAttenuationamount.

TIP:ByconnectingaudioratesignalstotheControlinput,interestingeffectslikeRingModulationcanbeachieved.

AUDIOBRIDGE&MIDIBRIDGE

TheAudioBridgeandMIDIBridgemodulesprovidepatchpointsthatallowtheModel15tointeractwithotheriOSappsorexternaldevices.

NOTE:TheAudioBridgeandMIDIBridgepathsarenotinterchangeable.

• AUDIOBRIDGE

AudioBridgeallowstheModel15toaccess—andbeaccessedby—otheraudioappsonyouriOSdevice.TheFromjacksreceiveaudiofromotheriOSappsortheoutsideworld,allowingtheModel15toappearasaneffectprocessorintheseotherApps.TheTojackssendaudiotootheriOSappsallowingtheModel15toappearasanaudiogenerator,orsoundsource.TheInter-AppAudiounitlabeledModel15providesthesameaudioinformationthatisdeliveredtothespeakersviatheTrunkLines.

TheToandFromjacksarearrangedinpairs.Bus1containsChannels1and2.Bus2containsChannels3and4.EachBusfeaturesaMono/Stereoswitch.ThesebusseswillappearasoptionswhenusingotherInter-AppAudioenabledapps,orthroughAudiobus.

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NOTE:WhentheBUSCHANNELswitchissettoStereo,eachFromportwillcarrythestereosignaloftheBusoverasingleModel15wirebyusingtwooftheinternalsynthvoices.ThecorrespondingTOportwillsplitthesignalsbackouttotheleftandrightaudiochannelsoftheBus.Thisallowsanexternalstereosignaltobeeasilyconnectedthroughamodule,likethe904Afilter,whilepreservingthestereoimage.

IntheMONOmode,eachFromportcarriesanindependentMonosignalononevoice.

Asaninstrumentoraudiosource,theModel15willappearasModel15,Model15AudioBridgeTo1/2andModel15AudioBridgeTo3/4.

Asanexternaleffectoraudioprocessor,theModel15willappearasModel15AudioBridgeFrom1/2andModel15AudioBridgeFrom3/4.

NOTE:Theseparate"UsingAudioBridge"manualcontainsmoredetailsandwillhelpyougetthemostoutofAudioBridge.

• MIDIBRIDGE

TheMIDIBridgemoduleprovidessixMIDIoutputsandsixcorrespondingMIDIinputs.SignalsconnectedtotheMIDITooutputswillbesentasMIDICCMessages.IncomingMIDICCMessages—willautomaticallybeavailableatthecorrespondingMIDIFrominputs.RefertoSection8.3ofthismanualforinformationonhowtosetthecorrectMIDIchannelandhowtochoosetheappropriateMIDIdevice(s).

ToMIDIoutputs:

CC#:16–21LSB/MSB=BaseCC#,BaseCC#+32(16/48;17/29;18/50;etc.)Format:14-bitMIDISwitch(On/Off)

FromMIDIinputs:

CC#:16–21LSB/MSB=BaseCC#,BaseCC#+32(16/48;17/29;18/50;etc.)Format:14-bitMIDISwitch(On/Off)

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DELAYEFFECTMODULE

TheModel15isequippedwithaPing-PongDELAYEFFECT.PositionedaftertheTRUNKLINES,theDELAYEFFECTModuleprocessestheentireoutputoftheModel15.

• DELAYPARAMETERS

TIMEKNOB

TheTimeknobdeterminestheamountofdelaytimeappliedtotheoutputoftheModel15.ThereisalsoadedicatedControlInputforTimeallowingittobemodulated.

MIXKNOB

Thisknobsetstheblendbetweenthedryinputsignalandtheeffectedsignal.ThereisalsoadedicatedControlInputforMixallowingittobemodulated.

FEEDBACKKNOB

Thisknobdeterminestheamountofdelaysignalfedbackintoitself.Thiscanresultinbothlongerdelaytrailsandself-oscillation.ThereisalsoadedicatedControlInputforFeedbackallowingittobemodulated.

CLOCKSYNCSWITCH

WhenON,theDelayTIMEcontrolisusedtodeterminetheBPMsubdivisionfortheDelayEffect.WhenOff,theDelayTIMEisfullyvariable.

RECORDERMODULE

Thisisareal-timeaudiorecorderwithoverdubcapabilities.UnlimitedoverdubscanbeperformedusingdifferentPresetstocreateintricatepatternsandperformances.TheseperformancesaresavedtotheBufferClipboardthatcanbesharedviaAudioShare,AudioCopy/AudioPaste,EmailorevenTextMessageasa.wavfile.NOTE:TherecorderfollowstheModel15tempo,andisalsocompatiblewithAbletonLink.

• RECORDBUTTON

Thisisareal-timeaudiorecorderwithoverdubcapabilities.UnlimitedoverdubscanbeperformedTaptheRecordbuttontobeginrecording.TheModel15willprovideafour-countatthecurrenttempobeforerecordingbegins.NOTE:ThewhiteringaroundtheRecordbuttonshowselapsedandremainingrecordingtime.TouchtheRecordbuttonagainandtherecorderwillseamlesslyswitchtoOverdubmode.Therecorderwillcontinuetoloop-recordwheninOverdubmodeuntiltheOverduborPlay/Stopbuttonispressed.

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WARNING:PressingtheRecordbuttonwillclearanythingintheBuffer.

• PLAY/STOPBUTTON

PressthePlay/Stopbuttonatanytimetoplaybackaperformance,ortoendtherecordingprocess.Duringplayback,awhiteringwillformaroundthePlay/Stopbuttonshowingtheelapsed/remainingplaybacktime.TIP:PressingPLAY/STOPtoendanongoingrecordingwillplayitbackimmediatelywithoutactivatingtheOverdubmode.

• OVERDUBBUTTON

TomanuallysettheRecordertoOverdubmode,firstpresstheOverdubbutton(thebuttonwilllight).TIP:YoucanalsopresstheOverdubbuttonatanytimeduringplayback.NOTE:Thereisnofour-countwhenoverdubbing.

• BUFFER

TheaudiorecordingistemporarilystoredinaBuffer.TheModel15doesnotsaveaudiodatainternally,soitmustbesharedorsavedviatheSharebutton.NOTE:ExitingandrestartingtheModel15willclearthebuffer.

• COPYBUTTON

PressingtheCopybuttonwillcopythecontentsoftheRecorderandsaveittotheclipboardasaWAVfile.UsingAudioShare,AudioCopy/AudioPasteortheGeneralPasteboard,thisfilecanbesaved,renamed,archived,and/orshared.

• PASTEBUTTON

UsingAudioShare,AudioCopy/AudioPasteortheGeneralPasteboard,anypreviouslysavedaudiofilesinthe.wavformatandinthegeneralpasteboardcanbepastedintothebuffer,andplayedbytheModel15RecorderbypressingthePLAY/STOPbutton.

• UNDOBUTTON

ThisbuttonwillundothemostrecentoperationperformedintheRecordermodule.

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NOTE:TheglobalUndoandRedobuttonsintheTopBarcannotbeusedtoundoandredorecordingoperations.

• CLEARBUTTON

PressingtheClearbuttonwillemptythebufferanderaseanycontentintheRecorder.

• SHAREBUTTON

PressingtheSharebuttonallowsyoutosharetheaudiofilecurrentlyintheBufferwithothernearbyAppleAirDropusersorviaMessage,Mail,AudioShareandothercompatibleApps.

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SHARINGDATAWITHOTHERUSERSSharingallowsyoutointeractwithotherModel15users,musicians,andfriends.

• SHARINGSAVEDDATA

SaveddatacanbeshareddirectlyfromaBank/PresetTab,byaccessingtheSave/LoadCCMappanel(Settings>Configuration>MIDI),orbyaccessingtheLoadtaboftheArpeggiator.Inalloftheseinstances,yousimplyneedtoswipeleftonthenameofthePreset,Bank,MIDICCMap,orArpeggiopatternandtouchtheShareicon.Thenchoosethemethodyouwanttousetosharethedata.

• SHARINGCURRENTDATA

TapontheSettingsTabintheTopBar,andselecttheSharepanel.FromthePresetscolumnyoucansharethecurrentPresetorthecurrentBank,aswellasthecurrentArpeggiopatternandthecurrentMIDICCMap.Again,taptheappropriateSharebuttonandselectthemethodofsharing.Thefilewillbesentviatheselectedmethod.

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• SHARINGAUDIODATAFROMTHERECORDER

PressingtheSharebuttonintheRecorderallowsyoutosharetheaudiofilecurrentlyintheBufferwithothernearbyAirDropusersorviaMessage,Mail,AudioShareandmore.

IMPORTINGSHAREDDATA

WhenyoureceiveModel15data,themessagewillcontainaniconrepresentingthedata.Clickontheicontoshowyouroptions.WhenyoucopyaPreset,MIDICCMaporArpeggiopatterntotheModel15,thedataisloadedintothecurrentsettings,butnotsaved.SoifsomeonesendsyouaPresetandyoucopyittotheModel15,youmustthensaveitifyouwishtokeepitforfurtheruse.

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KEYBOARDCOMMANDSAnumberofshortcutcommandscanbeaccessedfromaniOS-compatibleQWERTYkeyboard.Thesecommandsincludenavigation,Presetselection,zoom,undoandredo,aswellastheabilitytohideandunhidethecurrentcontroller.Inaddition,itispossibletousetheBluetoothkeyboardtosoundnotesontheModel15usingfamiliarLogicProXCommands.

NAVIGATIONCOMMANDS

YoucanusethefollowingkeyboardshortcutstonavigatetheModel15withouthavingtotouchthescreen.

TAPTEMPO SpaceBar(Tapthespacebar4+timestosettheBPM)

NEXTPRESET ►(SelectsthenextPresetinthecurrentBank)

PREVIOUSPRESET ◄(SelectsthepreviousPresetinthecurrentBank)

HIDECONTROLLER ⌘◄

VIEWCONTROLLER ⌘►

ZOOMIN ⌘(RepeattoZoominfurther)FULLZOOMIN ⌘Shift↑(Zoomsallthewayin)ZOOMOUT ⌘↑(RepeattoZoomoutfurther)FULLZOOMOUT ⌘Shift↓(SelectsthenextPresetinthecurrentBank)UNDO ⌘ZREDO ⌘ShiftZ

Thenextsetofshortcutcommandsallowyoutonavigatetoaparticularmodule(s)instantly.Pleasenotethatthatkeysarelaidoutina4x4matrixtographicallyreflectthemoduleslayoutoftheModel15,soyoucanintuitivelycallupthemoduleyouneedtoaccess.

907AFixedFilterBank ctrl+1995Attenuators ctrl+2904AVoltageControlledLowPassFilter ctrl+3902VoltageControlledAmplifier(s) ctrl+4921A/BOscillator(s) ctrl+Q923Filters/Noise ctrl+W

921VoltageControlledOscillator ctrl+E911EnvelopeGenerators ctrl+RCP-15BMixer ctrl+A

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CP-15BReversibleAttenuator/Multi ctrl+SCP-15BControllerOutputs ctrl+DCP-15BControlsTo/TrunkLines ctrl+FAudioBridge ctrl+ZDelay ctrl+XReversibleAttenuatorsandAmplifiers ctrl+CRecorder/Buffer ctrl+V

NOTECOMMANDS

TheseshortcutcommandsallownotestobeplayedontheModel15overasix-octaverange,andatavarietyofdifferentvelocitylevels.ThekeyboardbuttonscanbeusedtotriggernotesontheModel15.Thekeysarelaidoutinapiano-stylechromaticscale.

Thenotedurationisfixedataboutahalf-second.PresstheTabkeybeforeplayinganotetohaveithold.PresstheTabkeyagaintoreleasethenote(s).

• CHANGINGOCTAVES

Theavailablerangeissixoctaves.

LoweringtheOctave: EachpressoftheZkeywilllowerthepitchbyoneoctave.

RaisingtheOctave: EachpressoftheXkeywillraisethepitchbyoneoctave.

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• CHANGINGTHEVELOCITY

Inordertoauditionnotesatoneofeightdifferentvelocitylevels,connectapatchcablefromtheVELOCITYcontrolleroutputstotheControlInputsoftheactiveVCA(andorVCF).

LoweringtheVelocity: EachpressoftheCkeywilllowertheVelocity.

RaisingtheVelocity: EachpressoftheVkeywillraisetheVelocity.

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SUPPORTShouldyouexperienceanyissueswithyourModel15Application,[email protected]

moog modular 15 - ziggomembers.ziggo.nl/eajwust/publiek/moogmodular15appuserguide.pdf · the moog...

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