Tiffany Goh

Student Number: 639188 Semester 1/2012 Group 12

Ideation

1.1

Pattern

1.1

Balance

Recipe:- Divide the relevant space into compartments propor-tionate to one another-Choose the focal point in which the lines of the compart-ment converge-make sure that there are end points which are either di-rectly opposite or in alternate angles, in the case of edges which parallel each other.-Choose a base element to apply to the compartments

1.1

Symmetry

Recipe-Choose base element-Make use of repitition of that element, making sure to maintain a sense of uniformity. (Here the uniformity is in the left-right symmetry)

1.1

Movement

Recipe-Choose base element-Establish relationship between each element (each shape enveloped another in this case)-Use repetition of elements while scaling and rotation to achieve dynamics.

1.2

Rhino tutorials

1.3

Answers to reading questions

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detail.

1.5Paper Models

1.5

Paper Models

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1.6 'LJLWDO�0RGHO

1.7

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1.8$QDO\VLQJ

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1.10Developmental Models

Originally, the model followed the recipe for the ‘emerging shape’ directly. My partner modelled one base element (a narrow S shape) which I speculated could be used as a component of the lantern, namely an entwinement around the lower arm in a double helix formation.

I decided upon joining multiple numbers of the emerging form element at centre points, making a conical and symmetrical form. Each emerging form is attached to the edge of another to form a circumference. This casts a longer, more apparent shadow, which will create a more dynamic effect with the light shining out between the patterns. (diffusion)

Each emerging form is a unit RXW�RI�ÀYH

Double layers

This method is inspired by the origami craft of ku-VXGDPD�ÁRZHUV��ZKLFK�DOVR�IRUP�FRQLFDO�VKDSHV�ZKHQ�LQLGYLGXDO�XQLWV�DUH�DWWDFKHG�WR�HDFK�RWKHU�LQ�ÀYHV�

1.10Scale in relation to the whole lantern

- The different sizes of the green cubes illustrate that the emerging form can be used in a multitude of scales relating to the lantern.

- i.e The emerging form can be a base unit of the entire lantern, or a single, large unit of the emerging form could form the lantern itself.

Green cube represents a unit of the emerging form.

A unit of the emerging form

In relation to the lantern (repre-sented by red cube)

1.101:5 Scale

The entire model encompasses the lower arm (down to the wrist), leaving the hands free for use.

The double helix model was further PROGHG�ZLWK�ÀQHU�GHWDLO��,W�LV�DOVR�SRVVL-ble to use the base unit of the emerging form model to act as the double helix entwining around the lower arm.

The 5-units of the emerging form model taper at the wrist, while spreading out as it nears the elbow. This way, light is directed upwards, illuminating more space and hence showcasing the light-ing effect.

1.11Lighting

This picture is taken straight from the lecture material as it conveys almost exactly the kind of lighting I want to achieve. The layered method consists of two sheets of patterns ZKLFK�DOORZ�OLJKW�WR�ÀOWHU�WKURXJK��+RZHYHU��since the patterns are not directly behind each other, a whole new pattern is created in the resulting lighting effect. This also means that the lighting effect will have added intri-cacy. The detail would be more aesthetically pleasing, and hence more engrossing to the viewer. Layering is also fundamental to an-other method I wish to employ, interference. Together, they’d create dynamic lighting.

Layering would be used in conjunction with interference to create movement. Drawing inspiration from the kusudama origami again, it is shown that joining several of the 5 units together can create a ball. +HQFH��D�SRVVLEOH�HQG�GHVLJQ�FRXOG�EH�D�VRUW�RI�¶LQWHUIHUHQFH�EDOO·�OLNH�the one above.

Interference as it would appear using the pattern of my emerg-ing form. (thinner lines represent the layer underneathe)

Concept sketch of the ‘Interference ball’: Light can be diffused in all directions; lighting effect surrounds the room

1.11Sketches of effect applied to emerging form