m.music tabla

26
Set No. 1 QU"!'tion Booklet No. .00061 12P/262/6 .(To be filled up by the candidate bv blue/black baU-point pen! Roll No. LI_..L_.L_L_L--l_-L_--L_...J Roll No. (Write the digits in words) .•.••••••••.•••• .................................................................. ", ... ,.,. .. " Serial No. of Answer Sheet .............................................. Day aod Date ..••••••••.••..••.••.. , ••••.•••.•.•••••..••••.••••.•...••••..••..••.• ( Sig.ature of Invigilator ) INSTRUCTIONS TO CANDIDATES (Use only bluelblack ball-point pen in the space above and on both sides of the Answer Sheet) 1. Within 10 minutes of the issue of the Question Booklet, check the Question Booklet to elll>ure [hat ;+ contains all the pages in correct sequence and that no page/question is missing. In case of fuulty Question Booklet bring it to the notice of the SuperintendentlInvigilators immediately to ohtuin u fresh Question Booklet. 2. Do not bring any loose paper, written or blank, inside the Examination Hall except the Admit Oml witllout its envelope. 3. A sqNIIflU AIIJ'WB SlIut Is given. It should not be folded or mutilated. A second A",fwer SIIl!1!1 shall "ot be PI"OVided. 0,,1y the Answer Sheet will be evaluated. 4. Write your Roll Number and Serial Number of the Answer Sheet by pen in the space prvirlerl abow. S. 0" the front page of the Answer Sheel, w,ile by pen your RoO Number';" tire space provitl,J",1 ttl the top and by darkening the circles at the bo/iom. Also, wherever applicable. write Ihe QUl!stil)u Booklet Number and the Set Number in appropri4le places. 6. No overwriting is allowed In the entries of Roll No. , Quatlon Booklet no. and S,t no. or anyJ on OMR sheet and Roll No. and OMR sht!et no. on. the Queston Booklet. 7. Any change in the aforesaid entries Is to be verifred by the inv/gilator, otherwise il w/U be 1,1Hen as unfairmeans. S. Each queslion illlhis Booklet isfollowed oy JOUl' altema/ive QllSwcrs. For eae" qlli!SJ;oll, y •.• ;./ are to record the correct option on the Answer Sheel by darkening Ihe appropriate dr("/c ill /h{! corre_fPonding row of II,e An.fwer Sheel, by pen as mellliolled III ti,e gllideline,,' ;':;"'_'11 {Ill first page of the Answer Sheet. 9. For each question, darken only one circle on the Answer Sheet. If you darken more than one- el'te or darken a circle partial1y, the answer will be treated as incorrect. 10. Note thai the answer once filled in ink cannot be changed. If you do not wish to aflflmpt r1... question. leave all the circies in the corresponding row blank (such question wiIJ he QII'(J':"/,,,.l zero marks). It. for rough work, use the inner back page of the title cover and the blank page at tho;; elld u'f: e. Booklet. 12. Deposit only OMR Anl'wer Sheet at the end ofthc Test. 13. You are not pennitted to leave the Examination Hall until the end of the Test. 14. Ifa candidate attempts to use any fono of unfair means. he/she shall be liable to such puni:.hml:lll a$ the University may determine and impose on himlher. Total No. of Printed Pages: 28 it a#f;z; JIIq{lTf 'f8" 'I< fi:iI '1".

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Page 1: M.Music Tabla

Set No. 1 QU"!'tion Booklet No. .00061

12P/262/6 .(To be filled up by the candidate bv blue/black baU-point pen!

Roll No. LI_..L_.L_L_L--l_-L_--L_...J

Roll No. (Write the digits in words) .•.••••••••.•••• ~ .................................................................. ", ... ,.,. .. "

Serial No. of Answer Sheet ............................................. .

Day aod Date ..••••••••.••..••.••.. , ••••.•••.•.•••••..••••.••••.•...••••..••..••.• ( Sig.ature of Invigilator )

INSTRUCTIONS TO CANDIDATES (Use only bluelblack ball-point pen in the space above and on both sides of the Answer Sheet) 1. Within 10 minutes of the issue of the Question Booklet, check the Question Booklet to elll>ure [hat ;+

contains all the pages in correct sequence and that no page/question is missing. In case of fuulty Question Booklet bring it to the notice of the SuperintendentlInvigilators immediately to ohtuin u fresh Question Booklet.

2. Do not bring any loose paper, written or blank, inside the Examination Hall except the Admit Oml witllout its envelope.

3. A sqNIIflU AIIJ'WB SlIut Is given. It should not be folded or mutilated. A second A",fwer SIIl!1!1 shall "ot be PI"OVided. 0,,1y the Answer Sheet will be evaluated.

4. Write your Roll Number and Serial Number of the Answer Sheet by pen in the space prvirlerl abow. S. 0" the front page of the Answer Sheel, w,ile by pen your RoO Number';" tire space provitl,J",1 ttl

the top and by darkening the circles at the bo/iom. Also, wherever applicable. write Ihe QUl!stil)u Booklet Number and the Set Number in appropri4le places.

6. No overwriting is allowed In the entries of Roll No., Quatlon Booklet no. and S,t no. or anyJ on OMR sheet and Roll No. and OMR sht!et no. on. the Queston Booklet.

7. Any change in the aforesaid entries Is to be verifred by the inv/gilator, otherwise il w/U be 1,1Hen as unfairmeans.

S. Each queslion illlhis Booklet isfollowed oy JOUl' altema/ive QllSwcrs. For eae" qlli!SJ;oll, y •.• ;./ are to record the correct option on the Answer Sheel by darkening Ihe appropriate dr("/c ill /h{! corre_fPonding row of II,e An.fwer Sheel, by pen as mellliolled III ti,e gllideline,,' ;':;"'_'11 {Ill 4,~f' first page of the Answer Sheet.

9. For each question, darken only one circle on the Answer Sheet. If you darken more than one- el'te 1~ or darken a circle partial1y, the answer will be treated as incorrect.

10. Note thai the answer once filled in ink cannot be changed. If you do not wish to aflflmpt r1...

question. leave all the circies in the corresponding row blank (such question wiIJ he QII'(J':"/,,,.l zero marks).

It. for rough work, use the inner back page of the title cover and the blank page at tho;; elld u'f: ~h e. Booklet.

12. Deposit only OMR Anl'wer Sheet at the end ofthc Test. 13. You are not pennitted to leave the Examination Hall until the end of the Test. 14. Ifa candidate attempts to use any fono of unfair means. he/she shall be liable to such puni:.hml:lll a$

the University may determine and impose on himlher.

Total No. of Printed Pages: 28 [~f.$r ~ it a#f;z; JIIq{lTf 'f8" 'I< fi:iI '1". t~

Page 2: M.Music Tabla

Ttme : 2 Hours

WTl1: 2 wrZ-

12P/262/6 No. of Questions: 100

'!lV'if .n'hl <$Ill : 100

Full Marks: 300

N:300

Note: (1) Attempt as many questions as you can. Each question carries 3 (Three) marks. One mark will be deducted/or each incorrect answer. Zero mark will be awarded for each unattempted question.

3lf~~ m Of;) 1R'f ~ 'itT 3i"!<'I 'li(1 mit'li Wo1 3 (<fR) aiq; 'itT il

Jlr44i TfMif 'ffl< ~ fffir ~;;f;;; ~ .11<11/1, mit'li 3lj'ilR~ Wo1 'itT

~IOjiq; ~W1Tl

(2) If more than one alternative answers seem to be approximate to the correct answer, choose the closest one.

"'If<; 1I;'hIf~ ~q;r01q;<!"iI\ ~ <!"iI\ if; f.rq;c mlm tit, <it Rq;l~1l ~ OrR

~I

01. The original tune of Vande-Mataram is based on the Raga? (1) Desh (2) Sorath (3) Khamaj (4) MaJhar

~ %'W\ 'lit ~ !!"f ~ U'T <R ~ i ?

(1) ~~T (2) >i'IT<o (3) ~""f

02. How many Swaras were used in Sam-Sangeet ?

(1) Two (2) Three (3) Four

m'! WlRr if ~ m <or 5f'iM l!>3TI i ?

(1) <h (2) ffi;r (3) """'

3

(4) Il"""

(4) Five

(4) q"fq

P.T.O.

Page 3: M.Music Tabla

12P/262/6

03. A famous lady musician who received the Bharatratna title?

(1) R. Vedavalli (2) D.K. Pattammal

(3) M.L. Vasanthakumari (4) M.S. Subhalakshmi

foRT Ilffl'il! li'1~P.>;;<1'iIT1 "Nl,1$! Ofir 'l1{(1<M ;oqffi:r B f<l"i!'ict fon<rr 'f'IT i? (1) 0lRo tle:"lw11 (2) mo olJo q~i'O'1<1

(4) «'1"o<motl"'l<1'flft

04. Tagore composed "Janaganman" in the year:

"1'1' I U I '1 'i '!it <:Cl'lT ~ 'f foRT <:'R i'f '!it ? ~.

(1) 1900 (2) 190] (3) 1910 (4) 1911

05. Haveli Sangeet is accompanied vvith :

(1) Dhol:lk (2) Tasha (3) Ghatam (4) Pakhawaj

G40lttt:l <f olJ "ffi1'f foRT "lTE;[ 2fT tMRi "Tcfr i ?

(1) it0'Fi (2) ClT~TT (3) ~ (4) Q@"101

06. In which chapter of Natya Shastra the subject of music has been dealt with ?

"lR'1~TR'>f olJ foRT '3l'2lf'! i'f <Mtcr fcr<r:f CliT f<i Cj q 'i i ? ~

(1) 15 (2) 28 (3) 14 (4) 40

07. Total Margi Talas as per Sangita - Ratnakar :

(1) Three (2) Four (3) Five

<Mtcr <M1'h< i'f qfQfc;- '11·fictl<1 '!it ~ i (1) cfr'f (2) 'qJ"\ (3) <ifq

4

(4) Six

(4) U:

Page 4: M.Music Tabla

12P/262/6

08. Which book has been called Saptadhyayi of music?

(I) Brithaddeshi

(3) Sangit Darpan

(2) Sangit Samayasar

(4) Sangit Ratnakar

flR:r Wf 'lit Wfm 'Of "lit"''<1''''I'402l1'lI"O'tfi 'lim = ~ ?

(1) ~'Ilt (2) Wfm lit'l'H1H

(3) Wfm '*'r (4) Wfm <M1'h(

09. Which Gharana Bhimsen Josi belongs to ?

(1) Kirana (2) Patiyala (3) Agra (4) Gwalior

ill f'hl.I'11 (2) qfi':<t 1<'1 1 (3) -31T'T"U (4) 'ql~<t(

10. A Tala having two laghus :

(1) Rupaka (2) Jhampa (3) Mathya (4) Triputa

(1; ~ (2) W'l (3' ~ I , (4) f,rgc

11. Kumbha Taal, Rudra Taal and chartal ki Sawari have equal ma,tras :

(1) Correct (2) Wrong (3) Doubtful (4) Can't Say

~'lffi'(il", M(1)<il <I'll 'CI1@<'1 <tt <l<"lltl 1.1'1A 111m <tt ~ ~ (I) ~ (2) 'R'Rf

(3) 1iie:i$If'l,"\ (4) 'lii$ 'itt ~

5 P.T.O.

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12P/262/6

12. Pt. Suresh Talwalker has been honoured with :

(I) Padma-Bhushan

(2) Sangeet Natak Academi Award

(3) Padma - Vibhushan

(4) Padma - Shree

~ ~ i:t <"1 q <"1 'Ii < qj'[ iii Ai 1 f.'I i:t f'l;<:rr 7f"IT ~

(I) q<!J-~ -ft (2) WWr ~ '3i'li10:41 :F~I< -ft (3) q<!J - fcl '+J>~ 0 1 -ft .(4) q<!J -?1T -ft

13. Vstad Nathookhan was specially known for Playing:

(I) Paran (2) Gat (3) Kayada (4) Vthan

0@0: '1"'i 1SiT fcr~ <'.'i<r -ft 5lfB'il "'t : (1) 'n:'1 "'f'IR <f; fW:1: (2) 'R'I "'f'IR <f; fW:1: (3) ~ "'f'IR <f; fW:1: (4) ;JOFf "'f'IR <f; fW:1:

14. Sam, Visham. Ateet, Angagat are the varieties of :

(I) Jati (2) Yati (3) Gati (4) Graha

wr, fcrofq, ~, '3i 'i I' 1<'1 i't ll"'IlR l! : ( I ) "l1ftt <f; (2) '1"f<r <f; (3) '1f<r <f; (4) lIi'i <f;

15. The Value of Drut and Viram is unchangeable in Karanatik taal system:

(1) Correct (2) Doubtful (3) Wrong (4) Can't say

. 'Ii'i\C'Ii i'!R'f q'ilRi if ~ ~ fcr<Jl1 'liT ''IT'1 'It! "I0:<"1i:t1 ~ :

{I) mn (2) fi<\~lfqO:

(3) 'T<'T<1' (4) ~ 'It! ~

6

Page 6: M.Music Tabla

12P/262/6

16. Who is the Author of "Tabla Kaumudi" :

(1) Sudhir Saxena

(3) Bhagbat Sharan Sharma

'\'f<[ffi 'iii ~' ~ <il <Sl 'fi ~

( 1 ) ~.m- l:i <ffi '"II (3) "1'1"1<1 ~R"T ~l1'If

17. The Smallest unit of Taal is :

(Ii Avartan (2) Matra

(2) '1"lm

18. Japtal belongs to :

(1) Tistra Jati

(3) Mishra Jati

$1q<1I.1 ~ "llfu ~

(2) Pagaldas

(4) Sataynarayan Vashisth

(2) ql'I<'1~1l:i

(4) l:i «l '"II {I <I 0 I qf:/11!O

(3) Vibhag (4) Sum

(3) fcr"1I'1 (4) @I

(2) Chatustra Jati

(4) Khand Jati

(1) fu;r "llfu (2) "l"!f>I "ITfu (3) fl:m "ITfu

19. Tanpura is mostly tuned in :

(1) Ga Pa Sa Sa (3) Sa Ni Dha Pa

(2) Pa Sa Sa Sa (4) Ma Dha Sa Sa

ctl'"l:!<1 ~ l\'l m if fi:I<'1I<lr "fRIT % : (1) 'f 'I mm (2) 'I "fIT "fIT m (3) m oft 'l" '1(4) ." 'l" ~1i "fir

7 P.T.O.

Page 7: M.Music Tabla

12P/262/6

20, Ustad Hazi Vilayat Ali is well known for his:

(1) Peshkar (2) Kayada (3) Relas (4) Gat

'3ffi I" N"fi F.f<l"'<'1"'lrTI<1"'(1 '3W!t ~ m 'G: ~ :

(I) i'tliT'fiT"{ <I> fW1: (2) '!>1<1<U <I> fW1: (3) tffi <I> fW1: (4) 'Tffi <I> fW't

21. There are the essential parts of a Taal :

(1) Matra, Vihha, Kriya (2) Matra, Avagraha, Tali

(3) Matra, Dugun, Khali (4) Sam, Matra, Peshkar

fi1im <1Tiif <I> fW1: ,,'T'flT 1iFrr '31lC[~'f'fi ~ :

(1) "ll""!T, Fcr<rrT, ~ (2) "ll""!T, ~ , ~

(3) "ll""!T, ~, ~ (4) "fIli, "ll""!T, q~T'fiT"{

22. The definite "Bol-Samooha" of Taal is called:

(1) Man (2) Theka (3) Tali (4) Avartan

<1Tiif <I> ~ oi't<'l" ~ <m ~ ~ : (1) lIT'f (2) ~ (3) ~ (4) '3'11<1'<1'1

23. The number of Deshi talas described in Sangeet Ratnakar are:

WWr {AI'!>{ it qfUf<r H 'l\l ~ ~ : (1) 108 (2) Ill, (3) 109 (4) 120

24. Which one of the fol1owi~g is not an Avanaddha vadya ?

(1) Dardur (2) Panav (3) Venu (4) Pataha

f.1 '"'1 R1 fum it ~ CliA" -m '3'1 Cj '1 'G: ~ ;fflI ~ ?

(1) $ (2) qvrc( (3) ~ (4) ~

8

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12P/262/6

25. Brahma taal has:

(1) 9 talis and 5 khalis

(3) 11 talis and 3 khalis

¢1~<11<1 if ~ %- :

(1) 9 ;m;fi <fm 5 lSIR'fi

(3) 11 ;m;fi <fm 3 lSIR'fi

(2) 10 talis and 4 khalis

(4) 8 talis and 6 IIhalis

(2) 10 ;m;fi <fm 4 lSIR'fi

(4) 8 ;m;fi <fm 6 lSIR'fi

26. Ustad Abid Hussain Khan belongs to:

(2) Delhi gharana I, : j Lucknow gharana

13) Punjab gharana (4) Farrukhabad gharana

'3«11~ ~ ~ W ~ 1':I"if.t >i'1 lOIR1f.1fq tI ?

(1) <1<§1'10i (2) ~ (3) ~ (4) Lf)<:\<§II"!T~

27. The tal of Karnatak sangeet which corresponds to Hindustani Roopak

taal:

(1) Adital

(3) Roopakam

(2) Mishra chapu tal

(4) Jhampa

. 'h'1k'h WiRf 'liT ffi<iT ;>ft ~ Wllff >i'1 ~ ffi<iT >i'1li~~r l'(

(I) '>11fe<<1I<1 (2) f<r« "U:);<1I<1 (3) ",qi;ji'l (4) wqr

28. How many matras are there in chachatput tal?

(1) 6 (2) 8 (3) 10 (4) 12

9 P.T.O.

Page 9: M.Music Tabla

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29. The frequency of Nada depends upon:

(1) Pitch (2) Magnitute

(3) Timber (4) Harmonics

'l!i'i 'lit (lllo<\l('l'1 "ff&rr f.1'4<: ~ ~ ~ 1:fl: :

(I) = (2) mcr- Q$IQ'1

(3) "IiT"O (~) (4) {1 ,lI''1Cf) 'l!i'i

30. Consonace in the swaras of sea Ie depends upon:

(1) Vibration of the string (2) Pitch

(3) Frequencies of the vibrations (4) Vibrator

U'(jCf) of; B1if Cf)[ 'l~{ ~ ... R'4<: ~ ~ ~ 1:fl:

(1) i"fR Cf)[ "1M" (2) "'" 'lit <'11 {<'11

(3) Cf)"'I'11 'lit u-qn{>A"1T{ ~

(4) ~o'f '3~ ~ <R ~ <R

31. The author of 'Bhartiya Sangeet Vadya' is :

(1) Acharya Brihaspati

(2) B.C. Deva

(3) Lal Mani Mishra

(4) V.N. Bhatkhande

'11 <.ct\"l W1m <'!TU g«1Cf) of; ~ ~

(1)~~

(2) ~hmo ~

(3) <'IWf l1fUr ftr'loT

(4) cITo 0;'10 '11<'1<S1 og

10

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32. Gharana is known for Kaiyda of Adi Laya :

(1) Delhi Gharana

(3) Ajarada Gharana

(2) Punjab Gharana

(4) Lucknow Gharana

~ <'f'! it; 'hI'!<if it; ~ l!fft~ >:RI"IT :

(1) ~ '1(1'11 (2) ¢iITor E1{I'11

(3) "N1<I91 E1{1'11(4) <'1<51'1\£ 'I {1'11

33. Bharat's Natya Shashtra deals with Taal in its:

(1) 29th (2) 30th (3) 31st (4) 32nd

>ref it; '11~"I~II*", if ('fRif ~ ~"'I~ WI!ll f<Iffi "ll!>ll"l if ~ ?

(1) 29 eff (2) 30 eff (3) 31eff (4) 32eff

34. Taal-symbols of Atth-Taal is :

'l1i5-('fRif it; ('fRif-~ 'f<lT ~ ? (1) 1 (2) 10

35. Tabla-Taranga Produces:

(11 Raaga

P) Basic-Note only

36. Jal-Tarang belongs to :

(1) Tat Vadya

(3) Avana.ddha Vadya

11

(3) 101 (4) 1100

(2) Taala

(4) Mandra-Shadaj only

(2) ('fRif

(4) ~ ~ "f9'if

(2) Sushir Vadya

(4) Ghan Vadya

P.T.O.

Page 11: M.Music Tabla

12P/262/6

'''K'! Cli"'T' f<lm cpf 'Iif "Ifill ~ ? ( 1) "ffi1: "Ifill

(3) <>l CI '1 "" "Ifill

37. Number the Angar of Taala :

WOl of; -Wr fiiict'i mff It ? (1) 4 (2) 6

(2) WR: "Ifill

(4) "f'1 "Ifill

(3) 8

38. Name of the teacher of V stad Alla Rakha Khan is :

(4) 10

(1) Saddu Hussain Baksh

(3) Quadir Baksh

(2) Faqueer Baksh

(4) Mau1a Baksh

3@<'; ~ ~ of; ~ 'liT 'WI ~ :

(1) ~ ~ ~T (2) 4i<iil< ~ (3) 'lil[&< ~ (4) ..rr-0lT ~

39. Name the writer of Mridang saagar :

(1) Pt. Bhairav Shahi (2) Pt. Bhagwan Oas

(3) Pt. Bhawani Oas (4) Pt. Ghan Shyam Pakhawaji

'~-1iIl'R' W"l of; Wsr'li 'Iif "if'! ~ :

(1) 10 "Rf WW! (2) tio 'i'IClI'1 <mf

40. Nana Panse hails from:

(1) Vjjain (2) Indore (3) Dewas (4) Oatiya

'1T'1T qr;ffi 'Iif W"I.<:f .~ it ~ ?

(1) 0'''§1'1 it (2) ~ it (3) ~ it (4) <,;R\<tl it

12

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41. Raja Chhatrapati Singh Plays:

. (1) Tabla (2) Pakhawaj (3) Nakkara (4) Dholak

'nGfT E§"IQR1 ~ 'I"1T -m it ? (1) ~ (2) QISlI<Pl (3) '1<t<6HI

42. Vishnu Taal consists of :

(1 ) 11 Matras (2) 13 Matras

(3) 15 Matras (4) 17 Matras

~ <'1R'f if f£h<1;fl "11"11(( t?Kit ~ ? (1 )

~

11 "II"II~ (2) ~

13"11"11~ (3) 15 "II"IIQ; (4) ,

17 11T"~

43. What does Patakshar denote?

(1 ) Matra (2) Laya

(3) Yati (4) Varna

'~'q;r~~

(1) 'Iffi (2) <'[q (3) "Ifff (4) c!"f

44. Taal Addha-Titala is best suited to :

( I) Dhrupad (2) Khayal (3) Thumari (4) Tappa

''l1?J ffctL<iIT' <'1R'f f1Im. '1I4'1i1 <j';~~~ ?

(1) !!'I" (2) lS4T(i[ (3) wrtt (4) CUlT

45. University only for Music and other fine arts is situated at. :

(1) Baroda (2) Varanasi

(3) Raigarh (4) Khairagarh

13 P.T.O.

Page 13: M.Music Tabla

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~ WWr q 0F<I otRl<1 <!><'IT'3l1 <f; ~ m Wl!l1<1 fcr~CjPci,uw'l q;lif

1R W:R! ~ ?

(1) "I ¥I 0:1 (2) "II (I 01 fll (3) 'U<!'Iq; (4) <§I{I'Iq;

46. While accompanying Tabla / Pakhawaj is generally tuned in :

(1) ShadaJa (2) Gandhar (3) Madhyama (4) Paochama

Wm ~ <11'f<i" \1OR'IT 14@CM ~ I '11 '""1<1: Pciffi "'" if fl:Iot 1<11 "IT<1T

. ~ ?

(1) ~ (3) l'f'Z!'l

47. Taansen was accompanted by :

(1) Tabla (2) Pakhawaj (3) Dholak

<11'1 B'1 <f; ~ ~-ffi <1R'f CITi!.l ~ ~ ?

(1) <1CfZ'lT (2) q@C1"1 (3) ~

48. From where is Raga evolved:

(1) Swar (2) Nada (3) That

(1) "'< (2) '1l'l: (3) "'IlC

49. Music instrument named upang belongs to :

(4) <i'ql;r

(4) Nakkara

(4) '1%1<1

(4) Aroh

(4) ~

(1) Tat-vadya

(3) Sushir-vadya

(2) Awaoaddha-vadya

(4) Ghan-vadya

( 1 ) <1CJ: crre:r (2) '3lCI"'l<&: crre:r (3) W'R-crre:r (4) ~-crre:r

14

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50. Navahakka necessarity includer in itself:

(1) Kayada (2) Peshkara

(3) Tihai (4) Tihai within Tihai

'iCl~%1 -if; 'I<l",q if 01JC[lI<:f'Ii 'E\Y ~ '<'IT tlfl'<litl<l .mrr ~ "" ( 1 ) 'Wl ~ 1 (2) q-~T'IlR

(3) fffim{ (4) fffim{ if fffim{

51. Who wrote the book "Table Ka Udgam Vikas Va Vadan Shaliyaa" ?

(I) Abanmistri (2) Yog Mayashukla

(3) Girish Chandra Shrivastav (4) Satya Narayan Vashishtha

"~ 'Of 0<;"1'1 Pci'hltl q """" ~" "fl1'T'h gm'h f'IiWt fi?reft ~ ? (1) (l1ICiI'ifi'l'bfl (2) .wr '11'11~ (3) fl'Ifu~ 'lilClI«1'1(4) ~ 'iR1CfUT ~-

52. Which is related to "Visarjitam" ?

(1 ) Kal (2) Marg (3) Kriya (4) Ang

~flfGit1l=t 'Of W"i .... fittlfl ~ ? (1) 'hT<'f (2) 1lPf (3) fWlT (4) .3*'1

53. "V ho has been awarded 'Padma-Shree' in 1988 ?

(1 i Kishan Maharaj

(3) All Rakha

15

(2) Gudai Maharaj

(4) Zakir Hussain

(2) :JG{ %'ffi"f

(4) "lim sflTf

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54. Atit and Anagat belong to :

(1) Jaati (2) Prastar (3) Grah (4) Marga

~ q 31'11'1<1 flhflif; ;Wf % ?

(1) '3'fIfcf (2) ~ (3) J:T<? (4) "'IT'f

55. Which style of singing "Khemta Taal" belongs to ?

(1) Drupad (2) Khyal (3) Dhumari (4) Bhajan

"<§l '"1 cl C!R'f" flhfI" 'll"f'f " '!it C!R'f % ?

(1) ~ (2) &lR'[ (3) S'ffi (4) 'f3I'i

56. Name of the writer of "Taal-kosh".

(1) Aban Mistri

(3) Girish Chandra Srivastav

(2) Yogmaya Shukla

(4) Chotelal Mishra

"C!R'f-<firq" ~"ll if; &l<:.~"ll <f,r;, ~ ? ( 1 ) <l1"\GI"R fl"w.;lt (2) 41'1'"11 41 ~

(3) fl'rt't~T <R'< ~ClI«1C1 (4) ~ 0lR'f fi:rm

57. Name the layakari formed if ,)haptaal is adjusted to kaharawa 08

, matras from sam to sam?

(1) Paun Gun (2) Sawai

(3) A"di (4) Paune Do Guni

'If&" ill q <11 Z'I <it "ll'l {Cil (8 '11m) if "fI"'! -« "fI"'! <1""ll lmsrr ;:;n<1 <iT <f,r;, "ill Z'lCI"ll1 {J ~ ?

(1) <l'R Tf (2) ~ (3) ~

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58. Measurement of Dha lying on the first Matra of Taal Jhumara ?

1 (1) 1-

4 (2) 1~ .(3) 1

59. Taal having Taali on first, eight and twevelth :

(1) AdachartaaJ (2) Gaj-Jhampa

3 (4) 4

(3) Pancham-Sawari (4) Chartaal Ki Sawari

~, ~ ~·€iI(~<Il "II"IT 'R ~ ~:

(1) ~-'m<"ll<il (2) 'f"'[-w<IT

(3) ~ ,,",clll'l (4) t1I«11<i1 ~ ,,",cul'l

60. Which class does kartaal belong to ?

(1) Ghan (2) Sushir (3) Avanaddha (4) Tal

'Ii (<"II <iI ~ "f'f CfIT crn:r ~ ?

(1) ..., (2) WR (3) "*1 "I "" (4) ffi'{

61. Name the place where Hari-vallabh festival is held every year . . (1) Agra (2) Gwalior

(3) Mathura (4) Jallandhar

(1) 01l'T(T (3) ~

62. Which fraction depects Paun-Gun ?

(1) 5/4 (2) 4/5 (3) 7/4 (4) 9/4

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63. Taal Dhumali is best suited to :

(1) Thumari (2) Dadra (3) Kajari

ffi"(if ~ f4i\1<6 ~ ~ ;jq:'!*1 ~ ? (1) ~ (2) = (3) 'li'iffi

64. Which system saptasuladi Taalas belong to ?

(4) Bhajan

(4) "I"f'f

(1) Hindustani Taal system

(3) Western taal system

(2) Karnatak taal system

(4) None of these

<1'Gf"'Kf ~ ? "B'{'f t!<!IlfiI" ~ f4iB .. ~ ~ (1) m':), ,fll oft ffi"(if ~

(3) m"!T«! ffi"(if q<&:Ri

(2) 'I>'1k'li ffi"(if q<&:Ri

(4) l<'fi'f ~ <€t{ '1tf

65. Which is the thing having no room for expansion?

(1) Kayda (2) Peshkar (3) Rela (4) Gat

f4i<1't?1 fCi<f11 { .,oft lit <f'IICTf ? (1) '1>1<1<;1 (2) q~l'!iT{ (3) 'ffir (4) 'l<i

66. Which is closer to Poorab baaj ?

(1) Taasha (2) Nakkara (3) Ubang (4) Pakhawaj

'!"'f "Il"1 't?f \T<[ffi Rh<1B ~ = ~ ?

(1) ClRTT (2) "W1>!{[ (3) '3'M (4) q@qVJ

67. What wm be fn.lm of Teen ta81 (Hindustani) if written in Karnatak Taal system ?

(1) S51 (2) I IS (3) S5S (4) IS I

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68. In the Saadara Style of singing the Taalas used. have Matras ?

(1) Eight (2) Ten (3) Twelve (4) Fourteen

fM(1 '11'1<61 if i<l><l4'l tom <61 <1rnt 'ffl" wi'M ~ ~ ?

(1) 3lTO (2) Gff (3) ~ (4) ~

69. Name the Layakari in which five beats are shown in four beats?

(2) Der Gun (1) Paun Gun

(3) Sawa Gun (4) Paune Do Gun

'1fG- ~ 'IT"5ITaif if qlq 'I1'1Ii! ~<SI14 ;;nil' <IT 'ffi <iI'1'1i1 {l '1ft 'flIT

~>t ?

(3) (lCiITt (4) ~ <fr Tt

70. What layakari is represented by 3/4 ?

(1) Aad (2) Kuad (3) Biad (4) Paungun

(1) 3m? (2) ';§3lT9 (3) Pl'1I,\,>

71. Which Dhatu has formed the word Tal?

(1) Tal (2) Tol (3) Tala (4) Tara

ffi<'f ~ i<l><f 'lIg 'ft "f"fT ~ ?

( 1 ) ffi<'f (2) <'i't<iI' (3) ffion (4) <IT-$1

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72. How many 'Dha' in the composition of Kamali ?

'h"ll<'fl <'i'AT if ~ '>IT' 1M ~ ? (1) 9 (2) 27 (3) 18 (4) 3

73. How many percussion instruments used in North Indian classical music?

(1) Two (2) Three (3) Four (4) Five

~ ~"'l=I(""dI='"1 ~1I~'"1 Wfmif ~ 0l'l'1'i& mm 'liT wWr m ~ ? (1) <U (2) <fR (3) <!IT (4) q"fq

74. What is called equal rythem of time in music ?

(1) Laya (2) Kal (3) Kriya (4) Ang

wr<r ~ WfFI '1fu ~ W!m if 'f'lT ~ ~ ?

(I) O'ill (2) 'IiR'f (3) F.I;<:rr (4) -3'M

75. Which form related to Masitkhani Gat?

(I) Tantra Vaday (2) Tabla

(3) Pakhawaz (4) Kathak

.lftr<1<S1141 'T<f f<t,-f! f<lm ~ . .roTf<r-<f ~ ? (1) ~ crra (2) Cf<R'IT (3) q<Sll2lG1 (4) ~

76. Which Gharana called "Banda Baj" ?

(1) Banaras Gharana

(3) Punjab Gharana

(2) Ddhi Gharana

(1) ('"~:t:jl<fl mFfT

(3) <iG1l"l EI (I '11

20

(4) Lucknow Gharana

(2) ~ mFfT

(4) <i1 <Sl '1;£ mFfT

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77. How many types of Sashabad Kriya ?

(1) Two (2) Three (3) Four (4) Five

WlIOi'\ ~ 14iaot lI'!iR 'lit .mft ~ ?

(1) ~ (2) <fi;;. (3) "IR (4) ~

78. Tabla's bois are similar to which ancient instrument?

(1) Dardur (2) Panav (3) Pushakar (4) Pakhawaz

~ <f; offi;r f<h<f lOIl41'1 qm ~ it<'f ~ ~ ?

(1) $ (2) q"fC[ (3) ~{ (4) 'RSI~

79. What is the base of Tabla Playing?

(1) Sarangi (2) Harmonium (3) Lahara (4) Violin

?l'Wf "IT'l:'f f<h<f ~ 'R f<h<rr GfIm ~ ?

(1) <lINl (2) !!1<<nf.111'l (3) ffim (4) CfFIlWr

80. Which notation system is used mostly to write Tabla composition?

(1) Bishnu Digambar (2) Karnatak

(3) Bhatkhande

(1) ~ [a.'I"'!'­

(3) '1ItHS1<%

(4) Western

(2) 'l>'1\e",

(4) 'm~

81. Which is llsed in the end of composition in Tabla?

(1) Tihai (2) Rela (3) Paran

21

(4) Tukda

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~ if ~.an "OT WlIq'1 !4>\ii'f ti'Im ~ ?

(1) ~ (2) 'tffi (3) 'K-l (4) ~

82. How many matras will complete one Avartan Chaugun of kumbha

taal ?

(1) 2 ~ 2 (4) 2 4"

83. Which sign is used for khali in Paluskar taal system?

q<j~{ ffiOf q",Rl if 13R'it 'iii 'I"lT ~ ~ ?

(1) + (2) 0 (3) (4) x

84. How many types of "Yati" are there?

(1) 4 (2) 6 (3) 5 (4) 3

85. Khanjari is called in Maharashtra ?

(1) Dimri (2) Khanjari (3) Dap (4) Chimta

(§j Gj {j 'lit 'it! I{ I ~ if '!i\iT 'l'IR'fT ~ ?

(1) f&'i~ (2) (§jGj{j (3) ~ (4) ~'i"1

86. Dardur Vadya is similar to this vadya :

(1) Dholak (2) Nal (3) Ghare (4) Nagara

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(1) <ili!l<li (2) <fR'I

87. ·Ud. Sabri Khan' belongs to :

(1) Delhi Gharana

(3) Punjab Gharana

3«11& Iillcil{l ~ ~ilj~<1 ~

(1) ~ EHI'11

(3) ¢;rr<r 'lW'IT

(3) ~ (4) ;~

(2) Lucknow Gharana

(4) Farrukhabad Gharana

(2) i!I<!iI'13i EHI'11

(4) 'b:eli<!llarl& 'lW'IT

88. How many Gharanas of Pakhawaj ?

(1) Two (2) Three (3) Four (4) Five

(1) <it (2) <ft;i. (3) "'"' (4) t:i'fq

89. Ada of Tal 'Pancham Sawari' will be. of :

(1) 10 matras (2) 15 matras (3) 14 matras (4) 18 mOIras

(1) 10 "11m (2) 15 "11m (3) 14 "11m (4) 18 >=rr-,n

90. Uttar Pradesh Sangeet Natak Academy is situated at :

( 1) Lucknow (2) Allahabad (3) Kanpur (4) Banaras

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( 1 ) <iI <51'1'3, (2) ,,<ilIiWiIIO:

91. In which vocal style Dhamar Tal is used?

(1) Thumri (2) Tappa (3) Dhamar

(1) ~ (2) <!"IT (3) ~

92. Who has invented Tabla?

(1) Ud. Jakir Hussain

(3) Pt. Ravi Shankar

(2) Amir Khusro

(4) lmdad Khan

~

. ~ '!iT <>lIP<! "'f) f( f<l> ~ '1

(1) '3'R110: "11f<l>( ~

(3) <to ~~m (4) ,,'"10:10: W

93. Write the following chronologically:

(1) Dhundubhi, Pushkar, Pakhawaj, Tabla

(2) Tabla, Pakhawaj, Dhundubhi, Pushkar

(3) Pushkar, Dhundubhi, Pakhawaj, Tabla

(4) Pakhawaj, Tabla, Pushkar, Dhundubhi

"'I<iI,*'"Ili~1 ( qi!illPlil :

(4) "I'1IHf

(4) Khyal

(4) 1S!!T<iI"

(1) ~, ~, q@ICl"1, ~ (2)~, q@l'l"1, ~, ~

(3) ~, ~, Q@ICl"1, ~ (4) Q@lCl"1, ~, ~, ~

24

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94. Which discipline comes Acoustics ?

(1) Physics (2) Sangeet (3) Science (4) Chemistry

"'If.r~ f'Iffi ~ <6 .:mrsm 3lRIT ~ ? (1) <!lRl~ (2) WIt<'! (3) ~$II"1 (4) "ffiT'I"I

95. While accompanying Tabla/Pakhawaj is genaraly tuned in :

(1) Shadaja (2) Gandhar (3) Madhyama (4) Panchama

WRr 'Iffi't wr<I <I<r.IT/q«lI<l<il <:11'11"'1<1: f'Iffi ~ if fil(i1l'1I "lfffi t, : (1) ~ (2) 'fFtffi" (3) 1f'Z!"f (4) $It!

96. Tabla-Tarang is meant for Producing:

(1) Raag (2) Taal

(3) Basic Swar (4) Basic Laya

<I<r.IT-m "1m ~ '!<IT ""'3«1"""1"" ~ "11m ~ ? (1) "U'T (2) <ffif (3) -3lT=I!I=I(~~=<1 ~ (4) ~ i;rz:f

97. Which Tal is Visam Tal? (1) Dadra (2) Kaharva (3) Rupak (4) Kbcmta

f.'!>o1 if ~ ~ "fft fl'rt¥r ~ ~ ? (1) ~ (2) 'h<!'(cll (3) ~ (4) @'"!i!1

98. Which taala has got Tin Tin on its 7'" and 8'" Matras ? (1) Ada Chartaal (2) Tritaa1 (3) Tilwada (4) Jhumra

<:1I<1cfl, -mocfI "IfJU~ 'R (m, m) quf f'Iffi <ffif if 1M ~ ? (1) <3'I19T "II@'" (2) <fi'1<1I'" (3) R1wH91 (4) ~

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99. Give the name of taal which is started with khali ? (1) Rupak (2) Dadra (3) Kaharva (4) Sultaa1

~ ~ ~ ;Wt "ffiii\ mol 'fiT <rr<r "Id hi'{ ? (1) ~ (2) ~ (3) 'fii! (CI I (4) 'i<'ldl<il

100. Which Gharana Famous for fard ? (1) Banaras

. (3) Punjab

q;<f f'lffi .:rWt CIit fcr~ % ?

(2) Delhi

(4) Furukkhahad

(1) "1'11<"" (2) ~

(3) ~ (4) q;<;l;<SIIClI'"

26 200

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31""1ffi~'f 1$ t~ f.t~1

(pr g/fdq;, i/; 11I!N 3IT<fl11T 1'" Q/ rrfITT 3lf'(·w i/; ~''{'Ol'rrr

i;;<n;r ;fWff. ~ >fTM. ~ ~ It 'II fmj)

1. llTo! 3f('{l'61 1ir.f.t ~ 10 ~ ~ 3R\;iT ~ <'f flI; ~ i'i 1l'1l '['Il' ~ t ~ ~ llTo! ~ 'I'@ ~I W('{l'61 ~I"'l'" <nil ~ ,<, ~ 'i"T'!T ~ <h8:l-~ qir ~ ~ JTlI'!1l'I' 'lit ~ 31+<1'61 lIT'<i' ,,;{ till

2, ~ 'l'R i'i /Mq;,q;, 'dtrr11lffl.f11(~' Oifilfi<F1l, fum 'IT ~ ~ m ~ '6f7R[ _

i'i 'I "('![ifl

3, iiWT· W 3II'FT It ~ "'" '1 ,-R , ;it ritlaitr , 'II fi1f;1r;#1 iJITI iiWT· W 'Iff ~ ."VTTTI ~ iiWT· W 'IKT 'II 'tRiM fiIror ,,*,"1

4. 31'RT 3i 1'"" i'6 a>!f <!W -'fj[ 'liT ~ >!>l'l 3lT'ro'T-'['Il' 'n' iR "il f.!>:Ilfu! """' 'n' ~I 5, iiWT - W i/; IT"", 'l'" fIT ~ IT J.'tR! ;J'-c{Ji'qf.,; f.mffi"d ffITT'I lIT f1;rrJ'"irfITT ;flit ~ ¢ 11ft

'"" <lIT ~I om-.om- 3IT'I,,4q; it I'iOf PF,-qffit." 11fT 1IfI1iq; ifl/IT ~ 'IKT """'. f'Iff.if lIT nl

6. offo l('l'o 3(f!'0 "" rrr 31'j""'"'lI'. Til§lI;: ,7~"'Jfiaq;, 'fkIm or ~ 'fkIm (~1Ift( it) ifl/IT

.''''gfiaq;, lIT 3ij ... iq; aitr offo ,,",. >IT" W lhm 11ft .Rm!ql'it' •• fi#l .. ~ 11ft 3Il"frr '1(/"1

7, a$1Ifi1 """ftJ"'4>i1i' it'lIft( oft .l1aif.l <&(1 f.nTli!o; 1m •• ,iVld "", lIIIf# ;J(:<TfITT.,. Ii'" ~

'fI'II1'I 'IKT ll'I7rr """ ,,*,"1

8. """-g/fdq;, if ~ """ i/; <trr ~q;,~ifi .,rfi;it m1 ~i ~ """ i/; iJq;fiiilq; _ i/; fffiI; 3/IIlIIft iiWT· W 11ft RlIJIf.ik1 >ifiir ~' m>r.i ~ 7TiJ 1{17 11ft iiWT - wi/;""", 'l'" lIT ~ 7TiJ ~'i/; 3Ilm7 ~ It '"" '""" tl

9. ~ llTo! ~ <!W ~ fffil: ~ ~ ~i 'F! qir ~ q;i:1 1("6 ii om ~ qir ~ m 'n' 3I"!'!T 1("6 Tf qir 31'I"f '1B 'n' 'f;r <!W 'Tffi! "!RT ~ I

1 0, .."" f{ fq; Ii'" lIT!' 1>lT'tI1J.T{T 3itif,7f Off ( ~''J'fr <tI' "IT _ it I ~ 3IIt1 f<I;fiI """ 'IKT iiWT

'I(/';f.Ir ;m# t; ;it ~ rifiFIr ;r, m>rl '/frit 7TiJ ;Ttf/ ¢ 11ft m1'fI 1ft, ~I # 1IFif lIT ~

~~ orrifitl

11, 1)<; q;rt ~ fffil: ~-"-'ffii1'IiT ir; ~ :t or;( 'ITffi '['Il' a>!f <!w-~'61 ~ aifu'r! '['Il' q;r J!'i)1j q;1' I

12. • ~ <mRf ~ off l('l'.m; :.I'iIT:zr". 'l'R i'i ;;p:rr <61' ~I

13. ~ WIT'<f m;t "il ~ 'fiT~ '1'('1 ft .. '" ~ '1ft ~ 'I'@ titrITl 14, 'If<; ~ 3l'''l'if ~r iT 3lV'-l11 <1l~';il "ll[oJrr q;mr t, m'1\l f.H'If"'illiil'l mr R~fr(M

<is q;r!'lit, 'IT'ft WTrltitrITl