mixed media and color 2014
DESCRIPTION
Glenn Hirsch, Instructor www.glennhirsch.comTRANSCRIPT
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Color and “Light”
Glenn Hirsch
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What is the ‘real’ color of the house?
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The ‘real’ color doesn’t exist independently of the light
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Monet painted ‘white marble’ in different times of day
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theatrical light
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Chiaroscuro light the object emerges from deep shadow
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Theatrical light is the spotlight
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theatrical ‘back-lighting’ the light comes from behind the object
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Melissa Miller
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Hirsch
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Monochromatic Color Schemes
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Glowing, mystical, supernatural light
the light is coming from the object
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Hirsch
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Hirsch - Antediluvian Sleep
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Fred Martin
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Monochromatic Color Schemes
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Monochromatic color schemes enhance a particular mood
Wolan Huang
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Tom O’Neill
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Nathan Oliveira
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Francis Picabia 1913
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color theory and ‘light’
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“value’ = the black-and-white of the color
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Black and white is the “value” of the color
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Since color is “relative,” we use warm and cool versions of each color to enhance the feeling of “light”
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Chromatic scale to enhance the illusion of “light”
Lighter value in the light
Brighter intensity in the light
Warmer (orangey) red in the light (vs bluer purplish) in the shadow
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Chromatic scale
• Light to dark• Bright to dull• Warm to cool
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Chromatic scale
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Georgia O’Keefe
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Abstractions in a Lost Tongue
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Pyre
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Maya Planet
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Transfiguration
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After the Flood
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Creation Myth
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Night Spirit
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Quintessence